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#audible book
suzilight · 4 months
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The Secrets of Dr. Taverner by Dion Fortune
Lee Vogler's ASMR voice is wonderful.
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marialilyjournal · 8 months
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what is audible?
Amazon owns the spoken word and audiobook entertainment provider Audible. Users can access a wide library of podcasts, audiobooks, and original content on a variety of devices. Users who subscribe can also take advantage of unique discounts and Audible Originals in addition to receiving credits that can be redeemed for audiobooks. It gives people an easy way to access and enjoy written and spoken content, making it more enjoyable for book lovers to listen to. Read more
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Kickstarting a book to end enshittification, because Amazon will not carry it
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My next book is The Internet Con: How to Seize the Means of Computation: it’s a Big Tech disassembly manual that explains how to disenshittify the web and bring back the old good internet. The hardcover comes from Verso on Sept 5, but the audiobook comes from me — because Amazon refuses to sell my audio:
https://www.kickstarter.com/projects/doctorow/the-internet-con-how-to-seize-the-means-of-computation
Amazon owns Audible, the monopoly audiobook platform that controls >90% of the audio market. They require mandatory DRM for every book sold, locking those books forever to Amazon’s monopoly platform. If you break up with Amazon, you have to throw away your entire audiobook library.
That’s a hell of a lot of leverage to hand to any company, let alone a rapacious monopoly that ran a program targeting small publishers called “Project Gazelle,” where execs were ordered to attack indie publishers “the way a cheetah would pursue a sickly gazelle”:
https://www.businessinsider.com/sadistic-amazon-treated-book-sellers-the-way-a-cheetah-would-pursue-a-sickly-gazelle-2013-10
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[Image ID: Journalist and novelist Doctorow (Red Team Blues) details a plan for how to break up Big Tech in this impassioned and perceptive manifesto….Doctorow’s sense of urgency is contagious -Publishers Weekly]
I won’t sell my work with DRM, because DRM is key to the enshittification of the internet. Enshittification is why the old, good internet died and became “five giant websites filled with screenshots of the other four” (h/t Tom Eastman). When a tech company can lock in its users and suppliers, it can drain value from both sides, using DRM and other lock-in gimmicks to keep their business even as they grow ever more miserable on the platform.
Here is how platforms die: first, they are good to their users; then they abuse their users to make things better for their business customers; finally, they abuse those business customers to claw back all the value for themselves. Then, they die:
https://pluralistic.net/2023/01/21/potemkin-ai/#hey-guys
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[Image ID: A brilliant barn burner of a book. Cory is one of the sharpest tech critics, and he shows with fierce clarity how our computational future could be otherwise -Kate Crawford, author of The Atlas of AI”]
The Internet Con isn’t just an analysis of where enshittification comes from: it’s a detailed, shovel-ready policy prescription for halting enshittification, throwing it into reverse and bringing back the old, good internet.
How do we do that? With interoperability: the ability to plug new technology into those crapulent, decaying platform. Interop lets you choose which parts of the service you want and block the parts you don’t (think of how an adblocker lets you take the take-it-or-leave “offer” from a website and reply with “How about nah?”):
https://www.eff.org/deeplinks/2019/07/adblocking-how-about-nah
But interop isn’t just about making platforms less terrible — it’s an explosive charge that demolishes walled gardens. With interop, you can leave a social media service, but keep talking to the people who stay. With interop, you can leave your mobile platform, but bring your apps and media with you to a rival’s service. With interop, you can break up with Amazon, and still keep your audiobooks.
So, if interop is so great, why isn’t it everywhere?
Well, it used to be. Interop is how Microsoft became the dominant operating system:
https://www.eff.org/deeplinks/2019/06/adversarial-interoperability-reviving-elegant-weapon-more-civilized-age-slay
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[Image ID: Nobody gets the internet-both the nuts and bolts that make it hum and the laws that shaped it into the mess it is-quite like Cory, and no one’s better qualified to deliver us a user manual for fixing it. That’s The Internet Con: a rousing, imaginative, and accessible treatise for correcting our curdled online world. If you care about the internet, get ready to dedicate yourself to making interoperability a reality. -Brian Merchant, author of Blood in the Machine]
It’s how Apple saved itself from Microsoft’s vicious campaign to destroy it:
https://www.eff.org/deeplinks/2019/06/adversarial-interoperability-reviving-elegant-weapon-more-civilized-age-slay
Every tech giant used interop to grow, and then every tech giant promptly turned around and attacked interoperators. Every pirate wants to be an admiral. When Big Tech did it, that was progress; when you do it back to Big Tech, that’s piracy. The tech giants used their monopoly power to make interop without permission illegal, creating a kind of “felony contempt of business model” (h/t Jay Freeman).
