I love it when women hate men. I love it when women are allowed to vent to each other about how horrible and creepy men are. I love it when women form friendships with and prioritize each other over relationships with men(whether they're attracted to them or not). I love it when women put men dni in their bios and on their nude photos and on posts on their blogs. I love it when women refuse to mollycoddle and accommodate entitled male feelings with "but this doesn't mean I hate all men, I know a few men who are great, I love my father/sons/brothers/uncles/male cousins/guy friends" I love it when women complain about men WITHOUT "not all men" being a disclaimer. I love it when women avoid socializing with/refuse to be around/befriend/get close to men because they know men can't be trusted. I love it when women make "kill all men" jokes. I love it when women offer absolutely no concern or care for men's feelings and if their misandry offends men whatsoever because why should we, men are the oppressor class who have raped and killed and abused us and kept us as subjugated as second-class citizens for millennia, they regularly mistreat us and the women in their own marginalized communities still every single day and make this world so much harder and more awful for us to be in, and if we choose to hate them and not spare them any sympathy then so be it, and I don't just mean "men as a class" either, you can be a woman who doesn't want to have anything to do with any man on an individual basis and completely cuts off men from her personal life too and ykw I will love and fucking support you in that because men deserve absolutely NOTHING from us. If they're so tough and strong then they can handle it just like they can handle being lonely. If you are a woman who hates men, ESPECIALLY IF YOU ARE A LESBIAN AND/OR A TRANS WOMAN, then just know that I love you. I love you, I support you, and you are safe here.
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Can you pls draw goldfish, finn is with twisted Glisten or Glisten finds twisted finn
Ignore the fact that I took an entire day to finish this....
Omg and with school tomorrow I bet my posting schedule will drop like the gravitational pull of a black hole
Edit; WAIT I FORGOT THE FUCKING ICHOR ON HIM-
FUUUUUUUUUUUUUUU—
The other way around
Also, the og image Incase y'all want jt
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Ka/taang: friends-to-lovers or the Friend Zone?
It’s almost axiomatic, in any ATLA shipping discussion, that Ka/taang is the friends-to-lovers ship while Zutara is the enemies-to-lovers ship, and that differences in shipping tastes can be boiled down to whether you prefer FTL or ETL.
My first ship was Percabeth. My biggest ship was Klaine. It took me until Mockingjay to let go of my Gale-and-Katniss-are-childhood-friends rose-tinted goggles and start liking Everlark. I started dabbling in ETL because of Zutara, but I’m incredibly picky about it (do not ask me how many Dramione fanfics made me irrationally, disproportionately mad).
All this to say: as a longtime friends-to-lovers enthusiast, I should theoretically love Ka/taang. But…
My difficulty with Ka/taang as a friends-to-lovers ship boils down to this: Aang and Katara’s friendship was always narratively framed as insufficient, because Aang liked her from the start and always wanted a romantic relationship. And imo that dynamic really colours their entire friendship.
I like to think Aang would’ve been a ride-or-die friend — the type to give up the Avatar State to rescue her, the type to commit ecoterrorism and help her get arrested, the type to make her a flower necklace to cheer her up — even if he didn’t have a crush on her, but I will never know that. We never got to see the pure friendship part of friends-to-lovers, because the spectre of the romantic relationship was always there. Before the last five minutes of the show, Katara’s feelings for Aang range from “plausibly interested” (The Headband, Cave of Two Lovers) to “doesn’t hate it” (Day of the Black Sun, The Fortuneteller) to “no” (Ember Island Players). Yet Katara’s eventual capitulation to reciprocation of Aang’s feelings was always depicted as inevitable, starting from s1 when the prisoners during Avatar Day reassured him that she’d “come around” because he’s a catch. It’s as if friendship, even one full of devotion and mutual love like the one they share, is not enough.
And that’s just totally antithetical to what I love about a friends-to-lovers dynamic. I love romances where characters value each other outside of attraction, when they see each other for who they are (this goes double for pretty characters like Katara, whose complexity and imperfections are just as important as her beauty and her care for others). I love the idiots in love sub-trope, where they’re obviously into each other, yet do a bunch of mental gymnastics to remain in comfortable denial (we got a little bit of this earlier in the series, but by s3 we were firmly in Aang-pines-and-Katara-deflects territory). In every friends-to-lovers story I’m simply obsessed with the confess-and-kiss scene, but the version we got in ATLA was ruined by the lack of reciprocation, twice.
Over time, because Aang was written as so insistent about his affections, Ka/taang went from a friends-to-lovers story to a Nice Guy Friend Zone “why doesn’t she like me” story. I mentioned Everlark earlier: I got the same ick for Gale in Mockingjay as I did for Aang in s3, where the woman is not interested yet he still badgers her about it. (And considering Gale is canonically hot, I don’t think the relative attractiveness of Aang is the issue here). But Gale’s insistence was presented as his problem, his lack of empathy, his self-righteousness; Aang’s insistence was just a part of his quest to get the girl.
A lot of people say Zutara is a female fantasy, whether they mean it in a positive or pejorative way. Nobody says the same about Ka/taang, even though women definitely have friends-to-lovers fantasies too. A good friends-to-lovers story reminds me of all the times when I was an idiot before getting together with a friend I was actually head-over-heels for. Ka/taang reminds me of all the times when I was not interested in a friend and they didn’t respect my preference. Friends-to-lovers is a delicate balance, maintained only by unerring mutual respect and unconditional care for each other, and it can veer into Nice Guyism if the writers aren’t thoughtful about why this dynamic is so appealing. Which is exactly what happened with Ka/taang.
