#at least. she like me. at least. we vibe.

[thebramblewood]

Apologies if you've answered this before, but I was looking through your asks and couldn't find anything.

Do you have any advice on how you take such good screenshots of your game? You have such a knack for lighting, having variety of shots, and making them immersive.

This is so sweet. Thank you! 🥰

If I'm being honest, it's 90% vibes and gut feelings for me. I don’t have any formal background in filmmaking or photography, and everything I know is by sheer osmosis. There’s a lot of fancy terminology to describe why certain image compositions look better than others. I admire and respect anyone who purposefully keeps that in mind. But I am definitely not that person. I think I’ve watched enough film and TV, though, to subconsciously be doing the "right thing" - or at least what looks right to me.

That being said, I think the best way to improve is practice. If you spend enough time doing something you'll obviously get better at it, even if you don't realize it at first. So the most important thing is to give yourself the patience to grow and the freedom to experiment! At any rate, here are some things I've learned that will maybe be helpful to others.

Camera Tricks: We all know the camera in TS4 can be a little wonky at times. I use Buckley's camera mod. It hasn't been updated in eons but still works as far as I can tell. It gives you more freedom with movement, and I've found it especially helpful for getting shots that are lower to the ground.

Now that I've realized how sneakily useful first person camera can be, I also take advantage of that all the time. There's the trick of making your Sim look in a specific direction. (This works with poses and gameplay actions, by the way! For example, I used it to turn Caleb's head toward Lilith while he was trimming the bonsai tree.) There's the Dutch angle trick explained in this video. This is great for moments of disorientation and unease. I also just straight-up used first person camera to convey Helena's confusion upon waking after being turned.

Also, saved camera positions are your best friends. You can save up to five positions using CTRL+5-9. Then you just click the corresponding number to return to that position. I've used these for so many reasons. By taking two shots in the same position and Photoshopping them together, I've been able to edit Sims in (like Vlad below), fix accessory clashes (the book was in the hat category, so Lilith couldn't actually wear it at the same time as the towel on her head), and to pose Sims in open doorways (Helena had to walk through the door to open it for the Vatores, so I shot both halves separately).

Zoom: I love smashing that zoom button, whether it's zooming way in or way out. Zoomed out shots are perfect for establishing setting or as interstitial shots during a long conversation when you don't want to always focus on Sims' faces. They're also great for the draaama. Extreme close-ups are great for emphasizing emotion or a tiny but significant detail. Playing around with the extremes of zoom is one of the best ways to achieve shot variety!

Focus: I don't think Reshade is a necessity for good visual storytelling, but it does make certain things easier. I rely a lot on depth of field shaders to pull focus in shots. I like using cinematic depth of field especially in conversations to blur some characters while emphasizing others. I feel like this helps ground conversations because it reminds us there are multiple participants instead of always zeroing in on the speaker alone. Another way to play with focus is to allow the angle to mirror the emotions of the conversation. It's an older shot, but I always liked how Caleb seems to cower beneath Lilith's bat form here even though she's technically smaller. And in the recent conversation between Lilith and Helena, I kept the camera to Lilith's back to emphasize her vulnerability and discomfort and put the focus on Helena's reaction to it.

Framing/Angles: I do this by pure instinct, honestly, and have gotten better at getting it right on the first shot over time. I used to take half a dozen shots of the same pose from different angles and choose the best one. Nowadays, I'm quicker to commit and often take only one shot. I've learned that if something immediately tickles my brain, it's usually the way to go. I usually angle shots so that the characters aren't looking directly at camera, as it seems more natural that way. On the other hand, sometimes the direct to camera look can actually work in more confrontational or unsettling moments.

Environment: If I can help it, I don't do my own builds. In some ways, this is a disadvantage because I have to set up the scene within a space that wasn't specifically catered to it. On the other hand, it makes for fun little surprises, like the ability to peek in through a skylight or frame two characters within perfectly placed archways. I like using objects and structures to create interest when I can. I often don't discover things like this until I'm pulling the camera around and randomly happen upon them. I definitely recommend navigating all around to see what you've got to work with before committing to any specific angle. You might find one you didn't even think of!

