#anyway imagine the fucked up line consistenting of only my faves.

[holydramon]

the reason meicoomon isn’t available in survive was because they knew I’d be too powerful if all three of my favorite digimon were in the game

[amber-angel]

Do an analysis on your fave muppet man

Rori I need you to know that I saw this and shot straight up, sucking in a huge breath with the BIGGEST adrenaline spike I've had in days. I could literally talk about Jaskier for HOURS, and have to constantly reel myself in so I hope you know what you've unleashed.

Overall opinion: is it bad if my most prevalent opinion on him is just that he's a massive slut? Because that's the first thing that comes to mind whenever I look at him. I think he's severely underutilized, but I also understand why, like, from a management perspective, they don't want their most charismatic character taking up all the screen time. I mean, I'm only watching the show for him at this point anyway, can you imagine how much worse it would be if he was a main? Also I'm just like... fucking in love with the concept of him at this point? I mean his name is Dandelion. His nickname is Buttercup. He's a bard. People call him lark in fics. I was fucking gone as soon as I heard the bread line, but it only got worse from there

One virtue: okay, I like to insult my floppy little muppet boy (with fondness) but I really do think he's an interesting character. Reading about how they changed him from the book to the screen to fit a retelling for a more modern audience, I think it was clever that Lauren (writer) decided to pull away from Dandelion as a womanizer and instead write him like a loving puppy of a man. He's layered. He's sweet and kind, but also will stab a bastard. He's empathetic and willing to sympathize, but at the same time totally down for wishing a slow death upon his enemies. And I know that his overprotectiveness of Geralt is mostly romanticized fanon, but you cannot tell me that he wouldn't jump over a counter to punch anyone who insults his best friend.

One flaw: most of the problems that I have with Jaskier, much like the problems I have with the other characters, are not actually about the character themselves, but with the way their arcs were written, or the way character development just didn't happen. Jaskier is so neglected by the writers that a lot of his growth happens off screen. It has to, or he would just be totally stagnant. And so somewhere between his last scene in the first season and his first appearance in the second, he's turned into this serious rebel spy person, but the writers are still trying to portray him as "goofy old Jaskier! haha, he's funny!" but they're doing this while he's trying to help people escape from certain death, or after he's just been rescued from fucking torture, and it ends up giving you a bit of whiplash and wondering is there any consistency here?

Favorite moment: can't be from his arc because (AHEM) what arc?? But. I am so in love with the conversation he had with Yennefer, where they actually let him be serious and connect with her in a way that s1 Jaskier would never have done. I love love love when they let him show his compassionate side, because it's there! He cares about people so much!! And let's be honest, Anya and Joey worked so well together, I know, I know that they're never going to make Geralt/Yennefer/Jaskier canon, but if they didddd it would work so wellllll

Least favorite: GOD everything about him reuniting with Geralt/being in Kaer Morhen. Big boy just walks in there with his sad eyes and nipple armor and with absolutely no meaningful apology Jaskier just forgives him?? Honey! There are hundreds of people out there who would treat you better. Yennefer being one! Anyway, then, even though Geralt claims he "needs" him, Jaskier doesn't actually end up doing anything? He's just kind of there, I think because the writers knew that they needed to put him in that season or they would lose half their fan base. He's only ever acknowledged when he's being made fun of or pushed away, and I'm tired of it.

One relationship: well, we only really see him interact in any meaningful way with Geralt or Yennefer, but I prefer Yennefer. Like, they basically have nothing in common, but they still mesh so well, and even though I know their friendship won't be explored any more (because it reads as so genuine that Geralt/Yennefer feels like stone in comparison) it would be so cool to see them move past their initial dislike and become actual friends, maybe help each other heal from the MULTIPLE traumas

Relationship to explore: I want to see how Jaskier interacts with Ciri. I want to see it so bad. She's a child and he's a bard, can we not get him singing her a fun little song and letting her have some fun for once? Let him sing her a Cintran ballad and help her process and maybe mourn the things she's lost!! He is JUST as important as your other leads, so let him be a part of the family damn it! And let him be a father figure (or at the very least a weird uncle) to Ciri

What I would have liked to see: I think I've already said it, whoops, but really I would settle for seeing more of him. Jaskier is so good, but the show barely seems to care about him, like they don't realize that they've stumbled onto the best thing they're ever gonna have! Let my pathetic whore of a man have more screen time! Let him into the family! And maybe next time you think about using him for sex appeal don't force poor Joey Batey to do that fucking shit that male actors do to enhance their abs, that fucking dehydration shit? And don't make him shave, wtf, don't add on to our bullshit beauty standards.

[amphtaminedreams]

Spring/Summer & Haute Couture Week 2021: Whoops, I’ve Missed a Loooot (Part 2)

Hey to anyone reading,

I’m so sorry for the gap between the last fashion week review post and this one! Argh. I had no idea I posted it as long ago as the beginning of March but I think we can all agree that lockdown has fucked with our perceptions of time completely. I wish I could say the delay in posting was as simple as me being busy but I’ve also started to reflect on whether or not I want to carry on this format of posts for the time being; on the scale of problems, this one is wayyy down there in the very lower quartile of the first world region, but my motivation to carry on this kind of content in the form of long-winded text posts is...meh...not so much there anymore. At first I was thinking the issue was that working on these was my last priority on my daily to-do lists but as I’ve got back into writing fiction, it’s kind of occurred to me that the fact I was putting these posts on my to-do lists in the first place along with things like doing the ironing and contacting student finance speaks volumes. When I’m back from work or winding down, opening up Tumblr and coming back to this draft isn’t something that I think of as a fun stress reliever in the way drafting stories is. It doesn’t feel like I’m using my imagination or my creativity or expressing myself in any way and it’s not much of an escape from day to day life in the way that writing dialogue or exploring characters is. Maybe it’s because I’ve done quite a few of these posts now but I just tend to feel like I’m repeating myself, you know kinda like when you’re writing an essay and trying to fill up a word count; of course there are collections that I do have a lot of opinions on but by and large, sometimes it boils down to THESE CLOTHES ARE JUST FUCKING PRETTY, OKAY?! There’s only so many things you can say about a tulle skirt or an exaggerated collar before you want to strangle yourself with said tulle. I used to think iF VoGUe RuNwaY wRitErs CaN dO iT WhAT's MY exCusE until I realised that 1). Vogue Runway writers actually get paid and 2). for the most part all they do is explain the designer's intentions behind the collections verbatim without giving a critical opinion anyway.

I think a lot of the pressure I feel to justify what are in reality quite simple observations and opinions goes back to some of the feelings I explained in my first ever fashion week review where people who know more about fashion and have a formal education in the subject tend to be kind of gatekeep-y and elitist. It can never be that you appreciate different things about a collection but rather than one of you has taste and the other doesn’t and if it wasn’t obvious, the taste level assigned to you by the powers that be tend to positively correlate with the amount of money you have available to spend on a degree that has a reputation for failing to provide a steady income, which for most makes it an unrealistic avenue to pursue. I know, I know, the pressure is totally self-inflicted and wholly imagined seeing as I have under 500 followers on here and those who do interact with these posts most likely do so for the pictures but I still feel it, and given that I’m going to have enough external pressure to write essays when I return to uni in September, why on earth am I wasting time putting it on myself? When just posting photosets of my favourite looks is not only actually enjoyable for me but is also what other people WANT to see too? Nobody wants to read a self-indulgent paragraph like this when they’re here for the clothes and to be honest, for the most part I don’t want to write them anyway unless it’s something I have strong feelings about or if a collection can only be properly appreciated with analysis. I think I’ve made pretty clear which designers I’m a fan of, do you really need to hear me raving about Gucci or Zimmerman or Miu Miu or Balenciaga again? Is there gonna be anything revolutionary in yet another rant about Maria Grazia? Course not. I mean, if you are reading, you might have to witness those things one last time because I do intend to finish off this season’s review in this format for consistency purposes and because I’ve already got all the notes now but on the whole, I doubt anyone will miss my rambles.

