In deleted scenes of Attack of the Clones, when we learn about Dooku's departure and his values, there's no mention of the Jedi or "the Jedi Order as an institution".
And every time Lucas refers to Dooku's disenchantment and reason for falling, he doesn't mention the Jedi.
"When you realize that Dooku is Darth Tyranus, it explains what Darth Sidious did after Darth Maul was killed: he seduced a Jedi who had become disenchanted with the Republic. He preyed on that disenchantment and converted him to the dark side, which is also a setup for what happens with Anakin."
- Mythmaking: Behind the Scenes of Attack of the Clones, 2002
"[Dooku is] one of the few Jedi who became disenchanted with the Republic and left the order and he is leading a separatist movement."
- Vanity Fair, 2002
"I wanted a more sophisticated kind of villain. Dooku’s disenchantment with the corruption in the Empire is actually valid. It’s all valid. So, Chris plays it as, 'Is he really a villain or is he just someone who is disenchanted and trying to make things right?'"
- Starlog Magazine #300, 2002
He probably meant the Republic/Senate in that last one, but you get the point. And you're seeing the pattern, right?
Dooku's problem isn't the Jedi, it's the Republic.
He's become disenchanted with a system that - according to Lucas' prologue in the 2004 book Shatterpoint - worked for 1,000 years...
"For a thousand years, the Old Republic prospered and grew under the wise rule of the Senate and the protection of the venerable Jedi Knights."
... but has been rendered ineffective because of 1) senators becoming corrupt and 2) corporations gaining political power.
"But as often happens when wealth and power grow beyond all reasonable proportion, an evil fueled by greed arose. The massive organs of commerce mushroomed in power, the Senate became corrupt, and an ambitious named Palpatine was voted Supreme Chancellor."
That's the message Dooku runs on, when he rallies the systems to form the Separatist Alliance.
"By promising an alternative to the corruption and greed that was rotting the Republic from within, Dooku was able to persuade thousands of star systems to secede from the Republic."
The Jedi aren't really a factor in his decision to leave.
Why would they be? Their political status isn't very high, they're virtually powerless, as illustrated by the film's narrative and stated repeatedly by Lucas.
On the contrary, as we already established in this post, Lucas full-on confirmed that Dooku actually carries the sympathies of most of the Jedi. Again:
Most Jedi agree with Dooku, ideologically.
As far as the Jedi are concerned, the politicians are effing up the Republic, and it sucks because the Jedi see this but aren't allowed to interfere in the political process. They have to resort to looking for loopholes in their mandates to actually get stuff done.
That's what that whole "she's a politician" scene is meant to hint at. In the commentary of Attack of the Clones, Lucas uses a similar turn of phrase as he does with Dooku.
"[This scene gives us] a chance to talk a little bit about politics and the Jedi’s disenchantment with the political process, due to the corruption and the ineffectiveness of the Senate."
- Attack of the Clones, Director’s Commentary, 2002
Considering all this, it becomes clear that the intended narrative surrounding Dooku's decision to leave the Order is not:
"The Jedi are dogmatic and asleep at the wheel except for Dooku, who is ahead of the curb and sees the system is flawed, so he left."
It's actually:
"ALL Jedi see the system is flawed, Dooku's the only Jedi who decided to take it a step further and leave the Order so he can try to get into politics himself and change things."
That's why they hesitate to accuse him of murder.
That's why in an earlier draft of the Attack of the Clones script, by the end of the second act, Mace STILL has his doubts that Dooku would sign a treaty with the Trade Federation to attack the Republic.
As far as the Jedi are concerned, Dooku is out there fighting the good fight, making noise because whenever they try to protest it falls on deaf ears... until his betrayal on Geonosis.
After all, let's not get it twisted: the Dooku we're introduced to in the films and The Clone Wars, isn't really just Dooku anymore.
He's Darth Tyranus.
A point Lucas makes sure to highlight in his Shatterpoint prologue:
"Unbeknownst to most of his followers, Dooku was himself a Dark Lord of the Sith, acting in collusion with his master, Darth Sidious, who, over the years, had struck an unholy alliance with the greater forces of commerce and their private droid armies."
It's not about doing the selfless thing for Dooku, anymore. He's knowingly part of the problem.
He's all about ambition, now. His personal goals are things like overthrowing Sidious and becoming the most powerful Jedi.
"[Anakin's] ambition and his dialogue here is the same as Dooku’s. He says “I will become more powerful than every Jedi.” And you’ll hear later on Dooku will say “I have become more powerful than any Jedi.” [...] It is possible for a Jedi to want to become more powerful, and control things."
- Attack of the Clones, Director’s Commentary, 2002
"If you put two Sith together, they try to get others to join them to get rid of the other Sith. [When revealing the truth to Obi-Wan], Dooku's ambition is really to get rid of Darth Sidious. He's trying to get Obi-Wan's assistance in that and help in that, so that he and Obi-Wan could overthrow Sidious and take over."
