#and izzy and fey
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eightdoctor · 11 months ago
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curse of liking wilderness years doctor who content: seeing everyone be like “ummm you can’t call this the first queer kiss in doctor who what about jack harkness? checkmate” and getting perhaps just as peeved as they are because guess what guys.. newsflash. jack wasn’t the first gay kiss between the doctor and a man either. maybe learn your herstory first
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heytherecentaurs · 14 days ago
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I think Izzy on Adventuring Academy is correct that “chaotic” is an adjective disproportionately attributed to women players. Aside from Ally Beardsley, but that’s a whole other discussion regarding queerness and women in nerdy gaming spaces.
That being said here are some examples of men who are chaotic players:
Lou Wilson - Besides the Fabian almost dying example mentioned in the Adventuring Academy episode, we have Pinocchio’s whole hotdog bit, the pole dancing on his own nose, and his entire presence in the first episode. (“I’m the prince of Shoeberg, motherfucker”) Then there’s Squak who loves starting chaotic shit. Even Gunnie has to get in on the chaos.
Caldwell Tanner - If you’re not listening to Naddpod you’re missing out. He is incredibly chaotic. The shenanigans Beverly gets into is peak chaos. (Also Emily Axford is there to egg him on.). Early examples include a bullywug mating call and goofing a god. Even as a DM he’s chaotic. Look at Trinyvale, which is designed through pure chaos. (He, as video game character Gex, said the immortal words “I’m young, hung and full of tongue” which will live etched into my soul forever.) The world isn’t flat, it’s a cube!! Then there’s Hungry Dave in Hot Boy Summer who flings Frisbees and eats a spell. (Zac, Murph and Jake are also very chaotic in this too.)
Freddie Wong - D20 fans know him from Mentopolis in which he killed a police captain and has super hard testicles. But if you listen to Dungeons and Daddies you know he’s pure chaos. He takes huge cartoony swings and they are usually chaotic. Truly one of the most uncontrollable players out there. I’m more shocked when Freddie makes a grounded decision than a chaotic one.
Brian Murphy - I know what you’re thinking. “But but but he’s the rules guy. He’s a plot hound.” True but he’s also very chaotic. He makes the choice to eat the dragon that ate his dad. (Delicious in Dungeon style) Also Barry 6 has unhinged chaos moments equal to anything Emily does. What about Cody Walsh? Everything he does. He sold his soul in .25 seconds and smashed his face with a brick. Then there’s Jens Lyndelle, quite possibly the most wretched and chaotic piece of shit ever invented. Murph is sneaky chaotic. Yes he loves being a plot hound but so does Emily. The story and the game mechanics are vehicles for both of them to behave chaotically.
In a lot of these examples these guys are playing with Emily Axford and bringing a very similar energy. Yet she’s the one labelled chaotic. Lou is the more chaotic of the duo in ACOFAF. Caldwell and Murph match her freak on Naddpod. So, I do think there’s a disparity here and it does seem sexist. When Ally started playing they were a more female-presenting queer person. Or as they’ve phrased it, they “come from lesbianism”. So, I think you can certainly view it as a sexist label that stuck. But also let’s not overlook how queerness is viewed through the patriarchy as a feminine trait. Like misogyny and homophobia are spidermen pointing at each other. So it comes as no surprise the very openly queer person whom we watched transition on D20 is also labelled chaotic.
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emiko-matsui · 2 years ago
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tag this with your ideal d20 sidequest cast. personally it's zac oyama, lou wilson, izzy roland, ify nwadiwe, jake hurwitz, and becca scott
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everywishway · 1 year ago
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The newest episode of Game Changer made me want another season of D20 with the Seven cast/Heroic Highschoolers so bad. It doesn't even have to be the Seven, give me Aabria DMing and throw another girlypop into the mix (esp Ms. Emily Axford)! I would love that pls, esp if it's a Glitterhearts season or a sequel to ACOFAF??? Magical girl season with these fantastic players??? Pls @dimension20official give us more of our babes!
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gumshoes-pal · 11 months ago
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Marvin Grossberg talking about his hemorrhoids in court
✨a collection✨
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daisytrails · 11 months ago
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acofaf one shot with Esme, Peep, Mika, Scratch, Gwendolyn, and Wannessa.
acofaf one shot with:
Esme- Becca Scott
Peep- Izzy Rolland
Mika- Jasmine Bhullar
Scratch- Ify Nwadiwe
Gwendolyn- Krystina Arielle
Wannessa- Anjali Bhimani
DO YOU SEE MY VISION
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lilapetrichorwinteryrogue · 9 months ago
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good enough, welcome back Lord Squak Airavis
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longfurbybitchboi · 2 years ago
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As always fucking excited for the newest season of dimension 20!! The first season I watched was A Court of Fey and Flowers w/ Abría gming. This is gonna hit the spot. ( also have loved Jasper William Cartwright on Three Black Halflings so I can’t waittttt)
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rowantreesandberries · 8 months ago
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Me, earlier today: fully planning to re-watch ACOFAF now that I've finished Burrow's End
Also me: what if, instead, i rewatched The Seven. Just as like a funny silly goofy little treat for myself
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doyoushipthisdweuship · 8 months ago
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(submitted by anon(s)!)
