#as much i desperately wish i did

[thatdistantconstellation]

anybody remember me saying i was gonna make a comic called "fusion pains" for emerald in 2019 and then proceeded to not say anything about it? well i got a portion of it done back in 2020 and then completely lost the motivation to outline and color the rest of it, and then i started focusing on my other characters lol

i know i'm never gonna finish this so i thought i would just post what i have of it now because why not? so, finally, after 3 ish years, here's the slightly finished "fusion pains"!

[tyttetardis]

Macbeth Q&A 18th Jan 2024 Part 1

Was lucky enough to get a ticket for the Member's Event at the Donmar Warehouse that took place on the 18th...with the price of the patronages I sure never thought I'd have gotten the chance, but luckily, they also let in some non-members 🥹❤️

The brilliant performance of Macbeth was followed by a very quick cleaning of the stage - thought for sure it would've taken them longer to remove the blood than like 5 minutes - followed by a lovely, little Q&A session.

The Q&A was led by Craig Gilbert (Literary manager) who talked to Annie Grace and Alasdair Macrae (Musicians and part of the acting ensemble) as well as Cush Jumbo and David Tennant.

Anyway, just gonna write down some of the stuff they talked about :) sorry if it's a bit messy! Might be spoilery if you haven't seen it yet but are going to!

To begin with Craig remarked that he didn't think he'd ever seen that many people staying behind for a Q&A before (While I was just wondering why some people even left!? Stressful!).

David introduced himself with "My real name is David "Thane of Paisely" Tennant - while Cush introduced herself with "I´m Cush Jumbo - there's only one of me".

First question was Craig asking them what it was that brought them to the Donmar to do Macbeth - to which David pretty much just replied that 1. It's the Donmar! 2. It's Macbeth! One of the greatest plays of all time in an amazingly intimate space - and that the theatre is famous for its quality of work. So he found it quite hard to think of a reason not to do it!

Cush said she'd worked there before and loves the theatre, how it's so intimate but also a great workspace. Followed by her saying she said yes because David asked her. She talked about how important it was for this play to do it together with the right actor playing opposite you.

David says Max Webster asked him about a year ago if he wanted to do the play - he gave him the dates - and since there weren't any obstacles in the way, David didn't have any excuse not to do it.

He then said that he had slightly avoided Macbeth - there sorta being the assumption that if you're Scottish and has done some Shakespeare plays before you have to do Macbeth. Which he joked was a bit odd since it's not like every Italian has to play Romeo. Then he mentioned that Macbeth is probably a bit more of a jock than he is - that it seemed more like a part for big, burly actors.

Max had laid out his initial ideas to David, a lot of which are in the final production, and David thought he seemed lovely, bright and clever and inventive plus it being the Donmar Warehouse! To which joked that he had last worked there 20 years ago - when he was 8 years old! "It's just one of those spaces" - friendly and epic at the same time where it's such a pleasure to be on the stage.

When Craig asked his next question concerning the sound of the play someone asked him to speak louder as she couldn't hear them - to which David joked that they've gotten so used to whispering. But also said sorry, and that they would!

Alasdair explained a bit about the process of the binaural sound - bit I find it a bit difficult to decipher it all correctly, sorry. He did say that a interesting part of it is that it allows them a controlled environment where they can put all the musicians (and even the bagpipes!) behind the soundproof box so "Poor David and Cush" doesn't have to shout over all the racket.

Craig asked David and Cush what their reaction was when they heard about the concept of the binaural soundscape - to which David replied that it didn't quite exist when they first came onboard - Cush joking they were tricked into it. Then she talked about her and David going on a workshop with Max to get a feeling of how it would all work - and get a sense of how it would sound to the audience, as this was one of the few times, they got to hear that side of it. Their experience of the play being completely different to the experience the audience has.

Cush said they can hear some of the sound - like she can hear some of the animal sounds and David can hear some of the stuff from the glass box - but most of their cues and information comes from timing with each other. She said they won't be able to ever hear what the audience hears - to which David joked "We're busy".

