#aron wright

[oediex]

tagged by @blarrghe, thank you!! 💚

last song: my current song-on-repeat-to-deal-with-depression is The Age of Believing by Aron Wright, which is brand-new! It's very sentimental but I need the age of believing in my current mental state to get through the day. "hope is like a ledge you're holding on to / you can pull yourself up if you want to" "love is like a tiger on a landmine / you're scared but want to save it at the same time". Heard it on Station 19. Just want to find a way to pull myself up to that ledge. Want to save the tiger.

favourite colour: RED ❤️

currently watching: House, haha. It's entertaining.

sweet/savoury/spicy: savoury yes, spicy yes, sweet no unless it's literally a piece of fruit, like you know the sweetness of a perfectly ripe nectarine? divine

relationship status: it's me

current obsession: mass effect trilogy, @blarrghe's writing and Taren and Dorian, Dragon Age stuff, veganism (always), giftedness, books forever and ever, ...

last thing you googled: well I don't use google, but I last ecosia'd(?) stuff related to sewing machines because I was talking to my oldest sister about it because I want to get one and she's been sewing for years!

tagging @dirtyhecker @thatveganwhiterose @runfast-runfar @dimitribelikxv and anyone who ehm identifies with the tags because if you're into the same stuff I am then I want to know more about you!

Empty one under the cut for easy copying:

last song:

favourite colour:

currently watching:

sweet/savoury/spicy:

relationship status:

current obsession:

last thing you googled:

[tayyswiftss]

I’ve been on tumblr so long i remember when it was cool to talk in the tags. Such a millennial.

[aronlewes]

Well, I've got a new book out (https://books2read.com/u/mKVMEE ) so it's time to make another ramble post about the book's imagined cast, because I'm crazy, and because I can.

First, the vampires. The trio of royal terror: King Isaak (Jason Isaacs), his son Prince Oskar (Owen Teague) and Prince Wolfsbane (Wolfgang Novogratz).

Next, the girls. Emily Carey for Adeline, a brunette Florence Pugh for Shanda, and Letitia Wright as Melia. Melia's actually my fav. She brings some much-needed levity to an otherwise dark series.

Aaaand then there's Joslun, who existed in my head as Joe Taslim. I gave myself a massive crush on both Joslun and Joe when I was writing this series. I loved Joslun. My beta reader DIDN'T like Joslun. My sister hated Prince Oskar, while I was always a bit bored by Wolfsbane. I guess there's always going to be that one character you just don't like.

And that's it. There's my fancast that literally no one wanted to hear about! 😂 Until next time!

[snixx]

I give up

I give in

I surrender

[wornoutspines]

The Spiderwick Chronicles follows the coming-of-age story of the Grace Family, as they move from New York to Michigan and into their family’s ancestral home.  Upon arrival, the family not only uncovers mysteries hidden inside their great grandfather’s Spiderwick Estate, but also discovers a secret, fantastical world around them. 

[blitzwhore]

I made myself a Stolitz angst playlist on Spotify so I can torture myself emotionally while we wait for The Full Moon, does anyone have recs?

Here's what I have so far:

*crying and sobbing in a corner* come on, throw your angst at me

[actual-changeling]

a continuation of this edit

... i'm holding on to something that's already gone. // aron wright

idk just felt like doing something the great crowley profile shots we got

[onyxsboxes]

After a bit of delay, here are the songs titles from the LCAPT Clegan playlist

25/10/24 edit: 17 songs added (357 -> 374) 13/05/25 edit: 15 songs added (374 -> 389) 20/5/25 edit: 3 songs added (389 -> 392)

1. Learn to Fly by Foo Fighters 2. Clearest Blue by CHVRCHES 3. I'm Not In Love by 10cc 4. Death and All His Friends by Coldplay 5. Til Kingdom Come by Coldplay 6. The Queen Of All Everything by Ott 7. Love song from a dog by Shovels & Rope ft. gregory alan isakov 8. If we were vampires by Jason Isbell and the 400 Unit 9. Passenger seat by Death Cab for Cutie

10. In our bedroom after the war by Stars 11. Early mornin’ rain by Peter, Paul and Mary 12. I was made for loving you by Yungblud cover 13. Visions of Gideon by Sufjan Stevens 14. Fourth of July by Sufjan Stevens 15. Lover, You Should've Come Over by Jeff Buckley 16. The Roads by Jonah Kagen 17. Next to You by John Vincent III 18. Seen My Man (Wisconsin Demo) by Trixie Mattel 19. Beneath Oak Trees by Dylan Gossett

20. Heaven is a Bedroom by TV Girl 21. Wicked Games by The Weeknd 22. Itchy Teeth by Marika Hackman 23. Breakup by Ashton Irwin 24. Work Song by Hozier 25. I’m Low on Gas and you Need a Jacket by Pierce The Veil 26. Betting On Us by Myles Smith 27. I'm the Sinner by Jared Benjamin 28. Running to You by Jamie Drake & Jamie Jackson 29. Look After You by Aron Wright

30. Smokestacks by Layla 31. Run To You by CJ Starnes 32. Gale song by The Lumineers 33. White Ferrari by Frank Ocean 34. Can You Hear the Rain Love by Richard Hawley 35. Say Yes To Heaven by Lana Del Rey 36. Talk Show Host by Radiohead 37. Untold by RY X 38. Lovers Rock by TV Girl 39. Waiting Room by Phoebe Bridgers

40. I Will by The Beatles 41. Glimpse of Us by Joji 42. Somethin' Stupid by Frank Sinatra & Nancy Sinatra 43. When the party is over by Billie Eilish 44. I love you by Billie Eilish 45. Blue jeans by Lana Del Rey 46. The secret marriage by Sting 47. Wicked game by Ursine Vulpine 48. Love Me Like You Used To by Lord Huron 49. Need you Now by Lady A

50. Strange Birds by Birdy 51. Old Money by Lana Del Rey 52. The Night We Met by Lord Huron 53. Piano Man by Billy Joel 54. Alley Rose by Conan Fray 55. Good Luck, babe by Chappel Roan 56. Be Nice To Me by The Front Bottoms 57. Saturn by Sleeping At Last 58. So Long, London by Taylor Swift 59. From Eden by Hozier

