#and then the words just... didnt happen lol

[eelliotss]

— Borrowed time, part 5

‼️Caleb x reader x Sylus. Reader not MC. University AU. Modern AU. Angst angst angst!

Everyone knows Caleb is in love with MC. Everyone. Including you. But that does not stop him from flirting with you, teasing you, keeping you close. And it definitely does not stop you from falling for him—even when you know you’re just a stand-in, a place holder.

“I bet you still thought of me.”

song: party 4 u by charlie xcx [this song has been the main inspiration for this series, so whatever you feel listening go this song, i hope you’ll feel that while reading this series as well]

word count = 9.6k

i appreciate all likes, comments, reblogs, and asks. i may not reply to all of them, but i want you to know that i reread them over and over <3

i cant say im proud of this chapter, and tbh theres so much i hate about this part, but if i dont post this right now, i dont think i ever will, so please be kind, but i appreciate constructive criticisms! if this part felt unsatisfactory, just pretend this update didnt happen lol

ps. thank you so much for over 1k followers??? heres a thousand roses for all of you 😭🌹

part 1 | masterlist

The door creaks open.

The closet’s darkness slips away, replaced by blinding light and loud cheers.

But everything feels distant.

Your breaths are shallow. The warmth of his breath still clings to your skin, the ghost of his lips a lingering echo. His touch—still branded into your waist, your jaw, the hollow between your ribs. Your pulse hasn’t settled.

The air outside is cool, but your skin burns.

You stumble slightly as you step out, Sylus behind you—his shirt rumpled, one button undone. His silver hair is tousled, a little too messy. Your lips sting. You know you look wrecked.

And the crowd eats it up. Whoops and whistles explode around you.

You try to smile. You try to breathe.

But then your eyes land on him.

Caleb.

He’s across the room, half-lit by the cheap string lights, drink forgotten in his hand. His jaw is tight, his expression unreadable—except for his eyes.

They are cold.

Piercing.

It’s not anger. It’s like he’s looking right through you—like you’ve somehow ruined something sacred. Like you’re the disappointment.

Your chest tightens.

And then, just behind him, you catch a flash of movement.

MC.

Her head is down, hair shielding her face, her arms wrapped tightly around herself as she brushes past him, shouldering her way through the crowd.

Caleb snaps out of his trance in a heartbeat. His face shifts—concern overtaking scorn—as he calls after her and follows without hesitation.

And just like every time before, he doesn’t even spare you a second glance.

The cheers fade into static. Laughter turns tinny and distant, swallowed by the ringing in your ears.

It hits you all at once.

The heat. The mess. The press of Sylus’s body against yours. The way you leaned into it. The way you wanted to. The way you let yourself.

And then—MC’s face. Her voice. Her smile when she told you he’s kinda cute, isn’t he?

Guilt slams into you like a car.

It punches the breath from your lungs.

You feel it in your throat, acidic and raw, threatening to spill. A sickening twist coils in your stomach, bile licking at the edges of your tongue.

What have you done?

What did you just let happen?

Your skin crawls. The warmth you felt seconds ago now feels wrong—disgusting. It clings to you like smoke. Like shame.

You wrap your arms around yourself, trying to hold in the nausea curling up your chest.

Sylus says something beside you, low and teasing, but you don’t catch the words.

All you can hear is your own blood rushing in your ears.

And all you can feel is the weight of what you’ve just done. The taste of it. Bitter. Burning.

And the worst part?

You don’t even know who you’re more disgusted with—Caleb…

Or yourself.

You don’t wait for the whispers.

You don’t wait to see if MC turns back or if Caleb says anything at all.

You push through the crowd, pulse hammering in your throat, lungs clawing for air like there’s not enough oxygen in the room, not enough space in your ribs for this many feelings, this much shame.

The door slams shut behind you but it’s not enough.

Not enough to drown out the ghost of Sylus’s hands still on your waist. Not enough to erase the memory of his mouth against yours, hot and unbothered and too real.

Not enough to wipe away the scowl in Caleb’s eyes or the way MC couldn’t even look at you.

The night is too loud. The world is too close. Everything—everything—is pressing in on you.

So you push everything out of your way, scouring to find air.

You don’t think, don’t breathe, just bolt down the steps of the villa, sandals slapping against stone, the wind catching in your hair, stinging your eyes, stealing your balance. You don’t care.

The beach calls to you like a goddamn siren.

You trip onto the sand, knees buckling, breath shaking, heart feral in your chest like it’s trying to break out and leave you behind. You tear your heels off, toss them somewhere you’ll never find again, and march straight toward the water like it might wash you clean.

The ocean crashes louder than your thoughts.

Salt fills your nose. Wind tangles in your hair. The stars above are too bright, mocking. Too calm for the storm splitting your insides apart.

You drop to your knees at the shoreline, water licking at your calves, seeping into your clothes, and you let it. You need it. You need the cold. You need the sting. You need to feel something real.

Because everything in your chest is twisted. Twisted and wrong and out of place.

You lean forward, pressing your forehead against your knees, breathing like each inhale might keep you from unraveling completely. You wish it were just the alcohol. Just a mistake. Just a hazy memory you could laugh off tomorrow.

But you remember it too clearly.

His mouth. The weight of his gaze in the dark. The way his hand didn’t hesitate when it slid against your jaw, when he leaned in like he’d been waiting to taste you all night.

And you let him.

Worse—you wanted it.

The thought turns your stomach. You dig your fingers deeper into the wet sand, nails scraping at the earth, like maybe you can bury the part of you that’s smiling.

Because she’s there.

Somewhere inside you—beneath the nausea, beneath the shame—there’s a version of you curled up, smug and satisfied. A version who watched MC’s face twist, who watched Caleb’s scowl turn cold, and felt nothing but satisfaction.

That part of you is smiling.

You hate her.

Because that part of you—the one that enjoyed it—she’s been quiet for a long time. Always biting her tongue, always watching from the corners while MC took the spotlight, while Caleb gave his warmth to someone else. You taught her to wait. To be kind. To be better.

But god, you’re tired.

Tired of twinkling for people who never look up long enough to see you. Tired of being loved only in parts—when you’re easy, when you’re quiet, when you’re beautiful and harmless.

You’ve always been the supporting character in everyone else’s story. The best friend. The comic relief. The tragic footnote.

So tonight, you wanted to be the villain.

So tonight, she let herself out.

You let her kiss him.

You let her drag Sylus into that closet and tilt your chin up with a smile that begged “ruin me if you want to.”

And she did.

Now here you are, buried in the sand and sea, trying to figure out if the guilt eating at you is heavier than the satisfaction still curling at the edge of your lips.

You’re not supposed to feel this way.

You’re not supposed to want to be seen like that. Wanted like that.

Not at the cost of MC. Not at the cost of Caleb’s crumbling expression.

But you do.

You wanted them to see. You wanted to be wanted. And for a second—you finally were.

And for that, you are repenting your sins, kneeling by the shore and letting the cold eat you whole.

The tide rushes in again, crashing against your skin.

You raise your head, throat raw, eyes burning.

You sit there, watching the waves hit and retreat, over and over, counting the sparkling stars reflected on the ocean surface, until you could not feel your feet.

This is your way of atoning—because you fear the girl curled up inside you, biting on her nails every time a tear threatens to fall. Because the damage she has done once you let her out for a fraction of a moment is irreversible. Collateral.

And because you can’t promise this will be the last time you let her out.

You finally return to your room, dread curling tight in your chest like a vice. Each step down the hallway feels heavier than the last, your body moving on autopilot, mind spiraling with possibilities.

You hesitate at the door. Fingers resting on the knob. You aren’t sure what you’re bracing for.

An angry Michaela?

A tear-streaked Michaela?

A cold, distant Michaela who won’t even look you in the eye?

You don’t know which would be worse.

The knob turns with a quiet click, the door creaking open. You take a breath—slow, bracing—and step inside.

Empty.

The room is quiet. Still.

Her suitcase remains tucked in the corner. A half-drunk bottle of water sits on the bedside table. The lights are off, the curtains drawn. Not a trace of her. Not even the ghost of footsteps.

Somehow, it’s worse than yelling.

You stand there for a moment, motionless, caught in the heavy weight of nothingness.

Then your phone buzzes.

MC [02:46 AM]: Had to clear my head. Be back later.

Short. Punctuated. Not cold, but definitely not warm either.

And with that, you’re left alone.

Surrounded by silence.

Sinking into it.

You sit on the edge of the bed, heart thrumming against your ribs.

You should feel relieved.

You grip the edge of the mattress tighter.

You should be thankful the confrontation didn’t happen yet.

But all you feel is this crawling unease.

Like the silence is just the eye of the storm.

And when she comes back—

You’re not sure which version of Michaela you’ll meet.

And worse—you’re not sure which version of you she’ll find.

You get changed and crawl under the covers, body heavy, soul heavier. The silence is your only companion—thick, choking, unforgiving. You bury yourself into the blankets like they could shield you from the weight of what you’ve done.

Eventually, exhaustion drags you under.

•

Rustling wakes you.

Sharp. Precise. Intentional.

You blink your eyes open, and there she is.

Michaela.

Her back turned to you.

Her suitcase is open on the floor, half-filled. Clothes folded with a neatness that feels hostile.

You sit up slowly, throat dry.

She doesn’t look at you, nor say a word.

You rise. Move toward your side of the room. Get ready in silence. The kind of silence that screams.

Every breath feels wrong. Every second, guilt crawls further up your throat, pressing, choking, aching.

You swallow hard, then try to break the weight as you part your mouth to speak.

Your voice is quiet. Fragile.

“Michaela… last night, I—”

Michaela freezes for only a second before she turns around, face already wearing a smile that feels too sharp, too bright.