- Attack of the Clones, Commentary Track 2, 2002
Y'know? Selfish things.
Dooku - like all other Sith, and like the very corporations and Senators he had sworn to destroy - is consumed by his own greed.
you know what, I actually will talk about this because it's bothering me. The issue with focussing so heavily on syd and carmy's potential for a romantic relationship isn't that there's something inherently unintellectual about romance or whatever, it's that a lot of people seem incapable of doing that without immediately flattening the story and ignoring or intentionally misreading any and all nuance for the sake of that romance. Every scene suddenly becomes about how it impacts their relationship, every analysis is done through a romantic lens, every frame or line of dialogue becomes about finding some easter egg or hint that "proves" these people should start dating. Their dynamic is absolutely a fundamental part of this show, but if you can only see it as a will-they-won't-they, you miss so much of what the story is actually trying to say with these two.
There are good versions of this story where their relationship is romantic and there are good versions of this story where it isn't, but as soon as you decide them being together is "the point," you lose the ability to actually judge the story for what it is, not what you want it to be.
Cleo strides across the deck to the gangway where Lizzie is waiting for her, gripping the straps of her bag. The sun is rising, the sky and the sea the same color as Lizzie's hair and cheeks, her expression set and determined.
"Hello, trinket," Cleo greets, towering over her.
Lizzie straightens her back, chest puffing out a little more. She frowns up at Cleo, "You're the one looking after me today?"
"I am."
"Good."
Lizzie seizes her wrist and starts down the gangway. Cleo stumbles after her, startled into laughing and nearly losing her hat. She manages to catch herself before she can fall into the water, and falls into step beside Lizzie.
"Alright," she says, amused, fixing her hat, "where are we going?"
Lizzie drops her hand, her face a light, dusty red, "you'll see."
They step onto port and Cleo checks behind them to make sure someone's still there to babysit- she spots Grian and Scar chatting on the rigging, good- and follows Lizzie to wherever it is they're going.
Past all the busy ship hands and reloading cargo, out of the port and into the town proper, down cobblestone paths and past old brick buildings. It's a shopping district of sorts, and Lizzie looks just as determined as she did on the ship, though has the air of someone who is desperately lost.
"What are you looking for?" Cleo asks.
Lizzie does not answer, instead perking up at one shop sign and taking Cleo's hand again.
It's a white building with a deepslate tile roof. A bell dings as they step inside. Lizzie releases Cleo's hand, approaching the counter, while Cleo stays by the door.
"Just a minute!" comes a shout from another room.
It's a cozy interior, packed with shelves upon shelves of magical trinkets- she spots dragon statues and crystal balls, belts, armor pieces, loose bits of cloth. There's black curtains around the windows, letting in the natural light as the sun continues to rise, and fading fairy lights strung about the ceiling. Lizzie is looking down at a glass counter full of jewelry, tracing her fingers lightly over the top.
There's a crash and a yelp, a hurried "I'm fine! No problems here!" before a man comes bustling into the room, his face round and freckled, his hair orange, and his eyes a bright, friendly blue.
"Hi!" he beams. There's something strapped to his back- black wood and red cloth, clattering together as he hurries to put a box down behind the counter.
He straightens, rolling up the sleeves of his white shirt and stepping over to be across from Lizzie, "you've caught us just before we close for the night! What can I do for the two of you?"
"I'm hoping to get something for me and my captain," Lizzie answers, "I think jewelry, maybe?"
"Of course!" the man presents the counter with one hand, "take your pick."
Cleo raises an eyebrow, caught on something the man said, "you close at dawn?"
The man winces, "yeah, well, they'd only let me have the space at night so we're making due with what we have."
Cleo frowns. Lizzie points to something in the case and asks him about it.
He directs his smile back to Lizzie, easily rambling about practically everything in the case. A pair of bracelets that let you read each other's thoughts. Rings with the power of fire and ice, one keeps you warm and the other cools you down, no matter the weather.
"This here's a disguising bandana!" the man demonstrates by tying it around his own head- his skin turns more green and his ears grow longer and pointier, "perfect for traveling pirates!"
"Not what I'm looking for," Lizzie says. She scans the counter again, pointing out something else in the case, "what about these?"
"Teleportation rings!" he provides, whisking off the bandana and smiling again as he explains the enchantments- this time Cleo notices how sharp his teeth are- this man has fangs. Cleo folds her arms, keeping one hand close to her sword, and leans back on the doorframe.
"No I'm-" Lizzie sighs, offering a sheepish smile, "I'm sorry about all the questions, I just want this to be perfect."
"No worries!" he returns, "I'll close up after we're done, it's no trouble."
"How about these?"
"Earrings that let you hear each other's heartbeats."
Lizzie's eyes widen.
"Bad choice, trinket," Cleo pipes up, "I don't have a heartbeat."
Lizzie waves her off and hurries to open her bag, "how much?"