60. I Should Live in Salt by The National 61. Demons by The National 62. Graceless by The National 63. Your Mind Is Not Your Friend by The National, Phoebe Bridgers 64. Don’t Swallow the Cap by The National 65. Dreaming by The National 66. This Isn’t Helping by The National, Phoebe Bridgers 67. Issues by Julia Michaels 68. Gorecki by Lamb 69. Ends Of The Earth by Lord Huron

70. Dark Red by Steve Lacy 71. Fireproof by Coleman Hell 72. Heavydirtysoul by Twenty One Pilots 73. All I Want Is You by Barry Louis Polisar 74. I Found by Amber Run 75. Beautiful by Josh Zandman 76. Budapest by George Ezra 77. Be Together by Major Lazer 78. On The Nature Of Daylight by Max Richter 79. Guiding Light by Mumford & Sons

80. My Blood by Twenty One Pilots 81. My Madonna by Dexter Freebish 82. Chemicals Between Us by Bush 83. Protect Me From What I Want by Placebo 84. I Feel Loved by Depeche Mode 85. Gimme Some Lovin’ by The Spencer Davis Group 86. Little Light Of Love by Eric Serra 87. Fire and Flood by Vance Joy 88. Pride (In The Name Of Love) by Clivillés & Cole 89. Holdin’ Out by The Lumineers

90. If I Go, I’m Goin by Gregory Alan Isakov 91. Letting The Cables Sleep by Bush 92. This Feeling by Chainsmokers 93. Me And You by Barry Louis Polisar 94. Silver sable by Cigarettes after sex 95. How I Learned to Love the Bomb by Glass Animals 96. Hellofazoo by Until the Ribbon Breaks 97. Mr. Forgettable by David Kushner 98. John My Beloved by Sufjan Stevens 99. Alan by Perfume genius

100. One line by PJ harvey 101. Putting The Dog To Sleep by the antlers 102. In My Arms by Alex g 103. Certainty by Big thief 104. Angel In The Snow by Elliott smith 105. Nothing Matters by The Last Dinner Party 106. The Loneliest by Måneskin 107. Till forever falls apart by Ashe, Finneas 108. Whish that you were here by Florence + The Machine 109. I Forget Where We Were by Ben Howard

110. Bite by Troye Sivan 111. Lowlife by Poppy 112. Real Love Song by Nothing But Thieves 113. Like You Do by Joji 114. Be My baby by The Ronettes 115. Burn by Tom Walker 116. Lucky by Bif Naked 117. Fair by The Amazing Devil 118. Bitch by Meredith Brooks 119. I wish you were a girl by 12 RODS

120. All i think about now by Pixies 121. I know by Fiona Apple 122. Sweet tooth by Cavetown 123. Flawless by The Neighborhood 124. Can’t Help Falling In Love by Elvis Presley 125. Simply the best by Billianne 126. I remember everything by Zach Bryan, Kacey Musgraves 127. Coal by Dylan Gossett 128. i am not who i was by Chance Peña 129. I Bet On Losing Dogs by Mitski

130. Two slow dancers by Mitski 131. Lucky to get him by Aly and AJ 132. Crack baby by Mitski 133. I don't smoke by Mitski 134. Smoke gets in your eyes by Helen Forest 135. Love by Daughter 136. Can’t Help Falling in Love - DARK by Tommee Profitt, brooke 137. Chills - Dark Version by Mickey Valen, Joey Myron 137,5. Skyline by Sibewest 138. Beautiful Crime by Tamer 139. Act natural by Margaret Glaspy

140. Betray my heart by D'Angelo 141. I will be your friend by Sade 142. Can’t Take My Eyes Off You by Frankie Valli 143. I Didn’t Know by Sofia Carson 144. You by A Great Big World 145. This Woman’s Work by Kate Bush 146. Can't you see - acoustic by Matthew and the Atlas 147. Cowboy by Jack Van Cleaf 148. Feels like Home by Caamp 149. Carry You Home by Alex Warren

150. Belong Together by Mark Ambor 151. The First Day of My Life by Bright Eyes 152. Kaleidoscope by A Great Big World 153. Monsters of the North by The National Parks 154. The great war by Taylor Swift 155. Free by Florence + The Machine 156. I know the end by Phoebe Bridgers 157. Another Man’s Jeans by Ashe 158. I’ve Told You Now by Sam Smith 159. Love Me by Elvis Presley

160. Moment’s Silence (Common Tongue) by Hozier 161. Ocean Eyes by Billie Eilish 162. Take me home, country roads by John Denver 163. Army Dreamers by Kate Bush 164. I'm No Angel by Dido 165. We’ll Meet Again by Johnny Cash 166. Cowboys are frequently secretly fond of each other by Orville Peck 167. If We Were Vampires by Noah Kahan, Wesley Schultz 168. You Belong To Me by Jo Stafford 169. Goodnight Irene by Frank Sinatra

170. All I Want by Kodaline 171. Me and my Husband by Mitski 172. The Predatory Wasp of the Palisades is out to get us by Sufjan Stevens 173. As the World cave in by Sarah Cothran 174. Dead of Night by Orville Peck 175. invisible string by Taylor Swift 176. The Ghost of You by My chemical Romance 177. We'll Meet Again by Vera Lynn 178. Love in the Time Of Socialism by Yellow house 179. Northern Downpour by Panic! At The Disco

180. Better in the Morning by Birdtalker 181. doomsday by Lizzy McAlpine 182. Guilty by Al Bowlly 183. Heat Lightning by Mitski 184. everything i wanted by Billie Eilish 185. Blood Moon by Josiah and the Bonnevilles 186. Night Terror by Laura Marling 187. Vengeance Is Sleeping by Neko Case 188. Finally Stop Dreaming by Dylan Gossett 189. The Yawning Grave by Lord Huron

190. Learning To Fly by Tom Petty and the Heartbreakers 191. Hounds of Love by The Futureheads 192. Now I'm in it by HAIM 193. Stand Back by Stevie Nicks 194. Moonlight of Your Room by Joe Pug 195. Blue by Mai Yamane 196. Call Your Girlfriend by Robyn 197. Unchained Melody by The Righteous Brothers 198. Summer Of '69 by Bryan Adams 199. Fix you by Coldplay

