what are your opinions on the themes of age in botw (or loz in general tbh). bc i think botw is incredibly interesting in the sense that it seems to be somewhat concerned with the theme of age, possibly as an extension of its theme of passing time, while also having so much incredibly weird age stuff (like, implying link is 17 by not allowing him to drink alcohol and his only retort being a joke about how he’s actually ‘over a century’, but also constantly making adults hit on him) that at this point i don’t even know what the game is even like, trying to say about this theme. or why it even bothers bringing it up as a theme in-story
I think that age in botw, specifically link's age, is completely dependent on its theme of destruction and reconstruction. link's age is somewhat muddled in dialog and never actually stated outright because he doesn't KNOW how old he is. Who he was 100 years ago has been entirely lost to him along with that version of hyrule, the version that exists pre-calamity. When link's age is brought up, it's either as a joke or to draw attention to the fact that he has essentially lost 17 years of his life and is being forced to rebuild himself from the ground up. I've mentioned this before in my analysis of botw as a whole, but it's important to the overall cohesiveness of the game imo that link's character arc mirrors hyrule. pre-calamity, hyrule was well-constructed and thriving at first glance, but upon deeper analysis there were a ton of internal problems, specifically the way link and zelda were treated as the supposed saviors of the kingdom. (this isn't even going into some of the implied narrative with the sheikah, but that applies here as well.) But when he wakes up, link finds that hyrule has been destroyed by the calamity and rebuilt all over again, and in the absence of any real government, its people have still managed to come together, to form tightly-knit communities, and to continue to grow. link, similarly, wakes up a blank slate, essentially in the "destruction" phase. His journey through hyrule in botw is the rebuilding. it's him finding himself and learning to grow around the wreckage of his old life, just as hyrule has grown around the wreckage the calamity wrought in his absence. In this way, i think the idea of age becomes sort of... unimportant, i guess? when analyzed in terms of the story as a whole, because link's hundred-year loss is less about him actually aging and more about a metaphorical destruction of his past self that allows him to grow anew.
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DOCTOBER '23 ⸺ 「 31 / 31 * FINALE | HEART 」
March 8, 1929
Whenever Erhardt was at the courthouse, if Emmett wasn't in his room, pouring over works that would make his father red-faced and angry, he could be found with a pillow propped up against the grandfather clock in the living room, leaning back and reading whatever caught his eye this time.
It had become a pattern over the years, one Sarah had learned quite quickly after the first two times wondering where her son had run off to when he wasn't anywhere to be found in his room. Emmett was at his most comfortable when his father wasn't at home—and she couldn't blame him for that, despite how she'd tried to soften the tension between her husband and her child—and he didn't hesitate to take full advantage of the house when it was open to him.
Sarah quirks a brow upon seeing the book clutched in Emmett's hands. ❝Are you reading one of my science-fiction novels again?❞
❝Father isn't home to yell at me for wasting my time reading this worthless trash.❞ He puts on his best impression of his father as he can, mimicking the gruffness of his voice and the accent he'd yet to lose even after nearly twenty years here. ❝He wouldn't even listen to me when I told them they were educational, because they were about science.❞
Sometimes, his parents seem like fire and ice compared to each other, opposites in every way eternally fated to clash, especially where their interests are concerned; there are days he simply can't understand how they get along.
❝I found this hidden in your library.❞ He holds up the copy of A Voyage to Arcturus he'd swiped, knowing he won't be reproached for his choice in reading material. Finally, he looks away from the book, and Emmett purses his lips, studying his mother's done-up hair and full state of dress, coming to the conclusion she must be going out again for some of the day's chores.
He wonders if this time, he'll be forced to go along.
❝You know your father usually gets home around five,❞ she says, prompting Emmett to lift his head as high as he can to see the hands of the grandfather clock above him, ❝so be cautious how long you spend out here, dear.❞ The time currently reads 11:00 exactly and he frowns.
❝Is Father ever going to get our grandfather clock repaired? It has been broken for weeks and I really liked the hourly chimes.❞
❝He said he sent out for a repairman, but that was two weeks ago and I've heard nothing since. At this rate, I don't know when it'll be repaired. I'll bring it up to him tonight at dinner. Speaking of—Emmett, I'm going out to pick up some groceries. I trust you'll behave for a few hours while I'm out?❞
Emmett nods and with a quick goodbye, Sarah closes the door behind her, leaving him alone.
The book in his hands no longer holds his interest. Now that they've brought it up, all he can think about is the broken clock, whose mechanical songs have been sorely missed over the past few weeks. The clock had always been a constant, a comfort, a staple in the house as far back as he can remember, and he'd found himself on more than one occasion peering into the glass, watching the pendulum swing and the weights dance with their precise, rhythmic grace.
It was as close to watching time live and breathe as he could get and it had captivated him, as did the smaller clocks set up in the house.
