there's something so poetic about kipperlilly copperkettle—who hated one of her classmates for daring to be better than her and having a dead dad, who refused to improve herself and instead chose to be bitter and entitled, who was so obsessed with being Special and Important like she felt she deserved that she willingly worked with a rage god, betrayed her party, and killed her friend—getting killed by fucking. Hold Person. her fancy optimal build IMMEDIATELY folding in the face of riz's cleverness and experience and applied knowledge. she spends years fixated solely on racking up EXP and getting the Best Abilities, and then when she dies, she's killed not in glorious combat but by a clever, practical application of a 2nd level spell that she NEVER would have ever thought of using because she has no creativity or adventurers' spirit, cast by the same classmate she always hated with a watch his dead dad gave him.
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im gonna tbh with yall, listening to magnus archives again without the constant fanon bleed and regular discussion etc.... definitely colors it a different way lol! i have more criticisms than i did when i listened to it the first time and it makes me a bit sad because i love it so so soso much. just coming up on the unknowing arc and i'm mentally strapping myself in because i'm realizing things [I dont like jmart very much / would like it MUCH BETTER if martin was actually a twist villain and web aligned i keep seeing the wires johnny i am shaking you by the shoulders DID YOU TAKE WEB ALIGNED EVIL MARTIN FROM US TO APPEASE THE FOUND FAMILY FANFICTION SOFT TEENAGE FANS ..... tell me why jonelias is so much more appealing to me now relistening to it as a grown ass woman . PAIN].
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Some Batman: Telltale thoughts
[this is a Batman Telltale critical post, ye be warned.]
So. There are perhaps no words in the english language to describe with how stupid i feel right now.
I started Telltale Batman because i thought that it's one of the more distinct unconventional Batman narratives that would let you have a more interesting, complex and nuanced relationship between Bruce and Joker— the game even lets you bring all of Bruce's sincere hypocrisy and sentimental selfishness to the surface and have him admit that yes, he can fight the rogues gallery because it takes a madman to know a madman; to love a madman. For a moment i geniunely thought that i can escape the everpresent shadow of DC hays code in the freakshow funhouse that is Batman comics, i thought Telltale had done something different.
But telltale's approach to The Enemy Within is so flaky and flimsy and timid at best— such noncommittal twist on themes of pain and grief. They take on a hefty plotline, "what does it take to actually fight through evil and be surrounded by it? How long does it take before your resolve and your selfhood cracks? When you lose the mask, which one did you truly lose— The ideal persona, the superhero, the crusader, or the person underneath, the casket that holds all your humanity and your heart and your hopes? How long can you stare onto the abyss before it stares onto you?" It's indeed a very Nietzsche approach to Batman— except that a good Nietzsche narrative takes a lot of intentional plot points and honesty of thought and of heart. And Telltale doesn't commit, not to Bruce's characterization, and not to any other character, and definitely not to Joker's journey in any variation of it. The existence of the Vigilante route is useless on every front; Joker is going to turn into a villain anyway, just with a different hello kitty eyeshadow palette and an extra bland consolation lollipop. No good choice Bruce makes on Joker's behalf affects anything whatsoever, and i particularly love the "community and friendship and sympathy do not help the mentally ill and all that ever works is punishment and shock therapy and confinement and loneliness" message the vigillante route puts on the table, charming charming status quo commandments from DC as always.
Telltale Batman could only be revolutionary if it had dared to break comic convention and let the vigillante route play out like Selina and Bruce's relationship always does; very grey morality, irrational, full of tension and trust, unstable, intriguing, inexcusable, irreversible, unavoidable and heartfelt, human. But we can't have nice things in batmanverse, so both Joker routes run on stuck gears and topple and fall into a predictable narrative hole that neither Bruce nor Joker can claim out of.
And on the predictable front? this story is too lukewarm to be a good time for me personally. When you get 84 Batman comics per minute every other Tuesday, all ending the same way no matter whatever the fickity happens inbetween, you have to pull no punches. This is my 53368532th Batman-with-tragic-batjokes-implications read of the week, say something new or forever hold your blue-balling silence, i dont care.
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It's kinda funny to me that so many people are up in arms about Neo's actions in C8 when it's easy for me to dismiss simply because that ain't Neo, yknow?
Like, Neo has never pussyfoot around murder. If she wants you dead, you gonna get dead. From Neo about to stab Yang while the latter is unconscious to Neo and Ruby falling through the void while Neo uses the visuals of Ruby's loved ones to try and weaken her enough for Neo to strangle her to death, Neo has always been fairly direct in her methods
So, it's difficult to reconcile that version of Neo with the one who would passively let her target take themselves out
Not to mention the semblance shift. Neo's semblance, Overactive Imagination, is illusions manifested via semblance glass. They shatter upon contact. Because they're illusions
That's the biggest deal breaker for me. Crwby changed her semblance so much she might as well be a whole ass other person. Fuck, it could've been an Afteran. It's not like Neo was needed here, especially with how easily she was discarded
Instead of illusions, Neo's new abilities seem to be... animorphing people/creatures she may or may not have met via semblance clones and allowing them sentience
Mcfucking what???
The point of illusions is they're not physical. It's not an actual transformation, but rather the aesthetic of one. This could have worked if they kept the semblance evolution to multiple illusions at once OR allowing physical transformation, either of which would have been super cool to see, but they pushed too far. There's too many upgrades that deviate so much from the original ability that it's a whole ass new power
So, immediately on her introduction, the og Jabber is killed(?) and in its place is... multiple Neo-Jabbers. Who can eat other creatures alive. And apparently desire to do so
McFUCJING WHAT
This implies that all her semblance clones of others have their own sentience. Which would never make sense when she never interacted with anyone in that torture scene besides Roman. Seriously why the fuck is Lionheart here? Give us nothing, king
Now, given that we are shown the stream of souls, what could have happened is the illusions were possessed by folks who needed to get a last word in, but that's not. what. happened.
Instead, we have the writers disregarding a character's inability to speak so they can brutalize a teenager in the stupidest way possible, and throwing away all logic of a fairly easy to understand power because it suits their plot needs
Riveting
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merlin spoilers so look away if for some reason you haven’t watched it yet but
I had never seen it until this november and i know i’m literally the last person in the world to hop on this long-departed train but i finally finished it today and I’m Sorry why did no one tell me the finale is literally fucking brokeback mountain why did they make this what were they thinking i don’t understand any of this what was the reason why did they ignore arthurian legend in order to make merlin a twink WHY DID THEY DO THAT???? what was their goal? why is the literal plot of this show that merlin was so sickeningly devoted to arthur that he’d rather save him than EVERY SINGLE MAGICAL PERSON IN CAMELOT??? AND WHY WAS HIS DESTINY TO PROTECT ARTHUR SO THAT HE’LL MAKE MAGIC LEGAL BUT THEN HE ENDS UP DYING BEFORE HE CAN EVEN DO THAT??? SO WAS MERLIN’S DESTINY PURELY TO BE IN GAY LOVE WITH ARTHUR????????? WHY DID THEY MAKE THIS
AND ANOTHER THING is this secret neoliberal propaganda because if the point is that they have to wait for LITERAL CENTURIES for arthur to return, then that means that morgana was fully right to have a revolution awpeofijawefpoawiejfwaepfoiawef also why on earth didn’t gwen make magic legal??????? idk maybe it’s incredible satire that just went over my head
why did they make this????1111!???
loved it tho i’ll probs rewatch
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