#and uhhh don't know what to say more

[lamponellatempesta]

Heyo Camp Cretaceous fandom, nothing to say, I just leave the fam I've done with this picrew here.

And an addiction:

Daniel Ferrante and Raven

The OC's of me and @gingericywolf in the series.

Hope you will like them you all!

[coddda]

I wish we could have met in some other way.

Lawlight Week Day 2: Soulmates

If you saw me repost and re-edit this several times uh No you didn't </3

Still frames/Individual gifs:

If you know what every frame is from you get a free cookie. by the way

[bacchuschucklefuck]

while teen while goblin while aroace while injured while doing your best

[liauditore]

[asmr boyfriend voice] woof woof bark bark

[beanghostprincess]

Sorry I really didn’t mean I’m attacking you or your ship. I also don’t think it’s a red flag, most gay men I saw don’t really like shuggy either. I mean, probably the entire world prefers any other shanks ships? On almost every site, con or store there’s always tons of mishanks and Bennshanks and never shuggy. I get it’s also about dynamic and connection those two pairs have, like with the parallels to other ships the base for them is extremely strong. But the minimal shuggy does speak volumes. I genuinely wonder about this. Shuggy is unpopular and again while I do agree there’s strong connection between “rival ships” I don’t think that’s the only reason… and like…. Buggy is ugly, isn’t he? He doesn’t have cool style, doesn’t look cool, makes ugly faces all the time, also is a coward. I like him as comedy character and shanks brother though!

I understand where you're coming from when you say Shuggy is unpopular amongst some people (actually, before anyone says anything. It IS an extremely popular ship in Japan but I have seen A LOT of hatred towards it in this side of the fandom, so that's what I'm talking about when I say it's unpopular). I have talked about this before. And I have said a lot of times that the reason why is often because people only focus on looks and Buggy is not conventionally attractive for the fangirly twinkified sexualized gaze numerous sides of the fandom and the general audience seek. Like, I am not forcing people to ship them, but I have had people admitting the only reason they don't is because of the looks, and I personally believe that is a very (despite valid, of course) dull way of seeing ships. And respectfully, I don't care that other gay dudes or all the people in the world agree with you. It's not a red flag to not like Shuggy, what it is a red flag, though, is to come into people's inboxes to do what you're doing!

I know you don't mean to attack me or anybody who ships them but your tone does wonders showing otherwise. Your perception of shipping is just based on looks and the fact that you came here, to a blog that explicitly ships these characters and is fond of Buggy, talking shit about one of the characters' looks... Is just straight-up mean and not following the social etiquette this site should follow, which is "let people do whatever the fuck they want".

So with all due respect, what makes you think I won't find your questions offensive in any way? Because you keep talking bad about a character I like in my inbox for literally no reason. Do you expect me to admit that the ship is unpopular because Buggy is ugly and boring? Well, I do admit people view him as ugly and only a comedy relief, but I don't. Expecting others to find beautiful and interesting the same things you do is having a very close-minded vision that One Piece's plot itself is against.

By the way, you're showing that you clearly don't like Buggy in the slightest because you're only talking about the traits that you find negative about him. But of course, you like him as comedy relief. Of course, you like him as a character in Shanks' story and not as a character himself. Despite Buggy having lots of depth. Your perception of these characters seems, in my opinion, extremely empty and, as I said, only based on looks. And you're free of shipping whatever you want however you want! But please, please, don't do this anymore. This is just petty high school mean girl behavior. Even Regina George would word this in a more polite way.

So, as a little advice for you, let people ship whatever they want without questioning their favorite characters! I am sure you will live a more peaceful life!

[benetnvsch]

guy who meows and second guy who has impossibly high standards for meows

[that-foul-legacy-lover]

haven't had to make one of these for a while...

um okay anyways i'm not doing too hot mentally today!! so i'm gonna take a break for tonight and ask that you please send me Foul Legacy asks (or Arlecchino. honestly i'll take anything at this point) because lord knows i sort of need them

[veliseraptor]

Thoughts on chengxian as a romantic ship? I ship it and was wondering on your opinion.