It felt like mixing medias - as it all went quite against their natural stagecraft instinct - but Cush found that in the long run it made things very interesting - like they don't have to worry about getting something whispered to each other - as the audience will hear it anyway.

David said the odd thing is that they don't really know what the experience truly is like. He mentioned that to the sides of the stage there's a speaker for them where they will get any cues that they need to hear. Like they can hear the witches - but they can't hear where they are "positioned" - so they have to learn how to place themselves to fit with what the audience hears. They don't hear everything, though. And the audio they hear is quite quiet, so it doesn't disturb what comes through the headphones.

He thinks it's been exciting - that it's a bit like a mix between film and theatre. It's happening live - but it's also like post-production is happening between them and the audience as it's going on. They just have to trust that the audience is hearing what they are supposed to for it all to make sense.

Cush said she thinks in 10 - 20 years, as these technologies has developed, doing theatre like this will feel a lot more normal - not that they will do it ALL the time, but that they will be doing it - whereas now it's still like an experiment. What Cush really like about the concept is that if was done in a much bigger theatre - then people in the cheapest seats would be able to have an experience much more similar to those in the most expensive seats - they'd be a lot more immersed into the action.

David then talks about how it feels extremely counterintuitive to not go on stage and speak loud enough that the people in the back row can also hear you. And usually, if they can't hear you, you aren't doing your job right! But then it felt very liberating. He loves it.

Cush then talked about how it felt odd waiting in the wings for a cue you can't hear - where you traditionally wait backstage and you can hear your cues, you can hear the rythm and know when it's your turn - so it was quite disconcerting to hear silence. So it's basically down to them now knowing the show and each other's timings - like if David is standing at a certain point, she knows how long she has before she needs to say/do something. So you have to watch each other more closely and really focus on what the others are doing.

David asked the musicians if they can hear everything inside the box, to which Annie replied that they get everything except some extra bits in the soundscape. But they can hear the actors on stage. Annie said it's actually a bit of a mystery to all of them what the audience actually experiences - how the big pictures actually look like - they just have to trust that it's there "Is it there?!".

Someone asked if they had had any adverse reactions from audiences to having to wear the headphones. Quite a bit of laughter all around :P then David said "There's the odd person" and something about if someone hadn't gotten the memo before turning up...but not sure how he ended the line. Then once again says that yes, there's the odd person who doesn't like it and that's fair enough.

The same audience member then said he could see the advantage of it in a big theatre where the distance is big, but not in a small place like the Donmar - to which David very quickly, rather passionately replied that it's not about projection, it's about being able to do things you wouldn't normally be able to do live - where they can speak so quietly that they can't even hear each other when standing next to each other. So even in such a small place, people wouldn't be able to hear that. It's about creating a different play - which isn't to everyone's taste and that's fair enough. But for a play that's been done a hundred and seven million times he thinks it's very valid to try and find a new way into the play - even if it's not for everyone.

Part 2

[age-of-moonknight]

Blood Hunt (Vol. 1/2024), #4.

Writer: Jed MacKay; Penciler and Inker: Pepe Larraz; Colorist: Marte Garcia; Letterer: Cory Petit

[landfilloftrash]

Look up, turn around, everything is falling down.  Do you promise to be mine forever?  Hold me tight, don’t let me go until the end of time—

I’d destroy everything just to be with you

[altruistic-meme]

back on my bullshit: looking through and making edits to my doc full of Issues I Have That Haven't Ever Been Looked Into for the doctor. which may prove to be futile but i will not think to bring any of this up + will absolutely try and downplay it if i do not do this.

i still keep joking that i will hand them the papers and go "pick one and we can start there" as well as threatening to walk out if they so much as breathe the word "asthma" to me. hopefully i can actually do these things at the appointment.

and i know. i know that doctors hate it when you present possible diagnoses and that you should let them do it themselves but like. you don't understand. i have had 22 years of not having anything done when i had a health concern, to the point where i stopped even realizing that things were concerning until someone else pointed out to me that it may be a problem.

so im coming armed and prepared and if the doctor refuses to work with me like im an actual person, then i will leave and i will ask for a different doctor. rinse and repeat until i find someone who will actually help me.

