#autotune exists

[ham1lton]

jenson has such a face for hollywood, that man could have been a MOVIESTAR

this is the face of a man who was born to be on a shitty 2000s comedy-drama tv show that lasts like twelve seasons.

[evanatsuhi]

on that note i do think its funny that the ai art debate has spawned people such as the guy who thinks vocaloid is evil and despicable ai but utau is perfectly fine and good. no one knows what theyre talking about on this site

[anoverflowingsea]

I don't know your name..

[vilevampire]

worst thing about getting into q$mp is that sometimes you'll just b sitting there chilling and then suddenly your brain just VIVO TURBO É DEMAIS, FICA DE OLHO RAPAAAAZ RECARREGO 30 REAIS E LEVO UM GIGA A MAIS, HA! PRA JOGAR A TODA HORA E MAIS NAADAAA OU PRA ARRUMAR UMA NAMORADA IVETE EU TENHO FÃS DE MONTÃO HA TU QUE PENSA BEBEZÃO

[hishighnesstheprincess]

"shadow would like taylor swift" i dont think shadow would know taylor swift existed. i dont think he knows any modern musicians. i think the most mainstream musician shadow listens to is creedence clearwater revival. i think shadow gets a headache the second he hears autotune or a vocoder. i think shadow gets the aux and decides to play nothing

[luvtonique]

Gorillaz: *makes Clint Eastwood's music by hitting Demo on a keyboard and just using that beat*

Gorillaz: *makes millions*

Me: *uses AI to make the backing track to a song, edits it in Audacity, writes lyrics, has a friend sing the lyrics, uploads it to Soundcloud, requests for it to be monetized*

Me: *gets declined by Soundcloud because I used AI to make the music*

I'm just tired, y'all.

The only people "taking jobs from artists" are the anti-AI people, not AI itself. I literally can't make a living off of music I'm putting shitloads of effort into creating because I used AI to make the background music, while meanwhile people like Eminem are using samples, Kanye and Drake are using a single repeating beat for an entire song, modern artists are selling a banana duct taped to a wall for several million dollars, hundreds of singers who have no talent are making millions using Autotune and stolen background music sampled from other songs.

I'm sick of it.

Musical AI isn't even stealing from existing songs like generative art AI does with art, it just basically uses Fruityloops and puts instrument packs and vocal packs on like it's fuckin Vocaloid.

Nah fuck it. Fuck all y'all defending anti-AI.

I'm pro generative AI. All the way.

You have literally made me into this by being so anti-AI that you're denying a disabled person the ability to make a living as a lyricist.

Fuck you.

Literally any comments arguing "Yeah but" and trying to argue with me will be met with "Shut the fuck up."

[slugtranslation-hypmic]

Hihi slug, I love your work, and thanks for everything!! Since Matenro season is nearly upon us, I was wondering if we could get your opinion on the solo snippets🤞🤞

Matenro's new solo previews are SO GOOD, what do you think of them?

Thank you both for notifying me about them! Taking a look now...

(The album is probably already out now, but... better late than never...)

Jakurai's A Majestic Figure

Title note: 4-kanji compounds are like the SAT vocab words of Japanese; they're not super common in everyday speech and can evoke a literary or sophisticated feeling. This one is...interesting. To the best of my knowledge, it isn't a standard compound (I'm also not getting any hits when I Google it) and I wonder if that's significant. It's just two words strung together to make the appearance of fanciness, perhaps. I couldn't say for certain. At any rate, both 威風 and (especially) 颯爽 describe a majestic, often captivating appearance. This isn't to say that such qualities of dignity or majesty aren't real, but I definitely feel like both terms are defining a subject from an outside perspective. These aren't terms I would ever expect someone to describe themselves with, which makes the song title sound like it's an outside observer commenting on Jakurai instead of Jakurai talking about himself. We see this happen a lot in Hypmic, with people putting Jakurai on pedestals or Jakurai struggling to see himself as the same grand figure others perceive him as. As a result, I wrote the song title as "A Majestic Figure" to emphasize the appearance of majesty, whereas the character of the figure is unknown. Anyway, let's dive in and see what this is all about.

(10 seconds in) Vibing with these instrumentals

(19 seconds in) Not vibing with these "ah"s... but we can't have everything in life

(43 seconds in) I'm a little too tired to fully keep up (I'll look up the lyrics when I'm done) but I REALLY like the urgency in the delivery, which is so at odds with the flowing, dignified background music. In JPN fiction as a whole, flusteredness/desperation is contrasted with calmness as a synonym for imperfection and perfection. Jakurai is, honestly, really kind of a desperate character...yet one that appears outwardly calm/perfect to most of the rest of the cast, so it's interesting that we get to see his desperate nature on full display right at the start of the song.

(1:26 in) Hand motif mentioned *Cinemasins ding* (of

(End) Thank you uta-net for having the lyrics up already; ily. Let's see now... Interesting. I'll have to read them again in more depth later, but it looks like a call to forgive past wounds and seek out a better, less painful way of existence--in a societal sense, a religious (as in like, ascending or becoming enlightened) sense, and a personal sense. All great things to see Jakurai expressing. Again, it's interesting to see Jakurai expressing this with such urgency, even if these are things we know he really, really cares about. That coupled with the background music seems to match a bit in the lyrics that says "And [to end war within society, paraphrased] I take grand, dignified action mixed with the discord and noise of Shinjuku, a samsara spiral of cacophonous echoes." Mixing the stately and the chaotic, the "imperfect" and the "perfect." Really interesting stuff!

Hifumi's The Beginning of the Last Song

Title note: "Last Song" is English and written in katakana, which is a sharp contrast to the style of Jakurai's title. Creates a much younger and casual feel appropriate for Hifumi. Not much else to say here, so let's jump in.