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lucascecil · 2 years ago
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Something I Read - The Eighth Doctor Strips
So, while I haven't (yet) heard all of Eight's audios, there are only a handful left. And I have started reading the books (going through Kursaal right now. You can find my commentary of the books on the 'bookshelf' tag). So, while I have a lot to go through, I wanted to start something new, different, exciting.
And so I decided to read the Doctor Who Magazine comics. And what a ride it was.
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To make it easier for me and to write a cohesive text, I'm going to talk about individual stories and then at the end of each volume comment upon the overall arch.
Endgame, by Alan Barnes - ★★★��☆
It's not a bad start, but not my favorite. The Toymaker is a fun concept but his stories are very inconsistent to my tastes. Here, he is fine. The comic is smart in the sense that the use the format to its fulliest, allowing the Toymaker to be as cartoonish as ever - and it fits.
And even tho there is a comedic tone, he still comes off as a threat. There is a gruesome scene where he crushes a character bones and flesh. You can feel the pain. I usually do not like when a new companion is introduced in a continuity heavy story as I think it takes atention away from them.
Izzy is great. She is a geek, she is witty, she wants adventure. She is flawed, I couldn't help but wince at how selfish she sounds when she talks of her parents - which she has been fighting with over insecurities about being adopted. She doesn't even call them mom and dad anymore. And that makes her come alive. She is a breathing, living person. And we have a wonderful journey ahead in a yellow brick road.
The Keep, by Alan Barnes - ★★★★☆
The comics got me here. Endgame is nice and all, but it's The Keep who starts playing with bold new ideas for the stories. I got a glimpse of what I could get out of these and I loved it. I was all in for the ride.
Eight and Izzy arrive at the far, far future, near the time the sun is failing and soon enough it will be no more. It's Earth dying days. It's a wasteland. The whole planet turned into a warzone as the Transmat Wars begun - a concept never fleshed out but engaging nonethless.
What's more interesting, though, is that a local scientist have dedicated his whole life to building a superficial star. It had unexpected consequences, as it turned out that it's actually alive. Eight is nedeed so someone bonds with the star, guide it towards the right path. Crivello, the scientist, tried - but even short exposure to the star was enough to make him age years in a blink. A time traveller - even better, a time lord - is needed.
I find the scene Eight merges with the plasma beautiful. This incarnation more than any other feels to me like a force of nature, a constant to the universe, and so I'm always on board when he is influenced by forces outside his control - and vice-versa. Izzy gets anxious and cries, because the Doctor may have died, and it finally hits her that if he does, there is no way back home - for now the narrative don't dive into this topic, but it's a nice touch still.
And then the story takes your breath away, as when everything seems nice and done, Crivello is brutally murdered by his assistant.
Fire and Brimstone, by Alan Barnes - ★★★★★
I did not want a Dalek story, but I am glad I got one because this one is great. It continues the plot points left open at the end of The Keep, as Izzy and Eight visits the same place decades later. The new artificial sun is now stable, but there is a threat in the horizon.
I love that plasma from the Cauldron can be used to see the future, and I love that Eight still have a link to it because they'll always have a bit of each other. I really like the wasps weapons (biological?) the Daleks use to control the humans. It's horrifying, it's disgusting, it looks great. It's truly unsettling, the panels of characters vomiting hordes of insects after infection.
The Daleks are a real threat this time around and it makes perfect sense that they would try to irredicate genetic variants from other dimensions. It's a pity that we see little of that conflict, because the mutant Daleks looked GREAT.
I was devastated that the Cauldron imploded at the end. It all ends considerably well, but there is a wild sorrow of knowing that a whole new lifeform died. I love a rich diverse universe, and I want it to last. What is even more bitter, though, is Eight's silent rage that he can't right now strike back at the Threshold - you can tell by looking at his face in the last page how furious he is over Ace.
Tooth and Claw, by Alan Barnes - ★★★★★
The superior Doctor Who's Tooth and Claw, mind you. I loved this. It's a horror story at heart. The Eighth Doctor and Izzy are pulled into a murder mystery plot in an isolated, atmospheric isle as one old acquaintance of his, Fey, call for his help. And then the guests start dying, one by one.