The Internet Con describes how this came to pass, but, more importantly, it tells us how to fix it. It lays out how we can combine different kinds of interop requirements (like the EU’s Digital Markets Act and Massachusetts’s Right to Repair law) with protections for reverse-engineering and other guerrilla tactics to create a system that is strong without being brittle, hard to cheat on and easy to enforce.
What’s more, this book explains how to get these policies: what existing legislative, regulatory and judicial powers can be invoked to make them a reality. Because we are living through the Great Enshittification, and crises erupt every ten seconds, and when those crises occur, the “good ideas lying around” can move from the fringes to the center in an eyeblink:
https://pluralistic.net/2023/06/12/only-a-crisis/#lets-gooooo
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[Image ID: Thoughtfully written and patiently presented, The Internet Con explains how the promise of a free and open internet was lost to predatory business practices and the rush to commodify every aspect of our lives. An essential read for anyone that wants to understand how we lost control of our digital spaces and infrastructure to Silicon Valley’s tech giants, and how we can start fighting to get it back. -Tim Maughan, author of INFINITE DETAIL]
After all, we’ve known Big Tech was rotten for years, but we had no idea what to do about it. Every time a Big Tech colossus did something ghastly to millions or billions of people, we tried to fix the tech company. There’s no fixing the tech companies. They need to burn. The way to make users safe from Big Tech predators isn’t to make those predators behave better — it’s to evacuate those users:
https://pluralistic.net/2023/07/18/urban-wildlife-interface/#combustible-walled-gardens
I’ve been campaigning for human rights in the digital world for more than 20 years; I’ve been EFF’s European Director, representing the public interest at the EU, the UN, Westminster, Ottawa and DC. This is the subject I’ve devoted my life to, and I live my principles. I won’t let my books be sold with DRM, which means that Audible won’t carry my audiobooks. My agent tells me that this decision has cost me enough money to pay off my mortgage and put my kid through college. That’s a price I’m willing to pay if it means that my books aren’t enshittification bait.
But not selling on Audible has another cost, one that’s more important to me: a lot of readers prefer audiobooks and 9 out of 10 of those readers start and end their searches on Audible. When they don’t find an author there, they assume no audiobook exists, period. It got so bad I put up an audiobook on Amazon — me, reading an essay, explaining how Audible rips off writers and readers. It’s called “Why None of My Audiobooks Are For Sale on Audible”:
https://pluralistic.net/2022/07/25/can-you-hear-me-now/#acx-ripoff
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[Image ID: Doctorow has been thinking longer and smarter than anyone else I know about how we create and exchange value in a digital age. -Douglas Rushkoff, author of Present Shock]
To get my audiobooks into readers’ ears, I pre-sell them on Kickstarter. This has been wildly successful, both financially and as a means of getting other prominent authors to break up with Amazon and use crowdfunding to fill the gap. Writers like Brandon Sanderson are doing heroic work, smashing Amazon’s monopoly:
https://www.brandonsanderson.com/guest-editorial-cory-doctorow-is-a-bestselling-author-but-audible-wont-carry-his-audiobooks/
And to be frank, I love audiobooks, too. I swim every day as physio for a chronic pain condition, and I listen to 2–3 books/month on my underwater MP3 player, disappearing into an imaginary world as I scull back and forth in my public pool. I’m able to get those audiobooks on my MP3 player thanks to Libro.fm, a DRM-free store that supports indie booksellers all over the world:
https://blog.libro.fm/a-qa-with-mark-pearson-libro-fm-ceo-and-co-founder/
Producing my own audiobooks has been a dream. Working with Skyboat Media, I’ve gotten narrators like @wilwheaton​, Amber Benson, @neil-gaiman​ and Stefan Rudnicki for my work:
https://craphound.com/shop/
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[Image ID: “This book is the instruction manual Big Tech doesn’t want you to read. It deconstructs their crummy products, undemocratic business models, rigged legal regimes, and lies. Crack this book and help build something better. -Astra Taylor, author of Democracy May Not Exist, but We’ll Miss It When Its Gone”]
But for this title, I decided that I would read it myself. After all, I’ve been podcasting since 2006, reading my own work aloud every week or so, even as I traveled the world and gave thousands of speeches about the subject of this book. I was excited (and a little trepedatious) at the prospect, but how could I pass up a chance to work with director Gabrielle de Cuir, who has directed everyone from Anne Hathaway to LeVar Burton to Eric Idle?
