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#and its blissful
thechekhov · 1 year
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ah, childhood.
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kindaorangey · 1 month
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hey guys when you say the ark boys were born to be together can you include bliss lai in that as well? the ark boys and bliss lai if it's not too much trouble thanks guys
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gunstellations · 8 months
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gentle mornings
#alternatively titled - when your papas have the audacity to cuddle without you#kazurei#buddy daddies#i like to think they didnt really do cuddles much except when rei has a rough night and kazukis warmth and safety is the only thing that#can let him get rid of the anxiety and nightmares#he wouldnt ask for it#it would be kazuki dragging him to bed at first#rei reluctantly but in his weakened will the times hes slept together with miri and kazuki has been the times hes somehow always#managed to go out like a light as soon as his head hits the pillow#even he himself doesnt understand and he doesnt attempt to and he doesnt realise#that its safety and warmth and protection and peace#and thats the only reason he would let himself be dragged to bed#but#eventually when you have had the taste of something so good in the place of chilling nightmares and restless darkness that feels no less#safer than the light#your heart becomes indulgent#and rei will gently and wordlessly ask for an invite to the warmth again#its fulfilling and blissful when the three of them are together#but with just kazukis body enveloping him against the night its a different kind of comfort. even in his sleep he would clutch onto it#thats a tangent right there huh.....anyway. miri would be absolutely betrayed in the morning when she finds them snuggled up#she gets her cuddle time with her papas too then#one big pile of a warm and happy family#yes this is pre relationship yes they would do that yes it is possible#if you got this far thanks i guess jajdjfjs ill hopefully colour this soon but i dont know really so im putting it up here#my art
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ruporas · 1 year
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bound to want (part two) /// part one rest of pages under READ MORE after ID
[ID: 23 page digital comic of Vashwood from Trigun Maximum. The comic is in a limited palette of a dark blue, light pink, white, black, and a light beige color for Vash's skin and a mid-brown color for Wolfwood's. This comic is the second part to "Bound to Want" and is spoiler-free. The first part is linked here.
It begins with a panel close up of Vash's expressions. The sky colored in dark blue can be seen behind him. He has a neutral expression, but he holds a slight frown and the reflection of his glasses covers one side of his eyes. Wolfwood says, "Hey. What's with the distance?" In the second panel, the shot widens to show both of them, a clear physical distance separating them with Wolfwood walking ahead and Vash trailing a little behind. Vash responds, "What? I'm just walking a bit slower today..." Wolfwood looks at him with a an irritated expression, clicking his tongue. Wolfwood says, "I was going to wait for you to start... But yer just running away away."
Vash is seen looking away, unable to hold eye contact with Wolfwood as he continues, "You've been avoiding me since that night. Did ya think I wouldn't notice? It's about that dream, right? Tell me about it already if you're going to be moping like this." Vash looks slightly downwards, his brows furrowing and he starts to walk ahead of Wolfwood without looking at him and responds stiffly, "I really don't want to talk about it..." Wolfwood looks at him with a surprised expression, but doesn't probe.
A panel close up to Wolfwood's eyes as he watches Vash go on ahead before he follows suite with an irritated sigh. The panels are overlapped by Wolfwood's hand holding the bottle of the Bride with motion lines, indicating a transition in time.
A wide shot of Vash and Wolfwood in a room now. Vash is seated, his back turned away from the viewer, while Wolfwood's body faces the viewer with his eyes looking towards Vash. He rests the bottle of the Bride on the table with a "clack" and his other hand holds two shotglasses. The background is coated in a light pink.
A panel shows a close up of Wolfwood's face, his eyes looking downwards to Vash as he says, "Let's drink." Next to this panel is Vash looking up at Wolfwood, his brows furrowed and a slight frown. The bottom half of the page is a wider shot with Vash's body turned away from the viewer as he says, "I'm not going to talk about it." Wolfwood responds, "You don't have to." as he sits down.
A wide panel of Wolfwood holding the shotglass, pouring in the drink as he continues, "I'll talk." The next panel is a profile view of Wolfwood, his eyes looking down at the now filled shotglass as he continues to say, "You're..."
