some viktors in czech and polish folk costume and a less specific miscellany from the past few months :-) i have to draw very very small with this pen which feels appropriate for him
[id: two pages of digital drawings done with a fine pixel brush. the first image is a series of coloured drawings of viktor standing in a variety of costumes. common articles across the outfits are puffy white shirts, colourful breeches, embroidered waistcoats, and decorative flowers. in each drawing viktor is smiling and leaning on his cane. the second image is a selection of drawings of viktor standing and sitting in various poses, looking generally cheerful. in one he is sitting next to barbie, who is smiling at him. the text beside it reads ‘Barbie (they are friends)’. end id.]
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so it’s. it’s like. man this is so hard without my laptop.
alright so Crassus is a weird guy, existentially. There’s a tendency to speculate, assign, and insert him into whatever places are conspiratorial and shadowy because he fits into those narrative places with ease. My personal favorite (aside from all of it) is the idea that he may have pulled strings wrt to Sulla and Caesar’s conflict to help get Caesar out of it.
The Defeat of Rome: Crassus, Carrhae and the Invasion of the East, Gareth C. Sampson
In the universe that exists in my head, he definitely had a hand in it, but he didn’t really intend for Caesar to figure out he played a part in it, but Caesar’s good at puzzles, and noticing someone goes both ways. Binding someone to yourself goes both ways.
Crassus: The First Tycoon, Peter Stothard
This scene takes place sometime relatively soon after Sulla’s death. Crassus has complicated feelings about it, Caesar less so. Veni, vidi, vici, baby!
Here’s a bonus thing that I keep thinking about with them.
The Roman Revolution, Ronald Syme
like, utang na loob. and it is DEEP between them.
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