So, with all that in mind, I think after I finish my S/S21 posts I am gonna start just uploading these posts without the written part. I mean, for one, the simplicity of doing this means I’m much less likely to procrastinate making them which in turn means I’ll be able to get them out right after the shows as a kind of summary as opposed to months later when they’re no longer as relevant. This will also give me more time to work on the writing I actually enjoy. Right now I’m going through and editing my 17 year old self’s “grown-up” take on the Pretty Little Liars blackmail murder mystery style plot line which I wrote back when I was completely and utterly obsessed with the show and bitterly disappointed by the last couple of seasons. The writing is pretty mediocre and often hugely cringey to read back now but I am still a fan of the basic plot and I’m genuinely motivated to see if I can make it something actually worth reading, and to get onto that ASAP; this feels especially important right now given that the HBO version of the series’ apparent upcoming release has sent that ever-present writer’s fear of seeing-your-same-storyline-done-better-by-somebody-else-thus-forever-relegating-your-version-to-being-the-poor-imitation-so-you-gotta-get-there-first into overdrive (or maybe that’s just me and my neuroses). Again, it’s a totally unfounded fear based on the fact that the HBO show will probs get millions of viewers whilst I will be doing little more than shouting into the void but anybody who’s used Turnitin to submit an essay that ultimately counts for little more than like 1% of your grade or degree will know that no matter how irrelevant your work is, the concept of failing a plagiarism check, be it via a computer algorithm or one random stranger on the internet’s assessment, is enough to conjure visions of the 4 horsemen of the apocalypse galloping towards you screaming “START THE WHOLE THING AGAIN” before releasing a hoarde of 2015 Chanel vs. Walmart style comparison memes.

Now, speaking of Chanel, I should probably get back into the reviewing. 

So for the last time for a little while, here’s Christian Siriano:

Siriano’s designs are a great example of work I feel guilty enjoying. I know that when it comes to quality, the high fashion community have a lot of (negative) things to say and I really can’t speak to that because quite honestly, I know very little about textile manufacturing. Solely from my own point of view though, I do like his work a lot. I wouldn’t claim for a minute that he’s a pioneer in terms of his creations but I would 100% love to wear them and I DO hugely admire his commitment to putting women of all sizes on the runway and designing pieces that don’t simply cater to straight up and down types which is more than can be said for most brands. I get that his collections are pretty formulaic, taking what has worked for the likes of Chanel and Alessandra Rich, De La Renta and Carolina Herrera, Michael Kors too (who is kind of guilty of the same thing himself), but that’s not to say his work is bad. Let’s be real, we’ve been on this planet thousands of years, we’re all taking inspiration from someone, and maybe figures like Kors and Siriano could wait a *little* longer before taking said inspiration but their aim at the end of the day is to sell clothes, not break barriers, a task which although often left to the big name brands, they too often fail at. I’m not going to lie, I’m feeling this whimsical mid-century tea party vibe, it’s elegant and it’s cutesy and My Fair Lady-esque, and you bet your arse I would be absolutely thrilled to wear one of these looks on a summer red carpet. I just can’t say no to anything tulle-maybe it’s that I was on Toddlers & Tiaras in a past life or maybe it’s that I watched too many Barbie Princess films growing up, but I like pretty much everything going on here, especially Siriano is giving us matching fedoras too. Plus, can we take a moment to praise Siriano for his COVID relief efforts? Near the beginning of the pandemic, he turned his studio into a mask manufacturing factory in order to send them out as donations, and I think that is very cool.

Then there’s Christopher Kane who once again came through with the most insanely gorgeous prints:

I mean, paint splattering is hardly a new technique but I haven’t seen it done as a print so tastefully before-it eats the Moschino biro scribble print (which apparently was copied too speaking of the tendencies of designers to “borrow” inspiration) for breakfast. It’s shit because there weren’t many looks in this collection and they weren’t really shot in a way that does them any justice but I thought I’d include the few I saved.

Comme Des Garcons is a fave of the high fashion community and one I look forward to seeing at fashion week but can never quite get behind. I appreciate the what-the-fuckery of it all with this show totally being able to pass as a run-through of some kind of nuclear waste themed scare house at one of Thorpe Park’s fright nights. I assume given that and the plastic Mickey Mouse print it’s supposed to be some kind of reference to the part late-stage capitalism has played in the hellish landscape we find ourselves in today? Or something all intellectual? In which case I made my interpretation with farrrr too much confidence. But Anyway! Who knows! I’ll leave the analysis to the fashion students, and give it one word: trippy.

Onto Dion Lee, a brand I truly do get excited to talk about because it’s rare that I don’t LOVE his work.

Without fail, Lee manages to be confidently ahead of the curve without going out of his way to announce it and his genius to everyone with flamboyant shows and exaggerated designs and extortionate prices. He is very much an underdog in the fashion world in terms of big names but you’ll be hard pressed to find anyone who doesn’t love his collections. His S/S21 collection is one of my favourites of the bunch. I love seeing something I’ve never seen before and the palm leaf breast plate is so odd but so cool and so perfectly Dion Lee at the same time; we’ve seen jungle/tropical inspired collections sooo many times *cough cough D&G cough cough* and THIS is how you make them fresh and unique. I mean, never in a million years did I think I’d get behind the resurgence of the gladiator sandal trend but Lee has me changing my mind. This is one of the very rare times you will ever see me using this meme to praise a man but:

I mean, he has Fernanda Ly modelling for him, that the man has taste goes without saying.

Now for a bit of a full circle moment, given that I did actually praise Dior’s haute couture collection in my first ever post; Maria Grazia did GOOD. Well, with haute couture at least.

She’s always pretty hamfisted with her references, there’s no denying, with that Grecian Goddess style RTW collection typifying that statement completely, but luckily she struck gold this time round; as someone who studied the Tudors for A-level history, seeing a modern take on the exaggeratedly feminine renaissance silhouettes with the baroque prints and the deep jewell tones got me super excited especially when you throw in the dreamy tarot theming and the nods to the mystical and arcane. Seeing as the Heavenly Bodies Met Gala (I know, I know, I need to move on) was some time ago now and Cersei Lannister’s *SPOILER* been crushed by a rock (could also be seen as a metaphor for the irrelevancy David Benioff and D.B Wise condemned GoT to when they aired that shitty ending tehe) and so probably won’t be getting a collection based on her costumes any time soon, this is the only fashion take on this kind of period dress I’m going to get…and you know what? I’m okay with that. Thanks Maria, I guess?

Her RTW collection wasn’t absolutely awful either, and slightly better than the past few collections at least. Put a monkey in a room with a typewriter (or show it enough similar well-received collections) and it will eventually write something that makes sense, don’t they say? I like the nomadic feel of a lot of the looks and there’s beautiful layering going on but the aura of exotic opulence unsurprisingly didn’t stick around for long and I found that there was a decline in quality in the midsection of the show that landed a lot of the outfits in either awkward mother of the bride at a beach wedding or The Only Way is Essex Ocean Beach PLT sponsored poolside party territory. The looks picked back up a bit towards the end stretch of the show but I wasn’t a fan of the Gucci style oversized glasses which were so out of place with the rest of the theming that if anything they seemed like a cheap grab at relevancy. So yeah, a middling, subpar Etro-esque collection which is better than usual for Dior I suppose.

Next, Elie Saab, whose S/S21 collection was kinda disappointing, tbh. Oh how the turns have tabled given that positive Dior review and my usual love of Saab’s collections.

I know his dresses lose some of their appeal when we can’t see them in motion but even ON the runway I can’t see myself being dazzled by any of these pieces the way I usually am. They’re lacking the level of detail and craftsmanship I associate with the brand seemingly in favour of block colours and suits and the issue is that the whole Disney Princess fantasy has always been the appeal for me because the silhouettes aren’t interesting enough on their own. They’re not ugly pieces, they’re nice, but does nice really have a place in high fashion when the pieces are so basic in both their design and presentation that the shots could pass as ripped from a catalogue? The strongest parts of the collection were when it did go down the more delicate route with the muted blue suits and the white feather trimmed dresses, the small, ornamental gold details reminding me of a very toned down nod to Schiaparelli’s hardware, but with regards to the bright coloured pieces, I can’t lie-they did look like something you could find in the M&S Per Una holiday section. Then you’ve got the weakest parts, which were just flat out ugly: sheer giraffe print, sweat band style elasticated waits, and long chiffon shirts that I hate to admit read as frumpy. There are times where I’ve not been particularly excited by an Elie Saab collection in the past, but I do think this is the first time I’ve actively disliked parts of it.

Conversely, Erdem’s S/S21 collection was super strong, and solidified the brand’s place in my mind as a dependable source of kooky maximalism, this time round giving us  Anya Taylor Joy’s Emma wardrobe on speed. You could tell me Erdem Moralıoğlu had just raided the Bridgerton set’s fitting rooms and put it on a runway and I would 100% believe you and I mean that in a positive way because to give my unpopular opinion, the clothes were the only good thing about that show. The endearingly florid details of exaggerated bows and clashing florals were still there but this time in a way that felt more subtle and self-assured, as if the calming influence of the wooded set’d had a direct hand in the designs, giving the rugged, ethereal feel to the collection I associate with brands like Brock and Simone Rocha, all whilst keeping the parts of Erdem I’m so fond of.