I am not personally a chengxian shipper inasmuch as I don't tend to read fic where they are plainly, explicitly, romantically or sexually into each other.

however I think I would say I am a chengxian shipper in the sense that it's an incredibly intense relationship for both of them, highly charged, complicated and messy and extremely important in how they relate to each other and (in at least some ways) to the rest of the world. jiang cheng doesn't make sense as a character if he doesn't care about wei wuxian in an incredibly deep and intense way. wei wuxian doesn't make sense as a character if he doesn't - or at the very least didn't - care about jiang cheng in the same intense, almost consuming way. it's a massively significant relationship in both their lives and it's one I find very interesting and compelling to explore.

so like. I guess I'm a chengxian shipper in the same way that I was ever a thorki shipper, in that I wasn't, but also I kind of was, because for me at a certain threshold of relationship intensity the sex or romance or lack thereof starts to become almost incidental. for instance the point where you undergo experimental surgery to have a piece of yourself removed and placed in another person?

so like. while I guess I would say in the strictest sense that my feelings on chengxian as a romantic ship are sort of "eh, not my personal bag, at least not in the traditional sense" but that really doesn't feel like the most accurate answer to the question.

[piplupod]

so there's a trans woman who goes to the centre and everyone calls her by her birthname which she is like... fine with but only because she has no choice but to be fine about it. anyways I've known her for a while through a trans group before the centre so I asked her today if she'd rather I call her by her birthname or her chosen name and she said she prefers her chosen name but I can call her by her birthname if I want and oh my god I was about to cry for her bc god I really feel that whole situation fjdkdl, I just told her "no I WANT to call you by the name you prefer, that's why I'm asking, I want to make sure it's safe for you if I call you [preferred name]" and she seemed so grateful and I'm just :') eeurrgghh i hate how we have to be grateful with crumbs !!!

its just absolutely wild to me that she's presenting femininely and wears skirts and dresses and everything and uses her preferred name when she writes her name down on stuff and yet everyone at the centre calls her by her birthname and he/him pronouns. like. how are people so fucking rude and oblivious ??? she's even worn a she/her pronoun pin to the centre like.... people are so fucking stupid about trans people I stg.

idk I'm just hoping to make her feel a bit more comfortable and maybe if I start calling her by the right name and pronouns then everyone else will too eventually because I know she doesnt feel safe correcting people. I'm not going to make a big thing of it obviously bc I don't want to put her in danger but I will be using the correct name and pronouns now that I've double-checked with her about it, and if I start feeling like it's making things worse for her then I'll check in with her again at that point. I've honestly been stumbling trying to use he/him for her when I mention her to other ppl because she is just... she/her in my brain. it's what I know she wants to use so it feel fucking awful to use anything else !!!

[welcometogrouchland]

May I ask about your Jason Todd idea? <3

Hm, okay so. How to lay this out sensitively since I know it might be a tad controversial...

Prefacing by saying I'm not an expert on the minutias of Jason characterization. I like him when he appears, I think the battle for the cowl/Morrison era and some parts of modern era for him are Weird and Bad, but I'm not Jason scholar (for that I'd say maybe check out @/tumblingxelian and their great video essays), I'm just trying to think of what might be an interesting step forward for him.

First, the canon facts

Jason got lobotomized and has panic disorder on steroids. By the end of Gotham War (specifically when Jason was. Flying the batplane into the asteroid. God I can't believe that's the plot) he was finding it in himself to power through said panics

In Joker: The Man Who Stopped Laughing #12, the joker gives Jason a "low dose" of joker venom, which has an ambiguous effect on Jason, allowing him to power through the fear (which joker explicitly states is still very much present, just not physically debilitating, like when Jason couldn't run over in either Catwoman #57 or #58, the one with the kid in the building) even though he'd been able to do that sans venom over in Gotham War, like I previously stated.

