#are two even a thing

[fishyfishyfishtimes]

It's always so weird to come down from the biology heavens to see what the average person believes about animals, plants, ecosystems, just the world around them. I don't even mean things that one simply doesn't know because they've never been told or things that are confusing, I'm talking about people who genuinely do not see insects as animals. What are you saying. Every time I see a crawling or fluttering little guy I know that little guy has motivations and drive to fulfill those motivations. There are gears turning in their head! They are perceiving this world and they are drawing conclusions, they are conscious. And yet it's still a whole thing if various bugs of the world feel pain or if they are simply Instinct Machines that are Not Truly Aware of Anything At All????? Help!!!!!! How can you look at a little guy and think he is just the macroscopic animal version of a virus

[tired-all-the-time22]

You’ve heard of Everlasting Trio, now get ready for… whatever this is!

(Un-subtitled under the cut)

[all-my-ocs-are-evil]

[insert poetic title here]

fun fact: this did not start out as isat fanart

(rambling in tags)

[adxmanial]

haven't posted my art here in like twenty slutty slutty years

[coddda]

I wish we could have met in some other way.

Lawlight Week Day 2: Soulmates

If you saw me repost and re-edit this several times uh No you didn't </3

Still frames/Individual gifs:

If you know what every frame is from you get a free cookie. by the way

[biggest-gaudiest-patronuses]

not "i ship these characters" or "i want them to bond platonically" but a secret 3rd thing (I want them to be forced to interact by the Narrative bc they would HATE that)

[morganbritton132]

You know what would be hilarious?

Steve announces to The Party that he’s bi and that he’s dating Eddie, and only then does Jonathan realize that he’s also bi.

Followed by the realization that he likes Steve.

Followed then by the admission that he wants to date Steve.

Followed immediately by the decision that he’s going to steal Eddie’s boyfriend.

Mr Jonathan ‘Steal Your Girl’ Byers starts wanting to hang out with Steve, and Steve is a little confused about it but also thrilled because, god. He needs more friends. Eddie, on the other hand, is like, what the fuck.

[suntails]

touch the spindle, touch it i say!

[lungthief]

listen. i know it's not 2014 anymore and i know it's just a throwaway line and that the russo brothers didnt intend for marvel action blockbuster captain america the winter soldier to become the tragic gay love story that never was but man. having steve say "it's kind of hard to find someone with shared life experience" in a conversation about romantic relationships right before the bucky reveal is so cruel. it's not just about steve and bucky obviously having the shared experience of being "out of time," it's the fact that they've both been stripped of their humanity in opposite directions. steve is a legend, he is an american hero and a national icon before he is a human being the same way that bucky is a weapon and a killing machine before he is a human being. steve knows that anyone who falls in love with him in the 21st century fell in love with captain america first, and that's just not him. but then the one person who knew him first and knew him best and loved him (not captain america, that little guy from brooklyn) so much he died for it is alive, impossibly. and it's a miracle because he's back and it's horrific because he's back under the worst possible circumstances. but to steve, the winter soldier is worth tearing the world apart for because he's always been bucky first. they find each other and suddenly they're human again. and maybe, despite it all, being "out of time" becomes a blessing, because in this century they'd finally be allowed to love each other the way they've always wanted to. like real people do.

like. no. the captain america trilogy isn't about two queer men traumatized and alienated by war and modern life rediscovering and reclaiming their humanity through their love for each other. but. i mean. it couldve been

[bacchuschucklefuck]

january month of yuugi

[benevolenterrancy]

A man needs a hobby while he's waiting for his beloved disciple to return from the dead and torture him!!!

(SQQ is a complete fucking freak and I love him so much)

[overthinkinglotr]

The Two Towers film is actually really impressive for how it feels like a cohesive story despite being about three groups of characters whose plotlines almost never intersect during the film’s runtime (Frodo/sam, Merry/Pippin, and Aragorn/Legolas/Gimli.)

Because the Fellowship almost never interacts with each other during the main plot, the filmmakers instead had to connect the plotlines thematically. Frodo/Sam never actually talk to Aragorn, but their plotlines mirror each other.

