#and needed to be more of a threat

[madychi]

Might I interested y’all in another ROTTMNT AU?

Donatello is captured by the Purple Dragons and is “reprogrammed” to believe he’s one of them. That Kendra had rescued him from his abusive family and had oh so kindly taken him in as her own little brother. Can his brothers find and save him? Is there anything left of the old Donatello? And why is Kendra starting to grow so attached to the soft shell?

Im not sure if I should make this a fic or just some random doodles with a vague story line.

[stil-lindigo]

lead balloon (the tumblr post that saved me)

if this comic resonated with you, it would mean the world to me if you donated to this palestinian family's escape fund.

--

no creative notes because this isn't that kind of comic.

I know I don’t owe any of you anything but I still felt compelled to write about my long term absence. And I feel far enough away from the dangerous spot I was in to be able to make this comic. I have a therapist now, and she agreed that making this could be a very cathartic gesture, and the start of properly leaving these thoughts behind me. I am still, at seemingly random times, blindsided by fleeting desires to kill myself. They’re always passing urges, but it’s disarming, and uncomfortable. I worry sometimes that my brain’s spent so long thinking only about suicide that it’s forgotten how to think about anything else. Like, now that I've opened that door for myself, I'll never be able to fully shut it again. But I’m trying my best to encourage my mind in other directions. We'll see how that goes.

I am still donating all proceeds from my store to Palestinian causes. So far, I've donated over $15K, not including donations coming from my own pocket or the fundraising streams which jointly raised around $10K. In the time since I made my initial post about where this money would be going, the focus has shifted from aid organisations to directly donating to escape funds.

If you'd like to do the same, you can look at Operation Olive Branch, which hosts hundreds of Palestinian escape funds or donate to Safebow, which has helped facilitate the safe crossing and securing of important medical procedures for over 150 at-risk palestinians since the beginning of the genocide.

[poorly-drawn-mdzs]

Actually, the bars aren't so bad anymore.

Think you can fix him? Read about his care instructions over at Tiger Tiger)

[somegrumpynerd]

I really want Nightmare and Dream to freaky friday swap into each other's bodies and have to deal with their enemies from the other side.

Like Dream is trying to get used to one eye and being encased in goop and how do you control these tentacles and every few minutes one of the boys appears to ask for something or show him something or just hang around him. He's trying his best to sound professional and stern (it's not a great impression) but also he feeds off negativity now right?? So why does it sting so much when they're around him?

Meanwhile Nightmare is goop-free and seeing in two eyes for the first time in centuries (and probably takes twice as long to do things because he forgets he doesn't have tentacles anymore). He's trying to sound upbeat and cheery (again, not a great impression) but also good grief people really bother Dream for things. It seems like every way he turns there's somebody who needs something or has a sob story or a complaint, and he's beginning to realise why Dream protects Blue so violently how are you emitting all this positivity please don't leave me. Also where is Ink. Every five minutes where is he what is he doing.

[strawberrysamara]

"Kaidan Alenko is boring" WRONG. Kaidan Alenko is one of THEE characters of all time. He's Canadian, he's Schrodinger's man of colour, he's DOWN to fuck and still didn't manage to figure out that he's bisexual until his thirties, he killed a man as a teenager and almost caused a diplomatic meltdown bc of it, his tits are bigger than yours, he's constantly getting migraines, he has autism but doesn't know it AND he glows. What more could you want

[alena-draws]

Little snippet from a vashwood reincarnation comic that I do not have nearly fully fleshed out in my head with written down text that would surely be 50+ pages and which I will probably get to draw never aaaah

[crackedhrglass]

i got this ask on my strawpage and was gonna type it up in my notes app and post it to twitter, but i really couldn't figure out a way to say it concisely, so i'm answering it here bc it's prob gonna be long lol.

do i think stancest is actually canon? simply put, no. despite how often i'm like "STANCEST IS CANON!!" i truly don't think that AH and the writers intended stan & ford's relationship to be seen through an incestuous lens.

their relationship is def the heart of the show, second only to dipper & mabel's own bond. they are the center of each other's worlds, their story & character arcs revolve almost entirely around each other, and their happy ending is literally the two of them sailing off into the sunset to spend "the rest of their days" together (ford says this almost word-for-word in journal 3).