“Was such a blast! You gotta tell me all about what happened in that closet!” She winks.

“No—I—”

“Don’t think too deeply into it!” She waves her hand casually, like you’d just brought up a funny memory from a party instead of the reason her bag is half-packed. She lets out a breathy laugh, brushing her hair behind her ear. “It’s college, Yn. People kiss like, all the time. It’s nothing.” Her face drops slightly, but returns back to its beaming state. She reaches for your hands, and her voice lowers down. “It’s just a kiss, isn't it?”

A pause.

“Y-yeah,” you utter.

Her face beams once more as she squeezes your hands. “Besides, he is a pretty good kisser, isn’t he?”

You stare at her. The smile she’s wearing is dazzling—carefully crafted, practiced.

But it doesn’t reach her eyes.

And that hurts more than if she’d screamed at you.

The silence that follows is unbearable.

Eventually, the two of you gather the last of your things and leave the room. You walk side by side, the air between you tight with everything unsaid.

Outside, everyone is saying their goodbyes. Laughter, hugs, last-minute selfies. But none of it touches you. Not really.

You spot Caleb near the car, arms crossed, jaw tight.

He shifts his weight, arms crossed, leaning against the car with that infuriatingly calm expression—like he’s been waiting to deliver a blow.

“Well, well,” he drawls, eyes dragging over your form. “Eventful night, huh?”

You freeze mid-step.

His tone is light, teasing, even laced with that familiar cocky lilt—but it cuts deeper than any insult. Because you know Caleb. You know exactly when he means it. When the smile on his face is just another weapon.

“Hope he was worth the show,” he adds with a smirk. You can’t quite get a read on his face, can’t really understand whether the smirk is teasing, jabbing, or insulting.

You don’t answer. You can’t. So you walk past him without a word.

But he’s not done.

He leans in just slightly, voice dropping low enough for only you to hear:

“I bet you still thought of me.”

It hits you like a slap. You don’t flinch. You don’t give him that satisfaction. But it scorches down your spine, curling into something heavy and sour in your stomach.

All words run dry in your throat.

Because you know you did, and he knows you did.

So, swallowing down the lump in your throat, you quietly climb into the car.

The ride back is a void—quiet and cold despite the sun that floods through the windows.

Michaela sits in the front, headphones in, eyes fixed outside. Her expression is unreadable, a delicate mask of serenity.

Caleb drives in silence, but the tension in his body betrays him.

His knuckles tighten around the steering wheel. The muscle in his jaw ticks every time the car slows.

And yet—despite everything—you still see the way his hand occasionally reaches over to Michaela’s thigh. Subtle. Familiar. He squeezes gently, reassuringly, every time the silence grows too loud.

You sit in the backseat, hands clenched in your lap, stomach churning, heart clawing at your ribcage.

Because somehow, in this cramped little car filled with silence and ghosts, you still feel like the one who doesn’t belong.

•

You finally find yourself back in your familiar space.

The door clicks shut behind you.

Shoes off. Bag down. Keys tossed on the counter.

The silence wraps around you, soft and undemanding.

For the first time in days, you breathe without pretending.

You shower, letting the water scald the memory of Michaela’s laugh off your skin.

You eat something. Actual food. Not alcohol. Not regret.

And for a brief, flickering moment, you start to feel okay again.

Until your phone pings.

A message.

Unknown [6:43 PM]: So?

You freeze.

Every part of you stills—except for your heart, which begins to pound like it remembers the thing you’ve tried so hard to forget since last night.

Something forbidden.

Something thrilling.

Something wrong.

The memory comes back in flashes as guilt claws its way up your throat, hot and unrelenting. It tastes like shame.

You stare at the screen until the words blur.

And then, with trembling hands, you type.

You [6:50 PM]: It was a mistake.

You [6:50 PM]: Don’t text me again.

You hit send before you can think twice.

Your phone slips from your grip, landing face-down on the bed as you bury your face in your hands.

“It was a mistake,” you mumbled.

•

The following days were the most peaceful ones you’ve had in what felt like forever—quiet, slow, and mercifully uneventful. No parties. No whispered gossip. No sharp glances from Caleb or strained smiles from Michaela. Just the soft hum of routine and the space to finally breathe.

You sleep more. Eat better. Enjoying the lasts of your break. You’re rebuilding yourself piece by piece—one uneventful morning at a time.

But the moment you start feeling a little more like yourself, Monday catches up.

The quiet comfort of the break ends the second your feet hit campus tiles. The world spins forward like nothing ever happened.

Michaela acts like nothing ever happened.

She greets you with the same bright smile, the same light giggle, the same affectionate bump of the shoulder. As if that night was just another one of many forgettable college party blurs. As if your lips had never touched Sylus’s. As if her eyes hadn’t dulled the second they landed on you.

And you pretend too.

Because it’s easier that way. Safer.

Later that day, she loops her arm through yours as you walk out of class, swinging your hands between you. “Let’s go shopping after lectures? I need a new outfit or something for the first viewing next week,” she beams.

You nod before you can think too hard about it.

“Oh—” she adds, with that little flicker in her voice that always precedes something calculated, “I invited Caleb too.”

Your smile doesn’t falter, but your stomach twists.

The shopping trip is tolerable at best. Michaela slips into her spotlight with ease—twirling in front of mirrors, holding up dresses with playful pouts, laughing just a bit too loud at jokes that don’t quite land. Caleb sticks close, fingers brushing her waist, whisper her ear when she grins too hard.

But his eyes wander.

You catch him sometimes, gaze flicking to you when Michaela isn’t looking. Just for a second. Just enough to leave that same sour taste in your throat.

You don’t acknowledge it.

You can’t.

Instead, you smile when Michaela pulls you into the dressing room with her. You nod when Caleb asks if you’re tired. You pretend not to notice how her laugh dims a little when he lingers by your side for too long. You go through the motions—lift the hangers, compliment the colors, offer the safe, neutral opinions you’ve mastered so well.

It’s like muscle memory now. Playing your role.

Because if you don’t look too hard, you can almost believe this is normal. That nothing’s changed. That your mouth hadn’t betrayed you. That your silence wasn’t stitched from guilt.

By the time the sun dips below the skyline and the three of you step out of the store, bags in hand and feigned joy in your lungs, you feel wrung out—drained from smiling too much and meaning none of it.

Caleb says something—something teasing, probably—and Michaela laughs like a girl in love.

You stay a step behind them, clutching your bag a little too tightly.

You tell yourself it’s fine.

You tell yourself you deserve this.

Because in this triangle of careful lies and quiet betrayals—

You’re the one who kissed the wrong boy.

And you were the one who almost said yes again.

“Oh! I almost forgot,” Michaela says, as if it just came to her. “You have to come to the premiere next month.”

You blink. “The… premiere?”

She grins. “The film. The one we shot over break? We’re doing a small screening—kind of like a soft launch—for friends and crew.” She swings her shopping bags absentmindedly. “It’s just this tiny old theatre on 12th. Indie vibes, red velvet seats, ancient projector that might burst into flames halfway through—super charming.”

You force a smile. “Sounds cute.”

“You’ll come, right?” she says, looking at you over the rim of her cup. “I already told them to save you a seat.”

You hesitate—but not long enough for her to notice. “Sure.”

She beams. “Perfect.” Then, casually: “Sylus will be there too. I made sure he’d come.”

Your fingers tighten slightly around the straps of your bag.

“Made sure?” you echo, trying to keep your tone even.

Michaela shrugs, but there’s a sparkle in her eyes—the kind that always means she’s saying more than she lets on. “Yeah! I’ve been seeing him pretty frequently these days. Bumped into him a few times after the shoot… had coffee once or twice. He’s actually really funny when he’s not being all mysterious and broody.”

“Oh,” Caleb joins, light and amused. “Him. Great. Can’t wait to hear him brood about cinematography or whatever the hell it is he does.”

Michaela laughs, linking her arm with yours again. “Be nice. He’s actually been really helpful lately.”

“Helpful,” Caleb echoes, quirking a brow as he pops the lollipop from his mouth. “Didn’t realize mysterious bad boys were part of the crew now.”

“He’s not a ‘bad boy’,” she says, rolling her eyes.

She says it lightly, but there’s a deliberate lilt in her voice—a softness, almost flirtatious.

Your grip on your bag tightens, the fabric biting into your fingers.

You nod once, slow. “Didn’t know you two were close.”

She hums. “We’re getting there.”

Then, with a coy smile: “He asked a lot about you, though. Thought that was cute.”

Your chest constricts. The air feels thinner somehow.

“Anyway,” she says, skipping in front and spinning to fully face you, “it’s going to be such a fun night. You should wear that black slip dress—the one you wore to Jenna’s party? You looked so good in that.”

And all you could mutter in response was a short hum along with a smile.

•

The following days were as normal as they could’ve been. Well, aside from the fact that he has suddenly been everywhere.

At first, it was subtle.

A glimpse of him through the glass-paneled door of the editing lab, leaning over a student’s shoulder.

The sound of his voice drifting down the hallway—low, smooth, impossible to mistake.

Then you saw him again, this time in the courtyard. Talking to a group from the business department, one hand in his pocket, the other holding a coffee he barely drank from.

Word spread quickly.

“I thought he took most of his classes online?” someone whispered nearby.

“He does. No one ever sees him around.”

“Then why’s he here now?”

“Who knows? Maybe to complete his last courses before graduation?”

“He’s a business major, right?”

“Yeah, but like… old money business. Scary smart. The kind that makes you nervous to breathe too loud.”

You kept your head down, but your pulse never quite stayed still.

Because every time you caught sight of him, he never once looked your way—

And yet, you felt his presence like it was stitched into the fabric of your day.

He was too composed. Too polished. Too calculated.