[sleepy-crypt1d]

going a little insane thinking about that one echo in moxxi's heist that's jack calling his mom on mother's day- a call she very much does not answer- and how much the sadness in his voice when saying goodbye says about him

[scattered-winter]

every day i kick a rock and bash my head into the wall because i'll never get to go on a big space adventure and become tightly close-knit with my new found family up there <//3

[deathsmallcaps]

I work as the person in an amusement park who watches the children who get lost. Here’s some advice. This also applies to any mentally disabled adults that are under your care. Keep in mind that many places will not look for a minor ages 13-17 unless it is close to closing or they are disabled, as corporate considers it a strain on resources and employee use.

1. Teach them your phone number. Best gift you can give them. I’m not supposed to have my phone out at work but I can cut down dependent’s being-lost-time by probably 400% if I can contact you. It also assures the children That We Are Doing Something and that They Are Helpful and Smart. If your dependent has a poor memory, apparently writing your phone number in sharpie and then covering it in nail polish makes it stay all day, even if they’re sweaty or getting in the water. I haven’t tested this but I’ve heard a lot of moms recommend it. I’ve also seen bracelets with little plates or the beads saying the phone number.

Addendum: your dependent may tell you that they know your phone number, but they actually only know your passcode. True story. This summer has been a lot better, but last summer exactly one child the entire season knew his mom’s phone number.

2. Acknowledge that dependent’s memories are faulty, especially in new places. If you tell them to meet you in X spot or that your stuff is all in Y place, they may not remember where it is or remember how to get there.

3. All dependents, but especially little ones, have shit time sense. They might find your stuff, wait there for a minute or two, and truly believe that they’ve been there for an hour. Half the small kids that are brought to me are ones who *know* where their stuff is, but haven’t seen an adult they know personally in 5 minutes, so they’re going to panic.

4. Don’t take naps!!! And don’t let your dependent go anywhere you can’t go or at least go where you catch them at the end!!! Yes you’re staring at the play structure your dependent entered, but can you see them? No? Then there’s a good chance they went elsewhere. So many of the littler kids that are brought to me are brought by genuine, good-hearted strangers who see lost children and take them by the hand. Away from the spot you’re napping in front of/staring vaguely at.

5. This might just be something from my work, but we will not call dependent’s descriptions over the loudspeaker. This is because if an asshole were to see your dependent, hear the description, know it’s a lost dependent, and decide to steal it, they can then use the excuse, “I know where your guardian is! Come with me!” And then lead them out of the park or toss the dependent over their shoulder. Do you know how many crying and screaming dependents leave the location every day? A lot!!! We’re a fun location!!! We’re not going to know if the dependent is screaming because they don’t want to leave or if a stranger is taking them away. We might call the description over the loudspeaker if it’s past closing time and the dependent still isn’t found. But before that, we will only report it over secure radios across the park.

6. Tell a park worker right away. Preferably someone with a radio. Even if you spot the dependent within the next minute, that means the dependent will have less being-lost time. Especially if we already have the dependent with, you guessed it, me. Also please tell us when you find the dependent.

7. Take a picture of your depdendent at the start of the day! That way security guards can have a good idea of what to look for. One mother told me her daughter was blonde and showed me a picture. Her hair color looked brown to me, but then I knew what to look for in the crowd.

8. Keep at least one person in your group in one spot at all times, especially if you don’t have access to your phone or forgot to give out your phone number to the guards. That way they can find you if they pick up the dependent. If you are the only person in your group, then PLEASE stay in one place or at least stay with ONE security guard. It sucks for the dependent if they can’t find you right away even if the both of you are looking for each other and a guard is helping them. You are NOT helping if you panic and run around. And keep your goddamn phone on you and answer calls from unknown numbers!!!!! God. This is a good time to do that.

9. If you lose your dependent in an attraction like the lazy river at a water park, and you have that ONE person staying in place, then this is what you can do with 1+ mobile people.

A. If only one person can be spared to be mobile, have them pick a spot and stay right there, watching the river go by. Eventually, if the dependent is in the river, they’ll go by.