but i still don't think all of that was meant to be taken romantically.

in my opinion, where things start to get a little weird is, surprisingly enough, ford's relationship with bill.

the rest is under a cut bc HOLY SHIT this got longer than i expected.

there's no denying that bill was written to deliberately parallel stan in a number of ways, from his mannerisms, to his conman status, to the fact that he calls ford the same name stan did when they were kids.

he's written in a very intentional way that makes him serve as both stan's parallel and his foil, especially in their respective relationships to ford (bill feeds into ford's ego and encourages him to aspire for greatness alone, stan has always been a direct obstacle & challenge to ford's ego, accidentally ruining his chances at WCT & encouraging him to live out their childhood dream together; bill valued infinite power over his own family and destroyed his dimension as a result, stan valued his family over everything, and saved ford and his dimension as a result).

normally, this wouldn't be that big of a deal to a stancest shipper like myself. but as the book of bill & the accompanying website all but confirmed in big, flashing neon lights, ford & bill have a romantic history and are exes.

having the two people closest to ford be compared to one another is one thing. having ford be drawn to bill because of how similar he is to the brother he secretly misses is one thing.

having ford be romantically involved with said character is what makes me raise an eyebrow lol.

again, do i think ford is literally a brocon who's got repressed sexual/romantic feelings for stan?

no.

i do, however, think he has unresolved Brother Issues that led him to subconsciously find comfort in a romantic partner that reminded him of stan (right down to bill calling him stan's nickname for him) in much the same way a person with "daddy issues" may seek out affection & intimacy from someone who reminds them of their father (or is just "fatherly" in general).

that much, i believe, was actually intentional. it's just too blatant to not be lol. it'd be a completely different story if either

bill & stan were nothing alike (untrue) or

ford & bill's relationship was strictly platonic and didn't have any romantic implications (also untrue)

i've said this before, but this isn't just a case of "oh, ford fell in love with someone who just coincidentally reminds him of his brother." bill's use of the nickname "sixer" during their first encounter was a deliberate attempt at appealing to a part of ford that was repressed, vulnerable, and aching, in order to get ford's guard down and make it easier for ford to trust him, and it worked.

billford is a ship that, to put it bluntly, would not exist without ford's buried feelings for stan, even disregarding shipping/incest/etc. ford's desire to be close to stan even platonically is what allowed bill to needle his way into ford's heart in the first place.

and all of this wouldn't be that weird if, again, bill hadn't continued to feed into ford's longing for stan even after they'd established a romantic relationship, by still calling him "sixer" and trying to permanently sever the relationship he had with stan specifically, once he and ford broke up (the phone call he tried to make while in ford's body that was described in tbob).

to put it another way, imagine if wendy was basically an older, taller mabel, or if any of mabel's crushes were eerily similar to dipper. people in the fandom would def take notice and view it as a little strange. so i don't get how people can look at ford dating someone so blatantly and intentionally similar to stan and think to themselves "ah yes, this is normal. ford is completely Normal and definitely doesn't have any underlying issues whatsoever" lmao

to conclude: no, i don't think ford & stan's relationship is actually canonically romantic, nor do i think ford falling in love with bill was incestuous, necessarily.

but i do think that he had a desperate longing to reconcile with stan buried DEEEEEEP down, and it manifested itself in the form of being attracted to bill, which is probably why he never bothered correcting bill's use of the nickname "sixer" since their very first meeting, or ever expressed that it made him uncomfortable.

[thedeathwitchescats]

Okay, review time!! If you are one of the oddballs who thinks you cant be critical of something you love I suggest you stop reading now before I ruffle your feathers. Iron flame, second in the empyrean series. I am gonna start with what I was not a fan of and then go into the shit I adored.

1) what in the actual fuck was the pacing of this book?? I can tell you what, it was non existent. There was none. Where I thought there was a lot of filler in the last book there was none in this one. We got snap shots of conversations and then *boom* more plot flew at you. The timeline of this book greatly suffered for it i think bc we end only a couple weeks, if that, after threshing, which happens sometimes in October. This book was actually so wild with times.

