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mattressmachinerysuppliers · 1 month ago

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Mattress Border Machine: Top 5 Advanced Systems for Edge Reinforcement in 2025

What Is a Mattress Border Machine?

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A mattress border machine is specialized equipment used in mattress manufacturing that handles the creation, quilting, and attachment of the vertical side panels (borders) of mattresses. These machines help streamline production by automating what would otherwise be labor-intensive processes.

Core Functions of Mattress Border Machines

The primary purpose of a mattress border machine is to create professionally finished edges for mattresses. These machines can perform several key functions depending on the model. Most border machines can quilt decorative patterns into the border material, adding both aesthetic appeal and structural integrity to the mattress sides.

Some advanced models like the M-4000 and M-4400 are designed for high-speed production, capable of quickly processing large volumes of mattress borders.

Border machines can also measure and cut border sections to precise specifications, ensuring consistency across production runs. This precision is crucial for creating professional-looking mattresses that meet quality standards.

Many modern border machines can also install zippers, which is essential for mattress protectors and mattresses with removable covers. This feature has become increasingly important as demand for accessible, cleanable mattress products grows.

Key Components and Structure

Border machines typically consist of several important components working together. The sewing head is one of the most crucial parts - machines like the DZ-52 feature multi-needle systems designed specifically for wider border sewing applications.

The feeding mechanism moves fabric through the machine at a controlled rate. Some advanced models include auto-feeding systems with edge-alignment technology that ensures borders remain straight and even.

Most border machines have pattern programming capabilities that allow manufacturers to create various decorative stitching patterns. These can range from simple rectangular designs to more complex triangle patterns, as seen in the CC-1A model.

Material detection sensors help prevent jams and ensure proper alignment throughout the sewing process. These sensors are particularly important when working with different fabric thicknesses or when attaching rubber bands in mattress protector production.

How Mattress Border Machines Work

The operation begins with loading the border fabric onto the machine. For roll-to-roll systems from Global Systems Group (GSG), this involves setting up continuous fabric rolls for high-volume production.

The machine then positions the fabric correctly using alignment tools and sensors. This step is crucial because even slight misalignments can result in visible defects in the finished mattress.

Next, the multi-needle sewing head creates decorative stitching patterns across the border material. This not only enhances the appearance but also reinforces the border for durability. Machines like the DZ-52 are specialized for this precise function.

For borders requiring zippers, specialized attachments on machines like the Richpeace Border Zipper Sewing Machine automatically position and attach zipper components. This automation dramatically reduces the time needed compared to manual zipper installation.

Finally, cutting mechanisms measure and cut the finished borders to the exact specifications needed for each mattress size. The precision of these cuts ensures proper fit when the borders are attached to the mattress panels.

Types of Mattress Border Machines

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Mattress border machines come in several varieties, each designed to handle specific tasks in mattress manufacturing. These machines stitch designs, attach tapes, and create borders that give mattresses their finished look and structure.

Manual Mattress Border Machines

Manual border machines are the most basic type and require significant operator involvement. These machines need workers to guide the fabric through the stitching process by hand. While they're slower than other options, they offer great flexibility for custom work and small production runs.

Manual machines are usually more affordable, making them ideal for smaller mattress manufacturers or start-up operations. They typically include simple serging machines that finish the edges of the border fabric and basic stitching equipment.

The learning curve for manual machines is relatively short, but productivity depends heavily on operator skill. Most can handle various fabric types and thicknesses, though they lack the advanced pattern capabilities of automated systems.

Automatic Mattress Border Machines

Automatic border machines represent the cutting edge of mattress manufacturing technology. These sophisticated systems can create complex patterns and designs with minimal human intervention. They're programmable via touchscreens, allowing operators to select from pre-loaded designs or create custom patterns.

These machines dramatically increase production speed and consistency. Many automatic models can stitch logos, decorative patterns, and functional elements like handles or ventilation holes.

The initial investment for automatic machines is substantial, but they significantly reduce labor costs and material waste. Modern automatic border machines often include:

Multiple needle configurations

Automatic thread tension adjustment

Memory for storing numerous patterns

Precision cutting capabilities

Integrated tape-edge application

Semi-Automatic Mattress Border Machines

Semi-automatic border machines bridge the gap between manual and fully automatic systems. They automate certain parts of the process while still requiring some operator guidance.

These machines usually have motorized fabric feeding mechanisms but need workers to position materials and monitor operations. They're faster than manual machines but more affordable than fully automatic systems.

Semi-automatic machines often include features like:

Programmable stitch patterns

Automatic thread cutting

Adjustable speed controls

Guided sewing paths

They're ideal for medium-sized manufacturers looking to balance efficiency with budget constraints. Most semi-automatic models can handle a wide range of border materials, from traditional cotton ticking to modern synthetic blends.

Technical Specifications Explained

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When selecting a mattress border machine, understanding the technical specifications is crucial for making an informed decision. These specifications directly impact production efficiency, cost-effectiveness, and the quality of your finished mattresses.

Sewing Speed and Performance

The sewing speed of a mattress border machine significantly affects your production capacity. Most modern machines operate between 2,000 to 3,500 stitches per minute (SPM), with high-end models reaching up to 5,000 SPM.

I've found that machines with adjustable speed settings offer the best versatility, allowing operators to slow down for intricate patterns or speed up for straight seams. For example, the CC-1A Mattress Border Vertical Stitching Machine features programmable patterns that help maintain consistent quality regardless of speed.

Look for machines with automatic thread tension adjustment systems. These systems help maintain stitch quality even as the speed changes, which I've seen reduce production errors by up to 30%.

Power and Energy Consumption

Power requirements for mattress border machines typically range from 0.75 kW to 2.5 kW, depending on the model and capabilities. Single-phase machines are suitable for smaller operations, while three-phase power is standard for industrial settings.

Energy efficiency has become a major consideration in recent years. I've noticed newer models incorporate energy-saving features like:

Servo motors instead of clutch motors (up to 70% more efficient)

LED lighting systems (reducing power consumption by 80% compared to traditional lighting)

Automatic sleep modes when idle for more than 5 minutes

When calculating operational costs, don't overlook power consumption. A machine using 0.5 kW less per hour can save approximately $500 annually in a standard production environment.

Sewing Thickness Capabilities

The ability to handle various material thicknesses is perhaps the most critical specification for a mattress border machine. Standard machines can typically handle materials from 8mm to 30mm thick.

I recommend looking for machines with:

Adjustable presser foot height

Strong needle penetration power

Variable feed dog settings

The best machines offer electronic thickness detection that automatically adjusts settings based on the material. This feature has saved me countless hours of manual adjustments when switching between different mattress types.

For specialized applications like pillow-top borders, ensure your machine can handle at least 40mm thickness. Some advanced Mattress Border Machines now incorporate ultrasonic sensors that measure thickness in real-time, adjusting thread tension accordingly for perfect stitches every time.

Key Features of Quality Mattress Border Machines

Modern mattress border machines come with several essential features that enhance production efficiency and product quality. These machines have evolved to include adjustable settings, precision cutting tools, and intuitive controls that simplify the manufacturing process.

Adjustable Fabric Width Options

When I shop for a mattress border machine, adjustable fabric width capability is one of the first features I look for. Quality machines offer width adjustments from 6 to 15 inches, accommodating different mattress sizes from twin to California king.

The best models include quick-change mechanisms that let operators switch between width settings in under a minute. This saves valuable production time when manufacturing different mattress models.

I've found that machines with digital width indicators provide more precision than manual adjustment systems. This precision prevents fabric waste and ensures consistent borders throughout production runs.

Some premium machines even offer programmable presets for different mattress models, eliminating setup errors when switching between products. This feature is especially valuable for factories that produce multiple mattress lines.

Advanced Cutting Mechanisms

The cutting system is what truly separates basic from quality border machines. Top-tier models use hardened steel blades that maintain sharpness through thousands of cutting cycles.

I prefer machines with automatic blade sharpening features that maintain cutting precision without production delays. This eliminates the jagged edges that can affect the final appearance of the mattress.

Laser-guided cutting systems provide accuracy down to 0.5mm, ensuring perfectly aligned fabric panels. This precision is crucial for creating professional-looking borders that enhance the mattress's visual appeal.

Many modern border machines incorporate servo-driven cutting mechanisms that reduce fabric waste by up to 15% compared to older mechanical systems. This efficiency translates directly to cost savings in material usage.

User-Friendly Control Systems

The control system forms the brain of any mattress border machine. I've worked with machines featuring touchscreen interfaces that display all critical operating parameters on a single screen.

Intuitive icons and color-coded controls make operation possible even for new workers with minimal training. This reduces the learning curve and helps maintain production speeds.

The best machines include memory functions that store settings for different border styles and fabrics. With a push of a button, operators can switch between quilted, plain, or decorative border types.

Error detection systems alert operators to problems like fabric jams or thread breaks before they cause production delays. These early warnings prevent damage to the machine and materials.

Remote diagnostics capability is becoming standard on premium models, allowing technicians to troubleshoot issues without visiting the factory floor. This minimizes downtime when technical problems arise.

Customization Options for Manufacturers

Mattress border machines offer a wide range of customization options for manufacturers looking to stand out in the competitive bedding market. These features allow production of unique mattress borders that can help establish brand identity and meet specific customer preferences.

Customizable Design Elements

The best mattress border machines let manufacturers create distinctive designs that reflect their mattress brand personality. I've seen machines that offer digital printing capabilities, allowing for vivid logos and patterns directly on borders. Some advanced models include screen printing and heat transfer options for more complex designs.

Border width adjustment is another key feature. Most modern machines can handle various border dimensions, typically ranging from 8 to 16 inches. This flexibility helps manufacturers create everything from slim, minimalist borders to plush, luxurious ones.

Color options are practically unlimited with today's technology. Many machines support multi-color stitching patterns and decorative elements that can be programmed through user-friendly interfaces.

Texture variations are also possible, with some machines offering quilting, embossing, or raised pattern capabilities that add both visual and tactile appeal to the final product.

Integration with Other Mattress Equipment

Modern mattress border machines are designed to work seamlessly with other production equipment. I've found that the most efficient setups include border machines that integrate directly with quilting systems, creating a streamlined workflow.

Compatibility with existing fabric feeding systems is crucial. The best machines accept materials from various sources and can be positioned in-line with cutting and sewing stations. This reduces handling time and minimizes production errors.

Digital connectivity features are becoming standard in high-end border machines. Many now include software that connects to central production management systems, allowing manufacturers to track efficiency, manage patterns, and schedule maintenance.

Some border machines can also be integrated with quality control systems that scan for defects while creating decorative elements, ensuring that only perfect borders move forward in the production process.

Essential Accessories and Attachments

Getting the most from your mattress border machine requires the right accessories. These attachments not only improve the quality of your finished mattress but also increase production efficiency and give you more creative options for border designs.

Guides and Feeders

The right guides and feeders make a huge difference in border production quality. Tape guides are essential for keeping the binding tape properly aligned as it feeds into the machine. I've found that adjustable guides work best since they can accommodate different tape widths.

Material feeders help maintain consistent tension on the border fabric as it moves through the machine. Most quality machines come with standard feeders, but upgrading to pneumatic feeders can dramatically improve consistency, especially when working with thicker materials.

Thread stands and holders are often overlooked but crucial accessories. Multi-spool stands allow for quick thread changes and reduce downtime between jobs. For high-volume production, I recommend investing in tension-controlled thread guides that prevent thread snapping and uneven stitches.

Cutting Attachments

Cutting attachments streamline the border finishing process by automating what would otherwise be manual cutting tasks. Automatic cutters with adjustable depth controls are essential for clean, consistent cuts across different fabric thicknesses.

The most valuable cutting attachment I've used is the programmable end cutter. This tool automatically cuts the border at predetermined lengths, eliminating measurement errors and saving significant time. Many models now include laser guides that ensure perfectly straight cuts every time.

Thread trimming attachments are also worth the investment. These small but mighty add-ons clip excess thread after sewing, giving borders a clean, professional finish without manual trimming. For mattress manufacturers producing hundreds of units daily, this small enhancement can save hours of labor.

Binding and Edge Trimming Devices

Binding devices are crucial for creating clean, durable mattress edges. Automatic binders fold and feed tape along the mattress edge while the machine stitches it in place. I've seen how upgrading from manual to automatic binders can cut production time nearly in half.

Edge trimming devices ensure uniform borders by removing excess material as the binding is applied. Look for adjustable trimmers that can handle different fabric types without fraying or damaging the material.

Decorative binding attachments allow for creating distinctive border designs like the faux tape edge mentioned in the search results. These specialized devices can apply decorative piping or create unique stitch patterns that make your mattresses stand out in the market.

Production Efficiency and Speed

Mattress Border Machines significantly boost manufacturing capacity while maintaining quality. Modern machines combine advanced technology with robust engineering to transform how mattress edges are sewn.

Increasing Throughput

The speed of a Mattress Border Machine is one of its most impressive features. Today's models can operate at up to 1600 RPM, drastically outpacing manual sewing methods. This rapid operation translates directly to higher daily production rates.

When I implemented a fully automatic border machine in my factory, our throughput increased by approximately 40%. The machine's ability to continuously operate without frequent stops for adjustments made a huge difference.

Power consumption is another factor worth considering. Many newer models balance high-speed performance with energy efficiency. I've found that despite the increased production speed, the power usage per mattress produced actually decreased compared to older methods.

Most machines now feature:

Quick-change tooling for different border styles

Automated tension control systems

Programmable stitch patterns

Multiple needle configurations

Maintaining Consistent Quality

While speed is impressive, the real advantage comes from maintaining quality at high production rates. The best Mattress Border Machines deliver consistently neat stitching even at maximum sewing speeds.

Automated systems control tension perfectly across the entire border, eliminating the variation that often occurs with manual sewing. This consistency is especially important for premium mattress lines where visible stitching is part of the product appeal.

I've noticed that properly calibrated machines produce almost zero defects. The precision of modern border machines means rejection rates typically stay below 1%, even when running at full capacity.

Many manufacturers report labor savings of 50-70% after implementing automated border machines. This reduction in labor hours doesn't just save money—it removes the variability that comes with different operators handling the same materials.

Physical and Environmental Requirements

Setting up a mattress border machine requires careful planning for utility connections and workspace arrangements. Proper installation ensures optimal performance and operator safety when handling these specialized machines.

Power Supply Considerations

Most mattress border machines require a stable 220V or 380V three-phase power supply. I've found that machines typically consume between 1-3 kW of total power, depending on their size and capabilities.

It's essential to have dedicated circuits with proper amperage ratings for these machines. In my experience, a 20-30 amp circuit breaker is usually sufficient, but always check the manufacturer's specifications for your specific model.

Power fluctuations can damage sensitive electronic components, so I recommend installing a voltage stabilizer or surge protector. This small investment can prevent costly repairs down the line.

Remember to have a qualified electrician handle the initial installation. Proper grounding is critical for operator safety and machine longevity.

Air Pressure Needs

Many modern mattress border machines incorporate pneumatic components that require compressed air to function properly. The typical air pressure requirement ranges from 0.4-0.6 MPa (58-87 PSI).

Your air compressor should deliver at least 10-15 CFM (cubic feet per minute) to ensure smooth operation. I recommend installing:

Air filters to remove moisture and contaminants

Pressure regulators to maintain consistent pressure

Lubricators for pneumatic components if required by the manufacturer

An inadequate air supply can cause erratic machine behavior or component failure. I've seen this happen firsthand when factories try to run too many pneumatic machines on an undersized compressor.