It's fun, it's believable and it's the kind of horror story I am always open to. Conflict comes not only from the apparent supernatural menace, but also from humans interactions - Marwood hunting Izzy is terrifying, the human ability to be more frighting and cruel than any fictional villain ever could.
Which is not to say the fictional villain is bad, because it only gets better. From the start we are told of a local ghost; then we have bodies on the house and killer monkeys; and yet we also get bottle diseases and vampires. And it all ties well together. This is an island of terrors, ever entertaining.
It ends on a huge cliffhanger, with Izzy and Fey taking Eight to Gallifrey to help him recover from what may well be a mortal wound.
The Final Chapter, by Alan Barnes - ★★★☆☆
Reading the extras I was surprised by how harsh Barnes was with this story - it's not bad at all. Yes, a lot of its themes and plot points were better fleshed out in Neverland, but it's good for what it is.
I love the scene where Eight meets Rassilon and a whole council in his dreams. Demoiselle Drin says she has taken the seat of Merlin the Wise, and given that the Doctor himself is Merlin I wonder about these implications. I love villain Rassilon - but it's refreshing to a seemingly well meaning version of him, too. I wonder, also, as Eight is in the Matrix, if this is the same Rassilon of Zagreus. It's fun to try and fit all these piece of a jigsaw never meant to be completed.
The clone plot is not that enganging, but as Eight and Fey explores "madworld" to try to understand what the hell is happening, I was wondering if a bit of this went into Seven's part in Zagreus, with little rat Charley. And that's the main problem of this story. Ideas better realised elsewhere. A group of time lords trying to gain control of Gallifrey and rewrite its history? Neverland. A kind-of time cult? Faction Paradox. Weird surrealists scenes in the Matrix and timelords' minds? Zagreus.
The regulars are great, and the story is engaging enough. Also, the cliffhanger of a lifetime.
Wormwood, by Scott Gray - ★★★★★
This was fun and a great conclusion overall to the Threshold. It's not what I was expecting and while that sometimes oes play a role in how much I like a story, this one has ideas strong enough so that it didn't really matter.
I wouldn't say this story is mocking the Briggs-Doctor, but it does play with the readers expectations in that way in a time we only had the expanded universe. Of course I already knew Eight wouldn't be regenerating while reading these comics so it didn't hit me in that way, but it was fun nonetheless. What I thought, however, is that this would be a retroregeneration or something alike, so I was very much pleased to known that it was actually Shayde playing as the Doctor.
I'd have preferred if the Threshold were actually a natural ocurrance of the universe and not a fabricated species made mainly of humans buuuut as I said previously this is fine. I also wished to a darker motivation for them other than greed, but that's also fine. What I do like a lot is the terror that went through my body when they killed everything in space - and I wish it was not reversed at the end. Not only it would weight upon the characters, but also would be so interesting to see how the whole universe would handle something like this.
We have a glimpse of that kind of horror, of whole civilazations colapsing, but I wish we got some time to explore this idea fully.
Shayde is ine of my favorites things about the comics. It's an amazing concept brought to life wonderfully and that gets even better when coupled to Fey, who is also amazing. How they handle their new status quo is not explored here but rather in future stories, but I do have to say that I love it.
Happy Deathday, by Scott Gray - ★★★★★
It's a fun anniversary story. All these Doctors interacting is great.
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The Fallen, by Scott Gray - ★★★★★
I'm not the biggest fan of Grace, mostly because I don't see many ways to use the character interestingly. Well, The Fallen does it wonderfully. There is something wrong in London and Grace is somehow at fault.
I love her relationship with Eight. It's still a bit sexual - they do kiss once more - but honestly it doesn't bother me. I do not share the opinion the Doctor should never engage in romantic or sexual relationships, I just want it to have meaning.
Grace is repenting for her faults. She thought she had a special future ahead of her beacuse of what she was told in the movie, but now she helped creating a huge danger that is getting people killed. She resents the Doctor in some ways, that he wasn't there and feels like he mislead her. She calls him out when he gets angry with her - he out the world in her hands and left her and she didn't known better.
Izzy and Eight at this point are already the dream team. Their domestic scenes are great and this time around Izzy is alone for a bit - the Doctor believes her dead. She is growing up and have already come a long way around, which is one of the main themes of her stay in the TARDIS. She is in a way a mirror to Ace - completely differente character, yes, but I mean in how she fits as a companion.
She is a sapphic character with parents issues, her stories can be read as a coming of age and her relationship with the Doctor is a bit paternal. Just like Ace. The first big arc of stories with Izzy as a companion handles the Threshold, who are responsible for Ace's death, so I don't think I am completely out of my depth when I say that this era of Eight mirrors Seven's life.