2) while it was a spectacular cliff hanger, xaden becoming venin pisses me off. Especially if Rebecca yarros isnt going to have him tell violet. Like if that small tid bit of a conversation we got wasnt him telling vi that he was venin then the entire romantic conflict of this book was rendered pointless and their going to be having the same fucking fight for the rest of the series and at rhat point I give up.

3) I understand that the revolution is trying to take down basgaith and make the world better or whatever the fuck but can someone actually formulate a real plan for me?? Because I feel like their mission is just, giving violet and xaden something to be pissed at each other about.

4) the entirety of cats character. I get that she was set up as a spin on the typical jealous ex. Like having her be bitter about xaden picking violet over her but OH WAIT it wasnt actually about the man it was about the crown, oohh not like other girls. Im a writer too I see the point. I dont care. I think it was trashy. If you wanted her to be a bitter spiteful ex then have her be a bitter spiteful ex, the whole crown thing was shallow.

OKAY haters your time is up now onto the shit that made my heart hurt with joy and sadness

1) xadens arc in this book. I really liked that he went from "transparency is never gonna happen" to losing his fucking mind over violet and giving her everything. I love feral men and he qualifies. I think his arc was really well done and i liked it.

2) I appericiate that violet stuck to her guns for this book. She wouldnt let xaden off without a fight and I loved that. She made him bow and scrape and I was eating it up. It was spectacular.

3) the throne room scene. Violet on the throne. "Im making a temporary point not a lasting vow of maschocism" xaden being feral.

4) that gets its own point actually, just xaden being completely feral this entire book healed a part of my soul.

5) andarna's little speech at the end where she was like "I waited for you violet" made me ugly cry. That was just so hopelessly good I loved it. Andarna in general heals my heart but that part was just *chefs kiss*

6) tarin being completely and utterly ready to eat people this entire book. Just, at every turn "I want lunch their pissing me off " was spectacular

7) every scene their squad was in. Rihannon, violet, sawyer and ridoc are my roman empire. Their bond is so amazing. The fact that they launched a rescue mission for violet. Rihannon being ready to kill xaden at every turn. Ridoc being so platonically and adorably in love with violet. Just- augh happy cries happy cries. I love it all. Their so special tbh.

8) I love xaden actually, just, the whole book every scene hes in lives in my brain.

9) I liked that we saw a small bit of violet being feral this book too. I hope that we get more of that in future books. I want more of violet losing her fucking mind. Hot, badass women covered in blood

10) Liam. Fucking Liam. When violet was kidnapped and Liam was there. Now, do I logically understand that he was a hallucination, yes, do i care?? No. He was a gift from Maleck I will be hearing no critiques on that. It was so fucking sweet and amazing. I love violet and Liam and Liam being dead so horribly breaks my heart. I loved Liam. Liams death lives rent free in my skull.

[lord-squiggletits]

I think the key component to my personal reading of post-Delphi Pharma is that he's trying to be a horrible person on purpose. Not "on purpose" in the way that people have free will to exercise their own choices, but in that Pharma's "mad doctor" persona is a performance he puts on to deliberately embrace how much everyone else hates him. Basically, if people already think you're a "bad Autobot" and a horrible doctor who just kills his patients for fun, why try to prove otherwise to people who have already made up their minds about you? Just fully embrace the fact that people see you as an asshole. Don't try to change their minds. Don't plead for their forgiveness or understanding. Just stop caring. If you're going to be remembered as a monster, you might as well be a memorable monster, and eke as much pleasure and hedonism as you can out of it before karma catches up to you and you inevitably crash and burn.

I mean, I guess you could just go the route of "Oh, Pharma was always a fucked up creepy guy and Delphi was just him taking the mask off," but I really don't like that interpretation because, for one, it feels really wrong to take a character like Pharma becoming evil under duress and going, "Oh well clearly he did the things he did because he was evil all along," as if somehow Pharma breaking under blackmail/torture/threat of horrible death was a sign of him having poor moral character. As opposed to, you know, suffering under the very real threat of horrible death for himself and everyone he cares about while being manipulated by a guy who specializes in psychological torture.

The second reason is that it just doesn't make sense to write Pharma as having been evil all along. I mean...

