I think if you're going to ship Farcille (or Senchuck, for that matter,) within the realm of canon, then you gotta admit to yourself that it's going to be a little weird.
Falin and Marcille met when Falin was 10 and Marcille was the equivalent of someone in their 18-19-early 20s. It gives "elementary student gets a crush on the TA." And even when Falin is grown and in her 20s, Marcille says that she still sees her as a kid. It is a running gag in the series that even after learning Chilchuck's true age, Senshi still thinks he's a young child and feels the need to protect his innocence.
It's a whole thing in-universe that most people of long-lived races are icked out by the thought of having a relationship with someone from the short-lived races, since they experience time and aging so differently. And some people from the short-lived races see this as discrimination against them. You can't poke fun at Otta and call her the Leo DiCaprio of Dungeon Meshi while erasing the same in-universe societal constructs for Farcille.
I like the ship too! I just think it would be so much more interesting to examine how these things would affect their relationship rather than just pretend that canon doesn't directly address it.
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New Mature Content Warning Overlay (And How to Get Rid of It)
More fun community label "features"! Unlike the new mandatory label for #NSFW, this one is a bigger deal to me because it affects my entire blog and it can't be avoided by just using a different tag.
Apparently on custom blog layouts, if you happen to post or reblog even a SINGLE post that's been flagged with the mature content community label, a full-page warning overlay will appear blurring out your entire blog that must be manually clicked through every single time the page is refreshed. At first I thought this was just a bug due to my older layout but I've come to realize it's not. It's a feature (as confirmed by this recent changes post) that affects all custom themes. The formatting will vary based on your own theme but here's what it looks like on my blog:
I don't know about you but I find this is stupid and annoying. If it could be dismissed once and never seen again that might be one thing, but that's not the case. The vast majority of my blog is not "mature" enough to warrant such an aggressive and invasive warning. I also think pop-ups are obnoxious in general and I'll be damned if tumblr's going to force me to have one on MY blog.
After some desperate googling for a known workaround and being unable to find even a single mention of it, I decided to take on the challenge myself. I'm not a theme coder, so apologies if there's a better way to do this, but luckily it only took me like 10 minutes to figure out a simple fix, which I'm now sharing with anyone else who may want it:
.community-label-cover__wrapper {display: none}
Just copypaste that somewhere in your CSS and goodbye pop-up!
If you're not sure how to access your theme code, check out this help article. You can also add the code via the Advanced Options menu, which is actually even better (if you can get it to work, it depends on how your theme was coded), because it will then automatically be reapplied to a lot of themes without having to remember to manually add it every time if you change your theme in the future.
Obviously this will only remove it from your own blog for anyone who may visit it. If you never want to see this warning again on other people's blogs you can also add this custom filter to your ad block:
tumblr.com##.community-label-cover__wrapper
Unfortunately I do not have an easy tutorial on hand for this one as the method will depend on your specific ad block app or extension.
Some additional notes:
After adding the theme code and saving the changes, give it a minute to update as it sometimes takes a little while for the page to refresh.
The warning overlay only seems to appear if a "mature" post is on the FIRST page of your blog, which is still annoying and makes the whole thing even more pointless and stupid because what if someone visits any other page of your blog, and oh no, happens to see "mature" content they weren't warned about?!
The warning also appears on direct links to "mature" posts.
This hack has NOTHING to do with entire blogs that have been flagged as NSFW. It only works for non-flagged blogs with custom themes that happen to have individual "mature" posts.
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asking and receiving (bonus below readmore)
[ID: A black and white, digital Trigun comic of Vash and Wolfwood. In the first panel is a close up of Wolfwood's mouth as he says, "Vash". Accompanying it is a close up shot of Vash's eye, widen and cheeks flushed. Wolfwood presses a knee against the open space between Vash's legs and says, "Tell me everything you want from me." Wolfwood's face is equally as flushed. He continues to say, "I'll give it to you. Everything." As he talks, a wide shot shows the both of them in white space. Vash is sitting, leaning a little back with both hands pressed against the surface he's sitting on. Wolfwood is in his white dress shirt, stripped of the blazer. He's still leaning in with one knee in between Vash's spread legs, his right hand touching Vash's lips and his left hand behind his back.
The shot closes in on Vash's mouth and Wolfwood's hand against it, pressing down on the lower lip as he says, "You have to ask though. Go on." His hand moves down to Vash's chin, gently holding it. With a shy and uncertain expression, Vash hesitantly asks, "Um... K... Kiss... Please?" Wolfwood, without wasting a second, leans in and kisses him and indulges by pressing deeper, eliciting a small noise of surprise from Vash.