Unnatural Born Killers. by Adrian Salmon - ★★★★★
I love Kroton. If you don't love Kroton, there is something wrong with you. Seek help. This is not his introduction, he appeared on the magazine twice before - both good stories, but Ship of Fools is a must read. He is tragic to the core and deals with a concept that I love and wished to see more in Doctor Who: a faulty Cybermen, who kept this emotions.
I am happy to dicovered the expanded universe because now I have three plots like this to feed my fictional needs: Kroton, Marc and Bill. So that's no longer a problem. But I would love to see more of Kroton - it's such a pity that these stories don't leave much room to have him along Eight and Izzy because they are absolutely one of my favorites TARDIS teams ever.
Unnatural Born Killers get Kroton - already well established - and makes him even better by making him an action hero. The art is beautiful and I love every single fight scene of his. Also, he punches some Sontarans in the face. I love the guy.
The Road to Hell, by Scott Gray - ★★★★★
Izzy and Eight get to 17th century Japan, where creatures from the myths are terrorizing local population. Sato Kitsura is a samurai who just lost his lord to a demon and now seeks revenge upon these creatures.
I am a sucker for stories of fictional characters or monsters being real, so we already started strong. I also love historicals, so that's two points for The Road to Hell. And while I do prefer them to be pure historicals, I actually love how this story handles its sci-fi elements.
An alien species gave a local lady a machine that allows her to make anything alive out of her thoughts. They only wish to observe what she makes of it as they want to understand the concept of honor. It's a great idea even if not the highlight of the story, as their conflict with the Doctor is not all that much relevant, but I like it still.
What makes wonders out of this concept - besides amazing drawings of creatures and japanese pop culture - is when lady Asami uses the machine to try and see what comes of Japan in the future, when she discovers that Izzy is from the 20st century. What she sees is, of course, Hiroshima and Nagasaki. And then she goes bonkers.
What I think could've been handled better is how much seeing so impacted her psyche because she has little character layers after this points as she is going balistic. Because while she was not a good person up to this point, it's not hard to understand why she would get mad at what she saw. She has every reason to get furious. And I don't think that entitlement to anger is given proper focus. But I like it still.
This story also ends with the Doctor making Sato immortal, which he hates as he was trying to kill himself in ritual now that his revenge was done. He feels the Doctor robbed him of his honor, of his humanity even, but is dismissed. In one perspective, I like a lot what this says of the Doctor - about how him being a time lord make him insensible to others sometimes and how badly he can mishandle a situation. Because he thinks he knows better. And so he dismisses what other people have to say.
But I was also rewatching seasons eight and nine of the new series while reading these comics, so I was surprised about how similar Ashildr's character is to Sato. They are handled completely different in some aspects, and while I actually like Alshidr a lot, I would say Sato makes the most of it. I don't known if Moffat had ever read these comics, but oh my gosh it's almost the same plot.
TV Action, by Alan Barnes - ★★★☆☆
Beep the Meeo is back. Haven't read The Star Beast yet so I wasn't pumped, but he is fine. The best part is Beep being defeated by Tom Baker talking too much, however.
The Company of Thieves, by Scott Gray - ★★★★☆
Or that story where the Kroton plot comes into the ongoing Izzy storyline and we get the best TARDIS team ever.
I got worried for a second beacuse of Eight's initial reaction to Kroton - he tries to kill him and it appears to be sucessful - that I was going to be denied grandeur, but it all works out well. The crew characters are not that interesting and they look a bit too 90's comics for my tastes.
The Glorious Dead, by Scott Gray - ★★★★★
One of my favorites Doctor Who stories ever. It does everything it wants to do magnificently.
The setting is gorgeous. I love how this diplomatic meeting goes wrong in the worst way possible and we are left in this deadland. I love also how it ties to the religious themes and what makes humanity - in a loose sense of a human. The Doctor is out of the story when things gets bads; Izzy and Kroton are left to handle things themselves.
And how far has Izzy come. In one if its parts, this story makes the best of the doctorless time to show us how Izzy is now capable of doing a lot - I got my eyes wet reading her letter to Max; her relationship with Kroton is beautiful and I love how they relate by feeling like outsiders and less than human sometimes. I love that Izzy has a plan and that it works. The whole universe was doomed, but then Izzy Sinclair gave them a chance. And then she is dead.
Or so Russell T Davies thought, alongside us readers. Kroton rage after her death is heartbreaking. And then we see that Sato is somehow tied to this situation. Time made him insensible in his immortal life and now the only thing he believes in is death. Being denied death made it the thing he wants the most and the Doctor, even if unintetional, made a monster out of him. Of course Sato has personal responsabilities and this theme is dealt within the story itself, but it was his immortality that made it possible this horror movie ti happened.