Reader, I fucking nailed it. I went back to those daily recordings fully prepared to hate them, but they were good — even great (especially after my engineer John Taylor Williams mastered them). Listen for yourself!
https://archive.org/details/cory_doctorow_internet_con_chapter_01
I hope you’ll consider backing this Kickstarter. If you’ve ever read my free, open access, CC-licensed blog posts and novels, or listened to my podcasts, or come to one of my talks and wished there was a way to say thank you, this is it. These crowdfunders make my DRM-free publishing program viable, even as audiobooks grow more central to a writer’s income and even as a single company takes over nearly the entire audiobook market.
Backers can choose from the DRM-free audiobook, DRM-free ebook (EPUB and MOBI) and a hardcover — including a signed, personalized option, fulfilled through the great LA indie bookstore Book Soup:
https://www.kickstarter.com/projects/doctorow/the-internet-con-how-to-seize-the-means-of-computation
What’s more, these ebooks and audiobooks are unlike any you’ll get anywhere else because they are sold without any terms of service or license agreements. As has been the case since time immemorial, when you buy these books, they’re yours, and you are allowed to do anything with them that copyright law permits — give them away, lend them to friends, or simply read them with any technology you choose.
As with my previous Kickstarters, backers can get their audiobooks delivered with an app (from libro.fm) or as a folder of MP3s. That helps people who struggle with “sideloading,” a process that Apple and Google have made progressively harder, even as they force audiobook and ebook sellers to hand over a 30% app tax on every dollar they make:
https://www.kickstarter.com/projects/doctorow/red-team-blues-another-audiobook-that-amazon-wont-sell/posts/3788112
Enshittification is rotting every layer of the tech stack: mobile, payments, hosting, social, delivery, playback. Every tech company is pulling the rug out from under us, using the chokepoints they built between audiences and speakers, artists and fans, to pick all of our pockets.
The Internet Con isn’t just a lament for the internet we lost — it’s a plan to get it back. I hope you’ll get a copy and share it with the people you love, even as the tech platforms choke off your communities to pad their quarterly numbers.
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Next weekend (Aug 4-6), I'll be in Austin for Armadillocon, a science fiction convention, where I'm the Guest of Honor:
https://armadillocon.org/d45/
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If you'd like an essay-formatted version of this thread to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:
https://pluralistic.net/2023/07/31/seize-the-means-of-computation/#the-internet-con
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[Image ID: My forthcoming book 'The Internet Con: How to Seize the Means of Computation' in various editions: Verso hardcover, audiobook displayed on a phone, and ebook displayed on an e-ink reader.]
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mylifeinpink96-blog · 2 years
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egophiliac · 1 year
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something quick to relieve the tension of these final hours ᕕ( ᐛ )ᕗ
close-up, 'cause it got kinda lost in resizing:
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missathlete31 · 10 days
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So happy that he is happy and thriving and he even talks about how he has chemistry with everyone!
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Some interview highlights:
Powell: I’m really happy, I don’t know. I’ve been known to have a lot of energy. I don’t get burnt out easily. I’m more prone to the kind of burnout where you’re trying to do the thing you want to do and you’re not getting to do it. But right now, I’m getting to do the thing I love and the thing I really want to do. There’s no reason to be burnt out.
Powell: Let’s see what’s on my actual Pinterest. [Looking at his phone]
You have a Pinterest?
Powell: [Incredulously] Of course I have a Pinterest. OK, I have a house in Austin that I’m trying to get in shape, so I’m currently doing that Pinteresting. For my next projects I have some inspirational Pinterest [boards]. I have a cowboy boot Pinterest, that’s pretty specific. I don’t know if you ever heard about this, but when I did Hit Man with Adria Arjona, we put a Pinterest board together of inspirational pictures.