Is it really much of a shock that I included pretty much every look from the Etro S/S21 show?  Like, you know that Christian idea of God, like, (the voice in my head is very much taking on the dumb valley girl voice that anybody who reads this is most probably getting too) knowing our souls? I think Veronica Etro knows mine. So no, no surprise. Though there were a few unconventional touches thrown into these looks (the campier prints and nautical theming we see with the 80s beach towel print, for example, reminded me a bit of Versace) the mystical bohemian it girl that Etro designs for would still be highly satisfied. Sure, it might be a wardrobe fit for a holiday less adventurous than backpacking but if she wanted a tropical poolside holiday, this collection is the one, the paisley print chiffon mini and maxi dresses especially. I’m just gonna pretend I don’t see the monstrosity that is leggings worn as trousers-it’s a fashion rule I refuse to abandon-because they are the only stain on an otherwise expectedly gorgeous collection.

Next, an unusually reserved RTW collection from Fendi:

More in line with the wardrobe of a European fashion editor than the glamorous trophy wife (who let’s say uses that facade as a guise to ruthlessly run her husband’s whole business empire from behind the scenes because in this house we do complex female characters only), these pieces are lot “smarter” and more professional looking than Fendi’s typical offerings; where I feel Fendi usually designs for the society girl who wouldn’t mind a front page scandal, these are the kind of outfits a young member of Monaco’s royal family would wear for a positively received but business-as-usual press tour. I know, Fendi is an Italian brand, but this is more Southern France to me. We’re talking some 2nd page shots of a Kate Middleton type on a yacht on the Riviera smiling and waving as her PR team’s ideal scenario. Still, whilst fewer exaggerated silhouettes, animal prints and overtly luxurious fabrics (real leathers, silks and furs for example) mean that the drama’s a little toned down, it’s all still very expensive looking and combines the classically feminine glamour of the past and the minimalism of modernity in the artful manner that we’re used to. Maybe it’s me being a basic bitch but I always love seeing Ashley Graham on the runway too, even if brands to tend to use her as their single token plus size model.

Kim Jones’ debut haute couture collection for Fendi, however, wasn’t a very well received one. I don’t hate it personally but I can see where the criticisms are coming from. Whilst it’s closer to the version of Fendi I’ve come to expect and there were some stunning pieces which completely encapsulated that distinctive aura of luxe and glamour, there were quite a few lazy pieces which could’ve been from any designer. I also felt the collection was a bit upstaged by what seemed to be a who’s who of the modelling world; having Bella, Cara, Kate and Naomi ALL walk in one show was a bit distracting and took the focus off the clothes completely.

Giambattista Valli’s RTW collection was gorgeous as ever; the man has undeniably mastered the art of delivering classic, objective elegance, the kind of designs I feel would make you light on your feet and smell like strawberries and cream the minute you put one on. Whilst as a brand his RTW shows are rarely trendsetting, they reliably produce a plethora of unfailingly graceful and demure pieces, as appealing to your mum and your grandma as they are to young women and little girls, and this collection is another victory lap for Valli when it comes to upholding his signature tea party and artisan cupcake making and rose garden strolling and bottomless rosé brunch appropriate aesthetic. There were a lot of outfits that were bordering on overly juvenile, with structures a little too basic to justify the amount of sequins thrown on, but when it’s good, it’s so sweet that regardless of how to formula it is, I can’t help but fall in love.

Valli’s haute couture collection was stunning too and for sure a more exciting offering than the RTW. There was of course a lot of the signature tulle but it was head-turning, over the top in a way that leant far more towards the experimental than I expected. The photos themselves are 100% believable as a some kind of Vogue behind the scenes editorial shoot on the set of live action Disney princess movie (in between takes of the climactic ball scene if you wanna get specific with the vision); if you are looking for a prettier alternative to the primary colours and disruptive shapes of a Molly Goddard collection, this is the one. It’s giving the themes of excess and abundance I associate with that of the Hunger Games Capitol but through the softer lens of a Sofia Coppola movie, and being the typical cinema loving white girl I am, I’m obviously on board with that vibe.

I did SUCH a 180 on Givency’s S/S21 collection from when I first saw it to writing a review. My initial reaction was one of disappointment, I guess simply because Givenchy has given us so many bold pieces and presentations over the last few years whereas this is more low-key. After properly considering it though as I would any other brand, I came to the conclusion that I do actually really like it. It’s still got the strange, androgynous silhouettes popping up throughout and the futuristic space-age details but with a more down-to-earth, streetwear feel, albeit a very slick, glossy spin on the trends of the rabble (that’s us guys) of course before we go believing it’s achievable. On the one hand, the devil horn accents are a touch Claire’s accessories halloween range but at the same time, done with confidence they’re kind of cool and bring something new and fun to the table in line with the dark theatre of Givenchy’s last few shows.

Now for Gucci, which for the first time I have to say, if I'm attempting objectivity, is not a standout. 

Like, can I just start by saying though the format it’s presented in is cute, it’s not ideal as a way of actually showing the collection. I get that the vintage shop bin vibe is a huge part of Gucci’s brand but polaroids make it SO hard to actually see the clothes, and that’s what we’re here for right? I don’t want to give the impression that I don’t like what I see here-the clothes are gorgeous, an idyllic ode to the off-duty wardrobes of Studio 54-ers, bohemian style icons like Charlotte Rampling and young Olivia Newton-John, psychedelic rock guitarists and the inhabitants of San Fransisco’s Haight during the late 60s and early 70s, Alessandro Michele’s favourite period of reference. I can’t pretend otherwise, or act like I wouldn’t want to wear the shit out of this collection. Buut, for Gucci? It’s a little underwhelming. These are the kind of filler looks we get in a typical Gucci show to go alongside the more statement pieces, which this collection is lacking. It’s just that these are designs which usually gets people talking and these pieces don’t do that. It sucks because for most other brands this would be a stand out collection, an immersive, luscious vignette of what people tend to think of as a cultural golden era, but when you’ve had a show that involved models carrying replicas of their own decapitated heads down the runway in the last 5 years, of course something more toned down like this is gonna generate a lot of “is that it?”s.

I owe Hermes an apology. Looking back, I have disliked all their previous collections for the same reason that I now really like this one; maybe it’s in part down to the frustration of still having to whack out the winter coat on occasion in May (fuck British weather and climate change), but suddenly I really appreciate the value of some good quality, versatile outerwear. Hermes is giving us that in spades here and for that, I bow down to them. The pieces on offer are clearly well-made and genuinely practical, and through the minimalist approach manage to retain both an air of timeless sophistication whilst also being youthful and on trend. The leather tactical vest co-ord I can easily see edged up and taking centre stage on one of those insane Seoul street style slow-mo TikToks that were big a couple of months ago and there are several pieces that could tie together a grunge influenced k-style look just as well as they could exist for years on end as the wardrobe staple of a high-powered businesswoman. Designer Nadège Vanhee-Cybulski’s strengths really come through with the simpler looks and it’s the patterned pieces that drag down an otherwise flawless collection; I guess because the aesthetic is very minimalist, the patterns can’t be anything overly decorative but unfortunately this has a bit of a dowdy effect when you pair it with such modest silhouettes. Disregarding those elements of the collection though, it was super good.

It goes without saying that Iris Van Herpen’s haute couture collection was breathtaking; if the fashion community can agree on anything, it’s that this woman’s work is consistently awe-inspiring. She captures the wonder of the universe, the biological structures and kaleidoscopic colours we don’t even register, through fashion in a way that others can only imitate, to mesmerising, truly transcendent effect; I can only assume Van Herpen has mother nature whispering into her ear because how the hell else do you explain her ability to take the kind of microscopic organisms they show you images of in an outdated GCSE science powerpoint and make a dress that resembles one so stunning? Care to explain, Iris? Because if there is some kind of line of communication between the two of you can you please tell the bitch I’m over this weather and that I have cute summer outfits I’m waiting to wear so can she pack this torrential rain shit in? K, thanks xoxo

See it seems shady as fuck to go from IVH to Isabel Marant like this because we are talking 2 designers with totallyyyy different approaches to fashion; Iris Van Herpen is haute couture for starters whereas Marant is commercial, and that’s her thing, but unfair comparisons aside this collection is still a bit of a let down. This is considering I do usually really like Isabel Marant collections based on whether or not I’d wear the pieces, which seems a more appropriate barometer to use to come to a quality verdict. Whilst there were a few of the elegant bohemian pieces my mind goes to when it comes to her brand, the steps outside of that comfort zone didn’t pay off; graffiti print (can be cool if done with some subtlety which apart from a few exceptions was not the case here), cheap looking reflective fabric, and MC Hammer style dungarees, it seems to be an attempt to merge 80s trends with modern urban culture, and an attempt that at times verged on the disastrous. It’s good for a brand to experiment, of course, and appeal to a wider client base than usual, but when it’s bad the unfortunate take away is that the design team don’t have the chops to pull off straying from familiar territory; designers wouldn’t be showing at fashion week if this was truly the case because disregarding the influence of nepotism, fashion is an area you need real talent, perseverance and business smarts to excel in, and so it doesn’t do a team justice when they do fail.