200. Sun Bleached Flies by Ethel Cain 201. I walk the Line by Halsey 202. The Greatest by Billie Eilish 203. I'll be seeing you by Billie Holiday 204. We will not be Lovers by The Waterboys 205. Triptych by Samia 206. In a Jar by Dinosaur Jr. 207. Dionne by The Japanese House, Justin Vernon 208. Nothing Like by Mannequin pussy 209. True Love Waits by Radiohead

210. Weird Fish/Arpeggi by Radiohead 211. I’m a Fool to Want You by Billie Holiday 212. A Life of Arctic Sounds by Modest Mouse 213. Soldier Boy by The Shirelles 214. Casual by Chappel Roan 215. Ruined by Adrianne Lenker 216. Without You by Tobias Jesso Jr. 217. That's Where I Am by Maggie Rogers 218. Die Young by Sylvab Esso 219. Violet hill by Coldplay

220. You made me love you by Patsy Cline 221. Smoke gets in your eyes by Eartha Kitt 222. Piece of my heart by Erma Franklin 223. Love and anger by Kate Bush 224. Guilty by Johnny Desmond 225. I Can’t Begin to Tell You by Bing Crosby 226. People Will Say We’re in Love by Frank Sinatra 227. You’ll Never Know by Dick Haymes 228. You’d Be So Nice To Come Home To by Dinah Shore 229. Speeding Cars by Walking On Cars

230. Girl Crush by Harry Style 231. Fine Line by Harry Style 232. Bittersuite by Billie Eilish 233. Et même après je t'aimerai by Hoshi 234. Tourner dans le vide by Indila 235. What was I made For? by Billie Eilish 236. Maybe by James Arthur 237. Happy Together by Gerard Way, Ray Toro 238. Dandelions by Ruth B. 239. When the Darkness Comes by Shelby Merry

240. Silver tongues by Louis Tomlinson 241. Telepathic by Starset 242. Always by Isak Danielson 243. Like real people Do by Hozier 244. Iris by The Goo Goo Dolls 245. Can you hold me by NF, Britt Nicole 246. Moondust by Jaymes Young 247. Maps - triple j Like A version by Camp Cope 248. We made it by Louis Tomlinson 249. Adore you by Harry Style

250. Love song by Lana Del Rey 251. Satellite by Harry Style 252. Late night Talking by Harry Style 253. Home by Edith Whiskers 254. Guilty as Sin? by Taylor Swift 255. The Light by CHPTRS 256. Started With You by CHPTRS 257. City Lights (Symphonic Version) by HAEVN 258. This Is Why I Need You by Jesse Ruben 259. Never Stop (Wedding Version) by Safetysuit

260. Sacrifice by Elton John 261. Who we are by Hozier 262. Politik by Coldplay 263. All I need by Radiohead 264. Can't pretend by Tom Odell 265. Would Anyone Care by Citizen Soldier 266. Hold My Hand by Lady Gaga 267. Warriors by Willyecho 268. Brother by Kodaline 269. Protector by City wolf

270. Texas reznikoff by Mitski 271. Pin by Grimes 272. I'm your man by Mitski 273. Haunting by Halsey 274. Twin flame by Weyes blood 275. Why Can’t The Dark Leave Me Alone? by Toni Fisher 276. No Other Love by Jo Stafford 277. Your Best American Girl by Mitski 278. Careless Whispers by George Michael 279. Sailor Song by Gigi Perez

280. Sidelines by Phoebe Bridges 281. not a lot, just forever by Adrianne Lenker 282. forwards beckon rebound by Adrianne Lenker 283. Norman fucking Rockwell by Lana Del Rey 284. Long Long Time by Linda Ronstadt 285. Break by alex_g_offline 286. Some Velvet morning by Nancy Sinatra, Lee Hazlewood 287. Overtime by Rainbow Kitten Surprise, Kacey Musgraves 288. The John Wayne by Little Green Cars 289. Pale blue Eyes by The Velvet Underground

290. You'll Never Know (78rpm version) by Frank Sinatra, Bobby Tucker Singers 291. Come on Mess me up by Cub sport 292. While I can by Keaton henson 293. Flying :)) by Tom Odell 294. Cornflower blue by Flower Face 295. Remember by Seinabo Sey, Jacob Banks 296. Once more to see you by Mitski 297. Back to the old house by The Smiths 298. Symphonia IX by Current Joys 299. So real by Jeff Buckley

300. Half return by Adrianne Lenker 301. Fade into you by Mazzy Star 302. All We Ever Do is Talk by Del Water Gap 303. Dirty Little Secret by Artemas 304. Too Sweet by Hozier 305. Anyways I Love You by Wild Rivers 306. like you’re god by Mehro 307. Size too small by Sufjan Stevens 308. Cheers Darlin' by Damien Rice 309. Lotus Flower by Radiohead

310. Twilight Time by The Platters 311. Because of You by Tony Bennett 312. if i needed someone by The Beatles 313. Standing next to You by Jungkook 314. Falling away with You by Muse 315. Exist for Love by AURORA 316. Sata vuotto by BEHM 317. Blood Sport by Sleep Token 318. Oblivion by SYML 319. Timezone by Måneskin

320. Own my mind by Måneskin 321. Pushing Up Daisies (Love Alive) by Brothers Osborne 322. Unbroken by Tim McGraw 323. I Was Born To Love You by Queen 324. You’re My Best Friend by Queen 325. Think I’m In Love With You by Chris Stapleton, Dua Lipa 326. Something To Talk About by Bonnie Raitt 327. Parachute by Chris Stapleton 328. Love The Lonely Out Of You by Brothers Osborne 329. Here Tonight (The Acoustic Sessions) by Brett Young, Charles Kelley

330. Stay A Little Longer by Brothers Osborne 331. The End by Halsey 332. Birds of a feather by Billie Eilish 333. Found Heaven by Conan Gray 334. Down bad by Taylor Swift 335. I do by Renee Rapp 336. The good I'll do by Zach Bryan 337. Half Light by BANNERS 338. Resistance by Muse 339. Far from home (the raven) by Sam Tinnesz