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WWE's Bash in Berlin, 2024
some really multi-layered acting from Kevin here that we haven't gotten to see in a while and I absolutely love: starting with the restless look when he's first clinging to Cody, slight conflict still clear in his body language. then Cody firmly pats him on the back twice, and that smallest bit of violence (the thing which fuels so much of who KO is as a wrestling character), seems to provide either a distraction or a relief from the indecision. we see Kevin's stare move a thousand miles away, until he remembers there's a camera in his face capturing a rare moment of vulnerability and his brow instantly turns in anger as he shoves it away, breaking the moment for both himself and the prying viewer
Kevin Owens may never win the war against his impulse to turn on those close to him, but he's won the latest battle and that might be enough for now
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Look people can discourse about how problematic a ship is and how terrible people are for shipping it all they want, but the reasons they try and assign for shipping something are usually pretty ridiculous. The only actual point of discrimination on whether or not I’m gonna ship a pairing is just how narratively compelling the character dynamic is. Do they play off each in an interesting way? Is there some good narrative symbolism involved?? I’m there.
Yes that does mean I’m often a basic bitch and end up enjoying whichever slash and femslash ships are popular BUT there’s usually a reason why a bunch of writers have gotten into something! Tbh! Shit being popular doesn’t mean it’s bad, stuff usually pops off for A reason, regardless of it’s a reason you personally agree with.
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Hearing about drama in other sides of the fandom is wild like what do you mean Hilda Twitter has a major predator issue and Hilda Reddit is queerphobic. How did that happen. At what point down the fandom evolutionary line was there a division so catastrophic that while we’re here like “lalalala let’s play with OCs and make funny new crackships!” those other guys are committing Literal Crimes. What happened to Vibing.
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Special new definition of (medical) consent apparently: if someone you trust lies to you and tricks you into a medical procedure, you’re actually consenting if you just didn’t ask good enough questions ro realize what you were told was a lie.
Glad the MDZS fandom cleared that one up for me
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i hope ruby gets a well-that’s-alright-then-style notdeath. on the one hand it will make haters mad because oh no not another companion with an impermanent end (and i like to see haters mad) on the other it would require creativity to depict this in a new way + i love all the implications i love the dark fairytale quality of these companion exits i love my un-undead schrodinger’s women
with the way the legend of ruby sunday is titled… legends aren’t usually told about living people. legends are stories of the bygone past, of an age long since over, fictionalised and overgrown with folklore like barnacles sticking to an abandoned shell. there is such a thing as a living legend, but they’re exceedingly rare. the unmistakeable raven’s call in the 73 yards teaser, the trailer’s cut to fifteen crying alone after promising to cherry he’d protect her daughter… the foreshadowing is clear as day…
and yet. there’s one massive HOWEVER. ruby appears in s15: millie’s been spotted on set filming it. which leads me to believe — the doctor isn’t one to take the time travel route and revisit companions that in his future are genuinely dead. that would hurt too much, it would cause unnecessary trauma and could break the timeline. that must mean ruby stays alive in some way. ish. she’s alive and a legend and a mystery. girl-ballad girl-song girl-paradox
here she is, fading out.
p.s.: thesis statement on moffatgirls from the tags i left on somebody else’s post about charley pollard.. well it belongs here since it’s basically the semiotic hurricane swirling around ruby at the moment :)
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you guys oppositeshipping as either platonic or romantic slaps so hard. Kai melts icy outer armor and Zane cools a fiery temper guys the symbolism creates such a good dynamic that can't be attributed to attraction alone
possibly only to be rivaled by the Dareth/Ronin the Two Men Who Lack Long-Term Career Plans And Also They're A Bit The Worst Sometimes ship which is just hilarious and strangely fitting which i'm told is called Scruff?? immaculate
both are calculated, both are impulsive. Kai can plan and strategize in the throes of battle, while Zane's only moves in a pinch are Bullshit and Sacrifice. Zane can be overly curious, but he's on guard for manipulators and moles- Kai wants to believe people who are kind to him and it can blind him to other, more practical ulterior motives
at first glimpse, Zane seems hard to get along with and Kai extroverted, but the former's sincerity is clear while the latter obfuscates with sarcasm. even further down, we see Zane repress his trauma and feelings while Kai has outbursts of rage. they contain contradictions within contradictions of their elements
Kai uses his powers to smith, to create new tools and weapons. we hadn't seen the destruction Zane was capable of until the Never Realm, where permanent winters the world and nearly destroys a civilization (yes he's being manipulated and has the forbidden scroll in his hand I know). Skylor uses Kai's fire to forge a friendship and connect with him. Zane uses his heart and elemental power to destroy (mostly) the overlord.
typically, fire is the element of destruction, but I want you instead think of Kai and summer. gatherings and parties and adventures. warm waters and flourishing crops. everyone may be irritable, sweaty, and some sunburned, but it is built on the freedom to choose.
during winter people are together and inside out of necessity. it pulls people closer out of practicality and proximity. among the sparse bushes and trees, the wind chill and ice, are the adversity through which we persevere through. bonded together through change, through experience.
these connections are both one in the same and inherently different. their beginnings may be opposite, but the ending is often the same.
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