The effect of said joker venom seems to be lingering for now, minus the creepy grin side effect it gave Jason over in that man who stopped laughing issue, as seen in the latest batman issue (number is escaping me rn, #147??). He still has the stutter which is a shorthand for fear, he's drawn with fearful expressions by Jorge Jimenez, but he says that he's "working through it" thanks to the chemicals

This is both super interesting and kind of maddening as it doesn't completely remove the consequences of what happened in Gotham War, but is trying to sweep them under the rug and get back to business as usual. I, however, propose making said consequences front and center like a fashionable urn on a mantle piece:

Since it's never stated how exactly the joker venom works, and I think the current answer is "it works how the story needs it to" I've decided that because it's a low dose, it eventually wears off. And when it wears off, Jason's back to square one in terms of mental state. Ergo, if Jason doesn't want to live the rest of his life as quaking shivering husk of his former self...he's going to need more.

(read more for the meat of things)

So, Jason self medicates for a condition given to him by the father he has endlessly complicated feelings towards with a cure invented by a man who represents everything he hates in the world who once tried to take everything from him.

Which, insert poetic cinema gif here, I'm quite proud of myself for that one.

Anyway, there's a lot of directions you could take this. Personally I think it'd be interesting to explore Jason trying to get back into the drug trade like he did in UTRH (FULL TRANSPARENCY I HAVEN'T READ THE FULL COMIC, I KNOW BROADSTROKES BUT IM NOT GONNA TRY AND MAKE PARALLELS) as he tries to use the resources (production plants and other drug runners who can hook him up with samples of joker toxin/similar stuff you can probably find around Gotham) to manufacture his own cure that means never having to go back to the joker again. Maybe he ambushes a joker toxin chemical production plant to get his own supply, and then Jason uses this as his foothold back into that world.

This isn't necessarily me saying we should regress Jason alll the way back to UTRH, that was before his anti-hero era and I'm not willing to fully shoot him back into the past. I just think that's not how you tell good stories in a medium like comics. But it'd inherently be a little different just bc he's doing it for different, slightly more self motivated (depending on your take on villain Jason) reasons and the people around him would have a different reaction to it.

Anyway, all sorts of problems can arise! Depending on how you wanna characterize Jason (wayward son who longs to be back in the fold or black sheep who doesn't play by daddy's rules, etc) he can either a) try and hide this criminal enterprise from his giant family full of nosy detectives (good idea there jay) OR do it out in the open, trying to justify himself but still putting himself on the opposite side of the family again (not the law bc that boy hasn't been on the 'right' side of it since he died)

There's also the fact that Jason now needs to take something 24/7 in order to live his life. He essentially can't be without it, he's dependent on it, in fact he'd get sick without it despite any adverse effects it may have on him (which are guaranteed, I mean. No clinical trials)

I imagine it'd be easy to become addicted to it in some way.

And uh. This is the part where it works slightly better as a fanfic pitch than an actual comic pitch. Because as much as I think it'd be such an interesting beat for Jason's character considering his fraught history with addiction and drugs (looks away from that one urban legends story where he suggests terrorising addicts to get to the suppliers and bruce lectures him. The easiest way to make Mr "we don't sell drugs to children" sympathetic and you beefed it)

I also fully recognise that this is a sensitive topic that DC doesn't have the best track record with (although addicts aren't a monolith and feel a number of ways about addictions portrayals in comics) and that there's probably some pitfalls inherent in the premise, namely bc of Jason's background as an impoverished kid and his grey morality, and how those play into stereotypes of addicts. Addiction is already such a misunderstood and stigmatized condition that I imagine playing with it with an antihero might be enough to turn some people off. Addiction is not a moral failing and I'd hate to write it as a moral failing of Jason akin to his willingness to kill, etc.

But with all that said, I think that stereotypes are primarily harmful because of their shallowness. They inhibit understanding of groups labeled "other" by presenting them in simplistic ways that don't portray richness or complexity. And I think a truly good red hood comic could give both sympathy and complexity to Jason, even as an addict. If anything, Jason is a popular character (mostly) and there could be something nice about seeing a main character go through what you're going through, gritty details and all. YMMV (can we bring that back btw?) and it depends on execution. There's a lot of ways it could go wrong, but seeing as it just lives as a hypothetical rn, I think there's also a lot of ways it could go. I mean, not right, it's a downer story beat for Jason but it's mostly meant to be interesting and a vehicle for more stories as Jason navigates it, ya know?

