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coloursflyaway · 17 hours

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I Will Hold Your Hands To Stop Them From Shaking

Pairing: Edwin Payne/Charles Rowland

Rating: T

Word Count: 9.000

Read on AO3

“You don’t have to know how to dance”, Charles says, and he is so close that Edwin can make out the shadows each eyelash paints onto his face. If he had a breath still, the sight would take it. “I never learnt it either. Just move with the music, and I promise that if I spin you ‘round, I won’t drop you.” _____ It doesn't take Charles forever to figure out the rest.

Watching Charles move is easy. Maybe it’s the easiest thing in Edwin’s life right now; it’s definitely something that he hasn’t only started recently, but something that he has always done. Even before he knew what it meant. Because it is so easy.

Everything about Charles seems to be in motion, like motion is what he is deep inside, bright and fluid and everywhere at once, because no place can hold him. None deserves to hold him, not for long. Crystal once told him that Charles used his brightness, his smiles and his constant movement, to cover up all the pain in his past, but Edwin secretly disagrees: there is some of that, he can see that now, but that’s not where it comes from. Where it comes from, that magnetism that ensures that everyone they have ever met grows to love him, is just Charles. Just who he is inside, and who he always would have been, had they not tried to beat it out of him when he was still alive.

And love him, they do. Crystal most certainly does, Jenny almost smiled at him two days ago, and even their new minder – who Charles insists on calling Charlie – seems to struggle to push down a growing affection towards him. She will lose, Edwin knows it for certain. It’s beautiful to see, because that is just what Charles deserves, and it’s… it’s difficult at the same time. Or rather, it was a little easier when there was only Edwin who loved him.

Because love him, he does. Looking back, it’s almost impossible to believe that it has taken him thirty years to realise it, that it took a crow-turned-boy to make him see, a cat king who couldn’t keep his hands to himself, but oh, he loves him.

Loves him to a point where he almost feels like he has a heart again, because he thinks he can feel it beating, just like he thinks he can feel it stop when Charles touches him, smiles at him, gets out that new cricket bat they got and twirls it just to show off. Loves him so much that he feels like it’s not only the reason why he was put on this Earth, but why he died, why he crawled out of hell and why he was permitted to stay here after all. And looking back at it, it was all worth it for a single moment of watching Charles sing a Joan Jett song to himself, spinning in between his steps when he thinks he’s alone.

“I’m voting for the bloke who got mysteriously shanked at the Troxy”, Charles casts in his lot, twirling a pen he is not writing with between his fingers. He’s positively glowing in the warm, late afternoon sunlight. “You just want to go to a concert venue”, Crystal interjects, raising a perfect eyebrow, before chucking a piece of nectarine at him. Charles catches it effortlessly, of course he does, and tosses it right back. They look positively domestic, sitting on opposite sites of the couch they got for their human co-detective, playing with fruit. Edwin aches.

“So what? Nothin’ wrong with having a bit of fun on the job, is there?”, Charles is grinning, looks over at Edwin, who tries not to notice that the brightness of his smile doesn’t waver for a second. “C’mon, mate, back me up here!” “I’m afraid that merely getting stabbed doesn’t sound like something that would necessitate a supernatural investigation”, Edwin answers, and even then, the light doesn’t dim in Charles’ eyes. “I’m sure the normal, living police is more than enough for that.”

“You guys are no fun”, Charles whines and catches another piece of fruit from mid air. “Also, I’ll have you know that the Troxy’s a nice place, people don’t just get stabbed in there.” “Well, apparently they do now.”

“Can you please wipe that smug smirk off your face”, Crystal hisses just after the bouncer waves her through the doors of the Troxy. Edwin, who can only see the back of Charles’ head, still knows that he absolutely doesn’t. “What, I’m only happy to go and see a gig with my mates!”, he shoots back, and Edwin watches the little skip in his step, like he is dancing to a beat that hasn’t started playing yet. “And do a bit of work on the side, of course.”

It’s difficult to regret the decision to take this case, because Charles is glowing, has been since Crystal purchased the ticket to the concert this afternoon. Edwin does not know the act that will be performing and he doubts Charles does either, but that doesn’t seem to matter for a second.

The other two bicker for a few more moments while Edwin tunes out of the conversation to check their surroundings – they are here on a case after all – until Charles spins around on his heels, looking at Edwin expectantly. “Well, have you ever? Was that even a thing in your time?” “Excuse me?” “Been at a gig, mate!” Charles spreads his arms like he is trying to show Edwin all the wonders of the world, his smile so wide it seems to split his face apart. Edwin’s metaphorical heart gives out for a second.

“I haven’t had the, uh, pleasure, yet”, Edwin answers, even while he tries to avoid touching anything in his near vicinity. It’s sticky, just looking at it. “I wish I could tell you that I know you’re gonna love it, but I guess we’ll have to see about that”, Charles tells him, half laughing, and Edwin finds himself smiling, too.

He knows he’ll end up loving it, even if not because of the reason Charles is thinking of.

“Just let us enjoy, like, three songs”, Charles all but begs when the show finally starts. “I swear, after that I will be good and I won’t complain at all when we go work. Just three.” Crystal is holding onto the drink she bought earlier, but she doesn’t say anything, just turns to look at Edwin. Who is powerless to do anything but nod. “Aces! Thanks, Edwin.”

And Charles slings an arm around his shoulders for a second, pulls him into an almost hug, before he turns back to the stage, leaving a cloak of warmth across Edwin’s upper back. Music starts playing, but he doesn’t really notice it, and why should he? Charles is cheering and clapping and moving with the rhythm, and even if Edwin cannot see his face, he can see the joy in him so clearly that it is burnt into the inside of his eyelids every time he blinks.

Charles is the sun, he’s radiance personified, he’s-

He turns around to face Edwin, the music temporarily stopped as the singer says some words into the microphone, and he extends a hand, palm facing upwards. “Do you wanna dance? Shouldn’t leave your first concert without having danced at least once.” Charles is smiling, but it’s different now, encouraging somehow.

It works, because Edwin’s body is moving before he knows it, hand reaching out to take Charles’ like it is nothing when it’s everything instead, when it’s like he can feel the weight of Charles’ fingers in his. “I’m not a prolific dancer, I’ll have you know”, he mutters when Charles pulls him closer, even though chances are that Charles figured that out himself quite easily. “Don’t have to be”, comes the answer, and Charles is so close now that Edwin can make out the shadows each eyelash paints onto his face. If Edwin had a breath still, the sight would take it. “I never learnt it either. Just move with the music, and I promise that if I spin you ‘round, I won’t drop you.”

Another smile, one that Edwin reciprocates, and then the band starts again and Edwin is still not listening to the music. Instead, he is trying to follow Charles when he starts swaying to it, distributing his non-existent weight from one foot to another. It seems to be working because Charles laughs, head thrown back and happiness painted in broad strokes across his entire being, and puts a hand on Edwin’s side, like he is trying to guide him. Like Edwin wouldn’t follow anywhere he is going anyway.

“You’re getting it!”, Charles shouts at him over the music, too loud and yet not loud enough, and then Charles is lifting their joined hands for everyone and no one to see, the hand on Edwin’s hip giving him a little push and Charles is spinning him. Doesn’t drop him, just like he promised. It’s silly and a little immature and it makes Charles laugh and Edwin follow suit; it’s wonderful and thrilling, and then Charles glances behind Edwin’s shoulder at Crystal.

Who he would rather be dancing with, of course. But who has been to concerts before, and who might garner attention they do not need when being spun by an invisible hand.

Charles’ eyes dart back to his, and his smile is the same, and Edwin thinks, thank you, thank you for this, and means it.

They don’t find much, but for once, that doesn’t matter too much to Edwin, because Charles keeps glowing for days afterwards. There’s an extra spring in his step that carries him all the way up to the victim’s flat, where Crystal finds the clue that leads them to their rather unsatisfying explanation to their mystery: the brother of a mistreated ex-girlfriend, who saw an opportunity for anonymous revenge. It’s worth it, all of it, every time.

��But if you haven’t tried it, how do you know it doesn’t work?”, Charles asks, partly incredulous, partly amused. “You might be able to eat! Do you know how much I miss eating? What I would give for, let’s say, a day where I could eat again?” Charlie, since she hasn’t settled on another name yet, scoffs, and primly sits down on the sofa. “As I have explained, I have no interest in trying any kind of sustenance that is offered here on the mortal plane. The thought disgusts me.”

Charles groans and flings himself back onto the armchair – they keep getting more and more furniture, it seems – so that his head is hanging off it, upside down, looking at Edwin. “Edwin, I’m right, yeah? You know that I’m right.”

“He’s right”, Edwin tells Charlie, and even upside down, Charles’ smile lights up the entire room.

It’s late at night, around four a.m., Crystal is asleep and Charlie hasn’t shown her face in the office in the last few days, so it’s just them. Nights like this are Edwin’s favourite – he has never spoken it aloud, but he suspects Charles knows anyway, might even feel the same occasionally – and they have become… not rare, but less frequent than they used to be, because Crystal has no established sleeping schedule and Charlie drops in whenever she feels like it anyway. But, oh, Edwin has missed them.

They do not have an active case right now, will probably pick a new one come the morning, so it really is just them. Charles is trying to balance a ball on his cricket bat, spread out on the couch he seems to enjoy much more than he wants to admit, Edwin has just picked out a new book after finishing his last one, and there is space left between Charles’ feet and the armrest on the sofa. It’s not a choice Edwin makes, sitting down next to him. Where else would he go?

There is enough room for both of them, and yet Charles lifts his legs when Edwin approaches, even though it means dropping the ball right into the hollow between his neck and chest. And he lets Edwin settle there, caught between the cushions and Charles’ feet, as if it is the easiest thing in the world. And really, it is.

Without thinking, Edwin rests one hand on Charles’ ankle, fingers circling his leg, while he picks up the new book, a novel this time. Charles does the same with his ball, throwing and catching it when it comes back down a few times, before putting it back on the cricket bat. It’s familiar, it’s new; it’s how Edwin wants to spend eternity.

“Watcha reading?”, Charles asks eventually, after the ball has dropped another three times, and while being interested in Edwin’s reading isn’t that uncommon for Charles, it startles Edwin slightly. He glances over at Charles, who looks like he has been watching Edwin for some time, and shows him the cover. “East of Eden”, he tells him for good measure, “a novel, for once.” “Even though you don’t have a friend to talk about them with anymore?”

Charles seems genuinely curious, and while Edwin does occasionally finds himself missing Monty and their conversations, it still seems like an odd thing to ask. “Of course I have someone to talk to about them. I have you, don’t I?” Although it takes a moment, it makes Charles smile; he looks almost a little wistful and Edwin isn’t sure if he likes that expression on his handsome face.

“Well, yeah. But it’s not like I can talk back about them, innit?” Charles tosses the ball again, catches it effortlessly, and maybe Edwin has to stop with the novels after all, because for a second he thinks, just like he has caught me every time I needed catching. “I could read it to you, if you wanted me to?”

He doesn’t expect much – Charles doesn’t enjoy books like Edwin does – but Charles nods immediately, tosses the ball again, catches it, and looks at Edwin with a smile that fits his face much better. “Yeah, I’d like that. A lot, actually.”

“I am telling you, this is something the police will be able to solve on their own, and if it isn’t, they should most likely lose their jobs, because they are incredibly incompetent”, Charles repeats for what feels like the sixth time, crossing his arms in front of his chest. He just so stops himself from rolling his eyes. Crystal has become a somewhat valued member of the detective agency, however, sometimes, it is like she simply doesn’t want to understand what he is telling her.

“They have been trying to solve it! For two weeks!” Crystal looks as exasperated as Edwin feels, which, at least, is some comfort. Maybe the frustration will make her more likely to give up her ludicrous idea of helping with a perfectly run-of-the-mill hit and run. “Charles! Back me up on this!”

For a second, Charles just looks between them, obviously amused, then he throws an arm around Edwin’s shoulders, squeezing him close to his side. “Sorry, Crystal”, he replies, and Edwin can hear the smile in his voice, wants to trace it with his fingertips, “I’m with my best mate on this one.”

“You wanna read to me again?”, Charles asks that same night after Crystal has gone to bed, lifting his legs to make room for Edwin. As if he knew his answer already. He does.

“I didn’t think you enjoyed the story this much”, Edwin remarks as he settles down between the sofa and Charles’ legs, reminded once more that this might be his favourite place in the world. His hand finds Charles’ ankle, only that this time, he touches not only fabric, but skin as well. “It’s alright”, Charles replies, shoots Edwin a little smile. “I’m mainly enjoying you reading it to me.”

If he had still a heart to pump blood through his astral body, Edwin is certain he would be blushing, because of Charles’ words, the sliver of skin pressing against his palm, or both.

Slowly but surely, it becomes a regular thing between them. Once or twice, occasionally even three times a week, Charles will look up at him from the sofa, lift his legs in invitation, and say, “Read to me?” And Edwin will slide into the best place this world has to offer, put his hand around Charles’ thin, graceful ankle, and start reading to him about the Salinas Valley.

Things are quiet, for their standards, because they are approaching Halloween and the ghosts are preparing for it like the living do, perhaps more so, when Charles looks up from the strange tablet computer Crystal is trying to get them to use. Charles, admittedly, is much better at it than Edwin, but at least in Edwin’s eyes, that was to be expected.

“This might be interesting”, Charles says and turns the device around so Crystal and Edwin can see. “A magician’s assistant went missing during a show, her body was found half an hour later, but halfway across the country. And in two places. They have no idea how she got there, it should be impossible. Nor how she got cut in half. Sounds supernatural to me, doesn’t it?”

Edwin scans the article for a second; it does sound interesting, sounds supernatural, but… “We don’t exactly have a client though, do we?” “I know, but I’m sure that if we find the ghost of that assistant, and she hasn’t passed on yet, she would be interested in solving it. And it would be a proper mystery again, you love those.” Charles smiles at him, because he knows he has won already; Edwin does love those. Slowly, he nods.

“Great. Crystal? You’re on board?” This time, he needs to do no convincing at all, because Crystal is grinning already. “Oh, absolutely. Magical nonsense with an actual magician? I’m so in.”

They take the train to Cambridge, where the body was found after disappearing in Manchester, and Edwin bites back every comment he might make about how much quicker it would be to travel via mirror. His point still stands, of course, but Crystal is now part of the agency, and, mostly against his will, Edwin has started to grow fond of her. And more importantly, Charles has. So they file into the small, dingy train wagon, where Crystal has booked not one, but three seats for them. It’s thoughtful, if not frugal, but as Crystal reassured Edwin when he brought it up, her parents have more than enough money and also owe her something for not even noticing when she disappeared.

It makes sense, in a way.

So they sit down, Crystal pulling out the tablet computer and a pair of oversized headphones, making it look like she is talking to someone over the internet instead of them. Quite a clever disguise, Edwin has to admit.

“So, I think the best plan of action is to first go to the site where they found the body. If the ghost is still on the mortal plane, then she might be hanging around. And if not, Crystal can maybe read something around the place, find out about what happened that way.” Charles says, and snatches Edwin’s spare pen right from his breast pocket to twirl it between the elegant fingers Edwin usually tries not to notice. “And anyway, we are getting out of town for a bit again, and that by itself is pretty exciting, isn’t it?”

Exciting might not be the word Edwin would choose, but he has to agree that a change of scenery is welcome. He nods, while his gaze follows the motions of his pen, the flex of tendons under Charles’ skin. When he looks back up, Crystal is watching him with an expression he cannot quite place.

“I don’t think I have ever been to Cambridge”, she finally says, although Edwin can hear the expression in her voice still. “So, yeah, sure. Nice to see something else. How about you guys?” “We were there in, what? ‘92, maybe? Definitely in 2006”, Charles replies, not noticing the expression at all, but then again, it isn’t directed at him. “The case of the missing sledgehammer and the Coca Cola vending machine, and the one with the electric monk.”

“I would posture that the first case had more to do with the man that went missing, but otherwise, Charles, you are quite correct”, Edwin replies, and he is not thinking about how they were back then, not wondering if, even twenty years ago, he had been this hopelessly in love with Charles. He suspects he was, but he is too good a detective to allow himself to spend more time wondering about it, lest he lose himself in the question.

“The electric – you know, all things considered, I don’t want to know, just forget I almost asked”, Crystal starts, then stops again, making Charles laugh. “Don’t worry, explaining the whole thing would take too long for this train ride anyway”, he comments, “and I would rather just enjoy it. Haven’t been on a train in a long time, have I?”

“And how does one enjoy a ride on the British National Rail? I don’t think that has ever been done before”, Crystal asks, but Charles just smiles. “Like this”, he answers and turns around so he faces the window, settling back against Edwin’s shoulder to use him as a backrest. The position is slightly awkward, doesn’t seem like one in which Charles will truly be able to enjoy the view, so Edwin adjusts his body slightly, turning it towards Charles’ back and puts the arm Charles is resting against over his shoulder, leaving it stretched out across Charles’ chest. Who grasps his wrist like Edwin does his ankle when he reads to him, holds onto it and settles back like they have done this a thousand times before. They haven’t, but Edwin allows himself the quiet hope that maybe, they will.

The expression doesn’t leave Crystal’s face for the entire train ride.