And somehow, his silence was louder than if he’d cornered you outright.

“Just a mistake,” you mumble to yourself each time you see his figure waltz by.

But your quiet whispers to calm your nerves didn’t prove to be a very sustainable method.

Not when the universe seems hellbent on rubbing it in.

You see them together.

Once in the corridor outside the media building—her laugh echoing off the walls, his hand casually in his pocket, head tilted down to hear her better. They walk side by side, their pace easy, unhurried.

Michaela looks effortless next to him—bright-eyed, golden, her hand brushing his arm as she says something that makes him smile.

Not his usual smirk. Not the quiet, condescending curve of his mouth he wore like armor.

You stop in your tracks.

Just for a second.

Long enough for Michaela to spot you.

She waves. Cheerful. Unbothered. “Hey babe!”

He followed her gaze and landed on you. The smile on his lips curls up a little higher as you meet his eyes.

“Hello,” amusement coats his voice.

“Hi—”

“I’m probably not going to be free today for our usual hangouts,” Michaela cuts in, turning to you with an apologetic pout. “I asked Sylus to help with some of my work… You can hang out with Caleb by yourself, right?”

Before you can answer, she adds with a dramatic sigh, “Please tell him to chill and that I’m fine—just really busy. He’s been blowing up my phone non-stop these days.”

You force a smile, nodding once. “Yeah. Of course.”

She beams, already tugging Sylus further down the hall.

He casts one last glance your way.

A flicker of something in his eyes—teasing, sharp, unreadable.

As soon as you’re left standing there, caught in the space between their footsteps and your silence, your phone buzzes.

You glance down,

Caleb [4:28 PM]: where are you

Caleb [4:28 PM]: arent we having dinner today

Caleb [4:28 PM]: are you with her? she’s not answering my texts

Your stomach tightens.

You can still hear Michaela’s laughter fading around the corner, Sylus’s low voice murmuring something back.

Caleb [4:29 PM]: nvm

Caleb [4:29 PM]: i’ll find you myself

You don’t even remember agreeing to it.

One minute you’re reading Caleb’s texts with a pit in your stomach, the next he’s striding up to you outside the lecture hall—jaw tense, eyes scanning over your shoulder like he’s half-expecting Michaela to appear.

“She’s with him, isn’t she?” he asks, no greeting, voice clipped.

You blink. “Caleb—”

His expression shifts. He exhales, scrubs a hand through his hair, and forces a smile.

“Whatever,” he says, eyes softening as they settle on you. “Doesn’t matter. You’re here.”

And just like that, the edge in his voice fades.

“Come on,” he says, nudging your shoulder. “I’m starving. Let’s go grab something before I start chewing my own arm off.”

You hesitate for half a second, but he’s already walking ahead, glancing back to make sure you follow.

•

Dinner ends up being at this tiny place tucked behind the arts building—warm lighting, mismatched chairs, the kind of quiet hum that makes everything feel a little softer.

You sit across from him, arms tucked against your chest, still a little shell-shocked from everything.

He notices.

“You’ve been doing that thing again,” he says between bites. “Where your brain goes somewhere else and forgets to take your body with it.”

You snort. “And what thing are you doing right now?”

He leans back, exaggeratedly smug. “Being charming and irresistible, obviously.”

You roll your eyes, but the corner of your mouth lifts. Just a little.

When your food arrives, he pushes his plate toward you with a quiet, “Try this. It’s better than yours.”

You glance at him, suspicious. “You haven’t even tasted mine.”

He grins. “Exactly. That’s how confident I am.”

It’s silly. Stupid, even. But it helps. The knot in your chest loosens just enough to let a small laugh slip out.

And then—just as you’re mid-bite—his voice softens.

“Hey.”

You look up.

His eyes are steady now. No teasing. No act.

“I never really got the chance to say it properly,” he murmurs. “About what happened at the filming set. That night. Everything.”

The clinking of cutlery fades around you.

“I was inconsiderate,” he says. “I thought too little. Acted too harsh. ”

He looks down at his hands for a moment. “I overlooked your feelings. And I hurt you more than I meant to.”

You don’t know what to say.

So you just watch him as he finally lifts his gaze again, softer now. Warmer.

“I guess what I’m trying to say is… I’m sorry.”

The air between you stills.

“Can’t say I really enjoyed the stunt you pulled though,” he jokes.

The dinner continues quietly—less heavy now, more like the old rhythm you used to share with him. Caleb cracks a few jokes, pokes fun at your serious face, and makes exaggerated guesses about the lives of people at nearby tables. You end up laughing more than you expected to.

Then, as you gather your things to leave, he tilts his head toward you with a mischievous glint.

“One drink?” he asks. “There’s this quiet place nearby. They make the worst cocktails I’ve ever had in my life. Thought you’d like it.”

You roll your eyes. “Sounds irresistible.”

He grins. “Exactly.”

The bar turns out to be this cozy hole-in-the-wall tucked behind a bookstore, dimly lit with string lights that look like they’ve been up since 2003. There’s an old piano in the corner no one plays, and the bartender greets Caleb like he’s a regular—which is both comforting and mildly concerning.

The music’s soft. The booths are deep and worn-in. And somehow, the world feels smaller here.

Caleb orders for both of you, raising a brow at you across the table. “Just trust me.”

You don’t. But you drink it anyway.

“You’re smiling,” he points out, pleased with himself.

You arch a brow. “Must be the worst cocktail I’ve ever had in my life.”

He lifts his glass. “To consistent branding.”

You clink glasses, laughter warm between you.

The kind of warmth that sneaks up on you—gentle, nostalgic, easy.

And then, somewhere between the second and third drink, he leans back, eyes softer now, his playful edge melting at the corners.

“You know,” he starts, swirling what’s left of his drink. “I don’t really remember what my parents look like anymore.”

You glance over at him.

“You don’t talk about your family much,” you say gently.

He lets out a breath. It could’ve been a laugh.

“Don’t really have one,” he says. “Not really.”

He lifts the glass to his lips, but doesn’t drink. Just rests it there, like he needs something to hold on to.

“Thankfully, Michaela’s took me in,” he continues. “Thankfully…” he repeats, quieter this time.

Your mood sours from the mention of her name. Of course she would be mentioned.

“She has always been sick since she was a kid. ‘Cause of her bad heart.”

You stay quiet. Let him keep going.

Something in his voice says he needs to.

“It’s always been my responsibility to keep her safe,” he says, almost like he’s reminding himself. “Since we were kids.”

His fingers drum against the glass, slow and steady, like a heartbeat.

“And whenever I failed to do so… well…” he trails off, then smiles, a crooked, breathy thing that doesn’t touch his eyes. “It never really ended very well.”

You feel the weight of those words, the way he tries to tuck pain into them like they’re just another part of the joke.

“He used to remind me constantly… of my purpose…” Caleb mumbles, his voice slowing, slurring slightly. His words are slipping like his grip on the glass—loose, tired, too worn down to hold on.

You watch his eyes begin to dim, heavy with drink and something much older.

“You’re too drunk, Caleb,” you say softly, reaching out to steady the glass before it tips.

He blinks at you. Slow. Dazed. And then his lips part, just barely.

“That I’m just a stray…” he whispers, almost to himself. “If no one needs me…”

His gaze unfocuses for a moment. You don’t think he even realizes he’s still speaking.

Your breath catches.

He’s still smiling, faintly, lazily. But it’s the kind of smile that scourches your chest.

You slide your hand across the table, fingers brushing his. He doesn’t move.

“You should go home,” you murmur.

He doesn’t answer. Just leans further into his folded arms, the tension in his shoulders finally giving out.

You sigh, quietly.

The bar is warm, the night colder. And somehow, without much thought, you find yourself wrapping his arm around your shoulder, whispering half-hearted complaints as you half-drag, half-guide him out the door.

•

The days fly by like leaves lifted off the branches.

Nothing of the past has ever been mentioned ever again—the few days at the film set, the tense atmosphere between you and Michaela, nor the night Caleb slumped into your shoulder, murmuring half-truths through the haze of cheap liquor and old pain.

Classes resume. Group chats return to life. The cafeteria starts serving that awful tomato soup again. You slip back into the rhythm like nothing happened.

But the cracks are still there—just beneath the surface, waiting.

You’re sitting under the shade of a banyan tree behind the humanities building. It’s quiet, peaceful, a little breezy. Your lunch is balanced on your lap, half-eaten. Michaela plops down beside you with a soft “ugh” and a dramatic stretch.

“God,” Michaela says brightly, appearing at your side like she always does—seamlessly, like a breath of perfume. “He’s actually so funny once you get him to talk.”

You glance at her. “Who?”

She tilts her head, playful. “Sylus,” she says, drawing the name out. “He’s been helping me prep for the Q&A tomorrow. Said I needed to sound less ‘pageant’ and more ‘visionary.’ Whatever that means.”

Her laugh is breezy. Too light.

“Oh?” you respond, forcing a smile. “Sounds like you’re getting close.”

“Oh, it’s nothing serious,” she says quickly, tucking her hair behind her ear. “Coffee here, late-night notes there. He’s just so…” She trails off, eyes sparkling. “Interesting, don’t you think?”

You hum. Noncommital.

Michaela doesn’t seem to notice—or pretends not to.

She takes a sip of her drink, then suddenly perks up. “Oh! The premiere’s this Saturday. Are you ready?”

You blink. “Ready for…?”

“The spotlight, duh,” she grins, nudging your arm. “To see yourself on screen, see the scenes you played in come together with the background music. And to see your name in the closing credit!”

You roll your eyes, but it makes you smile. “It’s not that serious.”

“It is,” she insists. “You looked amazing, even in the trailer. You carried that café scene.”