The Two Towers film is structured so that each splinter group of the Fellowship ultimately struggles with the same goal: they need to convince a despairing grief-stricken ally to aid in the war against Sauron. Theoden, Treebeard, and Faramir are all people who have suffered some great loss in the past wars. As a result, they are all set in their ways out of grief, and refuse to listen to the Fellowship’s advice or agree with their plans. (Until the very end.)

This is also where the films depart a lot from the source material. The two towers was probably the biggest adaptational challenge of the entire series, because the original book is split into two parts that focus on the POV of two different groups of characters (A Three Hunters book, and a Sam/Frodo book) — and then ends on a horrible cliffhanger. This works in the books but would not have worked on film at all.

The filmmakers’ attempts to build a Structured Film Story led to them emphasizing the idea of the Fellowship recruiting reluctant allies, and emphasizing the thematic idea of people being trapped within grief and stasis. Elrond predicts that the worst fate for Arwen would be to “linger on, in darkness and in doubt,” permanently frozen in grief; and this is the state we find most of the new characters in. Film!Theoden is portrayed as far more hesitant and grief-stricken than he was in the book, film!Treebeard is more reluctant and afraid of what war means for the Forest, and film!Faramir is more overwhelmed by the pressure to be like Boromir… and all three of them are overall far more heavily swayed by the Fellowship’s presence. (Though I still have beef with the way Faramir’s plotline was handled—XD) Because they needed to build out a structure that could work on film, they found this thematic throughline and really emphasized it.

Theoden’s grief over the death of his son makes him refuse the Fellowship’s advice to reach out to his allies or ride out against Saruman’s forces; Treebeard’s grief over the waning of the forest makes him decide that “he is on nobody’s side because nobody is on his side,” and Faramir’s grief over the death of Boromir makes him unwilling to try a solution that isn’t “what he believes Boromir would have done.”

These characters all start the film in a state of hopelessness and stasis and avoidance; then they’re ultimately forced to confront the source of their grief, and end the film by aiding the Fellowship.

This is also connected to the journey that all the Fellowship members need to go on. Frodo and Sam are forced to confront the grief at the idea that Frodo is being consumed by the Ring; Merry and Pippin have to face that “there won’t be a Shire” after Sauron’s victory; and Aragorn’s relationship with the people of Rohan forces him to confront his own fears about becoming a king and leading people to their death.

The plotlines are also really well connected through the use of music— like the Last March of the Ents leitmotif being used for Theoden’s choice to ride out against the Uruk-Hai, emphasizing the parallel between the way both characters have hesitated to “ride out and meet” the source of their grief.

And then Sam’s final speech, where a variation on the Shire leitmotif — (a version of the same variation that played in the end of Fellowship of the Ring)— becomes the final moment that ties all the disparate plot threads together. The film is centered on characters being overwhelmed by grief, and entering a state of numbness or stasis where they cut themselves off from the world. When this happens to Frodo, Sam encourages him to believes that there is still goodness in the world that’s worth fighting for— a culmination of all the ideas that have been built up throughout the past three hours.

Despite its flaws the film feels so cohesive, and the end of the film feels like such a satisfying resolution? Which is easy to take for granted because like, there were so many different moving pieces, and without a really clear thematic focus the film could’ve easily ended up falling apart.

[inkedberries]

what's up with that mr. little amirite?

[imjulia-andilikecats]

Jacaerys "OH Not Another Step Parent" Targaryen

[strawberryyyenthusiast]

Steddie are the type of couple to go viral on TikTok bc someone recorded them at a bar. They’re stupidly in love, holding onto each other, sitting in each other’s laps, kissing, holding hands, dancing, etc.

The person who posts them captions the video with: “I want a love like theirs omg”

Everyone is going crazy, the video gets 3 million likes overnight because everyone is either obsessed with them as a couple or want to have a threesome with them.

No one really knows who they are but then Gareth on the corroded coffin account comments “Eddie what are you doing here???”

Robin stitches the original video and it shows her deadpan face before she flips the camera and pans over to the two of them laying on the couch together— Eddie is hand feeding Steve grapes while Steve is knitting a blanket for their bed.

[fincherly]

my gf was looking through wesker's wiki page (as you do) and sent me this

and i lost my shit bc it just seems like they're looking at him like girls look at a weird bug