They arrive at their destination, a street corner with a quite charming looking French restaurant and a church on either side. Apparently they had found half of the woman’s body in the courtyard of the church, the other half in some bushes across the street, but, as Crystal informs them while reading off her phone, without any blood around the pieces. It is mysterious, and Edwin would be lying if he wasn’t itching to solve the puzzle.

To speed things up, they split apart, with Charles and Crystal going to the church, where the top half of the body was found, while Edwin walks over to the small square on the other side. Finding the spot where they had found the corpse is easy enough; police tape is boxing it in and the bushes are trampled around it to the point where Edwin almost pities them.

He walks through them, grateful that the twigs and thorns cannot snag at his spectral clothing, but there is nothing to be found that the police, or their boots, have left untouched. And just as Crystal said, not a single drop of blood that would suggest someone’s cleaved-in-half body had been left there just two days earlier. It is disappointing until he hears his name called from behind him, Charles running up to him with his curls bouncing, his steps light and sure. He’s a vision, just like he always is, and Edwin loves him to the point where it feels like it is splitting his body apart at the seams.

“Edwin!”, Charles calls out again and comes to a halt in front of the police tape. “We found the ghost! And she is even willing to pay!”

Amina, as the ghost in question is called, turns out to be a woman in her late twenties, with long, dark hair and a faint German accent, wearing something akin to a 1920s cocktail dress which she had apparently died in, although there is nothing left to suggest she had ever been split into pieces. “This is Edwin, my partner”, Charles introduces him, and Amina gives him a smile that looks practice and sincere simultaneously. “Well, you are a delightful addition”, Amina comments, her voice deep and warm, one eyebrow elegantly arched.

“I strive to be, at least”, Edwin replies, “Now, can you tell us anything about what happened to you?” “Of course. It isn’t much, though. I was on stage, and we were about to perform one of our usual tricks. Nothing crazy, just your standard disappearing assistant. Arnold did his speech, like he always does, then I stepped into our little cabinet and he pulled the curtain shut, so I could get into the hidden compartment below the stage.” She pauses for a moment, then adds, “Actually, I only remember opening and stepping into it, not getting inside. And then I found myself here, in Cambridge, where we had been only a few nights ago with the show. Not too far from where we had been staying, actually.”

“So you recognised the place?” “After a little while. At first, I was just very confused.” She shrugs her shoulders, one of the straps that holds up her dress falling down; she doesn’t fix it. “But my grandmother was a medium and used to talk about ghosts quite a lot, so I caught on relatively quick, all things considered. I spent some time trying to figure our what had happened myself, but now you and your little trio of detectives are here, so at least I will be able to sort this out before I pass.”

Edwin has the distinct feeling that she’d take a drag from a cigarette if she could, but like this she just stops talking, a moment of silence stretching between them.

“I tried to do a reading, but all that I could find out about this place and how Amina ended up here, is that she did. A flash of light and then there was a dismembered torso lying on the ground”, Crystal eventually says, gesturing at the floor. “Not exactly helpful, is it?” “Well…”, Edwin starts, glances over to Charles and realises that they are thinking the same thing. Charles is quicker.

“What colour did the light have?”, he asks and Edwin can’t help but smile at him; Charles gives him the quickest of looks, one corner of his lips upturned. “The colour?”, Crystal asks back, a second slower than expected, “Sort of…. green, I guess? Does that mean anything?”

But Charles is already looking at Edwin, the smile fully formed, and it’s in unison they say, “Oh, yes.”

It’s a spell, of course it is, but it’s more than that: it’s a portal, and a shoddily made one, too. Edwin tries to explain, but he, quite honestly, doesn’t have the patience for it, so in the end, Charles takes over. Sits Amina and Crystal down and goes through it step by step: that the portal was done by someone who obviously didn’t have the practice, that it worked well enough to transport half of Amina at a time, but not all of her, and that that is why there was no blood. That the only question is if it was done maliciously or by accident.

“Your magician, the one you work with, is he, you know. A real magician?”, Charles asks, keeping his voice soft and sweet, although Edwin isn’t certain Amina needs it. For someone recently murdered, she is taking it in stride. “Oh no, it is all an act”, she answers easily, “Nothing but slight of hand, tricks, that kind of thing.” “So no way he could have created the portal?”

“I don’t think so? And why would he want to? The whole point is that I come back after I disappear, so getting me here, cut in half, would defeat the purpose, don’t you think?” She looks at them, one by one. “Also, Arnold, he is a little bit of a dork, but he is kind. Has a bit of a crush on me, if I’m being honest. It’s… sweet. Or something.” She smiles, almost pityingly, in a way that, if Charles had looked at him like this when he had confessed his feelings, would have broken the heart he doesn’t have into the smallest pieces. Edwin hopes against all hope that Amina never let her magician see that smile.

“Okay, so-”, Charles starts, and there is something wrong with his voice; when Edwin looks over at him, there is something off about his expression, too. Like there is something he wants to say but can’t. For a second, their eyes meet, then Charles focusses back on Amina. “We’ll still talk to him. After all, it was his cupboard the portal was in. Anyone you could think of that might have wanted to harm you otherwise?”

Amina shakes her head, and Charles nods, but the smile he gives her looks almost frail.

Once they’re on the platform for their train to Manchester, and Crystal has left them behind to get herself a few snacks for the ride, Charles suddenly turns to him. “Edwin”, he says, and there is an urgency in his voice that Edwin doesn’t associate with it at all. “I just- you know that that is not how I think of you, right?” “What?” “Like Amina”, Charles tries to explain, and if possible, he sounds even more urgent, more intense. “I don’t see you how she talked about her magician friend. Arnold. I never will. I never could. And I need you to know that.”

Standing there, he looks so earnest, so fierce, that Edwin wishes it still could take his breath away. Because it doesn’t matter that Charles isn’t in love with him, as long as he loves him like this: fully, completely, enough to be afraid that Edwin might be hurt by someone else’s comments about a person he has never met.

He permits him himself a little smile, because of course, Charles would notice, before he puts a hand on his shoulder, squeezing. “I know”, he answers and sees the tension wash out of Charles’ form within a second, his gaze dropping as if he has to collect himself before looking at Edwin again. “I know you never would. I didn’t doubt it for a second. Don’t worry about it.”

“Okay.” Charles almost breathes the word instead of speaking; when he looks up at Edwin again, his eyes are dark and full of affection, full of gratitude Edwin isn’t sure he deserves. After all, the only reason he knows it is because Charles has proven it again and again. “I’m – God, I’m glad, I don’t know what I would have done if you had ever thought it was like that with us.”

And he hugs Edwin to his chest, all that intensity, that urgency captured between two arms; Edwin sinks into it like he might not have permitted himself to a few months ago, and wishes he still had a sense of smell so he could breathe Charles in.

Their trip to Manchester is uneventful, Crystal munching on chocolate while listening to a podcast, and Charles looking out of the window at the scenery, this time, unfortunately not leaning back against Edwin’s chest. However, like this, Edwin gets to see the joy bloom on his pretty face whenever they pass something that delights him in particular. Because that is Edwin’s pastime: watching Charles.

He gets caught doing it, too, but then again, it doesn’t feel like getting caught at all, since Charles just smiles at him when he notices Edwin watching, points out something in the fast-moving distance. A cow, maybe, a cloud formation that reminds him of something. And then he turns back to the window, and Edwin goes back to watching him, the slope of his nose and the arch of his eyebrows, the sharp cut of his jaw. The darkness of his eyes and how they light up so easily, so often.

If he could, he would stay here. Maybe not for eternity, but maybe a decade or two.

Neither of them has been in Manchester in a decade, so it’s like stepping into a new city when they finally arrive. Charles takes off immediately, looking around the train station in wonder, but before Edwin can sigh and watch him, or maybe do the reasonable thing and follow, Crystal stops him.

“There is something going on between you two”, she doesn’t ask, just states, like she knows she is right. Which, of course, she is. Since it seems foolish to try and deny it, Edwin just nods. Doesn’t know what to say, if she wants an explanation, or just to let him know that she has noticed.

“Charles has told me about hell and all that”, she continues, and again, Edwin nods; he figured as much. In fact, he is quite grateful for not having to do it himself. “But it isn’t trauma bonding, not that you guys would need any more of that. It’s the way you look at him, the way he looks at you. Something has changed between you and I can’t put my finger on it.”

“It has”, Edwin confirms, and Crystal squints at him like she is trying to read him. “But not to worry, it’s nothing bad. Just complicated, I suppose.” His response draws a laugh from Crystal, her eyes sparkling with mirth and like Edwin has completely misunderstood her. “Oh no, Edwin, I know it’s nothing bad”, she replies, laughter still colouring her words. “I just wanted to know if you felt like telling me what kind of good thing it is, since Charles doesn’t seem to.”

Finding the magician turns out to be easier than expected. So easy, in fact, that they almost don’t, because looking in the venue where Amina disappeared seems too on the nose, all of them agree, and just stop by because Crystal wants to do a reading for clues where he might be. Which turns out to be the same theatre, sitting in the front row with his head in his hands, looking to Edwin like his shoulders are carrying the weight of existence itself.

“Uh… hi?”, Crystal tries to introduce herself, and it’s like pulling at the strings of a marionette how fast his head snaps up, red-rimmed eyes staring up at her. The Astonishing Arnold is a man in his thirties, hair dyed black and a little moustache over his upper lip, and he is devastated.

It’s pain Edwin cannot comprehend, and hopefully never will have to, but one he can empathise with; it looks like he thinks losing Charles might feel like. Without thinking, he turns his head, almost to make sure that Charles is still there, only to find that Charles is looking at him already, the same kind of understanding painted in bold strokes across his face. This was no little crush, and that makes Amina’s response to it so much worse.

“Hello”, Arnold says, quickly wiping at his eyes. “Are you… lost or something?” Crystal shakes her head and Edwin can see her make a quick calculation, decide on a plan of action. She is truly getting quite good at this. “I’m here about Amina. I’m a medium and I want to help.”

Her name is enough to draw a sob from Arnold’s lips; Crystal glances over at them quickly and Charles gives her a thumbs up, a brittle-looking smile. She’ll take this one. “I talked to Amina”, Crystal continues, “I want to help her find out what happened, so she can move onto the afterlife. She mentioned you and that she really cared about you. Said you were the kindest person she knew.”

She’s twisting Amina’s words, but Edwin cannot blame her, not when Arnold looks so broken down by what happened, not when a lie might ease a little of his pain.

“And she said she knows that you have nothing to do with her death”, Crystal continues, “That you would never do something like that.” A tremor runs through Arnold’s body, like an earthquake, a cosmic event, and then he drops his gaze to where he has clenched his hands in front of his chest. It looks like he is praying. “That’s where she is wrong”, he finally says, and it’s a confession, it’s a plea for help. “Because I did.”

It turns out to be a failed ploy to woo Amina, in the end. A portal to transport her to a restaurant they had been meaning to go to back in Cambridge, the little French place on the corner, where a reservation and a bottle of chilled champagne was waiting for them. Arnold would join her after the show, with a bouquet of roses he had stashed away in his dressing room, to ask her to give him a chance.

“I knew she didn’t feel the same way”, he admits, tears streaming down his face. “But I thought maybe I could win her over. I’ve loved for so long, I thought maybe that could be enough, that I could love her enough for the both of us. And I figured, real magic, that would impress her. That would impress anyone, right?”

Only that Arnold had no experience with real magic, had only found a volume of spells on one of their trips by chance and had practiced on objects first, then small animals. It had worked, well enough that he thought he was ready to do this, without realising that while his portals were able to transfer the bunnies and birds that they kept for their shows from one side of the room to the other, they couldn’t yet handle a grown woman and this much distance.

“It was only after the show that I started freaking out”, he continues and Edwin’s heart aches for him, more so than it did for Amina. “When I was preparing to go through the portal myself I found a strand of her hair, cut off, looking like it had been singed. Amina was always so careful with her hair, so I knew something was wrong. The portal itself looked different, too, like there was static running through it. I called her, because I know that she always keeps her stupid Apple watch on, even during the shows. We had so many fights about that.”

He sniffles, the ghost of a smile passing over his face at the memory, followed by a wave of fresh tears, most likely caused by the realisation that they will never have that fight again. Crystal reaches into her pocket and hands him a tissue, and Edwin drops the hand he is holding his pen with for a moment, glad that his fingers don’t have the ability to cramp any longer. Yet, he shakes them out; when he stops, there’s a hand reaching for his.

His non-existent heart seizes up in his spectral chest and he looks over at Charles, who is holding onto his hand, intertwining their fingers. Charles looks back, raising an eyebrow as if to ask, is this okay? and Edwin nods, although he isn’t sure if it’s the right answer to give. Not because he doesn’t want to hold Charles’ hand, but because he isn’t sure if he will be able to concentrate on anything but this, now.

The notes, in any case, will have to be written later.

Arnold is drying his tears, and Charles’ fingers are slender between his own, elegant and strong, and Edwin is trying his best to listen when Arnold starts speaking again and yet isn’t sure if he succeeds.

“She didn’t pick up”, Arnold says and it’s like his heart is breaking within the words, “Of course she didn’t. And I started panicking, but I didn’t know what to do. Go through the portal myself and try and look for her? Call the police? Drive to Cambridge? Before I decided on one thing, I got a call and they told me they had found her. Gotten my number from the stupid Apple watch.”

He shakes his head, like he is still not sure how to process any of this; in his lap, his fingers are tearing the tissue apart, bit by bit, but Edwin isn’t sure that Arnold even notices. “I tried to confess to the police”, he continues, every word a sob, “But what was I supposed to say? That I created a magical portal to take her to dinner, but instead ended up cutting the woman I love into pieces? They would never have believed me. I wouldn’t believe me, if it hadn’t happened to me.” There is a pause, and Edwin can see that Crystal is trying to find the words to say something, but Arnold beats her to it.

“When you see her again, tell her I am sorry”, he asks Crystal, no, begs her. “Tell her I never meant for this to happen. Tell her… tell her I love her.”

Another wave of tears and the fingers around Edwin’s hand tighten; when Edwin looks over, there are tears in Charles’ eyes too.

“I will”, Crystal promises, and Edwin hopes that something so small can be enough.

In the end, they don’t tell Amina anything. Instead Charles brings her to Manchester via mirror, where she crouches down before the man that loved her above all else, and there is pity in her eyes, but genuine affection, too.

“Tell him… tell him it’s okay”, she says softly, and reaches out to hold his clasped hands in hers. “Tell him I forgive him. And… even if I am not sure if it’s the truth, tell him I would have said yes.”

Walking back to the train station afterwards is a quiet affair, each of them lost to their own thoughts, until Crystal stops them between the bustling crowd, the cafés and stores. “You two go ahead without me. Use the mirror to get back”, she tells them, “I could use some time alone after all this.”

“Are you sure?”, Charles asks, trying and almost failing to give her a smile. “We can be quiet.” “Yeah, I really am. I’ll see you in a couple of hours”, she says, and squeezes Charles’ shoulder like Charles had held onto Edwin’s hand; to make sure he is okay, to let him know that she is. “After I have eaten my weight in Gregg’s sausage rolls and Cadbury crème eggs.”

The agency is quiet, almost empty, without Crystal here, and it is a strange thing to realise. Before Edwin can contemplate what it means, Charles has flung himself down onto the couch, looking up at Edwin with wide, hopeful, beautiful eyes. He lifts his legs a fraction, and Edwin knows his answer, the same answer as always, before he has heard the question. “Read to me?”

“He followed the Rio Grande past Albuquerque and El Paso through the Big Bend, through Laredo to Brownsville. He learned Spanish words for food and pleasure, and he learned that when people are very poor they still have something to give and the impulse to give it…”, Edwin reads, aware that this time, Charles is doing nothing to keep his hands occupied. He’s just lying there, his feet in Edwin’s lap, listening. If it means anything, Edwin isn’t sure what it is.

“I wish I could fall asleep like this”, Charles interrupts him, smiling softly when Edwin looks up from his book. “It would be nice, listening to the story and your voice and just drift off.” Edwin’s fingers tighten around his ankle unwillingly; Charles must notice it, if he doesn’t, then he at least hears the warmth, the heaviness in Edwin’s voice when he answers. “Do you want to pretend to? I’ll keep reading, but you could close your eyes.”

“Yeah”, Charles replies after a moment has passed, and a bit of the light that has been missing in his gaze returns. “That sounds really nice, actually.” And he settles back, letting his eyes flutter shut, and Edwin continues reading.

“He developed a love for poor people he could not have conceived if he had not been poor himself. And by now he was an expert tramp, using humility as a working principle…”

Crystal returns a few hours later, when the sun has long since set.

They are still on the couch, positions unchanged, but Charles’ eyes are closed and the blanket Edwin had thrown over them earlier is concealing where Edwin’s thumb is brushing circles against the thin skin of Charles’ ankle. She doesn’t say anything, just looks at them for a moment, then sits down into the armchair and lets her head fall back against the cushions.

Edwin continues reading.

It’s morning, but just so, the first rays of sunlight forcing their way through the clouds. A few days have passed since Amina’s case, and slowly, they seem to be getting back to themselves, which is why Edwin looks up from the book he is reading – by himself, this time – and asks, “Why didn’t you tell Crystal about the confession?”