Wolfwood moves away from Vash first and with a smile, asks, "What else?" Vash tugs on Wolfwood's left sleeve, wordlessly budging Wolfwood to give him his hand that was still behind his back. In the next panel, Vash utters, "Hold me..?" He's holding Wolfwood's left hand with his own while his right hand is reaching for his waist. Wolfwood complies, moving his left hand to Vash's shoulder and his right hand continues to touch Vash's cheek. Wolfwood asks again, "What else?"
More comfortable now, Vash leans in to kiss Wolfwood. Wolfwood catches him immediately, pressing his thumb against Vash's lips to stop him before demanding, "Hey. Ask." Vash looks back in surprise and Wolfwood meets his eye with a quiet, insistent look. They're quiet for a moment before Vash leans in again and curtly requests, "Kiss. Me." Wolfwood says "Good", smiling as he lifts his hand away, and meets Vash's lips. In the next shot, Wolfwood had adjusted his position, sitting on Vash's thigh. The hand that was once on Vash's cheek has moved its way to Vash's nape, pushing away the collar of his jacket with his pinky. His other hand continues to grip on Vash's shoulder. Still kissing, Wolfwood asks again, "What else?"
In the next shot, Vash is starting to turn, moving Wolfwood with him. Vash asks, "Let me on top of you?" Wolfwood says, "Mhm" before asking again, "What else?" The next panel shows a close look of Vash's face. He's looking down, flushed and shy just as he had been at the beginning, but now, more decisive. Vash asks, "Wolfwood... Let me have you..?" A panel of Wolfwood taking Vash's hand into his, pulling it towards his chest. The next panel shows Wolfwood lying down where Vash had laid him. Vash's hand is on Wolfwood's chest, covering the cross of his rosary while Wolfwood's hand lingers against his, loosely pressing Vash's hand in place. He looks up at Vash with a shy smile of his own, flushed cheeks. He says, "All yours."
A panel shows a close up of Vash's tender gaze before he leans down to be closer to Wolfwood. The final shot is a front view of their positions, Vash's face turned away from the viewer; Vash is leaning over Wolfwood who's lying down with his right leg draped over Vash's legs. Wolfwood's left hand holds onto Vash's left arm. With finality, Vash says, "...Mine." End ID]
[ID: A follow up bonus comic in a looser, sketchier style. They're laying comfortably in bed when Vash asks, "What was that earlier?" referecing to the start of the previous comic. Wolfwood glances away and says, "To get you used to it. Asking. And getting what you ask for. Since you're alwasy hesitant about it." Vash's eyes widen, tight lipped. Wolfwood continues, "Knowing you, it'll be a tough habit to break..." When he says this, Vash can't help but laugh, unable to deny it. Wolfwood slowly brings a hand to Vash's cheek and continues to say, "So I'll keep trying -- whatever ways I can... to get it through your thick skull." Vash takes Wolfwood's hand with his, kissing the the palm gently. Wolfwood's eyes soften and holding onto Vash's cheek, he leans in to try for a kiss. Vash says, "Hey..." before stopping Wolfwood's lips with the back of his hand, a smug look on his face, "Ask." Wolfwood's embarrassed and with little irritation, asks, "Really?" Vash smiles, saying, "You're in need of practice too." They pause for a moment, Wolfwood looking contemplatively, before he's leaning in again, asking, "May I please kiss you?" Vash looks him in the eyes and says, "Yes." The comic ends with a "chu", indicating an off-panel kiss. End ID]
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greedling is such a fucking funny combo of characters. like. greed is a pathetic little meow meow trying really hard to look like a cool dude who knows what he’s doing. and ling is a cool dude who knows what he’s doing pretending to be a pathetic little meow meow and they’re both in the body of a fifteen year old
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i just know these bitches freaky asf !!!!!
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Watching weirdos on twitter miss the point of RGU so hard they actually start thinking BACKWARDS about it is so insane to me like did we watch the same fucking show how r u gonna sit there and say with your whole chest that ANTHY is the problem and that what happened to her and Utena wasn't assault and abuse how are you going to look me in my big gay eyes and say that Utena CONSENTED to everything Akio put her through? SHE'S A CHILD? THOSE ARE CHILDREN? How did you miss the entire point of the show how did you look at a show that gives you victims who act morally grey for their own survival due to their circumstances under the patriarchy that harbors a systemic cycle of abuse and go "actually THEY ARE THE BAD GUYS" instead of realizing that the entire point is that the cycle should be broken and everything that's been occurring to these characters was detrimental to their health and perception of healthy and prosperous relationships. How did you look at Akio fucking Ohtori and go "he was right and good actually" did you just have your eyes fucking closed for the last five episodes or something are you fucking stupid be honest
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Man, I want shapeshifter cap SO BAD.