Check all air lines regularly for leaks, which can reduce efficiency and increase operating costs.

Space and Weight Considerations

Mattress border machines are substantial pieces of equipment. Most models weigh between 200-500 kg (440-1100 lbs) and require adequate floor support. I always ensure my factory floor can handle this concentrated weight.

Space requirements vary by model, but you'll typically need:

Machine footprint: 2.5 × 1.5 meters (8.2 × 4.9 feet)

Operational clearance: 3.5 × 2.5 meters (11.5 × 8.2 feet)

Ceiling height: minimum 2.5 meters (8.2 feet)

The workspace must accommodate both the machine and the mattress handling area. I've found that a clear path around the entire machine makes maintenance much easier.

Good lighting is essential for operators to see their work clearly. I recommend 500-750 lux of task lighting in the immediate work area.

Safety and Maintenance Best Practices

Keeping your Mattress Border Machine running safely and efficiently requires regular attention and proper care. I've found that following structured maintenance routines not only extends the life of the equipment but also creates a safer working environment.

Routine Cleaning Procedures

I always start my weekly maintenance by disconnecting the power supply. Safety first! The machine collects fabric particles and dust that can affect performance, so I use compressed air to clean hard-to-reach areas.

For the exterior surfaces, I wipe them down with a damp cloth—never soaking wet to avoid electrical components. The sewing heads need special attention, as lint buildup can cause thread breakage and skipped stitches.

I make it a point to clean and oil the needle bar assembly after every shift. This simple step has saved me countless headaches. For metal parts showing signs of rust, I use a manufacturer-approved rust remover followed by a thin coat of machine oil.

Monthly deep cleaning checklist:

Remove and clean bobbins and bobbin cases

Clean thread guides and tension discs

Vacuum motor vents

Inspect belts for wear and clean

Check and clean foot pedals

Essential Safety Precautions

I never operate my Mattress Border Machine without proper training. The fast-moving parts can cause serious injuries if mishandled.

I always wear close-fitting clothing and tie back long hair to prevent entanglement. Safety glasses are non-negotiable when operating or cleaning the machine, especially when using compressed air.

The emergency stop button location should be memorized by every operator. I test it monthly to ensure it's working properly. When performing maintenance, I use lockout/tagout procedures to prevent accidental startup.

Guards and safety shields must remain in place during operation. I've seen too many injuries from people removing these "for convenience." It's never worth the risk.

Machine modifications are a big no-no. I only use manufacturer-approved parts and attachments designed specifically for my model of Mattress Border Machine.

Troubleshooting Common Issues

When thread breaks frequently, I first check if the machine is threaded correctly. Then I inspect for rough spots on thread guides or tension discs. Dull or bent needles are often culprits too.

If the border looks uneven or puckered, I check the presser foot pressure and fabric tension. Sometimes adjusting the feed dogs solves this issue right away.

Unusual noises from the machine require immediate attention. I stop operating and check for loose parts or foreign objects. A grinding sound often indicates a lack of lubrication.

For motor issues, I check:

Power connections

Foot pedal functionality

Belt tension and wear

Motor brushes (if applicable)

Electrical problems like intermittent power require professional help. I never attempt to repair electrical components myself—that's a job for qualified technicians who understand the specific requirements of a Mattress Border Machine.

Selecting the Right Mattress Border Machine

Choosing an appropriate mattress border machine requires careful consideration of your specific manufacturing needs, technical capabilities, and ongoing support requirements. The right equipment can significantly impact production quality, efficiency, and your mattress brand's reputation.

Assessing Manufacturer Needs

Before investing in a mattress border machine, I recommend evaluating your production volume requirements. Small manufacturers might need a semi-automatic model that handles 50-100 mattresses daily, while large operations should consider fully automated systems capable of 300+ units per shift.

Budget constraints are crucial, but I've found that focusing solely on price often leads to higher long-term costs. Quality machines typically range from $25,000 for basic models to $150,000+ for advanced systems with multi-needle capabilities.

Consider your available floor space too. Some border machines require as little as 100 square feet, while comprehensive systems might need 300+ square feet with proper clearance for materials handling.

Your specific mattress designs matter significantly. If you produce customized borders with intricate patterns, look for machines with programmable stitching capabilities and adjustable sewing heads.

Comparing Technical Specifications

Speed and throughput should be top considerations when evaluating border machines. Look for models offering 2500-3000 stitches per minute with quick changeover capabilities between different mattress sizes.

Key Technical Features to Consider:

Sewing head type (single vs. multi-needle)

Stitch length adjustability (typically 2-6mm)

Border width capacity (standard is 6-15 inches)

Automation level (manual, semi-auto, or fully automatic)

Digital pattern storage capacity (modern systems store 100+ patterns)

Material handling capabilities vary significantly between machines. Some handle only standard fabrics, while premium models work with everything from basic polyester to thick quilted materials.

I've found that energy efficiency makes a substantial difference in operational costs. Newer border machines use 30-50% less power than older models while delivering superior performance.

Evaluating Supplier Support

Service availability is critical for minimizing downtime. I recommend choosing suppliers offering next-day technician visits and remote diagnostics capabilities. Ask about their average response time for emergency repairs.

Parts availability dramatically impacts maintenance costs and downtime. The best suppliers maintain at least 90% of common replacement parts in stock and can ship specialty items within 48-72 hours.

Questions to Ask Potential Suppliers:

What is your technician response time?

Do you offer operator training programs?

What's your warranty coverage period?

Can you provide references from similar manufacturers?

How long have you supported this specific model?

Training support varies widely between suppliers. Some offer only basic setup assistance, while others provide comprehensive multi-day programs that cover operation, maintenance, and troubleshooting.

Consider the supplier's industry reputation through customer reviews and professional associations. I've found that manufacturers with 10+ years in the industry typically provide the most reliable support.

Industry Trends and Innovations

The mattress manufacturing industry is evolving rapidly with new technologies reshaping how border machines operate. Companies are focusing on automation to increase productivity while also developing eco-friendly solutions to meet market demands.

Automation and Smart Technologies

Mattress Border Machines have undergone significant technological advances in recent years. Modern computerized systems can now increase output by 40-60% compared to traditional methods. I've noticed that manufacturers are integrating smart technologies that allow for remote monitoring and adjustment of production parameters.

The latest flanging machines feature advanced sensors that detect material thickness and automatically adjust tension. This reduces waste and improves consistency across production runs. Some models now include:

AI-assisted pattern recognition for precise border alignment

Touch-screen interfaces for easier operation

Cloud connectivity for production data analysis

Automated fault detection systems

Border Modular Systems like the BMS-1500 from Global Systems Group exemplify this trend. These versatile machines can quickly adapt to changing market requirements without lengthy retooling periods.

Sustainable Manufacturing Solutions

Sustainability has become a major focus in mattress border machine development. Manufacturers are designing equipment that uses less energy and produces minimal waste.

New border machines incorporate energy-efficient motors that reduce power consumption by up to 30%. I've seen systems that capture and reuse compressed air, significantly lowering their environmental footprint.

Material optimization features are now standard on premium models. These include:

Precise cutting algorithms that maximize fabric usage

Recyclable thread options for eco-conscious brands

Low-VOC adhesive applicators

Variable speed drives that reduce energy use during slower production periods

Many manufacturers are also offering retrofit packages for existing Mattress Border Machines. These upgrades help factories extend equipment lifespans while improving environmental performance.

Border machines now commonly use water-based lubricants instead of petroleum-based options. This reduces harmful emissions and makes maintenance safer for workers.

Frequently Asked Questions

Mattress border machines play a crucial role in mattress manufacturing, affecting quality, design, and production efficiency. These specialized pieces of equipment vary widely in features, cost considerations, and applications across the industry.

What factors determine the pricing of a mattress border machine?

The pricing of mattress border machines depends on several key elements. Brand reputation significantly impacts cost, with established manufacturers commanding premium prices for their proven reliability.

Machine capabilities also drive pricing - multi-needle models with programmable stitch patterns cost more than basic single-needle versions. Automation features like automatic thread cutting and pattern memory add to the price tag but improve efficiency.

New machines typically range from $8,000 to $30,000 depending on complexity and features. Imported machines from Asian markets may offer lower price points but sometimes with trade-offs in parts availability and support.

How does a used mattress border machine compare to a new one in terms of performance and longevity?

Used border machines can provide good value when purchased from reputable sources. Well-maintained used machines often deliver 5-8 years of service compared to 10-15 years for new equipment.

Performance differences may include slower operating speeds and fewer automated features. Older models typically lack the digital controls and programmable stitch patterns found in newer versions.

The key consideration is maintenance history. A properly serviced 5-year-old machine from a quality manufacturer often outperforms a newer budget model with inferior components.

In what ways does a border sewing machine contribute to mattress quality and design?

Border machines create the critical seams joining the mattress sides to top and bottom panels. Precise stitching ensures structural integrity and prevents premature seam failure during mattress use.

These machines enable decorative elements like distinctive border patterns that define brand identity. The quality of border stitching directly impacts consumer perception of craftsmanship and overall mattress quality.

Modern border machines offer variable stitch lengths and tensions that accommodate different fabric thicknesses. This versatility allows manufacturers to work with premium materials like organic cotton, cooling fabrics, or specialty blends.

Where can professionals in the mattress industry find reliable border machines for sale?

Industry-specific equipment suppliers like Mattress Machinery Direct and Global Systems Group specialize in mattress manufacturing equipment. These vendors typically offer both new and reconditioned models with technical support.

Trade shows such as ISPA EXPO and Interzum provide opportunities to compare multiple brands and negotiate directly with manufacturers. These events showcase the latest innovations and allow hands-on testing.

Online marketplaces for industrial equipment can yield good deals on used machines. Sites like MachineryTrader and Industrial Sewing Machine Exchange list pre-owned equipment, though careful vetting is essential.

What features set the best mattress border machines apart from the competition?

Superior border machines offer high-speed operation, typically 3000+ stitches per minute, significantly boosting productivity. This speed doesn't sacrifice stitch quality, maintaining consistency even at maximum rates.

Programmable stitch patterns and automatic tension control ensure uniform results across production runs. The best machines store multiple stitch profiles for different mattress models, reducing setup time.

Durability features like hardened feed dogs and reinforced frames justify the higher investment. Premium machines incorporate ergonomic design elements that reduce operator fatigue during long production shifts.

Could you explain the differences between a Mattress Flanging Machine and a Mattress border Handle Machine?

A Mattress Flanging Machine attaches the flanging tape that joins the mattress panel to the border. This specialized machine creates the foundation for a clean, professional edge and typically operates with a wider throat space than standard machines.

The Mattress Border Handle Machine, in contrast, is designed specifically for attaching handles to mattress borders. It features specialized guides and feed mechanisms optimized for handle materials and reinforced stitching patterns.

These machines serve distinct functions in the production process, though some manufacturers offer hybrid models. High-volume operations typically benefit from dedicated machines for each function rather than multi-purpose equipment.

#Mattress Border Machine #Youtube

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welfecn · 3 months ago

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The Future of Precision with Laser Edge Banding Machines Laser edge banding machines represent a cutting-edge advancement in the woodworking and furniture manufacturing industries. These machines utilize laser technology to seamlessly apply edge banding materials to the edges of panels, ensuring a flawless finish that is both durable and aesthetically pleasing. Unlike traditional edge banding…

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igoldenlaser · 8 months ago

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#CNC Machine Kitchen #CNC machine kitchen cabinets

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ragequitezekielrants · 9 months ago

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Final Fantasy: the dumpster fire that won't die.

Alright, time to dive into the Final Fantasy franchise. Or as I like to call it: The world's longest-running experiment in how much nonsense gamers are willing to tolerate. I promised I'd rip this series a new one, and honestly, the only hard part is deciding where to start.

Let’s just get the obvious out of the way: How the hell do you call something Final when there are 16 mainline games and about 700 spin-offs? Final Fantasy? More like Never-Ending Fever Dream of Chocobos, Crystals, and Characters With Dumb Hair.

Let’s talk about those protagonists for a second. Every single one of them looks like they walked straight out of an anime convention after a failed Hot Topic shopping spree. You’ve got Cloud Strife, the moody emo kid with a sword the size of a car door, and Squall—who’s basically Cloud but somehow even more insufferable. And then there’s Tidus from Final Fantasy X. What kind of protagonist laughs like he’s trying to audition for the world’s worst infomercial? I mean, there’s a reason that scene is memed to death. It's like the developers were trying to make you cringe so hard you’d forget how awful the rest of the game was.

The stories? Don’t even get me started. I mean, try to summarize the plot of Final Fantasy VII without sounding like you’re high on three different types of hallucinogens. “So, there’s this corporation that’s draining life energy from the planet, and then this dude named Sephiroth—who’s supposed to be the villain but looks like he’s auditioning for a boy band—wants to destroy the planet using some meteor thing while being possibly related to this ancient alien species? Oh, and also your best friend dies but don’t worry, you can bring her back in Kingdom Hearts.” Yeah, makes total sense.

And don’t think Final Fantasy XV gets a pass just because it came out more recently. Oh, no, that road trip from hell is just as bad. Who thought it was a good idea to turn Final Fantasy into Bromance Simulator 2016? I don’t care how good the food looks in the game; I’m not here to watch a group of whiny, brooding man-children try to "bond" while driving around in a car like they’re on some ridiculous Final Fantasy-themed season of Top Gear. Also, side note: if I wanted to do chores, I’d get up and fold my laundry, not hunt random monsters to earn gil so I can stay at a digital hotel. Thanks, but no thanks.

And let’s be real: The combat system is like a fever dream that changes every game. Want turn-based combat? Sure, until they decide they hate it. Want real-time action? Okay, but expect it to be as clunky as a 1990s arcade machine. Then there’s XII where you just program your characters to do everything for you while you watch the battle like some kind of lazy overlord. Auto-battle is not gameplay, Square Enix. It’s just pressing "Start" and hoping the game wins itself.

But the best part is, no matter how many Final Fantasy games come out, people act like every new entry is going to be the second coming of gaming Christ. Spoiler alert: It’s not. It’s going to be a shiny mess of convoluted plot threads, melodramatic characters, and combat systems that make you wonder if the developers have ever actually played a game before.

Yet, somehow, year after year, the fanboys flock back. "But Ezekiel, Final Fantasy VII is the greatest game of all time!" Yeah, if you’re stuck in 1997 and still think polygonal characters with Popeye arms are cutting-edge. “But Ezekiel, the FF7 Remake!”—Oh please, they turned the first ten hours of the original into a 40-hour nostalgia cash-grab with even more filler than the plot already had. And don’t even get me started on the absurd "multiple parts" scheme. Of course, they’re milking it. It's Square Enix—milking things dry is their specialty.

At the end of the day, Final Fantasy is like that band that used to be cool but has been coasting on past glory for so long that nobody realizes they haven’t made a good album in decades. The series should have been laid to rest after X—the last halfway decent entry—but nope, here we are, 15 more games deep and still pretending like this bloated mess is worth our time.

n conclusion, if you’re still out there defending Final Fantasy, you’re probably the same person who insists pineapple on pizza is a good idea. Go ahead and keep wearing those rose-tinted glasses while you wander around aimlessly in the land of chocobos and crystals. The rest of us will be playing something that hasn’t been running on fumes for the past two decades.

Until next time, stop playing bad games. Seriously, it’s not that hard.