Charles keeps his eyes on the tablet computer for a few more seconds, then glances at Edwin, shrugging his shoulders. He’s only wearing a shirt, his jacket discarded on the armchair, and somehow, it makes every motion even more distracting. “Wasn’t my story to tell, was it?”, he replies easily, like he never even considered it before. “Didn’t know if you’d want her to know, either.”

Edwin isn’t sure about that himself, but he knows that he wouldn’t have blamed Charles if he had told Crystal. After all, he deserves someone to share his feelings with that isn’t Edwin, even if it hurts a little to admit that. It was just the two of them for so long, is all.

“I wouldn’t have minded it”, he says, and Charles chuckles a little at that, sets the tablet aside. “Not minding and wanting something are different things, though. Do you want me to tell her?” “I’m not sure”, Edwin replies, then considers it for a second longer. “I do, if it would help you.”

“Help me? With what?” There is genuine confusion written on his face, and Edwin can’t help but smile at him. “As I have gathered”, he replies, “it is considered helpful to talk to one’s friends to solve a problem.”

A pause, then Charles laughs, a soft, sweet sound that makes very little sense in this particular situation. Until he says, his voice so warm and so full of affection it makes Edwin tingle all over, “Edwin, mate. Your feelings have never been a problem. Not to me.”

They find another case a few days later, a simple one. A missing necklace that is supposed to be given to a daughter, like it had been given forty years ago to their client. Crystal finds it easily, hidden behind cracks in the floorboards, and when blue light starts glowing behind their client, Charles reaches out and takes Edwin’s hand in his. Not to make sure that he is okay this time, Edwin thinks, but just to hold it.

By now, they have made it through almost half of East of Eden; sometimes Crystal joins them, but today, it’s just Charles and him. “You know”, Charles says in the pause between two words, which is a surprise, because Edwin thought he was pretending to sleep. His eyes are closed, after all, and Edwin has gotten him a blanket to cocoon into twenty minutes earlier. “Sometimes it reminds me of dying, you reading to me like this.”

The words are a slap to the face, delivered in a warm, relaxed voice. “Oh. Oh God, if I had known, I wouldn’t have- “, Edwin stutters, trying to stand up, but Charles’ eyes fly open, his hand reaching out to hold Edwin in place. “No, no, no, this is brills, that’s not what I mean at all”, he says quickly, sincerely, and Edwin settles back against the cushions, still unconvinced.

“I didn’t really think about how that would sound”, Charles chuckles, scrubbing a hand across his face. “Sorry for that. I just… I guess, dying isn’t that bad a memory for me. Sure, it sucked, it was really cold and kind of hurt, but you were there. Talking to me. Reading to me. And, to be honest, I hadn’t felt that… not-alone for a long time prior to that. So, yeah, this reminds me of dying, because dying wasn’t that bad. And probably the most important thing I ever did in my life.”

He gives Edwin a smile that would heat up his cheeks, if he still had the ability to blush; like this, it just makes warmth bloom in his chest, where his heart would be. “You dying isn’t that bad a memory to me either”, he confesses, something he has felt a certain amount of shame about until this very moment. “I didn’t want you to die, of course, but if you hadn’t…”

His voice trails off, because he cannot bring himself to say it, not sure if it would be too much, but he doesn’t have to. “Then we wouldn’t have this”, Charles completes his sentence, sitting up so he can grasp the hand Edwin had been holding the book in, squeezing it tightly. Like he doesn’t want to let go again. “I know. Seems worth it, to me.”

Another smile, utterly sincere, then Charles settles back against the cushions. “And thank you, for letting me stay.”

The door opens, and Crystal steps out of the room Charles dragged her into a few minutes earlier. Something about her expression is conflicted, unreadable, but when she sees Edwin watching her, her eyes soften, even if the struggle doesn’t disappear. One, two steps, then she stops and looks at Edwin.

“Good for you”, she finally says, and even if Edwin doesn’t know what she is referring to, he knows she means it.

“Wanna come upstairs?”, Charles asks, rocking back on his heels. “Look at the stars for a bit with me?”

It wasn’t how Edwin intended to spend the evening, since they have a new case and he should do some research, but Charles looks at him with a ghost of a smile on his lips, hope in his gaze, and Edwin loses the battle before he has even decided to fight it. “Of course, he replies and closes the book without noting where he stopped reading.

If he could feel, the night air would be crisp and fresh against his skin. Like this, it’s just clear, lets the stars shine brightly against the darkness of the sky. They used to do this more often, back when they first set up the agency; why they stopped, Edwin cannot quite say. Because it’s nice up here, the sounds of the busy streets mostly muffled, just enough space for the two of them. It’s intimate, it’s theirs, and Edwin hadn’t even realised that he missed it.

Charles is standing with his back to him, fussing around with something, cursing under his breath, so Edwin cranes his head back to see more stars. Long ago, he learnt the names of the constellations over London, but right now it seems difficult to recall a single one.

Before he can remember, a note rings out, strange and unexpected, and when Edwin looks down to find the source, Charles has turned around, Crystal’s Bluetooth speaker glowing with a dim, purple light behind him. He’s playing music, and it makes Edwin smile, even if he doesn’t recognise the song, because, of course, Charles would want to have something playing in the background to watch the stars.

“It’s the band we saw back at the Troxy”, Charles explains, and he looks nervous, almost. Hands clasped together in front of his body, fingers tangling and untangling, the smile on his lips bearing an edge Edwin isn’t familiar with. “You know, the stabbing case. I thought, maybe you would like to dance? The song is the same, even.”

His gaze drops and when he looks up at Edwin again, it’s from beneath his lashes; it’s enough to set Edwin’s immortal soul aflame. Charles has always been beautiful, Edwin had known that since the first moment he had set eyes on him, but he looks ethereal now, a painting, a statue carved in marble and gold.

He nods, because he doesn’t trust his voice, and Charles smiles so wide it’s blinding. Ducking his head once more, he steps forward and takes Edwin’s hand in his, puts the other one on his waist, and although they have only done this once before, it feels like like it is their rightful place. It feels like coming home.

Edwin’s other hand settles on Charles’ shoulder, and it feels so easy to start swaying in time with him, shifting his weight from one foot to the other so he can continue to look at Charles, who is looking back so openly, like he wants Edwin to read every single of his thoughts, his feelings. He can’t, but that doesn’t mean he isn’t trying.

“It might sound a little silly”, he finally says, and Edwin wants to kiss the words out of his mouth, wants to listen to his voice for the rest of time, “but I never thought about this. Never considered it. I’m not sure why, but in the end, it doesn’t matter, does it? Because I love you. I’ve always loved you. Ever since you read me detective stories so I wouldn’t die alone.”

He smiles and Edwin is combusting, he’s being torn apart, he’s bubbling over with happiness and with love and with gratitude to be here with Charles, to have gotten the privilege of knowing him, loving him.

“You know when I said we would have forever to figure out what the rest between us meant?”, Charles asks, and Edwin nods, speechless. “I don’t think we’ll need that long. I think I’ve figured it out already.”

And he leans in, slowly, like this is a moment he wants to savour, and kisses Edwin with so much love, so much devotion, he can feel reverberate through every part of his soul. His hand slides from Charles’ shoulder to cup his face, and Edwin was wrong before. Because this is its rightful place.

This is coming home.

#dead boy detectives #dead boy detective agency #dbd #edwin payne #edwin paine #charles rowland #painland #payneland #paynland #chedwin #charles x edwin #edwin x charles #tagging them is really difficult guys we have to figure out a better system for this #especially a shipname #also i wrote this in 3 days beginning about 5 minutes after finishing the last episode #these boys are everything

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whereserpentswalk · 1 day

Text

Because of certain advantages that they give, a lot of 21st century companies actually encourage their workers to become various types of monsters. Witches can cast helpful spells. Werewolves are bigger and stronger than humans in their wolf form. People infected with fae "madness" often have physical abilities other people don't. Demons don't eat or sleep and don't physically injure easily. And the list goes on. Monsters are still very marginalized, and the people who own these companies would never think to become one, but they're seen as the ultimate workers by many, the perfect dehumanization. Most people still don't want to become monsters for many reasons, but that's not the same as what companies want from people.

Your roommate is a musician, she's semi successful, specially as a singer. Legally her employer can't request she become a vampire but they're heavily pushing for it, she's ultimately free to do what she wants, but they make sure to let her know becoming one is what she needs for her singing career to take off. She's twenty three right now, every year she ages she's considered "less appealing" to audiences, but if something were to happen to make her stop aging entirely every music producer in the city would suddenly consider her a more valuable asset.

Eventually she orders some vampire venom, the stuff that makes people turn when they survive a vampire bite, online off of the grey market. She's weirdly excited for it. She has one last night of eating solid food, enjoying her favorite meals before she can't anymore. Every time she has second thoughts she asks you or one of her other friends to stop her, because it's not like she's exactly going to have a job if she doesn't do this. She takes some time at the meusum to learn a bit about vampire culture. Watches the sun set incase she's not able to see the sun when she changes. She asks you if you want to have sex with her, because so many vampires are asexual she knows this could be her last time for that too. You ask her what she think she'll miss most about humanity, she says she doesn't know, vampires are so diverse she won't know what she'll lose or gain. Then she falls asleep for the last time as a human, and lets the venom flow through her blood.

When she wakes up you hear a horrible noise. See, vampires are very diverse, immortality and bloodsucking is all they really have in common. And while a lot of them are very human like and sometimes even considered more attractive than humans, others are fully monstrous looking, and very alien to humanity. Sadly, she ended up becoming a subtype in the latter category. She's barely recognizable, her hair was bleached white, and her eyes pink pupiless orbs like a rat's, and her skin so pale you can see veins and organs underneath. She lost so much weight in the transformation you can barely, going from having an hourglass body type, to being so skinny you can see her ribs. And most disturbingly of all, her mouth has twisted into a perfectly round and always open hole, with rings of sharp fangs, just like a lamprey's, her upper and lower jaws are permanently fused, she'll never sing or so much as speak again.

Within a week her life is kind of ruined. She's from one of those subcategories of vampire that's so monstrous most vampire activists distance themselves from them. She can't sing, and nobody wants to see someone like that play guitar. Her family disowns her for religious reasons, telling her their daughter is dead. She's extremely light sensitive, not only can she not see the sun, she has issues with any bright light, there's a reason why most vampires of her subtype live in the subways.

She hates her body being like this, when she looks at her face in the mirror she starts crying, she cries a lot actually. She moves differently now, she crawls on all fours and climbs flat walls like a bug almost as much as she stands up or sits down, and when she does sit it's in very inhuman poses. She seems to hate the way she feeds, leaving way larger wounds than most vampires, and her main source of blood being rats for the time being, she cries whenever she feeds. Her reproductive organs have changed into a single hole, which fishlike eggs come out of, and hatch into little minions that she seems really afraid of, though they seem to want to please her. She didn't even lose her sexuality so the lack of normal genitals hurts her even more. Beyond everything else she's upset that she has no mouth, her voice was always her most noteworthy feature, the way she expressed herself. She can't even talk, now, having to use AAC to communicate. She used to sing as a way of venting or calming herself, and now she can't. All of her friends try to be supportive, but a lot of them are really uncomfortable around her being like this, one of them even told you he doesn't see her as the same person anymore. It's hard to even get sympathy, when most of the world sees her as a vain woman who got what she deserved seeking eternal youth, without most people knowing she didn't have a choice.

You try to be nice to her. It's the best you can do. You let her wear your comfy clothing, and stay up at night to keep her company. You try to give her a lot of physical affection, which she seem to want a lot more now, it really helps just to pet her and cuddle her. And you call her pretty, and call her sweet and lovely, and that seems to help her. You'll also spend time just talking to her, she seems to like just listening to you now. You also watch TV with her, just because you don't want her to be alone, she keeps rewatching things from her childhood, like clone wars and Steven universe, just as a weird way to remember when she wasn't like this.

She still makes music. It's different now, music that she can make purely with software on your desktop. But it's beautiful in a way that nothing she made before was. There's something so strange and impactful about it, and when she's confident enough she posts it, and she gets a following. It's a lot of other monsters who seem to enjoy it, people who've been rejected by society in a way that can't be put into words without cheapening it. The type of story told best through a wordless song.

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the-most-pathetic-edge-marquis · 3 days

Note

oops omg in my delirious ranting i forgot to ask you the question i originally meant to send lmao

would love to get your thoughts on Nesta & Cassian's relationship! your thoughts on its dynamics, its current state, its future, etc! any parallels you've found, or anything you find between them that makes you think it doesn't work - anything! i find the dynamic fascinating but i wish there was more than just "haha they drive each other CRAZy they MUST be mates!"

(i haven't read the 5th book but i'm ok if there are spoilers)

okay, if by 5th book you mean A Court of Silver Flames: apologies, i Have To talk about it, because it is the source of most of my Cassian/Nesta thoughts, so there will be spoilers. if you're talking about a different book and not counting the Christmas Special Novella TM as book 4...there's a 5th book??

also, as always, i have written entirely too much. thank you for enabling me on my red-string conspiracy rants.

let's see...this is really interesting, because conceptually i also see so many FASCINATING elements to Nesta and Cassian's relationship, especially thematically and in terms of the ways they mirror each other.

but then reading it within the context of the books themselves just makes it so. incredibly. frustrating.

first of all, what you said about "haha they drive each other CRAZY" is so real--i feel like it was an enemies to lovers story that devolved to centering around very shallow banter and hatefucking that is then still supposed to be seen as something super profound and lifelong for the two of them?

plus the way "mate bonds" are executed within the ACOTAR series frustrates me to no end...plus there's so much misogyny and white feminism and heteronormativity and poor depictions of mental health and abuse baked into the series under this progressive veneer that it for some reason gets...plus getting into the realm of wild speculation, i feel like a) sarah j maas legitimately dislikes Nesta and thinks she deserves the in-universe hate and b) sarah j maas is an only child.

so when i try to analyze Nesta and Cassian's relationship, it's just so difficult for me to separate it from all the rest of that. especially having read A Court of Silver Flames. a book that somehow filled me with more rage than breaking dawn? i did not think that was possible

another note: all of my quotes below are just cited to chapters, because i have an...um...let's call it the Kiera-Knightley-in-the-ocean-in-a-liking-girls-awakening-outfit copy of the ACOTAR series and i'm pretty sure the pages don't line up super well.

anyway, let's dig more into the good/compelling:

1. nesta is very squarely in My Type of female characters, and it's clearly cassian's type too.

aloof and mean and full of cold rage, wearing femininity like armor, with a spine of steel and a too-sharp tongue and undying loyalty to a very very select few soft characters...i LOVE LOVE LOVE that character premise, every goddamn time. and i love that cassian (in theory. according to what he says. not necessarily what he does.) sees that and loves it and doesn't want her to change. that fire is the reason he loves her, and was even when she was human! he's perfectly willing to dash himself up against it, because he sees a reflection of himself there! like:

"'You can keep that sharpness I like so much, that boldness and fearlessness. I don’t want you to ever lose those things, to cage yourself.' 'But I still don’t know how to fix myself.' 'There’s nothing broken to be fixed...'" -ACOSF, Chp. 50

!!!!

(now, do cassian's actions actually line up with that? mmm, debatable, but i think that's definitely more authorial blind spots than intent, and i like the theory!)

2. i am not immune to the:

"His voice was rough as he said, 'Five hundred years ago, I fought on battlefields not far from this house. I fought beside human and faerie alike, bled beside them. I will stand on that battlefield again, Nesta Archeron, to protect this house—your people. I can think of no better way to end my existence than to defend those who need it most.' I watched a tear slide down Nesta’s cheek. And I watched as Cassian reached up a hand to wipe it away. She did not flinch from his touch." -ACOMAF, Chp. 57

3. i go absolutely feral every time i think too hard about the thematic lines you can draw between nesta and cassian.

nesta, who has made herself cold and untouchable and absolutely unwilling to yield to anyone, clinging to the symbols of status and perfect upper-class femininity because those were the only weapon she was taught how to wield...and cassian, who is all fire and fury and raw passion, seeing himself as the blade that bathes himself in blood at rhys' command without being able to understand why and just trusting that rhys knows best, defining himself constantly as a base-born bastard who is only good at the fight...it's SO FASCINATING.

they have parallel experiences that in practice were entirely different because of the social circumstances in which they were born!

(also the way both of their mothers and their deaths play into it???? nesta was shaped by her mother's presence and cassian by his mother's absence???? both of them see their mother's death as a defining moment, except nesta responds with retreating further into that cool passive cruelty and cassian massacres an entire village...HELLO????)

