#author: nd stevenson

[battyaboutbooksreviews]

📣 What to Read After Watching: Nimona 🎞️

🩷 I stumbled upon She-Ra and the Princesses of Power from creator, showrunner, and executive producer ND Stevenson in 2018 and never looked back. It was one of the few projects, let alone animations, I ever watched that so blatantly flipped the script by highlighting inclusivity without needing to say it outright. Queerness was simply a way of human existence; representation mattered but didn't need to be outrightly defined. Again, ND Stevenson has flipped the script, this time by bringing his webcomic from page to screen. The story became an outlet for Stevenson to express his own nonconforming gender identity. The shape-shifting title character, Nimona, is a stunning example of unapologetic transness and gender fluidity, again, without needing to say it outright. If you haven't watched it yet, Nimona is now available on Netflix, with the original comic available online and in stores.

🩷 If you HAVE seen it and adored Nimonia's punk-pop chaos, don't worry; there's plenty more where that came from! Here are a few options you should consider reading after watching Nimona!

🩷 The Girl From the Sea by Molly Knox Ostertag 🩷 Mooncakes by Suzanne Walker 🩷 CosmoKnights by Hannah Templer 🩷 The Night Eaters by Marjorie Liu 🩷 Lumberjanes by Shannon Watters, Grace Ellis, Gus Allen, and ND Stevenson 🩷 Save Yourself! by Bones Leopard 🩷 Kim Reaper by Sarah Graley 🩷 Moonstruck by Grace Ellis and Shae Beagle 🩷 Snapdragon by Kat Leyh

[ariadnaltos]

ND Stevenson interview about She-Ra and animation in Celsius 232 (2022)

This post is a transcribe of second interview/talk made to ND Stevenson during the Celsius 232, a multimedia festival about fantasy, scifi and horror genres celebrated in Avilés, a city in the North of Spain. The interview was about She-Ra and The Princesses Of Power. There was another interview about his comics that I attended, but I couldn't find recordings of that one. In this interview ND talked about topics such as Catra's choices, toxic relationships, Nimona's film adaptation and Lumberjanes' TV adaptation. He also answered questions from the public.

Click on Keep reading to read the whole interview!

Thanks to Comic Astur for recording the interview. They have another interviews during Celsius 232 in their channel, both to Spanish and non-Spanish authors. So check it out!

First of all, Merry Christmas and Happy Holidays! This post is being released on Christmas day in Spain, so I think it's a good moment to make a gift to the SPOP fandom. 🎁🎄

I don't do professional trancribes, I just want to share this interview. I love Celsius 232 and hearing ND Stevenson in person was a great experience. I want to share this with international fans. The interview is in a mix of Spanish and English, so I'll translate the Spanish parts (and also use some of Diego's translations that you can hear in the video) and I'll transcribe everything in English. I'll also add some notes here and there about the interview.

The auditorium opened some minutes before the beggining of the talk. It was almost full. There were some cosplayers of She-Ra, Adora, Catra and even one cosplayed as Finn, Adora and Catra's post-canon child. There was also a baby cosplayed as She-Ra (baby She-Ra!!). Some people brought with them pride flags because of the series nature. 🏳‍🌈🏳️‍⚧️ When ND Stevenson entered the auditorium everyone started clapping.

In the scenario, as you can see in the video, there were three people. ND Stevenson (center), Jorge Iván Argiz (left, interviewer) and Diego García (right, interpreter). Jorge Iván did the questions while Diego translated everything to ND and then to the public.

The interviewer started the talk remembering that ND Stevenson will come back to Celsius next year, for Celsius 2023, and he also claimed the importance of animation. Then, he asked his first question:

Interviewer: When you make a comic you have full control. You have a blank paper or a screen. You have your pen and you can do wathever you want. However, when doing an animation film, even if it has a main creative, it's a hugely collective work. How it was your first experience? How it was entering the animation industry and realizing that it's a huge teamwork effort?

ND Stevenson: Getting into animation was actually kind of an accident for me. I didn't plan to go in that direction. When I started out writing comics I thought of myself as an artist first before I was a writer. And so getting hired as a writer in animation was kind of a surprise for me. And I wasn't sure if it was something I was going to stay with. But my first job was amazing. It was working for Craig McCracken who did Powerpuff Girls and a lot of other stuff that defined my childhood and other people's childhoods. It was a very cool job to work with him.

Thinking of myself as a writer... it took me a while to accept that. But also, the collaboration of animation was what made me fall in love with animation. I also had always loved animation as a kid. Sneaking into my parents room where the TV was, when they were out of the house, to watch Teen Titans, which was my favorite show. To be behind the scenes, to be able to share this world that we were building together with the rest of the crew, that was... I immediately became addicted to that.

To write a comic it is all you. And unexpected things still happen but it all comes from your own brain, you own hands. With animation, everybody has a little piece of that world. And so, I would look over people's shoulders and ask to be in meetings that I wasn't technically a part of, just because I wanted to know everything and see everything. And so that is what made me fall in love with animation and that's what eventually lead me to make She-Ra.

Interviewer: Now we're going to talk about She-Ra. She-Ra as a character already existed, created as a base for a series of toys. I think that it started in 1985 and it was a show with near a hundred episodes. She-Ras was a twin sister to He-Man and she had a similar story to him, it was kind of complementary. But you made something completely new with this character and this universe. This seems wonderful to me. The first example already appears in the tittle [of the show]. The original series was called She-Ra Princess of Power. But here we're talking about She-Ra and The Princesses of Power. This collaborative spirit that you liked a lot when making animation shows was translated to the animation series. I imagine that this was the first decision [that you made], to bring a more complete arc for characters and to create not just one, but multiple princesses of power.

ND Stevenson: Yeah, the show ended up being- it was about teamwork. It's not just what the show was about, it's also the way in which we made it. It was a show that was made under a lot of pressure, not just because of She-Ra, but because we didn't have the biggest budget and we didn't have the longest timeline for making it. And so it was really something that if we were going to pull it off, we had to rely on each other to do it. And so that was something that really brought us together.