Lighting: I do what I can with the game's lighting. I avoid placing ceiling lamps or at least turn the brightness down much lower, and I don't usually turn all the lights on in a room at once. I tend to change the color to one of the warmer golden hues to avoid a stark white that washes everything out. I always like when I can get some sources of light into frame because it adds a lot to the ambience. But I've also been using Relight on all of my posts lately. It's an addiction, and it truly makes all the difference. I'll use it to give light sources a stronger glow so they stand out more and also to create shadows on Sims' faces. It's also very good for flashlights and computer screen glow!

After having self-indulgently written all this, I'm not sure how much is usable advice versus rambling musings. I find it hard to give storytelling "tips" because so much of it feels innate and personal and hard to put into generalized terms. I also don't want to imply that every one of my shots is perfect or that there aren't a million other ways to go about achieving good results. But thank you to anyone who's made it this far, and I hope you found it worthwhile. 💕

[lookninjas]

Pick a song from a bad description! This time around, we are doing cover songs. You do not have to recognize any song to choose it (although a couple of these should be kinda obvious). Just go with whatever appeals to you. Maybe you're in the mood to stand outside a window with a boombox. Maybe you just want someone to finally fix Johnny Rotten's lyrics. Maybe you love bossa nova. Just go by the vibes.

At the end of the week, I will put the songs into a playlist, in order from the song with the least amount of votes to the song with the highest amount of votes. If you would like to see the playlist, please leave a comment or say something when you reblog, and I will tag you when the playlist is up. If you are desperately curious about a song and don't want to wait a week to know what it is, shoot me an ask and I will answer you.

And please reblog the post! Because Latvian party music and K-Pop Linkin Park covers are always fun, but making other people listen to them with you is always funner.

(also yes the whole playlist will be on youtube this week because apparently that's just where the fun covers are. I'm assuming it's a rights thing? IDK.)

[fluentmoviequoter]

Rich for a Night

Requested Here!

Pairing: David 'Deacon' Kay x fem!detective!reader

Summary: To catch a thief targeting wealthy couples, you go undercover with your husband Deacon.

Warnings: fluff, Deacon & r are held at gunpoint, a Bugatti gets wrecked :(

Word Count: 2.5k+ words

Picture from Pinterest (1x19 "Source")

Masterlist Directory | Deacon Kay Masterlist | Request Info/Fandom List

“It doesn’t make any sense,” you lament. “The robberies always occur after big events, dinners, charity galas, but there’s no other connection.”

“Catering company?” your desk neighbor suggests.

“Different for every event. No one worker has been at every event. Planners have alibis, there’s no similarity in looks or where victims live, even banks. The only lead we have is wealthy couples getting robbed, sometimes at gunpoint, after an event.”

You drop your head into your hands as you reconsider the entire case. You’ve looked through every guest list, and everyone has alibied out, even though only a few couples overlapped and attended every event. They got robbed, too, as it turns out. The first two robberies had a connection: they both banked at the same place, but after that, the connection disappeared.

“It has to be someone near the events,” you murmur. “Maybe it’s someone who has access to Los Angeles socialite calendars and is just hanging around the events and picking people at random.”

Your phone rings, and you sigh before you answer, “Detective Kay.”

“Detective, there’s been a murder,” the caller says.

“Let me get you someone in homicide.”

“No, this is related to your burglary case. Or at least that’s what the homicide detective thinks. It looks like a robbery gone wrong.”

“What’s the address?” you ask as you pick up your cell phone and keys. “I’ll be there in fifteen minutes.”

On the drive into the hills, you add this new twist to your thoughts on the case. You agree that this location, the schedule, and everything about the setting of the crime match your investigation. The murder is either a progression or a mistake. Maybe the burglar was interrupted, or the victim tried to stop him. Before you can create too many theories, you arrive at the scene and flash your badge to enter the house.