340. Francis forever by Mitski 341. I love you by RIOPY 342. This must be the place (naive melody) 2005 by Talking Heads 343. Maps by Yeah yeah yeahs 344. Cinnamon Girl by Lana del rey 345. I'm on Fire by Bruce Springsteen 346. Fire on Fire by Sam Smith 347. I'm Making Believe by The Inkspots and Ella Fitzgerald 348. Watch Over You by Alter Bridge 349. Summer song by Remy bond

350. Off to the races by Lana Del Rey 351. Almost (sweet music) by Hozier 352. giveuwhatuwant by The Driver Era 352,5. Birds of a feather by Billie Eilish 353. Big Mike’s by Dijon 354. Simulation Swarm by Big Thief 355. I Wanna Be Yours by Arctic Monkeys 356. Little Bit More by Mk.gee 357. Be Well by Ama Lou 358. Unknown/Nth by Hozier 359. Asleep by Smiths

360. Lucky by Atta Boy 361. Big Jet Plane by Angus & Julia Stone 362. Parallel Universe by Clara Benin 363. Dói Tanto by Gabriel Froede 364. Eyes Off You by Prettymuch 365. Secret Love Song, Pt. II by Little Mix 366. Finality by Woods of Ypres 367. Pra Ser Sincero by Enganheiros do Hawaii 368. Wherever You Go by The Calling 369. Janeiro by Esteban Tavares 370. I will follow you into the dark by Death Cab for Cutie

371. Tiny vessels by Death Cab for Cutie 372. King and Lionheart by Of Monsters and Men 373. Bloom (Eros) by Sleeping At Last 374. No One’s Gonna Love You by Band of Horses 375. Dive by Hot Shade, Mike Perry, Chris James 376. Waiting Room by Phoebe Bridges 377. Hot & Heavy by Lucy Dacus 378. i wait for u by Carbon Covers, Octomber 379. mirrorball by Taylor Swift 380. Two of Us On the Run by Lucius

381. lacy by Olivia Rodrigo 382. Scott Street by Phoebe Bridges 383. this is me trying by Taylor Swift 384. Wait for Me (Reprise) by André De Shields, Hadestown Original Broadway Company, Anaïs Mitchell 385. Punisher by Phoebe Bridgesanything by Adrianne Lenker 386. anything by Adrianne Lenker 387. loml by Taylor Swift 388. Anthems For A Seventeen Year-Old Girl by Broken Social Scene 389. illicit affairs by Taylor Swift 390. Bad Religion by Frank Ocean

391. Kaleidoscope by Chappell Roan 392. Evergreen (You Didn’t Deserve Me At All) by Omar Apollo

[jackabbot]

BUDDIE + build it better by aron wright 4/?

[boxeom]

[The Music Boxe] Now Playing: Caleb

"If I lay here, if I just lay here, would you lie with me and just forget the world? Forget what we're told, before we get too old, show me a garden that's bursting into life..."

"I found a reason for me to change who I used to be, a reason to start over new; and the reason is you."

"You are my way of life, the only way I know, make me your way of life. I'll never let you go because I love you so. You are my way of life, the only way I know, make me your way of life. Don't ever go."

"But there comes you to keep me safe from harm. There comes you to take me in your arms. Is it just a game? I don't know. Is it just a game? I don't know."

"We'll meet again. Don't know where. Don't know when. But I know we'll meet again some sunny day."

"Something bad is 'bout to happen to me. Why I feel this way, I don't know maybe. I think of her so much, it drives me crazy. I just don't want her to leave me. Don't you give me up, please don't give up on me, I belong with you, and only you, baby. Only you, my girl, only you, babe."

"Oh, I'm no longer a kid. And everything has changed. There's nothing in my heart. And lightning in my brain. So listen up you kids, and hear what I say. Don't listen to your brain and follow your dreams."

"When you cycled by, here began all my dreams. The saddest thing I've ever seen. And you never knew how much I really liked you. Because I never even told you. Oh, and I meant to. Are you still there? Or have you moved away? Or have you moved away?"

"And if you ever should lose hope, follow my light from afar. When you don't know where you're going to, I will look after you. I will look after you. Someday it will come to you, I'll need you to look after me."

[up next: xavier, rafayel, zayne, sylus]

[ju-vondy]

@gwynrielweeksofficial there's a specific song that screams GWYNRIEL to me not only because of the lyrics, but because it is a female voice who starts singing and then in the chorus a male voice joins her. It's called "Landed" by Ruelle feat Aron Wright. So whenever I listen to it I wonder its actually Gwyn and Az singing together. It screams Gwynriel to me reffering their end of journey, the approach of the "happily ever after" thing. I hope some of you will listen to it too and cry with me LOL 🤣

So, answering the DAY 9 prompt - The music scene envolving music I envision for Gwynriel is...: Approaching the end of the journey, they're dancing together staring at each other's eyes and they realize the feelings they have for each other. They realize they do care and feel a strong, powerful bond for each other. Of course our loved shadows are messing around them, happy Az finally admited that is in love with Gwyn. The music they're dancing to is the instrumental of Landed (of course Ruelle does not exist in Prythian but we can pretend, can't we?)

The art up above belongs to me, so no need for credits. (This is actually my second time drawing digitally, SORRY the mistakes, hope u all enjoy!) 🥰

Here's the lyrics:

The sun falls on your face like stained glass painted in light

It carries me away to sanctuaries in the sky

May we never stop falling

May we never stop...

All of the stars in the universe

Couldn't line up the way that we do

Couldn't be told in a million words, the story of us

And I can't believe it's true...

I've landed next to you

Now and then I drift like feather swept up in the breeze

But I know I am anchored as long as you are tethered to me

We will never stop falling

We will never stop...

One day we will look back at all we've been through

The missteps, the mistakes... The mountains we moved

One day we'll look back to all we've benn through

And say

I can't believe it's true... I've landed next to you...