I want to see a Billy that really leans into the wonder of the world, the million paths a child could take in their life.
I want to see a Billy that wants to try everything, at least once.
A Billy that looks at all the people who spit at him, deride him, pity him, dismiss him, ignore him, because he has no future, no prospects, a child in the gutter and say no. I'm going to grow up to be whoever I want to be.
And a captain marvel that says you're going to be amazing.
Billy taking the premise of captain marvels form - his ideal self, a blank slate for Billy to paint his bright colours, the person he wants to be deep inside - and dialling that freedom up to eleven.
A dancer, a dinosaur, a train conductor, a tiger, an ice cream maker, a butterfly, an astronaut, a shark, a college student, a Tamaranean, a mouse, a scuba diver, an elephant, a doctor, a moose, a race car driver, a dog.
A child wanting to see the world.
If you want to find captain marvel, well first you've got to try his comm, probably a couple times.
Then you've got to go to fawcett, hope he's there and not saving the yetis from a salamander invasion in a different dimension.
You've got to ask around, because it often goes by word of mouth here, no matter what technology you bring. Don't worry, it'll spread very quickly, but if you're in a hurry you can find his commemorative statue and leave an offering. No one knows if it really works, but it's a good way to pass the time and feel productive.
Soon, a face will peel out of the crowd. It's always familiar, but it's never the same one.
Wait for the flash of lightning in a cloudless sky.
And then you will find captain marvel.
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Something something professional artist jargon something something insert art knowledge here—whatever I want to talk about the book covers
So you’ve got Eragon, with a 3/4 portrait of Saphira; she’s giving a benevolent side eye with almost a Mona Lisa smile, she’s got that gleam in her eye, she’s looking at you but not head on—listen, this was the whole reason I picked up the book in the first place when I was eleven, she was so clearly full of life and personality and I just really wanted to meet her. It’s a really good glimpse of her character before even opening the book. She’s engaging you, but also maybe judging you a little bit, and she has a lot of thoughts but she’s going to keep them to herself for right now, thank you.
We’re skipping Eldest for right now because I have a point to make. Shush.
For Brisingr, we get a perfect side portrait of Glaedr, the grumpy old man. He’s not even side-eyeing the viewer like Saphira does; he is eyes forward, goal-oriented, noble and regal and, unless you’re worth his time, not really going to bother with you because he has Important Business to attend to. He is The Last of the pre-Fall dragons, his Rider is The Last of the pre-Fall Riders, he represents a bygone era that will never fully be resurrected, but can still inspire the present to fight for the future; he is no longer fully his own dragon, but a Relic, a Memory, a Symbol. He’s not anxious about it the way Eragon or Saphira might be; he has grieved for a century, he couldn’t be anxious about it if he tried. But he knows that keeping his integrity intact is important, and so this is how he presents himself: Noble. Regal. The Survivor. The Last.
Fírnen graces the cover of Inheritance, bookending the original series by almost perfectly mirroring Saphira—and seriously, it is so satisfying to line the books up with these two at the ends. Though he’s got a 3/4 profile like Saphira, Fírnen is much more reserved. No Mona Lisa smile, no mischievous gleam in his eye; he simply looks at you, and you look back, and you wonder what he’s thinking. He is, in fact, a lot like Arya—anyone who’s read the previous three books up to that point and hasn’t been spoiled for the ending might be able to guess, just from this portrait, who the final egg would hatch for. It’s also a perfect expression for the Final Book, with the fate of Alagaësia and the dragons hanging in the balance: what world does this mysterious dragon emerge into? A war-torn apocalypse? A hard-won victory? What does his future entail, and thus, what do the futures of our favorite characters entail? You ask him so many questions, but all he will ever do is stare deep into your soul with his somber, too-knowing gaze.