But that show, taking it from being- I hadn't watched the show myself [before], the original show from the 80s [when I was] growing up. But I loved it when I watched it [as an adult]. I had a lot of love in my heart for that show. Trying to pay that off and take that so it could appeal to new fans as well and still make old fans happy was always the line to find and walk. Taking it from one princess of power to an entire team of princesses who are very powerful and making it more about that, about the group instead about the one individual. That was something that was very important for us to do. Because it was so personal for us, with how the show was being made, because we were so close to each other. It was important to show that aspect of friendship and teamwork, and relationships in general. And love in every form. That was our inspiration behind that aspect of the show.

Interviewer: I would like to know if from the beggining it was always clear that the series was going to have that format and that number of seasons. The first season was a presentation of the princesses, almost one per episode. For me the series starts having more pace when each episode develops these stories that connect with each other. I would like to know if the series was already thought like that or if after season one you still had freedom to make changes.

ND Stevenson: The production of the show was actually pretty unsual in animation. The show had already been greenlit for 26 episodes before I was even hired for the show. They just bought the rights to She-Ra and they knew that Netflix had already ordered the first season. They also knew that they wanted to do 52 episodes total. So when I was hired it was my job to pitch that second season. And so, when I pitched the show, I'm kind of a wordy person, so my pitch was supposed to be like 20 minutes and it was like over an hour [in the end]. And I was lucky that the people I was pitching to were receptive and interested, but I pitched all 52 episodes. That is part of why it was so long, because I wanted to have this conception of it.

Some things stayed the same and some things changed over time, but we had certain ideas that stayed the whole time. For example, an early idea was that Catra was going to get a promotion at the end of every season and move further up the ranks. And also she was going to betray somebody in each season. That really ended up in the show. She just keeps kind of working her way up the ranks and eventually decides that she's out of there, going back to Adora. That was something that stayed true over time, but there were some things that we found along the way. A lot of things were really unexpected. At the very least, it was very helpful to have those broad strokes figured out from the beggining. I'm glad they didn't just cut me off after 20 minutes of talking cause that would be embarrasing *laughs*.

Interviewer: One of the best things that has happened to YA narrative is the shift from just entertainment and fun spirit to topics that were forbidden before. This change probably happened because of the new young people creating new stuff for young audiences. Some of this topics are abuse, bullying, mental health... She-Ra is about some of these topics, toxic relationships are very present in the show. There are multiple cases. It has been talked a lot about the relationship between Adora and Catra, but the relationship between Catra and Scorpia is also another perfect example of a toxic relationship. Something that someone denies, although everybody is warning them. I would like to know more about these messages that can make the audience think about their own relationships. Tell us about it.

ND Stevenson: I'm of the believe that it's important just not to see representation of good behaviour and role models that we can model ourselves on. But is also, I think, a good thing to see representation of characters making the wrong choices and doing the wrong thing. And Catra is defined by that. This was [something that] the crew [asked about as well]. People would come and they'd be like: "so, you told me that she's gonna join the good guys again, right? She'll be OK? When is that going to happen?" And people started to stop believing me that it was going to happen.

AJ, who voices the character, I would [tell her] "We have a big run for you today, Catra is going to do something new, but I promise that she's going to be OK in the end". And she'll be like: "yeah, sure, you say that every time". But I think that's why [Catra] was very beloved among the crew and by me. She's a character who kind of consistently always makes the wrong choices. And it can be so frustrating. Because you'll yell at her at just be like: "OMG, you know you don't want that, why can't you just do the right thing?". And that, I think, in it's own way can be something that also tells us how to make decisions ourselves. So when you see somebody who we sometimes want to scream [at], sometimes we're compelled to do things that make us a bad friend or bad people. And it's important, I think, to know the consequences of those wrong decisions.

Catra is someone who expresses those things and my hope is that it is cathartic in it's own way, but it's also a little bit of a cautionary tell. She ends up alone at the end, without any friends. And that's the consequences of her actions. But then it's also something that it's- you know, there's nothing you can't come back from. There are things that if you work, if you make yourself vulnerable and open yourself up and try to make amends for your mistakes, it is possible to come back. That was something that was very important for us to show. It's my believe that it's important to see characters, specially female characters, making those bad decisions. We found it cathartic, and I hope that it was cathartic for others as well.

Interviewer: Now two short questions about the animation. First, it is traditional animation, or at least it looks like it, with some touches of CG here and there. I wanted to know if it was a conscious decision so the show would look like it was intended, or if it was because of the low budget and short production time which you said you had.

The second question is about the aesthetic of the ancient buildings. It makes me think about an illustrator called Roger Dean. I don't know if it's by chance or if it was an inspiration for this aesthetic.

*a fly 🪰 flies near the interviewer and he tries to hit it*

ND Stevenson: We had an option on pursuing 3D animation as well. It was something that was done at this studio I was at, at DreamWorks, pretty often. But it was also for an epic... There's a fly!! 🪰

*the interviewer and translator agree and everybody laughs* There's a fly in my... flying over and over... 🪰

Yeah, for epic action scifi fantasy it is harder, it's more expensive to do CG animation. And you have fewer resources. One thing that happens is that the characters can't go to many places because every room and setting has to be build in three dimensions. My friends who are writers working on shows in 3D have limitations of what they can use. They have a set number of characters and a set number of locations, which is true in hand-drawn as well, but less so. You don't have to design the whole thing if you'll only going to see it from one angle.

So that was a lot of the reason of just what was posible with the show. But also, I thought it was important because She-Ra was one of the last shows in the 80s animated in the US, before everything moved overseas to be animated in South Korea and Canada, France and Ireland. It felt important to stay true to the original and the hand-drawn look of the original.

As for Roger Dean, that was definitely one of my inspirations. You have very sharp eye! That very epic... The science fiction illustrations of the 70s and 80s that you would see on the cover of a paperback... That is how I wanted the world to feel. But populated by characters who felt a bit newer. As a kid, I always loved this covers because you would see these floating rocks or the sky with dozens of planets and moons. I wanted to capture that feeling. It always sparked my imagination to see those illsutrations and I wanted to capture that in the show.

Interviewer: Before starting with the questions of the public I have to ask about the adaptation of Nimona into a film, as well as Lumberjanes' TV adaptation. Tell us a little bit about both projects.