J.W Anderson, on the other hand, really put his best foot forward this season and presented this work in a really cool way too which only added to the positives; whilst the way the shots were edited was funky af, it didn’t detract from the actual outfits, and if we are to see the same limitations when it comes to the F/W collections being released, this is something a lot of designers and editing teams should take note of. The idiosyncratic exaggerated shapes that we see as a recurring feature of Anderon’s collections were still on show but this time round with added femininity, billowing skirts and trailing jewellery that channel the stage looks of Stevie Nicks in a way that’s modern and functional and maybe even fit for the office if you were to work in a more creative industry with a chill boss. Could also work for a coven of witches who practice meditation by bonfires in the moonlight and burn the letters of men who wronged them in some Arizonian desert, so like I said, functional! Who doesn’t like versatility? The only thing I’m not too keen on is the shoes but they’re not so bad that it affects my opinion of the collection and they look comfy I guess.

Lastly, we’ve got to talk about Jacquemus, one of the most influential names in fashion at the moment. And yes, this time round, I’m doing it: I’m buying into the hype.

This collection is gorgeousss! I can see already that a lot of the recurring elements of the show are going to be big summer trends for this year (the cut outs and strappy details on the blouses are everywhere already) even though it isn’t hot enough to have collectively decided the time to start dressing for heat is upon us yet, and that’s always a good indicator of how successful the designer was in their vision and attempts to assess the needs and wants of fashion enthusiasts; whether I’m as big a fan of his work as everyone else seems to be, there’s no denying Simon Porte Jacquemus has always excelled at this practice if the buzz around him is anything to go by. It makes sense given the last year of us all being stuck in and suppressed that a lot of us are already romanticising the summer ahead, anticipating picnics and beach days and general Theresa May running through wheat fields type shenanigans galore, in spite of how dubious an assumption it is to make that British weather will allow for this; Porte Jacquemus has very much catered to this wishful thinking and the popularity of the whole escapist “cottage core” aesthetic, sexing it up a little bit with pieces that hug the body in ways only Mugler knows how whilst being lightweight and relaxed enough to look good with windswept, sandy hair and a little dose of sunburn. I’m talking enough to give you some cutesy freckles and rosy cheeks not PSA on the importance of suncream territory, guys, what is it with those of us on the gen Z/millennial cusp not taking sun damage seriously!? Why do I have to beg so many of my friends to wear it!? Does nobody else remember those photos they’d show you in PSHE in English primary schools of burnt people’s skin under UV lights? Or is that just me being weird and only having such a vivid memory of the images because teachers told us we had to wait until year 6 to see them due they to their “graphic” nature only for my gore-loving self to be extremely underwhelmed when we finally did get that lesson? They showed us a woman giving birth in year 4 for fuck’s sake. THAT was traumatising.

Back to the actual point anyway, with just a couple of negatives, the first of which being that the pieces are very similar to those feminine looks we saw dotted about the Jacquemus menswear collection from last year that were all over fashion Twitter. In Simon Porte Jacquemus’ defence though, it makes sense that those tones and silhouettes would be revisited in a full womenswear collection for that very reason; considering they went down so well and that lockdown gave us a bit of a half-baked summer in 2020, expanding on those elements enough for a whole new collection makes good business sense. We did get some cool additions too, mainly in the form of accessories, with the hardware details on the belts similar to those included in the Givenchy collection and the abstract hair slides being standouts for me. It was all exquisite-the shoes, the jewellery, the styling, everything 10/10. My other nitpick, and I say nitpick not because it’s not important but because it’s an issue that’s hardly restricted to Jacquemus (this casting team are far from the worst offenders, Saint Laurent I’m looking at you), is that I WISH we’d see more diversity with the models. Despite what my body dysmorphia yells at me, I am small, and yet seeing all those fucking minuscule waists made me die a little inside; it’s crazy to me that in 2020 the lack of variety in body types on the runway is still such a problem.

I must have said this a million times but I don’t want to end on a negative note so let me reiterate: this collection was STUN. NING. Plus there were some others I’ve talked about in this post that I’m sure will make it into my top 20 in the final part, Jacquemus, Dion Lee and Etro for sure; we even got some gorgeous pieces from Maria Grazia which I thought was a sentence I’d never type out. Have I said enough to not leave a bad taste in the mouth of anyone who read to the end of this post? I hope so, lol! TBH, it’s impressive given everything that’s going on that the majority of designers did roll out collections in September as usual so serious respect to them and their design teams for that.

In the next post, I’ll fingers crossed be able to include everything from Kim Shui (exciting!) through to at least Off-White (actually pretty good this time?!) and make this whole thing a 4 parter before getting straight on top of the photo posts I’m thinking about doing for the time being for the F/W21 shows. So as usual, if you did read to the end thank you so much and I respect the perseverance you must have to get through all my rambling, lmao. Hope everyone is well and coping okay and again, my inbox is always open for any post suggestions, constructive criticism, or just a chat for anyone who needs a listening ear.

Big love and thank you again!

Lauren x

[riskeith]

happy weekend dearest!

other than the snow angels, i haven’t done much.,, just been cozying it up with coffee and blankets at home hehe. 30 degrees... amazing. ideal feeling like a rotisserie chicken weather. 😌 bc of global warming we’ve been having some great summers these past few years. it even gets to 30 degrees as well which was unheard of tbh.

you’re so cute for caring ilysm <3 and aaa! a walk! do you have any perticular place you enjoy walking to or does the winds guide you, hehe? EDITING A FIC... 👀 i’m looking respectfully...... 👀 wait did the event open up for you already? i tried to play it earlier today but it wasn’t there yet... the lost riches one right?

bennett is best boy i still can’t believe it either!!! he’s seriously the cutest he just makes me so happy. when i need to explore and run around i always run with him bc i love his lines so much. what a bebie. you should go for it there are still some days left! + he’s a four star so he’s easier to get. GUOBA IS SO FUNNY he’s just.... a little fucking bear i can’t stop laughing... tbh the little creatures like amber’s bunny too just 😭 have you seen those yt clips of them dancing? obsession..

i need to ask you this bc when i found out i lost my mind: did you know that the japanese va for razor is also the va for tsukishima (haikyuu) and shigaraki (bnha)???? insane!!! it made me consider switch to japanese dub tbh.. which dub do you use?

maybe i’ll send you a little part and you can read or something shdkdhskdjdjf help 😳 it’s not edited or anything so it might take a while plus i’m super into writing bnha these days so.... but hey if You have any prompts you want to read maybe i’ll write a drabble for you. i don’t mind at all! <33333 ask for anything!!

(FIC-COLLAB!!:!/$:)!:&//&/!$:’sidnd HELP.... omg what kind of fic would we write....?)

exactly! i think when you realize that there’s nothing keeping you there anymore that brings you joy, that’s when you need to step back. social media is a bit fucked up that way imo. like you want to be there to be informed and to have fun but it takes so much.. hm. also you always tell me this but i wanna tell you to that YOU are the reason i enjoy social media these days so.. thank you <3

you relate to bakugou and lance? that’s super hot of you.. 🥵 my wifey is a self assured, super intense and talented person.. couldn’t ask for better tbh. i think out of them both i’m pretty much like todoroki.. we’re super similar in so many ways now that i think about it shsjdhdhdj.. how about we just stay c.r and m.a our dynamic is perfect as is LMAO

DOUBLE VENTI! I’D LOOOOVE THAT FOR US. bow users are difficult indeed but venti is one of the easier bow users it feels like... idk watching others game play he doesn’t have as much pushback as say amber for example. 12K PRIMOGEMS..... babe you’re getting your xiao!!!!!! how long have you been saving? also i seriously don’t mind if it comes down to it hakshddkhd i can be your genshin sugar mommy... ;) imagine a c6 venti though that seems insane. literal insanity.

SPEAKING OF SHIPPING.... THE POST YOU POSTED... THEY STOLE OUR IDEA AND IT LOOKS SO CUTE AND ITS CHONGYUN AND XINGYUN WHICH IS EVEN BETTER... THEY LOOK SOOOOO CUTE TOGETHER I’M OBSESSEDDDDD!!!! <3333 dude idk how but we are doing that co-op date somehow i’m super inspired i want that for us so badly... (also i need to say smth... my love language is when people say ‘i thought of you when i...’ and the fact that you said that just hsjdfhjdjdksk shit)

actually you’re right.. the only way we’d get a sequel is if they did something with the mfe fighters.. like kinkade james veronica nadia and ina. idk how attractive that would be tho...

i’m a lady, my dearest *dips* no but my pronouns are she/her!! sorry i didn’t mention it before i thought i made it clear shsjsjdkdj. ty for asking tho ♥️ super sweet!