(10 seconds in) Modern indie pop song on the radio feel. I'm not a fan of autotune in general so I'm not in love with this, but I'm hopeful it'll pick up soon.

(22 seconds in) I listen to so much "soft hiphop" (for lack of a better term) during work that my brain instantly catapulted itself into work mode and stopped paying any attention to the words. Coffee mug? Check. Emails? Check. Anxiety? Check. Let me rewind and listen to this properly.

(32 seconds in but for real this time) So far, very Hifumi. Opening verse has some fun figurative language but essentially says Hifumi's suit is pure courage he dons like a suit of armor. In doing so, it masks him and makes him become like a whole other person. From there, he switches to addressing a listener: "I want to soothe your mental wounds. I want to change your frown into a smile. I won't let go of your hands, and no, I'm not doing this for a reward." It's something that Hifumi should be saying to himself (something Hifumi wants to hear, maybe?) and yet he says "To [Host!]me, this is happiness."

(59 seconds in) Hmm... I was going to say this song feels sad to me, because all these positive messages of "Keep going! You're safe now!" are framed as being directed at other people, and I was like..."Hifumi, who's going to say that to you? Who's going to help you feel that way?" but then the line "You made me realize I'm not alone" radically flips the framing so that it DOES become things Hifumi is saying to himself, too. How nice. :) I would not want to translate this, personally... Haha it's using the vagueness of Japanese grammar and lyrical conventions to great effect, but I don't feel comfortable touching that personally.

(1:02) Hell yeah, belt that shit, homie

(1:32) So it's a last song in the sense that it's a farewell or the final song of his old self. Now he's the new, healing Hifumi. We love to see it 10/10 bravo. The song is also a happy, heartfelt thank you to the unspoken listeners (presumably Matenrou) who helped him feel less alone. That's cute! I like it. I probably shouldn't go here, but I find it intriguing how the vagueness of listeners is utilized. The first time the listeners are addressed, the language is...if not borderline romantic, pathos-filled to the point where it's definitely evocative of his host job (hence why he's not seeking compensation for handholding, an often romantic gesture). Yet it's borderline enough that it wouldn't be inappropriate to imagine it being addressed to Matenrou instead of his patrons. Hahaha. Again, another reason I don't want to go near this one.

(Overall) I like it! A nice ballad for Hifumi.

Doppo's Andante

(5 seconds in) For a song called Andante, this has a faster tempo than at least one other song on this album lol. But it's much less frenetic than Doppo's other solos, so there's that, I guess.

(7 seconds in) This delivery is giving me anime ending made by a 2010s rock band vibes lol.

(14 seconds in) Damn there's a baller line here that I'm stumped on how to convey in Eng in a way that's both baller and sensical. Meaning wise, it's like "I want to take back the things I shouldn't have said and give them as a present to you" and in figurative language it's like "Once, I used to fire words into the air [speak things in anger or carelessly]. Now, I want to gather them up [esp. like a bouquet of flowers] after their flight and use them to decorate you [again, like flowers or like a piece of jewelry--it's a positive connotation]" Pop off, Doppo

(40 seconds in) Oh this is killer and also going to need some major explaining. Doppo's name is literally "he who walks alone" which is usually considered a positive thing--someone who "walks the path of life" alone would have gotten there by outstripping the rest of the pack. In Doppo's case, though, this is a negative thing. I think it's not as obvious to Eng-only fans, and I know I didn't really think about it for a long time myself, but Doppo considers himself a "loser" bc he didn't follow a conventional life path. It's considered atypical to switch employers, especially very early on in one's career, as he did when he stood up for Hifumi and got himself fired at his first job. Part of why he puts up with shitty treatment at EL Medical is because it's one of the few places that would hire someone who switched employers at such a young age. (Sidebar: My (probably flawed, as I don't live in Japan) impression is that this is becoming less and less of a thing as time goes on and the economy goes to shit, but I think it's the self-stigma more than anything else that's affecting Doppo. To me, it feel similar to the societal pressures in the US to attend and graduate from a four-year college. Plenty of people don't for all sorts of reasons, but because that's so ingrained as the default life story for Americans in a lot of communities, Doppo's dealing with the kind of disappointment and self-hatred someone who dropped out before getting a four year degree might feel.) Doppo beats himself up about that a lot, but here we get that lovely line of "In the waves of people (hitonami) passing all around me, I no longer see anyone who looks like me. It's a shame, because I always wanted to be just like everyone else (hitonami)." Outside of that beautiful wordplay on hitonami, we're also treated to the figurative language of hitonami being literally "in line with others." Doppo, a character who walks through life alone, wanted to walk through life at the same pace/reaching the same milestones at the same time as everyone else.

(1:04 in) "Life is a tightrope act; it's like walking a balance beam [lit. "average beam" aka a beam where everything is averaged/balanced]. In a country where not everything can be average (narasarenai) and where even if the things that [I] can accomplish (narasareru) don't matter [in the eyes of society], sometimes the sounds I want to make don't come out right (narasarenai). When that happens, I can call myself pitiful--or I can feel the breathing of the beautiful flowerbed that is this city, and when someone's humming under their breath disturbs that short break [lit. breath], I ask them 'So, what is this happiness thing anyway?'" I would rather die than TL this song but I'm LOVING the creativity and depth of the lyrics.

(1:27) WILD! FUCKING! CHEERING!!! "You fake smiles in a mirror to make other people happy and call it love. It's a form of hypnosis, and I've made a go of falling under its spell because I just want to be equals [on par with, balanced], and so if you and I can walk these crowded streets together, then I think I don't mind as much that I'm always walking alone." THE GROWTH! THE GROWTH!!!!