And while I am in this topic, I love the body horror of this story. The way these people burn themselves to death for their beliefs is disturbing. The "monsters" desings are dope. There are a lot of alien species here, and they all look cool. Ooooh, and towards the end when it's revealed that this is what came of Earth...
And so I need ti talk about the other half of this story: the Doctor meets the Master once again. And of course he has been manipulating recents events. And it's interestingly in many layers.
First, the Master seems to have changed into someone different. Or so he says. And I do believed he did, I just don't think it was for the better. What he has now is a belief and that makes him more dangerous than ever. He may not have become a better or worthier person, but he does terrible things while trying to prove so. He wants to show how monstruous the Doctor's actions are but don't take any responsability to himself as he believe it was done for a cause. And it all comes into his need to prove himself better than the Doctor.
Secondly, it's a meta commentary on their relationship and how they destroy everything around them. And I mean that in a textual sense - they are the main characters of the story, but what about the lives of the people they leave in pieces? The Glorious Dead turns this around by making the Master - and even the Doctor, a little bit - think he has a destiny, that this story is about him and his friend. But it's not. It's about the little people. It's about Izzy and Kroton and Sato and how they try and get up again. Trying to reclaim themselves of a world that is usually center around other people stories.
Kroton and Sato are mirrors of each other in that sense; in how they are dealing with death and immortality. With loss. Of other people, of their souls. It hurts, but it's beautiful.
The Glorious Dead is one of favorites Doctor Who stories. You should read it.
The Autonomy Bug, by Scott Gray - ★★★★★
This is going to sound pedantic but I am not a comedy guy. It's not that I hate it, just that I prefer drama overall. It's why it's rare to see me having much to say about a comedy story. This was great. It's a basic concept - robots appears to have gone crazy - but handled beautifully to tell a story about what makes us, us. The characters are weirdly complex for the little time they have to show it off. The funeral scene is as sad as they come.
The ending made me emotional. It's completely different from the stories Scott Gray told in his Eighth ternure overall, and it's great by being so. It may not be my favorite of the bunch, but it stands ou as unique.
Izzy's Story, by Alan Barnes - ★★★☆☆
Second time listening to this story. The first one I hadn't read any Izzy stories yet so I wanted to see if my opinion changed. It didn't. It's not bad, I have fun with it and all, but it takes what I like the least from Barnes' stories to make an audio. It's one of Eight's most cuttest and comedy based like Deathday and TV Action and so it feels inconsequential to me.
I don't know if I agree this should be placed here. Izzy sounds a bit too immature and so I think it would work best earlier in her timeline. The plot itself of Izzy going after a comic book that desappeared is nice, but I don't care much for the conclusion.
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Ophidius, by Scott Gray - ★★★★☆
This is interesting in many ways. It introduces Destrii, so that's already a must read. It also starts the body swap plot, which I love. Izzy has never been so betrayed and it's really interesting to read, as next stories will explore. And I love the setting. Ophidius is a living ship who has its own ecosystem. The people who control the ship are horrendous and the idea that so many people have been turned into beats is horrifying.
The visuals are beautiful. I love the design of the mobox when they are in fours, but I thought they didn't look that good on two legs. There are many other cool aliens designs in Ophidius, including Destrii. That chair that let Eight become invisible by placiing him just a milisecond in the future is a dope technology that, under the show rules, make sense.
I wondered for a second if Eight wasn't going to notice that Destrii was in Izzy's body but thank gosh he did. I don't like when this happens in this trope because it undermines the characters relationships and at this point Eight should be able to recognize if there is something wrong with Izzy - and he did.
Beautiful Freak, by Scott Gray - ★★★★★
A wonderful character piece. Izzy is depressed. She is in a body that isn't hers; her own destroyed in Ophidius. She feels ugly, disgusted and angry and don't know what to make from here on. Her life has changed forever. While I think Izzy's thoughts about Destrii's body are a bit cruel, it's understable. She was betrayed, she had her own body and now she won't ever be able to go home. She has every right to be outraged.
The pages where Izzy is submerged in pool as she can't breath is painful and so, so beautiful. Her dialogue with Eight gets to my heart. A sample of the best Doctor Who have to offer.
The Way of All Flesh, by Scott Gray - ★★★★☆
An interesting story. I don't think we reach the full potential of the concepts introduced here, but it's fun and emotional and have nice things ti say. We get a glimpse at Frida Kahlo's life in the Día de los Muertos as there is something terribly wrong happening.
This is a horror story. It uses body horror concepts to the fullest. It's as disgusting as Doctor Who gets. The Way of All Flesh introduces the necrotists, alien artists that make art of the dead, out of pain. A bit influenced by Hellraiser, I would say. I like that Gray chose the day of the dead as a setting for this story because it me disguted that the girl would dare to make something horrible out of such a beautiful date.
