#and no. i don't mean hungry
is there a word for being horny for food because that's my constant state of mind
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at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"
like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.
"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."
... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.
and i'd still keep writing.
i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.
i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley
"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"
and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.
it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.
you create because you're greedy.
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theyre touching tails and looking at ducks together now. tomorrow they'll braid each other's hair and decorate it with kelp ribbons
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i know i say that atsushi likes to spend his extra cash on kyouka but i also dont think kyouka lives there for "free" like she could, atsushi wouldn't mind, but i feel like it makes more sense for her to contribute since its not like atsushi's rolling in cash
maybe atsushi wouald be hesitant at a 50-50 thing becuz she's so little and he cares so much about her but i dont believe its 0-100 ya know?
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The first time we meet Wolfwood, we find him lost and dehydrated in the desert. Vash shares his drink with him.
The last time we see Wolfwood, he's home and overdosing. He shares his last drink with Vash.
[through tears] I love poetic cinema.
[ID: A person wearing funky pink glasses and a Hello Kitty towel like a robe holding out a large pink margarita glass for a toast. End ID]
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eld/en ri/ng hunger where the tarnished is famished after fights, belly rumbling ferociously. Other ocs being absolutely ravenous from using their powers/weapons, their poor tummies roaring as they desperately try to cover up the loud growls. Using potions and healing to help them get by, but none of them get rid of the hollow feeling in their bellies
Oooooh
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My best friend and I moved in together with his closest friend from his MA program, and while I had met her before (the friend; my bff is a man), we hadn't spent much time together because I've never lived away from the West Coast (and only two years out of the PNW) and she's never lived outside of North Carolina and only briefly visited the PNW once, when she went to Portland last year.
It's been a delight to show her around the PNW and realize we need to explain things that are just sort of omnipresent in our lives. The bff and I were casually griping with each other about having to run an errand to Trader Joe's at an inconvenient hour, and were telling her, "it's okay, you can stay in the car and avoid the people if you want" and she was like "NO I MUST SEE IT, I'VE ONLY HEARD OF THEM" and nearly ascended to another plane when we showed her around the store.
The bff and I grew up in the same town in NW Washington (him for his first 18 years, me from 9 to 19) and he lived in Bellingham and Seattle for years before he went to NC for grad school (I went to the SF Bay Area for mine, a very different experience). Both of them are hardcore coffee aficionados, but he struggled with the different Coffee Ways of the South, so for the true PNW experience they want to tour various indie coffeeshops next.
Also, she adores Kaidan in Mass Effect and we were like, oh, is your passport up to date? We could take a trip sometime and show you your boyfriend's beloved English Bay. It's very beautiful :)
her: O_O
me: Actually, it's worth going to Vancouver BC for its own sake as well, it's truly spectacular. We used to go all the time as kids.
bff: And Victoria!
her: O_O
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I'm sorry but I can't think of Orca being evil. I can only think of her as a child who wanted to stand up to her horrible mother and was chomping at the bit to overthrow her just to end her rule. The statue thing was because she didn't want Coral to have an heir that she could possibly infect with her ideologies and morals, continuing her reign of terror even past her death. That and it would be better for them to never have to suffer with a mother like her.
Please reblog with your headcanons for Orca. I will absorb them and hold them dearly. Plus you all are so creative and cool.
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The range of Erik's potential diet is once again fascinating me, on the basis of the sheer number of things that can highly inconvenience/kill a human. Obviously there's the chemical/plant/animal poisons that first come to mind—y'know, arsenic, belladonna, the unpleasantness that happens if you try to eat a monarch butterfly, that sort of thing. And I do have fun wondering if Erik's the type of guy to just … snatch some poor, poisonously bright insect off the side of a trunk and pop it in his mouth, as is his due as a Dragon Slayer who are just kinda like that sometimes.
However. The thought of Erik carefully harvesting and making his own wild licorice and monkshood tisanes, making use of a well-loved copper teapot and his treasured, antique tea service painted with lead-based glaze … kicking back with a cordial of pure ethanol, and the cordial is of course made of lead crystal … Meredy wandering over to an unsupervised, brightly-colored cookpot because whatever's in there smells amazing, then suddenly Erik is tackling her away and shouting about the cyanide he just spiced his quail and grass pea soup with, did Oración Seis not tell her to not touch his cadmium-painted cookpots?! Just, Erik being fancy about his poison consumption, because humans sure have figured out a bunch of ways to really inconvenience themselves and he might as well take advantage of their mistakes.
Also, what counts as poisonous enough to use? Humans can intoxicate themselves on too much water. Can Erik use that? There are so many things that are nonlethally, and even unnoticeably, harmful to us, so how trace can a poison be before Erik can't convert it into magic? Carbon monoxide is a notoriously odorless, colorless gas that is very bad for us—can Erik convert a poison he can't perceive? Can he straight-up eat rotten food because it would otherwise be harmful for literally anything else to eat? Relatedly, does this mean he really likes fermented food, because that's essentially rotten food that humans like to eat? I have questions
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Merry crisis
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listen okay i'm sorry i asked three times for your explicit permission to get another glass of water from your sink i grew up having to ask permission to eat food. yes i promise i am safe in my home
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I hope they make a full-on sonic horror game like unironically
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Ngl I'm starting to feel like a nonzero amount of the fandom reaction towards Cazador, the general trend of "oh he actually isn't scary or intimidating at all, he's a whiny sniveling little bitch baby and it's embarrassing Astarion was so scared of him because of how non-threatening and laughable he is" is hmmm
maybe a bit based in the racist de-masculinization of Asian men and the way that they are often seen as impotent, weak, and incapable of being threatening?
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Me googling "low blood sugar" only to find out that it is NOT common or normal for non-diabetic people to experience. I experience it somewhat frequently.
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okay, but just imagine your muse trusting blamore enough to let it stay at their house while they go out to have a day out with a friend or something, only to discover that... upon arriving back at their house, that all of their food is just. GONE. like, it was never there in the first place, and the fridge has been completely raided. and when they walk in the door, blamore is just eating the last of the evidence.
SO when they naturally question him as to what the hell happened... it just goes 'wellll, i didn't want to leave your house to get food because you trusted me to look over it... but i also got hungry so' JSJSJ and they just give him a look that's both concerned + a little mad because how the hell did this creature devour their whole fridge within one day 💀 LMAOOO like, i suppose this is a cautionary tale of a sort to not leave blamore alone with your fridge, because... it will eat all of your muses food
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It took me like 10 years to be able to recognize when I am having a flashback because the movies told me the whole thing was supposed to be very cinematic, inside and out.
In reality, for most people, it just looks like they are hardcore zoning out.
And internally, it seems like flashbacks are only a full visual-audio movie-worthy experience for very few people.
Which is equally valid and definitely horrifying, but since I thought all flashbacks were supposed to be like that, it was very hard to figure out that "my brain suddenly leaping back in time to a prior emotional state of being from recalling a traumatic experience" = "flashback."
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