“What have we got?” you ask the homicide detective surveying the scene.

“Forensics is going over everything now, but it doesn’t look like anything was taken. Single gunshot to the chest was our cause of death.”

“Nothing was taken?” you repeat. “Then why do you think this is related to the thefts?”

“Because of that,” he answers, squatting as he points under the makeup vanity. “A bag filled with jewelry pushed just out of reach. Almost like a dying woman was trying to protect herself and her home.”

“What else did you find?”

“Not much. Seems like this happened pretty quickly. Alarm was disabled at eleven-oh-five p.m.”

“After the murder mystery theater on the yacht,” you add. “Date night gold for the rich.”

“Hence, why we think this is your case, not ours. They’ll try to recover the bullet during the autopsy and run ballistics.”

“Until then, it’s mine to decipher. Thanks, detective.”

“Could I make one suggestion?” he inquires as he removes his gloves. You nod, and he says, “This seems like the perfect opportunity for a UC. Even if you don’t come face-to-face with the burglar, you get to know a bit more about the victims.”

“Even more if you go undercover yourself,” your partner adds as she walks into the house. “Progression or accident?” she asks, pointing to the victim.

“I can’t go undercover,” you argue.

“Why not? You get to play dress up. Plus, you’ve got a tactically trained and incredibly attractive husband you could take with you. No one would question your right to be there with Deac’s old money vibe and your, well, everything.”

You look around the scene, a luxury environment as an outward acknowledgement of all the victim worked for, or as it may be, didn’t work for, and decide it truly is your best option.

“I need a Rolex.”

Browsing the rows of the evidence locker with a small box in your hand, you wonder why so many rich people get arrested. So far, you’ve gathered a Rolex Daytona worth at least $100,000 and three pairs of sunglasses from Cartier, Ray Ban, and Dolce and Gabbana.

“Perfect,” you whisper as you find an envelope with a Tiffany ring and a pure obsidian band.

With these accessories and the dresses your contact who works with the UC division is procuring for you, you do not doubt that you will fit in. You still need a car, but you know just the people to ask about that.

“I need to check these out, Ally,” you request as you slide the evidence onto a desk. “For case 9212024.”

“No problem,” she answers as she begins logging case numbers and photos into her computer. “Who’s the ring for?”

“My husband.”

“I pity the criminals you’re after.”

“At least they’ll get a nice view while we put the cuffs on.”

“What are you doing here?” Rocker asks as you enter SWAT HQ.

“Lovely to see you too, Donovan,” you reply with a smile. “Do you greet your wife like that?”

Rocker shrugs and hugs you quickly before he directs you to where 20 Squad is reviewing warrants.

“Sergeant Kay,” you call as you enter.

“Oh, hi!” Street greets.

“This is a surprise,” Deacon says as he moves around Street to hug you.

“I have something for you,” you begin. You pull the obsidian ring from your pocket and lift the Cartier aviators from your side. “A proposal.”

“Is this a married couple thing or am I just confused?” Street whispers.

“You don’t want me to answer that, playboy,” Luca replies, slapping his back.

“Why?” Deacon questions, smiling even as he narrows his eyes at you.

“It’s just a date,” you promise.

“To do what?”

“I’m still working the string of burglaries targeting rich couples. We’ve got tiny leads that add to enough of a clue that I want to go undercover at the next big event to try to find something. I have to work faster because a woman was killed during a robbery last night.”

“Why not take someone more familiar with the case?”

“Do it, Deac,” Street whispers. “Just for the watch.”

“What watch?” Deacon asks.

You lift your hand to show the Rolex Daytona hanging loosely around your wrist. “There’s a look to people like this. I’ve got everything except a date right now, and you’re the best option for more reasons than I can list, Deac. If you can’t, I get it.”