Occam's Razor says that the best argument is the one with the simplest explanation. Doesn't it make way more sense to take Pharma's appearances in flashbacks, his friendship with Ratchet, his stunning medical accomplishments, and the few we see of him speaking kindly/sympathetically (or in the least charitable interpretation, at least professionally) towards his patients and conclude "This guy was just a normal person, if exceptionally talented." Taking all of these flashback appearances at face value and assuming Pharma was being genuine/honest is a way simpler and more logical explanation than trying to argue that Pharma for the past 4 million years was just faking being a good doctor/person. I mean, it's possible within the realm of headcanon, but the fact is Pharma's appearances in the story are so brief that there simply wasn't room in the story for there to be some sort of secret conspiracy/hidden manipulation behind why Pharma acted the way he did in the past.

I just can't help but look at things like Pharma's friendship with Ratchet (himself a good person and usually a fine judge of character) and the fact that even post-Delphi, pretty much every single mention of Pharma comes with some mention of "He was a good doctor for most of his life" or "He was making major headways in research [before he started killing patients]" which implies that even the Autobots themselves see Pharma's villainy as a recent turn in his life compared to how for "most of his life" he "used to be" a good doctor.

And although Pharma doesn't know this, we as the readers (and even other characters like Rung) know about Aequitas technology and the fact that it actually works, so... if Pharma really was an unrepentant murderer, why couldn't he get through the forcefield too? The Aequitas forcefield doesn't require that a person be completely morally pure and free of wrongdoing or else how could Tyrest get through, just that they feel a sense of inner peace and lack feelings of guilt. Pharma has murdered and tortured people by this point, and put on quite a campy and theatrical show of how much he sees it as a fun game, so why then can he not get through?

It circles back to my headcanon at the start of this post that the "mad doctor" persona is just that-- a persona. Delphi/post-Delphi Pharma's laughing madman personality is just so far removed from every flashback we saw of him and everything we can infer based on how other people see/saw him before that, to me, the mad doctor act is (at least in large part, if not fully) a persona that Pharma puts on to put his villainy in the forefront.

To avoid an overly simplistic/ableist take, I don't think Tarn tortured Pharma into turning crazy. To me, it's more like the constant pressure of death by horrific torture, the feeling of martyrdom as Pharma kept secret that he was the only one standing between Delphi and annihilation, the physical isolation of Messatine as well as the emotional separation from Ratchet, being forced to violate his medical oaths (pretty much the only thing Pharma's entire life has been about), etc. All of that combined traumatized Pharma to the point that the only way he could avoid cracking was to just stop caring about all of it. Because at least then, even if he's still murdering patients to save Delphi from a group of sadistic freaks, Pharma doesn't have to feel guilty and sick about doing it. As opposed to the alternatives, which were probably either going off the deep end and killing himself to escape, or confessing to what he did and getting jailed for it.

In that light, Pharma becoming a mad doctor makes sense. It avoids the bad writing tropes of "oh this character who was good his entire life was actually just evil and really good at hiding it" as well as "oh he got tortured and went crazy that's why he's so random and silly and killing people, he's crazy" and instead frames Pharma's evil as something he was forced into, to the point where in order to avoid a full psychological breakdown and keep defending Delphi, he just had to stop caring about the sanctity of life or about what other people might think of him.

Then, of course, the actual Delphi episode happens, and Pharma's own lifelong best friend Ratchet basically spits in his face and sees him as nothing more than a crazy murderer who went rogue from being a good Autobot. Then Pharma gets his hands cut off and left to die on Messatine. At that point, Pharma has not only been mentally/emotionally broken into losing his feelings of compassion, he's received the message loud and clear: He is alone. Everyone hates him. Not even his own best friend likes him any more. No one even cared enough about him to check if he actually died or not. He will only ever be remembered as a doctor who went insane and killed his patients.

So in the light of 1. Having all of your redeeming qualities be squeezed out of you one by one for the sake of survival and 2. Having your reputation and all of your positive relationships be destroyed and 3. People only know/care about you as "that doctor who became evil and killed his patients" rather than the millions of years of good service that came before.

What else is there to do but internalize the fact that you'll forever be seen as a monster and a freak, and embrace it? People already see you as a murderer for that blackmail deal you did, so why not become an actual murderer and just start killing people on a whim? People already see you as an irredeemable monster who puts a stain on the Autobot name, so why beg for their forgiveness when you could just shun them back? You've already become a murderer, a traitor, and a horrible doctor, so what's a few more evil acts added to the pile? It's not like anyone will ever forgive you or love you ever again.