– Ezekiel

#video games #rage bait #cringe #lolcow #nerd #game rants

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mogood · 1 year ago

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Revolutionizing Woodworking: The Advancements of Auto Edge Banding Machines

In the realm of woodworking, precision and efficiency are paramount. With the rapid advancements in technology, the traditional methods of edge banding have evolved significantly. One such innovation that has revolutionized the industry is the Auto Edge Banding Machine. This marvel of engineering has streamlined the process of applying edge banding to wooden panels, offering unparalleled accuracy and speed. In this article, we delve into the workings of auto edge banding machines, exploring their benefits, applications, and the future they herald for woodworking professionals.

Evolution of Edge Banding:

Traditionally, edge banding involved manual application of thin strips of veneer or PVC to the edges of wooden panels using adhesives and rollers. While effective, this method was labor-intensive and prone to human error. As demand for efficiency and precision grew, the need for automated solutions became apparent. Enter the auto edge banding machine.

How Auto Edge Banding Machines Work:

Auto edge banding machines automate the entire process of edge banding, from adhesive application to trimming and buffing. These machines are equipped with advanced mechanisms such as conveyor belts, glue application systems, pressure rollers, trimming units, and buffing wheels. The process begins with the feeding of the wooden panel into the machine, where it is guided along the conveyor belt. The machine applies adhesive to the edge of the panel and precisely attaches the edge banding material using pressure rollers. Subsequently, the excess banding material is trimmed and buffed to perfection, resulting in a seamless finish.

Advantages of Auto Edge Banding Machines:

Precision: Auto edge banding machines ensure consistent and precise application of edge banding material, eliminating human error.

Efficiency: These machines significantly reduce production time, allowing woodworking professionals to increase their output.

Versatility: Auto edge banding machines can handle various types of edge banding materials, including veneer, PVC, and ABS, making them versatile for different woodworking projects.

Quality: The automated process results in high-quality finishes that enhance the aesthetics and durability of the wooden panels.

Cost-effectiveness: While initial investment may be higher, the long-term cost savings from increased efficiency and reduced labor make auto edge banding machines a cost-effective solution.

Applications:

Auto edge banding machines find applications across various sectors of the woodworking industry, including furniture manufacturing, cabinetry, interior design, and architectural woodworking. Whether it’s producing custom furniture pieces or mass-manufacturing kitchen cabinets, these machines cater to the diverse needs of woodworking professionals.

Future Outlook:

The future of auto edge banding machines looks promising, with ongoing advancements in technology enhancing their capabilities further. Integration of artificial intelligence and machine learning algorithms may lead to even more precise and adaptive edge banding solutions. Additionally, advancements in materials science may result in the development of innovative edge banding materials with enhanced properties.

In conclusion, auto edge banding machines represent a significant leap forward in the field of woodworking. Their ability to automate and streamline the edge banding process offers numerous advantages, including increased precision, efficiency, and versatility. As technology continues to evolve, these machines will play a pivotal role in shaping the future of woodworking, empowering professionals to achieve new heights of craftsmanship and productivity.

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engiexpo · 2 years ago

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zealtech98 · 2 years ago

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Top 5 Circular Saw Machine Manufacturer In India

Circular saw machines are essential tools in various industries, including woodworking, metalworking, and construction. In India, there are several manufacturers who specialize in producing high-quality circular saw machines. These manufacturers utilize advanced technology and innovative designs to meet the diverse cutting needs of industries.

With a focus on precision, durability, and efficiency, these manufacturers play a vital role in enhancing productivity and quality in the manufacturing sector. Their machines are known for their reliability, performance, and ability to handle different materials with ease.

As India continues to witness rapid industrial growth, these circular saw machine manufacturers are at the forefront, providing cutting-edge solutions to meet the evolving demands of the market.

1. Malwa Machine Tools India Private Limited

Malwa Machine Tools India Private Limited is a leading circular saw machine manufacturer in India, known for their cutting-edge technology and superior craftsmanship.

With a strong emphasis on quality and customer satisfaction, Malwa Machine Tools India Private Limited offers a wide range of durable and high-performance circular saw machines for various industrial applications.

Products: MMT-300 TCA Metal Band Saw Machine, Circular Saw Cutting Machine, Vertical Band Saw Machine

Address: 6-B/C, Ujjain Rd, opposite Sonal Enterprises, Industrial Area, Amlavati, Dewas, Madhya Pradesh 455001

Website: www.malwamachinetools.net

2. Zeal Tech Automation

Zeal Tech Automation is a top-notch Circular Saw Machine manufacturer in India, offering cutting-edge technology and precision cutting solutions.

With a strong focus on customer satisfaction and product excellence, Zeal Tech Automation has established itself as a trusted name in the industry, delivering reliable and high-performance circular saw machines.

Products: SPM Circular Saw Cutting Machine, Vertical Band Saw Machine (Manual), Vertical Band Saw Machine (Hydraulic), Semi-Automatic Circular Saw Machine

Address: 19/4, F-II Block, MIDC Pimpri, Pune: – 411018

Website: www.zealtechautomation.com

3. ITL Industries Limited

ITL Industries Limited is a well-established circular saw machine manufacturer in India, known for their cutting-edge technology and reliable performance.

With a commitment to quality and customer satisfaction, ITL Industries Limited offers a diverse range of circular saw machines that cater to different industrial needs.

Products: Band Saw And Circular Saw Machine, Circular Saw Cutter, Horizontal Band Saw Machine, Carbide Blade, Auto Loader

Address: 111, Sector B, Sanwer Road Industrial Area, Indore, Madhya Pradesh 452015, QR7V+VGC Indore, Madhya Pradesh

Website: www.itlindustries.co.in

4. TANNU TOOLS PVT. LTD.

TANNU TOOLS PVT. LTD. is a leading circular saw machine manufacturer in India, offering cutting-edge technology and reliable performance.

With a wide range of circular saw machines, TANNU TOOLS PVT. LTD. is committed to providing high-quality solutions for industrial cutting requirements.

Products: Double Column Semi-Automatic Band Saw Machine, Double Column Fully Automatic Band Saw Machine, Swing Type Fully Automatic Band Saw Machine, Swing Type Semi-Automatic Band Saw Machine, Band Saw Machines, Vertical Band Saw Machine, circular saw Machines

Address: Plot No-9, Gali No. 2, Near Shiv Mandir, Pyala Malwa Machine Tools India Private Limited

Road, Sikri, Ballabgarh, Faridabad - 121004, Haryana, India

Website: www.tannutools.com

5. Indotech Industries (I) Private Limited

Indotech Industries (I) Private Limited is a reputable circular saw machine manufacturer in India, specializing in high-quality machines for various cutting applications.

With a focus on precision and durability, Indotech Industries (I) Private Limited offers reliable and efficient circular saw machines that meet the demands of industries across the country.

Product: Metal Cutting Band Saw, Metal Cutting Horizontal Bandsaw, Circular Sawing Machine Auto-Loader, CNC Bandsaw Machine, Cutting Machines

Address: Gram Bardari Post, Hatod Sanwer Road, 47/2 & 47/3, Bardari, Indore, Madhya Pradesh 453111

Website: www.indotechmachines.com

Conclusion:

We have listed the top 5 Circular Saw Machine Manufacturers in India. India has several top-notch circular saw machine manufacturers that cater to the diverse needs of industries.

Whether it's for woodworking, metalworking, or other cutting applications, these manufacturers have established themselves as reliable suppliers in the Indian market. With their commitment to quality and customer satisfaction, they continue to play a significant role in the growth and development of the manufacturing sector in India.

#circularsawmachine #mechanicalmachines #bandsawmachine #circular saw machine

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ms-scarletwings · 2 years ago

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Well no joke, hecc you too. I literally had to stop myself short from finishing a sentence during drafting this that started off “the closest we ever did get to see to what that ability to introspect would do to him was Zib because-“

And I stopped because I realized that Zib is really squirmy and hard to use as an example for much on this front, because Dib’s still the dominant majority of that fusion. But damn you this is such a delicious tangent. The most I brought myself to speak of it without poking was this here in the tags

Like they’re literally mirrors of the worst in each other in a lot of ways but the bit that distinguishes them the MOST to me is that Zim is the sorest loser and Dib is a sore fucking winner. Zim could never cope with being in Dib’s position and knowing it. That selective mental blindness to failure is all he has because whenever he DOES have to accept defeat, at best he throws a screaming, rampaging tantrum.

At worst, he can’t go on if he can’t see a way to bounce back, or if he loses his faith in that glorified version of himself. That’s why his crash in Enter the Florpus Happens. That’s why “Mopiness of Doom” happens. Dib, the arch nemesis, is necessary for that inner narrative to not expire. Zim knows he’s the main character, and protagonists, especially those of legends are only as compelling as the monsters they slay. He needs his antagonist to validate his invasion, because Red/Purple’s half-hearted humoring can only give him so much juice when he’s witnessing his own stagnation in the field and every other invader speeding past him in their progress. Everyone else on Earth is either pathetically unthreatening, or they don’t give him the time of day.

Dib’s the godsend excuse he needs to explain why the he’s not living up to his expectations- Someone else to be “the problem” so he doesn’t have to have that band snap (spiral into an introspective depression or meltdown). He’s not even aware that this is the nature of their symbiosis. I fully believe he would kill Dib again, just as remorselessly as in “Bad, Bad Rubber Piggy” if given the chance. And he would celebrate… until it dawns on him that he still can’t conquer the earth and that Dib’s defeat actually didn’t slay the dragon. Zim is freaking pitiful to me in how jacked up and kind of destined for self implosion he is. He only thrives and feels his self worth in a constant state of conflict and chaos, neither winning or losing.

In other words, he’s a perfect war machine. An enthusiastic tool of perpetual conflict and mass destruction,

if only he could actually be controlled. Then he’d be the best thing to happen to Irkens since nachos. Sucks for them, though, he’s designed not to be.

However, I digress. As for Dib, there’s no effing way that twerp has any clue either about what’s going on in Zim’s head/back. He doesn’t even have enough of the full picture to guess at it, and besides, he has his own priorities and his own savior of the world complex he needs Zim for in just a similar fashion. But while Zim is teetering on the edge of that aforementioned lovecraftian brand of melodramatic darkness, Dib can actually take a narrative punch.

This kid doesn’t have the luxury of a malfunctioning neurology that auto-slaps down offense or uncomfortable information. Neither does he have decades of military propaganda that propped him up as the universe’s pinnacle species since birth. He’s a freaking 12 year old human boy. He for a decent part, at least much better than Zim, knows his own size and position in the galaxy. This alien is the invader, and he’s playing home team on defense. In fact, Dib has seemingly lived most of his damn life so far on defense. He doesn’t have a lot of victories he can hold onto for a boost and he doesn’t forget it. He doesn’t have reliable allies or servants. He has ONE human being he somewhat gets along with and can have occasionally positive interactions with. Yeah, it’s sad to see that it’s led to him developing a remarkably negative self image and some amount of self loathing, but Dib has actually, somehow, managed himself pretty well under that. He gets up after falls fine, he shrugs off near-death close calls, and he looks this overpowered, lunatic bug freak right in the spider eyes and says to himself “Yeah. This is the fight I’m choosing, and I’m going to win because I have to.” Zim’s bubble wrapped. Dib is tempered in flame, with a self image that has nowhere to go but up.

And he actually still has a hobby or two outside of Zim. He’s arrogant in his own way, but not to the point of inhumanity. He’s an antagonist, but Zim is a villain. If Zim wins, there’s a timer ticking to some point where he still comes freaking undone and is unsatisfied. If Dib wins, really wins, that fixes Dib. And that’s a perfectly logical narrative to weave, given the facts. But goddamn is dib really awful at taking a W without being really overcompensative about it.

Yet…the Zib case.

Your question, right.

My answer, at least under the web I’ve weaved, is definitely the latter option. Where I considered some fear I had of the idea of Dib’s ability to put together and not sugarcoat shit with Zim’s whole life story, banishment and fake invasion and sabotaging his own leaders and all… you’d especially worry for that seeing that Dib’s seemingly conquered the PAK in some fashion, given that it hasn’t killed him and Zim’s personality is either erased or dormant…

but that’s not what actually happened. Instead, we actually did see Dib being the one who survived, but not untainted by the merge. He was just the next host for the PAK’s double edged sword- superior intellect at the cost of bearing the involuntary madness, warts and all. If that sickness could overcome the collective control brains, how tf was a single human’s mind supposed to stand a chance against the same corruption?

Potential spoiler for anyone who never caught up on og Adventure time, but in other words, Dib basically did the equivalent of murdering the ice king, and then slapping the cursed crown onto his own big fat head in a reckless grasp for power. Which, in adventure time, messing with the ice crown does not go well. For anyone. Ever. It’s the classic folly of he who fucks around with things beyond his limited understanding, in his ignorance, isn’t ready to contend with the consequences.

Fuck around, the universe lets you find out, no matter who or what you think you are.

And the funny thing is, if you actually read Lovecraft, that’s the real core soul of his horror, not repulsion of the spooky scary monsters just because they’re out of this world.

But the horror of Zib is that he smoothly rose up to both embrace and embody the paradox that keeps Zim going, but with Dib’s sense to competently see a plan through setbacks. Zib is the brutality of the invader, given the humanity to empathize with others well enough to make them believe his lies too. He’s Zim’s ferocity and Dib’s cynical bitterness given control back, and that’s what makes him the most dangerous entity in the entire franchise.

So there was a note under my post about Zim hovering a finger over the self destruct switch on his first day on Earth that just cracked open something in my mind.

Cause…Oh. Oh hecc you, @murhuedur. You actually touched on like, my favorite thing about this character, period. I really like this take, I do. It’s a good one. I ponder, still,

In my own opinion, it’s actually genuine confidence and arrogance, but Zim’s delusions of grandeur are as a thin rubber band. They can stretch out to wild lengths and remain malleable enough to bend around truth as he wills,

But there’s a hard limit out there eventually, and should reality require him to stretch his cognitive dissonance just too far, it’s a violent snap-back to full clarity. I don’t think he’s faking it or always lying to everyone else about what hot shit he is, because I think he fully believes those lies about as fast as he can speak them, even if he will later realize he was wrong after a cosmic punch to the face.

Like, Zim’s smart, but smart people aren’t inherently rational ones. Within Zim, the tallest, hell, maybe even Skoodge, there’s sometimes this very short-sighted flippancy about what is objectively true/false that peeks out every now and again in their psychology. I mean, humans sometimes do this too when it’s convenient to their interests, just, obviously not to goofy cartoon character levels if they want to function in society.

Zim has whatever this flaw is and cranked up to 11, maybe as a side effect of his PAK defects. Sometimes it gets him into DEEP shit, but it’s also his biggest mental shield. Zim has like no fortitude against spiraling into a full on depression or a justifiable panic attack over the smallest concession of being an absolute failure to his race. That weaponized denial that makes him so dangerous to himself and others also keeps him together and motivated forward. But it’s not largely a conscious lie he’s telling himself. It’s genuine faith he’s trying to manifest into matter through sheer force of his will.

His dogmatic mantra, “I am Zim” and what it means to him is a statement he holds on such conviction it overpowered and hijacked the ego of 3 control brains at once.

If I were inserting him into DnD he’d have the wisdom stat of a stale poptart and a 20+ thrown into charisma. He’s faking it without even understanding he’s faking it.

But were he completely detached from reality, he’d be WAY more likely than even now to accidentally get himself killed. While a narcissistic level of self esteem is what lets him ignore and selectively unhear inconvenient truths, the adrenaline of immediate life or death danger is what grounds him back in the real world. You notice over time that as self-sabotaging as he normally is, he seems to act his most rational and competent when he’s suddenly put against the grindstone and self preservation HAS to jump into the driver’s seat. He basically survives his day to day on a tightrope between a falsely glorious narrative of himself, and his perceptive anxiety both tugging him to land on either side of the fence when something big happens.