Frida also fits well into the story. She can relate to what Izzy is going through and I like that she calls her our on her bullshit. The ending is so beautiful, with Frida painting Izzy as she "was". Because it's the same person beneath. There is still the same beauty in her, no matter the state of her flesh.
Character Assassin, by Scott Gray - ★★★★★
Oh this is great. Scott Gray was already my favorite Doctor Who writer by this point but he got extra points by writing a hate piece for Moriarty, one of the most infuriating characters to ever be. Oh it was so fucking great to see him humiliated.
Children of the Revolution, by Scott Gray - ★★★★★
I thinks about Children of the Revolution a lot, even more than a month after have read it. It's my favorite Dalek story and I doubt that'll ever changed. I love the setting, I love what is done with established history and I love the art and the colors.
Izzy and the Doctor visits a friend of his who can help her acclimate to her new body, Alison. She is a marine biologist who is working in an underwater station. One day, however, they are attacked by (underwater) Daleks. What will happen next will shock you.
Nobody is exterminated. The Daleks choose to get the humans into the city they built underwater. Nobody can know they live there. Because they are peaceful. They are the Daleks with the human factor the Second Doctor helped engineer in Evil of the Daleks. In that sense this is a heavy continuity story and I could have hated it, but I don't. Because it makes something incredible out of the continuity it's using.
This Dalek city is engaging. You doubt every second when something will go wrong, because you know it will. But this time it's not these Daleks fault. It's the humans. I do think it's a complex situation because knowing every single thing the Daleks ever did I would never, ever trust any of them either and so the human characters are not hard to sympathise. But it's so heartbreaking to see something to beautiful crumble into pieces. There was potential here, for a better future, and it's shattered because of hate and mistrust.
It's interesting to have the TARDIS team as outcasts not because they put themselves in an awkward situation - they were friends with the crew - but rather because they are fundamentally different. Neither the Doctor or Izzy are humans at this point. The Doctor have story with the Daleks, and these ones trust him. They are outsiders and for once the Doctor have his hands tieds. He don't know if he can trust the Daleks, but if he don't and he is wrong - this is a chance of a lifetime. But he has no pull over the humans anymore. There is no winning.
And of course, there is Kata-Phobus. This huge, gorgeous, lovecraftian monster who has lived in this planet for ages and influenced this Dalek colony since its inception. It also influenced the conflict with the humans as it wants to feed upon them all. Kata-Phobus in a sense is there to externalize all that is wrong with the Dalek-human conflict, that ideia of racial superiority, that ideia that there are outsiders. That some people are essentialy different than others. Phobus is that fear made flesh. He plants fear and distrust in the head of these into his reach and he feeds on it.
So yes, I was moved when, in the climax, Alpha commands his fellow Daleks to autodestruction so that Kata-Phobus is defeated and they die as they wished to live - a peaceful people who didn't want any more death or cruelty in their lives. And so the Doctor and Izzy are left speechless because for once there were goods Daleks - while they saw the worst humanity had to offer. It's a must read. I love it. Just, trust me.
Me and My Shadow, by Scott Gray - ★★★★★
Children of the Revolution ends in a cliffhanger with Izzy being abducted by these weird aliens - and now the Doctor is out for blood. But that's not the focus of Me and My Shadow - this is a Doctor lite story as we are reunited with Fey and Shayde during World War II and see how they are doing - not that great, as they have difficulties sharing a body and for the modt part have agreed to be active at different times.
Fey is frustrated that she can't use her abilities to the fullest because Shayde knows what that can do with the timeline. They are now one living being, but they are not in sincrony, and that is holding them back. And we also get hem being badasses and killing some nazis. So ten out of ten.
Uroboros, by Scott Gray - ★★★★☆
The Doctor recruits Feyde to help him rescue Izzy. Somebody pointed out how this is a bit similar, but in a much smaller scale, to what he does in A Good Man Goes to War, and that's fair. He is also reunited with Destrii who, as we discover, did not actually die neither had Izzy's body been destroyed.
I know it's Destrii kissing him but that panel of Eight being kissed by Izzy's body it cursed. Burn it with fire.
I don't care much for the Mobox plot to be honest. And that's way it loses a star. It's a fair enough sequel to Ophidius and there sre some cool concepts, but the plot falls into who tropes that I don't like that much neither feel like this story had enough pages to try and do something new with then.
Still solid.
Oblivion - ★★★★★
So finally we go after Izzy, who has been taken to Destrii's homeworld. Which is very ugly. I know it's intentional because it's a wasteland, but nonetheless what a ugly, disguting place.
The local riches have turned into humanoid animals some decades before and are now there to entertain local "monsters" - who are actually people of this dimension who have been badly fucked up by actions of the royals themselves and...