ND Stevenson: You're gonna see the Nimona movie early next year, I think february or march. *big applause from the public* So get excited because I just saw the newest cut and it has a lot of the animation. I've seen the board drawings for a while, but I started to get the animation and it is completely surreal to see really dumb drawings that I made as a teenager like, suddenly being executed in three dimensions and it's gorgeous and the style is amazing. So I'm very excited for everyone to see it.

And Lumberjanes is still in the development period. This is a little more standard. I said that She-Ra was unsual in the animation industry and part of that is that the development happened very very quickly. Less than a year. For most animated projects it takes longer than that. So on Lumberjanes we are still on the development phase. We haven't launched into the actual production of the show yet. It's still on the writing and creating the look of the show, finding a studio and everything like that. I think that I'll hopefully have more news about it soon for you. And I think that it's going to be also really cool. So... yeah. *applause*

Interviewer: Great. (To the public) Any questions?

#1 audience question: 1) I heard some rumors that you had trouble with Netflix because the series did not have as much advertisement as they wanted, the low-budget... That was the case? 2) Would you be interested to start working for other platforms like Amazon?

ND Stevenson: Something that not many people know it's that I actually haven't worked for Netflix. I created She-Ra as the show that you saw on Netflix, but I made it at DreamWorks. DreamWorks is it's own animation studio and they had a deal with Netflix that Netflix would stream the shows that DreamWorks was producing. So that was the deal. That's different now. They still do co-productions with DreamWorks, but they [Netflix] created their own animation studio after a year or so after I started working on She-Ra. So actually I didn't have much interaction with Netflix at all. I didn't get notes from them. I didn't know my executives there personally... Actually, I did, but... One of my executives was actually a good friend of mine. But I didn't actually have meetings with Netflix in any way.

If there's rumors about being trouble with Netflix it's certainly not in any kind of working relationship way. They are pretty mysteryous, they guard their algorithm pretty closely. But yeah, that was my experience with Netflix. For me it was very positive. I can't speak any more to what their reaction towards the show was because we were in different places. Hope that answers that.

I'm not currently working with Amazon, but that's something that is definitely... it's pretty common in animation to kind of move around from studio to studio. So it's definitely posible.

#2 audience question: I'm almost 30 so I'm a bit old for the She-Ra target audience, but me and my friend loved it because there is a lot of queer representation. For me and my friend that is very important. I was wondering how it felt because we're more of less of the same age, so we've grown up with similar cartoons and there was nothing that showed you what queer means. We didn't really see ourselves in mainstream shows. I was wondering how it felt to put for the queer community out there this clear representation.

ND Stevenson: It was obviously pretty important for me in a personal level. But another thing that I don't know if that many people know it's that when I got the job I wasn't out yet as gay. So it was certainly not something... Honestly, the show is probably responsible for making me way gayer, just working on it. *everybody laughs*

But it was something very important to me, just in the world of the show, you know? For me, it's always queer characters, they're always on the front of what I make, even before I was out. But also it's something that is defined by the show itself, what makes the world feel more alive. So I felt that having very fluid gender expression was an important par of the show. Because honestly, the original show has fairly fluid gender. He-Man wears pink and purple in his clothes and then wears a furry diaper when he transforms as He-Man. All the characters are wearing tights and belly shirts and men and women, there're not non-binary people in the original show, but it makes sense for us that there would be. So there's something for me that made the world feel more alive. And again, rainbows and drag queen princesses were such a big part of the original that it just makes sense to [have them] and it made our world feel bigger and more expansive. So that was a lot of my thinking behind it, and sometimes it was an easy sell I think. We were pleasantly surprised that the studio would be very receptive for Bow to have two dads. And Double Trouble, we were very excited about that and very supportive of hiring a non-binary voice actor.

And then there were other things that were a harder sell. I got on the phone with a lot of different people for the Adora and Catra relatioship and had to pitch it a bunch of different times to different people. Got a few notes at first. And then, you know, appealed it, and then the noes turned into yeses. And I still didn't believed it until I was actually watching the final season on Netflix. I didn't believed it'd really happen. But it did so, yeah, that was really cool.

*when the interpreter was translating this answer by ND he tried to hit the fly 🪰 and everybody laughed and applaud, it was really funny*

Interviewer: (To the public) One last question with a short answer?

#3 audience question: In the series there's a lot of characters. I wanted to ask who do you relate to the most?

ND Stevenson: I think all the characters have little bits of me and the rest of the crew. I think almost every character is sort of- there's someone on the crew who identified with them really strongly and that person became more expert on the character. So we have someone who strongly identified with Entrapta, or Tecnia as you said... (Tecnia is the name of Entrapta in the Spanish dub <3) I forget they have different names sometimes. Which is a great name, Tecnia is a great name! *public laughs* But yeah. Almost all of the characters had some counterpart among the crew.

For me, I think that I sort of related the most to a tie between Adora, Catra and Glimmer. One of the things I struggled with on the show was that I was very young when I was hired and I'd never been a manager before. And I mostly just worked on my own stuff and so, having to suddenly become a leader was a thing that I found very difficult and very scary. Like, I really really wanted to do a good job. I wanted everyone on the crew to be taken care of. And it was very difficult and terrifying. That's something that I think all three of those characters deal with in different ways.

Glimmer unexpectedly becomes the new queen. Adora changes sides and suddenly has to deal with all the guilt of having been on the bad guys side before. And Catra has this drive and this ambition, but she also starts to fall apart the higher up the ladder she moves.

I put a lot of those feelings into the characters. With Glimmer there's an episode where she can't go on missions anymore with Bow and Adora because she needs to stay and go to meetings, which was like my everyday. Everyone's going to do something fun and I have to be in a meeting, I can't hang out with [other crew members]. Like Adora in the episode where they play D&D and she keeps just being like: "no no NO, we're all gonna die and everything is gonna go wrong" and she's trying to anticipate every possible way it could go wrong. That was a lot of like, you know, having to conceptualize and keep consistent a story that was going to be told in such a long period of time, with such a large crew of people. That was how my brain felt a lot of the time. A lot of these feelings were poured into she show through the characters. Those are the characters that I think I have the strongest connection to.