Why care? Why try to hold on to your principles of compassion, kindness, medical ethics, when an entire lifetime of being a good person did nothing to save you from blackmail and then abandonment? Why put yourself through the emotional agony of feeling lonely, guilty, miserable, when you could just... stop caring, and not hurt any more?

[zerothesonic]

if anyone ever tells me “cyrus borg is pixal’s creator, he’s not her father” i vow to break into their homes and eat all their legos

[dragonsfortune]

old naoto shirogane sketch for late naoto shirogane birthday :]

Still tryna figure out how to draw them i think this was attempt 3? ish? idk lmao

[ohgreat-moretapes]

Tim I noticed a lot of indigenous patches on your jacket, are you Native?

Idk what my dad was 'cause I never knew him, but yeah my mom is (or... Was.. I guess..) Muscogee, the tribe native to the part of Alabama I'm in.

If I remember correctly she came to Alabama from Oklahoma (where a lot of Natives were displaced to in the 1800s) to "get back to her roots."

But yknow, I was separated from her in childhood (which tbh is upsettingly common for Native families) and I was raised in a very white very Catholic asylum so I'm not as connected to the culture as I'd like to be.

-Tim

[cantgetworsethanthistbh]

tried my hand on stancest meta but tumblr ate up my draft that was a fullblown essay like the functioning app that it is, so i'm just going to post my twitter screenshots here lmao

[poorly-drawn-mdzs]

I'm sorry I let down my guard.

[First] Prev <–-> Next

[swordoffrivolousthings]

Thoughts about Heroes of Olympus and how it could have been better.

Sometimes I think about what would have made HOO a better series. And I'm not talking about the obvious 'too much focus on romantic relationships' and the lack of usage of certain characters or the dumb ending.

I mean the little things that would change so much (mainly character dynamics but also worldbuilding i.e. Camp Jupiter and Gaia's reasoning)

Some of the points are inspired by @crisisreading and their posts. They are the first I saw raise some of my own points so! part 2

Make the ages vary more in the main cast, trust me

Let Percy, Annabeth and Grover get older by 4-5 years. Let them become adults and find themselves outside the godly war. Let them even finish college, I wouldn't get mad. Let them do anything beside being teenagers.

I promise this would make the dynamics more interesting. Percy and Annabeth will be more mentor figures, than fellow comrades. This would create some distance between some of the them, but ultimately create something fun. Piper would come to see some aspiring female figure in Annabeth (I think this would ether be positive or negative, depending how Annabeth changed as a character over the years, but I tend towards negative). Leo would potentially have someone older to exchange ideas with. Jason would possibly feel intimidated by Percy's vastly superior age, prowess and experience, instead of being able to clash heads with him.

Hazel would have not one, but two that people that would play parent to the others' reckless behavior. (go snort your harmful stereotypes up your ass, Riordan.) Frank, when telling Percy and Hazel about his stick, would possibly find in Percy a kind hand (not that he wasn't kind already, let me explain) and Percy would probably share with him this feeling of vulnerability - not dump it on Frank - about having your life tied to a specific thing. I mean his Achilles heel, with which he would have lived for far longer.

And a whole lot more.

2. Add Grover into the series as a perspective character

You have a new trio dynamic introduced in the first book of the series. Let the original trio interact as main characters and let us see how their relationship has changed.

Grover's opinion on the conflict between the gods and Gaia would be important. He is the Lord of the Wild, and Gaia is the literal personification of the Earth. Let us see his struggle between the loyalty he has to the gods and his friends and his powerful feelings towards protecting nature.

Also, he would act as a protector for the demigods. Because while I enjoy Hedge, he is not enough to keep them safe.

3. Throw the bullshit about Gaia getting revenge for Kronos' defeat out of the way

Gaia, as mentioned before, if the personification of the Earth. One of the first gods to emerge from Chaos.