[typingtess]

NCIS: Los Angeles Season 14 Rewatch:  “The Reckoning”

The basics:  With four dead, including a CIA Officer, NCIS investigates if this has something to do with the DRONA project.

Written and directed by:  Frank Military Military wrote "Little Angels", "Deliverance", "Lockup", "The Job", "Greed", "Betrayal", "Crimeleon", "Vengeance", "Out of the Past" Part One, "Rude Awakenings" Part Two, season four’s finale "Descent", season five’s premiere "Ascension", "Allegiance", "Spoils of War" (directed by Military), "Black Budget", "SEAL Hunter", "Rage" (directed by Military), "Unspoken", "Unlocked Mind", "Revenge Deferred", "The Seventh Child" (directed by Military), "Crazy Train", "Uncaged" (directed by Military), "The Silo", "Monster", "Line in the Sand" (directed by Military), season ten opener "To Live and Die in Mexico" (directed by Military), "The Patton Project", "Better Angels", "False Flag" (the season 10 finale), "A Bloody Brilliant Plan", season 11 finale "Code of Conduct" (directed by Military), "Raising the Dead", "Through the Looking Glass" (directed by Military), "Indentured", "Down the Rabbit Hole" (directed by Military) and "The Body Stitchers". 

Military directed one episode he did not write, season 11’s holiday episode "Answers". 

He also appeared as Donald Kessler in "Raising the Dead" and several other episodes in photos.

Guest stars of note:  Jere Burns returns from season 13’s “Genesis” as Howard Pembrook, Duncan Campbell is back from the last episode (“Sensu Lato”) as NCIS Agent Castor, David DeSantos as Anthony Beltran and Milissa Sears as Leah Novack are back from “Sleeping Dogs”, Philip Anthony-Rodriguez as CIA Officer Rafael Cortes, Scott Christopher as CIA Officer Chris Behr, Amy Kim Waschke as CIA Officer Avery Lamica, Maurice Hall as AMT Julian Cousins, John Marshall Jones as Jonathan Hunter and Rick Tunell, the series’ longtime producer/director was the Head of Airfield Security

Our heroes:   DRONA drama blah blah blah.

What important things did we learn about: Callen:  Lone wolfing. Sam:  Out of town. Kensi:  Tailing Callen. Deeks:  Airport trip. Fatima:  Figured out early that the CIA was up to no good. Rountree:  Tailing Callen with Kensi. Kilbride:  Side-eye master.

What not so important things did we learn about: Callen:  Wasn’t getting violin lessons as a kid. Sam:    Absent. Kensi:   Waiting for Deeks to return from the airport. Deeks:  Mostly absent. Fatima:  Side-eying with the best of them. Rountree:  Started the day with Deeks, ended it with Kensi. Kilbride:   Friends with the head coach at USC.

Where in the world is Henrietta Lange?  Basking in guilt according to Pembrook.

Who's down with OTP:   Not a lot of OTP time.

Who's down with BrOTP:  Down one part of the BrOTP but Pembrook’s final conversation with Callen was all about the brotherhood of Callen and Sam, the show’s most important relationship.

Fashion review:  Callen wore a light blue and white plaid button down shirt before going in the pool and a navy blue hoodie post-pool.  Kensi wore a wine colored long-sleeve top.  Deeks wore a pale blue henley.  Fatima had a fabulous black leather jacket (soft like butter!) and a white sweater with blue piping at the collar.  Rountree black long sleeve tee-shirt with a black jacket.  Kilbride, as always, dark blue three-piece suit, red tie, pale blue dress shirt. 

Music:  “Home” by Aron Wright plays at the end of the episode.

Any notable cut scene:  Not today.

Quote:  Kilbride:  “And you are not leaving my office until you tell me everything you know about Pembrook and Beltran.” Cortes:  “And you're gonna stop me?  With force?” Kilbride:  “Don't tease me.”

This is was very solid Kilbride as a badass episode.

Anything else:  The previously-s include all the Pembrook nonsense. 

In the hospital, a still comatose Leah Novak is being moved to a rehab facility with serious CIA security around her.  Callen is there as well.  Nobody knows where Leah is going except the head security man – who is driving the ambulance.  Novak will be checked in under an alias.  The security chief promised to keep Callen advised of her status. 

As the security team leaves, the second security team member tells her boss they found one of the Drona subjects, Clayton, dead.  If they can find Clayton, the head man tells her, they can find everyone.  for some reason, the head of security thinks it is a good idea to meet with the other Drona subjects in Pershing Square.  He leaves the ambulance with only a nurse watching Novak.  Clayton was tortured before he was killed, according to one of the Drona survivors.   The group realizes none of them are safe.  And they’re not as a sniper picks off all the Drona subjects except the security chief.  He dodges bullets getting back to the ambulance and driving off.

A cranky Admiral is marching from his office to Ops.  Deeks and Rountree are just behind him.  After a Deeks mindfulness joke falls flat, the Admiral explains that four people, including a CIA Officer named Avery Lamica – she was the number two person moving Novak - were shot dead in Pershing Square.  Kensi has already left for Pershing Square to meet with Callen.   

In Ops is CIA Officer Raphael Cortes (another person allowed to wander about the super-secret office).  After the Admiral does some introductions, Cortes wants to talk to Callen and Sam.  Sam is out of town and not available.  Cortes does not want Callen running the investigation but the Admiral makes sure Cortes understands that Cortes doesn’t make staffing decisions for NCIS.  When the Admiral brings up that Cortes asked for help, Cortes makes sure the Admiral understands that the CIA doesn’t need help, they need information.  Since the FBI is investigating the shooting, Cortes wants to question Callen about letting Beltran get away.  And Cortes wants the Admiral to do that right now.  Knowing Callen wouldn’t return to the office even if Kilbride ordered him to do so, the Admiral won’t – and didn’t plan on anyway.

Deeks asks if the CIA is tracking the ambulance.  They can’t find it, according to Cortes.  CIA Officer Chris Behr is missing – he’s the head security guy.  Cortes thinks Lamica was meeting with other Drona team members.  Pembrook ran black ops for the DoD, NSA and the CIA.  Rountree mentions Beltran’s plan for a lawsuit against Pembrook for what was done to him and to the others when they were children.  Cortes believes Pembrook made monsters – “including Agent Callen.” 

