#anyway. as ive said before. you dont have to *like* it

[the-nefarious-vampire]

inch resting that lena said there were both benevolent and malevolent powers now and didnt allude to any Entities being in control (she said that the oiar was "managing" the bad guys which suggests there's either no higher power that she she's aware of, or that the higher powers control the oiar somehow). i mean obviously thats not the full story, and her version of events is probably pretty faulty knowing magnus, but it does sorta seem like these guys are running around unchecked. so maybe instead of an overarching forces deal like we had in tma, the cases are more separate.

anyway i think it's not quite to do with devotion or obsession or love and more to do with belief, or like, how many people you've made an impression on. how strong of an Idea you are. something something scp cognito hazards. inksoul and mr bonzo and violince guy had their fans (and god knows where that violin had been before he got his hands on it). the most recent dude had complete faith in the betting (?) app and im sure many other people did too. needles obviously got strength from people being afraid of him. the volunteers had their "great cause". all this i think has Implications for sam's new obsession with the magnus institute too but thats not what im talking about rn

it's also possible that this malevolent/benevolent split is totally arbitrary human categorization. we'll probably have to meet some of the Good Guys before we really start getting to know whats going on, but thats probably a ways off yet cause of the nature of the oiar, as revealed by lena last episode. they just wont be showing up in reports, thats not what the system's for. some of them kinda toe the line, like the dice, but i dont think we've met any Good Guys yet. maybe they'll show up and fix things in one of the reports or maybe they'll bust down the door to the oiar or someone will run into one in the outside world like how sasha met the distortion or maybe colin will fuck with the system so much it starts reading reports of chill people who cause flowers to bloom around them or who always have a pen if you need one or whatever. maybe the heavily tattooed person from episode 11 will turn out to be a good guy idk ive not checked out the arg i could have embarrassed myself so bad so many times this post. either way if im right that means that santa's probably real in this universe. also every religion simultaneously

[coolnonsenseworld]

Samurai and Ninja in crappy pics because December here is under a constant cloud and I just want y'all to see them all golden and cute without learning how to take aesthetic pictures 🥴 💙❤️😆🥰

linktr.ee/Mezzy

[autisticaradiamegido]

day 226

team charge got me feeling emotions

[skeletalheartattack]

[spitblaze]

i think if you call yourself an 'art lover' but only ever engage with comfortable unchallenging material and call things that make you upset or uncomfortable or god forbid are not aesthetically pleasing 'not art' or 'bad art' you probably dont actually love art

[whack-patty]

So guess who completely forgot that chocolate milk and strawberry milk is such a big internet thing and made a poll in the heat of the moment and now my inbox is full of T H E funniest tags but also now i can't find any of the non chocolate/strawberry milk debate stuff in the chocolate/strawberry milk flood i am drowning in

GOOD GOLLY

[tonariofjananda]

I think about this moment a lot.

Like. It feels really rude that Fushi’s just brushing Tonari off like this, jerking his hand away as if he’s annoyed she even tried to touch him in the first place. The fact that we don’t even see his expression when he does this makes it feel extra brutal. But I think a lot of people see this scene as if Fushi rejecting Tonari’s ‘advances,’ so to speak, and I’m not convinced that’s what’s happening here.

Like, yeah we see that big love bubble at the corner of the panel while she’s telling Fushi how important he is to her, but Tonari’s just reflected on how she feels about him and ultimately rejected her own feelings. Romantic love is not something she wants to feel for Fushi. So I don’t think she was working her way up to a confession. At least, not intentionally (it’s not her fault Fushi’s an empath)!

Instead I think this scene is supposed to be a parallel of the moment that happens between Gugu and Rean.

Gugu doesn’t tear his hand away from Rean’s because he doesn’t want to hear her confession. He isn’t running away because he doesn’t love her back. Gugu pulls away from Rean because he’s rejecting the concern she has for him and his safety. He realizes there’s something greater that he needs to focus on, something he feels only he‘s strong enough to take care of. And he wants to take care of it to keep her and the people he loves safe. Gugu loves her, it’s just not the right time for him to indulge in it.

In my opinion Fushi feels similarly to Gugu (not the reciprocation part though). He appreciates Tonari’s concern and love for him- that’s why he smiles a little and thanks her- but it’s not the right time for him to indulge in that. He‘s still trying to prove that the world is at peace (something he’s doing because of her, for her), he doesn’t need or want her getting involved in his fight against the nokkers.

I wanna reemphasize that I’m not trying to argue that Fushi secretly reciprocates Tonari’s romantic feelings- he’s already said he’s never felt that way about anyone before. I just don’t think he’s outright rejecting them either.

I think the hands in this scene are also what get people thinking this scene is a little more romantic than it is. It’s a standard cliche where one character stops another from leaving after all lmao. But this to me is what solidifies this as a scene that’s not inherently romantic.

Them grabbing at each other like this is a much older, a much deeper thing for them. Back when they were on Jananda, they’d often grab at each other’s wrists because they could never quite see eye to eye. Tonari specifically would grab at Fushi’s wrists a lot when trying to impose her will on him and drag him along. Once they start understanding each other, however, their hands actually touch (ex. Tonari pressing Oopa’s blow dart to the back of Fushi’s hand).