(ND is, in fact, wordy, so it wasn't a short answer LOL)

Interviewer: There are big threats and the world needs to be saved a lot of times, and at the same time what you're woried the most is if the characters will recover their friendship... What's going to happen next? Someone will pay attention to Scorpia? *everybody laughs* This shows us something that happens in our lifes as well, that a big event can change you as much as an event that may seem small. This series also shows us that being different is cool, being the same as everyone else can be pretty boring. Being different can be even desirable. ND said that at the beggining he started working with someone who changed his life and who gave him a show such as The Powerpuff Girls, and I anticipate to him that right now, very very soon, there will be people that will say "I'm working for ND Stevenson, who changed my life thanks to She-Ra and his other works". To make easier our wait for the next year [Celsius 2023], when he comes back to Avilés, we're gonna say goodbye to him with a very very strong applause.

*all the public applauses, ND does a heart shape with his hands 🫶 He also thanked the Celsius 232 organizers and the public for coming*

This interview was done on Friday 22nd, july 2022. ND Stevenson made another talk/interview the day before. After that one talk I went to the signing and got my copy of Nimona signed. He was really nice and we could talk with him a little bit. He seemed really happy to visit this event in Spain and I'm really excited to see him next year. At that time the Nimona movie will be out, so I'm sure that we'll be able to know more about it and his future projects!

Photo with ND Stevenson during the book signing on Thursday. My boyfriend and I went together. We both love Stevenson's stories. <3

Thanks to ND Stevenson for coming to Spain and to Celsius 232!! I've been going every year to this event since 2018 and they always have great authors and the festival is really nice. I've learned a lot of stuff thanks to this festival and with talks like this one that ND made. The event is mostly about books and literature, but as you can see other forms of media are in Celsius 232 as well.

That's all! Thank you so much for reading this whole thing. I hope that it was interesting. <3

[clonedchaos]

The Witch Boy: A Book Recommendation

So, I bought some books from the closest Books a Million and came across this adorable, fun little graphic novel.

“The Witch Boy” centers around a boy named Aster living in a world rich in shapeshifters and witches. Per tradition, boys grow up as shapeshifters and girls grow up as witches— no exceptions of the contrary. But, Aster has other interests and wishes to pursue witchcraft despite this tradition. Through the story he meets a spunky human girl named Charlie, whom he quickly becomes friends with. Along the way, the threat of his sudden missing family members and demons hang over him.

I adore this little graphic novel. Finished it in under an hour. It’s a nice little fantasy story. I really wished it was longer, actually. I’d love to see more of this world’s magic system, it seems fascinating! I’d definitely dabble in shapeshifting as a girl, lol. It’s got some fun characters and wholesome little LGBTQ+ nods. Also there’s a brief Steven Universe cameo and I just—

Charlie and Aster are such wholesome friends. Again, I wish this story were longer. I wanna see more of these characters and learn more about them and their personalities. It’s got a “big family” dynamic going on and I love those in fictional works. :3

Anyhow, this is a little book recommendation for this sweet little graphic novel. :)

EDIT: THERE’S TWO MORE BOOKS I NEED THEM NOOOWWW! Read tags to see me descend into madness.

[kaseyjaywriting]

oh wow

I never read the original book but Nimona is going to make me cry. SO hard. I will be thinking about them for years to come.

"i see you, nimona. and you're not alone."

[itsmeaxumii]

fun family time (*^▽^*)

(reference from og artist/author ND Stevenson)

[comicaurora]

Have you read/watched Nimona? If so, thoughts?

The kind of emotional gutpunch I can't bear to watch without ample preparation. The first ten minutes are the hard part for me - it's always a wrench for me to get through a "good-hearted character is cruelly framed" plotline, so I really appreciate how quickly they get that out of the way and how Nimona immediately brightens the mood when she shows up.

Overall, truly one of the best examples of how a creator can use their personal grief and rage at injustice as a medium to sculpt a story. The narrative manages to feel deeply authentic to a real emotional journey while still feeling completely contained within the story. I'm not entirely sure how to put this, but sometimes when a writer gets allegorical with their experiences, it can feel like the story gets put on pause so the characters can turn out to the audience and speak in the author's voice about their thoughts on the subject - a pretty clumsy way to communicate a message. Nimona does not do that. Instead, the many real-world parallels to bigotry, propaganda, queerphobia, church corruption, xenophobia, and regressive policies driven by terror of change feel like they arise naturally from the setting within the story rather than being imposed on it from the outside, which is extremely quality writing and characterization. Nimona's story is so clearly informed by ND Stevenson's life and gender journey, but Nimona herself feels like her own person who is messy and grieving and putting up walls and self-destructing and still - still - a fundamentally joyful, gleeful person who absolutely loves being alive when she isn't being brutally beaten down for the crime of existing inconveniently.

Also, it's a comparatively minor thing, but I really like how, like with She-Ra, Nimona creates a world that is passively non-homophobic, with gay relationships front and center and evidently regarded as completely fine and not worth commenting on - which, to me at least, made both stories remarkably relaxing and comfortable to immerse myself in, because I wasn't being randomly jumpscared by reminders of real-world hate - but it still uses allegory to address the real-world roots of homophobia in the form of xenophobia, correlated injustices like classism, and the monster-ification of The Other. So it can clearly state "hating people for how they exist is Always Fucked And Wrong" without having to dunk the queer audience in the icebath of "hey remember how people in the real world think you personally should be dead?" Again, not sure I'm phrasing this super clearly, but it's a balance ND Stevenson consistently strikes with his work, and I really love how he does it.

Animation's gorgeous, voicework is consistently top-shelf, love the aesthetic of Cyberpunk Arthuriana. Wins across the board.

[netflix]

Do you have a question about Nimona? Graphic novel author ND Stevenson may have answers. Submit your questions here, and come back for ND’s Answer Time on July 25th at 12pm PT / 3pm ET

[babblingfishes]

I'm gonna watch Nimona with my friends tonight and i will NOT shut up about it, this is all you're gonna hear for the rest of the week, i need you all to watch this movie

This is a movie adaptation of gingerhaze's original full-length sci-fi fantasy webcomic from 2012. That's gingerhaze aka ND Stevenson aka the trans badass of Lumberjanes and She-Ra fame.