At the crime scene, Callen is covering Avery Lamica’s body with a tarp when Kensi arrives.  Callen has not heard from Behr.  Looking at a high rise building just off Pershing Square, Kensi is going to check the victim’s locations and angle of the gunshot wounds to see if she can backtrack the math to the sniper’s location. 

On comms, Callen asks Fatima to check out security cameras.  Also on comms, Kilbride tells Callen that Cortes would like to speak to him – the FBI can cover the crime scene.  Callen tells Cortes that the FBI isn’t even at the crime scene – though LAPD is all over the crime scene.  Deeks talks about Drona and Callen thinks it makes sense – Lamica and Behr were put on the protection team by the CIA and likely Drona.  Cortes pushes for Callen to come in but Callen fakes some static and is off comms.

Kensi returns to Callen.  Based on the wounds, there is no way the sniper fired from the high rise.  The angles of the bullet wounds are too steep.  The sniper was likely in a helicopter and one great shot.

Fatima has eight helicopters over that part of Los Angeles at 8:16AM – the time of the shooting.  Kensi thinks the shot came from at least 1,400 feet east of Pershing Square.  On the big screen in Ops, Deeks finds the helicopter.  Deeks traces it to a company called Cypress Park Industries.  Rountree asks where did the helicopter come from – Camarillo Airport.  Kilbride is sure there are witnesses or video of someone getting on the helicopter.  Deeks is going to track that down.

Cortes orders Callen to return to the office or he’ll get the FBI to bring Callen in.  Callen says he’s returning but gets a call from an unknown number followed by a text message telling Grisha to pick up.  Callen has Kensi take them off comms.  It is Pembrook on the phone.  Callen has a flashback to his happy times with Pembrook.  He wants to meet and Callen does too.  Kensi gets back on comms to get Fatima to trace the call.  She does this quietly.  Pembrook is about a block away inside Pershing Square, watching Callen and Kensi.

Pembrook starts to walk away from the crime scene, saying that Callen won’t miss a chance to face the monster of his childhood.  Under a bench near the coffee cart is a discarded water bottle with an address in it.  Pembrook wants to meet Callen without any other agents around.  Pembrook hangs up and walks away.  Even tosses his phone into a half finished glass of water. Callen and Kensi check out the bench – he finds the water bottle.  Cortes hears from the FBI – they’re on site and want a sitrep.  Callen shows Kensi the address in North Hollywood.   With the FBI closing in on Callen, he’s off to deal with Pembrook with Kensi on his tail.

At Camarillo Airport, Deeks confirms that Beltran and three other people were on the helicopter but Pembrook wasn’t one of them.  Deeks is getting security video.  Cortes demands that it is sent to Langley as soon as it is available.  The Admiral does his version of rolling his eyes and says “of course.”

Callen arrives at the address Pembrook provided with Kensi just a few blocks back.  No one is at the home but since the bottle had the word “pool” in a circle, Callen check out the backyard.  There is a pool with a box at the bottom and lots of cameras all around.  Realizing that by going in the water Callen shorts out all his comms, Kensi tells Callen not to let Pembrook control the next move.  The Admiral doesn’t want Callen to go offline  Callen tosses his earwig and phone into the pool before diving in for the box.  Cortes pitches a fit that Kilbride has no control over his agents.  Saying they can track Callen through his car – and Kensi can trail him – the Admiral wants Rountree working with Kensi. 

A wet Callen finds a key to the house in the box.  Inside the house is a change of clothes and a key to a vehicle.

Kilbride wants Kensi to go in and see what Callen is up to.

Callen is up to getting into a van and in the van is an armed Pembrook.  Pembrook does the Pembrook stuff – talking about teaching Callen the language of violence.  After getting Callen’s gun, the two are off for a drive.

In Ops, Fatima has video from Camarillo Airport.  Beltran and three randos – two men and a woman - are walking to the helicopter.  Cortes demands Fatima send him the photos to run them through facial rec.  She was going to do that but he barks “send them to me.”  The Admiral nods and Fatima sends the photos.

Entering the house by picking the lock, Kensi finds Callen’s wet gear.  Kensi tells Ops that Callen mentioned a van by the house.  Cortes is disgusted they lost Callen “completely.”

Using Kaleidoscope, Fatima traced Callen through Van Nuys to LAX.  Cortes disses Kaleidoscope as a tenuous connection and tells Kilbride – who is quiet with a lot of side-eyeing – they better pray they don’t lose Callen.  Cortes gets a call – the CIA has ID the three with Beltran.  He leaves Ops.

Callen asks Pembrook what are they doing?  Pembrook says he’s trying to understand what Callen is feeling but Callen is not “doing that.”  Not wanting Pembrook as a therapist, Callen asks what Pembrook wants.  Pembrook wants to save Callen’s life, save Leah’s life and by that, maybe save his own.  Callen really doesn’t care about Pembrook’s life – “full stop.”  Pembrook leads Callen to an underground garage of an office building.

Fatima is still tracking the van on a bit of a delay.  The vehicle is near San Pedro.  Kilbride thinks that an awful long ride for Pembrook to take Callen on just to kill him.  Cortes disagrees – Pembrook could be taking Callen someplace off the grid to torture him.  After his phone beeps, Cortes has IDs for the three people with Beltran.  The three are Russians but not FSB.  The CIA got intel on the three entering the country but nothing else.  Fatima is joining the side-eye brigade.

In the parking lot, Pembrook starts by telling Callen he was obsessive and filled with anger.  Callen says this isn’t about him but Pembrook keeps pushing.  Callen’s anger drives his obsession.  Again, Callen really doesn’t care.  Pembrook admits he did horrible things – he won’t deny it.  And the Drona subject were children.  Pembrook says he thought his training methods were justified.  He’s consumed with remorse.  Callen doesn’t care.  Pembrook says he takes solace that Callen has moved on from his trauma.   Angry, Callen tells Pembrook he doesn’t know anything about Callen’s life.  Pembrook does – he’s been following Callen for 35-years.