4. you know what? shout-out to nesta weaponizing cassian's care for and promise to her to save his life...

and ONLY his life, when he would've willingly and gladly died with his legion!!! and then feeling guilty about it after the fact! (maybe even guiltier than he does!) that's SUCH a fascinating thing to have between two characters.

how do you go forward loving someone when you feel unspeakably guilty about what you did in the name of that love? you saved their life because you love them! you hate yourself for saving their life! you still love them!

okay, that's my quota for complimenting the acotar series this decade:

1. all of the things that i talked about above are. um. not central parts of the entire 700+ page book that is allegedly cassian and nesta's grand love story?

like--don't get me wrong, they're there. i'm not pulling those elements out of nowhere. but the central focus of that book seems to be...i honestly don't even know. it's like, part nesta's "recovery" (i will not rant here about that), larger part Nesta's Inspiring Fitness Journey TM, part The Thinnest Villain Plotline Of All Time (guys that mortal queen was NEVER going to be able to get into the prison that rhys has to give you permission to get into. she would've just fucking died. it would've been fine. also the mortal queens' motivations are just so shallow and incoherent to me), for some reason part Feyre's Pregnancy Journey TM, and large, large part...

nesta and cassian bantering in increasingly bland ways and having tragically the closest sjm gets to kink because they're being a little bit mean and commanding with each other, but nowhere near enough to actually be interesting to me? and obviously i don't have anything against smut in the fairy smut series, but i feel like it takes up way more of this book than actual interesting relationship beats between nesta and cassian, and it's really frustrating!

like here, have a screenshot from my notes app from my first reading of this book, which i feel like summarizes a lot of my feelings related to that and in general about the "romance" she builds for them:

also why does she write about toes so much when she's writing erotic scenes it's not even like a character-specific thing it's in all the books i noticed it and now i can't stop seeing it, any time a female character is horny her toes curl it's such a stupid specific phrase

2. i cannot separate the romance between nesta and cassian from my deep, profound hatred of the premise of ACOSF, the way it depicts recovery and mental illness, and nesta's lack of agency throughout it.

(i will rant about this now! oops.)

first, i am at my funniest and wisest in the notes app:

but seriously! cassian is just so horribly, consistently cruel to nesta throughout this book, specifically around her grief, her physical condition, and her mental health issues, especially around eating.

"His hazel eyes guttered. 'Not eating won’t bring your father back.' 'That has nothing to do with this,' she hissed. 'Nothing.' He braced his forearms on the table. 'We’re going to cut the bullshit. You think I haven’t gone through what you’re dealing with?'" -ACOSF, Chp. 5

"Cassian asked, 'What stair did you make it to?' 'One hundred eleven.' Nesta didn’t rise. 'Pathetic.'" -ACOSF, Chp. 8

"'I knew you didn’t have much muscle,' Cassian observed as Nesta lay belly-down on the ground, having collapsed onto her front after trying to hold a full-body plank, 'but this is absolutely pathetic.'" -ACOSF, Chp. 16

and Nesta clearly internalizes all of this, because these phrases recur in her narration over and over and over.

"She was pathetic for being so weak. Pathetic for now being unable to walk so much as a step without grimacing" -Chp. 13

“'They are when you’re as out of shape as I am.' A pathetic weakling" -Chp. 15

"She punched that thought out of herself, too. That pathetic, selfish thought. Just as all of her was pathetic, and selfish, and hateful." -Chp. 40

(i did leave out the "everyone hates you" conversation, because to be fair to Cassian, that's a moment where he's overwhelmed, and he does later apologize and walk it back and that's a genuine moment of growth for the two of them--which imo is just proof that he could be doing better in all these other situations!)

even the scenes where nesta and cassian are on the mountain, allegedly nesta's turning point, just make me so incredibly sad and frustrated on her behalf.

(even leaving aside the question of whether nesta was right to tell feyre about the pregnancy killing her, or how much it matters that she did it out of anger, or even if everyone is right to be mad at nesta which obviously im on nesta's side because FEYRE DESERVED TO KNOW LIKE WHAT THE FUCK DUDE WHO CARES IF SHE ONLY DID IT 'TO HURT FEYRE' FEYRE ISN'T MAD! HAVE YOU NEVER HAD A SIBLING???? SAYING THINGS TO HURT BECAUSE YOU LOVE THEM IS LITERALLY 99% OF IT!!!! AND ALSO CASSIAN AND LITERALLY EVERY OTHER CHARACTER IN THIS BOOK GET TO SAY HORRIBLE THINGS TO NESTA OUT OF ANGER, RHYSAND LITERALLY THREATENS TO KILL HER FOR TELLING HER SISTER THE TRUTH ABOUT HER OWN PREGNANCY? i hate these quotes.)

(all quotes here come from chapters 47-50, the mountain sequence.)

cassian is saying things "quietly--coldly" with "nothing kind in his face", "nothing warm in it. No challenge or light. Just solid, stonecold warrior", an "icy, amused gleam in Cassian’s eye" as he makes her carry a way-too-heavy pack...and just silence! he doesn't speak to her at all! and she sits there and thinks she deserves it! ("Let him drive her into the ground, let him make her walk and act the servant. It wouldn’t fix anything. Wouldn’t fix her."; "She deserved to be turned into bloody mist by Rhysand. Wished Cassian had not come to save her.")

meanwhile in cassian's head, he's sitting there shocked that she's suicidal, ("Cassian knew that Nesta often hated herself. But he’d never known she hated herself enough to want to … not exist anymore." BOY YOU'RE DUMB AS SHIT), hoping for her to be healed...and still making the explicit choice not to comfort her! ("Instinct bellowed at him to wrap himself around her, to comfort and soothe, but another voice, an ancient and wise voice, whispered to keep going. One more mountain, that voice said. Just one more mountain.")

it just like...makes me so goddamn miserable, and i feel like it undercuts everything in their relationship.

nesta collapses because she wasn't drinking water and cassian rushes over and gives her water and carries her to safety?

cool, the reason she wasn't drinking water in the first place is because he TOLD her no breaks and because, again, she thinks she deserves to be destroyed over the thing he's told her he's angry about! (also he yells at her, of course.)

cassian, over the course of this book, helps guide nesta toward healing and coming into her full power and ability as a warrior, who can then empower other women to do the same?

sure, but he does it by bullying her, assuming he knows best when he has no idea what she's actually going through and won't bother to ask, and being cruel and absent allegedly because she needs to "save herself."

and, of course, all of this is in the circumstances rhys and feyre have created where the only alternative nesta has to being locked in a house with cassian and going along with whatever he asks of her is literal fucking exile with the possibility of death. ("So, yes: Nesta might technically be able to return to the human lands, but she would find no companionship there, no warm welcome or town that would accept her. Wherever she was able to find a place to live, she would be essentially housebound, confined to the grounds of her home for fear of human prejudices." -Chp. 2)

and look. there are a lot of caveats that can be made, (and have been by the acotar fandom), and some that i can even sort of get behind.

the one i find most compelling: nesta is definitely shutting cassian out, hard, and intentionally doing it in ways that she knows will hurt him so that her self-isolation will be most effective. she isn't really in a place, especially at the start of the book, where she wants to get better, and she is willing to be mean in the process of accomplishing that. and i do see the appeal of cassian being willing to be "mean" back! that said...i don't know, the tone of it still doesn't personally land super well with me.

and yes, it is 100% more interesting and better fiction when characters in a book respond imperfectly to mental health issues. not every character should talk like a therapist, or like they've been to therapy! it's more fun when cassian is messy and responds imperfectly and gets mad! he's entitled to feel whatever frustrations he does!

but sarah j maas so obviously doesn't think that's what's going on here. what cassian does "works," in the fiction. in the story, he turns nesta's life around, to the point where she starts helping other people, and in the triumphant climactic fight of the entire novel exclaims "because my mate taught me well!" as she wins. nesta thinks that he's good and perfect and she doesn't deserve him for...the entire story. she bows to amren and begs forgiveness, when amren is the first person to tell her that she's literally "a pathetic waste of life." like, i think we're supposed to believe that nesta is pathetic and has to choose to be "better" and that's just...your mileage may vary, but i personally hate it.

to address some other semi-common talking points that frustrate me even more...

yes, mental illness does not excuse someone's behavior and you still need to be held accountable, even if your actions come from a place of hurt and mental illness! but...this isn't holding nesta accountable. even leaving aside the question of accountable for what, there is a difference between holding someone accountable and just being cruel, and i can't help but put this firmly in the second category. calling someone "pathetic" doesn't actually help them improve their treatment of others in any way. also, it's not like nesta isn't aware and critical of her impact on other people (arguably too critical, but again, i'm a bit of a nesta defender by way of hating Rhysand with my whole heart), she is in fact deeply aware and unable to change alone because it comes from a place of trauma! (and being surrounded by a bunch of controlling ultra-powerful centuries-old also traumatized politicians who fucking suck.)

and yes, mental health care is not always nice and flowery. sometimes there's nothing you can do, because ultimately people do have to save themselves! sometimes you do have to let someone break down before they will accept help! sometimes, speaking as someone who has been extremely mentally ill for a very long time, you need someone who's going to say "that's pretty fucked up, dude," or that it's a little ridiculous to be scared of how permanent tattoos are when you have the number of self-harm scars that you do, or even jokes about you being terrible and unforgivable when you apologize for something like asking to hang out or interrupting over the phone by accident! but those a) require a degree of trust, consent, existing relationship, and shared experience and b) are not what cassian is doing. tonally, contextually, it is obviously different.

also, you know what? the acotar series sells itself hugely on being a YA series--sort of; the marketing has definitely shifted now, like, I've seen ACOSF in adult sections, but when the first three came out, it was definitely YA-marketed, that's how i found it, and there are a lot of teenagers reading it still--anyway--a YA series that deals seriously with mental health issues, recovery, and abuse.

and if it wants to sell itself on that, it should do better.

i first read this series when i was 15. and i completely missed all of the ways that rhys is manipulative and controlling! i took the author at her word that he was a feminist, and feyre had choice and agency!

ACOSF didn't exist yet, but i really truly am afraid of how 15-year-old me, who was struggling with an eating disorder (among other things), would have internalized parts of this book.

so yeah, in summary: i can't in good conscience enjoy nesta and cassian's relationship when so much of it is these moments of cassian reinforcing nesta's self-hatred, and being just outright cruel to her in her weakest moments, and the narrative justifying it.

(also sorry, one more thing: the way that this makes nesta's physical "training," and getting physically in shape, into a solution for her eating disorder? there are many ex-ballerinas, myself included, who'd like a word about that. physical fitness and over-exercise is actually also a huge piece of disordered eating! okay, sorry, i'm actually done now.)

3. yeesh, that was heavy. let's do something more fun:

listen. first of all. nesta is bi as hell and SO INTO GWYN. LOOK AT THIS.

"Nesta looked at her from under lowered brows again. 'Get out of my sight.' Gwyn grinned, a broad, bright thing that showed most of her teeth and made her eyes sparkle in a way Nesta knew her own never had. 'Oh, you’re good.' Gwyn turned back to the stacks. 'Really good.' She vanished into the gloom. … Quiet settled around her, as if Gwyn had been a summer storm that blew in and evaporated within a moment." -Chp. 9

"Nesta allowed herself to listen--to savor the pure, sweet voice that rose and fell with sinuous ease. Gwyn's hair seemed to glow brighter with her song, skin radiating a beckoning light. Drawing any listener in." -Chp. 13

"The only bit of color and sound came from Gwyn." -Chp. 13

"Nesta closed her eyes, leaning into the music, shutting out one sense in order to luxuriate in the sound of her friend. Something beckoned in Gwyn’s song, in a way the others’ hadn’t. Like Gwyn was calling only to her, her voice full of sunshine and joy and unshakable determination. Nesta had never heard a voice like Gwyn’s..." -Chp. 52

"Gwyn bared her teeth. 'I refuse to leave you here.' ...Nesta said to Gwyn, “It is the only way.” Gwyn screamed, 'IT IS NOT THE ONLY WAY!' And then she was sobbing. 'I will not abandon you to them. They will kill you.' 'You need to go,' Nesta said, even as her hands began shaking. 'Now.' 'No,' Gwyn wept. 'No, I won’t. I’ll face it with you.' Something deep in Nesta’s chest cracked. Cracked open completely, and what lay within bloomed, full and bright and pure. She wrapped her arms around Gwyn. Let her friend sob into her chest. 'I’ll face it with you,' Gwyn whispered, over and over again. 'Promise me we’ll face it together.' Nesta couldn’t stop her tears then. The chill wind froze them on her cheeks. 'I promise,' she breathed, stroking Gwyn’s matted hair. 'I promise.'" -Chp. 69

NESTA YOU HAVE TO AT LEAST CONSIDER THE POSSIBILITY--

and then, @r-biter put me onto the "Cassian is a trans woman" headcanon and i have never looked back. it's mostly from the Mor situation and the "lesbian dating a trans woman before either of them have realized" dynamic, which is just so incredibly fun to me (because i lived it? perhaps). but there's also a good amount of...where does that deep, personal rage about girls not being able to train come from? what could lie underneath seeing your body as only a blade, honing it as a weapon and nothing else, excruciating command and control of it, and still seeing yourself as too rough and too much and a brute to be controlled?

can't i just have cool badass butch as hell six-foot-whatever-absurd-number trans women in fiction?

so yes, my ideal view of the future of nesta and cassian's relationship is that they break up, nesta dates some women, cassian does some introspection and comes out as a woman, and maybe the two of them end up back together, but maybe they don't and they have incredibly funny divorced-friends energy for the rest of time.

4. cassian...loves rhys more than nesta? and i feel like that's a significant problem for their relationship?

this is a far more watsonian analysis than anything else on this list, but i still feel like it's worth saying, because i have. SO MANY thoughts about the "Inner Circle" dynamic, and the character conflicts, and frankly abuse, that happens within the balance of the IC being set up as "family" but also being huge political movers with a very strict hierarchy and Rhysand having ultimate power and say...

which in the case of nesta and cassian, shows up in a lot of ways. sending Nesta to the House of Wind is Rhysand's idea and Cassian is willing to go along with it and take the heat; in the argument they have where he tells her everyone hates her, it's because she calls Rhysand an asshole; Rhysand threatens to kill Nesta when she tells Feyre about her pregnancy and all Cassian can do is get Nesta away, and he sympathizes with Rhys' feelings and reasons for doing it, as well as agreeing with him that Feyre shouldn't have been told; Cassian does vote to tell Nesta that she has Made extra-magical swords in opposition to Rhysand, but he also fully wants Rhys to become High King of Prythian and thinks Nesta's swords should be used toward that purpose, without giving any thought to what Nesta wants in the situation...

it's just honestly hard for me to see a relationship thriving in that situation, where ultimately Cassian will (it seems) always bow to Rhys' authority, and Rhys legitimately fucking hates Nesta. even with their "reconciliation" during the birth scene, i'm...i don't know. skeptical. what happens the next time there's a disagreement? (that High King plotline isn't going anywhere, unfortunately.)

and, to step out of in-universe dynamics for a moment, and into some personal speculation about the Doylist view of these things...i do think a lot of it is because Maas genuinely thinks Nesta was in the wrong, and people were right to resent her before she "redeemed" herself by her big sacrifice for Feyre? which is also deeply frustrating to me and affects my read of the Cassian/Nesta dynamic a lot.

just from events in the book--Nesta bowing to Amren and begging forgiveness; Nesta feeling guilt and shame about interacting with Mor and saying she understands why she is angry with her (when the thing Mor says about Nesta deserving to be in the Hewn City is like. SO fucked...in general, the comparison that is for some reason constantly running between Mor as like, a "good" survivor and Nesta as a bad one...i could write so much analysis about that alone); Nesta sacrificing her power for Feyre and Rhys then hugging her--it's clear that Maas to some extent views this as a redemption journey for Nesta and not just a healing one...

and I'm not convinced that was necessary?

like, a lot of people's problems seem to be her letting Feyre go into the woods, which is like...okay, yes, Feyre was fourteen, but Nesta was seventeen? she was also a child in this situation? and it sucks that she didn't step up, and she was definitely extremely petty in the first book...but so was Elain? and Elain is like, instantly forgiven for it? but Nesta is held to a higher standard? (the "nesta has the soul of an illyrian so i expect better from her" is so??? demeaning to both elain and nesta???) even when Feyre says she understands and forgives her?

ALSO, you know who ACTUALLY had an obligation to protect Feyre and failed? THEIR FUCKING DAD, WHO EVERYONE IS NOW DEIFYING AND JUDGING NESTA FOR NOT VISITING HIS GRAVE, LIKE--

and then there's...Nesta is cruel. she shuts people out. but i don't know, it feels deeply hypocritical to resent her for that when the centuries-old immortals she's surrounded by are regularly eviscerating people and making backhanded deals with each other's abusers (the way Rhys treats Mor is just like. SO wild) and lying to each other for no reason...and it's just the most insane double standard that we're expected to see them as perfect and nesta as irredeemable for being mean.

(a semi-related side note: i have to point out that the solstice book is so fucking funny because feyre's sitting there worrying about nesta drinking too much and every other page in that book is her and her friends drinking themselves to sleep. like, i get it, but also. girl.)

anyways, that was a lot of words about nesta's overarching treatment by the narrative, but to bring it back to her relationship with cassian specifically: i feel like she's never going to be justified out-of-universe, or liked in-universe, unless she just starts going along with what rhys and feyre want her to be and do, and that really sucks as a basis for her relationship with Cassian. and i don't think this is happening in canon as an exploration of the ways being royalty and political leadership and pressure like that fractures relationships, i think we're very very obviously supposed to love rhysand and see his inner circle as an idealized friendship group for feyre...which sucks for nesta!!!

also cassian azriel and rhys all just need to have a threesome at least once i think i think it would solve a lot of their problems like what do you MEAN you multiple times fucked girls in the same room as each other at the same time while you were growing up

5. gender roles speedrun roundup:

i often feel like reading the acotar series leaves me with a spectrum of reactions from "are straight people okay" to "yikes, gender roles," (there are no good options on this spectrum), which just makes me roll my eyes so hard at so many interactions between nesta and cassian.

i could write a lot here, or i could just toss you this quote:

"The first time she’d seen Cassian, she couldn’t take her eyes off him. She felt like she’d spent her life surrounded by boys, and then a man—a male, she supposed—had suddenly appeared. Everything about him had radiated that confident, arrogant masculinity. It had been heady and overwhelming, and all she’d wanted, all she’d wanted for so many months, was to touch him, smell him, taste him. Get close to that strength and throw everything she was against it because she knew he’d never break, never falter, never balk." -Chp. 10

like. what. is. what. do straight people really--

also i CANNOT take the use of male and female seriously there HAS to have been a better way to do that i just

to be more serious, there's also something really uncomfortable to me about nesta's view of cassian as the ideal of masculinity, and a fundamentally deeply good person (in opposition to her)...whereas we see so clearly from cassian's pov that he's just so deeply embedded in and surrounded by violence?