You snort. “I said four words.”

“Yeah, but you felt those four words. I almost cried.”

You laugh together, and for a second—it feels real. Familiar. Like the last few weeks never happened.

“Have you picked an outfit yet?” she asks between bites of salad.

You shake your head. “Was just gonna wear something simple.”

Michaela gasps. “No. You’re not walking into an indie theater full of film nerds in ‘something simple.’ You have to look effortless. Like you’re not trying, but also like… if you were trying, you’d end worlds.”

You glance at her, raising a brow. “That specific, huh?”

“Always,” she says, eyes sparkling.

And for a moment, it’s just the two of you.

Two girls beneath a tree, laughing about dresses and dumb film boys and the weight of appearances.

It feels soft. Safe. Like how things used to be.

And it hits you with a quiet ache.

Because even now, part of you still wants to believe this friendship can survive what’s been done.

That maybe you haven’t already burned the bridge.

That maybe—just maybe—she hasn’t noticed the match in your hand.

The rest of the week passes in quiet, deliberate steps.

Classes blur. The campus grows louder, buzzing with exams and end-of-semester deadlines. Your name gets tagged once or twice in the group chat—reminders about call times, wardrobe, a blurry meme of someone joking about crying during the Q&A.

You try on outfits with Michaela after class, like you promised.

It’s surprisingly normal—her room filled with scattered hangers, half-empty iced coffees, the faint sound of a playlist humming from her speaker.

You laugh. You bicker. You twirl.

And then—Saturday arrives.

The day of the premiere.

It’s just past golden hour when you step out of your building, the sky painted in soft streaks of lavender and orange. The air is crisp. The kind that wakes you up and reminds you something’s about to happen.

The old theatre on 12th is just as Michaela described it—small, a little run-down, with velvet seats that creak and a marquee that flickers every other letter.

There’s already a crowd forming outside. Film kids in too-large blazers and thrifted dresses, professors dressed semi-formal but too cool to act like it, and the crew—all wide-eyed and excited, passing around programs and laughter.

The theater glows in the soft spill of marquee lights, buzzing faintly overhead as you approach, clutching your clutch tighter than necessary.

The car pulls up just as you step onto the red-carpeted pavement.

And then you see her.

Michaela steps out first, the silk of her silver dress catching the light like water. It slips over her frame effortlessly—cool-toned and reflective, like moonlight turned human. Her lips are painted a soft coral, her eyes dusted with shimmer, and her smile—bright, unbothered, breathtaking—lands like a punch to the chest.

Then comes Caleb.

He unfolds from the car in slow, unhurried movements, sleeves of his black dress shirt rolled neatly to his elbows beneath a tailored blazer, the collar unbuttoned just enough to suggest trouble. His hair is slicked back, not too perfect, and a hint of cologne catches the air as he leans slightly toward Michaela, saying something close to her ear.

You feel it instantly—the pull. The heat.

They look like they stepped off a magazine spread. Like they’re here to be looked at. Owned it. Earned it.

Your stomach twists.

But then her eyes find yours.

“Yn!” Michaela beams the second she sees you, waving you over like the oldest friend in the world. Her voice cuts through the crowd with effortless warmth. “You look stunning! Oh my God!”

You force a smile, walking toward her as she reaches out and takes your hand for a brief spin. “See? I told you that dress was the one. Absolutely gorgeous.”

“Thanks,” you murmur.

Caleb’s gaze drifts lazily toward you. His eyes widen slightly, just for a second—subtle, but there. And then that crooked, lazy smile of his crawls up his face like he’s trying not to let it show too much.

“Damn,” he mutters under his breath, voice low, just loud enough for you to hear over the soft chatter of the crowd. “You do look good today, shortcake.”

You don’t turn to look at him. You don’t smile. But your pulse stutters anyway.

Inside, the lights are low and flickering, casting everyone in gold.

You find your seats near the front.

You sit first.

Then Michaela slips in beside you, smoothing the back of her dress.

Then Caleb—his thigh brushing against hers, jacket folding as he slouches back with that usual too-cool ease.

And then—

An empty seat. Reserved with a single placard.

SYLUS QIN

You stare at it for a second too long.

The serif font. The clean white card. The space he hasn’t filled.

People slowly fill the theatre, and the chatter dies down as soon as the introducing speech starts. Cheers and laughter are exchanged as the producer welcomes everyone, and soon, lights begin to dim, the hush rippling through the room like a spell settling.

The first flicker of light sears across your vision—too bright, too sudden. You blink, disoriented.

The grainy opening shot bleeds onto the walls, painting everyone in uneven strobes of white and shadow. Your hands curl into the fabric of your dress.

Then you hear your voice.

Just a small line, off-screen. But it makes your throat tighten.

And then you’re there. You.

A glimpse of your face on camera—too quick, too exposed.

Your stomach flips. A cold rush spreads down your back. You shrink into your seat without meaning to.

The flickering continues—scenes switching with sharp cuts, too fast, too loud. Your eyes strain to follow. The glow of the screen presses against your skin like heat.

You feel it in your temples. In the base of your skull.

A thrum. A pressure.

You try to breathe slower.

But there you are again.

In the corner of the frame. Behind Michaela’s shoulder. Walking across the background, smiling as she delivers a perfect monologue.

You’re always there—but never really there.

Never centered. Never seen.

Just enough to anchor the shot.

Never enough to be remembered.

Your heart races faster.

You glance sideways—Michaela is watching intently, chin tilted just so, the soft rise and fall of her breathing unbothered. Her hand rests lightly on Caleb’s arm.

You try to focus on the screen, but the lights are too much now. The images change too quickly. Your skin feels hot. The sound dips and rises, warping in your ears. Laughter in the film echoes strangely, like it’s bouncing around inside your chest instead of the room.

You swallow down the tightness clawing its way up your throat.

Breathe.

You stare at your knees. At your folded hands.

The screen flashes white again—another cut. Another shot of Michaela framed in golden light, eyes brimming with perfectly timed tears.

And just behind her, out of focus—your figure. Barely lit. Barely there.

You curl your fingers into your dress and force yourself to stay still.

Because if you move—if you flinch, if you breathe too loud—it’ll feel too real.

Like this isn’t just a movie. Like your position in the film is just as it is in real life.

Your breath hitches.

Get through this. Just get through this.

But the room feels too full. Your lungs too tight. Your face too visible under the flickering screenlight.

So, with quivering hands, you quickly excuse yourself out quietly, muttering a soft “I need to use the toilet,” to Michaela.

Your fingers brush her arm as you squeeze past, knees knocking against the velvet seat in front of you.

You don’t look at Caleb.

You don’t dare.

The moment you reach the aisle, you bolt.

The darkness of the theater presses in from all sides, but the exit sign glows red—blessedly real, blessedly distant from the version of you being projected for everyone else to see.

You push through the heavy doors.

Out into the hallway.

Into the quiet.

It’s cooler out here. Dimmer. The hum of the projector muffled by layers of walls.

And still, your hands shake.

Your chest heaves.

You press your back against the corridor and squeeze your eyes shut, willing yourself to breathe again.

To stop hearing the lines you spoke, the laugh that wasn’t yours, the way you stood just out of frame.

You weren’t supposed to matter.

You weren’t supposed to be seen.

But seeing yourself just that—seeing yourself as nothing more than a narrative device—knocks all air out of your lungs.

And so you do what you do best in situations like these.

You walk.

Down the corridor. Past posters for old plays and peeling signs pointing to locked rehearsal rooms. The soft clink of your heels echoes against the concrete, sharp and rhythmic, the only sound in the hush that follows you.

Left. Then right.

You take the stairwell without thinking—something about the way the door hangs open, waiting.

Up.

One flight. Two.

You’re not counting. You’re not really anywhere.

Just moving.

The final door gives with a groan.

And then—open air.

The rooftop is quiet. Dimly lit by a few tired bulbs and the soft haze of city lights glowing from below. The wind brushes past your cheeks, tugging at the hem of your dress, the strands of your hair.

You inhale slowly—deeply.

The air fills your lungs and doesn’t choke. For the first time tonight, your chest doesn’t feel so tight.

You hug your arms around yourself, rubbing warmth into your skin as you move toward the edge of the rooftop. The wind tangles softly in your hair. The quiet is heavier than silence—it’s soothing. Honest.

The sounds of the premiere, the echoes of your lines, the weight of Michaela’s smile, Caleb’s lingering glances—all of it stays behind those concrete walls.

But the moment your shoulders finally drop—the tension unwinding from your spine like thread pulled too tight—

a voice slices through the quiet.

“The movie boring?”

You jolt.

And there he is.

Leaning lazily against the railing at the far edge of the rooftop, one hand resting in the pocket of his black slacks, the other loosely curled around a cigarette he hasn’t lit. The wind toys with the edges of his shirt, untucked and open at the collar, the soft fabric fluttering just enough to hint at the warmth beneath.

His silver hair—bright even under the dull rooftop lights—shifts with the breeze, strands falling across his forehead in that effortless way that should be illegal. The city glows behind him, casting shadows across the hard angles of his jaw, the sharp lines of his cheekbones. His eyes catch yours beneath long lashes, amused, unreadable.

He doesn’t move.

He doesn’t need to.

Just the sight of him—calm, crooked smile in place, posture loose like he’s got nowhere to be and nothing to prove—pulls something taut inside you all over again.

Sylus Qin.

Looking like trouble sculpted in moonlight.

And you walked straight into it.

Your voice stumbles out, more breath than word.

“What are you doing here?”

He doesn’t answer right away. Just tips his head slightly, eyes trailing over you in that infuriatingly slow, unreadable way of his.

“Didn’t realize rooftops were exclusively yours now.”