“No, I want to,” he states, taking the sunglasses from your hand and sliding them onto his face. “Let’s catch a burglar.”

“Oh, that’s just not fair,” Street complains.

“Street,” you call. “I need something from you and Luca too.”

“Alright,” you announce after you secure your earrings. “We just moved here from New York, have our accounts set up, moved into a newly renovated house in the hills and are scoping out the local charities because we’re budding philanthropists.”

“And luring a thief,” Deacon adds as he gently tugs the strap of your dress to straighten your neckline.

“Mostly that.”

“I’m following your lead tonight, detective.”

“I like the sound of that.”

“Your ride is here,” Street says on the other side of your door. “And you’re welcome, but don’t get used to it. Luca and I may be brilliant, but we’re not get a free Bugatti loaner every week brilliant.”

“I never said it had to be a Bugatti,” you whisper to Deacon.

“I can hear you, ya know,” Street calls. “You are wearing a wire. So, keep it PG, Deac.”

Deacon smiles as he leans toward the tiny microphone hidden in the seam of your dress strap and answers, “10-4, good buddy.”

Street groans, and you gently push Deacon’s shoulders to straighten his tie. He looks good, though you expected no less.

“Let’s be rich for a night.”

“Welcome, Mr. and Mrs. Napier,” the chauffeur greets as he opens your door. “Beautiful car. It's number 17,” he adds as he hands Deacon the card to pick up the car after the event. “Enjoy your evening.”

“Thank you,” Deacon answers, nodding as he shakes the man’s hand and passes a $50.

You wait on the curb as Deacon rounds the back of the Bugatti and wraps his arm around your waist.

“If he scratches that car, Street will kill me,” you say through your smile.

“Good thing it’s not Street’s car,” Deacon replies. “Let’s go, Mrs. Napier.”

You smile while you loop your arm around Deacon’s bicep and follow him into the concert hall. Innumerable couples are finding their seats and milling around the open area of the hall as they discuss charities, recent events, and bank account balances. With Deacon, you have no concern about looking out of place, and your confidence is assured when three different women look over at him. One of which looks away from her husband to do so.

“Good evening,” a woman greets, smiling as she approaches you. “My name is Andrea Campbell and I’m hosting this evening’s event. Forgive me if I’m mistaken, but I don’t recall meeting you.”

“No, ma’am, you haven’t,” Deacon says, carefully extracting his arm from your hold as he offers to shake her hand. “I’m Dan Napier and this is my wife. We just moved here from upstate New York and wanted to see the charities of Los Angeles.”

“Oh, how wonderful! Mrs. Napier, I am an advocate for women in philanthropy, so if you have any questions please do not hesitate to contact me. I truly hope you enjoy this evening’s show and the presentation.”

“Thank you,” you offer before Andrea is called away. Once she’s out of earshot, you stifle a laugh and whisper, “I’m surprised she even saw me.”

“Mrs. Napier, is it?” a man asks, allowing as he pauses directly at your side, out of Deacon’s reach. “My associate Andrea mentioned that you were here. I believe you recently opened an account at my branch of United Banks. Hopefully you can spare some time soon so I can show you around LA.”

He walks away before you or Deacon can speak, and you’re left to watch him and wonder why he chose to acknowledge you.

“Think he’s a suspect?” Deacon murmurs into your ear as you turn toward him.

“No,” you answer, moving your professionally styled hair as you shake your head. “Just a man with a roving eye. We have no evidence that our guy goes after women any more than men.”

“But he killed the woman last night.”

“The husband called it in, though. He was in the house when it happened. Said they were both tied up and she managed to get free and went into the bedroom to confront the thief. He’s scared, he doesn’t like being watched. Nothing like that guy.”

Deacon nods and pulls you close, smiling before he kisses you quickly. You slide your hand into his and follow him to your seat.

During the concert, nothing of note occurs. Even after it ends, you’re welcomed to Los Angeles by several couples, but no one sticks out as a possible suspect. So, disappointed and back at square one, you exit the concert hall and stand at Deacon’s side as he asks the chauffeur to fetch the car.

