for a long time I thought that the howling void at my core was a lack of personhood. but it turns out that all along it was my lack of belief in my own personhood. realizing this has not solved any of my problems however
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Summarizing Cale's Coping Mechanism in 3 Words (Meme Edition):
(lol not really no)
But this guy described his coping mechanism in the Sadness Test as:
The way to endure past sadness, loss, and this motherfucking memory…
It was not to stand firm without being shaken up by them. It was okay to be shaken up by these things from time to time.
And:
“I need to do my best from here on.”
He needed to do even better for his friends who had left him first.
A faint smile appeared on Cale’s face. However, nobody frowned after seeing the smile. Everybody could tell that it was a smile that was full of emotions, a bitter smile that appeared after a lot of anguish.
“I will find a way to persist if I keep doing that.”
Cale didn’t know the method of overcoming this memory.
He will simply persist through it for the rest of his life.
—Chapter 719: The Method to Enduring Memories (2)
This guy, who tends to either ignore his problems or make a bigger mess out of them, is so mature in this part. He acknowledged that he can't simply remain stoic and unmoved in his grief. So the next big thing is to acknowledge what he is feeling, do his best and then he can persist through it.
I'm so proud of my boy.
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When problems come, remain calm in two cases. One when you know you can solve them so smile; second when you know you can’t so be silent.
Vikrmn, 10 Golden Steps of Life
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Hello! GS is one of my favorite comics right now and a huge inspiration in my own journey of working on a comic. One of the things I find the most impressive is your paneling. Visually each of them are laid out in a way that gives this great flow, it feels really natural to imagine the pages in motion.
Would it be okay to ask what your thought process is on panelling, or just general advice/thoughts on setting up/laying out pages? I hope this makes sense
When I think about page layout, my number one question is what kind of panel I want the page to end with. It shouldn't cut the conversation or motion awkwardly, and ideally it should be something that acts like a hook that makes you want to click to the next page, like here:
It's all about getting from part A to part B. Part A, you're here. Where's the part B? The cutting point, the point where the page ends, where the chapter ends, and ultimately where the story ends.
What kind of story you want to make?
What kind of plot points you want to cover in your chapter?
How much content there is in this one page, does it forward the plot, relationships, or just show a side of someone you want seen?
You can go even smaller. Is this panel important? Does it need a full background? Could these three small panels of characters talking be one big panel? It'll save you time and look nicer.
You'll get it with practice! The old first pages of my comic wasted a lot of space, sometimes they still do. Don't stuff it full but don't get too loose! Don't be afraid of small panels, reserve big ones for big moments, like mother saying goodbye to her kid, or a yellow deer meeting a god. I see many starting comicers use very few panels per page, but this is a LOT of unnecessary work that builds up versus you including more panels per page. It's all about the bubbles. Bubbles lead everything. It's the silent pages that are the hardest.
Again, this is just how I do it. I bet there's tons of different approaches that work for the right people. Hope you find what works the best for you, best of luck with your project!
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i know spite is not a. sustaining thing to be motivated by But anytime i see a ""real"" artist (someone who actually knows how to draw and knows what goes into making a drawing) use genAI for inspiration/reference/at any other point in their process, it motivates me like nothing else to just draw. not anything in particular, just drawing for the sake of it. like i dont understand how, as an artist, you dont enjoy the basic things about drawing. just do something else at that point
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never forget ninjagos greatest villain: daddy issues
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Guide to PBS Kids writers:
This is an early episode of a quality animated show and is one of the most hysterical things I've ever seen on children's television = Joe Fallon
This is an early episode of a quality animated show and is very funny = Ken Scarborough
This episode has strong, vivid and realistic female characters = Kathy Waugh
This is an episode of an animated show that has undergone a notable quality drop where the characters get lessons preached at them and seem to exist only in a very narrow urban upper-middle-class worldview = Peter K. Hirsch
This is an episode of that show that has undergone a notable quality drop but the characters are believable and I'm actually laughing at several really good jokes = Ken Scarborough
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I asked my husband to make lunch and at this point I should’ve just gotten up and made it myself cuz why is this so fucking difficult for him?
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Hm what did you need to do with Zapier? 😄 There's almost definitely a free way to do it if it's just a trigger and action (my work has a paid zapier but for personal stuff I refuse to pay that, and I've always found a way round :p )
i need to be able to filter the trigger so that users get assigned a plan based on what they're paying, which turns it into a multi-step zap and requires $20 a month for four whole zaps that will maybe run ten times a month collectively :|
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