His voice is quiet but laced with amusement, like he’s already enjoying how thrown off you are. The wind picks up, tousling the silver strands of his hair. He doesn’t fix them. Just leans back against the railing again like this is his space now. Like you’ve wandered into his scene.

“I could ask you the same thing,” he adds, gaze settling on you. “Didn’t strike me as the type to abandon your own premiere.”

Your jaw tightens. “It’s not my premiere.”

“Could’ve fooled me,” he murmurs, eyes glinting. “You were in almost every shot. That little background smile of yours really carried the emotional arc.”

You shoot him a glare. He shrugs.

“Relax,” he says, voice dipping just enough to make your skin prickle. “I’m just making conversation.”

And then, without breaking eye contact, he pulls the cigarette back out from his pocket—like he knew exactly when to use it for effect.

You watch as he rolls it between his fingers, slow and practiced, before slipping it between his lips. His eyes flick downward, shadowed beneath dark lashes, as he flicks the lighter.

A soft click.

A brief spark.

Then flame.

He cups the light with one hand, shielding it from the wind, the gesture intimate in its precision. The flame catches the edge of the cigarette, a quick sizzle, and then a curl of smoke unfurls between his lips as he leans back—head tilted, silver hair brushing the collar of his jacket.

He exhales through parted lips.

Smoke spills from his mouth in a lazy stream, rising into the night air.

And for a moment, the whole rooftop smells like sin.

You swallow. Hard.

Because it shouldn’t look that good.

No one should look that good doing something so simple.

But he makes it look like poetry wrapped in gasoline.

Dangerous. Beautiful. Impossible to look away from.

He glances sideways, catching your gaze—then smirks around the cigarette.

“What?” he says, smoke curling past his teeth. “You want one?”

You ignore his question as you cross the distance between you with quiet steps, heels clicking softly against the rooftop floor, until you’re beside him.

Close, but not touching.

You lean forward onto the railing, elbows braced, eyes fixed on the world below. The city stretches beneath you—cars like fireflies, neon signs blinking against concrete, life spilling in all directions.

“Heard you’re pretty close to Michaela these days.”

Words slip out of your mouth before you could stop them—carried off too quickly by the breeze.

Sylus doesn’t respond right away. Just takes another drag, eyes still on the skyline, unreadable behind the soft glow of the city lights and the rising smoke.

“Is that what people are saying?” he asks, voice low, like he’s half-amused, half-bored.

You glance sideways at him, but his expression doesn’t shift.

“She’s been… talking,” you murmur.

He exhales slowly, smoke curling from the corner of his lips. “Yeah. She does that.”

There’s a beat of silence. The kind that leaves your thoughts too loud.

“She seems to like you,” you add, keeping your voice light. “Says you’re funny. Helpful.”

His gaze finally cuts to you, slow and sharp. An eyebrow arches. A slow, knowing smirk tugs at his lips.

“You sound jealous,” he says, voice dipped in something darker. Teasing. Dangerous.

Your breath falters.

“I’m not.”

He hums, low in his throat, clearly unconvinced. Then, he turns—just slightly—enough to face you, enough to make you feel it.

“Could’ve fooled me,” he murmurs, voice barely above the wind.

He leans in, just a bit. Not close enough to touch. Just close enough that the air between you shifts.

“I mean… if you wanted my attention,” his eyes drag slowly down your face, “you didn’t have to bring her up to get it.”

You blink. Hard.

The smirk deepens. He takes one last drag from the cigarette, flicks it to the side, and exhales—

Right past your shoulder, warm and slow, like it was deliberate.

Then he turns back toward the railing, arms resting casually as if he didn’t just turn your pulse inside out.

“Relax,” he says again, voice smooth and cruelly amused. “I’m just making conversation.”

“Fuck you and your conversations.”

“Language, princess.”

The corner of his mouth lifts, slow and smug, like he enjoys your bite more than he should.

He doesn’t look at you when he speaks next—just watches the lights below with that lazy, unreadable calm.

“The deal’s still on, by the way,” he says, almost offhand. “I don’t usually hold my deals this long.”

Your breath catches—but you don’t answer. Not immediately.

Instead, eyes still fixed on the city, you ask quietly,

“What’s it like?”

He glances sideways.

“To smoke,” you murmur, voice soft against the wind. “What does it feel like?”

That catches him off guard.

His smirk fades into something quieter—still sharp, but thoughtful.

He straightens a little, resting his elbows on the railing, eyes narrowed at the skyline like he’s remembering something he can’t touch anymore.

“It’s… warm,” he says eventually. “First few seconds burn. Then it’s just heat in your chest. Makes everything a little slower. A little duller.”

He glances at you again, eyes shadowed beneath silver strands.

“You’d hate it.”

And then, softer—

“You’d get addicted.”

You glance at him, the corner of your mouth twitching. “That confident, huh?”

His smile returns, crooked and slow.

“Always.”

Then—without looking away—he reaches into his pocket, pulls out the pack again, taps it once against his palm.

“Wanna try?”

You hesitate.

Just for a second.

The rooftop wind brushes your skin. The lights below blur like you’re not quite grounded anymore.

“…Okay,” you say finally, barely above a whisper. “Sure.”

His gaze lingers on you for a breath longer than it should—sharp, slow, searching.

Then, with practiced ease, he slips the cigarette between his lips, flicks the lighter, and inhales. The tip glows ember-red. Smoke curls around his face like it belongs there.

He steps closer.

Not fast. Not aggressive. Just… inevitable.

Until your backs are no longer parallel, but aligned.

Until his body is angled toward yours, his hand brushing the railing beside your arm.

Then he exhales—slow, steady—up into the air first, just to show you how.

And before your thoughts can catch up, before your pulse even finds a rhythm, his hand slides around your jaw. Gentle, but certain. Fingers curling under your chin, tipping your face up to his.

“Open,” he murmurs.

And you do.

He leans in—closer, closer still.

Not to kiss. Not yet.

His mouth hovers just a hair’s breadth from yours, and then—

He exhales.

Smoke floods from his lungs into yours, warm and heady and tasting like fire and him.

It hits you all at once—your lips parted against his, the heat of his breath rolling into your mouth, your chest, your nerves. Your hands grip the railing behind you, fingers curling tight.

And just as your knees begin to weaken, just as the smoke begins to burn—

His lips press to yours.

Not soft.

Not tentative.

It’s full, hungry contact—heat and pressure and something sharp beneath the surface. He kisses you like you’re something he earned. Like he knew this was coming the moment you stepped onto that rooftop.

And god, you let him.

His hand slips from your jaw to your throat, thumb resting lightly just beneath your pulse. You feel it hammering there, wild and fast. He deepens the kiss, mouth coaxing yours open further, tongue tracing the edge of your bottom lip like a tease, like a challenge.

You kiss him back.

Harder. Needier. Like you’ve been holding it in.

Like you’re finally letting go.

The smoke lingers between you. In your mouth. Your chest. The heat of it coils through your veins, makes the moment feel reckless, dangerous, electric.

When he finally pulls away, just barely, your lips are still parted—still chasing after him.

And Sylus—

He’s already smirking.

“Told you,” he breathes, thumb brushing your bottom lip.

“You’d get addicted.”

Your breath comes shallow. Foggy. Like you’re drunk—from the smoke. From him.

From the way his voice sits too low in your stomach, too warm in your throat.

You blink, dazed. “What the fuck was that?”

He laughs—low, rich, and dizzying.

“Still want to call it a mistake?”

You don’t answer. Can’t.

Not with the nicotine still curling in your lungs. Not with his breath still ghosting yours.

Maybe it’s the way the air thins between you again.

Maybe it’s the flush that rises to your cheeks when you look up at him and realize he hasn’t stepped back this time.

Or maybe it’s just that dangerous cocktail of heat and haze and the taste of sin still lingering on your tongue.

“I think,” you whisper, eyes flicking to his mouth, “you didn’t teach it properly.”

His gaze sharpens. That smirk falters, just for a second—enough to show the hunger underneath.

“Oh?” he breathes.

You nod. Barely.

He leans in. Slowly. Purposefully.

His hand grazes your waist, his breath brushing your lips—and just when you think he’s going to kiss you again—

He pulls back.

Barely an inch. Just enough to keep you chasing.

His smirk returns, lazier this time. Meaner.

“Didn’t think you’d beg so soon,” he murmurs.

You glare. “I didn’t beg.”

“Mm,” he hums, dragging a finger along your jaw, “Not yet.”

Then—finally—he kisses you.

But it’s slower now. Crueler.

His mouth moves with calculated ease, like he’s studying you. Like he wants to see how long you can last with the tension stretched this thin.

He barely gives you what you want—just enough heat to make your knees unsteady, just enough pressure to make you lean in.

When your hand fists in his shirt, tugging him closer, he lets out a quiet laugh against your lips.

“Impatient,” he mutters, and you feel it—low and hot—right in your throat.

And then he deepens the kiss.

Because he knows you’re done pretending you don’t want it.

And he’s done pretending he doesn’t love watching you unravel.

But in the middle of it all—his fingers sliding under your shirt, your hands fisted in the back of his hair, breaths shared like secrets—

It hits you.

A crack of clarity.

Sharp and sudden, cutting through the haze.

You pull back.

Not far, but enough. Enough to breathe. Enough to speak.

“Why are you doing this?”

His brows knit, just slightly. You feel the shift in him, the quiet tension settling beneath the heat.

You keep going. You have to.

“What will you get out of the deal?”

Your voice is low, but steady. The question tastes bitter in your mouth—maybe because you’ve been trying to pretend it didn’t matter.

But it does. It always did.

He watches you, smoke still clinging to his breath, his thumb pausing on your skin.

And for a moment, he doesn’t answer.

Like he’s deciding what version of the truth to give you.