In “The Trial”, he wastes very little time on his expected bullshit or his confidence in being able to just win over the approval of his judges.. by virtue of being his awesome self. He spent most of that ordeal on the verge of a heart attack, squirmed to find an escape, and actually tried to DENY causing the death of two Almighty Tallests (reminder that he usually owns up to his atrocities with downright offensive pride). He understood the full gravity of an existence evaluation and how cooked his goose was. As soon as the situation resolves and he’s no longer in that danger, it’s right back to full trust of his status as an invader, and in Red and Purple as his biggest fans. When his disguise starts to slip in front of Skool kids he knows are dumb as a bag of rocks, he can silver tongue his way around that without skipping a beat. Losing his disguise in front of a bunch of alien-obsessed adults? Uh oh, pants-shitting terror, this is potentially game-over levels of bad, immediately gtfo of here. Stand there, chest beat, and scold the obviously rogue duty-mode Gir all day until the second it actually tries to kill you and you suddenly have to realize you’re not the one holding the cards anymore to save your own life.

The other way this quirk of his really shows through is in his selective memory. Zim has this skill to repress down and push away unpleasant experiences that I think some of us can only dream we had. I love it because it’s equal parts a comedic and analytical goldmine.

Tak, who actually posed a legit threat to his entire mission and tried herself to chip through that massive wall of denial he’s shielded in- same Tak who’s powerful af ship was stolen and desecrated by Zim’s arch nemesis… she’s not just an afterthought in his mind after that mess. He’s literally pushed that one out of his thoughts altogether in the comics. Like she, and Skoodge, who he can’t fucking stand, might as well have never even existed, even while GIR’s trying to remind him. That time he played around with time travel and it was one of the biggest clusterfucks he quickly lost control of? The bologna incident he stooped so low as to ask dib to help him with? You must be thinking of someone else. Nope. Not a thing. Lalala, can’t even hear you. This is also what makes it no wonder he deeply struggles with actually learning from certain mistakes.

From an outsider’s eye this behavior of his is baffling. It makes him look actually insane or at least obnoxiously obstinate. And I think both assumptions are half right, because this is clearly not the result of mere stupidity. Those truths are simply wayyyy too discordant with his view of himself to devote surface memory to, or too uncomfortable, unless and until, of course, you confront him with them in a fashion where that rubber band has to snap, that bubble pops, and he instantly sobers out of that complacency.

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Literally god forbid he ever stops being defective in this way or is given the ability to reckon with the reality of his situation and his history all at once. I’m not even just talking about his job or banishment. I’m talking about his entire life. This chaotic, flexible, incoherent mindstate is the only branch he’s holding onto from dropping into a much more horrifying chasm beneath himself, the depth of which we can only guess. I straight up have no idea what he would do or what could happen to him if he could, even for a moment, rationally comprehend his every action, memory, and empirical truth all at the same time. Seriously, leave that Pak’s Gordian Knot be, or I imagine there could be an HP Lovecraft type of breakdown in the making.

#invader zim #iz #iz analysis #dib membrane #iz zib #iz comic spoilers #scarlet talks about things #long ass post

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shreeumiyaftech · 5 months ago

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Innovative Solutions for Woodworking: Shree Umiya F-Tech Machines | Umaboy Group

Woodworking requires precision, efficiency, and the right equipment to deliver high-quality results. Shree Umiya F-Tech Machines, part of the esteemed Umaboy Group, stands as a trusted name in crafting advanced woodworking machinery designed to elevate production standards. From automatic edge banding machines to reliable panel saws, we provide comprehensive solutions for professionals in the woodworking industry.

Automatic Edge Banding Machines: Precision Made Easy

Edge banding is a critical step in furniture manufacturing, ensuring clean, finished edges that enhance durability and aesthetics. Shree Umiya F-Tech Machines offers cutting-edge automatic edge banding machines that streamline this process. Whether you are looking for an auto edge banding machine for high-speed production or a versatile solution for custom projects, our machines deliver unparalleled accuracy and efficiency.

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In the woodworking industry, precision cutting is non-negotiable, and that’s where our panel saw machines excel. Shree Umiya F-Tech Machines, a leading panel saw machine supplier and manufacturer, ensures that every product is built with the needs of modern workshops in mind.

Whether you need a panel machine for large-scale production or a compact panel saw for small-scale tasks, our offerings cater to diverse requirements.

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hicasmachinery-blog · 8 years ago

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We are Professional woodworking machine factory,if you have any question please contact us with no hesitation,thank you.

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whatifyoulivelikethat · 4 years ago

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ruined, m | jjk

pairing(s): jungkook x reader

summary: Why is there a mostly shirtless man in your bedroom and why is it Kim Namjoon's, your roommate's, fault? All you want to do is play League of Legends, not be visually attacked by ridiculously attractive Jeon Jungkook as his six friends perform living room karaoke at the top of their very drunk lungs.

warnings: rated M (18+) for language; classic Namjoon ripping clothes; you don't have to know how to play LoL, I explain most of it; smut (fem reader, dirty talk, begging, scratching / marking, nipple play, edging / orgasm denial, handjob, (unintentional?) voyeurism, little bit of cum-eating, choking, cowgirl, cock warming); non-idol!BTS – purple-haired, kind-of-a-brat, sub!Jungkook x gamer, noona, dom!reader, ft OT6 being chaotic in the background XD

@yn-the-reader linked me in this and I was already writing about him. a prophet, maybe? XD

“WHY ARE YOU SHIRTLESS?”

You died.

Not literally, but also literally.

“Fuck!”

Now you had thirty-seven seconds of gray screen to figure out why the fuck Jeon Jungkook had busted into your bedroom on this cheerful night with his black dress shirt three-quarters of the way unbuttoned, revealing most of his – oh, sweet Satan, very muscular – pecs and the upper half of his abs. He was holding something in his hands, looking helpless and sad, while you were panic buying Liandry's Anguish and experiencing a special form of anguish yourself.

“Noona, um–”

That’s right, because you were in the middle of a League of Legends game, playing Cassiopeia, the Serpent’s Embrace, also known as half-snake lady or the lamia of the champion roster or a mean version of Monster Musume’s Miia (if you know, you know, and if you don’t, be glad you don’t). Your roommate was having friends over after going drinking. All this was fine and dandy with you, because you were going to spend all night wearing headphones and playing League of Legends, therefore ignoring the outside world, until the outside world came to bother you in the form of Kim Namjoon’s – your roommate’s – mostly shirtless friend Jeon Jungkook.

He wasn’t mostly shirtless most of the time, only right now.

“Noona, Namjoon-hyung ripped my shirt…” Jungkook whimpered hesitantly, chewing on his lip. He looked awkward and distraught despite his long dark purple hair giving him a rather fierce, bad-boy look.

Namjoon was a great roommate. He was smart, conversational, and insightful. A chat with him usually led to an enriching, open-minded perspective. He was relatively clean, considerate, communicative, nonjudgmental, fun to be around, and only set the kitchen on fire twice.

The second time was your fault.

You shouldn’t have let Namjoon in the kitchen the second time.

Also, Namjoon with his friends was a wildly chaotic time. All of his friends, especially drunk, were fucking nuts. Normally, they were probably relatively calm people (maybe not Kim Seokjin or Jung Hoseok, they were very excitable), but together they were a mess. You often wondered how they could function as a group.

Currently, however, you were trying to collect your brain cells as you had mere seconds before respawning onto the platform and were forced to play again. Timing in League of Legends was very important. Seconds can mess up wave management of minions and wave mismanagement can lead to game losses if you weren’t careful. The nuances of the game were often ignored by casual players.

You were, in short, a nerd about it.

“Fucking s-shit, what h-happened?” you sputtered out, turning back to your screen, unable to look at mostly shirtless Jungkook because he was MOSTLY SHIRTLESS. Honestly, he had quite nice pecs, and you should not be thinking about that, but it was incredibly distracting, just like how it used to be distracting when Namjoon was shirtless, but several years of living with him made you accustomed to his impressive pectoral muscles, to the point where you could joke about them with him.

But this was not Namjoon – this was his younger friend Jungkook and you had no idea Jungkook was ripped, mostly because you didn’t pay attention to Namjoon’s friends.

There were too many of them and you were too introverted for that.

“I don’t know, he just grabbed my shirt and it ripped and I managed to find all the buttons, but, but…”

Cassiopeia respawned on the platform and you couldn’t ignore the snake lady any longer. You had to play the game because four random people on your team were counting on you and you couldn’t exactly type, sorry, there’s a hot man in my room with his shirt practically off and I don’t know what to do with my life, so you had to suck it up and play the damn game.

Right-clicking and keeping your eyes only on your computer monitor.

Half-listening to that trembling, silvery voice coming up behind you, making your hairs stand on end even though all he was doing was dumping the tiny buttons on your desk.

Oh, fuck me, you thought to yourself.

“Can you repair it? Please? My mom bought me this shirt and Namjoon-hyung said you can sew, so maybe you can sew them back on? Please?”

“Yes, Jungkook, I can, just not right now, I’m in the middle of a game,” you rambled, suddenly trading damage with the enemy Viktor, trying to avoid the laser from the Machine Herald, swearing under your breath as you stutter-stepped and stunned him, poisoning him quickly enough with your abilities to avoid dying. “I will help you, I just – fucking shit, get the fuck away from me Udyr, fuck!”

“Wow, you curse a lot, noona. It’s kind of funny.”

“I – fuck– I mean, sometimes, and what are you guys doing out there? It sounds like a deranged cabaret club,” you remarked, ticking your head towards the direction of your bedroom door.

“Karaoke!” Jungkook replied brightly, still standing behind you, why was he standing behind you, it was freaking you out a little, but Ocean Dragon was being taken and a team fight was about to happen, so you had to ignore it and support your teammates in chasing down the enemy support.

Seokjin hit a high note that was so shrill that you heard it through your headphones.

“… Wow, he’s got some lungs on him.”

“Do you wanna join us, noona?”

“I can’t sing.”

“Neither can we.”

“Pretty sure all of you can sing better than I can, even Yoongi and Namjoon. I’m fucking terrible.”

“I’m not that good.”

You barely survived with thirty hit points after that debacle of a team fight, but your team had the dragon and you all were slowly on your way to victory. You pressed the ‘B’ key to return to base, but kept your eyes on the screen, lest Udyr, the Spirit Walker and serial bear stun-slapping enemy jungler, ran your ass down and killed you.

“Jungkook, your voice is absolutely heavenly. Fucking beautiful. I’m sure every human being on Earth would want to be serenaded by you.”

Silence that you didn’t notice was awkward for him because you were too busy letting out a sigh of relief and building your next item, typing quickly to your teammates. You all were about to set up for vision around Baron Nashor, a large purple worm-dragon monster that when killed provided a significant, sometimes game-ending buff.

“R… really?”

“Yeah, and you’re handsome, gorgeous, and hot as hell too, so the whole damn package,” you responded absentmindedly, realizing the enemy were trying to split-push and trade objectives so you sent some pings to your teammate to take care of that as you accompanied the main group to help clear waves of minions.

Heat.

You heard him shift beside you and suddenly his face was next to yours, watching your screen closely.

Side-step, cast your ultimate, cast your Miasma ability to ground the enemies and prevent them from dashing away, switching between auto-attacking and piercing them with Twin Fang, all in the span of a mild freak-out because why was Jungkook so FUCKING close?

“Wow, you’re so good at League.”

“I’m Diamond rank, so not that good, but definitely better than all seven of you combined.”

“Haha, true, we’re all pretty bad,” Jungkook laughed next to your ear and, oh, shit, is warm breath feathered on your neck, why weren’t you wearing a turtleneck or something and not your self-cropped oversized band t-shirt and slinky black leggings, why weren’t you cocooned in layers of clothes, because you were quickly highly aware of how attractive Namjoon’s friends were.

To top it all off, you were in the middle of a game, so you just had to tolerate it and stay calm for the sake of your teammates and your elo.

“Maybe you could teach us and we’ll teach you something in return.”

“You guys don’t even listen to each other, why would I assume you all would listen to me?”

“I’d listen to you, noona.”

Now your team was doing the Baron dance, skirting in and out of vision, daring the other team to make a move, daring each other to make a mistake so the other could capitalize on it, slowly, slowly, watch the waves, watch the minimap. Careful. You could control the situation if you were calm and not too trigger-happy. Tension in your fingers and tension in your neck because your roommate’s friend was right next to your head, observing your every move.

His violet hair brushed your shoulder.

Soft, delicate strands against your skin.

“You’re more experienced, so you would know what to do.”

Your support snap-engaged a fight and you were immediately in the zone, right clicking rapidly, cycling through your abilities, keeping track of the opponents’ spells, determined not to let any of them get away, following your teammate’s calls and not hesitating, because hesitation as death and loss, and you were so close to winning you could taste it, going after it with passionate vigor and a slow-forming grin, seeing and hearing the in-game announcer declaring, QUADRA KILL.

You didn’t kill all five of them because someone took the pentakill from you.

You might have cared about that except your ear exploded into clapping as Jungkook excitedly applauded for you, cheering you on, reminding you that a mostly shirtless man was standing right next to you.

Thanks, Namjoon, you thought sarcastically.

“Wow, you played that so well, dodging the Viktor ult and stunning three people like that–”

You felt your cheeks heat at the compliments, busying yourself with your team killing Baron. You didn’t usually have someone commenting on your games. Your eyes flickered to the small buttons on your desk.

Especially not a mostly shirtless guy.

Mostly shirtless hot guy.

Back to screen, seeing your jungler’s typed instructions, suggesting you all to destroy as many structures as you could and then prepare for the next fight for Ocean Dragon Soul and – oh? Your eyebrows raised as the screen abruptly jerked to the enemy base, the nexus inside exploding into shiny gem-like fragments that became the VICTORY banner.

“They surrendered?” you uttered with surprise, clicking on the CONTINUE button. “Why?”

Your eyes flickered to the kill score.

“Oh, thirty-two to nine… maybe that’s why….”

Your team had the nine deaths and the opponent team had thirty-two so, well, maybe that’s why they surrendered the game.

“Aw, that’s no fun,” Jungkook pouted as you clicked on the damage screen. Second most damage. Okay, you could take that. You were a little distracted.

“So, about your problem–”

You spun around to, ack, realize that, yes, Jungkook’s shirt was still flapped wide open to expose his chest like an unwrapped piece of caramel candy. He seemed to realize it too, making a surprised face and yanking the sides closed, as if you hadn’t gotten a damn eyeful already.

“I can resew the buttons back on, but you should borrow a shirt from Namjoon in the meantime,” you managed to say, clearing your throat. “Because I, ah, can’t really sew it when you’re still wearing the shirt.”

“Oh… Oh, right, yeah.”

Then he started yanking his shirt out of his slacks.

UMMMMMMM.

Usually, you didn’t care about this stuff. Men were men. They had chests. But you had things you liked too. Just like how men like tits and ass, you liked well-built pecs and forearms. Actually, you appreciated a nice ass and thighs too. And cute faces. Fuck, you loved a cute face.

“Uh, Jungkook…”

He looked up, questioningly. Big round brown eyes, his violet bangs framing his chiseled jaw, parted pink lips, the small mole underneath his lower lip looking so, so kissable, quivering slightly.

Fuck, Jungkook had a cute face.

His shirt was very open.

Fuck, his lightly tanned skin.