This place is a mess and everybody is horrible and no wonder that Destrii became such a horrendous person. She is the most sympathetic of the bunch, actually. Her mother is indeed a monster and was horrible to her. And is horrible to Izzy, when she arrives there mistaken as Destrii. And, of course, she made her daughter fight in arenas to the death.
Destrii once had a pet, that she took care of for months, until the day her mother made her kill it. And Destrii's death since then have been pure death. I wonder why the hell the girl run away.
Oh and her uncle is not much better. He talks like a nicer man but he is as bad. He helps Destrii escape, but it's more so he could test a way to run away himself - he had no way of knowing she would survive doing so. He is only gentler as long as he get something out of it.
So yeah, Destrii is fucked up. The parallels between Izzy and Destrii are great and I love how it's written. I love that Destrii had the option to make hell on earth, but she steps away. I love that she tells Izzy how unfair she has been treating her parents. I love that she kills her mother, even.
And then Izzy. As I said before, this is a coming of age story for her. And now is fully intk adulthood, and is ready to leave home. The TARDIS. So she kisses Fey because you only live once and she is tired of being a closeted lesbian, asks the Doctor to take her to her parents and say it's time she fix things. Izzy has had many adventures and she has grown up so much, and now is time to move on.
And oh, how I will miss her.
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Where Nobody Knows Your Name, by Scott Gray - ★★★☆☆
It's fine. The Doctor is dealing with missing easy while drinking in a bar. It has some fun alien concepts and the Doctor bits are fine. And unkown to him the barman is Frobisher, who doesn't know he is talking to the Doctor because he haven't met Eight yet.
The bits of Eight thinking about retiring do plant some nice ideas tho.
The Nightmare Game - ★☆☆☆☆
I tried. I promised I tried. But I have been reading hundreds of pages of wonderful imsginative stories and then I get to this and... it's inferior. It's leagues below the stories being told before.
The Doctor almost asks the worst kid to ever exist in London if he wants to travel with he him. I get that he is lonely but can we not.
Also it's that guy writing. Yeah. That guy.
The Power of Thoueris!, by Scott Gray - ★★★☆☆
Something I haven't yet is how more violent Eight is in these comics (and the books) when compared to the audios. You might think that's why three stars, but I like it. I think it's fine for some lives of the Doctor be more violent and even cruel than others.
And oh my gosh. He is savage here. That poor hippopotamo girl was irrititating, yes, but oh dear she was eating alive by crocodiles.
Overall a fun story with an art that I like but that is not that consequential.
The Curious Tale of Spring-Heeled Jack, by Scott Gray - ★★★★☆
And then we are back to form. The Doctor is still directionless and in search of his next companion to be, because he collects them as Bruce Wayne collects orphans, this time in victorian London as the city is being "haunted" by a badass looking prankster "ghost".
It has a kinda obvious twist but who cares, it's well written. And one of the best non-introductory companion stories I have seen so far as it actually does something interesting with the non-companion.
Once again the Doctor overstepped but this time he isn't called out neither by characters or by the story. I understand that the girl he met and the monster that revealed herself were two different people and you could make an argument that debating so would make a great plot, but that's not the focus of this story so instead what we see is the Doctor wiping a criminal's woman memory so she lives unaware of her crimes (and honestly without being taken to justice).
I understand why it happens, but I wish the story would delve more into the implications.
Bad Blood, by Scott Gray - ★★★★★
I like this story a lot. The Doctor arrives in the USA in 1875 in the middle of a conflict by an indigenous tribe and white people. The leader of the the tribe believes that the Doctor was sent to help them survive. The scenes where the both of them go into the "spiritual world" are beautiful.
And then there is Destrii and her uncle trying to get something out of this situation. There are "werewolfs" attacking nearby villages, which has been rising the racial tension. Jodafra and Destrii offer weapons, much more advanced than they should ever get, to the white soldiers. And, of course, there is also second intentions behind their actions.
I *must* say: Destrii is far from being a perfect person but these traits are written intentionally. She is kind of an asshole in this story because she thinks of this situation as being part of a western movie, one of the few references she has of Earth. She doesn't understand that is helping genocide, the impact of her actions. But she is not a monsters, so when her uncle put children into risk she draws a line in the sand and betrays him.
I like to think she had flashbacks to her own childhood. She is distress by children in danger while she usually have no problem with people dying. And the way Jodastra hits and almost kill her is disgusting and horrifying. Destrii is not a good person, but she is trying to be. And that's a little bit heartbreaking.
Sins of the Father, by Scott Gray - ★★★☆☆
The Doctor takes Destrii to a space station where she can be healed but the station is attacked by vengeanful monkeys who live in zero grav and centuries before were slaves of the same alien race that now owns the medical station. They are not slavers or even violent anymore but that's the only revenge the monkeys are going to get so they will destroy it anyway.