This scene is a little mix of the two. Tonari’s grabbing Fushi’s wrist to stop him from leaving (imposing her will on him) but her hand overlaps with his palm a little (trying to understand him). Tonari doesn’t know what’s happening completely, but she knows enough to know something’s wrong. In a way, Tonari grabbing for his hand is her appealing to Fushi to open up, to let her in, follow through on this connection that’s always been theirs.

But he doesn’t. Fushi rejects it.

I think the chapter image shows it all pretty well too. They’re both reaching out for each other. But while Tonari’s solid in her attempts to reach him, Fushi's all fuzzy. It's as if these are his emotions. Like, subconsciously he wants to reach out, but he can't. So close, yet so far…

[lonelyquail]

ok so while my ds is getting sand poured into it at alarming rates I'm thinking about how jrpgs in specific have a really weird desync with How Important Death Is. like some address it better than others but it very frequently happens where if you take a step back youll go "am I wild or is everybody just like, Really down with murder in this game". and consequences for said murder, especially in a characterization sense but even just actual physical consequences, don't really happen? unless it's a vehicle for conflict but like. when it is a vehicle for conflict it feels weird because why are These Guys actually taking the fact we killed somebody in broad daylight seriously and coming after us for it while all the other npcs and even the main party took it like it was another saturday evening

see I Think where the issue lies is in the fact that everything is in its own little world when you're in a battle? like. when you fight an enemy and you get leather out of it it's seen as something the enemy Drops and not. their hide. when you defeat a character in a battle it does just feel like you Defeated them. unless there's dialogue afterwards that says otherwise you don't even mentally assume you killed em you just wounded them enough to make them flee or dissolve or whatever. and it's Weird to just. have that assumption there because for a lot of games it really isn't clear if you're killing them or defeating them !!

that last point is extra important when you have the specific brand of Skittish Hero / Noble Hero Who Doesn't Kill People / Rational Hero In Way Over Their Head or whatever where you really don't think they Would kill a guy just to get them out of the way. in that case it's REALLY weird because it's hardly brought up. even if it Is brought up that that guy Sure Did Die the mc doesn't tend to actually have a reaction ??? and I don't know why this is ???? like Any written reaction would be more interesting than nothing even if the guy doesn't have a full on crisis about taking another life having them go "oh shit, The Consequences" would be nice. really anything except (oh cool we can advance the plot now).

I will also mention that Some deaths do matter plot wise but very frequently what makes them matter is how much of it is linked to an in game battle I think. if your mc just finishes a fight and comes back to the overworld and the guy's Disappeared or Dissolved or whatever it means they don't matter. if the guy's still around after the fight it means it's more significant, especially if they're still alive but wounded or Really Shaken Up. because this clears up the indistinguishable line between if a battle is lethal or not and if a character decides to deal a finishing blow now it's Way more telling of their character. even though this is basically the same thing that happened in the (killed In A Battle) scenario. just with more dialogue. I will also mention that the person who deals the finishing blow is Rarely Ever that good hearted protagonist and often they'll even go :0 at somebody else committing a murder despite them instigating and helping murder quite a few people. just. In Battle. so it's less bad. I guess.

this is leaving out the fact that in party deaths are often a Major Major Blow because like. ok that's fair. that's A Guy You Knew that's understandable. anyway I don't really know where I'm going with this I just think it's interesting how in these types of games death can swap from not mattering at all to mattering a Lot and if u don't think about it too hard u don't even question it. I'll probably be putting some examples in the tags idk

[themyscirah]

Green Lantern (1990) #14

[munamania]

i dont wanna be a dick and act like i have no responsibility in this but after a point dont u think if all you ever say to ur friend is Omg you never make it out why dont you ever come out with us you bail all the time youre such a flake etc. dont u think that person (me) is like. not gonna feel so inclined to. be there

[ei-mugi]

one time i was talking to my american online friends about stuff and i was like "haha yeah people always say i look ambiguously european but cant place what i am specifically" and they were like "i dont think europeans have a look though." what do you mean. you dont believe different ethnic features exist...?

[todayisafridaynight]

YOU ARE SO RIGHT ABT KIRYU HONESTLY

I’ve ranted to friends before abt how Kiryu is just genuinely so stupid that it comes of as dick-ish and inconsiderate to the people around him ESPECIALLY majima like?? He absolutely knows majima would walk through hell for Kiryu and takes full advantage of that in the worst ways and I don’t even think he fully realizes that that’s what he’s doing. Like please I love kazumaji as much as the next person but really only at a very specific point in time when they were both at their least fucked up gsgdfdf (kiwami 1 obv)

All is to say I agree please put the whole rgg fandom in an intro to literature class I think they’d greatly benefit gsgdf

kiryu is one of my favorite characters BECAUSE he's just so ass backwards. like On Paper he's a good guy: left the yakuza and is trying to live a normal life, has an orphanage and takes care of kids etc etc. but then you like. ACTUALLY look into him and its so funny.. he's such a dick and he doesn't even know and i love him. he just wants to do what he thinks is right and SOMETIMES he's right but his judgement also puts other people in peril (i.e. majima and daigo)

[autism-corner]

i love beel's chats where he only responds with stickers so much oml <33

[virmillion]

“i’m normal i’m normal” <- liar. that man made a spreadsheet of the splatoon 3 weapons and how much he uses each

[dennistakesamentalhealthday]

hi i finished my degree last week

[fiendishartist2]

guys what if i want to make my own apollo justice game.