Anyway, I have a lot of spiels littered in my notes app and discord DMs that elaborate on all this (how this could work as act 1 in a broader Jason story where his little operation goes to shit and he has to hit the road (jack) and maybe do some character development for better or worse. I'm a sucker and wanna say better- not squeaky clean better but. Yknow, finding himself to an extent. I recognise I'm a sap and a fool tho. Or how a new outlaws team could factor into either of those eras (since I do like Jason with an outlaws team. It gives him an excuse to exercise his compelling relationships and dynamics with other characters without having to constantly tip-toe around the elephant in the room whenever he's with the batfamily all the time. He just needs a good lineup) but that's all for another time

... though without elaborating on the vision in my head it kind of just sounds like my pitch is "Jason gets addicted to his hyper-anxiety medication" BUT I SWEAR ITS MORE THAN THAT.

It's like. If Jason has struggled as a character (and this is very subjective on my part so feel free to disagree) because he has compelling relationships with all of the batfamily, but also has compelling grey morality that makes it hard to capitalize on those relationships, without the conflict always coming to "Jason stop killing!" "Nuh uh!" OR just being ignored, and the main way writers have addressed this is via reboots instead of arcs...

Then giving Jason and the bats:

real, legitimate and fresh reason for jay to be mad at Bruce (taking their relationship of love with very little understanding to it's most dramatic conclusion)

give the family a real reason to want to bring him back into the fold (feel bad about the lobotomy and it would be pretty immoral to let Jason waste away slowly and painfully because of something Bruce did)

capitalize on all the ways Jason is sympathetic (bc the addiction is a natural lead into his backstory, which is one of his most sympathetic elements)

And the ways in which he's very out of step with the bats post-resurrection (I'd be mad asf too if i came back to life just for my dad to a) not avenge me and b) LOBOTOMIZE ME meanwhile the cunt ass clown giving me my meds is just lurking out there).

Idk it's not a sophisticated pitch as of this moment but I think a real chef (writer) could cook something w/ this

[trensu]

How about a Magic is Real au with a dash of cursed item dubcon thrown in? I feel like there should be more of this type of au in the fandom. Y'know, for funsies.

--

Okay yeah, Steve probably shouldn't have touched the cursed object. Like, it's practically in the name, right? And Steve might not be genius-smart like nearly everyone in his friend group but he's not an idiot. He's got common sense. He's the one that grabs Dustin by the collar or steps in front of Nancy when they get into their heads to run some genius plan without taking into account that, like him, they're frail mortal humans.

Which is why he touched the cursed object himself--a handwritten poem on some thick paper that's yellowed with age--because if he hadn't, they both would have gone for it. He saw them start to reach out because they're both too stubbornly curious for their own good. He figured if the object was actually cursed, it's better that he carry the curse and have the genius-level smart people on the job of figuring out how to break it rather than them being cursed and benched for it. It's sensible! Of course none of them listen to him. But he's feeling fine so really, what does it matter?

"Okay, hand it over," Dustin says after Steve didn't display any negative effects.

"Nope! Not happening, Henderson," he responds cheerfully. Dustin tries to protest but Nancy cuts him off.

"No one else is touching the thing until it's been put in the neutralization circle. Just because Steve hasn't had a visible reaction to it doesn't mean something didn't happen."

"Look at the bright side," Robin tells the still grumbling Dustin. "We get to visit your favorite dragon master!"

"Dungeon," Dustin says exasperatedly. "Eddie's a dungeon master."

Steve and Robin roll their eyes simultaneously. "Whatever."

So they trek over to Eddie's place. Nancy and Dustin trade off questioning Steve the whole time.

"What does it say?" Dustin asks.

"I don't know, it's just some poem? No name on it. Looks kinda...sappy," Steve shrugs. "Do you want me to read it to you?"

"Better not," Nancy shakes her head. "It might be a spell that activates by voice. How does it feel?"

"...like paper. It feels like old paper."

"No weird sensations? Is it lighter or heavier than you'd expect? Does it look odd when you read from it?"