And now for the main event:
My beautiful precious son, the red-scaled Thorn, staring you down from the covers of both Eldest and Murtagh. I have loved the cover of the second book ever since I first picked it up, and my appreciation has only grown with time; needless to say I was very excited when the Murtagh cover dropped, and I got to see both of my favorite characters in one place. For both of these, Thorn takes the same stance: a full-frontal combative position, looking You, The Viewer directly in the eye, daring you to judge him, daring you to get in his way. I’ve always had my own opinions about what lay behind this show of force, and the context we get in Murtagh does not disappoint. He may be terrifying, he may be the scourge of the war, but underneath all that, Thorn is terrified. He’s traumatized, he’s claustrophobic, his body is too big for his age; he is painfully young still, and yet treated like a dragon ten times his age because that’s how he looks. He’s also sweet, and playful, and cares so much about his Rider, and wants desperately to keep Murtagh safe and happy. Just like Murtagh, he hides all of that—the fear and the softness both—behind a visage of ferocity, playing into the fears and preconceived notions people have of him, warning enemies away so they can’t get too close to what will actually hurt him. He dares you to try. He’s terrified you will try. He will fight tooth and nail if you do try.
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Too many people want tsukasa to be viewed as socially cool. I think we need to accept that the only kind of cool wxs member is emu who befriends idols joined like 400 clubs and knows almost everyone. Emu has a million friends & most of the lines other characters have abt her are like “emu :)” meanwhile the lines abt tsukasa are all like “he is so weird.” & you want to pretend he’s cooler than her… be so serious…
Nene is also Lame & Rui is only cool to other nerds (gestures at pandemonium npcs). Crucially Tsukasa is an annoying theater kid. No annoying theater kid is popular or cool in highschool. It is central to his character and him being a weirdo who (canonically!) gets no bitches & yet somehow knows major celebrities is one of the funniest and most endearing things about him. Guy who in canon goes to school and people are like “it’s this weirdo again (sees he’s with rui) oh fuck oh no.”An (friends with everyone) & Akito (guy on sports teams) are the only cool characters at Kamiyama.
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[jigsaw voice] hello pink floyd fan. you have ten minutes to draft a post speculating about what happened to syd in a way that neither exaggerates nor dismisses the role of mental health and/or drug abuse in his departure from the band while simultaneously acknowledging his personal agency without reverting to either unfair blame or ableist infantilization. if you fail to write something sufficiently nuanced that does not ultimately contribute to his unsolicited martyrdom this brick I've tied on a string to the ceiling fan above your head will swing around and probably kill you eventually idk give it a few rounds
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I personally really could not give less of a fuck about genderswapped ruikasa because first and foremost imo I think people just do it to get yuri warrior points instead of actually caring about female characters/wlw relationships. however I also dgaf because I think people do it in the most boring way possible without thinking about how tsukasa and rui’s personalities would impact how they present themselves as girls.
Tsukasa is so incredibly determined to be seen as a reliable mature older brother figure to the point where he dresses in an incredibly stuffy and boring way & has stripped his room of anything childish (& anything with personality). She would not dress super cute & girly. she would want to be taken seriously (& you should be able to be taken seriously wearing fashion like that but I’m not getting into that rn) & be viewed as anything but childish. She would not dress like Saki she would dress like she worked at a library or something. Her fashion would still be boring. Integral to the character.
I have less to say abt rui because I generally think less about what his fashion choices say about him (beyond hater of tight clothes #sensory issues king) but he is almost never in shorts and dresses in comfy loose fitting clothes he would also not be a hashtag girly girl wearing short skirts and bows either.
‘But I want to draw yuri and I want them in cute clothes’ draw emunene instead. Hope that helps.
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n*loth not being able to bag anyone over the (human term) age of 25-30 at most is the only logical and real conclusion to me because it can be just explained away as him wanting to prove and control everything and anyone (Cus he's a man!) but being stuck in that demographic because his unbearable and vile personality is a force that nobody can look past once they've outgrown the possible fear and idolization period of anyone but also n*loth in particular.
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Part of why I hate this fandom's take on Autobots vs Decepticons is ppl (mainly 'con fans honestly) who can't have any nuance of the situation whatsoever and love to write plots like "oh the humans are racist and abusive towards Cybertronians so this is how Megatron is right" no actually I don't think colonialism/imperialism and racism are justified so long as you can point the finger and say "they were the aggressors first" or "their hands are no cleaner than ours bc their society sucks too" sorry. Please come up with better sociopolitical narratives in your war story.
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this is an extremely unpopular opinion in the osc and like everywhere actually but i hate it when people excessively hate on "mean" characters. like especially when the characters are otherwise well-written and they just hate them because they did some bad shit. its legitimately so annoying
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