Just as the Bugatti pulls up, the man who parked your loaner car moves behind Deacon and presses a gun against the small of his back.

“Get in the car, Mr. Napier. I’d hate to shoot through your wife’s pretty dress,” he demands quietly. “Now.”

Deacon moves his hands slightly to show the man that he’s unarmed and mumbles, “Okay, okay.”

“In the car, Mrs. Napier,” he demands, jerking his head toward the passenger door.

You nod quickly, wearing faux fear on your face as you get in the front seat. Deacon sits in the driver’s seat beside you as the armed man slides in behind him.

“Nice car,” he applauds. “Now drive to your house. Either one of you moves for a phone… if you even adjust the air vent, I will shoot you both.”

You don’t think he will, not somewhere as noticeable and closed-in as the car, but you nod and pretend to swallow a sob as Deacon pulls the Bugatti out of the short driveway.

“Here’s what’s going to happen,” the man begins as Hondo speaks into your earpiece to alert you that he’s behind you in an unmarked car. “We’re going to go into your house, you’re going to turn off the alarm and get out of my way, and I’m going to take whatever I want. Understood?”

“You don’t have to do this,” Deacon replies.

The man presses the gun against your temple and yells, “Understood?!”

“Yes,” Deacon answers quickly, tightening his grip on the steering wheel, his knuckles white as his hands remain firmly at 10 and 2. “Understood.”

“I trust you, Dan,” you whisper as his left hand shifts slightly. “And everything you’d want people to do.”

“Shut up!” the man demands, lowering his gun slightly as he looks between you and Deacon.

“I trust you, Daniel,” you repeat softly, hoping your wire picks it up.

“I hope you don’t regret that,” Hondo answers in your ear. “Turn one light too early if you mean it, Deac.”

Deacon’s jaw clenches as he approaches the last light before your turn.

“This way is faster,” he tells the thief as he hits the blinker but doesn’t move.

Hondo’s engine revs as he increases his speed, steering his car to the right to perform a PIT manoeuvre.  When his front bumper collides with the side of the Bugatti, Deacon releases the wheel and turns toward you. He grabs the man’s forearm and hits it against the passenger seat as you retrieve your service weapon from your ankle holster. The car slides to a stop against the curb, and the man drops his gun, then begins crying as you level your aim at him.

“You’re under arrest,” you tell him, panting as you try to catch your breath and lower your heart rate.

“Who are you?” the man whimpers as Deacon holds his arm between the front seats.

“Detective Kay, LAPD,” you answer. “This is Sergeant Kay. And the man about to pull you out onto the pavement is Sergeant Hondo. LAPD SWAT.”

“Wait,” he interrupts, sniffling. “You’re actually married?”

Hondo rips the door open before you can answer and grabs the back of the man’s shirt collar to haul him out of the car. He looks through the open back door to check on you and Deacon, then clicks his tongue.

“Luca and Street are not going to be happy.”

You tip your head back against the headrest and groan.

“Congratulations, Detective Kay,” Deacon says.

He smiles as you turn in the seat to face him.

“I love you,” you tell him softly. “Even more without the expensive jewelry.”

“But I look good in the sunglasses, right?”

You laugh and nod but point out, “We didn’t need them for a concert at night, though.”

Deacon laughs with you, and as the approaching police lights reflect around you, you know your life is richer with Deacon than with any material belongings you could ever borrow or earn.