"No, Nance, it literally just feels and looks like some old-timey English homework."

"And you're still not feeling weird?" Robin asks, because she's his platonic soulmate who cares about him doesn't get wrapped up in every new puzzle that shows up like Dustin and Nancy.

"Still feeling fine. Seriously, I'm starting to think the rumors were just, y'know, rumors." He tucks the supposedly cursed paper into his jacket pocket, ignoring Nancy and Dustin's indignant protests.

They finally arrive at Eddie's place. Eddie opens the door with his usual mischievous grin.

"To what do I owe the pleasure of your company today, my lords and ladies?" he asks with a lazy half-bow.

"Eddie! We need to use your neutralization circle," Dustin starts to explain.

Steve should probably try to pay attention but he can't because Eddie is here. Eddie is here and taking up all his focus, and if Steve doesn't kiss him right now he might die. Steve moves without a second thought, shoving Dustin to the side to get right into Eddie's space. Eddie's bambi eyes widen (fuck he's beautiful, how is he so beautiful) and tries to take a half step back and hey, that's not allowed.

"Whoa there, big boy, what--"

Steve doesn't know what he was about to ask because he's pulled Eddie close and nipped at his lips. Eddie yelps in surprise, and Steve takes advantage to deepen the kiss The shocked whimper that escapes Eddie's throat thrills Steve. Eddie starts to relax into his arms and all Steve can think is yes, yes, this is what he wants. Distantly he hears someone squawk in shock, followed by other similar exclamations from other people that really really don't matter right now because Eddie is in his arms and Eddie wants him and he needs Eddie to take him to bed right now.

Eddie tears his mouth away from Steve and wait no, why's he doing that, oh, hang on Steve can work with this. Steve presses wet kisses along Eddie's jawline.

"S-Steve," Eddie gasps, and doesn't that just sound delicious? But it would be even better if Eddie would just scrape his teeth against Steve's neck. Huh. That's a...what do you call it? Dilemma? Yeah, a dilemma. How can he get Eddie to cover him in love bites and talk to him in that voice at the same time. He pulls back for just a moment to ask Eddie what he would rather do, because Steve is down for whatever Eddie wants, and in that moment the worst possible thing happens.

Someone else's hands grab the back of his shirt and yank him back while Eddie takes the chance to also shove him away?? Why is he shoving Steve away?

"What the fuck," Eddie says, sounding slightly hysterical. "What the fuck just happened?"

Did Steve upset him? Oh god, what did Steve do wrong? He knows Eddie wants him so he must've screwed up big time if Eddie's pushing him away now. Steve has to fix it, he has to.

He tries to get back to Eddie but the hands on him tighten their grip and Steve nearly growls in frustration.

"Steve what are you doing?!" Nancy asks, voice high pitched and grating and Steve feels a flare of annoyance because wasn't it obvious?

"I was kissing Eddie," Steve bites out.

"Why?!" Dustin screeches.

"Because I'm good at it and I want him to fuck me," Steve snaps. Because, again, this should be obvious and they are getting in his way.

Dustin slams his hands over his ears, screeching again. "NOPE, NO, I DON'T WANT TO HEAR THIS."

Underneath the screeching, Steve hears Eddie giggle. When he looks over to where Eddie's plastered himself on the opposite wall (and damn, why hasn't Eddie shoved him up against the wall yet? He can't think of anything better than having Eddie manhandle him), he sees that while Eddie is giggling, he doesn't look exactly happy about it. He looks skittish, which is the opposite of what he's supposed to look like. He's supposed to look like he wants to eat Steve up with a spoon. Steve tries to smile at him anyway because he loves Eddie's laugh and he hates seeing Eddie distressed. For some reason, Steve's smile makes Eddie look more distressed.

"Uh," Robin clears her throat. "So, um, is this something new? Because, I'm kind of insulted you didn't tell me you were dating, Steve. We're supposed to tell each other these things!"

"We're not, we're so not. I have no idea what's happening right now" Eddie interjects and Steve feels his heart splinter a bit. Alright, Eddie might technically be right in that they haven't actually done or said anything about dating or making out or doing dirty dirty things to each other before but that doesn't matter because he knows Eddie wants him and he needs Eddie.