Do you think there’s something about getting your big break when you’re in your 30s and your frontal lobe is fully developed and you’ve seen a lot of movies that makes success extra great?
Powell: You know what, I do think that. I think one of the best things you can teach a kid — I don’t have kids! — but the best thing you can teach them is delayed gratification and that good things come to those who wait. I feel like if I had gotten even one one-hundredth of any of this when I wanted it that I would have been developed enough to appreciate it in the way I do now. I feel very grateful because of the detours on my journey. I’m sort of getting to take advantage of this moment in a way that I don’t know if I would have gotten to if that failure didn’t come so often. There’s something about your 30s — doing anything in your 30s! I even see that with people who get married later in life. It doesn’t feel like “We’ll see how these young kids get through it!” They call it a capstone marriage because you’ve gone through two separate paths and experienced all these things when you find someone. It makes you appreciate them and see them in a different way when you’ve already been through the fire. So I appreciate [this success] maybe more than someone in their early 20s.
STAY BUSY GLEN AND STAY HAPPY!
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fixing-bad-posts · 4 months
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about the Lore.Fm situation. If you haven't heard, pod fic is a GAMECHANGER
(ao3 podfics | audiofic archive)
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ganondoodle · 22 days
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just to get this out again though
zelda lore is dead to me and i have never hated the sonau (zonai) more than now, shoved literally into everything, all the way into skyward sword, if that is even canon still
i hate this stupid ass book (masterworks 2.0) before its even out, if that is whats on no more than 4 pages (-take it with a grain of salt, just repeating what i have seen- hylia made the stupid magic pebbles and gave them the sonau, they lived since skyward sword at least, possible triforce and skyward sword retcon, totk gan being the literal first gan(?) and rauru being the literal first king of hyrule(???) and also the gerudo having been their own established COUNTRY, thus making raurus goal to take them over too even WORSE together with how ganondorf is meant to be seen, AND it possibly meaning that totks past was actually that far back to the literal beginiing of the timeline even though it looks 1to1 like botw even which SUCKS on more ways than one- (edit: ALSO NONE of botw seemed to lead up to anything like that, totk was supposed to a DLC and it shows and yet they do this with its lore????the fuck are they smokin?? botw was a neat like soft reboot that leads to like, a new kind of zelda without changing the past, then they do THIS literally brute force it back to the literal start?? as if totk couldnt get more seperate from botw) ) what else are they gonna fuck with on the lot of other pages, i cant WAIT to find out!
they can shove their weird sonau obsession elsewhere, didnt think my hatred for totk could get even worse, id have happily locked it away and out of my memory as possible at some point but i guess you cant escape it anywhere bc they are literally everywhere apparently weehooo!
(my franchise now)
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dciphe-r · 10 months
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MeMeS
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grape-v1nes · 6 months
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sanderlanch? more like my life has been altered permanently and i will struggle to read any other book for as long as i live
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Besties give me a diplomatic phrasing to communicate "if I leave for the evening and tell you roughly when I'll be back and text 20 minutes before I'm home on your request, please be done having screaming sex by the time I'm home"
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cryptvokeeper · 2 months
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my take on the suffering Game graphic novel is that they did the Suffering Game dirty but they did that Lunar Interlude REAL good
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lycorim · 1 year
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I was recently reminded of the first time I read ADwD, with it being the only book in the series that I listened to via audio book, and I chose to do so during my shifts working food-service. Anyway, don't do that, friends!
(The artist, c. 2021, retraumatizing herself every three chapters over shortbread cookies:)
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something about loving a being that is categorically incapable of love so much that they transcend their very nature and learn to love back
(this is about Hiccup and Toothless from the HTTYD books, and Shawn and Corr from The Scorpio Races, and Lucy and the Skull from The Empty Grave)
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injuries-in-dust · 3 months
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Is it just me, or is it getting harder to find a paperback or hardback book on Amazon?
Everything seems to be Kindle or Audible.
And what books they have seem to be quite pricy.
Kindle and audible are nice for travel, but I want to sit down with a physical copy that won't be pulled off my device at no notice when Amazon decide the won't host it any more.
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aliteratepenguin · 8 months
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Arada is worse at impersonating a Corporate than Murderbot is at impersonating a human and it's one of my favorite underlying bits throughout Network Effect
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