"... upset with me." Vash can be seen next to this speech bubble with narrowed eyes, looking towards Wolfwood. The panels are all coated in with a dark blue background. Wolfwood continues, "I can't be certain why since yer not telling me a thing -- but it's probably... my bad." The panels show Wolfwood about to bring the shotglass to his mouth but he turns way as he continued to speak, his eyes not on Vash. The bottom page shows him looking away completely with a guilty expression as he says, "I'm sorry.
If you can ever tell me why, I can try and adjust to make it more bearable. But if you're just trying to get rid of me--" The panels follow Wolfwood's certain expression as he says this, "I don't intend to leave you. I can't... and I won't." A panel shows Vash's wide-eyed expression, surprised upon hearing this, and then his eyes soften as Wolfwood again concludes with, "I'm sorry."
Vash's inner thoughts begins, a boxed speech at the center of the page and panels of his eyes, his brows furrowing again and a resigned, but frustrated expression. His thoughts starts, "Stop. I shouldn't be happy hearing that. And why are you apologizing? I should be the one to..! I can't let anything like that happen to you. You deserve to live a long steady and peaceful life. I want to be optimistic. I want to protect you, but I might end up doing the opposite." The text surrounds Wolfwood from Vash's perspective, the other man drinking out of his shotglass, his eyes downcasted.
"I shouldn't have you. And you won't leave." Behind these text is a panel of Wolfwood's eyes finally looking over to Vash. Vash's thoughts continues,  "It's so unfair." When Wolfwood sees Vash, his eyes soften and he frowns. The last panel shows the lower half of Vash's face, but tears begins to flow down his cheek. Wolfwood's hand is already reaching to wipe at them as he starts to say, "You know..."
A wider shot of Vash and Wolfwood, Vash slightly leaning forward with his mouth tightly shut, and tears steadily continuing to flow out of his closed eyes. Wolfwood continues to wipe at them with his hand as he continues, "This isn't a dream anymore. I don't know what you saw for you to be this shaken up, but whatever happened, you'll overcome it, right? If not you, I'm here too. You'll be okay, Spikey. So..." Wolfwood's expression grows more tender, "Have a little faith in me... and come back already." The dark blue starts to fade.
The wide panel has the dark blue background faded and replaced is the light pink. It shows Vash in full up to his shoulders, his eyes are still tears littered, but there's light in them as he says, "Wolfwood..." making eye contact with the other. The next panel shows Wolfwood's tender expression, his eyes and brows fully soften and he has a small smile on his lips, finally seeing the other return a level of sincerity with him.
The next panel shows the bottom half of Wolfwood's face and his hand is offered towards Vash for a dance as he says, "C'mon. We don't have to talk, but this is okay, right?" The background is now white and a ribbon flowing across the page separates this panel from the next sequence. Vash's inner thoughts continus, "I've spent too long avoiding this. It's scary to want after I've taken so much from others." A sequence close up of their hands is shown, with Wolfwood's outstretched hand on the right and Vash's reaching hand on the left. Vash gently places his hand in Wolfwood and at the bottom, Wolfwood wraps his fingers across Vash's.
Throughout the page, a dark blue ribbon starts to flow around the both of them with confetti raining alongside the effect. Vash and Wolfwood are hand and hand, dancing together with Wolfwood as the lead. The viewer can see a peak of Vash's expression, full of fondness but also a hint of sorrow as he looks down at Wolfwood. His inner thoughts continue, "I don't deserve this. I don't deserve you. But why is that even though I have these burdens, I still want to love you. I still want you to be by my side."
With a close up of their mouths, Vash's thoughts continue, the text covering his mouth, "Wolfwood, I--" Wolfwood's speech bubble covers Vash's text as he completes his sentence, "want you." Vash's eyes widen for one panel and in the next, his eyes spark, a blush appearing on his cheek and the confetti flows and spark. Tears ease up on his eyes again.
"Want me too already, Spikey." Wolfwood has leaned in enough to rest his head against Vash, a hand of his on Vash's neck, holding his nape and another hand pressed gently against his back. A ribbon separates this panel from the next, a mix of confetti flows across the page, as Vash envelopes Wolfwood in a hug too, holding him and his hand gripping tightly onto his back.