AAA!!!!!!!!!! EEE!! i’m super super excited. if it’s like,, too public and you don’t just wanna post it i might think about exposing myself or smth... if that would make you more comfy. no matter what you do i’m just gonna be here buzzing, *hinata voice* one more one more one more.

oh!! i listen to everything but kpop sjdjdkdhdk i did have a semi-phase around like 2014-19 ish but dropped it pretty hard . now i have no clue what goes on there anymore i mostly enjoy rnb indie n rap/hip.. my gay ass was considering making a little playlist or smth for u but i want to make it with songs You’d like so i might pull up my old kpop faves hehe..

guess chilling is out of the question then, heh. hope you slept well!! i’m gonna try to wake up earlier so we’ll have a chance to send more messages during the weekend perhaps... mwah!!

YOURS, m.a. <3

happy weekend!!!! hope you can ease up a bit since there’s no school hehe

“feeling like a rotisserie chicken weather” FHSKFHKSDF yes!! but it honestly sucks when it gets any hotter bc we don’t have central cooling in our house so rip... and my laptop fan goes crazy ahaha. 30 degrees being unheard of.. can’t relate! fsdfjs. have you guys had to adjust to those changing temperatures? rip climate change tho :’(

<333 i do!! i usually walk to the local park and then the streets around that.. omg speaking of... do you play pokemon go? DHAFKHSDKFHSKDFHKSDH i got back into it again recently ahaha. it’s for a free bakudeku zine!! hehehe it’s out at the end of jan so 👀

i just checked and the event is open !!!!!!!!! good luck hehe !

yup lost riches!! and the event opens at 4am server time, so since i’m in asia i get it earlier hehe which colour seelie are you gonna go for tho omg i was debating it with my friend last night.. i’m gonna pick gold!!

baby bennett!! that’s true but i can’t risk getting a 5 star otherwise my pity will reset for xiao fhdskfhskjfhkjshkfj next time :(((( but albedo /is/ super pretty and i see a lot of people saying they like him... NO !!! xiao only >:( no omg i don’t think i’ve seen those clips ? is it mmd where they like dance to other songs and stuff ahah

yes i did!!!! and the VA for diluc is giorno from jjba and kuroko from knb!! omg wait and venti’s VA is hinata did you know that? fun fact i guessed it was him when i first heard his voice LOL that’s my secret talent 😩 and i use japanese dub!! i’ve considered using chinese too bc i can understand it but i just like the japanese voice actors tbh and also i can excuse it as “listening practice” AHAH

yes pls!! sending something bnha is fine too, or legit anything else lmao i’m open arms over here~~ 🤗👐 and ooft... it’s hard thinking of prompts that’s why i always ask others HSDKFJHSDKFHSD but i’ll let you know if i think of something!!!

(no clue!!!! but we could each write from a character’s POV so hopefully it’s more consistent 🤪🤪 idk i have no clue how fic collabs work AHAHA)

yeahhh one of my mutuals said “social media is a curse” and honestly hard agree.. we’re all kinda trapped in a way LMAO. and no pls don’t thank me.. you’re the one who found me first 😩💘 ily..

FSDHKJFS pls you’re making me blush come on 😳😳 but yes i love that for us... m.a. x c.r. the only valid ship 😩

woooo!!!! yeah you’re probably right, like given the fact he’s a 5 star his mechanics are probably different.. i know that diluc’s charged attack is different to the other claymore users so! IM GETTING MY XIAO!!!! and hm i’ve been saving since the middle of zhongli banner! so december 10 ish around then? dragonspine was a blessing tbh i reckon i got sooo many primogems from that. FGJKSHFKJSDHFKSDHSHKJFH my genshin sugar mummy 🥵🥵 c6 venti unstoppable..

AHAHAHA YEAH THEY LOOK /SO/ CUTE TOGETHER!!! i wonder how they got so many of the images tho like they must’ve been so in sync?!?!? ugh that could be us but no cross-server co-op be playin’.. (fhdskjfhdskjfhs um!! noted for future reference 🤪)

omg them.. i always forget about them LMAOOOOOOOOO ugh. actually i wouldn’t be mad if we got a prequel of like when keith was in the garrison... or even when shiro was with adam... ugh so much they could’ve given us and they chose not to

*waggles eyebrows* well hello there, m’lady ;) and it’s fine fhdskjf i had some inklings but didn’t wanna assume ya know? ahah :p

no!! it’s all g, i’ve thought about posting it before anyway. like, just releasing all of my WIPs and letting people do what they want with them HAAHA. (i could also just put the link under a read more and less people would see it, so it’s no biggie!) fkdshfkjs the hinata impression omg precious <33

FJHFDSKJ awks ahah which groups were you into tho! if it’s not like scarring for you to think back to LOL. and oooo i like indie too! i think.. or is it alt? honestly i don’t even know, tbh my music taste is pretty diverse and a mess, i can usually listen to a lot of things. except slow songs i don’t really like those hfdskj. and i don’t like rap too much either FHSDKJS whenever my friend gives me a rec i’m just like “oh i liked the singing parts in that” FDSKJF. a playlist tho huh 😳🥺

and pls!! if the weekend is your only chance to sleep in then do it.. for me 😩 i’ve been legit waking up at 12pm these past few days FKJHSKDF idek why like i’m sleeping 10 hours?? yikes. but as always i shall be waiting for your response <3 💌

[jq37]

oh my GOD the new ep!!!! like!!!!!!!!! SO MUCH happened but then also the preview for the next ep looks SO GOOD

**spoilers for first kisses and last words**

Hoo boy this was, as I predicted, a BIG one. Not that I needed to be an oracle to figure that out since there’s only a few eps left but man did it deliver.

I still think that Cool Kids, Cold Case had the most off the wall nonsense happening in the shortest period of time but this ep I think was overall the most consistently wild ep.

So let’s take it from the top.

I think I forgot to mention it before but Adaine’s, “I go into a rage,” hardcore cracked me up.

“I have hold person.”/”I stuff a sock in her mouth.” Insult to injury Adaine. 

The entire group dunking on Aelwen, forgetting that Riz is literally bleeding out, half dead.

“sausage festival” 

Adaine really was dead serious about her snitching threat huh?

Ally miming a boom mic.

I love how everyone including Siobhan mess up Aelwen’s name or mix it up with Adaine’s half the time.

And speaking of, wow. What a rise and fall for her in 3 eps (and about an hour in game time). She’s queen of the nerds. She’s not even cool at her own school. And terrified of whoever she made whatever shady deal with. I know she literally tried to kill the whole party last ep and that she’s the worst but I almost feel for her.

Almost.

“This is not on you. This is on the world within which you inhabit.”

I love Adaine’s semi-indigent, “We’re not going to kill you,” because Alwen was 100% ready to murder them which, side note, imagine how much on an international incident that would have been.

Lol at the group tag team bullying Aelwen about going to Mumple and Adaine using her magic jacket for super petty BS.

“Hey mom!”/”GodDAMMIT honey.”

The parent/kid relationships are so good in this show.

Everyone but Kristen parkouring off the roof when Sklonda specifically set up a ladder. 

“The put a girl in a palimpsest,” followed immediately by, “She went to a party,” as if those are on the same level.

Sklonda Gukgak DUNKING Aelwen into the squad car with a technical assist from Adaine. I knew she was gonna be my fave parent from her intro scene and I love her even more than I thought.

“With all due respect, (A/N: Which is none), suck my dick, fuck you.”

“She tried to murder me.”/”BE THAT AS IT IS.”

“Eh, you carry a gun.”

“No one who’s detecting maidens is a maiden.”

I feel like I’m quoting a lot today but there were so many money lines this episode. 

Everyone always loses it when Brennan starts doing the Identify spell voice and I love it. 

Adaine’s dad is T R A S H

Adaine’s mom on the other hand…I’ve been wondering about her for a little while because usually the outright emotional abuse has been from her dad while her mom is either not there or not saying anything. So I’ve been wondering was her deal is and we finally got the start of an answer. I know we only have a few eps left but I hope we go a little deeper into what exactly is going on there. It seems like Adaine’s parents are gonna be a big factor in whatever endgame is planned so fingers crossed,

Everyone cracking up as Emily backs Fig into a corner talking to Penelope. 

I love Gorgug so freaking much. Just his good natured, lumbering self. EVery time Zac opens his mouth gold falls out. 

Emily MAXED out her deception huh?

I think Siobhan must have forgotten that she took the crystal with Ostentasia away from Aelwen at the end of last ep. Either that or they willingly gave it to the cops and I forgot (but I think it’s the former because she said in this ep that it was in Aelwen’s pocket when at the end of the last ep she def took it).

My autocorrect keeps wanting me to type Ellen for Aelwen. I WISH.

I knew it! He’s a PIRATE. Suck it Fabian. (lol at Adaine stirring the pot. That was like Adaine being sincerely polite and Siobhan trying to cause problems and I love mixed motive player/character decisions). 