B. If you have two people that can be mobile, both start at the same place in the river and go opposite directions. If you meet up again without spotting the dependent, well, they’re not there.

C. If you have more than 2 people, you can do B but also station different adults at the lazy river entrances/exits.

10. Don’t blame the dependent! Even if they ran away and/or are pissy that you’re upset once you all reunite, trust me, there’s a 99% chance they’re upset too. Yes, this is a good time to have a serious conversation with them. Yes, if this is a repeated problem, and/or you warned them you’d leave the park if this occurred, you should not back down. But also - they’re dependents. They’re not stupid, and they should be told consequences and dangers so they can make good decisions, but they will never have the adult/guardian perspective that you do. Be kind.

Also please for my sake teach them if they’re brought to someone like me, that it’s THEIR job to be safe and listen to me while us park workers look for you. It’s YOUR job to find the dependent, not the dependent’s job to find you. I had a six year old little girl genuinely toddler-howl at me because she wanted to go look for her mom. I’ve never before heard a kid her age howl like that. I can trick kids out of crying 9/10 times but howling came as a surprise lmao. I think I can manage it now that I’ve experienced it but damn.

Also make sure those kids are DRINKING. Being in a water park is NOT the same as drinking water. They should be drinking every 15 minutes at LEAST, I am NOT kidding.

Also if I call you to tell you your kid is here, please don’t call or text me back after you have the kid. I’m sure other places have phones for these types of things but the only one I have is my personal phone. And I am happy to get the kid off my hands and into your arms, but I’m using my personal phone so plz. Don’t call me back. Absolutely call me if you need directions to my ‘office’ in the park. Don’t call or text me after. I have stories about that hoo boy but this post is already long.

[sysig]

Roleswap(?) (Patreon)

[widowshill]

VAMP ROGER AU QUESTION! how would he and barnabas interact together (if they ever interact)? :3 💜

tagging @tortoisesshells because she's my co-conspirator <3

excellent question! this family and their sharp-toothed men will be the death of ... well, several community members of Collinsport, i suppose.

to start — Barnabas gets out of the box slightly differently than in canon, which colors his relationship to Roger and the rest of the household. Roger kills Willie after his attempted assault on Carolyn and Vicki (who is, by that point, his wife); Willie's mysterious disappearance and Roger's suspected involvement makes Jason that much more panicked, desperate, and correspondingly aggressive. Liz goes searching for the lost family jewels in a last-ditch attempt to buy Jason off, and, inadvertently, lets their ancient family sin out of the tomb.

ergo she's made Barnabas' thrall instead of Willie, but this goes unnoticed for a while — even though her brother would, in theory, recognize the signs, and his suspicions are raised, but she's already acting so much unlike herself with Jason around that he doesn't suspect anyone else of doing her harm. yet.

at the start, he and Barnabas get along very well, even before they discover their shared affliction: they're both relatively sophisticated, well-traveled, intelligent people, and for all that Roger decries Liz's emphasis on the Collins name, he leans towards familial connections instinctively (Roger hasn't got much in the way of friends outside of the house even in canon, and he's even more isolated as a vampire).

after he finds out Barnabas is also a vampire, things get a little more complicated, but overall, they're still friendly. Roger doesn't have much sympathy for Barnabas' relentless self-pity and decrying his doomed fate to live as a monster, because Roger on the whole enjoys his vampirism and has made a decent un-life for himself out of it (thanks in no small part to Vicki). but having someone like him around is a comfort in ways he wouldn't have expected, he's no longer solitary or uniquely monstrous out of the Collins family, he has someone else around through the night, and someone who understands the sufferings of bloodthirst and being shut out of the sun.

furthermore, Roger's very much interested in his family history and stories of the past, the building of Collinwood, Jeremiah's ships – and Barnabas was there. there's potential for some very interesting conversations about the past, and the arc of the Collins family history to the present, not to mention literature, travel, fashion, politics and the rest. Roger's his cousin's mirror in modernity in many ways, and that's something potentially interesting to explore: the world changes around them, but Collinses do not.