Damn, this album's lyrics go hard. What a feast.

[dontletmeeatpears31]

Doctor who but make it french 🥖

(honestly this is how I hear the VF...)

Doubling is fun !

The subtitles for the non french talking persons : So, there is a dude you see, he has a time machine. And he’s like « easy peasy » la la la, but… He’s in deep shit. There is another thing in his life : he has a passion for the incredible songs of the only one french rapper : Jul. And one day he thinks : « Wesh, what’s the point of having a time machine if I can’t see my favourite singer ? »

So he travels to France, Marseille, 2020, but doesn’t find Jul, Nobody has ever heard about him. Even his family don’t understand a thing about what he’s talking about.

Jul well… Doesn’t exist anymore. He never had. I’ve met Jul, good rap, very intense. I love his handsign. So, it’s called « bootstrap paradox » fool. So, the guy is freaking out, obviously. He can’t stand a word without jul’s song. Luckely, He brought all of Jul’s cd so he could sign them. He copies all notes and autotune and published them. He becomes Jul. And history keeps going without any balls in the pâté. My question is : « Who puts those notes and autotunes together ? Who really composed En bande organisée ? »(a french song from jul)

[whiskeyswifty]

the autotune distortion part of dear reader is soooo effective in how it takes someone who has been idolized and constructed through song and performance and public persona, with some of the cogs and bolts her own doing, and reveals how that person we think we know is as real as the pixelated images we see of her, which is to say not real at all. it reveals this god like figure to be an invention of our own design, barely human anymore. and the fact that it distorts over the line "never take advice from someone who's falling apart" hits home that she's not the shiny, perfect godlike woman we see. the hologram ripples, the machine glitches, when the fallibility of her humanity shows through, breaking the visage of perfection we're accustomed to. it's not real, not humanly possible to be this person the curated and carefully constructed way we see her, never was, and isn't possible to achieve. the reality of who she is, outside the songs and the narrative, is way messier, way less inspiring and tied up in a perfect bow. but also doubles as a philosophical meditation on where does one end and the other begin? if the only version of her that most people know is a bunch of perfect pixels, is that the real her now? If that's taylor, then who is the flesh and blood person sitting on her couch every night? does she even exist outside of those pixels anymore? does anyone know the real taylor anymore, herself included, and which one is the real taylor? is she just the ghost in the machine now?

[starryhologram]

CCCC SCP AU MASTER POST

AKA I put Whole in the electric chair and everybody loved it

and renamed him Simon.

DISCLAIMER: This AU handles imaginary medical malpractice and imagery of outdated and misuse of execution and medical equipment and procedures. Real medical practice should not be demonized and feared. Also this does not follow any actual SCP Lore, it is only simply used as a base/jumping off point for my evil science fiction experiments.

SCP-3775

Item #: SCP-3775

Object Class: Euclid

Status: Contained Special Containment Procedures: SCP-3775 does not require any specific or strict containment procedures. If SCP-3775 begins to show any signs of distress or erratic behavior, SCP-3775 is to be moved to a 5m x 5m room while awaiting medical examination.

N/A See Addendum 3775-008, 3775-013, and 3775-019

SCP-3775 is to be contained within three conjoined 5m x 5m rooms. It is to be kept alive whether in state 3775-A or 3775-B. In state 3775-A SCP-3775 is to be monitored at all times to determine mental stability. SCP-3775 is to be kept physically restrained to a specially built wooden chair and electrocuted through electrodes fastened on the head through a screwed metal halo.

In state 3775-B three separate instances of SCP-3775 must be monitored.

Addendum 3775-008: SCP-3775-008 is to be kept alive with minimal monitoring but must be kept in the room furthest from SCP-3775-013. Failure to comply with containment procedures of SCP-3775-008 will result in potential harm to SCP-3775-013.

Addendum 3775-013: SCP-3775-013 is to be kept alive with moderate monitoring. SCP-3775-013 is permitted to interact within the same room as SCP-3775-019 under personnel supervision.

Addendum 3776-019: SCP-3775-019 is to be kept alive with strict and constant monitoring. Personnel assigned to SCP-3775-019 are instructed to wear protective noise cancelling headphones when interacting with SCP-3775-019. Personnel are instructed to not listen to any vocalizations from SCP-3775-019 under any circumstances. Other means of communication are permitted.

Description: In state 3775-A SCP-3775 appears to be an average white human male in his early twenties with curly black hair and brown eyes. Subject has been measured at 178 cm in height. Subject was born 20?? on ??????? ??th. Subject has no known living relatives at this time.

In state 3775-B, three instances of SCP-3775 exist.

SCP-3775-008 appears similar to SCP-3775 with exceptions such as missing eyes, replaced by hollow sockets which allow abnormal purple veins and bone structures to be exposed. Subject’s hair seems to become dyed purple towards the ends. Subject has irremovable purple coloration on its lips as well.

SCP-3775-013 appears similar to SCP-3775 with exceptions such as a total of five eyes that faintly glow a light blue color. Subject also features a luminescent organ similar to that of an esca as seen on the body of an Anglerfish. Subject’s hair seems to become dyed blue towards the ends. Subject has irremovable blue coloration on its lips as well.

SCP-3775-019 appears similar to SCP-3775 with exceptions such as what appears to be scar tissue along the right half of its body with epidermal red dots clustered around joints and around the eyes. Subject’s right eye is abnormal with a grey sclera and white iris and pupil. Subject’s left sclera is white with a red iris and black pupil. Subject’s hair seems to become dyed red towards the ends. Subject has irremovable red coloration on its lips as well.