This movie has been in and out of development for 8 years -- it's been picked up and cancelled over and over because "it's too gay :(" and now it is finally RELEASED. (Even though Netflix is trying to bury it because they are cowards.)

You should watch it by any means necessary, because the characters are delightful, the story slaps, and the deconstruction of what it means to be a "villain" or a "hero" is delicious. But you should especially watch it by means of Netflix if you have it, because I need the ratings to soar -- this is original queer content by a queer author that has been gorgeously animated.

(EDIT: As a forewarning, the movie does contain flashing lights as well as a suicide attempt.)

[asomaton]

In light of the news that Nimona got an Oscars nomination I feel I need to talk about the original Graphic Novel, which I love dearly. It started as a webcomic in 2012 and got published in 2015.

Now the GN got picked up by a Fox animation studio Blue Sky in 2015 but Fox was bought up by Disney who later tore down that studio. Perhaps the story of an estranged knight turned to villain because of image branding and dark ambitions of the empire didn’t sit well? At least the story with overt trans and queer-issues didn’t. I WAS surprised when I heard that Disney picked it up and for a time they did work on it. It was 3/4 part done when they shut it down in 2021.

Now that’s a lot of animation work. In comes Netflix (some good animations there) and Annapurna Studios (some good films, GREAT video games) and saves the day. I was happy but cautious. Didn’t like the trailer or the style, but hey it’s happening right?

Now don’t get me wrong. Nimona is not a bad film. It’s quite good and the way it handles gender and HBTQ issues is refreshing but the movie isn’t you know, amazing. (For everyone who thinks it is, good for you but hear me out).

The graphic novel is about two villains, not two misunderstood pure-hearted persons against the world. Blackheart (Boldheart in the movie 😐) is bitter and cold, Nimona is ferral and violent and people who get in their way DIE. They are hunted by the institute, a faceless dictatorship who do inhumane experiments. The King is never seen, a mere media puppet for the institute. It’s the best villain story I’ve read (and yes, I have read Worm)

The character Nimona is the unacceptable other. An anomaly that must be tamed or destroyed. While not as obvious as in the movie Nimona in the GN is of course a symbol for transgenderism. They transform their looks and form all through the book and at times sees themselves as a monster.

Am I sure of this? Well, the author Nate Diana Steveson went from nonbinary to transmasc/bigender and produced She-Ra so my guess is as good as yours.

Now, reading Nimona makes the movie look VERY tame. Was it the rewrite or the short stay at Disney that changed it? How did Stevenson react to it?

Either way, hurray for movie Nimona. Now, please go read the graphic novel Nimona by ND Stevenson.

[queer-book-society]

Title: Nimona

Author(s): ND Stevenson

Description: Nimona is an impulsive young shapeshifter with a knack for villainy. Lord Ballister Blackheart is a villain with a vendetta. As sidekick and supervillain, Nimona and Lord Blackheart are about to wreak some serious havoc. Their mission: prove to the kingdom that Sir Ambrosius Goldenloin and his buddies at the Institution of Law Enforcement and Heroics aren't the heroes everyone thinks they are. But as small acts of mischief escalate into a vicious battle, Lord Blackheart realizes that Nimona's powers are as murky and mysterious as her past. And her unpredictable wild side might be more dangerous than he is willing to admit.

[bethanydelleman]

do you have any book recommendations beyond classic lit + Jane Austen? Love your blog by the way!

Thanks! I read/have read a ton of books. My favourite genre as a child was fantasy, but I read almost everything except true crime*, thrillers, murder mysteries, self-help, and biography. But I do sometimes read those, my favourite thriller is Sometimes I Lie by Alice Feeney. I'm going to start with children's books because honestly, I find so much imagination in that genre.

Children's/YA Books: Gail Carson Levine, specifically The Princess Tales 1 & 2, and Ella Enchanted, among others Jean Little/Kit Pearson - these authors have the same vibe to me. Willow and Twig is a favourite from the first one, The Guests of War trilogy and Awake and Dreaming from the other. They both write coming of age novels for girls, both Canadian. Miss Peregrine's Home for Peculiar Children by Ransom Riggs - I loved the whole trilogy (haven't watched the movie). The story being based around real antique trick photos is my favourite part The Echorium Sequence by Katherine Roberts - a trilogy of books about magical singers with blue hair and their interactions with half-human magical creatures Margaret Peterson Haddix, specifically Running Out of Time, the Shadow Children series, and Double Identity. Margaret Buffie, who writes stories about teenage girls and ghosts. Also Canadian, which I guess isn't that surprising. The Hunger Games series by Suzanne Collins. Re-read it last summer and it's as good as I remembered. Roald Dahl, I really loved Matilda as a child, it's been fun to read some of these novels with my kids. Sideways Stories from Wayside School by Louis Sachar - and it's sequels. Amazingly quirky and funny stories about a class of students in a weird school

Fantasy: Mercedes Lackey, specifically the Five Hundred Kingdoms series and The Obsidian universe. I also loved the Elvenbane series, but due to the death of Andre Norton it may never be finished. I would advise caution if sexual assault is triggering for you, the ones I like are mostly free of it but that can come up in her other works. Lord of the Rings by J.R.R. Tolkien - obviously. Also loved The Hobbit, have not read further The Broken Earth trilogy by N.K. Jemisin - the book opens with the triggering of an apocalypse. The world contains people who can control earthquakes A Baroque Fable by Chelsea Quinn Yarbro - this book is so hilarious but I don't know if anyone has heard about it Once Upon a Winter's Night by Dennis L. McKiernan - and it's sequels. This is a romance retold fairy tale series

Science Fiction: Michael Crichton - who spans a bunch of genres but I'll put him here. I've read everything he's written and I recommend most of it. State of Fear has not aged well. His books are very fast-paced and Timeline has one of the best enemies to lovers. Orson Scott Card - I am aware, but Ender's Game is a masterpiece. He also has this single novel called Magic Street that is a sequel to A Midsummer Night's Dream. I also loved Memories of Earth but it's been a while since I read it. I, Robot by Issac Asimov - short stories about artificial intelligence and how it might go weird