Just a few months ago, he'd disassembled the small bedside clock in his room to see how it worked and had managed to put it back together without either of his parents figuring out.
If he could do that, surely he could fix this one, his favourite clock in the entire house.
His father clearly didn't see the importance of having it operational again—that, or he simply didn't care—and he could already imagine how the conversation at dinner would go. Poorly. And the clock would remain broken for another several weeks.
If he didn't, nobody else would.
Emmett checks to make sure his mother really has left before he hurries to the storage room to dig out the toolbox he'd seen his father use several times.
It's heavier than he remembers, but his mind is made up and nothing is going to get in the way of his goal, even if he has to drag the box the rest of the way towards the house.
As he peers inside the glass, he starts to take stock of all the pieces within, studying each of them carefully as if the answer will suddenly leap out at him. There could be any number of things that silenced the clock and as far as he's concerned, the best solution is to start carefully removing pieces until he can pinpoint the culprit.
For a moment, the task feels gargantuan, what with all the sprawling, delicate clockwork, but he's got his wits, his determination, and his trusty toolbox, so as he stands on his toes, reminding himself to be slow and cautious, it starts to feel more doable.
I should start from the top down.
The side door only takes a little wiggling to get loose and Emmett marvels at the first real look he's ever gotten at the movement, glittering gold in its wooden case. His eyes widen at the mechanical marvel twisting before him and he finds it even more appealing than the ornate carvings inlaid into the dark cabinet.
The front door swings open easily and Emmett's touch is almost featherlight as he pulls the hands off the movement. The clock face looks unsettling without the hands there, almost like it's naked, and he frowns as he sticks the hands in his pockets for safekeeping.
Everything has to come out in order for him to properly inspect it, but the question now becomes how. How does he remove the movement without further damaging what he's trying to repair?
Emmett sticks his head through the open side panel again and lets out an excited aha! when he spots the latches holding the face of the clock in place. A firm push knocks it free and sends the face clattering to the ground. He winces at the sound, but a quick inspection reveals no new damage—nothing has snapped off or bent or broken, so he must still be okay.
The relief he feels at that is short-lived when he realises he has no idea what to do next.
He presses his lips together in thought and reaches back through time to try and feel around the different pieces of the machine. This is all just another puzzle, one created by someone who may understand time better than him, but he has science on his side, and if he follows the cables and pulleys back to their origin point, where they connect must be the problem.
A broken gear, perhaps, or a bent hammer, or something has gotten knocked out of place.
When he tries to pull at the movement again, it remains stubbornly locked in place, and so he drops his focus down to the weights dangling lifelessly at the end of their golden ropes.
Those, too, clatter to the ground in perfect synchronisation with the loud yelp of surprise he lets out.
The rest of the pieces follow unceremoniously after, one-by-one until he's left cradling the silent heart of the clock in his hands.
Emmett turns it over in his hands, scrutinising it from corner-to-corner to try and spot anything that screams this, this is the problem!
❝Emmett Lathrop Brown!❞ That cold, booming voice strikes fear straight into his chest and Emmett immediately freezes, clutching the clock's heart to his chest like a shield. He's sitting in the centre of the half-circle of dismembered clock parts and no amount of trying to talk his way out of this one is going to make him look any less guilty than he is.
His father's anger could level the house. He can feel it, a thousand white-hot blades digging into his skin, even from across the room.
He tries to look up at the clock above him, but instead of helping him, it screams accusations.
❝Y-Yes, Father?❞
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The group confronts Kagha about her connection to the Shadow Druids. Sage is almost glad when the fighting starts; having to listen to Kagha defending her choices is grating on their nerves.
The fight ends predictably: with Kagha, the Shadow Druids and whoever else joined her side dead. Rath isn't happy and neither are most of the other druids. Sage doesn't particularly care at that point. The tieflings won't have to worry about getting kicked out before Sage and the others manage to take out the goblin threat anymore. The kids are somewhat safe for now.
When they leave the grove again, Wyll speaks up: "I have to say, I'm a tad surprised you didn't try talking her out of it. You've been surprisingly successful so far whenever you do."
Sage looks back at him, then past him at the gate receding in the distance. They shrug. "Even if I had convinced her, it probably wouldn't have changed the beliefs of the others there. And besides, she was trying to get a child killed. If we hadn't intervened that first time, Arabella would probably be dead. I don't forgive that. A better person might be glad if she changed her ways but I don't care."
They turn back, leaving the grove further behind them.
"I suppose you could be right," Wyll says, voice trailing off.
Sage shrugs again.
For everyone's sake, they hope Halsin will be alive and actually able to bring the druids back to their senses.
For some reason, Sage had always assumed druids were kinder people than most. The whole connection to nature thing and all that. Of course, that assumption had been quickly proven wrong. We don't allow drow in here this, foulbloods and outsiders and parasites that. They scoff. "Let's hope this Halsin is a better guy than most of the druids we've met so far."
On that point at least, they can all agree.
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