Subject’s vocalizations sounds similar to that of an autotuned version of SCP-3775’s. It is hypnotic and [REDACTED]. Like one would imagine an [REDACTED] to sound like. It is impossible to resist to do as he commands.

SCP-3775-019 has been modified to have a welded metal muzzle to its face to prevent auditory vocal noise from coming from the subject.

History and Past Proceedings: The Foundation became aware of SCP-3775 due to widespread video circulation of music the subject created. Audience and viewers became enraptured with the music and upon listening were unable to function properly without the music playing in a conscious audio range.

Once obtained and studied, it appears no process in which SCP-3775 creates music is abnormal to that of any other modern musician.

After a prolonged period of time spent at the SCP Facility, SCP-3775 began to become distressed and showed signs of mental health decline, similar to that of severe clinical depression. Once the subject had hit a peak in its mental instability, it began to physically split into three instances of itself. This state shall be referred to as State 3775-B, the prior singular instance of SCP-3775 will be referred to as State 3775-A.

Accessing Past Data Records…

Old Survey Data Found…

Please fill out this Mandatory Personnel Survey if you have 1) Come into contact with SCP-3775 or any of its instances. 2) Listened to any audio/tonal/musical recordings created by SCP-3775.

Have you listened to any music created by SCP-3775 in the past 12 hours? Example Given: [CORRUPTED FILE CANNOT BE RECOVERED] ▫️Yes ▫️No ▫️I’m not sure Have you experienced any of the following symptoms upon listening to audio/tonal/musical recordings created by SCP-3775? ▫️Strong or irresistible urge to replay recording. ▫️Mental and/or physical inability to complete activities without auditory sensory input created by SCP-3775 ▫️Lapse in cognitive functions in favor of activities relating to SCP-3775, its instances or its music. ▫️Strong or irresistible urge to seek others affected by SCP-3775’s music. ▫️Mental fatigue that can only be cured by listening to SCP-3775’s music.

Do you grant permission for Foundation Personnel Staff to use your physical and psychological anatomical resources for further research of SCP-3775? Risks may include threat of bodily/emotional/mental harm. ▫️Yes ▫️No If Yes, please send additional information regarding Name, Address, Age, and other relevant details to [HYPERLINK NOT FOUND]

Thank you for completing this Mandatory Personnel Survey

S.C.P. Secure. Contain. Protect.

Accessing Past Data Record…

Audio Transcript File Found…

SCP-3775_Interview_15/11/2022.txt Interview Personnel (IP): “Interview recording date November 15th, 2022, 3:23 PM. Audio recording of [DATA_EXPUNGED] interview with SCP-3775.” SCP-3775: “You can call me [DATA_EXPUNGED] you know.” IP: “It is for easier assessment and research purposes that we identify you by your item number.” SCP-3775: Exhales forcefully. “I’m not a [EXPLETIVE] item.” %Sounds of shuffling.% IP: “Regardless, I simply need to have you do a test for me.” SCP-3775: “Fine.” IP: “I have here with me an ordinary electronic piano keyboard. Would you please demonstrate how you play it?” %Sounds of shuffling.% %A short melody is played on a keyboard.% IP: “What song was that?” SCP-3775: “It’s called The Mind Electric, its by a band I like.” IP: “Does it have lyrics?” SCP-3775: “Yeah, do you want me to sing it?” IP: “Please.” %The audio recording cuts out for a few moments.% IP: “Thank you. You play very well.” SCP-3775: “Yeah, thanks.” %Silence.% SCP-3775: “Are we done here? Can I go home?” IP: “We have to make sure the music you create- and yourself as a being- are safe to be interacted with. Do you know how your music affects people?” SCP-3775: “What? What’s so strange about people affected by my music?” IP: “Listeners tend to become irrationally obsessed with your music.” SCP-3775: “What? That isn’t even weird! Plus- what about all those musicians more popular than me? With obsessive fans! I can’t be the only one!” IP: “Please, calm down, it is for your safety that we study and assess this situation and that we take all precautions necessary for the best results.” SCP-3775: “No! I want to go home. You can’t keep me here!” IP: “End of interview recording.” Pause Play Time 5:54/5:54

Accessing Past Data Records…

Surveillance Notes Found…

SCP-3775_Surveillance_21/11/2022.txt No audio recording is provided alongside footage. Documentation Start Time 13:46:23 13:46:23 SCP-3775 is pacing the room. 13:53:12 SCP-3775 moves to sit on the bed. 13:53:40 SCP-3775 begins grasping at its sleeves in a self-soothing way. 13:58:25 SCP-3775 lays down on the bed in a fetal position. 14:01:32 [DATA EXPUNGED] enters the room. SCP-3775 makes no notion to acknowledge this. 14:01:58 [DATA EXPUNGED] stands next to the bed and looks down at SCP-3775. 14:02:45 [DATA EXPUNGED] calmly communicates verbally with SCP-3775. 14:03:00 SCP-3775 yells angrily in response. 14:03:03 [DATA EXPUNGED] retreats away from the bed defensively. His hands are open in a symbol of non threatening behavior. 14:03:05 SCP-3775 does not calm down, continues yelling, begins to grow more agitated. 14:03:07 [DATA EXPUNGED] makes his way towards the door. 14:03:11 SCP-3775 has stopped yelling. 14:03:12 [DATA EXPUNGED] yells back a short declaration assertively. 14:03:15 [DATA EXPUNGED] leaves the room. 14:03:20 SCP-3775 begins to cry violently, returning to its previous position on the bed. 14:19:53 SCP-3775 has stopped crying. 14:20:01 SCP-3775 stares at the ceiling. 14:45:27 SCP-3775 falls asleep. End notes of interest.