(i am never not thinking about the entire village that he slaughtered, and how he doesn't regret it, it took him ten years to "face" it but he doesn't regret it! apologies, i'm about to out myself as fundamentally A Star Wars Guy TM, but like...when anakin skywalker slaughters the entire village of people who murdered and assaulted his mother, it is--at least in theory, god those movies are bad--a very clear step into the dark side and the path that leads to him becoming the ultimate evil fascist imperial figurehead. whereas for cassian it's righteous and a step to him becoming "strong enough" to handle nesta!)

they are both a hopefully-unintentional weird racist exoticization of "tribal people" who mistreat women and get murdered for it written by white people though. god everything about the illyrians makes me feel so weird

the masculinity = violence thing is definitely not limited to cassian, (it's arguably worse with High Lord "get her out of here before i kill her for revealing that i was lying to my wife about her imminent death" Rhysand), so it's clearly an authorial thing seeping in, but it still makes me itch to dig my messy little fingers in and deconstruct it, you know?

so!

i'm sure i could write more, but this is already obscenely long--thank you for enabling me to write all of this! i hope it gave you a decent sense of my thought process...and i would love to hear any and all of your thoughts, i am as always so glad to be your friend in conspiracy-board-string meta and everything else.

#thank you so much for the ask!#acotar #acosf #nesta archeron #nesta x cassian #NESTA DESERVED BETTER FTW #also. is anyone surprised that this is the stance i took #because i'm sure not

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nerdie-faerie · 2 months

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I'm once again thinking about the missed opportunities to have Klaus and Kol bond more. Part of Klaus' whole motivation as a vampire is to get his werewolf part back and to finally be stronger than Mikael (sort of, I'm simplifying) both of which can be obtained by breaking his curse. But Kol? Kol is the only other original that can relate to having a fundamental part of themself ripped away from them. Klaus might not have known he was a werewolf until he killed, but he likely still had a connection he couldn't explain, as evident by him going to watch the wolves transform. And something he'd never been able to explain was now gone. He might only be able to realise the connection afterwards through its absence.

Kol though. Kol had grown up with magic, a connection to nature and the world around him in a way the rest of his siblings supposedly didn't have. And then he gets turned. And not only has his baby brother died, his father has just murdered him and the rest of his siblings after forcing them to drink human blood, which he'll later learn. Now, not only does he have to deal with the grief of Henrik's death and also his own but also the loss of his magic. A loss that's likely only worsened by Kol being a self-proclaimed child prodigy.

Kol is pretty much the only one who could understand what Klaus is going through with the binding of his wolf. We know Kol searched for ways to get his magic back/carry on practicing magic in the same way that Klaus was looking for ways to break his curse. While Klaus likely could still feel his wolf there despite being bound, Kol has no access to his magic anymore. I just think they should've been able to bond or connect over their shared loss of an intrinsic aspect of their selves at the hands of their parents

#TVD #The Mikaelsons #Kol Mikaelson #Klaus Mikaelson #briefly back on my the originals shouldve gotten to be a family goddammit and as someone from a big family im personally offended bs #i did right a lil snippet about them bonding over this that i havent posted yet for the joml verse but still think its an unexplored concep #need more witch!kol acknowledgement honestly. just need more content of my boy #anyway. klaus having a fascination with the moon and kol telling him about celestial events and how it affects his magic when theyre boys #klaus losing that connection to the moon feeling lost & extra tempermental feeling his wolf claw at its binds and vowing to break his curse #kol determined to get his magic back at any cost relating to that devasting loss and promising to help him find a loophole for his curse #kol who becomes extra reckless and determined when he learns that theres a way to break klaus' curse so maybe he can get his magic back too #that knowledge and recklessness combined with his loss of magic driving him to become the volatile vampire that we see #that leads to him being daggered repeatedly but that first time breaks something in that bond between him & klaus that never fully recovers #it makes him bitter and resentful only fueling his reckless behaviour particularly when there seems to be no leads on reclaiming his magic #that he becomes distant from his siblings in the process especially with finn still daggered but that distance only cements the idea #to his siblings that hes a danger and cant be trusted that he needs to be daggered if theyre to stay safe from mikael #the loss of his magic leading to his spiral as a vampire and him being ostracised by his family > actual tvdu kol canon #klaus being trapped in a room staring at the corpse of his little brother knowing he never repaired that relationship with him #and now he never can so he refuses to look away as penance and a reminder of his failings to his little brother #*edit: one of the reblogs on this post is the author of big bad wolf and honestly she does an amazing job at portraying the mikaelsons #as actual siblings if you havent read it its one of my favourites for characterisations but we need more 😭 i want it to be the norm

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quietwingsinthesky · 1 month

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i have many many thoughts about rose & tentoo and how their relationship would evolve in this verse. about how you can't just take the love you have for one person and put it on someone else. not even a clone, a regeneration, a metacrisis. about how that doesn't mean you can't love them, or that you can't fall in love with them the same way, but that love has to be for them.

#it is relevant it just isn't relevant. right now.#but i do think about them a lot.#i think about them still living their lives after even leaves. think about rose and donna bonding. think about rose working for torchwood #and seeing a new side to jack and new sides to herself as well because she has to be there for the whole CoE thing.#think about tentoo transitioning because she is trans have i mentioned she's trans yet. she is. even doesn't know that yet because they #weren't there but they will someday.#i think about them all being at donna's wedding. and about a rose noble who grows up knowing the woman she took her name from.#they're a fambly..........#i think about rose actually not keeping the whole doctor/aliens/mind wipe for your own protection/etc thing from tentoo for very long #about how working through both that being kept from her but also how it was killing rose to do that. how rose had to tell her.#is a fundamental part of what they build everything on now. they grow together.#i think about donna missing someone who isn't there and how sometimes with tentoo she feels a little better but it isn't exactly right #and how as time goes on. that feeling goes away more and more. her grief over losing the doctor *increases* as tentoo grows into a differen #person. she is still. fundamentally. the doctor. but she is also johanna tyler. and donna loves her. and still misses the doctor.#and i think. a lot. about that empty space that even leaves behind. about how they aren't there for donna's wedding.#about how they aren't there when rose noble is growing up. about how they disappear one day and no one ever tells rose or donna #or johanna or *any of them* what happened. i think about how they put up missing posters. i think about how rose holds her breath #for a whole year because hell the doctor got it wrong once with her. maybe they're just late. maybe they'll be back in time for christmas.#but even doesn't come back. they keep a picture of even on the mantel. and they do set an extra plate at christmas. just in case.#a lot of times it stays empty but they sometimes have other impromptu guests. martha and mickey and jack. jack comes by a lot.#couldn't keep him away if they tried really. sarah jane comes sometimes too. (sky babysitting rose noble. ough.)#something about. the doctor does have a family out there. if he'd only come home to them.#so does even. they're both going to have to go back sometime. face the music. sit down for dinner.#there's still time. there's still time.#dw oc

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zemnarihah · 2 months

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my best friend has been very distant w me lately and i asked today if she wanted to hang out and she said she probably couldn't bc it's her brothers birthday but she would let me know if she could and i have her location and i just looked and she's at her boyfriends house rn....

#we have it bc we're roomates so we started sharing locations when we first moved in like in case someone doesn't come home at night or smth #she recently told me that she wants to move out bc she has always wanted to live alone and she can finally afford it. and i asked her #directly like is there an issue because she is so non confrontational so she has never ever mentioned me doing anything that bothers her #and i said please tell me if there's something wrong because it would really suck if there was and i never got a chance to fix it because #you never told me. and she said no it has nothing to do with that i really just feel like it's time for me to live on my own. and a couple #days ago she was like okay i'm next in line for my apartment i'll probably move out in april. and i try to get her to hang out still and #she always has something else going on and i swear every night this week she's been at her boyfriends.#and if i see her around our apartment and try to make conversation at all she's so like short about it and barely responds like will only #give one word answers. i feel like it kind of started when i started dating e but i realized that i was spending less time with her and i #didn't want to be the girl that loses all my friends bc of a boyfriend so i started specifically reaching out to hang out with her and she #says no most of the time and never asks me. like i don't know what else i can do.#i'm like maybe it's bc of her boyfriend? bc they've been on again off again for a long time and previously when they were together it was #really distant with her like i barely saw her EVER. and they were mostly broken up for the past couple years and have been together i think #for a while again... but she knows i don't approve of that relationship and so she would like not say when they were talking again. so maybe #since lately they've been hanging out or dating or WHATEVER she doesn't fucking tell me what's going on with him. maybe that's why.#i literally like try to think of ways it could be my fault and maybe i'm being crazy but i cannot even think to blame myself for more than a #fleeting second bc i'm like. i have ASKED HER directly if there is an issue or something i do that bothers her and she says no. so even if #i'm somehow pissing her off would i ever know to change anything?? i just feel so frustrated bc it's like she's an entirely different person #to me. like this is not the person i know. and i don't know what else i could possibly do like i feel like we need to sit down and have a #conversation about it but what good does that do if she just acts like nothing is wrong. but i don't want to lose my friend i have such a #hard time making friends. i've known her since i was 14 like i can't imagine my life without her. we were the only two in our whole friend #group in high school to get out of the church i still love those other girls but we have so little in common now.

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thats-a-lot-of-cortisol · 1 month

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2 & 3 from section 1 for peri and 7 from whichever section has a more interesting #7 for diodore -moss

oooh these are fun ones!

2. Describe their tent set-up (outside and inside) (Peri)

I think Peri's tent is constructed similarly to Gale and Astarion's (boxy, fabric walls, little covered area outside). Deep blue fabric w/ golden astronomical embroidery, mostly the sort of thing you see on star maps. Little golden tassles around the edges of the tarp (?) and the doorframe. He'd have a small, circular, dark wood side table short enough that you can use it sitting on the ground, and a dark blue pillow next to it; there would be some parchment and a bronze miniature astrolabe on the table. The inside would be just. full to the brim with the gaudiest night-sky-themed pillows you've ever seen. No bedroll, no palette, just a nest that would put those cube pits in trampoline parks to shame. There would be two bird perches for his familiar Medani: one taller one next to his tent and one shorter one under the overhang. The shorter one would have a crow-sized bow-tie hanging from it. Rugs on rugs on the outside area ofc. 3. What would their character quest be titled? Why? (Peri)

This is a hard one! His tav ending involves taking over the Waterdeep arm of the Harpers, so I think his arc would have something to do with that. He'd be pretty bitter about being dropped into another near-apocalyptic mess when dealing with the last one a few years prior was supposed to be a one-time thing. Something-something ptsd in a world that doesn't have the words for that yet, something-something 'once a hero always a hero', something-something the weight of responsibility...he's a planeswalker so I think part of it would be whether he decides to stay on Toril long-term and directly help rebuild the Waterdeep Harpers or if he continues to run travel around afterwards, so maybe The Far Traveller/The Far Walker?

Harpson/Fae-son are also potential options. "Fae-son" nods to him being a changeling without it being super obvious (like Astarion's "The Pale Elf"). It would also mimic his backstory reveals from RoT ("oh he's not 'from here' so, like, the Feywild" -> "OH he's not from here"). 7. Describe their arc. How would a player help resolve it? What choices can be made? Can your Tav be turned down a dark path, or pulled to a lighter one? (Diodore)

Buckle up because we're in for a long one here. I've thought about Dora's story arc a lot because she's the first of my tavs that I truly made for the game while having full control over her backstory, etc. (versus Corentin, who had their arc baked into the story as a durge). Dora's a paladin of Corellon (oath of ancients) and her story arc as a companion would have to do with whether or not she should accept capital-r-Redemption, the process by which a drow can be truly "freed" from Lolth and rejoin the ranks of the rest of elven society. It involves all of the Redeemed drow's memories being erased and them being reincarnated as a surface elf. The implication seems to be that without that, regardless of a drow's actions, they'd be thrown back to Lolth when they die? Or at least that their eternal fate is unknown (which is the way I prefer to think of it for. personal reasons). Under normal circumstances, Dora would be a long way from Redemption being presented to her at all (she's not even 200 yet and has only been on the surface for a couple decades), but like with the other gods' Chosen among the companions, near-apocalyptic circumstances tend to speed up those sorts of things.

Of course, you'd have the themes of faith & relationship with deity when they're all unequivocally real and are also mostly all assholes; maintaining or breaking generational cycles; facing the unknown; morality when none of your choices are "good" (and how that interacts with morality vs self preservation); power vs freedom; identity outside of the people who made you; etc. The choice would first be presented to her sometime in late Act I/early Act II, likely the first long rest after the group resurfaces from the Underdark and you've probably gotten some of her backstory already. I have no idea how Larian would have characterized Corellon, but he's considered one of the more benevolent/open-minded deities iirc, which could be interesting to see contrasted with Mystra, Vlaa'kith, and Shar. How much that open-mindedness would extend to a drow, even one who has been a faithful follower even before she escaped to the Surface (and who inherited that faith from her father), is unclear. At the beginning of the game she would be leaning towards accepting Redemption, despite her own misgivings about whether or not she would still be her in that case.

Her final decision (at the ending pier scene) would depend on the relationship she has with the PC and the other companions. Her best ending, imo, would be her not accepting Redemption but continuing to be a force for good. If she has a good relationship with the PC, she would have something to lose. I think seeing the House of Mourning would affect her too. After all, the thing Corellon is offering to her as a way to find peace is the same thing the Sharrans are using as a way to manipulate and control others.

She's viscerally aware of how she was socialized and very actively chooses "good", so pushing her towards a darker path would be incredibly difficult but not impossible. If you side with the goblins she'll leave immediately, and turn on you if she's in your party when you attack the grove. But if you decide to try and control the cult in Act II, depending on your over-all actions before then and how you've interacted with her, you could disillusion her to the point of convincing her to break her oath. That path would entail convincing her that controlling the cult is actually the best idea. I'm sure there would be other times that her oath could break that wouldn't necessarily lock her into an "evil" path, especially with how Oathbreakers are handled in the game. Knocking out Minthara instead of killing her outright and letting Auntie Ethel go in Act I instead of killing her are two things that come to mind.

If she doesn't choose Redemption she would be at the epilogue party, of course. I'm a bit undecided on what would happen if she does choose Redemption. She may not be there at all, w/ Jaheira, Halsin, Minthara, and/or Astarion mentioning running into her in her new, reincarnated state. Or she would be there, confused, and mention how the PC seems familiar in a way she can't quite place. In that case, she would ask them how they know each other and mention something about feeling a twinge of grief looking at everyone, but that she doesn't know why she feels that way. It would be up to the PC how much they tell her (if they tell her anything at all).

#ty for the ask mossy!!#and sorry for the wait lol a couple of these stumped me for a minute #thinking about peri & jaheira as narrative parallels...#b/c i want to be clear here. peri was and is *not* looking for more responsibility re: harpers #he was perfectly happy doing security systems. him not seeking power was an active character choice i made for him b/c he's a wizard #but in the Faerun In My Head (tm) the Waterdeep Harpers also get decimated by the Absolute b/c why would they not? theyd be a major threat #especially b/c their high harper was the catalyst for forming the lord's alliance and. like. you think they're *not* reconvening?#for Weird Cult Two: 2 Cult 2 Furious??#gortash would take remallia OUT if at all possible #and also I like torturing my characters #and i think the whole 'weight of duty'/hero's curse (once you get drawn into one situation you can't ignore the others/they come to you)#thing is interesting for peri in particular. the man just wants to live a quiet life and he will! for the most part.#just now with thousands of lives in his hands b/c he's helped stop 2 apocalypses and is irrevocably tied to the fate of the Coast now #his conscious wouldn't let him just leave the Harpers or Waterdeep to rot. and that seems to be similar to the situation jaheira's in #generational cycles the cruel march of time history repeats itself etc etc #that's also why i think he would get Weave'd and have an unusually long lifespan. he wanted to rest and the universe said “no <3”#i think about dora's story a lot also because the whole 'you can be redeemed (from something you were born with)#but only by removing integral parts of yourself' thing hits *right* in the religious trauma #you cant tell me there wouldn't be *some* part of a Redeemed Drow's soul that remembers the people from before they were changed #unless they just. get a new soul in which case it literally isn't them anymore.#doras first real & healthy relationships happen in-game #thats part of why she's drawn to astarion. his bullshit is predictable to her and therefore feels safer.#definitely safer than whatever is going on with the others #(also why she trusts karlach so quickly: she's straightforward and blunt & doesn't really hide things?#and was also the only one to warn her against astarion. dora'd literally never had someone like that in her life before so it stuck)#and she'd feel a bit uncomfortable w/ the concept of Redemption at first but who is she to argue with a god?#esp one who seems kinder than many of the others #but as the story progresses she realizes that she *can* trust these people and that they trust her #and she sees how Gale and Shadowheart and Lae'zel are struggling w/ their deities #and not only does she have something to lose now but she's seeing more of how the gods work generally

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ragingbookdragon · 3 months

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It comes as somewhat a surprise when the others realize that something has obviously happened between their resident Lieutenant and Private, as she’s quick to fall silent whenever he appears, and even more so make herself scare when she can when he’s around. It’s only the third time that Soap sees it that he says something, because if he doesn’t no one else will, and where’s the fun in that?