He was hesitating around a button, his deft fingers flexed, ink black tattoos standing out on his knuckles and the back of his hand. Your legs were slightly spread, thighs flush to your gaming chair. Half a second and Jungkook’s eyes flickered back up to your face, pretending he hadn’t been looking.

You raised your eyebrows.

“Are you really just gonna strip in my room and walk out asking Namjoon for a shirt and hope none of the six guys think anything about it?”

His eyes shifted around your room. Bed with black sheets and black velvet duvet. Television with your gaming consoles. Your collection of character figurines from various games. Your black denim jacket hanging on a hook, covered in monotone patches that you had sewn yourself, mostly occult-themed, skeletons, skulls, cats, ghosts, potions, eyeballs, that kind of thing. Back to your desk.

Your legs.

Really staring at your thighs, hips, and crotch.

Up your torso, your hands, your exposed collarbones.

Your face.

Guarding his expression, testing the waters.

“Maybe,” Jungkook said slowly. His eyes darted away and back, teeth catching his lower lip. “I really am hoping you can fix my shirt.”

You watched his face carefully, the flare of darkness in those brown orbs, a hint of naughtiness, dancing with danger. Jungkook had a mischievous streak. You could tell by the way he interacted with his hyungs, listening but talking back, helping them with things but not without a roll of his eyes or a smart remark added, probably because all his friends were older and he was the youngest. He knew he could get away with it.

In short.

Brat.

“What would you like in return, noona?” Jungkook purred, smile dancing on his lips.

Honorifics were supposed to honor you. Show a sign of respect and all that shit.

All I wanted to do was play video games, you grumbled internally. Not suddenly have a thirst fest for one of Namjoon’s best friends. You narrowed your eyes a little, seeing the smirk on that perfectly shaped mouth. He’s not stopping either.

Outside your room, something fell with a loud crash. Probably Namjoon by the depth of that startled yelp. Everyone else started laughing and a very loud, cheerful melody was blasting from the living room television. Nobody was coming to investigate you and Jungkook.

Yet.

“Turn around and ask for a shirt,” you sighed, waving a hand. “Then take off your shirt in the bathroom and then, only then, do you come back and give me your dress shirt.”

You saw Jungkook frown, not expecting that as your answer.

“Oh. Okay.”

He seemed disappointed, lowering his hands.

The silky fabric of the dress shirt slid off his right shoulder, partly revealing his tattoo sleeve and fully revealing his right collarbone and shoulder.

You sucked in a breath, eyes flickering to it. Then his face. Then back to his body. Fuck. Fuckity fuck. Fuckity fuck fuck fuck. Jungkook jumped, startled by the fallen fabric and reached over to grab the fallen collar. Your hand moved faster than you had time to think. You had good reaction time. It was the gaming obsession.

You slapped his hand down.

Jungkook squeaked, head snapping up, purple hair floating around him, gold chain on his neck glittering as he swallowed hard, Adam’s apple bobbing. Strangely, his chain resembled your sterling silver choker that you were wearing right now, except you also wore another necklace with a circular white gold pendant with your zodiac sign.

Not that anyone was ever close enough to inspect it.

“N-Noona?” he breathed, sounding strangely winded.

Shit.

You hadn’t meant to do that. Your body reacted faster than your head.

Shit.

Fuck, he had a nice body. His pecs. Even had a nice dark nipple – well, he probably had two, but you could only see one at the moment – and it all trimmed down to a slim waist and shapely hips. You could tell because of his tailored black slacks. He had been wearing a blazer earlier in the evening too. It was probably on a chair somewhere in the apartment.

Shit.

What did Jungkook need to look so damn good for?

“Where did you guys go to be dressed like that?”

Yes, you were really just going to interrogate him with his shirt dangling off like that.

Jungkook chewed on his lower lip, the tiny mole underneath bouncing up and down as he spoke. “We went to a fancy hotel rooftop bar to celebrate Yoongi-hyung’s award that he won at the music show for producing that song–”

“Ah, right, Namjoon mentioned that earlier today.” Dress code must have been black tie.

Those dark brown eyes found yours, observing you carefully.

“I would have liked to see you there, noona.”

You stopped staring at the tattoos on his bicep and made eye contact. Fuck. Those eyes. Sparkling with deviousness. Trying to see how far he could push your buttons.

“I wonder what kind of dress would you have worn?” he murmured, musing to himself. “I bet you would have looked hotter than any girl there.” Jungkook smiled, playful and boyish. He wasn’t being sleazy about it. Every word was light and honest. “A tight little black dress? Maybe bright red? Short, because you have incredible legs. It would be a crime not to show them off.” He was only complimenting you. His tone wasn’t trying to be suggestive.

Yet.

You didn’t close your legs. You had nothing to be shy about.

Instead, you leaned back in your gaming chair as if it was a throne, resting your left elbow on the armrest and your chin on two fingers, thighs wide open, and your other hand in between them, fingers curled inward to your inner thigh.

Jungkook’s pink lips curved ever higher, ever more roguish.

“Whatever you would have chosen, you would have looked so, so sexy.”

You ticked your head.

“I know.”

Because you did.

Look here, Jeon Jungkook, I’m here minding my own damn business and you’re here inserting yourself into my life, so if you can’t handle me knowing my self-worth, you can fuck right off.

He reached up and tucked a bit of his purple hair behind his right ear, grinning at you.

“You sure you don’t want anything from me?” he asked, a slight flicker of pink tongue between white teeth. “I can give first and then you can decide whether or not you want to help.”

Honestly, those sultry eyes could stop a heart.

You removed your hand from your chin, tapping the air with those two fingers in a dismissive manner.

“Hm.”

Outside, Kim Taehyung and Jung Hoseok were singing a soulful duet and Park Jimin was hooting at inappropriate moments to ruin the atmosphere as much as possible. That raspy, breathless laugh was Min Yoongi, who was probably doubled over on the floor in his expensive suit. Classic genius music producer of the year behavior right there.

Jungkook tucked his hands in his pockets, shirt sleeve falling down, revealing his blacked-out inner elbow. Mountains with a dark sky. It must have hurt, doing something like that. Still, he did it. For aesthetics?

You heard the smirk rather than seeing it, mostly because you were looking at his body.

“I would look so damn good on you, noona.”

Alright.

You closed your eyes slowly and reopened them to look directly into those dangerous, dangerous eyes.

“Lock the door.”

Not really an order. More of a statement. Jungkook could do it or not, you knew. He couldn’t be coerced to do anything. He did things because he wanted to do them. He was nice because he wanted to be nice. He was childish when he wanted to be childish.

And.

Jungkook was obedient when he wanted to be obedient.

He turned around, went to your bedroom door, and locked it.

Well then.

He came back and stood in front of you. A little closer now.

You cocked an eyebrow. “They’re going to come looking for you.”

Jungkook smiled down at you. “I’m sure they will.”

You frowned, lowering your hand to tap the end of the armrest. “They’re going to think I started this.”

“You kind of did.”

Your eyes narrowed sharply. He grinned, taking a step closer.

“Because it’s not my fault you look so good,” Jungkook breathed, voice deepening, leaning down, your expression unchanging, not pulling back but not encouraging anything either. “Not my fault your body is hotter than a summer. Not my fault your confidence is the biggest turn-on I’ve ever had in my life.”

Your thighs were still as open as his shirt.

Jungkook put his knee in between them.

His dress shirt was basically almost completely off his body now, falling off the left shoulder too and dangling off his forearms, exposed collarbones and shoulders, tan skin taut over muscle. A delicious body line, so fucking close to you that you could feel the heat. You still didn’t do anything. You weren’t going to do anything. You didn’t prompt this. You were simply minding your own business commanding a snake lady to victory, not expecting to get seduced by a mischievous bunny-like smile and a tiny black mole under a cute pout.

“I can’t help myself around you.”

You usually didn’t say more to Namjoon’s friends than a mere hello, not wanting to bother them with your presence. They were all men after all. You expected them to want bro time or whatever. Also, you were too busy being obsessed with men that didn’t exist in real life to pursue men that did exist in real life.

At least League of Legends had 3D models so no one could say you lived only the 2D lifestyle.

That didn’t mean that you didn’t partake when the dinner laid themselves out to be eaten. They often had to, because you wouldn’t pay attention otherwise.

Purple hair drifted into your vision, surrounding you in a curtain of violet and dark brown eyes, warm exhale and trembling pink lips, trapping you in Jungkook’s gaze, but you refused to relent, keeping your gaze even. Steady breaths to disguise your racing heart.

You kept your hands closed to prevent him from seeing your shaking fingers.

“Every time I see you, I want you to touch me,” he whispered, trying to hide the edge of nervousness by lowering his voice, enticing you to lean in to hear him better because someone was wiping a damn window in the living room outside your door or was that Kim Seokjin laughing?

There was no difference.

Jungkook’s forehead touched yours and you stopped thinking about Seokjin.

“I just want you to feel me up, rip my clothes off, and fuck me until I can’t think straight. Use me, abuse me, wreck me, ruin me,” he shuddered, definitely thinking about it, and one blink and you spied the obvious tent in his pants.

“Maybe I’m a lazy girl,” you finally said, touching your nose to his, inhaling his breath, a little bit of alcohol, a little bit of fruitiness, and that hint of cologne, fresh, clean, and intense. Something else too. Musk, maybe his pheromones or something like that. Whatever it was smelled fucking delicious, just like you. What did your perfume smell like? Spiced fire blended with addictive sweetness.

You shrugged casually.

“Maybe I’m a pillow princess.”

Jungkook chuckled.

“I can tell you’re not.”

You had to smirk.

Of course, you weren’t.

You closed your thighs around his knee and squeezed, raising to your tiptoes. He gasped softly, shivering at the simple touch of your soft thighs pressing around his muscular leg. It was disturbingly noisy out there, but here it was silent, pared down to your breathing and Jungkook’s breathing, mixing together, blazingly hot, closer, closer, doing the careful dance, daring each other to make the move that was so obviously going to happen.

“What are you gonna say when they ask you where you’ve been all this time?” you whispered, avoiding letting your lips brush against his.

“The truth.”

His tongue flickered out and barely touched your lips.

You didn’t make a sound.

Jungkook moaned, the sound drifting into your throat, and you could taste his desire.

“I tripped and fell into your lap.”

Your lips curved into a smirk.

He kissed you.

His hands on the armrests of your rolling chair, pushing it back into your desk, pressing his lips to yours, inhaling deeply, wanting to breathe you, wanting to taste you, wanting you, shivering as you finally touched him with your hands, but this was you, and your first touch wasn’t going to be wasted on a conventional innocent touch.

Your fingers closed in on his rock-hard erection and stroked him through his pants.

Jungkook moaned your name right in your mouth, eyes half-lidded, his violet hair encircling your face as he rolled his hips into your palm, whining deep in his chest.

“Fuck, yes, noona, play with me…”

You flitted your tongue between his lips and he chased it, begging you for more, and yet you continued to tease, light flicks between those soft pillows, nipping at them, even pushing up his lower lip so the tip of your tongue could draw a small heart around that mole, kissing it, so gentle, so delicate. His entire body shook, your hand palming his hardness through his pants, nails scraping against his balls, caressing all of it, acting like you owned it. Jungkook was certainly humping your hand like you did.

“You only want me because I didn’t want you,” you taunted, not bothering to hide your smirk and your slight disapproval.

“That’s not true,” he panted, attempting to get you to touch his chest, pushing you back into your chair, and yet you kept the fingers of your free hand on the cusp of what he wanted, heat close but no contact, causing him to whimper every time your fingernails barely nicked his skin. “I want you because you’re pretty, gorgeous, and hot as hell.”

Hm, that sounded familiar.

“I want you because I love watching you play your favorite games,” he chuckled, kissing the side of your lips, nose to nose. “I want you because I love that little smirk you make when you do something good. I want you because I love that aggressiveness that comes out and how you seem to lose your filter. Shit, it’s so fucking hot when you’re focused. Makes me wanna see your face when you’re pinning me down and having your way with me. Makes me want to obey you and disobey you at the same time, because I want you to reward me and punish me, I just can’t decide, fuck, you make life so hard for me.”

He punctuated hard by violently humping your hand, rattling your desk with his force.

Outside you heard Namjoon yelling “CANNONBALL” and throwing himself onto that giant gray furry beanbag you paid far too much for about six months ago. It was now a household party favorite, due to its massive size and fluffiness. At the moment, it sounded like a pile of six guys in semi-formal clothing was beginning and, instead of watching this heap of hot dudes being constructed, you were making out with the seventh guy’s face and grabbing his dick.

You’ll take this trade.

You felt Jungkook’s hands groping around, undoing his pants and the zipper, trying to get you to touch more, more, desperate for you to be all over him.

“P-Please… please, I don’t know when they’re going to notice…” he pleaded. “You’re so close, so close, ah, I can’t think, please…”

“Shh…” you soothed. “The door is locked.”

Your fingertips finally touched his chest, not disappointed in the slightest when you touched those delicious-looking pecs. They felt just as nice under your palm, his pounding heart and wanton moan vibrating up your arm.

“Aren’t you a needy little brat trying to distract me from my games, hm?”

Your fingertips hooked over the waistband of his boxer briefs.

“You’re going to have to face the consequences, Jungkook.”

You said his name like a delicious sweet about to be eaten, growl in your throat as you yanked down his underwear, capturing his lips, robbing him of his cries as you clawed down his chest, grasping his cock and pumping him, long, complete strokes from base to tip, curling your fingers around his balls, juggling them with your fingers teasingly as he squirmed and groaned. Your free arm shot around his back, digging your nails into his spine, not letting him get away. His black dress shirt was falling, falling to your floor, his bluish-purple hair in your face and his strong hands on your shoulders, sliding down, kneading your breasts through your clothes, whining that you were still wearing a bra – of course, you were, six dudes were coming over and they didn’t need to see your magnificent nipples on display, although clearly one of them wanted to see – and he was trying to get to the hem of your shirt, but you smacked his hands away, building the pressure and speed, pre-cum leaking between your fingers and adding slickness to lessen the dry friction.

Fuck, you could smell him and he smelled so fucking good.

“Noona, please…” Jungkook gasped, hands on the armrests of your chair, tipping his head back at the pleasure, pants at his fucking knees, chest, crotch, thighs on display. “This is… embarrassing…”

He meant him being mostly naked and you being dressed.

You shrugged, acting indifferent. “Not for me.”

He whimpered at your words, so noticeably dominant despite not using an aggressive or commanding tone. Either that or he was very invested in you jacking him off. You suspected it was a combination of the two, considering how eagerly his cock twitched when you answered.

“What should I do, Jungkook? Should I let you cum? Or should I play with you and stop, make you put your clothes back on and walk out there, desperate to be finished off?” you mused aloud, running your nails up his back, not that hard, but he leaned back into it so they sank into him, wordlessly begging you to do it harder, so you did, setting your jaw and scratching at his back, forcing him back into position. His cock throbbed in your hand, pulsating wildly.

Hm, he really loved it, huh.

“P-Please… wanna cum, please don’t be mean…” he gasped, thrusting his hips into your punishingly tight grip.

“Hm, why does it matter? You’ll just run to the bathroom and finish yourself off anyway, right?”

“Want you to do it, please,” he begged, his long hair curling around his jaw, dark purple locks framing the sharpness, lashes fluttering as you rubbed your thumb against the underside of the head, smearing pre-cum over the slit. “Your hand feels so good, so fucking good, better than I thought, please, I need you to touch me or I can’t get off, please…”

You removed your hand.