Accessing Past Data Records

Surveillance Notes Found…

SCP-3775_Surveillance_25/11/2022.txt Audio transcript provided alongside footage. Documentation Start Time 18:37:15 18:37:15 SCP-3775 sits on its bed, holding itself tightly while breathing heavily. 18:37:20 SCP-3775 lets out a scream of desperation. 18:37:26 SCP-3775 begins to move erratically. 18:37:38 [DATA EXPUNGED] enters the room. 18:37:40 [DATA EXPUNGED]: “Hey! What are-.” 18:37:41 SCP-3775 screams again. 18:37:43 [DATA EXPUNGED] draws a stunning device. 18:37:44 The visual feed cuts out. [DATA EXPUNGED] screams. 18:38:07 The visual feed is restored. Four figures are now in the room. Three look like SCP-3775. [DATA EXPUNGED] is lying on her back on the ground. She stands up slowly. 18:38:10 The Red SCP-3775 clone (?) points at [DATA EXPUNGED]. “Get out.” It says 18:38:11 [DATA EXPUNGED] leaves the room hurriedly. 18:38:20 Red SCP-3775 looks to Blue SCP-3775 and Purple SCP-3775. It says “Well, you two look fine. We should get out of here.” Blue SCP-3775 and Purple SCP- 3775 nod accordingly. 18:38:30 The three SCP-3775s leave the room. Access of hallway cameras denied. 18:57:04 Only the Red SCP-3775 is dragged back into the room by multiple personnel wearing noise canceling headphones. 18:57:47 Red SCP-3775 is restrained with a loose straight jacket and a high tech deafening muzzle with red armature limbs attached. 18:57:53 Red SCP-3775 begins kicking the Personnel. 18:57:55 Personnel tazes Red SCP-3775. 18:57:56 The visual feed cuts out. 18:58:20 The visuals feed returns. SCP-3775-A is sitting where Red SCP-3775 was, but is no longer wearing the muzzle or straight jacket. 18:58:30 Personnel leave. End notes of interest.

Accessing Past Data Records…

Surveillance Notes Found…

SCP-3775_Surveillance_08/12/2022.txt Log following updated securement protocols of SCP-3775 in State 3775-A. Audio transcript provided alongside footage. 06:03:02 SCP-3775-A is put into a medically induced unconscious state while sleeping. 06:20:07 Six metal screws are drilled into SCP-3775-A’s skull. 06:30:35 A metal halo is fastened to the screws. 06:48:24 SCP-3775-A is placed into a wooden chair with metal conductors attached to the top. 06:50:46 SCP-3775-A is secured with leather straps to the chair, and the conductor is mounted to the metal halo. 06:51:13 SCP-3775-A is removed from the medically induced unconscious state, but does not wake up immediately. 07:12:41 SCP-3775-A begins to wake. 07:13:03 SCP-3775-A pulls at it restraints. “Hey.” It says. “Hey, what the [EXPLETIVE]?” It then seems to notice the metal halo, and reacts in horror. “Holy [EXPLETIVE] [EXPLETIVE]. What the [EXPLETIVE] have you done to me? What the [EXPLETIVE]?” It continues to curse under its breath and begins to cry. 07:13:40 Three Foundation Personnel wearing noise cancelling headphones and general protective gear enter the room, and silently give a signal to an observing personnel not present in the room. 07:13:45 The lights flicker as the chair is activated. SCP-3775-A screams. 07:13:47 A terrible ripping sound is heard, like flesh being torn. It is difficult to describe what happens to SCP-3775-A’s body. It appears as though it is turned inside out. It begins at the chest area and folds outwards. The chair disappears alongside SCP-3775-A as SCP-3775-B emerge. The three look just as horrified as SCP-3775-A. 07:14:09 The three personnel move to detain each instance of SCP-3775-B, removing SCP-3775-008 (Purple) and SCP-3775-013 (Blue) and remove them immediately, placing them in a separate room. 07:15:10 SCP-3775-019 (Red) stands alone in the room with one last Personnel.

07:15:20 The Personnel speaks, as SCP-3775-019 is still wearing the muzzle and loose straight jacket. “You would find it wise to not be any trouble. You are here for the safety of the world, and we will not hesitate to cut your tongue if necessary.” 07:15:25 The Personnel leaves, 07:15:50 SCP-3775-019 sits down on the ground and stares into the wall. This continues for several hours. End notes of interest.

Accessing Updated Data Records…

Experiment Notes Found…

SCP-3775_Experiment_26/07/2023.txt Documentation Start Time 20:14:46 20:14:46 SCP-3775 is administered a sedative, causing it to lose consciousness. 20:14:50 Personnel enter SCP-3775’s containment cell, remove it from its chair and place it on a metal operating table. 20:15:02 [REDACTED] prepares SCP-3775 for incision. 20:15:33 [REDACTED] opens SCP-3775’s neck using metal grade scalpel, inspecting its vocal chords. 20:18:21 [REDACTED] administers [DATA EXPUNGED] directly into SCP-3775’s vocal chords. *Editorial Note: [REDACTED] notes that the organ had become inflamed almost immediately, noting an abnormally sensitive reaction to the serum. 20:20:46 [REDACTED] closes up the incision and personnel return SCP-3775 to its chair. 20:21:35 Personnel leave. End notes of interest. For further reading of Experimental log visit [HYPERLINK].

[angoragangrene]

Taylor Swift is not Madonna's, Michael Jackson's, The Beatles, Queen, or Beatles peers. Just because of album sales.

Swifties love to use this https://chartmasters.org/best-selling-artists-of-all-time/

and act like because she is number 10 on the list that she on the same stratosphere as them. She is not. If you release more albums with 300 versions it's gonna get you to the top 10. I don't know how they don't understand that. Adele could literally be up there too if she released more or Rihanna or Lady Gaga. It's about quality. Having albums with high sales is more impressive than having your whole catalog with high numbers.