He watches her duck her head and leave the break room, Gaz, Soap, Price, and Ghost sitting alone at the breakfast table conversing over soggy cereal and cooling tea; Soap pushes a piece of bacon on his plate and asks, “Trouble in paradise, Lt?” the corner of his mouth arches with a slight grin when he hears the warning grunt come from Ghost.

“No.”

“Seems like it,” he retorts, taking a sip of his coffee. “What’d ya do? Tell her ta fuck off?”

“Drop it, MacTavish,” Ghost warns darkly. “Nothing’s wrong.”

This time, Gaz jumps in. “C’mon, Lt., it’s obvious that something’s wrong. I mean, she won’t even look at you, let alone say anything unless you speak first.”

“An’ she’s callin’ ‘im ‘sir.’” Soap adds, pointing at him. “Christ, Lt., ya musta done a number on ‘er. Poor Puffin. So sweet and kind. Broke ‘er heart ya did.”

Price can tell that Ghost is close to snapping at the both of them but gets to it before he does. “Soap, Gaz, go catalogue our inventory for the mission next week.”

“Aw, but we already d—” Soap falls silent when Price shoots him a look and quietly grumbles to himself as he grabs his plate and cup, Gaz following in suit.

It’s only until the two soldiers are alone that Price asks, “What did happen, Simon?”

Ghost lets out a long sigh and rolls his head back, staring at the ceiling. “Pretty much told ‘er to fuck off.”

Price watches quietly as Ghost begins rattling to himself—he’s never really had to ask the man to explain himself. All he’s gotta do is prompt him to do so and Ghost does the rest.

“I just got mad. She’s always ‘round and practically up my arse, and I got caught up and instead of ‘andlin’ it properly, I shoved my fucking foot in my mouth and scalped her.” He rubs a hand over his face. “I meant to be gentler but once I started, I couldn’t stop. It just kept comin’ out. And now she fuckin’ hates me.”

He pulls his hand down and looks up at Price with a scowl—the man is smiling at him, but it’s that stupid smile that means more than Ghost wants to admit it does.

“Quit that.”

“You care about her,” Price murmurs, rubbing his chin thoughtfully, though his admonish is still harsh. “And instead of telling her how you felt like a grown adult, you took the ten-year-old way out and decided to be a cunt to her.”

“I didn’t mean to be such a cunt.”

“But the fact of the matter is that you did, and you’ve screwed up team fluidity and cohesion.” He looks at him. “You know a team divided—”

“Can’t stand,” Ghost finishes with an even worse scowl. “Yeah, yeah, I know.” He looks away. “I just don’t know how to even start tryin’ to fix it.”

“Well, apologizing might be a good start,” Price rumbles with a grin. “She’s a good kid, Simon. Her heart’s in the right place, even if it’s a bit much at times. Shows she cares. More than most do in our line of work. She’s a rare one.”

“I know,” he admits in a much, much softer tone. “I just don’t want her to lose that doin’ this.” His eyes meet Price’s, and they hold such a misery. “Look at us, Price,” he mutters, gesturing between them. “Middle age, unmarried, no kids, too fucked up for anything like that. She doesn’t…” he clenches his jaw. “She deserves a better path, a safer path, than this life. She deserves to go out and have a life where she comes home to a family.”

“That’s not your choice to make, son,” he replies gently, but there’s a firmness to it. “If this is what she wants to do, then she will. We can’t make her get out of service.”

Ghost growls low in his throat. “She has so much more potential than being cannon fodder. She could do somethin’ with her life. Somethin’ good. Somethin’ that won’t have her dying face down in the sand with a bullet wound in the back.”

Price simply watches him.

“But she’s so fuckin’ stupid. She wants to be here. She wants to spend whatever time she has dodgin’ bullets and wakin’ up every night in sweat ‘cause she can’t escape the dreams. No one wants to do this. We don’t want to do this. We do this because we have to. But her? She’s happy here.” He lowers his voice, it’s as if he’s in disbelief. “She’s happy here.” He looks at Price. “Why? Why is she so happy here?”

It's another long moment before Price speaks.

“You hear, son, but you don’t listen.” He moves the cup on the saucer. “She bounced around homes growing up, scraped by on the skin of her teeth. She has no one. But here, she has something. She has people who care for her, if nothing else, they won’t let her die alone.”

“Oh what? So, it’s found family bullshit?” Ghost spits. “If she dies, at least the team would mourn her?”

“Isn’t that what you’ve done too?” he replies, and Ghost falls silent. “People like Gaz, Soap, and myself are different than you and she are, Simon. We have homes. We’ve had families that have loved us, that do love us. But you two? Simon, you’ve made a home where you’ve had to. Made a family out of people you’ve bled for, would gladly bleed for. You’ve made something that’s yours. You made a family for yourself. And so did she. She’s made us her family. The one she never had the privilege to call her own.”

Price lets out a quiet hum, and pats his thighs, standing up and pushing his chair in.

“Think on what I’ve said, son. And if nothing else, apologize and leave it at that. Put the ball in her court and let her make the next move.”

As he walks off, he hears, “And if she doesn’t want it?”

He tosses a knowing look over his shoulder. “I’m sure she’ll take it.” His eyes twinkle as he adds, “Takes an awful strong woman to care about a man like you.”

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doobea · 4 months

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YOU'RE A MEAN ONE, MISTER GOJO ─ SATORU G.

synopsis: satoru gojo is spoiled and arrogant. he's also the next in line to inherit his family's fortune. his father sends him far away in a small town for a week in hopes that he'll 'change' for the better. instead of the usual five-starred hilton hotels, he stays at a local inn and starts to befriend the owner's daughter.

tropes: small town romance, christmas au, golden retriever x black cat

MILESTONE EVENT || MILESTONE MASTERLIST

contents: fem!reader, spoiled rich boy!gojo, acts like an ass to everyone but hopelessly falls in love with you at first sight, feels like a really bad hallmark movie, mentions of wealth class differences, reader isn't a tsundere - she's just indifferent for the most part and introverted word count: 7.5K (idk i will uh make the fics shorter in the future) a/n: thank you anon for requesting this!! idk if this is what you wanted but hopefully you like it!! :3 everyone also give a round of applause to @popponn for beta reading this big mess LMAO

Satoru Gojo has a lot of expectations, but this certainly isn’t one of them.

He isn’t particularly excited about spending a week away from his big city penthouse to be rotting in a small town motel in the middle of nowhere but, his father, CEO of Gojo Corporations, heavily insisted that he ‘needs this’ and that ‘it’ll be good for the company’ — whatever that means. Satoru is confident that his father thinks he’s incapable of running the family business after last month’s run with the paparazzi and his third fling of the month. It wasn’t his fault that they got caught doing drugs at one of Zenin's parties, everyone else was doing the same thing, it just so happened that the cameras were only focusing on him.

Well, that’s what he gets for signing up to be the son of one of the richest men on Earth.

“You need to start taking this seriously,” he recalls his father slamming his fist down at the desk before throwing a bottle of Henessy at the wall. “I don’t want this company to go bankrupt just because I have a son who only thinks with his dick.”

Ouch… but he’s not wrong about that.

So now Satoru finds himself driving up a winding road somewhere very deep in the mountains. Exactly five hours away from the city. And, for the past three hours, all he’s been seeing are miles and miles of pine trees, sheets of snow, and — he had recently learned this from Suguru — sugar shacks. Apparently when you’re out over a hundred miles into wilderness territory these sap houses are littered everywhere. The fact that Satoru is beginning to count more shacks than designer cars on the road is really starting to get to him.

“This whole thing is so fucking stupid,” Satoru has also been talking to himself throughout the journey in order to not lose his mind. “He could’ve just sent me door to door caroling instead of whatever this is.” Satoru doesn’t know how to sing well, but he does know all the lyrics to ‘Baby It’s Cold Outside’ and that usually gets him all the tips. He wonders if he can manage to make a small side hustle when he starts wasting his week here.

He takes a sharp turn up around the hill before finally recognizing a big red sign with the name ‘Mistle Town’ as seen on the postcard his dad left him before leaving. It takes him another five minutes of driving through said small town, which is quite literally something out of one of those really bad holiday movies that his mom would force him to watch when he was little, before arriving at the inn. Upon arriving, Satoru is noticeably disappointed at the lack of valet assistance and, the size and design of the inn, is rather lackluster.

First, it just looks like a regular white farmhouse. Maybe having a max of ten rooms, none of them being penthouse sized, Satoru assumes. There are a couple of flowerbeds out front, all covered in a couple of inches of snow, and there’s subtle signs of holiday decor slowly bleeding its way outside. He sees someone dressed in an oversized puffer by the entrance, arms occupied with red tinsel and large white ornaments, and figures that the first nice thing he’ll do is to help out a random stranger — just to prove something to his dad.

Satoru parks his Rolls Royce in a spot furthest away from everyone else in the parking lot and sends a ‘im alive and well’ text to Suguru, because he’s very much so going to be in frequent contact with him for the remainder of the trip, before heading up.

“Need a hand?” He points out the obvious but still manages to throw a smile as if he’s already fixed the situation unfolding in front of him.

Satoru’s presence seems to pull you from your busy trance. You wiped your body around, nearly smacking the damn tinsel in his face, and made a small surprised noise.

“I’ve got it,” you muffle out and he looks entirely unconvinced but, whatever, he tried anyway.

Satoru gives you a few encouraging pats on the back before heading inside, failing to realize his strength and causing you to lose your balance, making a few ornaments tumble to the ground. Thank god they’re all plastic though.

He pretends to not hear you yelling after him as he enters the double doors, immediately greeted by the scent of roasted coffee beans and leather. It’s the precious hour in the morning where nobody comes by, right after the cleaning staff had just finished vacuuming, when he struts in. He immediately spots someone vaguely familiar by the front desk. Long black hair, a red poofy bow tie in the back, and a distinctive scar across her face. The woman isn’t working alone, a man with another facial marking is next to her, brewing two cups of coffee by the espresso machine.

Satoru looks at the woman again and outwardly smiles. “What are you doing here?”

“Ugh,” Utahime’s composure immediately falters at the sound of his voice, not that it’s a big shock. “Helping the family business, what else?” she throws back with a certain sharpness to her tone, and waves off the casual talk. “Have you even mentally prepared yourself for what you’re getting into?”

Satoru simply shrugs and saunters over to a nearby seat by the counter. “Nah, honestly just planning to fuck around till I get back.”

Utahime flushes a little, though it’s mainly from frustration. “Satoru Gojo, you really are—”

“Utahime,” the man next to her speaks, handing her a cup of coffee, and slides Satoru a freshly brewed one, too. “I can explain the details to him, if you would like?”

The older female rubs the bridge of her nose and exhales a long, overdue sigh. “Please do, Choso.”

“Yeah,” Satoru leans into the counter, lips pointed down at this new face. “Please, do tell.”

“You’re basically our little Santa helper.” A new voice rings out from behind him. It spooks Satoru from his seat and he whips his head around to be met with your narrow eyes.

“Huh?”

“Also think of this as an unpaid internship.” You start laughing when he gags on his own saliva at your statement. “Okay, you don’t have to be so dramatic about it.”

Satoru swallows. “U-Unpaid…?”

Now it’s Utahime’s turn to speak, she huffs and tosses a couple of stockings into his arms. “Your father sent us a lengthy email a few days prior regarding your bratty behavior. So, of course, we came prepared.”

“Prepared…?” He feels the fabric in his hands and whines at the grainy texture. This is so not 100% real wool.

If Satoru thought he had any chance of actually taking over his father’s company, because he knows the difference between supply and demand, he’s wrong.

Customer service is not his forte. He’s always thrown emails and sponsorship paperwork at his many assistants, and Satoru doesn’t even know his own email log-in password. So, when you walked up to him first thing the next morning with a brown apron, the inn’s logo large and embroidered in the center, telling him how to function all these coffee machines that he’s seen behind hundreds of counters, it invoked some fear into his already wrecked nerves. Plus, no one dared to warn him about the clientele during a holiday rush.

“I want a venti peppermint frappe with two pumps of chocolate, three pumps of hazelnut, replace it with almond milk, one shot of espresso, and top it off with a drizzle of caramel on top.”

He slumps against the counter. “You sure you want all of that?”

“Can I please get a half dozen sfogliatella and a cannoli?

He starts picking at his cuticles and sneers. “Sorry, I don’t speak Italian.”

“My change is supposed to be five dollars, you only gave me three back?”

Satoru groans. “You’re trying to scam me, aren’t you?”

By the end of his four hour shift, Satoru feels like he’s just done more charity work than he’s ever done in his life — actually, maybe this could also be comparable to the time where he did the ribbon cutting ceremony at Chanel; gotta support small businesses, right?

“Gojo.” You’re seated across from him behind the counter, arms crossed and pursed lips.

He barely spares you a glance as he idly plays whatever shitty mobile game that’s number one on the app store. “Mhm? What is it?” He clearly knows you’re upset, your voice practically screams ‘I will end you’ in the most monotonous way possible. But can you blame him? Of all places, Satoru does not want to spend his winter break here.

You jerk your head to the side, fingers rhythmically tapping away on the counter, clearly unimpressed. “It hasn’t even been a full day and you’ve managed to piss off every single customer.”

Satoru expression shifts, brow creasing, and sighs, grabbing a handful of mint chocolate from the freebie candy jar by the register. “Don’t be dramatic,” he rolls his eyes and shoves three pieces in his mouth before jabbing a finger at a young man. “I didn’t piss him off!”

You glower, cheeks slightly puffed out. “That’s Yuuji and he’s practically a family friend and Choso’s little brother, so he doesn’t count,” you explain before adding, “Plus, he’s literally nice to everyone. You’re not special.”

And for a second, Satoru considered arguing that fact. Having been born into wealth, granted whatever wish he wanted, his butlers and maids are always on speed dial, that’s the lifestyle he’s used to. Placed on this tiny rock called Earth just to take over it one day, is what his father used to always say to him. But how can he, Satoru Gojo, take over when he’s stuck working a minimum — scratch that, unpaid — wage job as punishment?

Instead of fighting, Satoru slumps against the counter and pouts, like a little kid who just got their toy taken away. You and your sister Utahime have a clear advantage over him, by somehow being close, yet distant, friends to his family. Maybe karma is real.

“I’m putting you on ski lessons later.”

Satoru’s ears perk at this. “Oh, so I get some employee benefits, right?”

You roll your eyes, digging deep in your pockets to pull out a sheet with his name next to a list of others. “Wrong. You’re in charge of teaching five year olds how to ski.”

“Huh?”

Somehow that sounds even worse than being a barista. Kinda.

By the end of his first day of unemployment, Satoru tries to convince himself that a full change of scenery is nice. Well, he has to convince himself, otherwise he’s stuck dreading each coming day for the rest of the week.

“Tired yet, Gojo?”

You flop down on a spare armchair in his room, squishing his Canada Goose jacket underneath. He’s too tired to yell at you to get off and tumbles onto his bed, feet dangling off the edge, letting out a loud groan when his face immediately makes contact with the rough wooly blanket. Surprisingly to him, everything just feels so comfortable that the quality of the products doesn’t even cross his mind.

Sure, the air in the room is a bit musty, and he can feel his cheeks flaring up from the sudden change in temperature and the dull aching nag in his legs from demonstrating ski tricks to toddlers, but there’s an odd sense of fulfillment swelling in his chest just about now. He almost suggests taking over Choso’s lesson but, according to the hotel pamphlet, there’s going to be an ice fishing tournament tomorrow and he kinda wants to check that out, too.

“Exhausted,” he mumbles into the sheets, eyes squeezed shut. Satoru wiggles his body around for a few moments before slipping out of his snow boots and stares out the window, noticing flickering green and purple lights in the night sky. “Woah, are those…?”

He hears you laugh beside him. “Yeah, northern lights. We see them all the time during the winter.”

“Only seen them bitches in ‘Polar Express’.” Satoru finds himself saying whatever’s on his mind right now, his brain too whipped out to control his mouth. “You guys are lucky to see this every night.”

“I know you’re all pooped out from today but,” he feels the mattress dip by the edge and your fingers poking at his thighs. “Did you wanna head up to the balcony and watch them for a bit?” you say this experimentally, waiting for his reaction.

Satoru might be a stranger to most natural phenomenons, having to zone out all the time whenever he did go on family vacations to a fancy national park when he was younger. Though, during the short time of spending his time here, it makes him think about packing up and leaving behind the fast paced city life for a bit of natural beauty and brightness.

“Carry me?”