Graphic novels: Astro City by Kurt Busiek - superhero, but more focused on how living in that world would affect normal people Y: The Last Man by Brian K. Vaughan and Pia Guerra - every male on earth dies, except for one, and his monkey Fables by Bill Willlingham - after being attacked by an army of wooden soldiers, fairy tale characters and creatures seek refuge in a non-magical world (ours) Nimona by ND Stevenson - a villain gains a shape-shifting sidekick, but she is not what she seems Scurry by Mac Smith - post-apocalyptic earth, the main characters are all surviving mice. Best artwork I've ever seen in a graphic novel American Vampire by Scott Snyder- vampires have different traits depending on their home country, this is about the new, American species. Asterix and Obelix by René Goscinny and Albert Uderzo - a small group of powerful Gauls defend themselves against the Romans using a magical potion

Non Fiction: Stephan Pinker, I've read both of his trilogies on language and the brain. Trying to get through his huge book about violence The Man Who Mistook His Wife for a Hat by Oliver Sacks - writen by a neurologist, fascinating book Doing Harm: The Truth About How Bad Medicine and Lazy Science Leave Women Dismissed, Misdiagnosed, and Sick by Maya Dusenbery - what it says on the tin

Toddler/Young Child Books: The Monster at the End of This Book by Jon Stone - I give you a 100% guarantee that if you read this book aloud, the kids will be fascinated. It is literally always a hit Robert Munsch - most of his books are amazing, but if you don't want to cry, DO NOT read the backstory of Love You Forever. The Paper Bag Princess was one of my favourites as a child. Little Critter - only the older ones, the new ones are religious for some reason. Just for You and I Was So Mad were favourites for my kids. Early lesson in unreliable narrators. Phoebe Gilman - Something From Nothing, the Jillian Jiggs series, The Balloon Tree... so many good ones! Really good illustrations too Little Pea by Amy Krouse Rosenthal - a book about a pea who hates eating candy. This book is fun to read and my kids loved it (I have the box set) The Book with No Pictures by B.J. Novak - kids love when adults have to do weird things I Want My Hat Back by Jon Klassen - perfect opportunity to do a lot of funny voices The Mitten by Jan Brett - a whole bunch of animals squeeze into a mitten. That's the whole thing. It's great. The Very Cranky Bear by Nick Bland - and the rest of the series. These are fun to read because they rhyme. Jonathan Stutzman - my kids LOVE Tiny T. Rex and the Llama series. We haven't read the others An Elephant & Piggie by Mo Willems - we have this entire series, they are a delight. An elephant and pig are very silly friends. Good drawings Dr. Seuss - be careful with him though, his books are quite long and can be hard to read, so I recommend waiting until your kids are a bit older. But The Lorax slaps and my personal favourite as a kid was The 500 Hats of Bartholomew Cubbins

Other: Still Alice by Lisa Genova - or any of her books really. She is a neuroscientist and her books are really interesting explorations of different disorders. Book is better than the movie Warm Bodies by Issac Marion - zombie Romeo and Juliet Sophie's World by Jostein Gaarder - a novel that is also an intro to philosophy course Calvin and Hobbes - I own all of them, so excited for when my kids can understand them. I also love The Far Side, Zits, and the earlier Dilbert comics The Women in Black by Madeleine St. John - this book is absolutely charming. I saw the Netflix movie and then bought it right away.

*I avoid true crime because I have heard that the genre causes harassment to victim's families

General Note: I am aware that some of these authors are now considered controversial, some for more serious reasons than others. Sometimes flawed people make really good art. I mean, flawed people make all art because nobody on earth is perfect.

[shittysawtraps]

what was the post you deleted?

post criticizing nd stevenson for only writing genderfluid shapeshifter characters. felt a little weird to attack a trans creator for writing genderfluid characters in a way that he relates to. i'm cis, and i'm definitely not claiming to be an authority in any way, but it felt kind of mean-spirited.

[professoruber]

Mia "Maps" Mizoguchi Reading List

Last Updated: 24/4/2024

A list I have decided to make for the purpose of compiling the various appearances so far of Maps Mizoguchi; since she is a character I like whom has also been receiving some focus as of late. I will also provide some brief description/thoughts for each one.

Gotham Academy (2014-2016) - All Issues

Maps of course first made her original appearance in the first run of Gotham Academy.

Gotham Academy: Endgame (2015) - #1

A one-shot comic which was one of several tie-ins made for the Endgame event which was going on at the time. Basically just shows what Maps and the GA crew were up to while Gotham was being overrun by Joker zombies.

Gotham Academy: Second Semester (2016-2017) - All Issues

The continuation of the Gotham Academy storyline, with of course has Maps in a major role.

Lumberjanes/Gotham Academy (2016-2017)

A crossover between Gotham Academy and the Lumberjanes, which I'm pretty sure is non-canon but still probably worth checking out. I have not read it, nor the Lumberjanes comics yet, although I do intend to do both as some point (due in part to ND Stevenson being one of the authors of Lumberjanes, and me really liking the She-Ra reboot and Nimona)

Poison Ivy: Cycle of Life and Death (2016) - #1

Maps, alongside other Gotham Academy students (including Olive, Kyle, Colton and Pom) have a brief cameo in this first issue of this run. Maps and Olive each get one line each.

Batgirl (2011—2016) - #51, #52, & Annual 4

Maps (along with Olive) also showed up briefly during the Batgirl of Burnside run. My assumption is this is due to them sharing an artist and being published concurrently. I do know what Burnside!Babs isn't everyone's cup of tea so keep that in mind, I suppose.

My Video Game Ate my Homework (2020) - #1

Maps and Olive show up behind the main characters in the first page as a cameo... and that's about it. The comic seems fun though, for the record. Mostly including this because I'm just going through the list of Maps' appearances on the DC wiki.

Batman: Black and White (2021) - #4

One of the stories in this issue has Maps appear as Robin. Non-canon but still a very neat and fun appearance by her.

Batman (2016-) - #119, #120, #121

Probably Maps' first major appearance since the end of the Gotham Academy: Second Semester. These give some additional exploration of her home life and relationship with her parents. Has her dressing up as Robin to investigation the disappearance of another student.