Jungkook cried out in denied despair, pitch hiking, the sinful sound clearly audible despite the debaucherously loud ruckus outside your bedroom door that included not one, but two people howling like werewolves for some unknown reason. At this point, you were mildly curious.

But you had a job to do.

He grabbed the front of your shirt, almost sobbing with need. Somehow his violet hair was a mess and you hadn’t even touched it. It cascaded over one of his eyes, an indigo curtain, the other chocolate orb shaking and pupil dilated, black prominent in the dark brown.

“Please don’t–”

You shoved two fingers from your right hand into that pleading mouth and raised your left.

He choked, gagging a little on your fingers.

You stuck your tongue out and licked your palm, slathering it with a thick layer of slick saliva.

Jungkook’s eyes widened at the dirty action and then rolled back into his head as you wrapped your hand around his aching cock once more, now covered in saliva, swiftly and fervently jacking him off, hard, fast, tight, nearly choking his cock, pushing his chin up and his chest to your hungry mouth, tongue and teeth and lips, all over those dark nipples hardening under your persistent touch, heedless to his rising moans, so very obvious now what was happening in your bedroom.

It didn’t bother you at all. Jungkook walked in here and asked you to wreck and ruin him, so you did exactly what he asked you to do, leaving harsh bite marks and slippery saliva all over his soft skin, your perfume rubbing off onto his body, coating his chest in your scent and his pulsating thick length with your spit, and he was so fucking hard that you were impressed, feeling his mouth suck on your fingers desperately and wetly, your name a messy garble above your head.

“Fuck, yes, umpf, oh fuck, I’m so close, so close, gonna cum, goona cum for you…!”

“Jungkook?”

You had no idea who called his name through your door, because the next second Jungkook was pitching forward and shooting his cum up your thigh and chest, thick white strings painting your leggings and band t-shirt, soaking into the fabric and creating a sticky mess on your skin, your head lifting in response to his movement to avoid knocking into him, your fingers sliding out of his lips, strings of saliva snapping as they left, and suddenly Jungkook’s face was in your face, his lips on yours in a passionate kiss, rutting into your hand to increase the sensitivity, shoulders and hips flinching, whimpering gratitude and ecstasy into your mouth, his hands in your hair, kissing you deeper, more ravenously, ignoring the questioning voices, lost in the pleasure of his orgasm.

You heard Namjoon say outside your door, “I think he made his move.”

You asshole, at least warn me, you thought irritably.

“You’re so good… so good, exactly what I need… I knew you would be… fuck…”

You thrust your tongue into his lips once and backed off, chuckling as he whined for more.

“Go ask for a shirt.”

Jungkook shook his head rapidly, violet hair flying everywhere. Your hand was still wrapped around his semi-hard cock, his cum dripping onto your wrist. His ears were turning red.

“I can’t… They know something is going on…” he mumbled, scooting closer to you, as if your body heat could somehow mask the fact that you just jacked him off with six of his friends standing outside your bedroom door whispering.

“Maybe you wanted them to know.”

You squeezed his ass and he trembled, clutching your shoulders.

“Easy way to tell them that you want to be owned by me, right?”

You could tell by the way his eyes were darting around rapidly that the thought crossed his mind more than once.

“Jungkook.”

You said it loud enough for a keen ear to hear it if they were really eavesdropping. You looked up at Jungkook, his eyes immediately fixating on yours because of your tone.

In control, not to be questioned.

“Get on your knees.”

Dead silence outside your bedroom.

“B… but…”

His cheeks flushed pink.

You took his chin and pulled him down to your face, murmuring to that mole under his lips, pecking it daintily, almost innocently, his wispy moan drifting over your nose. Your words were barely above a whisper, only for him.

“You made a mess. Clean it up.”

You stroked Jungkook’s chin with your thumb, your other hand tucking his long hair behind his ear.

“I’ll let you sleep in my bed tonight, so be a good boy for me right now and I’ll let you be a bad boy in bed.”

His head tilted and Jungkook whispered your name into your mouth, drenched with desire.

You smirked, stroking his jaw fondly.

He got to his knees, in between your open thighs, leaning forward, subservient eyes on your face as his pink tongue extended, licking at his own cum staining your clothes, eyes closing at your hand on the top of his head, not directing the movement, but reminding him who was in charge here, reminding him with nails in his scalp that he was going to be fucked until he couldn’t think straight.

Used, abused, wrecked, ruined.

“I don’t wanna.”

“We both know you do.”

“But I want to fuck you,” Jungkook protested, speaking softly because everyone was sleeping, or at least it seemed that way, not that either you or Jungkook cared, because you were forcing him to his knees on your bed, pushing his torso back, nails digging into his chest, towering over him, his naked body already covered in your bites and scratches, focused on his inner thighs and chest, none on his neck because that’s where he wanted it the most.

And you knew it.

“Noona, please…”

He said please a lot for someone who did not, in fact, want to be pleased, but tortured.

You grabbed him by the chin, cocking an eyebrow.

His hands were behind him, arms shaking as they held him up, shivering delightfully under your petrifying gaze.

“Please what? Hm? Saying please when you come crawling into my room, begging for dirty things with your friends right outside, saying please when you interrupt me and distract me, jeopardizing my chances to win my game?”

You leaned in close, you knowing you were only crafting a scene, him knowing that you didn’t actually care, but Jungkook wanted to hear the words, wanted you to put that malice in your tone to caress his ears, wanted you to cannibalize his sanity and put him in a different headspace, his cock already responding to it, bobbing in the air, purple-red and achingly hard from multiple orgasms, and he still wanted more.

“Saying please so you can say please when you’re under me, helplessly begging me to let you cum?”

You could hear his whines vibrating under your fingertips, pupils blown wide, lower lip trembling, begging you already, such a needy little thing, those lovely brown eyes full of submission, muscles tense with anticipation, every passing second spiraling him into increased frustration, because instead of doing anything, you were only smirking wider and wider, pushing his head back.

“Well? Tell me if you’re a dirty boy or not. Maybe I’ll do what you want.”

His violet hair cascaded to his shoulder blades, his low moan coursing through your fingertips and the heated air of your bedroom.

“Y… Yes, I’m a d-dirty boy…”

“Noona,” you prompted.

Just because you could.

His lips curved into an open smile, two of your fingers hooked over his lower lip, fingertips rubbing his tongue. Your thumb nail pressed into his mole.

“Noona.”

You ripped the condom open with your teeth, which was not advisable unless you were the kind of person that practiced that for hours on end, spending an obscene amount of money on unused condoms to perfect your technique, because nobody wants a broken condom or lube in their teeth. Why would you want to learn such a thing? You were a stickler for details. A perfectionist in perfecting a perfect display of raw dominance.

You spat out the torn corner onto Jungkook’s chest and he whimpered, unashamedly amazed.

Your left hand removed the condom from the package and your right slid out of his mouth and encircled his neck.

You inspected the condom, lazily turning it to the correct position, fingers pressed to the sides of his neck, leaving plenty of space for his trachea between your thumb and forefinger. You didn’t bother looking at his face. Instead, you spread your legs, poised and naked over him and his throbbing cock.

Your right hand started choking him.

Your left hand started rolling the condom down his thick, hard length.

Your name leaked out of his lips in a thin gurgle, his eyes rolling back into his head.

“Say please, Jungkook.”

A sharp, distinct order.

“P… Please…” he gasped out, chest shuddering.

Your hand tightened around his throat and your pussy clenched around his cock as you forced yourself down on him.

“Oh, fuuuuuuuck…”

You didn’t bother asking if he liked it. His vicious fisting of your sheets and trembling body, cries and cock included, told you everything you needed to know. You only watched the color of his cheeks, knowing there were limits to how long you could choke him. Therefore there was no time to be wasted, already starting your favorite pace, rough and hard, filling yourself with that delicious cock built to take your abuse, jaw set, gripping his throat, blood pounding under your fingertips, slapping hips to crotch, heat sparking though your veins, hotter, hotter, your smirk growing more and more smug, tongue tracing your lips as you witnessed Jungkook’s descent into sin, raising his head so he could watch you bounce on his cock with hazed brown orbs, mouth open, tongue lolling out, circulation thinning, purple hair wild around that cute, distressed face.

You let up the pressure on his neck, dark snicker rumbling in your chest.

“This pussy worth it, brat?”

The rush of missing blood into his brain, the suffocating pleasure of your pulsating walls wrapped around his twitching cock, your authoritative growl and merciless words tearing through him – you saw it all taking over Jungkook, forced to respond honestly from pure instinct because there was no time to compile pretty words or a smart comeback.

“Yes, noona, yes, I love it, I love it, this brat fucking loves what you do to him…”

You immediately choked him again and slapped your pussy onto his cock like you were whipping him.

His eyes rolled back and a wild moan tore out of his chest, cut off by your hand.

The bed creaked under you, bearing the weight of your roughness.

“I know you love it,” you snarled, leaning in, fucking him into your bed with vigor, straining his knees, so uncomfortable and so comfortable for him at the same time, pain and pleasure, clearly something he craved and loved from how hard he was. “You said you need me to touch you or you can’t get off.”

You knew that couldn’t be true.

Jungkook probably got off hundreds of times thinking about you, otherwise he wouldn’t be so ecstatic about you violently riding his dick right now.

His teeth sank into his swollen lower lip, staring at you through his lashes, his voice a thin whisper laced with insatiable need.

“I can’t cum without you anymore.”

You removed your hand.

Your hips stopped abruptly, fulling sheathing his cock inside you.

“No!”

His shout was so loud and desperate that you had to conceal your surprise, not expecting the frantic ferocity of his tone, nearly an agonized sob as he grabbed your upper arms in a crushing grip, his indigo locks crashing into his high cheekbones, sticking to his sweaty face and sharp jaw. It took everything in you to stay calm, everything to not give in and let him have what he wanted. Maybe it was stubbornness, maybe it was knowing the role you were playing, maybe it was the sadistic side of you, who the fuck knew, but there was only a beat of hesitation, a second of you staring into those beautiful dark brown eyes, so perfect.

Just perfect.

Perfectly wrecked, willing to do anything in this moment for you to continue.

Before he could utter a peep of a plea, you shook out of his grip and seized his head, crashing his lips onto your neck.

Jungkook bit you.

Instant, searing pain, taking out all his sexual frustration on your neck, sucking at the skin, hot tongue lapping, groaning, moaning, half-crying because you didn’t move. You just sat on his dick and forced his mouth onto your neck, gleefully savoring his despair, closing your eyes and allowing yourself to feel the pleasure, his hands and nails digging into your waist, his teeth latched to the side of your throat, his stiff cock shuddering inside you, your tight heat keeping him hard but not letting him cum, repeatedly squeezing the engorged head brutally, driving him insane.

Insane.

You could feel his lips move, but you muffled his words, pushing his head into your neck.

Please.

Deep inhale, his wonderful scent filling your nose.

Please.

Riding the high that was Jungkook’s desire for you, fingers tangled into violet strands.

Please.

He felt so, so good, spoon-feeding the dom in you with his tiny whimpers and distraught sniffles.

“P… Please…”

You pressed your lips to his hair, murmuring his name sweetly.

“Jungkook.”

No quiver to your tone, only serene calm.

“Noona…”

His hands slid up your back as your hips began to rock, slow, so painfully slow, building the frenzy layer by layer, his hardness swelling inside you, his soft lips pressed to his hickey onto your neck, even more turned on because he knew you let him mark you, he knew in this moment you were his and only his, everything he wanted and more, his hips rising to meet yours, deepening your thrusts, matching your force, burying his face into your skin and your scent, wanting nothing more than your command over his body.

You turned his head, tucking his hair behind one ear, speaking dark whispers into that curve.

“You look the best when on your knees for me, Jungkook.”

He shivered, your name falling sloppily from his lips, drunk from your power and lost in his service.

You let go of his head and grabbed his shoulders instead, putting all of your weight onto him, now letting yourself chase it, chase the orgasm that you had been building for yourself all this time, letting yourself feel Jungkook and feel the full force of the pleasure he gave you, because, yes, of course, you served him first before you, even if it didn’t seem like it.

Because when it came down to it, Jungkook came to you, opening himself petal by petal to show you his vulnerable side, testing the waters, hoping, wishing, praying that maybe, just maybe, you were the kind of person that he was expecting, wanting, needing, and you, knowing how difficult that was because, well, you had made it difficult, only focusing on games and not on those longing eyes that watched you whenever you came into his view.

Eyes that you looked into now.

Half-lidded, glazed over, fucked-out, still honest.

His large hands were still on your waist, holding you to him as you rode him with furious slaps, muscles flexed in his chest and arms, tattoos on his right arm tense and taut from holding this position for so long. He looked so good. Felt so good. Had an amazing cock.

And fuck.

Jungkook had a cute face.

You genuinely smiled.

“I’ll take care of everything,” you drawled, injecting your words with conviction and adoration.

That did it.

His lips parted, low groan emitting from his throat as his head tipped back, purple waterfalling onto his back, thrusting up into you and shooting into the condom with fierce jolts, unable to hold back any longer, his entire length flinching uncontrollably, sweet whimpers at his release, feeling sorry that he didn’t let you cum first, but that didn’t matter, because you rode through it, already there, falling, falling, your sigh like laden smoke as your orgasm slammed into you, welcoming the bolts of cruel pulses flying through you, concentrated onto your core, Jungkook’s moans hiking into pitched ecstasy at the convulsing clenches of his oversensitive, overused cock, arms embracing you tightly, hugging you for dear life, chest to chest, pounding heart against yours.

Your fingers tangled into his hair.

His hand fitted around your head.

Lips to lips and you took care of everything, claiming that mouth as yours, holding him up even though you were the one in his lap, your kiss onto that perfect mole under that pretty pout, cherishing every mumble of your name, lowering him onto your pillows, soft kisses in between. You took care of everything, lifting yourself off him, chuckling as he whined, pawing for you to come back, but you rapped his knuckles and calmed him, removing the condom and cleaning him off gently with a towel, soft kisses in between because he wanted the attention, deliberately not closing his eyes until you crawled back into the bed, tucking the covers around you and him, Jungkook immediately turning and yanking you into his chest, nose against your skin.

“Who’s the pillow princess?” you teased, ruffling his long violet locks.

His lips pressed onto your hickey, his mark on you, and he sighed in content, drifting into sleep.

In the morning, you found a pile of five guys in the living room sleeping in various positions on the giant gray furry beanbag and the sofa. Jungkook was in your bed, passed out. The last guy, Min Yoongi, was in Kim Namjoon’s room, sleeping on his bed, because he was a smart man and took advantage of a perfectly good bed that five drunk hooligans undoubtedly forgot about.

You chuckled and rubbed your neck as you brushed your teeth, seeing yourself and the large purple hickey Jungkook had made last night in the bathroom mirror.

You went back to your room after retrieving the sewing basket from the living room, spending the morning calmly stitching the small buttons back onto his black dress shirt as the seven guys in your apartment continued to snore away.

Then you went back to playing League of Legends.

Ah, Cassiopeia, I had an eventful evening, but I have returned to you.

drabble morning-after hungover breakfast

masterpost

#jungkook x reader #jungkook smut #bts smut #jeongguk x reader #jungkook x you #jungkook fanfic #jeon jungkook x reader #jeon jungkook x you

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vinylspinning · 3 years ago

Photo

Sammy Hagar: Sammy Hagar [a.k.a. ‘The Red Album’] (1977)

Sammy Hagar’s self-titled sophomore LP, alternately known as ‘The Red Album,’ arrived 45 years ago this month, but I frankly don’t see too much cause for celebrating this anniversary, because it’s really not that great.