The man offers a price- surprisingly reasonable- and Lizzie hands over the gold in exchange for two simple, golden hoop earrings.
"Thank you," Lizzie says, and returns to Cleo's side.
"Did you miss the part where I don't have a heartbeat?"
"Don't worry," Lizzie waves one of them in Cleo's face, "if your heart ever starts beating again I'll come back and kill you myself."
Cleo laughs, pushing off the wall, "thank you, dearest trinket, I'll be sure to remember that."
She smiles. There's a clattering and a rushed, "ah- don't go! I have to help you guys attune to those."
Cleo follows Lizzie back to the counter. The man beams at them again, all fangs and freckles, "put the earrings on and hold hands."
Putting the earring on is easy- Cleo swaps out one of her old ones easily. Lizzie laces their fingers together and gives a squeeze. Cleo squeezes back, a little harder.
"Okay, now," he wraps his hands around theirs and begins murmuring to himself, a spell of some sort, his eyes glowing a slight red. The magic is warm, comforting, spreads up Cleo's arm, shoulder, into her neck and splitting off to her chest and her ear, and-
A slight, phantom hearbeat begins to thump lightly in her ear. It's a little too fast. She smiles.
He pulls away, the warmth evaporating as his eyes fade back to blue.
"And there you go!" he offers one last dazzling smile, "thanks for coming in, you two."
Lizzie reaches up to feel her new earring, her heart still a little too fast, "I-I'll hear something if my captain ever gets her heartbeat back, won't I?"
"Yep!" he says, "so long as it's attuned to your captain it'll let you hear their heartbeat."
Lizzie sighs, looking relieved, "thank you."
"No problem!" he waves as they go to leave, "come back anytime!"
hello upper middle class northern usamerican tumblr user. i want to play a game. you will notice that you are in a super america convenience store in rural kentucky - you have three minutes to purchase a snack and drink of your choice and make normal small talk with the cashier. however, if you use the word "cryptid" or generally make reference to appalachia and its inhabitants as "wild", uncivilized, or lacking restraint around alcoholic beverages during your time here, i will personally tie you to the chassis of a four wheeler and tip it into the river. live or die. make your choice
This is my island, Starfall!!!!! I had vague but elaborate lore for it and the residents, some sort of mystical enchanted forest town that's home to some strange guys (a mermaid on land, a vampire, an alien..... two random old OCs of mine LMFAOOO and MEEEEEE 💖)
These are only snippets of Starfall, so I recommend visiting if you're interested! Plus I. Worked hard on it and am still proud of some of my builds 🫣 It was never Finished finished, but also it's at a point where I don't wanna do anything else but nuke it 😅
Dream Address is DA-9640-4620-8466 like it says on the tin!!! 🤗
Everything I've been getting so far is pretty ok. I admit I'd be a bit uncomfortable if someone asked me to draw something nsfw tho.
Characters and fandoms I know nothing about are also things I probably won't draw (you can always take a look at my blog to see some of the stuff I like). Ships I don't like I don't think I'd have a great time drawing either.
Problematic ships (incest, pedophilia etc) are also a no no.
If I truly don't want to draw something I just won't or, if I do, I'll probably manipulate the ask to my liking. If I end up not wanting to draw something I'll post the ask alone with some explanation (I think it'd be cruel to never let the person know and make then think I'm ignoring them).
Don't expect something truly great, these are just asks. Maybe wait till I set up commissions or something (if you see me drawing something 'better' it's probably because I wanted to draw that regardless of the ask).
I know I've already bitched about this but it's so frustrating that if it was just my glass cannon rogue, who was designed on purpose to get in over his head and be chewed up and spit out in combat, dying very badly over and over I'd be having fun
hmmm thinking of,,, this g/t spin on a fic idea i had. might just stay a concept but... god AU c!tntduo with god of the moon g!wilbur and t!quackity who's fiances left him. very heartbroken very angry just speaking his woes to the night sky like he's been prone to.
and g!wilbur up there in the sky, having listened to every rant listening to this one with a dreamy sigh like "i could make him better".
Tommy (fellow god of the sun) would pop in with something like "if anything, you'd probably make each other worse." or "oh my gods Wil you're such a wierdo— just go talk to him already if you're gonna be like this again, you're holding up my fucking sunrise."
quackity was not expecting, the night after his broken engagement, for the god of the moon to show up outside his balcony over 50 feet tall to... ask him out? is that what's happening??? what the fuck do you mean you've been listening to me—
so. yeah there's a few issues, these guys have problems, but it'd probably be funny.
shin would apologize for his bed being a mess even if it’s overall fine, meanwhile keiji’s out here like “hey, let’s uh. keep this in the hallway alright? maybe find a nice, grassy spot to talk this out...” and then when he moves out of the doorway to close his apartment door you’re briefly face-to-face with the fact that he. needs severe help.
I want to be a hater about the cyl results so I'm making my own post so i can bitch in the tags about it. The tags will get long so the tldr is BOOOO everybody but Alfonse.