as an aside, they both have a funny sort of relationship to Burke. Barnabas hates him for his resemblance to Jeremiah and envies his friendship with Vicki and thinks he's crude, and Roger ... well. it's complicated. it's closer to antagonism than not, and Burke has tried to kill him once in this au, and Roger resents his flirting with Vicki, but then there's everything else with their past. so I don't think Barnabas' treatment of him would sit particularly well with Roger, he'd take the attitude of hey, only I can be a dick to Burke >:(

the definite fracture point is Barnabas imprinting on Vicki. Roger's already jealous and possessive by nature, and it's amplified by the supernatural nature of his relationship to Vicki (being closer, bodily and mentally; being necessary to each other; being, quite literally, sustenance) so he's already a little on edge when Barnabas starts paying attention to her, giving her presents, and appreciating the scenery — Barnabas doesn't, exactly, tend to have much in the way of moral inclination to leaving women alone when they have prior engagements, but it's fair to point out the irony of everything Roger was doing with his bloodbag governess when he was still very much a married man.

anyway: Roger finds foreign bite marks on his wife's neck, and he's understandably immensely upset by this. partially out of territorial sentiment, but he also knows Vicki, and he knows that she wouldn't have invited another vampire willingly — which means that she was forced, or hypnotized, or attacked in secret, and there's only the one potential suspect. this is already enough to lose his good will, but he might have been willing to let Barnabas go with a "hands off," had this discovery not lead to finding out what he'd also been doing to Liz. the combination of the two is unforgivable, and it's Barnabas' error to have made an enemy who is very personally aware of all his vampiric weaknesses, and Burke's already carved a stake.

[dungeons-and-dragon-age]

oughh......

[domoz]

i wish u would write a fic where izuna and hashirama conspired

"Ah, Izuna-san, thanks for coming!"

"Sure." Izuna responds dully. As if he really had a choice. Hashirama has been duly elected the leader of this little mess that everyone is calling a village, and now Izuna is obligated to answer to him. To a Senju, which stings, but not so badly that he can't bear it. Mostly it hasn't been an issue, because so much of the work they've done to make this nonsense work is by committee -- but today it just might become one. The -- former, now, as of his election -- Senju clan head has really never had cause to talk to Izuna one on one like this.

His skin prickles as Hashirama leans back and activates a privacy seal. Izuna doesn't let the tension in his chest bleed over to his expression, since all that seal does it stop eavesdroppers. The security seal that would prevent him from leaving hasn't been touched. Maybe the Senju has noticed anyways, because he flashes Izuna a lopsided grin and leans back in that stupid home grown office chair of his.

"I hope you don't mind if a cut to the chase., He says, "There's a mission I want your thoughts on."

Something in his tone make's Izuna attention sharpen. It's ever so slightly different than normal. Calmer than usual, or maybe… More serious. Whatever this is, it's gotten Hashirama to drop his usual buffoon act.  There's no  scroll to be seen, so this mission is likely one of those, where linking paperwork to the deed is just too dangerous. Izuna has his done his fair share. He raises an eyebrow.

"Well I'm sure your brother has already said his piece. What's with all the secrecy for a second opinion?"

"Ah… No. I don't send Tobirama on missions like these for… A variety of reasons. And this one is very need to know."

"…Missions like?"

Izuna lets himself look suspicious, and Hashirama's smile dims, though, it doesn't fall completely. There's nothing that Hashirama should trust Izuna to do for over his own brother. So far the Senju hasn't seemed the type to eliminate his enemies by sending them on suicide missions, but Izuna is well aware that he still doesn't know the man well enough to know.

"The daimyo has asked us to assassinate a political rival of his. Make it look like an accident, you know how it is." Which is not the sort of mission the Uchiha have gotten in a long time. Those sorts of requests only go to the most well trusted and well placed in court, and neither the Uchiha or the Senju have been in that position for a long time. As if reading his thoughts, Hashirama goes on, "I suspect this is a test, of sorts. And I thought, well, maybe it’s a good opportunity to test something out myself!"

Well assuming that mission is real, someone's going to have to do it. Izuna crosses his arms and waits for an explanation. For once the Senju gets to the point.