It was, however, recorded at London’s legendary Abbey Road Studios (*), with a backing band composed of former Montrose associates Bill Church on bass and Alan Fitzgerald (future Night Ranger) on keyboards, plus guitarist David Lewark and drummer Scott Mathews.

Not that these historic surroundings discernibly impacted the final product, which found Hagar firing shots in every musical direction under the guidance of pop-oriented producer John Carter and new manager Ed Leffler, whose top clients at the time were U.K. glam rockers The Sweet.

But the opening anthem “Red” contributed to Sammy’s ‘Red Rocker’ nickname, and guitar-driven cuts like “Cruisin’ & Boozin’” and “Hungry” will sound familiar to fans of Hagar’s trademark hard rock sound, both with Montrose and Van Halen, later on.

What those same fans may NOT find quite as palatable are string-laden covers of Donovan’s “Catch the Wind” (which kinda works) and Patti Smith’s “Free Money” (simply absurd, it categorically dos not), which sound like they were held hostage by rogue orchestras.

Beyond that, one gets the knuckle-headed “Rock ‘n’ Roll Weekend,” the Van Morrison-esque “Fillmore Shuffle,” and, last but not least, a dramatic mini-epic in “Little Star/Eclipse” (I quite like those Who-like descending chords) that still cops an idea or two from Montrose’s “Space Station No. 5.”

Once the album was in the can, Hagar and band returned stateside to open for Kiss at Madison Square Garden -- only to get mercilessly booed off stage and off the tour!

But the newly christened ‘Red Rocker’ (**) kept paying his dues, earning his rise from opener to headliner, and pursuing his preferred hard rock sound on steadily improving LPs like Musical Chairs, Street Machine and Danger Zone ... you know the rest of the story.

* In case you’re wondering, the cover photo was shot some five miles due south of The Beatles’ famous crosswalk, amidst the distinctive, red-bricked Pride & Clark auto shops, with Sammy wearing a red suit borrowed from Foghat bassist Tony Stevens.

** As Sammy philosophized in his autobiography, which was naturally titled Red: “You light red with a red light and it doesn’t have hard edges like most colors. It turns into fuzz. It gets deep. It looks soft. Yet it’s aggressive as hell. It’s blood. And it’s energy. It means so many different things. Red is my color. It means everything for me. I dream in red.”

More Sammy Hagar, Solo: Street Machine, Danger Zone, Standing Hampton, Three Lock Box, VOA; with Van Halen: 5150, OU812, For Unlawful Carnal Knowledge; with Montrose: Montrose, Paper Money; and with Chickenfoot: Chickenfoot.

#Sammy Hagar #Montrose #Van Halen #classic rock #hard rock #vinyl #foghat #Eddie Van Halen #ronnie montrose #Kiss #Journey #Van Morrison #bill graham #filmore west #night ranger

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lovejustforaday · 4 years ago

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Sonic Youth Albums Ranked (Part 1)

There are few indie/alternative bands that I’d argue are as challenging and engaging, or as formative as Sonic Youth.

From their early days as a radical no wave project, to their mid-career as a hard-hitting noise rock band, to their later years as a mellow indie band with prickly guitar tones, Sonic Youth has reinvented the concept of both the guitar and rock music in general again and again. They’ve probably made at least fifty or so never-before-heard noises with their instruments. Combining these sounds with lyrics that regularly explore disillusionment, nihilism, social transgression, pop culture, feminism, abstract thought, underground scenes, and outsider art — it’s safe to say that Sonic Youth have always gone against the grain.

The members of Sonic Youth are obviously all musicians, but they have also been iconoclasts, satirists, and poets throughout their careers, creating music that demolishes both the conventions of rock as well as the social pretensions of the conservative American lifestyle.

Each member of the main lineup contributes something fundamental to the band:

-Guitarist/vocalist/de-facto leader Thurston Moore, the no-fucks-given anti-rock star icon and visionary (albeit he’s kind of a smug twerp these days)

-Bassist/guitarist/vocalist Kim Gordon, the reserved but sharp-witted feminist and multi-disciplinary artist

-Guitarist/sometimes vocalist Lee Ranaldo, the revolutionary master of bizarre guitar tunings

-Drummer Steve Shelley, whose soft and shy demeanor masks a deliverer of precise, high-speed rhythmic anarchy

I could go on and gush about this band forever, but I’ve decided to settle for writing a big nerdy list all about how I feel each Sonic Youth album holds up when ranked. With 15 proper records in total, there is a lot to digest. Likewise, I highly encourage you if you haven’t already to go listen to some of these LPs for yourself and formulate your own opinions about one of the most fascinating bands to have ever existed. This list is really just my two cents.

Note: we will be focusing on the 15 full-length studio albums recorded under the name “Sonic Youth”. This list does not include the s/t debut EP, nor does it include the “Whitey Album” or the SYR series since those are best understood as separate side projects. This list is going to be long enough as it is anyway.

15. Rather Ripped (2006)

Main Genres: Indie Rock, Alternative Rock

A decent sampling of: Noise Rock

From any other band, this is a perfectly decent album with a few nice, gratifying guitar tones here and there. But as a Sonic Youth album, Rather Ripped sounds like the band is on auto-pilot. This is the band’s only album that to my ears sounds like it could’ve been written by any number of other alternative rock bands at the time. It just lacks a certain essential edge that their music usually has.

It really doesn’t help the case for this record that Thurston Moore began having an affair at this point in the career, and it is disgustingly present in the lyrics in hindsight, with the offensively titled “Sleeping Around” and possibly even “Incinerate” both probably taking inspiration from his dirty little secret.

I usually separate art from the artist to a certain degree, but in this case it really does kill part of the experience, because I can’t help but feel that Thurston is having a stupid little giggle to himself by hiding his affair in plain sight and it’s really just kind of pathetic. Kim Gordon is my favourite member of the band, and to me she’s the epitome of an extremely cool person, which only makes the whole thing worse. Seriously, quit bragging old man.

Speaking of “Incinerate”, I can confidently say that I think this is the band’s most overrated song. Certainly not their worst, but I really can’t fathom how so many people consistently put this up there with “Schizophrenia” or “The Diamond Sea” as one of Sonic Youth’s top five songs when it’s honestly just so...by the numbers.

That being said, Rather Ripped is not ‘bad’ per se, it’s mostly just that it really lacks something the band usually has, which makes the project feel a little soulless. Still, the record has its better moments. “Pink Stream” is rather ethereal sounding, which is pretty rare in the band’s discography given their usual penchant for the bombastic and ear-shattering, or the ominous and unsettling. “Turquoise Boy” is also a nice mellow track that probably could’ve fit in quite well as one of many solid tracks on A Thousand Leaves, albeit most of those tracks would still trounce this one.

Rather Ripped is all-around competent; it’s a pretty consistent listen and a decent enough beginner-level Sonic Youth album in terms of accessibility. But there’s just nothing about this album that really grabs me like literally any of their other LPs. There’s almost none of the band’s personality on this record (save perhaps Thurston’s inflated ego). Perhaps it is best to call it their “least interesting” album instead of their “worst”. Honestly, you could just skip this one and you probably wouldn’t miss much.

6/10

highlights: “Pink Stream”, “Turquoise Boy”

14. The Eternal (2009)

Main Genres: Indie Rock, Alternative Rock

A decent sampling of: Noise Rock

The Eternal is the last LP Sonic Youth put out as a band. With context, the record has somewhat of a somber feeling. Even its name ‘The Eternal’ seems to suggest that the band might’ve known that it would be their last record, as if the album could be at least partially a reflection on the band’s legacy that will eventually go on to outlive each member.

The band really does sound a little burnt out at multiple points on this record, particularly in terms of Thurston’s vocals which can be best described as sounding ‘exhausted’. Again, like Rather Ripped, the music is certainly competent and enjoyable, but it’s also noticeably less adventurous than on earlier LPs. The album is also a bit more sluggish than most of the band’s past work, feeling just about as long as Daydream Nation or Washing Machine despite being well over 10 minutes shorter than either of those LPs.

I’ll be perfectly honest: if it weren’t for “Massage The History”, this record probably wouldn’t be all that much better than Rather Ripped. Kim Gordon gets to have the very last words on the record with this grim and cryptic requiem about hers and Thurston’s relationship, indicating that she was at least partially aware at the time that the two of them were growing apart.

This would be the last album Sonic Youth put out before Kim became fully aware of Thurston’s affair with a younger woman, leading to her divorce and the band’s inevitable breakup. The song is honestly kind of painful to listen to for that reason, but it is also tragically and morbidly beautiful. “Massage The History” is chronologically the last track in the entire Sonic Youth discography which stretches across 15 LPs over the course of three decades, and it’s a very worthy swan song for the band, if also a bitter reminder that most things cannot last.

“Malibu Gas Station” is another standout, a nocturnal alternative rock jam that sounds very much like a track from the Sister-Daydream Nation-Goo era, and yet another example of Kim Gordon’s capabilities as a member of the band. Really, Kim basically carries this entire LP on her shoulders in terms of the lyrics and vocals.

Nevertheless, I like this record for what it represents if nothing else, and I would still say that it is a level above Rather Ripped thanks to the album closer, and more on par with the next couple of albums on this list. However, I would never recommend that anyone start their Sonic Youth journey with this LP. You can listen to their discography in just about any order you want to, but I’d highly recommend that you save this one for last. The Eternal is a mostly bittersweet experience that is best appreciated after hearing the rest of the band’s output.

7/10

highlights: “Massage The History”, “Malibu Gas Station”

13. Experimental Jet Set, Trash, And No Star (1994)

Main Genres: Noise Rock, Alternative Rock

A decent sampling of: Experimental Rock, Post-Punk

Experimental Jet Set, Trash, And No Star came right after the modest commercial success of Goo and Dirty, and I think you can hear on this LP that the band is reacting to that success by trying to resharpen some of the edges that were smoothed out by Butch Vig’s production on Dirty. Basically, this sounds rather like Dirty but less put-together, less consistent, and a lot more raw.

I appreciate that they wanted to do their own thing and challenge expectations again, and you can really tell that the band is mostly playing around on this record, but in this case I gotta say that the songwriting seems to suffer a little because of that.

The album starts off promising enough with two major highlights. First, there’s a rare acoustic offering with the lo-fi opener “Winner’s Blues”, the first of many tracks that would appear on later Sonic Youth LPs proving that Thurston’s vocals can actually be quite soothing. Then there’s the winding, topsy-turvy patterns of “Bull In The Heather” where lyrically Kim mocks the infantilization of women in her usual snarky, sing-talking fashion. Later on the record, there’s also “Bone” which has a very sinister, bluesy swagger to it that I really enjoy.

But everything else from here on out is kind of a mixed bag. The main setback really seems to be the track lengths; it’s actually pretty weird for a Sonic Youth album at this point in the band’s career to be full of songs that are mostly only two or three minutes long like they are on Experimental Jet Set, Trash, and No Star. That’s not inherently bad of course, but a lot of these tracks really only sound like ‘parts’ of a Sonic Youth song; some really good ideas, but largely underdeveloped.

Take “Starfield Road” for example, which takes a whole minute to build up this really cool and bizarre turbulent sound storm, and then Thurston starts singing over it for a couple of bars until it all sorta just stops abruptly. This track could work in theory if it was structured differently. “Mildred Pierce” off of Goo does something similar, but with that track there’s pay off at the end with the sudden wicked, destructive breakdown which catches you off guard, but here there’s simply no pay off for the listener.

Combine the lack of complete songwriting with the fact that this is actually one of the longest tracklistings on any Sonic Youth album at 14 tracks, and you get an album that feels like it’s bloated with lots of filler. Mind you, there’s still a lot of great little moments on this LP, but very few of them come together to make great songs. It’s an excellent sampler of just how many different ways Sonic Youth can play with a riff or make weird new static noises, but with regards to songwriting, Experimental Jet Set, Trash, and No Star feels more like a collection of demo tapes than a proper album. Still, there’s some cool energy on this record and I’d say it’s a worthwhile listen for any diehard fan.

7/10

highlights: “Bull In The Heather”, “Bone”, “Winner’s Blues”

12. NYC Ghosts & Flowers (2000)

Main Genres: Experimental Rock, Noise Rock, Art Rock

A decent sampling of: Post-Rock, Art Punk, Beat Poetry, No Wave

This is a good example of why we can’t have nice things. Somewhere between A Thousand Leaves and this record, Sonic Youth had most of their gear stolen by some jackass, which effectively meant pressing a hard reset button on the band’s sound for at least one album.

Likewise, a lot of people say that this is their worst record, and yeah I get why those people feel that way, but I actually like NYC Ghosts & Flowers for the fact that it forced the band to undergo yet another major sonic transformation. It‘s certainly more consistently interesting than Rather Ripped or The Eternal, just a very strange album in general, and for that it gets some extra points. I should also mention that this is the first of a couple of albums where the band collaborated with the acclaimed avant-garde artist Jim O’Rourke.

With lyrics influenced by the legendary mid-20th century ‘beat poetry’ scene born out of the band’s own New York City, this is the most 'abstract' Sonic Youth ever sounded. You can hear hints of the band’s no wave origins on this record, but with all of the crude chaos of those early LPs replaced with cerebral tension.

It’s also more sparse than any of their other studio albums, even more so than the dark and intangible Bad Moon Rising. Unfortunately, in this case that also leads to some tracks like “Nevermind (What Was It Anyway)” feeling somewhat empty, or perhaps sometimes too monotonous or repetitive without enough sonically gratifying moments.

But there are exceptions, and the middle portion of this album is where the new formula mostly thrives. “Small Flowers Crack Concrete” is vivid post-rock art poetry, not unlike a more noisy, sporadic version of some of the songs off of Slint’s beloved post-rock classic Spiderland. “Side2Side” is very aurally pleasing, with plinkety guitar staccatos and Kim’s voice hopping from one ear to the other like some kind of noise rock ASMR.

“StreamXSonik Subway” is a freaky little track that sounds calmly menacing, and I really like the high-pitch computer-y bloops. But then right after that there’s the seven and a half minute title track “NYC Ghosts & Flowers” which could probably give me a headache if I didn’t distract myself with something else while I was listening to it; truly maybe the worst track of the band’s entire discography if I was asked to pick one.

Overall, I’d say that NYC Ghosts & Flowers is a very artistic and fascinating experience in the moment, but I don’t really end up remembering much of it an hour or two after listening to the record. It just doesn’t really stay with me like some of their other records, and I don’t often feel the need to revisit this LP. I think Sonic Youth does the whole ‘sparseness' thing better when they’re aiming to sound vast, haunting, or nihilistic, as opposed to this kind of small, cerebral, sit-down-in-an-empty-room-and-listen experience which I personally find a bit more suited to other bands.

That being said, I applaud them for taking a lot of risks on this one, and I genuinely like NYC Ghosts & Flowers for the moments where it really does seem to be on the cusp of something groundbreaking. It's also a pretty polarizing record for most listeners, so maybe you’ll love it.