This page is just the ribbon flowly throughout the page on the white background, one white ribbon and the other a dark blue. Near the bottom, the ribbon envelopes each other in a loop. A conversation of Vash and Wolfwood is held over these ribbons, Vash starting to say, "What if I hurt you? What if you..?" Wolfwood responds, "You? How could you hurt me?" Vash, "You know what I mean... You see it everyday..." Wolfwood responds, "If you think I'm going to kick the bucket so easily, I suggest you look at me more closely from now on, idiot. I'm not that easy to get rid of."
The next page has the ribbon criss cross over the top of the page. Vash and Wolfwood can be seen in their dancing position again, Wolfwood now resting a hand on Vash's shoulder, as Vash takes the lead. Vash continues, "Well, I know that... I tried." Wolfwood responds, "But you won't anymore... since you want me... around, yeah?" Wolfwood's head cocks to the side, smiling with assurance, cheeks flushed. Vash looks at him with a wide smile and fond, loving eyes. The confetti flows across the bottom of this page and as it eases into the next page, it starts to disappear.
Vash responds, ".. Yeah... I do..." as he pulls Wolfwood into a hug again. Wolfwood says, "Not going to run away anymore, are you?" Vash says, "No... I trust you." A panel shows Wolfwood's turning away slightly with a shy expression, muttering "Geez..."
In a more simplified style, Wolfwood is seen gripping Vash's cheeks now with his hand, "Though... You do remember you avoided me for two weeks straight, right? How are you going to make that up to me?" Wolfwood asks. Vash responds with eyes closed and a pucker of his lips. A vein of irritation appears on Wolfwood's face. Wolfwood starts to squeeze at Vash's cheek with both hands, shouting, "Now that you've recovered, you're trying to be funny, huh?!" Vash says through the squished cheeks, "I'm just happy..."
The next page opens with a closed up panel of Vash's widen eye as Wolfwood's hand moves from squishing his cheeks to gently holding them and Wolfwood leans in. The inner thoughts starts again, "There's a chance I'm not making the right choice... My dreams, my fears of losing you, it will never go away. But you said you won't let it happen... And I want to hang onto your words closely this time. After all, if it's anyone who can make me believe, it's you."  The white ribbon from previous pages flows across the page and it visibly ends at the bottom of the page, enclosing the two of them as they share a gentle kiss with Vash holding Wolfwood's face, a tear in his eye.
The next pages starts with Wolfwood saying, "You cryin' again?" Vash responds, "I'm just grateful..." Wolfwood responds, "But you've always had me." Vash responds, "Being like this is different from staring at you from behind all the time though..." The two can be seen together again, Wolfwood pressing his elbows against the table with Vash leaning over him. Wolfwood is easing the tears out of Vash's eye again, just like earlier. A close panel of Vash's fond expression is seen as he says, "Thank you, Wolfwood." Wolfwood looks up at him with a small smile, gentle eyes. Confetti starts to flow lightly across the page as text starts to appear against the white background, "I'm the one who's grateful...
That you'd embrace someone like me, when I'm not fit to hold you in the first place... But I know better than to hesitate. The moment I acknowledged it, I knew I'd spend the rest of my life loving you. So, have as much of me as you want, Vash."
The final page shows the confetti gently falling down the page and at the bottom shows Vash and Wolfwood pressing their foreheads together, Wolfwood's hands cupping the side of Vash's face gently, and both of them smiling brightly with each other. ID END]
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#vashwood#trigun#trigun maximum#vash the stampede#nicholas d wolfwood#its done.... after 2 months.... collapses on the ground#theres a lot of things i would prob change about this but. its so sappy that it makes me a little happy where it ended up#they deserve a little sap too!!! and in the end this is the closest they could get to a first confession#through want! want in each other's life and company since they both have this strained relationship with keeping people permanent in their#lives... and the people or things that are tied to them in the long term tend to be something that harms them.#and as the saying goes -- good things never last! and im sure they prob gave up trying to find a good thing for a long time#vash managed to be found after the moon accident and got his good thing for a bit but even he prob knew itd come to an end eventually#ironically it was wolfwood that ended it. but he really just planted smth new for vash... and now they have some security#or at least vash does. or at least just for this one moment#a moment of bliss and feeling like they are deserving of love is so Fluctuating for vashwood#and ultimately i think wolfwood could only push onwards to initiate because he sensed there was smth vash wanted. and its just#naturally in wolfwood to give to those that he love#but anyway anyway.... i like to think in a sweet universe -- they had the chance to confess like this and got a little bit of time to#enjoy and share their company in this manner. to be a little less restrained and love each other freely#ruporas art
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neutral-party · 2 years
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i start thinkin abt them too much and suddenly my brain is going 🔁🔁🚨❗️⤴️↩️🚨↪️❗️🚨↕️
(click image for better quality!)