Batgirls (2022-2023) - #11

Maps shows up here and has an adventure with Cass. This also means that Maps knows Babs, Cass and Steph. Which is neat. I do know that the portrayal of the Batgirls in Batgirls isn't everyone's cup of tea (namely portraying them as younger / less mature than they have been in the past) so that that's worth keeping in mind. Interestly, Maps' big brother Kyle has a larger role; appearing in #10, #11, #17, #18, #19 and the Annual as a possible love interest for Steph.

DC's Saved by the Belle Reve (2022) - #1 

A one-shot with several stories, including one which returns to the Gotham Academy crew and gives some information on what's happened since the end of Gotham Academy: Second Semester, along with a fun adventure.

Gotham Academy: Maps of Mystery (2023) - #1

A one-shot which acts a compilation of Batman (2016-) - #119, #120, #121, as well as Maps appearances in Batman: Black and White, and DC's Saved by the Belle Reve.

Birds of Prey (2023-) - All Issues

The newest Birds of Prey run has a surprise appearance by Maps. Which I think is a neat sign of her receiving some increased focus as of late. To get into some mild-ish spoilers... the Maps who appears is a Maps from the future. I have made a few posts/reviews of this run, which you can find on this blog, and I guess personally I am not the biggest fan of her portrayal in this comic. Still is neat to see her receive more focus. Do kinda also think it could've been neat if Present!Maps had shown up instead of Future!Maps.

Batman: The Brave and the Bold (2023-) - #10, #11, #12

Gotham Academy returns! As does Present!Maps. A fun ongoing story of Maps getting to team up with Batman once more.

[horde-princess]

no one look at me i'm thinking about save the cat and how adora must have felt like she was looking into a mirror, with the way catra's behavior under prime's brainwashing was so much like her own when she was a cadet in the horde -- obedient soldier, blind to her friend's distress, faith in the horde (aka the church) above all else. how fighting catra that day must've felt like adora was wrestling with her younger self, trying desperately to save both of them from the horde's control and make amends in some way for how that young traumatized girl hurt her best friend before she ever could have known better. she was fighting catra but she was fighting with her own guilt and trauma and that's how you know catra's "you broke my heart" hit her like a ton of bricks. because she was seeing their relationship a bit through catra's eyes, almost like they had switched places and now adora was the heartbroken one unable to reach through her friend's indoctrination. you could even say that in being brainwashed catra also got a glimpse of adora's perspective and why she abandoned her.

LIKE HELLO ????? TELL ME how nd stevenson was able to convey this incredibly complex point of understanding they had reached with each other without the need for dialogue or ANYTHING are you kidding me? its just pure symbolism bro pure narrative. no "i forgive yous," no excessive apologies... just a promise to go home. ive been saying this forever but adora fell in love with catra because she inspired her to rebel against authority and 5x05 explores how saving her from the horde was always intrinsically tied to adora loving and saving herself.

rewatch the ep and think about it ok just think about-

[atlasisreal]

YOU WERE AT *WHAT*????????????????????

yes it's true. the atlasisreal deep lore is that I attended dashcon in 2014.

that me 💕

anyways if you wanna hear my recollection of dashcon it's under the cut.

i was literally just a teenager at the time but seeing dashcon ads on Tumblr I was like. it's in Schaumburg??? like 30min from me??? I HAVE to go this is going to be the coolest thing ever. I love Tumblr all my mentally ill friends and supernatural gifs are on that website. I bet they're gonna have the coolest party ever.

LMAOOOOO

so i asked for the dashcon tix for my birthday! it was for me and my best friend (who attended and even cosplayed Homestuck with me despite not knowing anything about it) and my mom, who was mostly excited about staying in the nice hotel and swimming in the pool. I was so hype for this. anyways we get there and as people have previously talked about vis a vis dashcon, it was so hilariously underwhelming. the first thing you had to do was walk into the registration hall. I think most people have seen pics but they had written "Welcome DashCon" or something to that effect on the ground using blue painters tape, and the hall was empty asf which was really funny because they had set the table up aaaaaall the way at the back so you just got to walk across this big empty hall towards ONE PERSON sitting at a table (who in retrospect I'm pretty sure was the 19 year old they'd foisted this thing onto). she was super nice at the time though so shout out to that interaction.

we pretty much immediately headed for the only actual show floor area, which was the artists alley. if dashcon attendees are hard to find, I'm sure dashcon exhibitors are fucking unicorns bc there was... maybe 30 booths, if I'm being very generous. that being said, I got to meet nd Stevenson at dashcon! he was really nice, and complimented my cosplay. it's kind of fun to get to say I met the artist and author behind nimona and lumberjanes and she-ra at fucking DASHCON lol. hopefully next time I meet him it will be as a fellow professional comics artist huh who said that

gotta take a moment here to stress something. dashcon was very poorly planned and executed. this is true. BUT. the atmosphere, especially on the first day, was so joyful and connected. everyone was so stoked to be at THE Tumblr convention. all of us were weirdos who liked the weirdo website enough to show up in person for all our weirdo friends. We were all exchanging urls and taking big group photos and going to grab lunch together. people were very open and friendly. and I know that's my perspective as well, obviously there were plenty of things going horribly wrong behind the scenes, but having only been an attendee, it really wasn't the worst experience.

anyways so the day was fun and weird and a little boring because dashcon had fucking nothing going on but anyways so the scamming part. they called everyone into this main ballroom and stood on a little stage up front and were like "HEY IF WE DONT RAISE $200,000 THEYRE SHUTTING US DOWN" which definitely did NOT break my tiny little idiot baby heart. I definitely was super self aware and knew this was a dumb scam and I definitely DIDN'T cry and run to the hotel pool to tell my mom. she however immediately went "they're scammers and we paid for our hotel room so whatever lol". my bestie gave them $10 and after the fact was (rightfully) SUPER pissed about it because she WAS smarter than me and figured out the scam thing faster.