Gaia can, of course, keep her resentment for the gods defeating the son that freed her from her pain (caused by Ouranos initially). But she is a mother goddess. She should want obliterate humanity because humans are slowly killing her. Painfully. She wants to survive and the only way she sees how if by killing all the humans. She wants to save her children, aka animals, insects, nature, and the only way she sees is bloodshed. Gods are not rational in their anger, no one is. So let her be angry and vengeful and out for human blood.

DO NOT MAKE HER A FUCKING VILLAIN, MAN! Make her an antagonist, but someone's whose ideals are worth taking in and adapting. Kinda like Luke about the demigod and minor god recognition. Where have the themes of the original series gone? Remember, an important theme in BOTL was protecting the environment. It was one of the most important moments when Pan faded. Do not let that go to fucking waste. Especially not now, in the world we live in.

4. Show the effects the war had on Camp Half-Blood. Hint it at Camp Jupiter, when Percy does not have the memories to corelate it with

We've had years since the end of the Second Titan War. How did the gods change the course of events ? (the victors write the histories) How much of Luke's reasoning for starting the war was erased. (hint, all of it.) Show us how much the perspectives were shifted and how much the people that fought in it were made into martyrs and villain, basically becoming caricatures.

Let us feel how much this hurts Percy, Grover and Annabeth. How it had impacted and impacts their trauma, grief and utter horror. The younger, newer campers see them as wonderful, all-just and loyal heroes of the gods. The way they hate it.

Good moment to implement the new cabins for the gods and let the new ones forget that it wasn't always this way. Let Percy's demand to the gods be forgotten, shoved under the rug. The tragedy unfolds, use it.

Since in Camp Jupiter none of the main characters have fought, let us see the subtility. Let the older legionnaires be ragged, scarred. Older and weary, with eyes glassy and suspicious. Have younger recruits have this heavy air around them. They know what happened, what killed most of the older people in the legion.

Have Jason, Hazel and Frank see these things in Annabeth, Grover and Percy too. They realise that oh. oh. these three have fought in the war, of course they would. Show them gain respect for the trio. The same kind of respect they have for the veterans back home.

5. Cut one of the Seven from the prophecy.

I know this seems radical, but it is a symbolism thing, which I think would be more interesting in a world based on Greek mythology.

It is established in PJO that three (3) is an important number: 3 Olympian sisters (Hera, Demeter, Hestia), 3 Olympian brothers (Hades, Poseidon, Zeus), 3 Fates, 3 quest members, 3 Furies, 3 godly realms (the Underworld, Olympus + the sky, the seas). Use this.

Give us six (6) prophesized heroes. It is, after all, the second most used number in the series and a multiple of 3.

I suggest Annabeth. Why? because she has her quest from Athena. Let that be her top priority, while hanging out on the Argo II to get to Rome. Let her bond with the younger demigods and have her possible death be always on her mind. Bring her hubris into play and she would think herself the chosen one, the one demigod child of Athena to survive. This would make her falling into Tartarus with Percy not letting her go more taxing on her psyche.

Show us how she hates herself because she took one of the principal quest members to certain death. She feels like she'd jeopardized the whole saving the world thing.

Cut the Seven to Six and let Annabeth die in Tartarus. Show us why a single-man quest is a death sentence. Why three (3) is such a valuable number.

6. CONSEQUENCES!!!

Jumping straight off the last point.

Change why Annabeth would end up in Tartarus. Make her ignore the string around her ankle because she thing that nothing bad can happen to her now. After all, Arachne is gone, right.

Let this be her undoing. I do not care how she dies, but make her choices, her hubris, be her undoing. Do not let her death up to a chance, a mistake or miscalculation. Show how toxic Tartarus is, because we do not see it enough, but make it Annabeth's idea, the plan by which she dies.

Do not make it Percy's fault. Let him try to do everything to keep her alive, but still failing. Attack his sense of loyalty, his self-esteem. Show how the experiences and her death affect him.

Bring the trauma from the last war back in those chapters, in a place where demigods leave something behind.

To less drastic things - let the others get hurt. Permanently. Show how this life affects and damages people physically, too.

Have one lose an eye, another get horrific scars. Lose a limb, a part of themselves. Do not make it seem like any other could have gotten the same wound.

Tailor them to their character, their pride and their skill. Hit them where it hurts most and let us see how it changes them.

Also, about Leo. Kill him too. The fact that he ended up alive is a deux ex machina. He should have suffered the consequences.