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akicklineisinevitable · 6 months
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i was talking abt this irl a while back but i relistened to TGWDLM and it just reminded me of it- remember the Jekyll-and-Hyde back-and-forth thing Paul does in Let It Out? there's a subtle difference in the way Jon sings, between the 'normal Paul' and 'infected Paul' lines- infected Paul's' voice is brighter, slightly higher-pitched. his voice rises at the end of the lines, too.
and as a former theatre kid, whenever i hear that part of Let It Out i always remember something my old music teacher told me- your voice sounds brighter and clearer if you smile when you sing. something about the muscles in your mouth, i think? but obviously, in live theatre you have to act as well as sing, so most of the time you can't do that. but that infected version of Paul is always smiling. in Let It Out his expression changes by the line, and in Inevitable as soon as he starts singing he smiles- and his voice is brighter and clearer and happier.
i dunno there's something there
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captainsalmonid · 1 year
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thought about lewis realizing arthur's arm is gone for the first time
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bellamysgriffin · 3 months
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ULTIMATE SHIPS CHALLENGE - Songs [1/10] ↳ Come on! Sing it.
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poorly-drawn-mdzs · 1 year
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Cannot Unsee. Cannot Unknow.
[First] Prev <–-> Next
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ratatatastic · 3 months
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you know i didnt think i needed stolie benny and matthew with their arms all over each other singing and swaying along to music as they sip on beers but shame on me i shouldve known i needed it
WPLG Local 10 | 6.25.24 (x)
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normystical · 4 months
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ATTENTION ALL ALASTOR SHIPPERS: 
uniromantic 
THANK YOU FOR YOUR TIME. PROCEED
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ackee · 3 months
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can someone make an xkit like tumblr extension called whitelist. its the polar opposite of the blacklist, block every single post unless its tagged with something i gaf about
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galacticghoste · 1 month
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Heres the beautiful masterpiece @head---ache made!!!!!!!
My reaction to it-
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I know i already freaked out to you about it but I CANT SAY IT ENOUGH THIS IS BEAUTIFUL!!!!!!!!! IM SO GLAD TO SEE THEM IN THIS DETAILED STYAL YOU HAVE ITS GORGEOUS!!!!!!!
🤍 💜🤍 💜🤍 💜🤍 💜🤍 💜🤍 💜🤍 💜🤍 💜🤍 💜🤍 💜🤍 💜
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hotdrinks · 2 years
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it's probably not a direct sequel because if post s5 martin saw a tape recorder turn on by itself he would shoot it with a gun
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crimsonsoulpower · 2 months
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From "Time is a Flat Circle - Examining True Detective Season 1". Straight up says Marty is Ariadne to Rust's Theseus.
Marty Hart you are never beating Rust's kept housewife allegations.
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cripsynapkinskin · 1 year
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Most Hozier fans will do ANYTHING but acknowledge the African-American influence that shapes most of his music. No one talks about it, and no one cares.
Rather let him be your "forest daddy", "fae king", "Irish dude", and all that stuff, and refuse to acknowledge some of the political and social commentary he's made, especially those that affect P.O.C. Rather put his folk music on a pedestal, and ignore everything else. Rather "go look another way".
I've probably seen about 2 posts ever, that talk about the African-American influence in "Take Me To Church", self-titled and "Wasteland, Baby", and almost everything. Everybody else just sees his music as cute cottagecore, forest folk stuff. It's almost as if "Nina Cried Power" (such a powerful anthem, with THE Mavis Staples) , "Almost (Sweet Music), "Someone New" and basically the whole of self-titled don't actually exist.
It's almost as if Hozier doesn't incorporate R&B, Soul, Blues, Gospel, Funk and Rock and Roll into his music, and it's almost if these SAME people don't enjoy it.
He mixes Irish with African-American and everybody only acknowledges and appreciates one side of that. How surprising. How shocking. 🙁
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