I think besides that scam thing the other thing I remember thinking was such fucking bullshit was that we would be walking past the ballroom where Welcome to Night Vale was supposed to perform and the line was insane. It was literally SOOOOO many people. I remember being a little bummed that I hadn't gotten tickets which was.... obviously a short lived regret. when they announced the night Vale cancellation I definitely realized shit was hinky.

a majority of the photos I have are from ballpitstuck! there was a Homestuck meetup at the ball pit, but a lot of us had found each other already and had been hanging out in little feral packs of homestucks, so we all meshed super well and basically immediately all became besties. we ended up kind of collectively agreeing to post stuff in the "ballpitstuck" tag, which is hilarious. I actually made fanart at the time! It's somewhere in the depths of my art blog. I've probably posted most of these before but for posterity:

we were cringe. but we were free. no but for real I did have so much fun hanging with the homestucks.

anyways the rest of the con was pretty much just hanging out and watching everything burn from the inside out. my favorite part was watching Tumblr react to dashcon in real-time, because everyone AT the convention was posting about it, and everyone who wasn't at the convention was actively following the updates. by the time we left I just remember being like "I think we've just experienced something very interesting". and now there's a Wikipedia page and a sarah z video about it so.

anyways shout out to my dashcon homies(tucks)

[powerfulblob]

Nimona Trans Happy dances !!

aaaaaah so excited about this

BREAKING NEWS

ND Stevenson just posted this on his Substack : I’m putting it here so there’s an image-described version of it somewhere on the web.

[NOTE: ALL ART BELONGS TO ND STEVENSON, @gingerhaze! I’M JUST REPOSTING HERE SO I CAN INCLUDE AN IMAGE DESCRIPTION]

[ID: Text in dark red handwriting that reads “I’ve been getting to talk about Nimona a lot lately! Which is great because it’s one of my favorite things to talk about!” All text in the comic will be in the same dark red handwriting. end image description]

[ID:

Part 1: Text reads “Nimona is a webcomic-turned-graphic-novel I made ten years ago.” An arrow connects the text and points to a cartoon of ND Stevenson: He holds a picture of a shark with arms, legs, and boobs running to the left. He has short red hair, wears a striped shirt, jean shorts, striped pants, and boots. He wears an earring in his right ear: The other ear is hidden because of the angle. Small lines float from his head in a circular pattern.

Part 2: Text reads “there’s a shark with boobs in it and they gave me a medal for it.” An arrow connects the text and points to a cartoon of Nate: This time, he wears a suit, and wears a medal. He wears an earring in his left ear: The other ear is hidden because of the angle. Small lines float from his head in a circular pattern.

Part 3: Text reads “it’s about to be an animated movie” 

Part 4: Text reads “the movie is really good” 

Part 5: Text reads “most of you are probably aware of all this but idk I don’t know your life.” Below is a cartoon of Nate in a T-shirt: He has an ear piercing and a slight stubble.

end image description]

[Image description:

Text reads “anyway there’s one question I‘ve been getting a lot:” 

Below, ND Stevenson has a conversation with an unseen person.

Unseen Person: So... The main character is a shapeshifter. Unseen Person: Is this a metaphor for transness? ND Stevenson: haha, looking back that seems obvious! but at the time I had no idea! ND shrugs, smiling slightly. He wears a sweater.

end image description]

[ID: Text reads “and so”  “caught up in the glow of hype and nostalgia” Below the text, Nate goes onto a computer propped on a stack of books. He smiles, and a few lines float off his head.

He says “hey!” “let’s head back to Tumblr and see what I was posting about Nimona back in the day!” 

Below that, there is a cartoon of a search bar, cursor, a few lines, and sound effects that read “tik tik tik.” The URL reads “gingerhaze.tumblr.com.” 

end image description]

[ID: A screenshot of a post on Nate’s Tumblr. It is an illustration of Nimona and Ballister. Ballister has grey armour, iron prosthetic hand, black hair and a mustache and beard, as well as a red cape. Nimona has several piercings, a chainmail top, dark grey dress, and short red hair with an undercut. The two seem to be in thought, with Ballsiter frowning, hands on hips, while Nimona puts a finger to chin, as if in thought. The author’s text reads “I just kind of really like drawing both of these dudes.” The tag reads “Nimona” in all caps. It was posted 11 years ago.

end image description]

[ID: Screenshot of a post on Nate’s tumblr. A user caled fylum-gordata replied to the photo, saying “Nimona’s a dude. MIND BLOWN.” 

Nate replied with: “Haha, "dudes" = "people in general" in my vocabulary. Nimona's a girl, but she can certainly be whatever gender and sex she wants, depending on her mood. Since she's a shapeshifter and all. Y'know.” The post is tagged with “Nimona” and was also posted 11 years ago.

End image description]

[ID:

Part 1: A cartoon of Nate’s face. It has a blank expression with his mouth closed but stretched out. Part 2: Nate says “oh” “buddy”

end image description]

[ID:

Illusration. Nimona, with a grin, says “I’m your new SIDEKICK” while Ballister, with a blank but angry expression, says “No.” 

Nimona, this time has more developed muscles, the same costume, arm and leg hair, a beard, and chest hair text underneath reads “I had so much fun drawing Beefy Dude Nimona on today’s page that I started wondering what it would be like if she’d been a beefy dude from the start.

The post is tagged Nimona. End image description]

[ID: A cartoon of Nate. He seems a bit angry or frustrated, almost, and says “BUDDY” presumably for not seeing this in hindsight earlier.  

end image description]

[ID:

A user called strix-alba asked “Hi! I have a Nimona question. When she’s being a beefy dude, for example, or something without a clear gender, does she switch pronouns? Does she generally stick with female ones? Or does Nimona not really care because she’s a shapeshifter and there are waaaaay too many other things to focus on?” 

Nate replied: “She’s been an octopus, a cat, and a giant flaming monster. I don’t really think it mkaes a whole lot of difference to her what the sex of whatever body she’s in at the moment is. All her bodies are different sizes and have different parts. She adapts to each one to use it in the best possible way, but it doesn’t change HER. I can’t say for certain if she’s ALWAYS identified as female, but during the timeframe of the comic she does.” 

The post is tagged with “Nimona” and was posted 8 years ago.

end image description]

[ID: A cartoon of Nate looking shocked, eyes wide, mouth open, saying “BUD” with the U and the D getting bigger and bolder.

end image description.]