"I've realized that as the Hokage I might be in need of some people who serve me directly instead of going through the mission office. And I thought…"

"Me?" And not his brother? If it were just an assassination mission, sure, Izuna can agree he's more suited to it since Tobirama is disgustingly unsubtle for a shinobi. But as, what, an aide?

The Senju's stupid big brown eyes crinkle with another smile.

"You!" He agrees, "Really, if you've done even half of what Madara has told me you'd be perfect for this, and, well…" There's something sharp in the Senju's expression, a look Izuna isn't certain he can ever recall seeing there before, "When it comes to things like this, I thought it would be best if I asked someone who would keep me accountable."

He's insane, Izuna thinks, and not for the first time. He's either insane, or he's toying with us all. And if it's the latter, what the hell is Izuna supposed to do about it on his own? At least with this on offer he can keep a closer eye on him.

"I'll be telling my brother you sent me on a mission." He challenges.

The Senju's smile melts back into it's usual fake cheer, "I was thinking a delivery to rice country would be the perfect cover. I already have the wine you might have brought back as a souvenir!"

Izuna snorts, mostly out of disbelief with himself, and steps closer to lean over the desk. "Which I would give to nii-san and not to you, so don't you dare crack the seal on it. Now fill me in on the actual details."

[m4ndysk4nkovich]

pffffft what? no debbie gallagher scene could make me cry. she’s an annoying drop out teen mom who’s character was ruined. nobody likes her, why would i cry ove-

“hey! celia! tonya! open the goddamn door! give me back my baby! give me back my daughter! hey, franny! franny- franny, baby! oh- i’m here! mommy’s here, baby, i’m right here! i will kill you if you don’t give me back my daughter! i’ll fucking kill you! you hear me? i’ll burn your house down! you hear me? she needs me!”

[dragons-and-yellow-roses]

Yesterday I got the chance to go on the zip line, and I'm desperately afraid of heights but I still want to do things at heights, like the climbing wall or a high ropes course. And I've tried both of those things but quit very soon or before even starting, because I can't fucking do heights. But last night I got the chance to do zip line and I really wanted to, but was incredibly terrified.

So one of my dearest friends, a woman I deeply like and love, first reassured me (I was afraid I was too heavy for the zip line) and then said "Would it help if I went with you?" And yeah, she's one of the sweetest people I've ever met and she's an incredibly comforting presence, of course I said yes.

So we walked up to the zip line platform, and this is her job so she's very good at reassuring people (usually little children, but it worked for me too) who are scared to go on the climbing wall or zip line. So as I was trying to comfort myself, she told me how it would work, and that I could just sit and the harness would hold me, so I tried that and it helped, and she told me I could just lift my legs and I'd go. So I did, and she went at the same time as me, and

My god, the anxiety and the thrill, flying through the air with her next to me, seeing her wave at me as we went, getting off at the end and her asking, "So do you want to do it again?" And wanting to do it again with her, it was one of the most amazing feelings I've ever felt. I truly felt like I could've done anything I wanted with her by my side.

[goddammiteverythingstaken]

I would've thought fem!will would enjoy make up since she's an artist and it's such a creative thing! I see her doing some cool stuff 🥰 nail art too!

oooh I love the idea of her doing nail art

[arsenic-lobster]

After a space of smiling yet thoughtful silence, he said, rather suddenly --

'I have seen other things.'

'What other things?'

Taking the weed from his lips, he threw the remnant amongst the shrubs, where, for a moment, it lay glowing in the gloom.

'Look at it,' said he: 'is not that spark like an eye watching you and me?'

He took a turn down the walk; presently returning, he went on: --

'I have seen, Miss Lucy, things to me unaccountable, that have made me watch all night for a solution, and I have not yet found it.'

The tone was peculiar: my veins thrilled; he saw me shiver.

'Are you afraid? Whether is it of my words or that red jealous eye just winking itself out?'

'I am cold, the night grows dark and late, and the air is changed; it is time to go in.'

'It is little past eight, but you shall go in soon. Answer me only this question.'