Destrii is a decent person and kinda saves the day and the Doctor offers her stay at the TARDIS. Not the strongest the DWM have to offer but not the best either.
The Flood, by Scott Gray - ★★★★★
Ok so let's start by talking about the elephant in the room. Destrii character makes sense but I still wish she was written a lil bit different here. She is not human and the only thing she knows of humanity are movies and cartoons that are filled with racial stereotypes so she reproduces them when meeting humans and it makes sense but oh my god it's so umconfortable. And I know it's intentional but still.
That out of the way, this is good. Destrii entusiasm of properly visiting Earth is contagious. Too bad they arrive just before a Cybermen invasion. And what a invasion. They have been manipulation local population through water that mess with their emotions. The guy Destrii is racist to tries to kill her because of it as his emotions are totally out of control and it seems as if he is having a breakdown.
Cybermen from the future have arrived in London and are about to try and convert everybody. For starts I love their design, they are my favorite Cybermen just for how gorgeous they look. We meet the M16 characters again and it's disturbing when their emotions are manipulated to they actually have a breakdown. It's cruel and effective when we see these characters that we have met before are hurting themselves, asking for mercy and, later, even converted.
We see them partially converted and it's disturbing.
At its heart this is the best the cybermen have to offer: a story about how our feelings is what make us humans, no matter how heartbreaking it can be, or how painful it might get.
It's also about change, as Eight's time was near its end and the Ninth Doctor was ready to make his debut.
At the climax of the story the Eighth Doctor falls into the time vortex and almost merges with it and the description of him almost becoming one with time itself is beautiful. He chooses to step away from eternity, though, for Destrii. She needs him.
It was the right choice from DWM to not have Eight regenerate here, because they got the perfect ending. Eight and Destrii walking towards the sun, ready to have many other adventures. Because their story together just begun.
This was a wonderful read and there is barely a story I could call bad. Most of them are great or classics, to be honest, and this is perhaps the best Doctor Who has ever been.
So farewell, "but change is what makes us real".
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lightfromandromeda · 6 months ago
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YOU ARE ALL WRONG!!!
DOCTOR WHO'S FIRST GAY KISS WITH A MAN HAPPENED IN 1999 IN THE EIGHTH DOCTOR ADVENTURE BOOK Dominion BETWEEN HIM AND TECHNICALLY LONGEST RUNNING COMPANION, FITZ KREINER
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AND THE FIRST LESBIAN KISS HAPPENED IN 2003 IN THE EIGHTH DOCTOR COMICS BETWEEN FIRST (confirmed) LESBIAN COMPANION IZZY SINCLAIR AND FEY TRUSCOTT-SADE
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thank you for your time :3
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aint no WAYYY THEY JUST TRIED TO SAY THAT. not even "the doctor's" but doctor who's in general 💀💀 so now that they have a disney contract every single gay thing (which they've had for fucking decades) is gonna be a huge big huge first gay thing ever!!1!1!1!! event??? like yeah there's a very specific significance to it i get it but what the fuck do you mean😭 jamie pull up the files
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kniteracy · 11 days ago
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By the Mire of Whispers, I Learned False from True
From Friðrós: This dream came to me of Mire of Whispers. I do not have many prophetic dreams, so I went there again to settle myself and dream in the Realm itself. I dreamed a dream Now, I fell asleep on the great flat stone, inside a comfortable sleeping bag, with a pillow under my head. But I woke as another person altogether, who bore a lot of resemblance to me. I woke half submerged in a…
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zearo8 · 2 months ago
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Can I request Findali cocooned with his head exposed while Izzi is cuddling him?
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Sure! And here they are :3
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gumshoes-pal · 11 months ago
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upgraded from "Mr. Scruffy Detective" to "MR. DETECTIVE DICK" 😭😭💗💗💗
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eightdoctor · 11 months ago
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disney taking over doctor who just means that every gay kiss from here on out will be the first
I truly fucking despise the new season of Doctor Who being promoted as one that will be unique for showing the Doctor's queerness or whatever the fuck. There's this attitude under all this promo like the 15th Doctor is the first queer Doctor as if a) the 9th Doctor didn't kiss a man b) the Doctor didn't canonically change genders and c) when they were a woman was CANONICALLY in love with another woman. like HELLO??? I don't even like 13 and yaz that much and think they should've been written better, but there's something so misogynistic and revisionist about people acting like David Tennant saying Isaac Newton was hot in the anniversary special is "confirming the Doctor is queer" or that Ncuti's doctor will be the first queer Doctor. like...i hate it. This whole line of marketing reeks of Disney's "first Gay™" style marketing and I fucking hate it.
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