I wonder if the banker is named after John Hughes. 

I can’t believe the dumb bank is actually a huge plot point.

Yikes, re: Bill and Fabian. That got tense. Though I’ve kinda been waiting for some kind of blowout for a while. His dad runs very hot and cold and I figured it would only be a matter of time before we saw some of the cold.

Also, Lou breaking character in the middle of that very intense moment to clarify a plot point. 

Sidenote: For a hot sec after reading the title of the ep and remembering how Sklonda is competent to the point of (probably) breaking the original plot, I was so concerned she was gonna eat it this ep. So glad she didn’t.

Anyway, the idea of swinging sadly on a rope is so freaking funny.

Fig: Can I offer you a sad song in this trying time?

Huge portrait of Bill Seacaster in Fabian’s room. 

Adaine is gonna bring up him kissing her sister very time she needs to get out of something w/ Fabian for the rest of her immortal life. 

Another sidenote: This is a little thing but I always think it’s interesting when fantasy worlds have the same months and days as us when they’re named after like Norse Gods and Roman statesmen that wouldn’t exist in their world. Same with Roman numerals and Irish coffee. 

“Am I allowed to smoke in here?”/”Of course.”

I really like the character detail that Adaine is always really polite to everyone, including/especially people like Fabian’s maid and Basrar. People that she wouldn’t necessarily “have to” be polite to, you know? It’s like she’s trying to make up for the fact that her family is a bag of dicks. 

“Fantasy Google”

The whole bit with Fabian’s porn stash was so good. This group is so good w/ yes-adning each other.

“Privateer me a new one.” Emily is so good.

“Special investment” Suspicious  

I was thinking “I can’t believe looking at a bank’s FAQs is part of this game,” right as Brennan said it.

So I went back and watched Siobhan’s face from when Emily first mentioned Kal Vaxis to when she got the connection to KVX and it took her 22 seconds. I also missed the quick cut to Brennan when Gorgug asks, “What is Kal Vaxis,” and you can tell he knows they’re so close to breaking it with the little grin on his face. I wish we had gotten a reaction shot right after she got it. Anyway, great team solve w/ the MVP trophy to Siobhan/Adaine. 

I loved when Zac, Emily, and Siobhan all whipped out their laminated maps in tandem to figure out what was happening. 

The hard mood change from Adaine dropping the bomb about Riz’s dad and to forming a committee to help Gorgug flirt with Zelda was wild.

Kristen telling anyone to be suave is hysterical. 

What a DISASTER of a committee Gorgug’s friends are. Well meaning but so trash

Fig: Tell her you got a SICK tattoo

Adaine: Bring her to see art in the middle of the night

Fabian: You cannot date this person (Kristen: You absolutely have to)

Kristen: Actually not garbage advice but she is in no position to be giving dating advice to anyone 

Riz: Having a literal existential crisis 

“Who else is he gonna date?” WOW, savage Adaine.

I meant to say this before but I love how Adaine’s go-to is immediately ice cream and she’s always on board to go to Basrar’s. Like how when she texted everyone 2 eps ago she was like, “Let’s get ice cream now.”

Mmm, don’t love that Gorthalax isn’t answering his phone. I have been waiting for a significant adult to die for a while now.

OK, look, the whole thing about Penelope and Dayne being eternal prom king/queen. Is it wild? Yes. Is it implausible? No. No it’s not. Even Murph, most veteran player, was kind of like, “Wait, does that make sense?” Because, in this setting, it kind of would? I’m not sure it fits within the story so far and I’d have to go back and listen to the more lore-y stuff again but the conceit itself is like the exact right amount of crazy to fit in this setting? And they never cut to Brennan like I wanted so I could judge his face for any kind of tell. But anyway, you guys know I’ve been predicting a prom finale and this would fit right into a prom finale. 

The girls giving Gorgug a pep talk before his date was ADORABLE. 

Gorgug having to check his phone to remember three words, “You look nice.”

“Your friends are popular and loud” True

Zelda’s a BARBARIAN! She’s a MEGA BARBARIAN! 

I know they mean ecstasy like intense emotion but I kept thinking, like, molly.

Hmm, so Penelope wanted to know if Zelda had hooked up w/ Gorgug, ie: if she was a maiden. Can they only palimpsest maidens? Or (as we will get to later) does nice guy Biz only want virginal maidens for his creepy reverse Weird Science arcade setup?

Zelda listing off every type of metal and then Gorgug’s, “Same stuff,” was perfect comic timing on Zac’s part.

Imagine the Hangman screaming down the road on fire, Zelda completely terrified. 

I love the Hangman so freaking much.

“DO NOT GIVE TREATS TO MY MOTORCYCLE.”

I can’t believe everyone is living at the freaking crappy apartments. I knew they were all gonna end up hanging at one persons’ house but I kinda figured it would be Fabian’s house or Gorgug’s house. 

I”m also concerned about Bill. I feel like we keep getting reminded that he’s mortal a LOT.

Did Gorgug’s parents have indoor fireworks on tap for Gorgug’s first date?

Oh my God the whole docking conversation. Never play chicken with Brennan because the dude will not blink.

“We didn’t do that.” That’s his other best comic timing moment of the ep.

“Polishing my axe”

Kristen this episode 

I really wish they’d made the roll to find Ragh later in the ep. Fig is so ride or die for Gilear now and I love it.

“I fall asleep.”

Adaine almost making her parents dunk on Gilear but then pulling back.

But also, Adaine and Gilear going off the the oracle together.

“Fig pack it in.”

Affirmations with Fig and Gilear.

Fig, do you really think platonically cuddling with Kristen is the move?

Riz setting himself up for a dramatic entrance is so fantastic.

Hmm, so Biz and Zayne were attacked at the same time. That’s why that cold pill detail was in there way back. I’ve been trying to figure out what was always planned and what was quick re-working but Brennan is so good I can never really tell.

Are multiple unrelated groups just getting into palimpsests at the same time? Or mostly unrelated groups tied to one person?

“We are not gonna get our security deposit back.”

RIZ’S DAD IS JAMES BOND! YES! I didn’t know I wanted that to be the case until it happened and now that’s the only acceptable option. 

Riz didn’t get the 20′s he needed when fighting Aelwen but man he got it at the best story moment this week.

Oh man that home movie

The pearl is grey. Interesting. 

“Mom our family is so awesome Mom we’re all so badass, I thought it was just us but Dad is awesome too, why didn’t you tell me Mom?”

Sklonda: Internally screaming. 

Man he went full Inigo Montoya.

“I’ve got nimble escape so…”

“I guess we have a two bedroom,” I think was a really underrated funny line.

Did Riz ever tell his mom about the time of death thing.

Everyone inundating Gilear with overlapping chatter.

lol the Hangman likes Zelda’s family

Ally’s panicked, “FUCK” is always hilarious. 

Why are all the adults in Gorgug’s life trying to get him laid?

OK so the elementals were conjured by Aelwn’s magic Brennan said. He said by Aelwen’s magic, not by Aelwen. I wonder if that turn of phrase was specific or arbitrary. Like, we were told where Aelwen is but we don’t know. Was she forced to do it (either by threat or by magic)? Clearly someone (Biz?) is pulling her strings to at least some degree. 

“It’s probably about marriage.” “WAR HAS BEEN DECLARED.”

That happened fast

Fun fact from my International Law class: When a government kidnaps someone, it’s called rendition. 

“There’s a war, fuck school.”

Yeah it is wild that Adaine’s parents didn’t call her.

OK so did the Elves get Aelwen back but also go, “But you still need to go to jail.” Because they cut Brennan off before the end of that sentence which might have had more clues in it.

“I text my mom k”

I also wanna know who gave Kristen a slushy marg (It’s war times. I bet things are looser now)

Murph’s face when Brennan said, “Lucky Stones” was so good. That was so Riz.

S/O to Ally for pre-casting Guardian of Faith. Good instinct. 

AHHHHHH BIZ

As I said in an earlier conversation s/o to Adaine for DUNKING on him at every opportunity because he DESERVED IT. Also, her instincts for who sucks in this game have been spot on.

Another s/o to Riz for having the presence of mind to not pull a Star Lord and to pretend to be on the bad dude’s side for long enough to gain some kind of upper hand.

OK, wow was not expecting that twist. I feel like I need to go back and rewatch some stuff to get a better handle of the timeline and stuff. Like, when exactly did the girls start going missing again? And what year is Biz? Has he been masterminding this whole thing? I feel like no but I feel like he’s masterminding his own thing which happens to a puzzle piece in something bigger? BUT IT’S A PRETTY DAMN BIG PIECE. Who opened the new arcade? Is it connected to the bank?  How did Biz get involved? Who’s his supplier? Did someone hook up Biz, Daybreak, Penelope, and Aelwen with Palimpsests to do their own separate things, hoping that at least one of them would succeed which would somehow be good for the mystery person? I am so excited to find out and I really hope Brennan and the cast do a Q+A sesh after S1 is over to hash some stuff out.