It's not about sales it's about impact these artists made that she has not. Music Industry would still pretty much the same if it wasn't for her (probably better).

Mariah Carey, Celine Dion, Whitney Houston, Bob Marley, Prince, Stevie Wonder are their peers but they are lower on this list.

She is not better than Lady Gaga, Ariana Grande, Harry Styles, The Weeknd, Rihanna, Katy Perry.

And I think only america sees her being peers with the likes I mentioned above. The rest of the world and people in general who don't pay attention to charts and sales ( most people don't). Don't see her as their peer.

Maybe in success she is. But anything else? No.

Their logic that there is more competition now doesn't make sense either. Yes this might be true due to streaming that there are more options. But back then you actually needed some type of talent to be recognised. 😭 There are countless of artists that would have never made it back in the day because they don't have the it factor. Like someone like Drake would have never made it. And nobody would be listening to Jojo Siwas Karma if it wasn't for Tiktok and streaming.

Social media is a huge help to get them through the door. While Taylor Swift might have it harder in terms of competing when it comes to their logic, back in the 80's she wouldn't even have the chance to compete.

Getting famous with all the various platforms is much easier when you can promote your shit on tiktok Twitter etc and be relevant because of your antics. ( Nicki Minaj).

Also Autotune didn't exist until 1997 and that would be a huge problem for many artists aswell. lol.

Exactly! ‘Quality over quantity’ exists for a reason

[4l13n-80y]

(no typing quirk cuz im so desperate for the answers)

‼️‼️EVERYONE‼️‼️

i NEED your help. there is this song ive been OBSESSED with, but i cant find it anywhere, the only proof i have of its' existence is a short edit i have saved in my gallery. (as the original poster has deleted it)

(all credits go to weep4iso, the original editor!!!)

REASONS WHY YOU SHOULD HELP ME FIND IT !!:

1. do you like:

a) funky, distorted tunes,

b) weird, "could be perceived as sensual" lyrics,

c) eerie comforting atmosphere,

d) silly, purposefully-glitched autotune,

e) all of the above?

THEN THIS IS THE SONG FOR YOU !!

2. just listen to it. doesnt it just scratch that itch in your brain?

3. the clownzy edit is a nice bonus, and the song is peak daydreaming material * laughs in maladaptive daydreaming disorder

4. youre all i have. im unable to find the song by typing the lyrics as it keywords "shady" and just gives me the 'slim shady' song, plus: if this lil snippet gave you so much serotonin, imagine what you would feel with the whole song !!

5. again, listen to it. that is the sound of a song made by a group of people whose hands had been grazed by god themself.

even if you dont know it, reposting this would be much appreciated as we as a group can totally do this !!

‼️EDIT: its "no.66" by loverboyrando, thank you to 'autizzysonikko' for the help!! :D‼️

[three-cheers-for-my-balls]

MY FAVORITE RTC QUOTES

when you've been alone as long as i have, you tend to anthropomorphize your friends. (karnak)

-If you believe both armrests are yours exclusively, you are part of the problem. (karnak)

-even in competition against yourself, you can still walk away a loser (ocean)

-he was inspired by traditional african folk music, specifically the lion king (constance)

-raise a middle finger to that most ruthless adjudicator called time (karnak)

-i hope i wiped my browser history clean (constance)

-democracy rocks! (ocean)

-i trade mostly in prophecies that dont make any sense until they actually do (karnak)

-even in death i can't escape her- she's followed me to the afterlife! (noel)

-well played satan, well played (noel)

being the only gay man in a small rural highschool is like having a laptop in the stone ages. sure you can have one but theres nowhere to plug it in (noel)

When a lioness has children, she sops making love to the lion. the lion gets jealous, sometimes so jealous he eats the children. You think this would upset the lioness. far from it. they make love again like the children never existed. (jane/penny)

-noooo i cant get any wifi up in this bitch (mischa)

-my gansta persona is only armour to conceal the fact that i am naked child wandering through the wilderness holding in my hands my wounded fragile heart (mischa)

-that was wack (mischa)

-i dont know how it is in your culture but in ours, playing games with peoples lives? super illegal (ocean)

-if its yellow, let it mellow. if its brown scoop it out with your hand and put it in the compost (karnak)

-some people are right wing, some people are left wing but last time i checked it takes 2 wings to fly. we are community we are family, we are the world (ocean)

-what you need is a fother-mucking hero (ocean)

-your cousin was in grade 4 he had to get his stomach pumped (ocean)

-you challenged my preconcieved notion that all gay dudes are fun to be around (ocean)

-OHHHH sweet jesus christ. on a bike. (noel)

-its like a slurpee woodstock (noel)

-a s.xual provacetour and a novelist. who never wrote a novel. or had sex (noel)

-GOD DAMMIT CAN YOU KEEP IT IN YOUR PANTS FOR ONE SECOND YOU HORRIBLE SUCCUBUS (noel)

-that was DOOOOOPEE YOOOOO (mischa)

-mad wicked awesome! (mischa)

-fornication under consent of the king (jane/penny)

-in my country it is natural for 2 men to show affection by kissing… not always in heels (mischa)

-theres a difference between affection and smut (ocean)

-not in my bible baby, bonsoir (noel)

mine will only have profanity in chorus (mischa)

-little orphan a hole (mischa)

-teen sex? kills (ocean)

-porno is magical (ricky)

whattt just because im all gangsta dont automatically make me homophobic. its not cool to be homophobe in rap game anymore since macklemore dropped same love. that sh.t was emotionally devastativing yo. (mischa)

he turned to the last fashion of pure stregnth and masculinity in society, self agrandizing commercialized hiphop (karnak)

grab yo dicks if you in the 306 bruh (mischa)