[daincrediblegg]

I hate it when I accidentally hit submit on the course eval for one of the classes I was most looking forward to critiquing for improvement when I had barely written anything 🙃

[hugs-and-stabbies]

The self-awareness on this guy 😞 someone pls send him an "are you bi?" quiz STAT

[becca-e-barnes]

Hiii I have nothing to do at work so of course I have to day dream about different dark!Bucky scenarios (I do not condone cheating but this is really hot to me aaaa)😩 like imagine your husband and Bucky have always had an ongoing rivalry, They worked together, went to college together, hated every ounce of each other. One night you’re at the bar with your friends when Bucky comes over to you and buys you drink after drink after drink, taking you back to his house. He’s throwing you on his bed and ripping your clothes off, kissing you hungrily. “Get ready baby, this is gonna be much tougher than you’re used to.” “Please.” “Yeah? Is he not satisfying you baby? This pretty pussy deserves to be treated right, luckily I’m here now.” He’s so rough with you, fucking you harshly, the dirty talking is driving you crazy. He’s so cocky and cruel, bending you in several different positions and pounding into you for hours. If only you had seen the camera… (part 2??? Bucky making your husband watch the video 😭) -💒

This, a thousand times over 😵‍💫 and I can just imagine throwing all the stuff at him that you wouldn't dream of doing with your husband. Maybe your husband really doesn't let you explore your fantasies and if you've got one chance to do that, you're determined to take it.

Especially if Bucky is quite a bit rougher than you're used to while still being so respectful. He got the impression that you're not being fucked how you want to be and he wants to give you everything you dream of when you touch yourself. He's not necessarily rough with you because he wants to be. He's rough because that's what you want.

If he's feeling extra filthy too, he'd fuck you in the bed you share with your husband. You're on your hands and knees on the bed, presenting your glistening pussy to him, enjoying the sensation of him smearing your arousal over the tip of his cock.

"Fuck, do you know how bad I want this?" He hums quietly, trailing his leaking tip over your slick folds. "Do you know how badly I want to press inside you? You've made such a mess. Bet you feel like fuckin' Heaven and he doesn't even appreciate it."

With his free hand, Bucky grabs a handful of your ass, squeezing just enough that you feel it hurt.

"Don't want to rush this though." His tip lines up with your entrance, teasing the little fluttering hole and God, you're desperate. "I want to take my time. Want to make sure every time your head hits this pillow, you remember how it feels to have every. Last. Inch of me slip inside you."

You can't have him wait any longer though so you press your hips back onto him, feeling just the tip slide into you. "Good girl, that's it. Fuck yourself on me. You need this, don't you? You need to be fucked right for a change."

He's not wrong. You couldn't stop now, even if you wanted to so you keep going, taking all of him. The weight of him inside you is delightful.

"Oh God, you're perfect. You feel like you were made for me." He doesn't dare move. Instead, he takes a second to just enjoy the wet heat of your body and the snug fit of you around his cock.

"You are. A fucking. Dream." He tests the water with a few shallow thrusts, rutting his tip against the sweet spot inside you. You're so wet, you're convinced you must be dripping onto the sheets and your eyes roll back in your head at the very thought.

This is how sex is supposed to feel. You didn't think you could crave anyone the way you do now. "Buck, please." You whimper, rolling your hips back against him, pressing him as deep inside you as possible. "Don't be gentle."

You hear him groan and feel his fingertips trail down your spine, making you arch your back into the bed. "Is that what you need, sweetheart? Can tell just by looking at you that you need it hard and fast and rough tonight. I'll be gentle with you tomorrow morning, I promise. Gotta work some of that tension out of you first. Bet you haven't cum in months."

You don't like that he can tell so easily but you're not surprised either. The first sharp thrust knocks the air from your lungs but all you hear is a pathetic sob, followed by the crack of a hard spank to your ass and the blossoming, stinging pain he's inflicted.

You're not surprised that it only makes you wetter.

[essektheylyss]

I love that, regardless of any other fey nature or trickery, Morri genuinely seems to love Fearne. There's no question in her greeting that she does see her as her own granddaughter, as much as Fearne sees Morri as her grandmother unequivocally.