"Eddie," Steve says, "Eddie it's fine, I just want...why are you so far away?" Steve takes a lurching step towards him.

Suddenly, Nancy's hands move from where they'd been gripped into his shirt and puts him in a chokehold. "Nance," Steve rasps. "What? Let go."

"I think we've found the curse, Steve, so no, I'm not letting go," Nancy says firmly.

"Curse?" Eddie asks, looking straight at Nancy and not sparing Steve even a glance, what the fuck. Steve struggles against Nancy's hold but she doesn't budge an inch.

"We were following up a rumor about a cursed object and we found a handwritten poem--"

"--that the dingus of course just had to grab--"

Well that was rude. Steve's gotta find himself a better platonic soulmate. But that's a problem for later, right now he has to figure out how to coax Eddie back.

"He said he was fine though," Dustin whines. "He was acting completely normal!!"

"We were coming over to use your neutralization circle so we could investigate the item safely. And yes, Steve was behaving normally before we got here," Nancy continues to explain. God, why did these people have to talk so much? Can't they see they're wasting their time?

"I am fine, I don't know why you all are acting like this," Steve complains and tries to wriggle out of Nancy's grip again.

"Why we're acting like this?" Dustin splutters.

"We're not the ones acting weird, idiot," Robin says.

"You're keeping me from Eddie," Steve says as an explanation. "Nancy let me go!"

"Yeah, that's not--this is not normal behavior for you, Steve-o," Eddie says, and he might as well have stabbed Steve in the heart. How could Eddie not know how much Steve needed him?

"Eddie," Steve whimpers. He needs to fix this immediately. "Don't say that, Eddie. I'm sorry, whatever I did, I'm sorry okay? Tell Nance to let me go and I'll make it up to you. Just give me a chance. I'll make you feel really good, Eddie, I promise. You want me on my knees don't you? I can do that! You can even pull on my hair."

Eddie makes a strangled sound. Nancy on the other hand makes a disgusted noise that was almost inaudible under another of Dustin's screeches. Robin starts to babble something about getting the paper into the circle yesterday.

Steve really doesn't understand why everyone is freaking out.

(one additional bit to the au)

[bacchuschucklefuck]

species medley ft. gorgug and riz

[andersdotters]

Hi! I recently found your blogs, and can I just say how much I love your character analyses? Your portrayal of each character is always so in depth to the point where I can even picture them acting and speaking the same in game! I'm so impressed and I seriously don't know how you connect to each and every one of them so perfectly :O

If I may ask, what does your research and character profile process look like? As someone interested in writing, I hope to be as skilled as you with analysing characters (and writing plots and writing in general--) one day :) Any tips would be appreciated!

Thank you so much for all the hard work you do. I know I'll enjoy the story you come up with next!

Aww thank you so much!! Honestly sometimes I worry that my analyses won't be to everyone's tastes, so I'm very glad you think that they're good! I feel the same way about my writing because I know they're not the most romantic, so it's a relief to know you like it. ;v; <3 I have a lot to say about your questions though, so I'm going to put it under a readmore. It's an uh... infodump HAHA

When it comes to research, what it basically comes down to is reading everything. Read the character's lore, read their voice lines. Read what other characters have to say about them. Even talking to every NPC you see in the hopes that they'll talk about a character helps out a lot too HAHA. I also recommend going back to old events when doing research too. Reread them. Listen to the voice actor's portrayal of them. Read everything you can.

This is take three of trying to explain my character analysis process, but I'm going to give up and just explain to you the main logic that governs it. Basically what it boils down to is: we are not unique. Humans are not unique. What do I mean by this? People that are certain ways--for example, they have a low self-esteem, consistently overwork themselves, they want children when they get older, etc--they will typically share common characteristics. When you know the defining characteristics of each trait, you can potentially apply that trait to everyone you know that displays those characteristics.

For example, people that constantly overwork themselves typically have unhealthily high levels of perceived responsibility, typically with a self-deprecative trait that they don't deserve to be happy and rest. People that are very showy tend to care a lot about what people think of them. People that are extremely close to their families typically lose the ability to function properly without them.