-autotune will never die (mischa)

-my rage has subsided, i am vulnerable now (mischa)

and that is why not everybody should have a library card! and you should vote for me (ocean)

and this is why you both SUCKED at math (ocean)

-on the other hand, given the context of german history, being a party spoiler might be a good thing. (karnak)

-i guess you could say im pretty sexy on another planet (ricky)

i told you moneky lovedrop (ricky)

-life is hard enough without making up reasons to be dicks to each other (ricky)

-incredible~ (ricky)

-theres only one commandment in the bachelor man bible: dont be a dick (ricky)

-we listen to you now space jesus (mischa)

[skeeverboy]

hi i love making lists and rankings. this is my ranking of all tfb albums from worst to best.

yes i've ranked tfb albums before im trying to go more in depth on this one and also my opinions may or may not have changed

Going Grey

It's experimental. It's stylistically different from the albums leading up to it. It's branching in a new direction, their first step into a slightly more pop sound. And it is boring.

A couple tracks sound the same to me. There's no pull factor for me, it's all around just kind of dull when compared to other TFB albums.

That is to say, though, I do love this album. Peace Sign goes hard, love the connection to Tie Dye Dragon. You Used to Say is a pretty solid opener. Vacation Town is a classic (though it is overplayed ngl)

8.4/10

In Sickness & In Flames

I love this album, I really do. Stylistically I think it's really significant to the TFB timeline, marking their journey into the more pop side that they're exploring recently. There are some absolute BANGERS also - love bus beat, love montgomery forever, love Fairbanks, Alaska. This was also the most recent album when I started listening to TFB.

With that, I think a lot of the album is kind of forgettable. I mean, come on- new song d, the hard way, make way, love at first sight. I forget they exist. Also, for some reason, I just cannot stand everyone blooms and it's the opener to the album. It puts a bad taste in my mouth for the entire thing.

8.9/10

You Are Who You Hang Out With

I reviewed this album on my other blog and gave it an 8.6 but that's changing today because my opinions are subjective and change every hour. This album is great, I don't care what anyone says. Most of the time I genuinely think the autotune and heavy editing works.

It did take some time for me to get used to it, not going to lie. I loved Outlook when it came out, but Emotional was... rough at first. It's absolutely warmed up to me, though. It can feel kind of repetitive sometimes, but I really like how they experimented with style and put out something truly unique.

9.0/10

My Grandma Vs. Pneumonia

I am such a sucker for 2000s/early 2010s TFB. I love the raw sound, and this shit is the DEFINITION of raw and unfiltered. I love this album with all my heart, I love the vocals (controversial, I know), I love the style, I love the simplicity and the lyrical style.

Some of this album is a little forgettable, and there are a few in here that were remade to just be so much better. The Theresa version of Supply of Power and the Rose version of Flying Model Rockets absolutely desimate and are just incredible. Though, I will say, the original I Think Your Nose Is Bleeding is better.

Definitely a hit or miss depending on who you are, but I am the type of person to EAT THIS SHIT UP.

9.3/10

The Front Bottoms

This album is an absolute classic. Really similar in style to IHMF and MGVP but sounding just a little more polished. This album has some of the gayest songs ever.

The lyrics speak to the heart. Every track is memorable and incredible. The use of trumpet in certain tracks is really nice, though it's incorporated better in later albums.

9.5/10

Talon of the Hawk

Just an incredible album all around. It's super energetic in an absolute delightful way. It's the perfect blend of their older kind of rough folk-y style while remaining polished and sounding complete. Older albums often sound like they're unfinished demos. Not TotH.

The use of trumpet and other instruments is strong. Some of TFB's most iconic songs are in this album. The knife is iconic. It is the Front Bottoms album.

9.7/10

Back on Top

I love this album so fucking much. Every song is incredible. The style, with the heavy use of electric guitar, is wonderful. It feels very light, very summery.

While it's less iconic than TotH, I'd say some of the most underrated songs are in Back on Top. 2YL, Ginger, The Plan, HELP, all absolutely breathtaking songs.

God I love this album.

9.9/10

I Hate My Friends

This is the most biased top pick ever. But yeah, this is one of my favorite albums of all time, maybe even my favorite of all time. I love the old TFB sound, I love the lyrics, I love the subject matter, I love the immature angst, I just overall love it so much.

I'm getting a fucking tattoo of this album, I have to put it at the top.

10/10

[lu-lus-dicks]

Hi~

I made part 2!

I never wrote sex scenes before so it's probably pretty bad but I tried my best 😅

Alastor's tentacles tear both of his captives' clothes, neither of them has time to take a breather as his tentacles grip Lucifer's head and smash his mouth (still dirty with worm mush vomit) on Vox's dick.

The radio demon approaches the tvhead and uses a needle, given to him by a wild Nifty that jumped out of his trashcan, to make a hole in both of his nipples.

The tv lets out a static-y scream and tries to wriggle away as he put one worm in both of the newformed wounds.

Lucifer seems to not have received the memo so Alastor uses his tentacles to force his mouth open and shoves Vox's dick in it.

They wriggle, moan and keep a steady pace unsure if they're in pain, turned on or grossed out.

One of the tentacles chokes his majesty, forcing him to suck Vox harder to try and gasp for air feeling all the battery acid taste of his precum.

Suddenly the tentacles separates them and pull them up in a standing position, squishing their parts against each other's.

Out of the shadows Alastor pulls out a jar, like the ones where his grandma used to put jam, and it's so filled with worms that they barely have any space to wriggle.