Fatima hears from Vance’s assistant.  Kilbride is needed on a conference call in three minutes.  The Admiral is not pleased as he returns to his office.

Rambling, Pembrook has been following all the Drona children, trying to help those in the most distress.  Callen doesn’t believe him.  Knowing Callen so well, Pembrook offers to turn over Callen’s paper file – everything about Callen’s past.  Pembrook tells Callen he can date test the ink.  Pembrook starts talking about his own childhood.  If Callen isn’t interested in hearing Pembrook talk about Callen’s childhood, he certainly doesn’t want to hear about Pembrook’s.  All Callen cares about is the file and is offended that dangling the file in front of Callen is an apology.  Callen starts talking about having a hard time building relationships – he went from the DEA to the CIA to NCIS because Pembrook took from him the most elemental part of being a human – the ability to feel.  Pembrook knows this and knows it was a terrible thing to do.  He apologizes again and Callen isn’t interested in another apology.

In his office, Kilbride is waiting for Vance.  Fatima sends him the NCIS facial rec runs on the “Russians”.  They are, of course, Americans.  Cortes approaches Fatima, asking that she check the last area where the van was seen – maybe there is a CIA safehouse in the area.  Kilbride pops up on the big screen – he wants to see Cortes in his office.

Entering Kilbride’s office, Cortes asks if Kilbride shared what’s going on with Vance.  The Admiral did not and asks Cortes to close the door behind him.   After bickering about Cortes sitting down, Kilbride brings up an issue of dishonesty, especially with Callen being in such a precarious position.  The three with Beltran were Americans, not Russians.  Cortes tries to sell it as a good job with backstopping their IDs.  No, one of the men played football for USC.  Kilbride texted the head coach at USC to confirm it.  Cortes is not leaving the office until he tells Kilbride everything.  Sneering, Cortes asks if Kilbride thinke he can stop him by force.  “Don’t tease me,” the Admiral sneers back.

Rountree meets up with Kensi near the Port of Los Angeles in San Pedro.  They are sitting tight, waiting for an update on Callen.  Kensi asks Fatima about Cortes’s Russians and Fatima is sure they aren’t Russians.  She’s watching what’s going on Kilbride’s office via a security camera on the second level over the bullpen.

Callen asks Pembrook why is he killing the other Drona subjects.  Pembrook has been running a black ops Drona team for years.  Beltran was part of that team but wanted to start doing jobs for the highest bidder.  The only way Pembrook could get the rouge Drona subjects to stop doing these jobs was to kill them.  Beltran and his team killed a pro-democracy presidential candidate in Ethiopia along with the candidate’s family.  Pembrook was outraged that they killed children for a paycheck (as opposed to Pembrook I guess who only tortured children for a paycheck).   Since Pembrook was trying to kill Beltran’s team, they are returning the favor.  Callen reminds Pembrook that he is responsible for turning these people into psychopaths. 

A team of shooters open fire on the van.  Callen gets his gun back from Pembrook and the two make their way to a stairwell.  From the stairwell, Pembrook shoots into the van and blows it up.  Callen and Pembrook start running up the stairs but Pembrook is slow – he’s been shot.  Neither Callen or Pembrook have phones – Callen’s went into the pool, Pembrook ditched his burner at Pershing Square.  Pembrook has more happy news – he’s out of ammo.

Walking into an office that is being refurbished, Callen and Pembrook have Beltran and a partner in hot pursuit.  Hiding in a cubical farm, Callen and Pembrook escape to a stairwell but almost run into Beltran’s other two partners.  Callen and Pembrook go up another flight.

In Ops, Fatima downloads some photos of Beltran and his team – Cortes is in one of the photographs. 

Kilbride wants full transparency on Pembrook’s Black Ops from Cortes.  That is going to happen according to Cortes.  The CIA is willing to cooperate in the matter but not everything is going to be shared.  With his earwig in, Fatima tells the Admiral that Cortes worked with Beltran.  Cortes gets a text message with a list of CIA safe houses near where Callen and the van were last seen.  Kilbride starts talking to Fatima with Cortes in the room.  Cortes wonders what the Admiral is doing.

Callen and Pembrook get a higher floor.  Pembrook is in rough shape.  Finding a server room – that is fireproof and locks from the inside – Pembrook wants to stop running and let Callen go.  Callen and Pembrook wind up locked in the server room with Beltran and his team now on the floor.

Kilbride accuses Cortes of being part of Beltran’s team.  Cortes denies it.  The Admiral wants to know what Cortes’s role is in all of this.

Beltran tries to open the server door but it is locked.  He is about to move on when he realizes there is blood on his hand.   He asks the team to find something that will cut through the steel door.

Saying that Kilbride’s accusations are stupid, Cortes stands to leave.  The Admiral warns him not to so Cortes pulls a weapon on him.  “Are you insane,” is Kilbride’s reaction.  Saying his life is over as he knows it, Cortes is desperate to get out of the building.  Looking at the big screen, Fatima sees Cortes with his weapon out.  

Fatima walks into Kilbride’s office with her tablet and a pretend update.  Cortes orders her to leave – he’s exiting the building with Kilbride as a hostage.  Fatima won’t leave, earning a second gun pulled by Cortes.  She tells Cortes to look around.  There are several NCIS Agents with their guns drawn all over the second floor of the office building, including Agent Castor directly across the second floor. 

Cortes wants to leave the office and threatens to shoot Kilbride and Fatima if he can’t get his way.  When nobody moves, Cortes fires a shot into the floor by Kilbride and promises the next one is going into Fatima’s face.  While Fatima is clutching her tablet, she has her firearm under it.  To protect Fatima, Kilbride stands.  Cortes wants everyone to lower their weapons and Fatima gives the order to the others.  Cortes wants her to move to the left.  Causing a distracting, Fatima makes a Beyonce joke, asking if it is her left or his left.  When it is her left, the Admiral hits the deck, as does Fatima and the other agents on the floor unload their weapons in what was Kilbride’s office.  When Cortes does not go down, Fatima starts shooting and before long, he’s fallen out the window and onto the main floor outside of Hetty’s office.