If you know people that are like the examples above, you know that these observations are pretty accurate. And these examples represent pretty common types of people as well. Once you've seen one of them, you've seen them all. Nobody is unique. And because of that, you can apply these observations to characters because characters are meant to be human. Example one is Kaveh. Example two is Itto. And example 3 is Lyney. Now you've gotten a deeper dive into their psyche.

The way you become better at character analysis is by broadening your internal library of traits and their defining characteristics. This involves three steps: observation, drawing connections between observations, and fine tuning these connections by applying them to other people.

These steps are easy to understand, but let me go a bit more into step one. Observations come in two categories: physical observations and intuitive observations. Physical observations encompass things they physically do. Intuitive observations are larger statements that can't be tied to just a single physical observation. For example, physical observations may be that they don't go out much, they don't talk much in groups but do one-on-one, they wear bright colors, they're rude, etc. Intuitive observations are more: they seem to be uncomfortable around children, they act like they're scared to contact first, they're always on the move, etc.

The second step involves drawing lines between observations and trying to deduce meaning. For example, [they end their sentences using a rising intonation] + [they ask me my opinion a lot] = [this person cares about not sounding rude or unwelcoming]. Or, [they have a low self-esteem] + [they care about being seen as morally good] + [they engage in fandom] = [I probably should not tell this person I think Dottore and his penchant for human experimentation is hot].

Typically the logic goes: [physical observation] + [physical observation] = [intuitive observation]. [physical observation] + [intuitive observation] = [mid-tier intuitive observation]. [intuitive observation] + [intuitive observation] = [top tier intuitive observation].

But it does not end at step two. Step three basically tests to see if your observation from step two is valid or not. When you apply your observation from step two to a multitude of people, you're able to fine tune your observation to make it more generalized and more accurate. Maybe you realize that not everyone that ends their sentences in a rising intonation is necessarily polite, but it's more of a cultural thing. Maybe you see that having low self-esteem isn't always a symptom of having a high moral code. Test, revise, then test again. The higher the tier of your observation, the greater the chance it has of being wrong.

When I analyze characters, I go through my mental library and see which traits and characteristics I've catalogued before. And for things that don't have an exact match, I try to find ones that shares at least a few things in common that may follow the same logic. For example, I don't know anyone like Zhongli. However, I do have a friend that's very outgoing, but you can have a full on conversation with them and leave not knowing anything about them. Can I apply the logic of my friend to someone like Zhongli?

I will say this and I will say this again. People are not unique. Everyone is a copy of someone else in some way. When you treat the characters as if you were analysing any other normal human being, you can quite easily draw conclusions from what they have in common with people you know and have seen.

Anyway, this is so long I am so sorry. Hopefully I didn't completely bowl you over with information. OTL

[lucyvaleheart]

.

[bravevolunteer]

idk when i made my movie verse i was trying to keep it as unobtrusive as possible since everything was so fresh but man….. thinking about all the mike afton theories where he wasn’t necessarily too young to remember anything related to that but his “memories” are just so unreliable due to trauma

[aprofessionalwithoutstandards]

okay man controversial take i have. there's somehow not enough lgbt tf2 content. it sounds bonkers but hear me out. i think we need to invest in the homosexuality of tf2 more. like i know people probably think "oh yeah we have so much gay content" no we don't. first of all there will never be enough, second of all there's still traces of stereotyping and flanderization in how people portray the characters w their identities, and third of all people aren't really going ALL out. i love myself some nsfw headcanons but there's only so many you can make before it's repetitive. go wild with that shit. tell me about how you think scout has a fetish for shoving beer bottles up his ass or something (#justbostontingz). more in depth analysis of how ship dynamics play out and how they interact. more characterization on how they deal w their identities. more experimental portrayals of the characters that deviate from how they're usually portrayed (people are multifaceted, yes pyro crayons fire my little pony but they're more than that). in general just more ms pauling. more engineer top scars.

I'M DOING THIS !!! Girl u are describing my posts u should follow me