Also also, bring back the fatal flaws. They are missing from the series. Play with them, show why they are important parts of their characters. Bring back ancient Greek fatal flaws, and new ones that make sense in a modern world.

Hurt them because what hurts them is part of who they are. Show us why the Greeks invented tragedy.

7. Age up the target age. Go more young/new adult

I understand that PJO was made for middle schoolers. But the target audience had grown up alongside the characters, and as such they have matured.

This is why I said to age Percy, Grover and Annabeth up further. Leave some distance for the old and new readers to get up and personal with the new main characters. Have them find common ground with the new demigods but have their anchor in the old ones.

Make the readers work to understand and refamiliarize themselves wit the older demigods. Because they've changed.

Targeting a more mature audience allows exploring n. 6. The realistic consequences of living with the fear that something will come and eat you. How just a little mishap could change you for life. (or what has been left of it)

Please do not go grim dark. Show that despite this all, their purpose has not stopped existing. A life exists outside of your appearance or disability still exist, and while it would be hard, do not lose hope.

8. Hope, or lack of its importance in the Heroes of Olympus series

Alongside other callbacks and reinforcements of PJO's lore, where is Elpis (hope)? Why doesn't she appear as a larger theme in the books? I don't know.

Elpis is still in the jar, having been used as a threat of defeat. But now Kronos is gone. Have Gaia use it as s symbol for her own cause.

Make hope Gaia's argument. The most important part of why her cause stands. Gaia is waking now because there is no hope for the betterment of the planet while in human - and therefore godly - grasp. She wants to save the planet, but they, the destroyers, are opposing her.

Hope is what she wants to bring back. The hope that death will not be the end of life, but further evolvement and betterment of all species.

This argument is what the counterargument should unravel. All species? Why are humans considered irredeemable, unworthy of becoming something greater?

Why can't they not coexist and why can't humans learn how to care about the world surrounding them.

Make hope for humanity and for the environment not a question of if they are capable to coexist, but how we can manage that. Humanity and nature are not mutually exclusive, but two halves of the same whole that need each other to sustain their longevity. Yes, nature can exist without humans, but humans can't.

This does not mean that the best way forward is to kill all humans.

There is no need for hope in HOO because there are no greater questions being asked about topics that require hope, because otherwise we would descend into nihilism and fatalism.

9. Give the gods reason to act the way they act, or a look at a greater narrative problem in the series

I may be generalizing, but the gods act erratically and make choices convenient for the plot, as it is, to happen.

Hera: how, specifically, does she know that Gaia is rising and what her plans are. Why is she against Gaia, when the older goddess has a track record of helping the Olympians on different occasions in the myths. Why does she decide to act when she does, how she knows that the king of the giants (whatever his name may be) is coming after her right then.

We don't know.

Athena: we understand why she wants the Athena Parthenos back. Why not force the Romans to give it back. After all, she is a goddess, even if the Romans don't respect her as the Greeks did, she has power and sway over them. Why send her children, a supposedly important part of what brings her glory, to a near-certain death. Is it misguided vengeance, an obsession to get the statue back at all cost, or simple cruelty. These reasons could apply very well to sending the Romans, yet she doesn't.

Zeus: why lock down Olympus? Paranoia, which fair, but you are a King, why wouldn't you look after your subjects? (bc Riordan chose to ignore part of his characterization in the myths and part of his godly domain) (I know kings aren't perfect, but after the last war, one would think he would do everything in his power to stop another one before it begins) Why not seek justice for Octavian's lies, that affect their ability to win the war, and kill/imprison him? Justice is part of his domain, as Zeus Nomius.

I know that we wouldn't necessarily need these answers, but without some of them, some choices left hanging seem to be there only to add to the drama and danger of it all.

All in all, I have many problems with the 'Heroes of Olympus' series. Some of them are nitpicks and personal preference as a high fantasy reader in my free time. Some of them would really add to the story and continue the themes of PJO.

Please ask me if something wasn't clear to you. I'll happily explain further.

If you find something you don't agree with, let's discuss. I'm open to changing my opinions.

[umbrellasrambles]

me thinks that Netflix shouldn’t be allowed to put Netflix stickers on the whole Lockwood and co book series unless they actually finish the show