Siobhan’s face when Biz said he was going after Adaine.

ALSO, you’re just gonna TELL RIZ and you wanna PUT ONE OF HIS BEST FRIENDS into a MAGIC CRYSTAL???? AND YOU THOUGHT HE’D BE ON BOARD? Like, even if he was, what about the 4 other people who are there?????

(sidenote, wild Gorgug’s parents just left them alone, no questions asked)

Theme-wise, this is the fight ep I’m most excited for. It seems rad as hell.

All that yelling in the promo for next week. Either the raddest thing possible happened or there was a TPK. There is no other option.

Wow, that was a stellar ep and this is a really long post. I really can’t wait for next week’s!

Edit: I meant to say before, is Penelope’s FB album like…a hit list? Like does whoever’s doing the actual dirty work (Biz? S/o else?) know that whoever she takes a picture with is who they should target?

[borisbubbles]

12. DENMARK

Rasmussen - “Higher ground” 9th place

Ok, so somehow, in a contest with a nautical theme, the one song which *literally* started with the line “Ships in the making, bound for a distant shore” never got to open any of the live shows??? ¿¿Que??

So, Denmark. Quite possible the opposite of my previous entry, yet its greatness is just as challenging to put into words? As much as “Taboo” was a inaccessible conglomeration of every possible fucking staging trick, so simple was “Higher Ground” It is a great song, but I find it hard to explain why. It is just so much fun? 

It’s like a chapter of the Edda Saga come to life, with its Old Norse chanting, banner-swaying and feigned-drunken slrrrrring uv wrrrrds creating a truly immersive atmosphere. (I love all things Norse, so I was never NOT going to stan this) I love how one of the backings looks like precisely like Conchita Wurst’s long-lost sister. I dunno, Higher Ground just shines on its own, without the need of convoluted gimmicks (tho still bless Malta’s souls for burying “Taboo” under them for no other reason than it (barely) fitting within their ad-funded budget <3). 

So it’s of no surprise that this ended up the Michał of the year, yes?

As you are well aware of, Eurovision is in a continuous process of ‘reinventing itself’, which is code for ‘rejecting its Euroschlager roots in favour of increasedly pallid Ultratop50 knock-offs’, like guuuuurls you can do better than that. Think of an entry in this year that was actually *original*. I come up with... “O Jardim”, “Mercy” and maybe “Hvala, ne!”? Congratz 3/43.  This shocking display of self-loathing creates a power vacuum for the few -for some godforsaken reason- critically panned Euroschlager anthems which *do* make it into Eurovision proper. As the only entry in this year (out of 43) which can be described as “classic eurovision schlager”, “Higher Ground was always going to attract a lot of attention. Add in a few clear-as-crystal references to Game of Thrones (Rasmussen is literally Tormund + guyliner and a weave), a ubiquitous Viking tone and just general dramatic badassery, you’ve found yourself an audience’s fave and the bane for any jury chairperson’s existence. 

This is the long explanation why “Higher ground” is actually a great entry. It is the only entrant, in a year so widely praised as the “first serious contest in years”, that actually feels traditionally Eurovision.  For a brief moment, we are hooked up on pure Classic Eurovision, the term often used to describe the time when “Eurovision Songs Were Still Good”. 

And yes, it is highly ironic (and tragic) that the one entry that reminds many of that very murkily defined time period venerated by the critics, is also one that was critically panned by crappy self-important jurors. Would it that jurors had any self-awareness (I’m pretty shocked the EBU were able to find 43 rooms big enough to house the jurors and their egos), but oh well.

I suppose this is where I address the Melofestivalen shit, yes?

So, the jist of it is this: Two Swedes write “Higher Ground” for Melodifestivalen and get brutally rejected by Christer for reasons I can only guess, as HG was far better than anything in Melfest this year.. (Christer = Melfest’s Jeff Probst). 

Considering that Denmark has a herstory of recycling past Swedish trends- omg reminder that the 1986 Danish entry was a frame-by-frame carbon copy of the 1985 Swedish entry 😂,  please enjoy the pictorial evidence I have provided in support of this statement

 ps: I love that the Danish entry was called “You are full of lies” so unselfaware, so meta, so Denmark <3 

but I digress. Anyway,

Considering that Denmark has a herstory of recycling past Swedish trends, they of course picked up the "Higher ground”, put it in DMGP, substituted the Swedish singer with a Danish one and voila! The melfest reject wins DMGP with his fingers up the nose, cementing his place amongst the canon as an audience darling, and YES scoring significantly better than Ingrosso in the televote 😍The discrepancy shown by televote wasn’t as hilar as “Colour of your life” rising from last to sixth with one sudden stroke (given that Sweden had a higher combined score than Denmark somehow 🙄) but whatever, the ending was perfect because much like the Edda, this Viking Saga also ended with the evil trickster getting swallowed by the World’s Serpent. Sorry, Christer, should’ve taken the LEEP LAKYU WERBWND; FRR HIYRRRR GRWWWWWWND!!!!!

RANKING SO FAR:

12. Denmark (Rasmussen - “Higher ground”)

13. Malta (Christabelle - “Taboo”)

14. Cyprus (Eleni Foureira - “Fuego”)

15. United Kingdom (SuRie - “Storm”)

16. Serbia (Balkanika - “Nova Deca”)

17. Portugal (Cláudia Pascoal - “O jardim”)

18. The Netherlands (Waylon - “Outlaw in ‘em”)

19. Ukraine (MÉLOVIN - “Under the ladder”)

20. Macedonia (Eye Cue - “Lost and Found”)

21. San Marino (Jessika ft. Jenifer Brening - “Who We Are”)

22. Sweden (Benjamin Ingrosso - “Dance You Off”)

23. Austria (Cesár Sampson - “Nobody but you”)

24. Latvia (Laura Rizzotto - “Funny girl”)

25. Azerbaijan (AISEL - “X my heart”)

26. Israel (Netta - “Toy”)

27. Norway (Alexander Rybak  - “That’s how you write a song”)

28. Montenegro (Vanja Radovanovic - “Inje”)

29. Armenia (Sevak Khanagyan - “Qami”)

30. Poland (Gromee ft. Lukas Meijer - “Light me up”)

31. Greece (Yianna Terzi - “Oniro mou”)

32. Georgia (Iriao - “For you”)

33. Belgium (Sennek - “A matter of time”)

34. Italy (Ermal Meta & Fabrizio Moro - “Non mi avete fatto niente)

35. Romania (The Humans - “Goodbye”)

36. Ireland (Ryan O'Shaughnessy - “Together”)

37. Croatia (Franka - “Crazy”)

38. Belarus (ALEKSEEV - “Forever”)

39. Russia (Julia Samoylova - “I Won’t Break”)

40. Spain (Amaia & Alfred - “Tu canción”)

41. Iceland (Ari Ólafsson - “Our choice”)

42. Australia (Jessica Mauboy - “We Got Love”)

43. Czech Republic (Mikolas Josef - “Lie to me”)

FOOTNOTES

1. I couldn’t really fit it into the narrative, but the actual reason why Rasmussen is only 12th and not higher is because I found the act kind of visually underwhelming. (the snow at the end is particularly sad) Like I said, the song is great and I often have it on loop, but the act is a bit too small for a stage that big.

2. That said, “Higher Ground” is by far the song I’ve listened to the most often this season, which bodes well for any future positive morphs when I rewatch this year in the distant future.

3. Rasmussen bombing with the jury probably has more to do with the lack of gimmicks than the genre of the song. Like I said, the song pretty much carries itself, so if you stop to ponder and list all the things great about it, it all boils down to “the song is catchy and fun”, which is not what juries look at (juries love intricate acts, layered complexity and technical finesse, none of which are particular strengths of this entry)

4. Yes, I think it’s MASSIVELY hypocritical to glom onto songs such as “A Matter of time” under the pretence of “It’s a good song” when yeah it was, but everything else was shit and then subsequently ignore “Higher Ground” for being “only a good song”. wtf.  

5. While I do enjoy trashing the juries on a regular basis, be aware that during the actual Jury Era of this show, none of the juries were professional. In fact, when I rewatched 1978 and 1985, both times the hosts were ADAMANT to remind the audience that the juries were in fact NOT professionals, but 10 randomly selected civilians (Celeb and non-Celeb) with no direct ties to the music industry whatsoever. This is precisely why entries such as Riva, Bucks Fizz and Toto Cotugno managed to win a ’jury vote’ with a comfortable lead lmfao imagine that happening now. Anyway, the bottom line is that today’s “five professionals” jury system fucking sucks and has to be swallowed by Jörmundgandr also. 