Like he’s debating if you’ve earned it.

He fully pulls away, the warmth of his body gone in an instant.

You watch as he straightens his spine, smooths down his collar with one hand, runs the other through his wind-tousled silver hair—like he’s putting his armor back on. Like he needs the distance again.

“I’m not playing games,” he says.

His voice is low. Still sharp, but there’s something underneath now. Not heat. Not flirtation.

Something older. Quieter. Worn.

You cross your arms, still catching your breath. “Then what is this?”

He pauses.

You see the flicker in his eyes—a calculation, a hesitation. The part of him that always weighs what to say and what to bury.

Then his lips tug into that same maddening smirk.

“You’re just really pitiful,” he says, voice lazy with mock sympathy.

Your brows shoot up. “Excuse me?”

“Kind of like someone I knew,” he continues, like he didn’t just insult you to your face. His tone is still light, but something about the way he says it—too casual, too precise—makes you freeze.

He doesn’t elaborate right away. Just glances down at the city lights below, cigarette smoldering between his fingers again.

He takes one last drag from the cigarette before flicking it over the edge, watching the ember fall like a dying star.

Then he turns back to you—smirk faded now, voice lower, rougher. Real.

“Let’s just say—” he begins, eyes locking with yours,

“you get to use me to get whatever you want…”

A pause. A slow step closer.

“And I’ll use you to get whatever I want.”

He lets the silence stretch between you, lets the weight of the words hang there like smoke.

“Sounds fair?”

You don’t answer right away.

You just stand there—wind tousling your hair, the taste of smoke still clinging faintly to your lips—watching him.

Watching the way he doesn’t push.

Doesn’t ask again.

Just lets the offer hang in the air like a match waiting to be struck.

Your thoughts spiral—through the flickers of the film, the ache in your chest as you watched yourself play the shadow, Michaela’s bright voice, Caleb’s wandering gaze, Sylus’s mouth on yours, the weight of his hands, the things he said.

And the worst part?

The way all of it made you feel alive again.

Like something inside you had finally stirred.

Like you were tired of being careful. Tired of being quiet. Tired of waiting for someone else to hand you the pen to your own story.

You draw in a breath, meet his eyes.

“Fine,” you say, soft but steady.

“I’m in.”

His smile is slow. Pleased. Like he already knew.

But he says nothing. Just nods once and turns to leave, hands in his pockets, silver hair catching the rooftop light.

You don’t stop him.

You stay there for a moment longer, listening to the echo of your own heartbeat.

And when the rooftop door clicks shut behind him—

You’re still tasting sin.

Still thinking about the deal you just made.

And wondering who, in the end, will really get what they want.

[normalpeopleconfuseme]

Tfa megatron is literally one of my most favorite versions of megs. He is cunning and charming and he knows how to use it he knows how to use his words to make followers out of others.

And theres little you who happens to be a human friend of the autobots maybe when he was still just a head or later in but either way he uses that cunning and charming nature of his to gain your trust to learn more about the autobots through you and when he finds no more use for you he will either destroy you and let you face the fact that you had been betraying your friends this whole time.

What a perfect plan it is....until he realize of how genuine you are.

You are not like the professor as smart of a man as issac sumdac is, he had spent years basically stealing parts of his being to create the massive tech empire he created megatron had spent years offline andnmonths as a head while this foolish human has made use of as a tool.

The very thought of him the great mighty warrior and leader of the decepticons as this humans blueprint leaves a pit of hate within his spark chamber or whatever is left of his spark chamber. He had already planned at least 50 ways of destroying the human race when you came into the picture.

Whatever way you wanna picture it, you are somehow in contact with the sudmacs and the autobots in some shape and form. He sees you as the perfect pawn so get close to saris key and the autobots he figures you wouldnt be too hard to crack a few easy words of how unfairly his decepticons were treated or how he wishes he could return to his autobot friends would be enough to have you puddy in his servos....

That is until he realize you genuinely wanted to learn about the troubles of the decepticons more so the ariel and warframe cybertrionans that make up their masses. The outcast upon cybertrion that were always sent to work upon the most dangerous parts of their planet as fate himself escaped from and rallied the fellow abuse and disgrarged bots to form a new fate.

He knew very little of the human world and care not to find anymore than he had to for his mission. He figures his words would bring you to tears at the very least your soft human heart weeping for the misunderstood party that are the decepticons. What he didnt expect was for you to nodded in understanding instead. "Human beings are victims and guilty of that as well. The ones on charge are so set in their words and truth that dint see the damage that they are creating for the world and how close they are to destroying everyone. I dont have much experience in either party but I do know one that they may say that your exsitance maybe vile but being yourself being who ypu are should never be wrong. Decepticons or autobots should never feel that their exstance is a crime."

You are small weak and organic and yet you came to that conclusion much more quucker than any creature the warlord has ever met before. Your have your sympathy for the autobots because they are your friends and you hate the decepticons on earth only because they are attacking your home but you dont believe that they shouldn't they have a right to live as many other sentient creatures before your speices and long after you perish.

That is how the mighty warlord falls in love with a human being.

Or how I like to think so lol! Hope you enjoyed it at the very least!

[wildstar25]

MiqoMarch Day 10 - Promise

"'Promises are what keep us together.' That's what you said once, yeah? Then let these rings show our promise: To love each other till our dying breaths."

[oceanwithouthermoon]

i really like all the content that comes from this so im not saying everyone shouldnt headcanon this, but i find it funny how many people misinterpret "saiki cant read nendos mind" as "saiki cant use his powers on nendo"

reminder that the point is that he CAN read his mind, nendo just doesnt think a lot 😭

[n7punk]

now ive finished the series im actually going to go on record and say im pretty sure if you enjoyed the owl house or amphibia you'll like jentry chau vs the underworld (its on netflix). it starts a little slow with high school shit but it picks up FAST and gets crazy. honestly felt like a lot more than one season of content in 13 half hour episodes. also its just fucking gorgeous and the music is amazing. and some of the characters suck morally in a way stuff in its bracket can be afraid to do which is fun

[thatsgonnaleaveamark]

this or that - captivity whump (20)

(character believes theyre being rescued but its not actually happening vs. theyre being rescued but don't think it's real)

[eruditic-akechi]

slowly sliding a little paper slip through the slot of the door to your ask box (it is my desperately pleas to hear your daindottir thoughts & opinions. any and all. how did they meet. what is their dynamic. what the fuck did Rhine do to make this man borderline homicidal towards her son. DETAILS PLLLEADE!!!!!)

this is a can of worms that is being opened as we speak I AM SO INSANE ABOUT THEM literally my 6k fic is about them GRAWHHHHHHHH I'm gonna be referencing that a lot because I like it and yeah j;fdaklssjfsafhiojgojgjgijodsgkgfosdkfdfjkewaleroigjorijg

ALSO WARNING YALL NOW THAT I HAVE BEEN PICKING AWAY AT THIS FOR OVER A MONTN (update many months :/)NOW AND SOME LORE BOMBS MAY CONTRADICT MY CANON BUT I AM NOT GOING THROEHH TO FIX THIS RN IDC IDC IDC!!!!!

they first met very young, but it was just a random chance encounter. Rhine, being a child prodigy with alchemy, was sitting on the ground and mixing things together to see what happens. Dainsleif made the fatal mistake of asking someone with ADHD what they are doing, so he listened to her explain as she mixed everything together to make a flower sprout from her hand (like Albedo's character story fjfjdsfhjs). She gave it to him, and he almost got in trouble later because his mom thought he went to the surface while playing😭.

As for when they like,,, met fr fr, I'm making the executive decision to say that Rhinedottir was, to some extent, state-ordained when it came to alchemy. I don't care that perry hairy says that more emphasis was on mechanical shit during her time; she's built different enough that she was probably the exception because if anyone made Khaenri'ah food independent, it would be her. So, one of Dain's baby knight-in-training duties was to make sure she didn't kill herself or others in her pursuits (and other people interested in alchemy were MAD mad about her getting special privileges and recognition so he made sure she left the lab and got home in one piece). Unfortunately, the propaganda and rumors started EARLY, to the point that the whole ass adult knights of the royal guard were too scared to fully show Dain where her lab was. A literal like,,, 15-year-old had them in such a tizzy that they were like, "Uhhh yeah... if you go straight a little longer, it's the first door on the right. Bye now!" So this lil 13-year-old boy was scared shitless, thinking he was going to have to interact with an antisocial monster... just for it to be a pretty girl who may sound like a crazed scientist with the way she talks about alchemy but is otherwise reserved and kind. (And lonely enough that she was excited that she had someone by her side) He really didn't understand why mages and sages AND KNIGHTS were so wary of her.

They hit it off fairly quickly. He looked at her as if she were a normal person and he let her talk about her work. He was patient with her, and cared about her wellbeing. He was her first friend. After getting through a thick layer of apprehension, she was sweet and funny. And she was interesting. So very interesting. (also, between her being an early bloomer and dressing/acting like she was a few years older... she was a pleasing sight in his pubescent eyes😔 it didn't help that she was also considerably taller than him for a good while... his eyes were at the perfect height if ya catch my drift) Their friendship came to be so naturally that they didn't even realize how close they had gotten over time. Dain was eventually assigned actual duties, but he still made sure she got home safe, and spent most of his breaks in her lab. Some nosy neighbors claim that they stopped seeing him walk back after dropping her off,,, not that they'd ever admit to that.

Dainsleif caught feelings very early on. It started as purely physical attraction, but the more he got to know her, the more he was drawn in. ESPECIALLY after she started trusting him more than anyone else, seeking him out for comfort, and indicating that she misses him if he has to be gone for periods of time. Alas, Rhinedottir seems content with the current state of their relationship, so he doesn't confess out of fear of scaring her off.