As Beltran and company work to drill their way through the lock, Callen is looking for a way out of the server room.  Pulling down an air vent, he makes enough noise to stop Beltran for a second but only a second.  The drilling resumes.  The air vent is way too small to fit Callen or Pembrook.

Using Cortes’s facial ID iPhone, Castor is able to open the phone and pass it on to Fatima.  She finds evidence that Cortes was sending out everything NCIS was working on while he was there (and alive).  She starts tracking Beltran’s phone location.  Fatima sends the office building location to Kensi and Rountree who are on their way.   They were waiting for Deeks but are going in without him.

As the drill gets closer to opening the door, Pembrook tells Callen that when Hetty found out what he was doing she pulled Callen from the program.  He’s to blame for all that happened, not Hetty.  Callen wonders why Hetty didn’t tell him.  The drill breaks through the lock.

Kensi and Rountree see smoke coming out of the garage.  Inside, they find the burnt remains of the van with no bodies.  Bringing the big guns, Kensi and Rountree follow the bloody handprints Pembrook left on the stairway walls.

When Beltran gets into the server room, Pembrook looks to be alone.  Asked where Callen is, a seemingly struggling Pembrook says he doesn’t know, they split up.  Beltran says everyone always thought Pembrook was evil, a monster.  But Beltran knew otherwise and that was going to be Pembrook’s downfall.  Pembrook doesn’t agree.  Living with what he’s done is far more difficult than dying will ever be.  Beltran promises to put Pembrook out of his misery. 

Hanging from a small ledge over the door, Callen shoots Beltran.  Jumping down, he takes out Beltran’s partner.  As the other two team member rush back to the floor, Kensi and Roundtree arrive, arresting both.  Kensi gets an ambulance for Pembrook.

Outside of the ambulance, Pembrook hears that Officer Behr and Leah are safe.  Callen has arranged for NCIS Agents to take Pembrook to the hospital.  That’s not happening as Officer Behr shows up with Intelligence Agents from both the DoD and NSA – they’re taking Pembrook somewhere safe.  Callen is livid – does Behr know what Pembrook has done?  He does, Behr was a Drona subject, “There are a lot of us.  He made us, for worse or for better.”  As Pembrook drives away, Callen wants to know why Hetty never said anything.

Back in the office, Callen looks at all of Hetty’s things.  He gets a phone call from Pembrook.  He wants to meet Callen outside. 

Outside, Pembrook has a large file.  He answers Callen’s question – Hetty never said anything because she was consumed with guilt for getting Callen involved in the Drona program.  Callen isn’t really interested in Hetty’s guilt about trying to turn children into super-agents.  Pembrook disagrees.  Hetty put Callen into the program because he was brilliant and gifted, wanting him to live up to his full potential.  Hetty’s world was the arts and Callen wasn’t going to learn how to play the violin.  She wasn’t going to make the mistake some parents make of taking child with one set of talents and forcing the child to master a different set. 

Callen points out that Hetty isn’t his parents.  “You mean everything to her.  And you always have.”  Callen is as close to a son as Hetty ever had – she told Pembrook that because even Hetty needs someone to talk to sometimes.  While Callen may feel he’s been alone in this world, “you’ve been far from an orphan.”  Hetty loved him deeply.  Both Callen and Pembrook are a little weepy. 

Pembrook turns over the file with some advice.  “Don’t make your life be just about the past.  Let it be about the present and now the future.”  Pembrook offers his congratulations on Callen’s engagement and wishes him all the happiness in the world.  As he leaves, Pembrook mentions he gave Hetty the dossier on Senior Chief Petty Officer Sam Hanna.  “I thought he’d make a great partner.  No, that’s not true.  I thought he’d make a great friend.”  With all he did, Pembrook tried to look out for Callen as a way to make up for it all.

What head canon can be formed from here:    “Frank Military, please come to the front desk, clean up on aisle Drona.”

As an independent hour, this was great.  There wasn’t a dull moment, there wasn’t a dip in the tension, the dialogue was crisp, the action was top notch and there wasn’t a useless scene or conversation.  Frank Military is the king of “competence porn” – everyone on the team was at the top of their game, doing their best work.  Sam being “out of town” was a bummer – nobody writes the Sam Hanna competence porn better than Military.

But Drona.  For the life of me, I don’t know why in season 13 the program completely retcon’d Callen’s childhood.  For years, the backstory was Callen bounced from foster home to foster home, some bad, some really bad and some good.  He was found by Hetty, went to a good college, joined the DEA/CIA/NCIS and served his country.  Now, it seems Callen was some test subject where beating children was seen as great training and Callen completely forgot that part.  He remembered all his foster parents but not the guy who took a hammer to his fingers. 

Feh.

And if Drona and Hetty were keeping their eye on Callen from the time he was a little boy, could someone maybe have grabbed Amy Callen out of the orphanage and moved her in with a foster/adopted family before she drowned. 

Retconning characters’ past isn’t new to me – Samantha Mulder had multiple middle names and multiple kidnapping scenarios.  I have a high crapola tolerance level when it comes to this stuff but 13-seasons in, knowing that every season could be the last, introducing a complicated new storyline just seems like a bad idea.  And it was.

Nice touch having Cortes land right outside the Hetty’s office, what Mosley called Hetty’s throne.   Glad to see Castor not knocked out, instead being a key part of taking Cortes down.

So what did we learn today – you can abuse children physically and psychologically but if you suggest Sam Hanna as a friend to Callen, all’s good.

Episode number:   This is episode 19 of season 14.  The 321st episode overall.

[sarahivess]

"Let's start a new party, you and me." THANK YOU SM for the voiceovers @lesbianmindflayer & @astrobyers. Finally a new Byler edit, from Mike's PoV! Song: "Home again" by UNSECRET & Aron Wright

[smells-like-mettaton]

Hello! I'm an old mutual. I'm trying to search for something and thought you might have some info. I'm trying to remember where I first heard "Look After You" by Aron Wright. I could've SWORN it was an undertale animatic, but I can't find any trace of it! (Similar vibes to "Somewhere to Stay" which I did discover through your beautiful animatic <3.)

Harmony!! Long time no see!! :D Unfortunately I've never heard this song before so I can't help you, but thanks for the song rec regardless!