6. ’Eurovision used to be good before’ is such a weird statement, yet I hear it all the time in relation to the contest (by people of my age group????) Like... what exact years are you refering to, cuz like... the 2000s were trash and I can’t honestly think of a decade as consistently good as the 2010s lol? We haven’t had a weak year since 2012!! (but of course, most of the people I’ve talked about this in person have, by their own admission, not seen a year since 2010 so how would they know lol)

7. If we assume that 'Eurovision used to be good before’ refers to the time when Eurovision was song-centric, that doesn’t make a lick of sense either? If you’re old enough to remember the late 1960s your taste is probably irreconcilable with mine anyway. And yes, while it took until #London1977 before we finally got a ‘gimmicky’ year, this also made for one of the most watchable, consistently fun contests ever, -even to this day- while “song-centric” years like 74; 75 and 78 are grueling to sit through nowadays unless you have the taste of the average Söngvakeppnin voter. Gimmicks were a part of ESC even during the Chanson Era, as the language barrier was a massive hurdle for any song not sung in French. And true, the “gimmicks” then weren’t more than “performing barefoot” or “having a key change”, but good lord it’s the sixties, flat, boring French Chansons dominated and only because everyone fucking understood French, SO GRASPING AT STRAWS HERE.

 8. The funny thing is that Denmark didn’t copy Kikki Danielsson’s evergreen once, but twice. 😂 “Hallo Hallo” (DK1990) was just a repackaged “Du er fuld af løgn“ (DK1986), which as I said, was itself just a slightly different “Bra Vibrationer” (SW1985). It’s seriously some Bra Vibraception shit.

9. I will never stop shitting on Melfest 2018. It was pure Tropical House Torture and yes, Rasmussen > literally everything in that, including the entries I actually like (which were... Jessica Anderson, Ida Redig and... um... Edvard Blom? Rolandz? Margaret? Samir and Viktor???? *gunshot*) 😂/🙄@ rescinding their roots for 2014′s musical fade. Pray that Christer never discovers reggaeton - though who am I kidding, it will dominate ESC selections in 2020, bank on it.

10. Now that I’ve mentioned them, one of “Higher Grounds” songwriters (Niklas Arn) actually was the bass player for Rolandz (who were my second faves in the finale by fucking default). Robbed twice, both in Melfest and outside of it, smfh.

11. Oh and I think “Higher Ground” in the hands of Sweden, absolutely would’ve been guaranteed top five (watch how most of these “professional” jurors suddenly would *like* it because, you know, Melfest Winner) and that’s all the humiliation I need. That said, I doubt “Higher Ground” ever would have actually won Melfest (it has the Heartbreak Hotel “dominates televote, gets screwed over by juries” label stamped all over it) but oh well, that’s just because Melfest SUCKS and the “International Juries” are a fucking farce. So it worked out for the better that “Higher Ground” was in fact not in Melfest, I think. 

12. Rasmussen is actually the first Danish ESC contestant since Emmelie de Forest that I’ve liked. Gratz? 

[orionsangel86]

I totally agree with you on the meta writer drama. You guys don’t write the show, you just analyze it and come up with varying opinions so it’s not fair that ppl place such high expectations on you all. Also to everyone who reads, while this show is very special to many ppl and we all hold it close to our hearts, at the end of the day... it’s ultimately just a tv show guys. It is not worth fighting and stressing over because it’s just art meant to be enjoyed. Hope you have a good day!

PREACH

I hate bringing up wank. I really do. I’m one of those really annoying people who just wants everyone to get along and everything to be sunshine and rainbows ya know? 

But sometimes people let their emotions overtake any logical thought - well, it happens a lot, even to me - and when that happens they fail to realise that what they are posting about is actually really misguided and in those cases, especially when I think it feels like a personal attack against me and others I care about on here, then I wanna say something. 

I literally read a post not 10 minutes ago that someone linked me to, where this person was bitching about meta writers for being happy that Cas had died at the end of season 12. They were saying that we can’t be true Cas fans because we were happy about his death. It made me laugh tbh, because of course we weren’t happy for the character to have died and gone through that pain, but this is what I mean when I say that these people cannot separate their emotional response to the characters with the logical, analytical meta response.

Cas’s death made me cry ALOT. 12x23 had me balling, 13x01 has consistently had me in tears every. single. time. I watch it. Even now. If I was to put it on right now, I would be crying my eyes out because I am MOURNING my FAVOURITE CHARACTERS DEATH.

HOWEVER, from a meta perspective, Castiel’s death was the best thing to happen in SPN for a good few years. WHY? Well, here are some reasons:

1. Because we knew he was coming back. I have to stress this point. The ONLY reason I was so happy about Cas’s death was because I knew he was coming back. If I didn’t know that for certain, I wouldn’t have been happy. 

2. Because it symbolically makes him a phoenix, and the symbolism around Cas is that he has fought his way out of death, depression, PTSD, and a complete lack of self worth. Cas has come a HUGE way from that scene in 8x08 when he told Dean he was suicidal, to fighting against the cosmic entity DEMANDING to be sent back to earth because Cas had something to live for. It was fucking glorious. I obviously couldn’t have predicted 13x04 at the time of 12x23, but I KNEW from a meta viewpoint, that we were in for a treat.

3. Because it would mean a shit ton of beautiful mourning of Castiel from Dean. Because it would have shown Cas haters that they are SO WRONG when they say Dean doesn’t care. Again, I didn’t know exactly what to expect from Dean at the end of 12x23, other than the hint we got from his DEVASTATED expression. But I knew we would be in for something glorious. What we DID end up getting, was better than my wildest imaginations.

4. Because it would be HUGE brownie points for destiel. Now I know for a fact that meta haters are gonna come along and jump on me for saying that - “aahh look at her she’s such a cas hater, she only sees him as a plot device for destiel *angry shouts and yells bla bla bla*...” But lets be honest here, Cas dying was one of the best ways the show could have given Dean the kick up his ass he needed. Perhaps we aren’t quite done with this plot point yet, but my god the destiel exposition we were given from Dean’s grief over Cas was fucking perfect. 

5. Because I knew that by killing Cas off then, it would mean that he would get a happy ending for endgame. Lizzy said something (and got hate for it) back shortly after the season 12 finale, she said that she was still struggling to process how great it was that Cas died when he did, that the show went with that story line when it did, with at least another 2 seasons to go before the end, because Dean kneeling over a dead Castiel with burnt wing prints in the ground was literally Lizzy’s worst case scenario idea for how destiel would happen - in a “kill your gays” kinda way. Make it canon, but steal Cas away for the angst and manpain, leaving Dean alone. Its like the ultimate HORRIBLE ending right? So by giving that ending to us NOW, at the end of season 12, it TAKES AWAY THAT POSSIBILITY. From now on, we know that the show can’t repeat this. They can’t repeat that story line again. So by doing it when they did, and by then bringing Cas back, they have effectively killed off the worst case scenario ending. This makes me live.

6. Because it lead to a summer of glorious PR that was extremely Misha and Cas heavy and basically everyone rallied round to show their love for the character and for the actor and I have never been happier seeing so much Cas and Misha love in fandom and outside of it. It was fucking amazing and I had tears in my eyes so often I’m surprised they didn’t dry out. Plus it really pissed off the bibros/Cas haters. I mean, they were CONSTANTLY on the war path and it was so fucking hilarious. They even speculated that Misha would only come back as Jimmy or some shit like that and when I got told about that I once again had tears in my eyes but for a different reason.

Basically, Cas dying was a fantastic thing to happen at this point in the show. From a meta perspective of course. Also from a story perspective, because the wealth of character development that came from his death was almost astonishing. 

From an emotional point of view, yes, it was painful for me, as a Cas fan, to watch my fave die, to watch his body burn on a pyre, to watch his loved ones mourn him. It was so fucking emotional I struggled, but the meta kept me sane. Because I knew it was all worth it. Think of the wealth of Cas positivity we had both in-show and out of show. When for years we have been upset that Cas is always sidelined, always left out of PR, promo’s and photo shoots. Not anymore. Cas’s death made him front and center. I have never had a happier summer as a Cas girl than I did in 2017.

Anyway, sorry for going off on a tangent that was totally irrelevant to your ask, but reading that persons post got me annoyed. People that don’t understand meta and then go and hate on it really piss me off. 

You are right though. It is just a TV show. I wish people didn’t get so upset about things - I say this knowing full well I fall into this category myself. I think I am overly protective of other meta writers though, because I see them as my online “family”. They think the same way as me, they obsess over the same things, and pick apart the canon and discover new things about it that make it richer and more colourful. Meta brings so much more depth to the canon TV show, and for me, I guess, it is more than just a show for that reason. It’s a community, a passion, a family and a big part of my life. I love it. I always try not to let wank stress me out, but sometimes I feel I have to defend my turf ya know? Especially when the arguments being made against us are just completely without merit.