LITTLE DOES HE KNOW she's also whipped, even if it did take considerably longer. She'd never say anything because she thinks she fell for basic human decency, and she'll never admit it, but she's scared of finding out that she finds people more important than they find her... maybe he's just being nice, and here she thinks she has a chance. So, she keeps quiet as well, even as these newfound feelings make her feel like the little girl she was never allowed to be. She has such a schoolgirl crush on him, quite literally giggling, swooning, and kicking her feet as she smiles into her pillow on the nights she does end up alone because she'd never let anyone actually see her like this. It's obvious to literally everyone but them that they love each other. Anyone can see the way his gaze softens when it lands on her, and literally who else is allowed in her lab unannounced and faces no consequences? At some point, she meets her only other friend, Alice, and all of these things are the most obvious to her. She wants to strangle them both for being oblivious. Alice is the #1 wingman, but it flops every time 😭😭she literally gave homeboy some of the flowers she brought for Rhine to study for the sole purpose of giving him a way to be romantic, but they both became too awkward.

After multiple years of friendship growing into a very thinly veiled romance, they became friends with benefits, which made things easier for them because they could put off the big scary feelings talk a while longer. But Alice flipped a lid after seeing marks on Rhine's neck because she thought they finally confessed, but noooo, of course, they only skirted around the issue. Then she tried to pry details out of Rhine... she was obviously only innocently asking about her best friend's sex newfound sex life,,, (she was partly genuinely curious in a friend way, but she also had a crush on her by that point)

Literally everyone else thought that they had been dating for years, and after a while, they stopped correcting people unless they had to, which, when paired with Rhine being shameless at times and not particularly trying to cover up her battle scars, REALLY had people thinking they were together.

Idk the exact circumstances in which they actually started dating,,, like I've changed my mind on when it happened far too many times, but surprisingly I think it was Rhine who actually started the conversation. She accidentally blurted out "what are we?" and the rest was history.

AND now that they were finally officially together, everything felt so much more different than before, even when nothing really changed all that much... they WERE practically dating since they were teens,,, but the officiality of the label was nice :) the (relatively) short time they were actually together was the best time of Rhine's life because she had someone to love, a best friend, she always had her apartment AND food on the table, AND she was able to do her alchemy with very loose reins as long as she showed some agricultural progress,,, which allowed her to put a lot of her work energy into her own personal endeavors! Including making a son the only way she could have biological children! and obviously he knew full well about her,,, situation,,, so he was cautiously supportive of her research because he figured she knows what she's doing,,, tbh he was probably also excited when she got to the homunc stage because she said she was gonna make it as close to a natural human as possible, which meant having two DNA sources,,, and she couldn't even provide all the ingredients herself :/ so!! they were gonna be parents together!!! [if i talk about alchemical stillbirth anymore tonight I might get assassinated so yeah... but that happened and rhine was DEVASTATED she had a full breakdown. it was kinda scary for both dain and alice to witness. then they fed him to durin as a badass funeral because he deserved it for progressing MUCH further than any other attempt (project paper doll thoughts are starting to seep into this i hear the guns cocking)] then they try again with albedo and even though he was successfully "born" his father never got to see him out of the flask :/

BECAUUUUUUSSSEEEEEE the whole time Rhine was messing with abyss and forbidden knowledge juices and was becoming increasingly unwell and unstable. but she was able to hide her (increased) mental instability up until immediately before the cataclysm. HOWEVER COMMA, her continuously declining physical health was a different story. He had to watch as she developed a cough, which would only get worse and worse, and weird dark "rashes" on her arms that would occasionally make it difficult for her to use them, and she would always refuse to go to the doctor (because she knew what was causing this. and the doctors hopefully wouldn't). Eventually, she'd be coughing up blood from the force of her cough, the rashes on her arms would spread and get a more scaly texture, she'd be in pain more often than not, her general mobility suffered, she'd get headaches and migraines randomly, and even the occasional fainting spell, but she was determined to take care of it herself. Then the cataclysm happened. During that time, Albedo was born or hatched or whatever, and Dain really wanted to see his son at least once before he was called down to fight against the gods, but by this point Rhine was completely delusional. This time around, forbidden knowledge exacerbated both her work related desires and her desire to be a good mom, but she started to believe that EVERYONE was out to hurt Albedo and only she could protect him, so she refused to let anyone even near her lab when, even just a few weeks before, both Dain and Alice were allowed to see eggbedo. Their last interaction was them fighting over if he should be allowed to see HIS son, but even though he was frustrated with her, he felt bad for her. She had such a wild, fearful look in her eyes, almost like a mother beast protecting her young. She was actually afraid of something happening to Albedo, and it was a level of fear he had never seen from her before and he knows she's gone through some SHIT! He's literally seen, in real time, a trauma response panic attack from her and even then she conveyed less fear than she is right now. He leaves her alone. The next day, she's gone. All the necessities from her place are missing and Albedo is gone too. Their last interaction was an argument. They never got to say a proper goodbye... they didn't even know if the other was alive for quite a long time. It'd make sense if either of them did die... Dain could've died in battle before the curse, and the heavens could've seen Rhine as too much of a risk to keep immortal.

but yknow,,, 500 years pass and Dain has been known to prowl mondstadt at least a few times,,, and he somehow knows everything. so he heard rumors about the new alchemist with the knights whose name is Albedo. and he just Knows. Firstly from the name, because Rhinedottir is uncreative with her names and the first of any of her phases will be named after their stage (Durin was named Nigredo agenda!! it somehow became durin after the cataclysm. Dain was allowed to pick Elynas's name since she was out of ideas). Secondly, who else would be able to completely change the way alchemy was viewed and talked about except for the offspring of the woman who did the same 500 years prior? He doesn't seek him out because he has no idea what Rhine has become since their last encounter. Does Albedo even know he has a father (no.)? Did Rhine feed him lies about other Khaenri'ahns? Dain didn't want to start a fight or worse... clearly she had taught him her methods, he figures as he watches, from a distance, as Albedo sprouts a flower from his hand the same way his momma did as a girl. He fears Albedo could bring about a second cataclysm if he's not careful with it, and as they say hindsight is 20/20, so he knows what to look for. He has learned that Rhine's illness was from her tampering with the abyss and forbidden knowledge. He also, unknowingly at the time, watched as his own brother and his brother's friends became more and more lured in by the abyss, so he's seen the range of its impact. He keeps his eyes and ears peeled for the first sign of Albedo falling down the same path because, as much as it would hurt him to hurt his own son, he will dispose of Albedo before he can repeat what his mother has done. He can't lose another family member to the abyss.

[thedrotter]

Re:Kinder Fun Facts of the day☺️!!! Have you ever wondered who talks the most from the main cast in Re:Kinder?? Well, I did😊. Today I'll be answering this question with some graphs and as a bonus telling you what words each character uses the most! I will warn you, this will be a bit long and I don't know how to be less verbose so, yeah!!!

First, I've made some basic rules as to what I counted regarding how much the characters speak. Not all lines really count as speaking, after all.

Any of the incoherent screaming lines don't count. There's a lot of screaming since the characters die a lot (as expected for a horror RPG game), but I don't really count that as speaking unless they're saying proper words. In that same vein, I didn't really count any of the panting or sniffing and such that are conveyed through words. Again, I don't really see that as a character actively speaking their thoughts!

If I cannot tell who a line belongs to, I will not give it to anyone. This happens for certain lines, so I felt this rule was important.

I won't be counting repetitions of the same line if it's on a variation of the same scene. This may sound a bit strange, but when a character dies, the game goes on to the same next scene it would regardless (unless the scene that follows it is an ending), with variations and new lines here and there to account for the dead character, but a lot will be reused and placed in the exact same beats it normally would have been in originally. So, this rule is here for that. Oh, and also the scenes with bits of Yuuichi's backstory that appear in Shunsuke's head won't be counted twice, because some appear twice line by line.

Of course, the "..." lines won't count. I am so sorry Aya!!!!😞

Now that the ground rules have been set, there's just one thing I want to mention. Though I will count all the total lines for Takumi and Yuuichi like any other character, I just want to mention that first I will have two separate counts for them! Takumi | Takumiel and Yuuichi | Yuuichi's Heart respectively.

Takumiel is separate because I was curious about how much Takumi spoke as an archangel compared to when he was alive. Yuuichi's Heart is because he speaks so much he feels notable enough to be given his own division, even if he and Yuuichi at the end of the day are one person

(I count the silly mind telepathy where Shunsuke is being directly spoken to [and being told things normal Yuu would avoid saying at that point] and the comical theater as Yuuichi's Heart. I clarify in case one assumes he only starts being counted the moment he's directly labelled as Yuuichi's Heart. Any line that can't be distinguished between Yuuichi's Heart and Yuuichi will be given to Yuuichi by default.)

With nothing else to be clarified let's get to the numbers!!!😊😊

First, the line counts with Takumiel and Yuuichi's Heart counted individually!! Here are the rankings:

Shunsuke (With a lead of 535 lines over second place!!)

Yuuichi

Rei

Yuuichi's Heart

Hiroto

Ryou

Sayaka

Aya

Takumi

Takumiel

You may be thinking— woah, does Shunsuke really speak that much?! You could say that, for a good chunk of those lines are from how he describes interactable points around the map and his inner thoughts, so they aren't all exactly said out loud. The benefit of being the protagonist, I suppose ww

Funny enough, Yuuichi's Heart has almost as many lines as Yuuichi does for not having that much time in the game, being on the higher end between the characters that don't get the benefit of being a protagonist (lol)!

Admittedly I had expected for Rei and Hiroto to have a more similar amount of lines given their nearly equal amount of presence, but for what it is Rei surpassed Hiroto by 51 lines! I also had expected for Takumiel to speak a little bit more than Takumi but turns out the opposite is true.