“Don’t be ridiculous, you’re like a giant.”

He manages to gather some energy to sit up on his elbows. “You should at least have some form of hospitality to a family friend, you know?”

You eye him for a long moment, and then finally huff, breaking the contact to kick your feet into the festive carpeted floor. “Alright, just don’t lean your whole body weight on me.”

“Wouldn’t count on that.”

Both of you end up tumbling onto the balcony rails around one in the morning. As expected, Satoru couldn’t keep to his promise, throwing his ridiculously long arms around your shoulders, and whining the whole way up the stairs. It’s not his fault that the inn didn’t have an elevator installed. In all, it’s not a bad day — a bad night, even.

You straighten him against the railing before throwing a blanket over him. The fabric is thick and heavy, and Satoru forgets the ache in his limbs as he watches the way your eyes focus, eyebrows knitted, when you’re making sure he stays bundled up against the winter air. Once upon a time, Satoru never would’ve thought he would actually enjoy being in the company of someone who’s actively trying to teach him a lesson.

“Okay,” you say suddenly, almost like a reminder that you need to breathe, and pull away from him once he’s wrapped tightly like a swaddled baby.

You both sit in silence for a moment, and Satoru feels the urge to fill all that silence. He supposes maybe that’s why most people find him so annoying. He never really shuts up, always wants to add the last comment to everything. Though, with the help of Suguru by his side, it’s gotten slightly easier and bearable for others but, when his head is big and full of loud thoughts, it’s so hard trying to calm the buzzing noise in his head and —

“Gojo, look,” your pointer finger darts at the illuminated skyline in the distance and he snaps his head, following the trail, before gasping.

He feels your other hand tugging at the blanket when he finally makes out two faint bright lights in the distance. You squirm slightly next to him, to the point where your shoulders touch, and Satoru finally breathes, because suddenly, there’s heat rushing in. The loud, rough winds around him seem to die down and he’s aware of the slightly gazed expression on your face as you look into the far distance.

“Did you make a wish?” he finds himself whispering.

You grin. “Yeah, gonna make you work here for eternity,” you reply back in good natured spirit.

Something stirs inside Satoru. Something important. Well, Satoru-level important, so in the grand scheme of things, not very — but still. He unravels parts of his blanket and throws it over your head, making sure that it messes up your hair, and laughs when you throw him another pout.

“Did you make a wish?” you adjust the blanket so it covers your shoulders, moving a little closer to him, avoiding the cool breeze.

Satoru nods but presses a finger to his lips. “Not telling, though. Might not come true if I do.”

“Oh, shoot. Maybe I should’ve kept mine a secret then.”

He rolls his eyes and nudges your waist with an elbow. “You will definitely not see me here again.”

Satoru realizes, very fast, that his life has become very different, very quickly. And it might not be the bad kind of different.

Over the course of the next few days, he’s practically glued to your side as you’re showing him all things related to hospitality that his father tried to drill into him when he was a pre-teen. Obviously, it didn’t work at the time. Satoru’s known for being defiant just because he wanted to, and eventually his father stopped with the after school etiquette lessons. You, on the other hand, unfortunately have him tied around your fingers.

“You need to tidy up the edges more, Gojo.”

“There’s barely a wrinkle in these sheets!” He points at the bed sheet on the mattress, the one that he’d been working on for the last ten minutes in vain while you stood next to him with slightly concerned eyes. It’s a room service type of lesson today and, even though Satoru has never made his own bed before, he’s positive that he didn’t leave behind any smudges that might catch anyone’s eye.

“Did you check tuck in the sides? Or are you trying to get off easy for today?” You say, there’s a mild accusation in your tone when you speak, smiling as you step aside.

And, despite the warm smile, Satoru frowns a little, because guess who forgot to tuck in the sides?

When Satoru ducks his head around the mattress and sees a good loose chunk of the sheets hanging off and groans when you’re right. “It’s not my fault that they’ve made them so big for no reason,” he replies, somewhat embarrassed, rubbing the back of his head and messing up his already ruffled hair.

You roll your eyes and stick a tongue out. “You’re getting the hang of it though, maybe even faster than Yuuji when he first offered to help.”

He flushes at the unexpected praise and quickly fixes the sheets, turning his whole entire body away from your sight. “Better than Yuuji, right?”

“Oh? So, you only work better with compliments, Gojo?” You sound amused, as if a lightbulb just popped on top of your head.

Satoru flattens out the bed once more, strangely now feeling satisfied with the final outcome before turning around, sticking out a tongue of his own. “Only if it’s from you,” he answers, honestly.

You laugh, and hopefully it’s not at him. “I thought you would be more annoying to deal with.”

“So, I’m just regular amounts of annoying?” He points out, with a fake frown, his fingers fiddling with the edges of the sheet.

You turn your gaze, seemingly in deep thought, before responding with a small shrug and grin. “Possibly a perfect amount of annoying.”

Satoru feels the blood rushing to his cheeks, again. “Well, of course, it’s the perfect amount because I’m perfect,” he replies, instantly, but suddenly he’s shy and feels the need to go to the next room to fix their stupid sheets before he combusts in front of you.

“Gojo,” you say, almost hesitantly.

He swallows and rubs the back of his neck, wiping off evidence of his sweaty palms. “Yeah?”

“You missed a spot,” and your pointer fingers direct at the far right corner of the bed frame. He must’ve pulled the sides too hard and it caused the other side to flip over. Ugh, he’s not cut out for this at all.

“I’m… uh, still better than Yuuji, right?”

“Mhm, getting there, Gojo.”

By day four, Satoru has surprisingly adjusted to the rules and responsibilities. He’s not entirely sure what’s gotten him mildly well behaved, Suguru is a bit surprised by the daily updates being less… aggressive and whiny. What started as long vent paragraphs about the lack of heated flooring and needy customers, soon turned into photo albums of kids face planting into the snow and unconsented selfies with you in the background. Satoru absolutely makes sure you end up looking the worst out of the two because he’s gotta let his best friend know who’s the prettiest and he’s definitely racking up a blackmail album of all of your worst moments in case anything happens in the future.

It’s closing time and he just got back from the reindeer shed out in the back, covered head to toe in all things hay and snow. First things first, and no one bothered to tell him, but reindeers smell bad. Like, really bad. Especially at the end of the day, where their pens are covered in shit and countless carrots and apple bits from the little kids overfeeding them. Satoru is vaguely aware of the fact that he smells, just like he’s vaguely aware that the hotel lobby is oddly quiet from the usual banter between you and the usual workers.

Utahime and Choso are sitting by the cafe bar, seemingly deep in conversation about ordering more supplies for next week. Satoru thinks about interrupting their session with probably an unrelated dumb question, but the idea dies when Utahime notices his presence and motions him to come over.

“You stink,” Satoru casts a half-glare at Utahime and begins picking out some of the scattered hay pieces stuck to his sweater.

“For the record, I became good friends with Rudolph and Vixen today,” he grumbles back and Choso throws him a pat on the back.

“Hey, I don’t mind your stink, by the way. Smells kinda nice,” Choso offers up, but Satoru only shoots him a very unhappy look.

“If you think I smell nice then I’m really worried about what you think smells bad,” then he turns over to Utahime again, who’s engrossed in whatever is on her clipboard right now. “So, what did you need from me?”

“My sister,” she starts and taps away at the clipboard before handing it over to him. It’s pages upon pages of invoices from the past month. “Could you hand this to her? She should be in the back.”

“You treating me like an errand boy?”

Utahime scoffs. “What? Don’t wanna see her?”

“No, I do,” he responds, a bit too fast for his own liking, and straightens out. “Uh, is that all?” Satoru hopes his face doesn’t betray how much he’s a bit excited to interact with you, given that today was a full day out in the trenches, and he absolutely needs to hear you say his name at least twice a day in order to have a good night’s sleep.

Choso is trying really hard not to laugh, and Satoru takes it as a sign that he currently has a cheesy smile on his face — go figure. “One of the corner rooms upstairs requested a weighted blanket, mind also doing that too?”

There’s a certain relief that floods through Satoru and he thinks maybe he can take on a few more tasks for the night if that means spending a little more time with you, even if his body is screaming that he needs to take a two hour long shower.

“Hey,” he starts to say when he rounds the corner, “Where’d you put those weighted blankets again?”

Satoru expected to walk in on you neck-deep in paperwork. You’ve mentioned earlier in the week that this year would be the busiest and there’s a bunch of stuff due. Something about end of the year tax returns and inventory counts, it all goes out his ear but he remembers something similar that his father told him in a prior conversation. He thinks he could probably help you figure out some of it, but that might be a bit much.

What he walks in on, thought, is you sitting in your little makeshift office. You’re on your laptop, the screen’s tilted just right enough that he gets a glimpse of what you’re looking at. You’re looking at flights and hotels, even got a whole spreadsheet on the second monitor. From what he’s seen of you so far, you didn’t come off as the type to talk about your future that much.

His voice catches you by surprise and your expression flickers from something vaguely focused to embarrassment real quick. You hastily close out the tabs and go back to the hotel’s homepage.

“What is it, Gojo?” And there’s this awkward, oddly frantic moment of you fumbling around with the keyboard and mouse, like a teenage boy who’s just got caught looking at porn.

“Ah,” Satoru thinks seeing your flustered side is rather adorable, to say the least. “You tryin’ to plan a vacation or something?” He struts over to your desk, placing a firm hand onto the back of the chair, and there’s this smile on his face that just screams ‘gotcha’.

Your face scrunches up but it’s not out of annoyance. “Kinda?”

Even with a grumpy look, it’s a good look on you. Makes you kinda dark, brooding, and beautiful, and it turns your eyes into dark storm clouds, or some other weird, waxy poetic shit that Satoru can’t figure out the words to. Either way, Satoru thinks you look cute and can’t stop noticing your little facial movements. You’re more expressive than you would probably imagine.

“Ooh, where to?”

You sigh and start playing with your thumbs. “Malaysia. My friend told me great things about it and I’ve been meaning to go for a while now but time and money are always iffy.”

“Makes sense, I can imagine that being an inn assistant doesn’t pay all the bills.”

That was probably the wrong thing to say. You huff and glare, an icy-death glare, at him. If looks could kill, Satoru is sure that he’ll be six feet underground by now.

“Weighted blankets are on the second floor closet by the laundry room,” you answer his initial question curtly before shutting the laptop. “Don’t stick your nose where it doesn’t belong.”

“It was just a question,” he mumbles slowly, and maybe even a little dangerously. “If money’s an issue—”

“Gojo.” Your voice is fixed and rigid, one that leaves absolutely no room for debate. “Your dad was right about you; you always just fall back to your fame and wealth.”

As you’re busy staring, Satoru realizes that you’re kinda being a total ass to him right now.

“That’s not fair,” his voice is rising and can’t seem to put a stop to the words spilling out. “Don’t bring my dad into this conversation.”

“Or what? You can go back to your privileged life anytime you want. This is just a field trip for you while others actually have to try hard and make a living.” You spit out.

“No one forced you to become an inn worker, you know? If you’re so worried about money then you could’ve just found another high paying job.” Satoru wrinkles his nose and his volume continues to rise.

You immediately offer him a dark glare and it comes off in a cut-throat way that shuts Satoru up mid thought. The rest of his counters die in his throat when you start making hand gestures at the office exit and he gets the hint: ‘leave before I lose my shit’ is the calling he sees.

And it works, because he finds his tone shifting a little, awkwardly kicking the floor and backing off. “Whatever…”

That was last night and, by now, Satoru is realizing that he’s kind of a giant asshole and the guilt is slowly eating away at him. Was he always like this? It couldn’t have been — he’s only met you a few days ago, and this is only meant to be a quick, ‘vacational’, getaway. Sure he might be a bit selfish and a dick, but he had been able to function perfectly fine before all of this, hadn’t he?

Satoru’s not really sure.

It’s noon, and he’s lying in bed. Choso had asked him to cover his shift at the cafe, and he’d agreed, readily, even though it’s supposed to be his day off, because you’re working. Choso had texted him, though, saying that you had simply said you’d work the entire shift by yourself.

Of course. It’s absolutely not funny anymore.

Satoru sighs. He’s going to apologize, that’s for sure. It wounds some of his pride, yeah, but whatever, this tension between you guys, though, isn’t worth it. He finds himself wasting his entire morning away rotting in bed. There are things that he could be doing, that he looks forward to, like feeding the reindeers or demonstrating basic ski moves to little kids. Choso and Yuuji totally got him addicted to yelling out ‘pizza’ and ‘french fry’ at every chance he gets. They also got him addicted to a shitty relationship forum they both browse, but somehow the idea of reading other people’s relationship drama, when he’s facing drama of his own, is kinda mentally exhausting.

On second thought, maybe he should post on that forum, actually.

It might not be such a bad idea.

Or maybe he could reach out to Suguru and ask how to apologize?

His best friend is a bit more grounded and attuned with other people’s feelings compared to him, afterall. Satoru’s not good at this stuff and he’s always just cut others off whenever they do argue, but this feels different. And, well, for the first time in forever, Satoru is desperate.

“I fucked up big time and I need to apologize, help me out here?”

Suguru scoffs over the line. “Wow, what happened to saying ‘hello’ or ‘how are you’?”

Satoru rolls his eyes. “Hi, hello. How are you? How do I make a sincere apology?”

“I’m good, thank you. Now, for your request, depends on how big the fuck up is.”

He bites his tongue, finding the right words to essentially not sound like a huge dick but, no matter how he wants to rephrase it, the outcome is the same. “I might’ve implied that she’s poor and needs someone to take care of her?” It sounds so stupid, so mean, and so degrading now that he’s saying it out loud.

He hears Suguru sucking in his teeth and sighs. After a couple of pauses, his best friend finally speaks. “That’s pretty fucked up.”

Satoru frowns. “Okay, yeah, it is,” and he sits up in his bed when a snowball makes an impact against the window. It’s Utahime. And, currently, she’s throwing him the nastiest glare that a woman has ever given him in his life. “Um, I’ll call you back, buddy…”

“What? I haven’t given you—”

“Don’t have time for unwarranted advice right now.”

“You called me!”

“Bye!” Satoru ends the call before shuffling towards the window, swallowing a hard lump, and inches the glass panel just small enough for him to hear coherently and not big enough for her to punt him across the face. “Lovely morning, isn’t it?”

But Utahime is in an obvious shitty mood and Satoru’s lack of charming antics aren’t going to work this time. “I’m going to apologize, I promise,” he tries to insist.

“This is all your fault,” she immediately gets to the point and it makes him shrink back just a tiny bit. He’s starting to see that the bluntness runs in the family. “Just get your ass to work.”

“But my shift doesn’t start till—”

“Doesn’t matter,” Utahime starts to form an even bigger snowball and raises it to the window panel. “Ass out of bed, now.”

Okay, so as much as Satoru had tried to tell himself that this week wouldn’t be bad, it’s really starting to get fucking awful.

Everyone’s in a shit mood. Yuuji tries to crack some jokes but the usual crowd isn’t having it. You’ve been throwing Satoru dirty looks while working behind the cafe counter together and he’s been put on drink duty — which is his worst nightmare — while you’re attending to the customers because you’re young and cute enough for them to be nice to you. Satoru has spilled hot coffee and chocolate on himself like four times so far, and the shift just started. He’s terrified that the rest of this week is going to be like this.

“Can we talk?” Satoru whisper shouts over the espresso machine.

He sees your shoulders tensing up but immediately relaxes them afterwards. “Did you hear something, Yuuji?”

The boy looks up from the bar counter, it’s his day off and he’s catching up on some homework, but the seemingly growing tension that’s unfolding in front of him is making it painfully hard for him to focus on anything engineering related. Yuuji scratches the back of his neck before darting his eyes back and forth between the two of you. Normally, he would be the voice of reason, but Satoru doesn’t blame him when he shakes his head.

“N-Nah, must’ve been the wind or something...”

Great, he’s been reduced to an air draft.

“Mhm, that’s what I thought,” you agree without missing a beat. As the next customer in line spends an eternity holding everyone up, debating whether to get the seasonal muffin or french toast to go with their drink, you continue, “Thought I heard a rotten brat for a second.”

He absolutely doesn’t expect the harsh insult. Satoru widens his eyes at the outburst and there’s a small pause, the silence ticking in between everyone, and he’s sure that you’re glaring him down somewhere in a small reflection on the counter.

Satoru debates whether to call out your name and shake some sense into you, but Yuuji quickly swallows and makes a motion with his hands to his throat, a universal signal saying — ‘I wouldn’t test the waters, if I were you’.

And, after the customer finally decides that they didn’t want any pastries with their coffee order, you finish the transaction before announcing that you’re going on a small fifteen minute break to “stretch”. Though, anyone could see that you’re planning to cool off before you manage to actually blow up in Satoru’s face.

“How the hell am I going to talk to her?” he groans to Yuuji once you’re finally away. He’s managing the cash register and, surprisingly, finishes taking the remaining orders quite smoothly compared to his first day. At least he can pat himself on the back for this.

“You’ve really pissed her off, dude,” Yuuji replies and Satoru just rolls his eyes because that’s all he’s been hearing from everyone else all day today. “You should talk to her when she’s not… charged up.”

“Way to point out the obvious.” Sometimes he forgets that Yuuji is a bit oblivious. How is he doing so well as a mechanical engineering major?