[oxventure-text-posts]

I'm gonna be honest with you guys, the urge to do the same thing I did with the oitd silhouettes, aka slap text posts onto the art with no knowledge of their canon personality other than what they did in the trailer and pulling from the fandom's perceived personality for them, for the new oxventure characters revealed in that trailer is so real

[bacchuschucklefuck]

literally figured sorcerer!kristen's freshman year design out the moment I sat down and attempted to brainstorm (rubs hands together fly style) we eatin good today boys

[distraughtlesbian]

literally the best part of this whole stupid book iwlove weird obsessed horndogs thee villain archetype of all time. he’s so silly. “we could’ve had a life together”, he says to his lesbian ex-neighbour who he’s just shot with a crossbow bolt meanwhile her girlfriend who he’s also just shot is half dead across the room. god i love it here he said me and the bad bitch im going to fumble

[kalashtars]

astarion / shadowheart / minthara really is the bad decisions crew. you make them do the most horrific shit and the others are behind the corner going "😏👍"

[floralovebot]

okayokay here are my Thoughts that no one asked for aljgdh

i LOVE bloom's boots and her wings!! the hair will definitely grow on me. i don't like her outfit though. i do see what they're going for! it's very reminiscent of her og magic winx and one of the earlier promo designs we saw but to me, this doesn't feel very,,, bloom. it's so sharp, there are so many angles and layers (which feels like the Theme rn for most of them). IF they're going for more of a dragon warrior vibe for her then i can def see it, but the stiff fabric just isn't doing it for me. i do like the shoulder guard look though! idk there are aspects i like and i can see the vision, but i'm hoping the final design is a bit more refined and feels more like Bloom

like i said before, aisha's design feels very one-note compared to the other girls and i think it's because she's basically wearing one color. i love that they put her in blue!! but i hope they introduce a secondary color like her og green or yellow/purple to help balance her out. as for the actual outfit, love the boots! it feels more believix to me but i concede that this transformation is meant to feel more modern so i'll deal. the actual outfit,,, not the Best. the cuts are interesting, there's a lot of symmetry which is weird to see on aisha since most of her transformations before were very asymmetrical. i'd love to see more flowy fabric with her! the little hip things just aren't doing it for me. i like her wings! but they do look a little too similar to bloom's for them to really stand out. i love the gold on them though!! AND HER HAIR >>>>> best part!!

LOVE musa's hair!! it's so cute i'm crying :') i feel like the hair is definitely a strong point of these designs!! i think the wings will grow on me once i see them in action. right now they feel a little awkward but i see the vision. i think so far musa's whole design is looking really good. Very similar to her og winx with just enough of a new change to not feel exactly the same. and her boots!!! LOVE seeing that more edgy side of musa reflected in her clothing! idk i think this is one of the stronger designs good for her!!

we didn't get to see the bottom half of stella's look so i'm not sure what that's going to be like! i love the sun ray collar but i will say it def feels more Fairy Warrior so,, i like it but i would want to see that reflected in the actual fighting and plot too. if it's not then it's not the Best design choice imo. her wings,,, like musa, i think they'll grow on me once i see them in action. it's lovely to see blue on her! not sure how i feel about the hair but since stella's ponytail is in her casual look instead, i understand why they didn't put it here too. i'm looking forward to seeing more of this design!

we also didn't get to see the lower half of tec's design so,, idk but i think it'll end up being pants going by the look of her boots? i don't Love the boots, but again, i see the vision and i do think it'll look better animated. her wings,, i like them but i would've liked to see a more interesting overall shape! the design on the inside is great, but tecna's wings were always sooo interesting and didn't feel like generic fairy wing shape. idk,,, we will see.... LOVE the hair, love the glowiness. it's like a solid 6/10 for me. i think there are certain things they could still play around with to enhance the design but it's going in the right direction

okay,, first, LOVE the braid!! she's finally beating the "never changes her hair" allegations good for her. and the little flowers in her hair are MWAH the wings are cute! they look good with the design. love the petals on the top! it def blends more and isn't as overwhelming as the previous design. the flower arm bands are also a classic. the skirt is really where it loses me. i like it In Theory - i understand the goal. it's very flowery, very much like petals, it reminds me a lot of a tulip. so i get it! However, the layers,,, idk man it just looks off to me

it Def looks better in action! it's not as stiff, the edges are going up, there's an overall more graceful, flowy vibe to it. but the layers,,,, i Get it but i don't love the execution. but to fair, i don't really know what would make it look better so maybe this is the best they could come up with