While the lack of lines of Takumi and Takumiel are to be expected due to their short time on the game, what stands out is Aya not even reaching triple digits between her other peers who are in there for most of the game. This is because a good chunk of Aya's lines in game are silence!^^" And thus weren't counted. If ellipses were a word, she surely would have reached triple digits, but unfortunately they're not.

Now the line count with combined sums of Takumi | Takumiel and Yuuichi | Yuuichi's Heart!!!

In here, the ranking isn't affected, with Yuuichi remaining second place and Takumi being last place. But the disparity of everyone's numbers compared to Takumi's feels a bit more clear to see when Takumiel isn't individually counted.

With Yuuichi's line counts combined, Shunsuke remains 318 lines ahead of him, but it also means Yuuichi has a 59% the amount of Shunsuke's lines; and impressive feat for someone who doesn't get the benefit of being the point of view for everything you press... Although he does also have an upper hand over everyone by essentially being the plot of this game ww

But maybe line counts do not suffice to tell how much a character speaks. Yes, Shunsuke has a bunch of lines from everything he interacts with, but is it really reliable to say he speaks all that much in all those lines? A good chunk of those could easily have 3 words each! So with this in mind, let's do a word count.

Even in a word count, Shunsuke has the lead, having a lead of 2,247 words over second place. But we'll see about that when we combine Yuuichi's numbers. Anyway, here's the ranking!

Shunsuke

Yuuichi's Heart

Yuuichi

Rei

Hiroto

Ryou

Sayaka

Aya

Takumi

Takumiel

This time, Yuuichi's Heart is the one at second place!!! It's pretty funny that he speaks more than his physical counterpart ww. I genuinely didnt think he'd out yap himself that way when I chose to count for him individually 😭!!! He has a lead of 63 words over himself, but a lead nonetheless.

In here, Rei and Hiroto are more even than in the line counts, with the difference seeming more minimal when put into words. But it also showcases that despite Rei having more lines than Yuuichi's Heart in the line count, those only get to have a bit over half of the amount of words he talks (To be fair he does get to infodump a lot in his section of the game).

And here's the combined word count!!! Suddenly Shunsuke's lead is only by a mere 55 words! So Yuuichi speaks about as much as he does with 318 less lines.

I must admit that I genuinely did not expect it to be that close. When I chose to count the lines for when you interact with things for Shunsuke, I thought he was granted to speak an absurd amount more than anyone else. But turns out that Yuuichi speaks about the same amount out loud when most of Shunsuke's are his own thoughts ww. But it does make sense! He is still the plot of this game.

So, after all those charts, here's the average/middle point of lines and words for characters to have, because why not, it's fun.

Average Line Count (YH and Takumiel counted individually): 197 lines

Average Line Count (When combined): 247 lines

Average Word Count (YH and Takumiel counted individually): 1,333 words

Average Word Count (When combined): 1,666 words

So there it is. That's how much the characters in Re:Kinder speak!

But wait!!! I am not done. I will share with you an additional fun fact... Did you ever want to know what word each of these characters said the most?! This one will be quicker, I do promise.

When it came to counting these words I did not count stop words, that being common words that are used all the time by everyone in English. "I, you, me, the, to, a, my, your, yes, no"... Words like that! Otherwise everyone would have one of those as their most said word and it'd be rather boring to look at. With that said, here are the words these characters say the most!

Shunsuke: Yuuichi - said 40 times! (this genuinely confused me so much im sorry he uses interjections so much I had expected it to be something like "huh" or "um" but no i dont know how this passed by me as i was rounding up all the lines he says or proofreading or writing all of those lines WHAT?!?! its been two days and it still takes me out)

Ryou: Shunsuke - Said 14 times

Sayaka: Murderer - Said 7 times (All in one sentence!)

Takumi | Takumiel (counted in one for how little he speaks.): Takumiel - Said 3 times (That name is so important, he said it thrice.)

Aya: Sorry - Said 5 times

Rei: Hell, gonna, look, Yuuchi - said 8 times (Most of the repeated words she says are stop words for she doesn't tend to speak about the same things repeatedly.)

Hiroto: Shunsuke - Said 17 times

Yuuichi (separate from YH): Problem - Said 17 times

Yuuichi's Heart: Mama - Said 24 times

Yuuichi (Overall): Mama - Said 31 times

So that is finally it. That is the fun fact of today.😊😊 Use this to woe your friends at parties!!!

I am aware Mami speaks about enough to be counted in, but this is pretty time consuming to do and I'm not sure anyone is invested on her enough to count her in. But if there's enough curiosity regarding that, I'll try counting her in. But for now this suffices.☺️ Thanks for reading!

[chrliekclly]

forever haunted by my xperience wherein i got a screener copy of s12 b4 it aired and on it they had the gang tends bar but NOT hero or hate crime so when mac very casually says 'i think its bcuz im gay' i launched to my feet in shock, very nearly threw up, and then couldnt say anything to anyone FOR 6 MONTHS!!!!

[hana-bobo-finch]

a strange trend in my favorite characters I realize is that I tend to heavily gravitate toward somewhat obscure, antagonistic forces

[vodid]

i have moments sometimes where i'm like. what the fuck is my online name. what even is that. because i become aware that that is not in fact my actual name and is just a random two syllable sound i thought up for transformice in 2012 when my old username, megamonster, was taken. what is my name.

do yall look at my name like this too? or are you of the "void/voided" crowd

[thatimageoftomscott]

there’s a few pics of gary’s cats on insta and maybe twitter (i think when sooty died? there was a pic of her on twitter? and then when he got salem he posted about him on insta)

awww ive gone through garys instagram at least once but i dont remember a single thing about it rn im afraid. off to refresh my memory ig !

[ploverbear]

part of me still feels like i might be sort of genderfluid and/or bisexual but just traumatized about it. no idea anymore

[cerealmonster15]

Hi Cereal! Hope

Your day is going well so far! 9 and 15 for the fic asks? :)

HI ISA THANK YOU!!! i was waiting til i got home to answer!

9: How did you get into writing fanfiction?

I can't really remember EXACTLY, but back when i was a child in the early 2000s days of internet and on neoseeker forums, i liked seeing stories people would write in the forums dedicated to more creative things, be it fanfic or original stories. i read fics on ffnet, and my cousin even wrote some harvest moon fics that my other cousin and i would read and talk about lol. honestly it always comes back to harvest moon; i liked reading and posting in the threads/forums for harvest moon fics/roleplays [they were BAD bc i was like. 10 years old more or less lol, but i had fun and no concept of what good writing meant]

i don't really remember what got me into writing fics again more """seriously"""" when i got a little older. i never made a ffnet account despite reading and commenting anonymously for a good few years, and i dont remember how or why i made an ao3.

i was under the impression that rvb was what started it, but i remembered recently that like. i KNOW i wrote some homestuck oneshots back in the day. i very specifically can recall a silly croxy oneshot i wrote, but it's nowhere to be found on my ao3.... and there's even evidence of me having done a homestuck secret santa fic swap bc i have one in my gifts from someone and im p sure thats what it was from. so like, i THINK i mustve made ao3 during my homestuck era [bc that came before rvb; i got into homestuck in high school and i didnt know rvb until i started college] but i guess at some point i got embarrassed about my old homestuck fics and deleted them? which i dont really remember doing, so i have no idea when that happened lol. that or i only ever posted them on tumblr.... if i even posted them here? idr!

anyway. tldr: it always comes back to harvest moon / video game forum neoseeker / in general i just get possessed by The Madness and have to write it down. thats what drives me more recently lol.

15: Does anyone you know in real life know you write fanfiction?

jdkfhsklg. there's a small handful of people from irl that follow me here and i do cross post my fics to tumblr so i'd imagine yes, but none of them are into twst which is currently the only thing ive really been writing fics for these days. i also get too embarrassed if i think about it too long so i like to pretend no one knows LOL please dont perceive my antics....

but also when i got BACK into writing fics after like a year or two of not writing anything, when i started writing twst fics, i was just writing them in word docs and sending them to my friend over discord based on our inside jokes and au brainstorming we used to do in the dms bc we got into twst together and there wasnt really much of an eng fanbase back in the early days. and i still send her the google doc links when i write them even tho we dont really talk twst aus like we used to lol. ill just be like "i had an idea / ive been writing this a few weeks here" and then i go put it on ao3 lol jsdklhgksjd shes an irl buddy, so not on tumblr or ao3.

and then my partner. he knows. and he also knows everything i do in life makes me feel irrationally embarrassed so we often joke that my doodles and fanfiction are like, the biggest sin in the entire world. he'll jumpscare me in my room and i slam my laptop shut and hes like 🧍 what are you doing. you better not have been in the google docs. what da hell were you writing 🧍 but he also doesnt know twst outside of what ive told him / random stuff he makes up to try and get a rise out of me lmao so he's never read them. but he knows i write them.

aside from that. NO. and i would like to keep it that way fjksldjfklsjg only people that i think will be cool about it can maybe know and even then im. shy. fjsdklfjskldhlksdjkfl like it's hard enough posting my fics HERE!!!!! the second i hit post i get anxiety jitters and need to go walk around to distract myself from the everything.

i love talking for 900 years to answer 2 questions LOL

[question post🧡]

[widevibratobitch]

laalalalala another vent post because i have no therapist to pay for listening to my bullshit

[5-htagonist]

i read the hunger games books multiple times over as a kid, and i didnt like katniss' ending at first, bc my hyperlexic ass could read the words long before i could REALLY Comprehend the concepts, but as soon as i got a firm understanding of aromanticism and trauma and and etcetc... i like it a lot now