Yuuji makes an audible ‘pop’ and whistles. “What did you even say to her?”

Satoru groans into his hands. “Did she not tell you?”

“Well, she wasn’t exactly in a chippy mood to talk about anything this morning — outside of work, that is.”

“Here’s a little TLDR version: might’ve said something classist.”

“Might’ve?”

“Okay, definitely said something classist.”

“Then…” Yuuji drums his fingers against the counter, deep in thought. “Y’know, whenever me and Megumi fight, I always invite him out to the movies to try and cheer him up. Might not be applicable to you but…”

Satoru blinks. “Are you suggesting a date would help?”

“Maybe not a date—”

“No, I’m sorry for calling you dumb, you’re so right—a nice date might work!”

“You never called me dumb, though?”

“Yeah, okay, whatever you say, kiddo.”

Satoru unravels the ribbon on his apron and throws it in Yuuji’s general direction, not caring if he tossed the stained uniform directly in his face. He hops the counter and pats the younger male on the shoulder, flashing him a genuine smile because, hey, maybe Yuuji actually is smarter than he looks.

“Gonna totally invite you to the wedding.”

It’s no secret that Satoru Gojo hasn’t been on a proper date in a pathetically long time.

He has swiped right on a number of highly influential celebrities and figures on dating apps before. Matched with nearly all of them. Gone on…maybe a lot of first dates with not a lot of second dates coming right after. Who cares though, everyone’s just there for the photos and followers anyway. Satoru knows that he’s attractive and that he personally loves big, lavish dates but, at this point, he knows you enough to understand you absolutely hate big gestures.

After a short winded conversation with Suguru and Utahime, separately, Satoru has concluded on not buying you first class tickets to Malaysia.

“Are you trying to get her to hate your guts?” Was the general consensus of the conversation with said people.

So, what’s the next best option if he can’t fly you out to Malaysia? The answer is pretty simple — bring Malaysia to Mistle Town. And no, he’s not going to be relying on his black card for anything, even though the back of his mind is telling him otherwise.

Choso blinks several times at Satoru’s printed out proposal. The colorful letters and Google image photos of beaches and coconuts slapped poorly onto the document screams back at Choso and Yuuji, bright and early on Christmas Eve.

It’s unusual for Satoru to be bouncing excitedly in place for someone other than himself. So this catches everyone off guard.

Yuuji whispers something intangible to Choso, but Satoru is able to make it out as, “Do we even have coconuts here?”

To which Choso replies, “It’s winter, so I don’t think so.”

And Yuuji moves onto the next question in queue, “What should we do about the lack of palm trees?”

A patient sigh from Choso, “We could always trim the pine trees outside?” He lamely suggests.

“It’s a good idea, no?” Satoru jumps right back in, completely missing the flat vibe from the brothers. He frowns. “Why are you guys giving me that look?”

And, like his best friend and your sister, the brothers throw him a confused head tilt.

“Well,” Yuuji weakly starts, “Your plan ‘Project: Bring Malaysia here in hopes of Y/N falling in love with me’ doesn’t really sound that great… even on paper.”

Satoru grins, fully expecting that to be the response. “I’ll order the things, don’t worry about it. I just need to borrow your lungs for this project.”

Yuuji scratches his cheek in confusion, laughing nervously again. “Our lungs…?” he echos.

“How long do I have to keep this dumb blindfold on, Choso?”

“U-Um,” Choso shoots Satoru a brow as he carefully guides you through the hotel lobby.

It’s currently decked out from head to toe in all things yellow, green, and pink beach themed inflatables. Choso and Yuuji reminded Satoru last night that maybe two flamingos would’ve been enough to get the message across, but seeing that he ordered a whole colony? Yeah, he’s sending the rich boy prayers as he reels you in further, avoiding collision with the colorful balloons and seven-foot tall palm trees, too.

“Choso?”

He squeezes your shoulders when Satoru shoots him a thumbs up. “Ten seconds.”

Satoru quietly walks over to both of you, tip toeing so the sounds of his loafers are minimized against the flooring. Once he’s inches away, Choso retreats off into a different room, mouthing to him words of final encouragement, which Satoru gladly took.

You appear restless under the blindfold. “I swear to god, if I take it off and there’s a giant pile of reindeer shit in the middle of the lobby I will actually kill somebody—”

And Satoru quietly debates whether or not he wants to keep you like this for a little while before revealing the big surprise. Seeing you flustered and confused is a very cute look on you, after all. But, he’s gotten you this far and it would absolutely kill him to leave you on such a bad notice. It’s now early evening, and the sun’s just starting to set enough that the golden rays illuminate your features from this angle. It takes Satoru back to his first private meeting with you on the balcony and he remembers why he’s even doing this in the first place.

Carefully and slowly, he slips down the blindfold and softly calls out your name. “Hey, take a look around you.”

Your eyes are blown wide when you see his face. Anger and frustration dissipate from your face when you soon realize that Satoru carries a soft expression. He watches as the emotions wash off as quickly as they came. Then, you finally take a look around your surroundings and gasp. “You—You did all of this for me?”

Satoru tenses a little, a bit on the edge. “You want the short or long answer?”

You don’t notice because you’re too preoccupied with the numerous fake flamingos around you. “On second thought, maybe no answer would also work.”

He laughs at this, slightly, before turning shy again. He feels silly, ashamed, and it makes his cheeks flush. “I wanted to say sorry again for what I said earlier.”

“You finally want to talk about it?”

He looks at your idle hands and then back to your face. When he sees that you don't move them away as he inches closer, he takes both of them into his palms, giving them a tight squeeze. “Yeah, I was a big idiot and I thought I was trying to help in the beginning but I just sounded—no, I am—a giant ass.” Satoru concludes.

The atmosphere grows quiet and heavy again. The air humid and thick despite the opened windows and you’re looking at him. Then, there are tiny little smiles that break out on your face, like freckles and stars in the sky.

“You’re such a pillow princess,” and he outright blushes ten shades darker at the nickname, “you’re lucky you’re cute.” Coming from you, that’s as good as a love confession.

I like you, he thinks, but doesn’t say it. He really likes you and doesn’t want to fuck this up.

But, everyone knows that Satoru Gojo is a child at heart.

Satoru doesn’t know who gives in first; realistically, it might’ve been one of those stupid, rare, impossible moments where it’s completely shared. Suddenly the gaudy blow up palm trees and inflatable pool blur from his vision and he feels the world roaring around him when your palms rest on his cheeks. He ducks his head down but you’re the one who closes the distance between.

You taste like strawberries and lavender, smell like warm cocoa, and feel softer than any sherpa blanket he’s had. Satoru closes his eyes and his vision goes white, his hands shakily snake around your waist, pressing you hard against his chest as if you might disappear at any moment. Satoru sighs into the kiss, it feels pleasantly warm, that throb in his chest, it’s a slow, steady thrum of simmering desire and comfort. He’s pretty sure he’s adding way too much tongue, the drool and saliva that comes dripping between you two will be uncomfortable soon, but for now, it adds to the blissed out, satisfaction you’re both basking in.

Finally, you pull away, shortening yourself a good several inches from planting the rest of your feet on the ground. Your eyes are glossed over, watery and looking at him without vexation. “You’re something else.” You say, but there’s no bite.

Satoru doesn’t speak for a moment. He’s too focused on the feeling of your warm fingers sprawled all over his heating face. Too focused on the dull pulse of both nervousness and infatuation slowly spreading through his body because you’re giving him that look. This all feels romantic and stupid, he thinks.

“I’m sorry, again.” The words are quiet, hesitant, and Satoru almost regrets them the moment he speaks.

You shift around a little, now dancing on the balls of your feet, but the grasp you have on his cheeks is still relatively firm, even applying a bit of more pressure as if it’s your way of showing reassurance. You tip your head; your eyes are so vivid and bright, it sends a shiver down Satoru’s spine. In this moment, he remembers every single thing between them in shocking detail — the awkwardness, the tension, the frustration, the dumb banters, and suddenly he’s overwhelmed.

“I’ll forgive you if you give me a private city tour,” you laugh. “And come back to work with us again next year.”

Satoru offers a small smile. “Unpaid?”

“Will you say no if it is?”

He hugs you tighter, a chuckle bubbles in his throat. “I don’t think I can say no because it’s you.”

Though, while some might think that Satoru is the real loser here for being whipped so hard over a small town girl, you know that deep down the real loser is you. Because you managed to have the son of a CEO wrapped around your fingers and now you will never know peace again. But you’re not really complaining; instead, you’re working even harder to save just enough to eventually see your dream destination while Satoru whines and sends an ungodly amount of selfies everyday when he’s back home. And you won’t allow yourself to get snappy because, well, you’re very much head over heels for him, too.

#event: i got my eyes on youೄྀ࿐ˊˎ #doobea writing #gojo satoru x reader #satoru gojo x reader #gojo x reader #jjk x reader #jujutsu kaisen x reader #jjk fluff #gojo fluff #satoru gojo fluff #jujutsu kaisen fluff #jjk x fem!reader #jujutsu kaisen x female reader

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weirdmageddon · 8 months

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i love these tags this person is so right

actually, can you imagine if dave was raised by B1 roxy?

i wanna get into this actually

(ok i had to spend a few hours rewriting this because IT DIDNT FUCKING SAVE AFTER FIVE HOURS OF WRITING WHEN MY COMPUTER UPDATED WHILE I WAS AFK so it would mean a lot to show this post some appreciation. i LOVEEE hearing what other people have to say)

even though these things mom does are presented in an extravagant, kitsch, jokey way, her intentions always came from a place of sincerity. she is simply Funnie

but rose reads too far into it and assumes things that aren't there, that her mother is passive-aggressively feigning interest in rose's interests simply because the things she does are so extra. "why do all of this if not to mock me"

im telling you right now if dave lived in this household he wouldn't assume antagonism, he'd go,

don’t forget who LITERALLY patented tangible jpeg artifacts as their post-scratch adult self and scattered shitty scummed up statue of liberties all over the planet. theres no way some of that overboard artful shit wasnt post-ironic / circling back around to genuine funny sincerity

dave's natural state is funny sincerity like roxy. he's had the natural capacity for this type of humor from the start and this is the direction he goes towards when he grows out of his brother's shadow by the end of the comic. dave and roxy share an earnest “so bad its good” type of humor

(lots more under the cut; the length of this meta analysis just got unwieldly with all the pictures and whatnot)

despite the alcoholism, roxy is a supportive mother. she's not the ideal guardian but hells of a lot more supportive of her kid than bro is. if she knew dave's interests she would totally indulge in them with some over the top silly goofy haha shit as a genuine gesture simply because she loves him

rose isn't too keen on it though. but she is more similar to dirk in her natural state of thinking of overthinking shit and assuming the worst, like the tags said

and yes dave got the sweet cuddly yet sometimes backhanded ouppy gene from roxy, probably even moreso lol

roxy's even said rose "sounds like girl dirk"

side tangent here, but this is something i wanna talk about.

i dont think bro should ever be in custody of children ever but if theres anyone who would be up to the task it's rose probably. i know she'd be able to keep up with him. not only does she have a defined personality (dave is more malleable and absorbs his environment like a sponge), if anyone can pick apart B1 dirk's batshit brain and probably be right on the money it's her. lil cal has been pumping patriarchal nonsense into bro's head and rose would be able to bring the fucking facts to the table without losing her own and being a living example of a badass little girl. i also don't think bro would try to force masculine roles onto rose like he did with dave, seeing as she is a girl, so she would actually have more of a leg up and get some passes that dave was never afforded. and rose wouldn't stand idly and accept any bullshit; she is no doormat. and i think this would earn bro's respect

but anyway, from this, couldn't we conclude roxy "sounds like girl dave"?

yeah okay. we havent even gotten into their penchant for funny typos or misspeaks, deliberate or otherwise

so, dave's environment

the sentiment "god you hope you can be as good as your bro at this some day" might have been genuine at the time when he idolized bro but of course he's not able to express that in any sort of sincere fashion because he's in dirk's fucking household. and this level 10 irony shit isnt doing dave any favors

his role models were the Internet and a vague idea of what Bro was like. So he built up his facade based on irony–not the literary definition of irony, as Rose might be quick to point out, but a popular concept of irony based on the idea that things that didn’t make sense actually made sense in some roundabout way. As a master of irony, Dave probably reasoned, he could see in a way other people couldn’t why a world that was scary and didn’t make sense really did make sense, and could therefore convince those people that he was superior to them. And he would wield his knowledge to maintain the appearance of superiority by calling everything ironic and pretending he didn’t care about things that didn’t make sense, and he would use walls of vaguely rhyming words to keep everyone at arm’s length so they wouldn’t discover his insecurities (source)

roxy's style is the embodiment of post-irony. being raised by mom lalonde would be like being raised by joel vinesauce ok

what can i say ….. (getting meta about this actually, hussie got these jpeg wizard wallpapers from a spyware website. link takes some time to load because internet archive)

rose is quick to read post-irony as actually being a joke/insincere, which in bro's case would be true. but i believe dave's natural instinct, outside of the influence of bro, is to read post-irony as genuine, which is exactly how mom serves it. we see this as early as act 3 from him; he understands her motives better than rose does herself:

and in act 6 intermission 2 i think it's pretty clear

but the thing is, it's always genuine from her. dave wouldn't have to second guess it because he's not one to naturally second guess someone's sincerity; that was learned due to his bro being virtually unassailable

there two types of ironies at play here:

seems like a joke, is actually genuine (roxy)

doesnt seem like a joke, is actually a joke (dirk)

you can make the argument that the second is is more psychologically destructive because it makes you question the reality of what is genuine sentiment and what isn't. dave never knew what was genuine and what was irony so he just sort of existed in this sincerity-ironic limbo and always did the opposite of what he genuinely felt on principle even if it always did originate from a genuine place.

"it just a joke bro i was just being ironic i dont actually x" is so much more trust-breaking and psychologically damaging than "wait are you being serious" / "i am being so fucking fr rn davy gravy" / "ok thats actually pretty fucking awesome. giant ass wizard statue" / "RIGHT"

how much about dave would change do you think? his character arc would be completely different for one thing, i think he'd have it good aside from mom's alcohol issues. he'd be left with the sweet and funny parts of him that we see at the end of the comic. the fake coolguy stuff is out, but this remains. this is dave in his element and we see it as early as act 1

he'd probably have no shades growing up in the lalonde residence* either cause those were given to him by bro straight out of the crater as an extension of his own cool image. and john gave dave ben stiller’s aviators for his 13th birthday to replace them so he could “spread his wings”

dave said he was wearing them for the ironies but i kind of doubt it. maybe post-irony but there was some reacharound to it being genuine because dave never put those pointy anime shades on his face again.

*though... it’s kind of hard to imagine him without his shades at all? B2 dave still got stiller’s shades from stiller himself so maybe getting them is a universal constant. i can imagine mom getting him them as a birthday gift cause shes pretty wealthy and probably could buy it out in an auction. but also itd be cool if john still gave him it as a gift

dave is actually a lot more genuine and easy to read than he lets on even when grappling with his upbringing with B1 dirk (again, see this post). this can be seen all throughout he comic but a good example is the evolution of thoughts about his interest in the preserved dead things in his room:

if B1 roxy was dave's guardian he probably WOULD have pursued paleontology because she wouldve indulged him in it and probably find it cool and worthwhile to pursue, instead of allowing dave to flounder under ironic detachment, being poisoned by irony to the point of gaslighting himself into believing he doesnt actually believe he thinks this shit is cool. even if it was indulged in this such a way; a superficially kitsch and ironic appearing presentation, it comes from a genuine place and inspires genuine interest. just read the comments.

basically, i think if B1 roxy raised dave, their relationship would have a surface level appearance of being bizarre or over-the-top but they’d have an unsaid mutual understanding that it’s completely in earnest and just build on each other's funny and absurd gestures of affection. rather than seeing it as one-upping each other, it'd more like collaboration of some silly bullshit that you take a step back and look at full and just say, "fucking incredible"

speaking of paleontology, mom had the proto-ectobiology lab. maybe they'd be able to use the equipment to appearify paradox ghost imprints of the dead shit to create paradox clones of things from the cambrian era??? sounds like a fun mother son bonding activity. and theyd actually put the sciencey shit in the household to use

oh god i know exactly the kinds of music shed listen too also growing up as a teen in the 80s. she on that (post)-punk/art rock/new wave/new romantic mtv stuff. XTC shit fr. this is a B-52S HOUSEHOLD. maybe the associates for the campy melodramatic flair. so he gets to keep the record on his shirt cause he is an enjoyer of the shit in her vinyl collection. dave would still gravitate towards musical expression and music itself but of more variety outside of just rap, with an 80s-90s, even 70s flavor due to mom’s influence. see this for perhaps a glimpse. she probably visited new york city a lot for business trips and because the music scene was cool as hell around that time, imports came straight from jfk airport, she probably got in on that a bit and have remnants in the form of vinyls and cassettes. in this way she could be distributing void to dave (influencing him with forgotten / presently irrelevant music). now he can REALLY rave about bands none of his friends have heard of. “hey davy grvay watcha listenin to” (he holds up vinyl cover) “omg snakefinger”

btw dave lalonde would look like this to me

#homestuck #homestuck meta #dave strider #mom lalonde #roxy lalonde #hs #strilonde guardian swap

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