OVERALL, i do think it's going in the right direction in regard to pleasing old fans and appealing to newer, younger audiences! i do think a lot of the fabric looks really stiff rn But seeing flora's animated transformation is giving me hope that it will look better in the actual show. the 3D rendering just looks off when it's a standalone piece. so far, i think the best designs are musa's and flora's. they feel a lot more balanced, capture the winx vibe, And still feel true to the characters. imo the other designs are missing one or two of those elements.

bloom's design needs to feel more like bloom. aisha's needs more dimension. stella's is nice in theory but doesn't quite match her more carefree, fun-loving attitude and feels more like a Royal Warrior thing so it really depends on how she's being characterized i guess. tecna's is good but i want to see the whole thing lol also i think her wings should be more unique

Now. as for the casuals.

tecna looks great i think we can all agree on that!! very boss babe i love it!! aisha,,, i think her pants should be baggier. the tight fit and hip cuts just,,, i see the vision but i think they need to reel it in and make it more Aisha. stella's skin is way too light she looks sick. her outfit,,, Bad. her entire design just feels so pale and desaturated?? like just up the saturation on everything and it'll look ten times better even with the wacky outfit choice.

musa's is okay. i get the vibes - i understand the choices. but like aisha, i think her design could just use a little more thought. it's similar to her og outfit but kind of in the wrong way imo? like it has the same sort of look and cuts, but it's also tight and uncomfortable. musa's og look was very much about comfort over fashion so this feels a little,, hhhrrrrmmmm yknow? i do like the direction though! i think for me, it really is the top part. like why is she wearing a skin tight bodysuit. who told her that was comfortable for day to day wear. it's very much aesthetic over comfort which isn't Bad but it doesn't feel very s1 Musa yknow? she loved her baggy, comfy clothing for normal days

flora's is okay too. again, i like the direction. i don't love it as her Official One Casual Look for the season; i think i would've preferred it as a secondary look for one episode. but it's not the worst! it Is very flora so i concede lol

[stardustedknuckles]

Chappell Roan reminds me of the heyday of Lorde and I think that's why I'm vibing. Can't put my finger on what's similar but it's there, at least for me.

[juney-blues]

99% of conversations on anarchism about here are hampered by people having no clue what anarchists are talking about when they refer to "the state", including, it seems, the anarchists themselves.

[volfoss]

it is beyond infuriating how anne rice seems to insist on marius being a positive force in anyone's life ever. like she can't fully commit to exploring the fact he groomed armand and has repeatedly taken away his consent for what marius thinks is best (take the end of TVA as an example) and just kind of flatly puts it in the narrative. there's not really much interest in how these horrific events make marius come across as the worst because EVERYONE loves him. for gods sake, lestat learns from armand exactly what marius did to him in TVL and then proceeds to go find marius and be super friendly to him in the same fucking book. even armand and pandora, two of the people who have MORE than enough right to hate him, do not. it doesnt feel like shes trying to explore the toxicity of the abusive dynamic he traps them in, it just is there. and like yeah ofc the toxic vampire romance series but i think that this should be handled with more care. and it is not ever really framed in a way that she is interested in exploring how marius should easily be one of the most horrific characters in this series because it kind of feels like sa/rape/grooming/other things of that sort are just put there to further plot and not to really get the respect that they deserve in a medium.

[deepseawave]

obsessed w the tags on ur last reblog

Omgg, thank you haha, it was a quality post so I just had to appreciate it in full force 😂❤️

Can‘t believe someone would actually enjoy my yapping :,D