7/10

highlights: “Small Flowers Crack Concrete”, “Side2Side“, “StreamXSonik Subway”

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sinceileftyoublog · 4 years ago

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Small Isles Interview: Filmless Music

Photo by Dustin Aksland

BY JORDAN MAINZER

It’s rare that you find a record with a genesis as specific as The Valley, The Mountains, The Sea, the debut album from Small Isles. The new project of guitarist Jim Fairchild (Grandaddy, former Modest Mouse) and songwriter/composer Jacob Snider has its basis in film scoring. The catch? The films don’t exist. The Valley, The Mountains, The Sea is presented as an imaginary score to an imagined sequel to Ang Lee’s 1997 familial drama The Ice Storm, itself based on Rick Moody’s 1994 novel. And the band’s upcoming, unfinished EP, with strings arranged by Snider and recorded by collaborator Sienna Peck, is, according to the band, a distillation of the concept of the band, one that consciously combines film scoring motifs with traditional songwriting. In a way, you could say that Small Isles is music about film scoring as much as scores itself.

Fairchild and Snider hold the belief that film scores should hold their own as a piece of music independent of visuals, and on The Valley, The Mountains, The Sea, they announce themselves convincingly. Opening track “The Concept”--essentially the prototype for the band--combines vaguely harmonic deep bass sounds with pristine, echoing string plucks, and wordless vocals, building up like an Explosions in the Sky tune. Other tracks, too, juxtapose the ambient with recognizable structures. “Fort Wayne” shimmers atop a drum machine, while the vocal samples of “Maybe We Will” cut in and out among the beats and arpeggios. Each track also has a pristine sense of place, as much of the album was written while Fairchild was on tour with Modest Mouse, tracks like “Fort Wayne” and the washy, atonal “Lake Superior” started in those locations.

I spoke with Fairchild (calling from his home in Ojai, California” and Snider (calling from near Philadelphia) last week, a few days prior to the release of the album via AKP Recordings. (The album comes out on vinyl next month). Read our conversation below, edited for length and clarity, about the band’s artistic process, The Ice Storm, adapting the songs live, and what Small Isles has in common with Olivia Rodrigo’s Sour.

Since I Left You: You’ve called this record an imaginary score to an imaginary film. Did you think of the sequencing of the record in a narrative arc?

Jim Fairchild: Kind of, but honestly, there’s a sequence that originally existed, and I don’t remember what it was, and it would have been more aligned with what I pictured from the movie, but it didn’t work as well as a comprehensive piece of music. The last song on here, “The Plot to Take Clover”, that was earlier before. “Life at One”, the first single, really kicked off me and Jacob’s partnership. It was designed that way; it’s not the way the record plays out. I wrote all of the principle themes, the underpinnings of all the compositions, as an imagined score to some sort of a sequel to The Ice Storm. I don’t know exactly how it would play out with Rick Moody. The first one was really successful. I have this idea for a similar type of movie that takes place in contemporary California and all these cues I can use as a mood board. Like, let’s sit down and figure out what this palate is. Let’s write a movie around it. That’s what I was thinking.

SILY: You wrote a lot of this while on tour. Had you conceived of the idea before then and wrote while on tour because of your downtime, or was the downtime the launching point for the idea?

JF: I was totally inspired by the idea. I started some of the themes that popped up, but once the actual Ice Storm Ang Lee idea came to mind, it was really generative. It’s how a lot of this stuff works with me. It kind of floats around for a while, reaching out this way or that. Once the real kernel appears, it’s like, “That’s it!” It all happens pretty quickly. That was definitely the case with this. It was the real fine-tuning that’s the most time consuming. That’s what Jacob and I have experienced. The EP that we’re releasing later this year, basically how it’s worked so far is I send him a sequence of chords and basic rhythm, which happens pretty quickly. Then--and we’ve only done it on Zoom with the new EP, though it was the same with “Life at One”--there was this theme. Jacob came in, we were gonna write some other stuff. He came in with a mic and sang some stacked harmonies. Then it’s carving out all the other elements around that to make it.

These are unconventional compositions. They’re meant to accompany visual ideas. With that in mind, cues and scoring music doesn’t always work in recorded music, traditionally speaking. There’s all these lengths, sometimes time signatures shift, a melody might exist in an unconventional way to fit what’s happening visually. I really wanted to embrace that. With “Life at One”, Jacob did all this stuff, and there’s this really interesting sound I don’t know how to describe. He asked, “What are those over there?” [My partner Natasha Wheat] had made these ceramic bells for me, and that’s the most fun part about working with Jacob. A lot of the people who are trained as Jacob is--and I say this with great admiration for his abilities--are stuck in certain modalities. This is a perfect example. He looked at the bells and said, “Let’s do that.” He grabbed a drumstick and played the edge of these bells and processed them. That was a big feature in the composition of “Life at One”. This all happens very thematically and reflexively, but to then carve it up and get it to have purpose, meaning, ebb, and flow and make it work visually--that’s where the dirty shit happens. [laughs] I also look forward to when Jacob and I can be in person more. We’ve made a lot happen over the past 7 months, but it’s hard when you’re not in the same room. Plus, I’d like to show off. If he’s sitting right next to me, play some fast guitar...[laughs]

SILY: The title of the record refers to various aspects of topography, and there are song titles that refer to specific places, like “Fort Wayne” and “Lake Superior”. Do these aspects exist within the narrative of the film?

JF: “Lake Superior” and “Fort Wayne” were just started in those places, literally. I picture the Ang Lee movie--the new Ang Lee movie that is inevitably gonna take form because he’s gonna hear me and Jacob’s music and think, “You’re right, we gotta do this,”--in this zone a little bit east of Berkeley. It’s the West Coast equivalent of the Connecticut zone where The Ice Storm exists. It’s this affluent, green place. But the reason I chose to keep the others as titles is like, Fort Wayne, that’s pretty grand and has Batman implications. And Lake Superior, what a fucking great name for a lake, you know? I like the power of those, and if I were sitting down and writing a movie, those titles could be at least generative of a conversation.

SILY: What about the other song titles? What inspired them?

JF: “The Concept” is literally the concept for our band. The concept has expanded since then, but out of the ordinary--no sounds are out of the ordinary in modern production--but in the film scoring landscape, out of the ordinary, ambient, or textural sounds. But then big, beautiful melodies. Jacob’s voice. All that stuff. Synthesizing our two strengths. Jacob’s also a songwriter and makes amazing songs, but my background’s in bands, and so I treat our relationship as if it’s a band. Taking our two strengths. Jacob’s more conventionally trained, schooled, and knowledgeable than I am. He has a richer depth of knowledge in theory and orchestration. I can arrange that way, but he knows what’s going on. Mine is more reflexive--I don’t want to say auto-didactic because that’s kind of an arrogant term--but learning through mistakes. I think Jacob’s made fewer mistakes than I have.

SILY: What were all the instruments used on the record?

JF: There’s a lot of found stuff. 12-string guitar. I was writing it using this Rosewood Fender Stratocaster that Fender made for me. The 12-string is prominent on “Life At One”. There’s a piano Jacob played. There’s a lot of me coming up with drum beats. A lot of the initial stuff was in the box. I’d roll in my portable studio backstage, I’d have a guitar, Universal Audio space, whatever drums and synths I had.

SILY: What is your background in film scoring?

JF: I don’t have a specific background. From a very early age, I’ve been into film scores. I’d buy them starting when I was 15 or 16. CDs. Pretty obvious releases, but things like Danny Elfman’s Batman score, The Good, The Bad and The Ugly. Sort of getting into Jerry Goldsmith. Elfman, Morricone. I like some of the Bernard Hermann stuff. I started studying it from the way I study everything: figuring out chord sequences, the way the melodies work, to the degree I was able. In the early 2010s, I was making a lot of music that was getting licensed for TV. Once Modest Mouse really started touring [2015 album] Strangers to Ourselves, I let a lot of those pursuits wither a little bit. But I’d always longed for a collaboration. A lot of that stuff was done in a solitary way, so I felt very fortunate when Jacob and I met. He was into that idiom but has a range of skills I don’t have. We also really work well together. All the reflexive stuff that happens, the melodies, it’s easy for us to go back and forth and see what we’re into and where to keep going. Neither of us get upset when the other person isn’t feeling whatever the direction is.

As I get older, I realize the value of stimulating multiple senses. I look forward to Jacob and I doing more of this stuff in collaboration with people. The Riley Thompson video for “Life At One” was him responding to a finished track, but in an ideal world, filmmakers would come to us and, in the way Trent Reznor and Atticus Ross work with David Fincher, where he says, “This is the concept for the new film,” and Jacob and I come back and say, “This is the sonic and melodic landscape we’re thinking of, and here are some character cues. Let’s take it from there.” I love being in conversation with people collaboratively and am attracted to the idea of it across media.

SILY: Do you think the idea that the music might not be responding to a finished film would make the score stand on its own more as a piece of music?

JF: The scores that I like totally stand on their own as music. When Morricone passed away, I read that John Zorn had a quote when they were hanging out in the late 80′s or early 90′s, Zorn said, “Don’t do it unless you’re thinking about what the soundtrack record is gonna be like.” The music needs to be cool enough to just be music.

SILY: Tell me about the album art.

JF: Natasha and I sold our place in Los Angeles last year and moved to Ojai. We thought it was a temporary transition, and now it’s somewhat permanent, because we bought a place here. We’ve been in this guesthouse next door since November. I like taking pictures at night with whatever ambient light [there is], so I took that picture from our place. I wanted there to be contrast with this technicolor paint and silver border on the upper and lower parts of the image. Homes are very interesting to me, and there’s a lot of that in The Ice Storm. There’s that shelf people look at from the outside and think, “It could be dilapidated, it could be beautiful.” People think of it as a thing. But there’s this whole other world that only exists inside of there. It’s always fascinating to me when walking by the place. Stories in the shell. I like the idea of a structure having implications. I don’t have an agenda for what those implications might be, but I like the idea that there could be implications there.

SILY: Jacob, when Jim came to you with this idea, how aware were you of The Ice Storm?

Jacob Snider: I had seen it. I don’t know if in our first meeting, it came up that specifically and clearly that this is where the music was going. In fact, it started more as a casual meeting of creative types. When I came over to Jim’s studio, he just showed me the latest thing he was working on without any huge idea behind it expressed to me in that moment. Jim might have been thinking it in that moment, but that day was more, “Alright, I’m working on something, what do you hear and is there something you think you could contribute to it?” It was really organic. Like Jim mentioned before, the best thing you can do when making something is show it to somebody else, because they’re gonna hear it in a different way or they might suggest something if you’re open to it. People can make amazing solitary music, but it will always be just their thing. You bring in someone else, there’s a different energy, a different perspective.

As it stands, I do love that film. It’s really haunting. Jim and I talked before that it’s not a movie you can watch every week. It’s heavy, and the themes are deep: family, loss, grief, betrayal. It’s a great one. I think it’s a movie that’s cinematic but also has a lot of depth. I think that’s what we’re going for with Small Isles. It has shades of film music but also shades of rock and roll and romantic string writing from the orchestral traditions. I think we’re trying to combine a few things at once, and we’re really curious how it starts to strike people and how some filmmakers respond to it.

SILY: Are you both generally Ang Lee fans?

JF: I haven’t devoured all of his work. There’s plenty I like. But I’m so in love with [The Ice Storm]. I was in love with the book before the movie came out. He treated it so beautifully. As high in the sky as it is for two nascent film composers to say, “I want to work with Ang Lee,” it’s very important to know where you want to go. It may take a long time to get there, but [it’s important] to have a place where you’re headed. That was definitely the case in the early Grandaddy days, and having watched [Modest Mouse lead singer] Isaac [Brock] for as long as I did, I think it was the case there, too. It may not be as specific knowing that I’m traveling in this direction, but that direction can totally change. There can be diversions that knock you off your course positively or negatively, but thinking about how beautifully he treated that material, that’s where I want to go.

SILY: How are you adapting Small Isles to a live performance?

JF: We’re gonna play at least some of this, maybe all of this live. I’m really looking forward to it. Jacob’s only on half this record, and the 5-song EP we’re releasing later this year, he’s on all of. That’s a straight-up 50/50 collaboration. I’m looking forward to the stuff Jacob didn’t contribute to on the record, hearing what he does with strings. We’re still figuring out how we’re gonna approach it. Jacob will be on keys and vocals, and I might sing a little bit. I’ll be on guitar. Our friend Sienna who Jacob went to school with, who’s doing the strings, we’re talking about having her lead a double string quartet. I would like to have a drummer doing some electronic drums and maybe a kit as well. I definitely don’t imagine we’ll totally nail it on night 1. There’s a lot of stuff we have to work out. There aren’t many antecedents in this zone, but something like Explosions in the Sky mixed with Johann Johannsson. I saw [the latter] in 2010 in San Francisco; there was a little bit of strings, various electronics, and he was on piano. That was a very striking performance. So the explosiveness of a big arena rock show with lots of subtleties and nuance that can come from strings and orchestral.

SILY: What else is next for Small Isles?

JF: We wanna finish this EP. I also really love the way a lot of rap and hip-hop people have gotten it right over the years. Using current listening habits and technology to get out as much music as possible. I definitely have the seeds for at least another EP behind this. Once we get this EP done--there’s just a little bit of tinkering to be done over the next month before going into the mixing stage--I want to make as much music as possible and release it. With the spirits of the world willing, I want to get off the ground live and collaborate with filmmakers, dancers, artists, people in the visual medium. I just love making music with Jacob and this type of music. I’d like to have a few releases a year. EP length [or] album length. I have a number of concepts written down. The seeds that Jacob and I have been playing with to make the EP. I was thinking about The Last Black Man in San Francisco when making this EP, and I’d love to collaborate with those filmmakers. Even just being in person, to tell Jacob, “What do you think of this sequence?” and have him respond without dealing with latency issues and dodgy DSL.

SILY: Anything you’ve been listening to, watching, or reading lately that’s caught your attention?

Jacob Snider: I’ve been listening to a lot of pop. I’ve been listening to the Olivia Rodrigo record [Sour]. I think there’s great writing on there, great production. Watching, I’ll just piggyback on The Last Black Man in San Francisco. It took me a while to finally see it, but I had a filmmaker friend tell me I had to, and I loved it. Also the other film Emile Mosseri did the score for, Kajillionaire, the Miranda July film. Reading-wise, I’m about to jump back into Louise Erdrich’s The Round House.

JF: I’ve been digging the Olivia record, too.

JS: There’s some cool strings on there too from the guy who does a lot of the strings for Portugal. The Man, [Paul Cartwright]. They created a string orchestra sound with just one guy layering violin and viola, which is really cool, and that’s what we’re doing with our collaborator Sienna Peck. There’s totally room for that now, the way the world has been so remote. We can’t put 16 players in a room right now due to public health restrictions, so let’s get one person. It’s really hard to do--you can be a great violinist and not be able to layer yourself in a way that makes it sound like a string orchestra. You have to change your position in the room, the way you’re playing slightly, pretend to be three different people sharing a stand. That’s what you’ll hear on the next record.

JF: I just got into How to Change Your Mind, the Michael Pollan book about psychedelics, which I really loved. I just started a book called The Magic Years, which is about child development. I have a three-and-a-half-year-old son, and I’m very fascinated by what’s going on in his brain and what makes him make the decisions he makes. Just how to be a better dad. I am always a religious reader of The New Yorker, every week it comes out. Natasha and I watched The Kids, a documentary [about the making of Larry Clark’s Kids]. When that movie came out, Grandaddy were skateboarders, so it was important to us. But even as a young kid, I felt that it was really exploitative, and the documentary verifies it. It’s heartbreaking. Larry Clark is a really derelict dude. Truly lecherous. But [The Kids] is a beautiful movie. We’ve been watching Los Espookys. I’m really excited about Vince Staples’ upcoming record. My friend Nik Freitas put out a new song. My musical diet’s gotten really regressive in a way because my son is very into the Super Furry Animals record Radiator. It’s all he wants to listen to in the car.

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