He opens the lid and one of his tentacles shoves it on both of his captives' dicks, like a living and slimy fleshlight.

It brings it up and down in a faster and faster pace overstimulating the hell out of them.

"I-I...I'm cloOse!" says Vox gasping for air and bucking his hips against the King's.

"Ah ah ah, not so fast" says the radio demon removing the jar.

"You asked to be filled with more worms afterall, didn't you?" he says grinning maniacally.

"Y-yes?"

"Good boy"

Vox hasn't finished elaborating what his archenemy just said as he feels an awful pain in his lower regions and starts screaming.

He looks down and sees with horror two tendrils keeping his cockhole open as another one pushes a worm inside of it.

The Tv head is overstimulated and he doesn't even know in which way.

Once the worm's completely in, wriggling its way further inside, the tentacles bring back the jar where it was and pumps it faster and faster.

At some point Lucifer deems the pace not quick enough so he takes the matter in his own hands, literally, and pushes Vox on Alastor's chair while pumping the jar at a quicker pace.

They're arching their backs, biting each other to the bone and grinding faster and faster trying to reach satisfaction.

Vox's the first to reach it as he lets out a long and loud autotuned moan that could rilval Angeldust.

The King screams in pain as Vox's cum is literal sparks of electricity, it's as strong as a taser and yet this gives Lucifer the best orgasm of his life.

The both of them pass out.

They wake up hearing their own voices screaming and moaning.

Nifty's sitting on the ground, phone in hand watching again and again their sextape.

"Delete that! Delete that immediately!"

"Hell no, this will bring me the Diamond Play Button!"

"IT'S ON YOUTUBE?????"

"Yeah, and it already has thousands of views!"

"YOU LITTL-"

"Where's Alastor?"

"Oh, he went to take over Voxtec over an hour ago"

"HE WHAT????"

Vox pushes the King off of him and tries to sprint towards the door, he fails miserably and tumbles down the stairs

Btw, I made a sideblog.

Nothing is posted yet but it exists.

https://www.tumblr.com/notsafe4worms?source=share

Again, tagging the hoes @nunalastor

Secondly, followed. Notsafe4worms is so fuckin funny

I just woke up by the way. This is a treat to read. I love your twisted little mind <3 hot af, will reread this multiple times.

Also, you used vox cums in autotune and I am going to fucking orgasm on the spot rn. I love when people make shit for me like that

[disappointingcabbage]

TDP Season 6 Episode 1 live reaction, spoilers under the cut

Who is this man crying?

What the fuck it’s Aaravos

Ok so Aaravos showing actual emotion was not on my 2024 bingo card

Genuinely why does his crying sound autotuned

There’s another startouched elf??? Who is she?????

Why is the intro still Viren getting statued??? He’s dead

Oh ok his statue got disintegrated

Yup he’s dead

Terry my beloved

O h n o he’s gonna find viren’s body

Bro why are you sobbing over this racist motherfucker

WAIT WHAT

HE’S ALIVE ????? WHY IS HE ALIVE????

oh no Claudia’s covered in blood

NOOO THE LITTLE MOTH GREMLIN SHE DID THE SACRIFICE

Oh damn Viren is fully redemption arcing and he has Regrets

“No parent wants their child to suffer for them” first of all tell that to Soren. Atone for your bullshit. Second of all you’ve clearly never met my mother

Ah shit Aaravos convinced Claudia to let him out

Viren’s actually putting his foot down and saying no. I never would have predicted this pre-s5 but now it makes total sense and I love that the writers are sticking with his character development

Oh ew this show is actually going to get me to like Viren I hate that

He’s going to Katolis to turn himself in. Based tbh.

Claudia what the fuck though like girlie your whole point of everything was to get your dad back and he’s fine now why are you still going along with Aaravos

Oof her voice acting in this scene is incredible though

Also she’s still missing that leg. I hope she gets either a cool prosthetic or an even cooler mobility aid.

Soren has opening blindfolded for some reason. The reason is either going to be A Secret Meeting for Very Not Good Ominous Reasons or something very funny

Based on the tone of the scene I’m assuming it’s the funny option

LMAO LORD BREADSANDWICH SOREN I LOVE YOU

Oh it’s just a season 5 recap in the high mage’s office

Oooh they’re deciding what to do with aaravos’s prison

I get he’s on the high council and all but why is Barius here???

Callum wants to destroy the prison, Opeli wants to assemble a multi-kingdom task force to protect it, and Barius wants to hide it

I’m with Callum or Barius tbh, the multi kingdom task force idea exposes too many people to potentially be manipulated by aaravos.

However, hiding it means that it can be found probably and exposes everyone who already knows about it to Aaravos, and destroying it runs the risk of freeing him accidentally.

Soren with the LOTR reference 💀

Rayla has the same issues as me with destroying it

Ezran has decided to hide it in katolis, smart choice

oh no, Zym’s sad about Zubeia

Callum wants to visit this ancient faction of skywing elves for info on A) yeeting the pearl out of existence and B) un-coining Rayla’s family (please let them out)

Callum is right to be afraid of aaravos manipulating him tbh

Awww one of the baitlings sleeps in Callum’s bed

Oh god aaravos nightmares oh FUCK WHY ARE YOU SLEEPWALKING

what the fuck what the fuck whY IS HE IN THE PEAR WHAT WAS THAT IMAGE OF AARAVOS YEETING THE PEARL F E A R

Rayla do NOT dismiss Callum’s concerns like that

“I have an idea” *fucking sprints away to enact said idea without elaborating* peak autism moment

I’m sorry, you want to stop aaravos with the power of pastries?

“Sometimes I wonder where my mom is too” SOBBING

awwwww bait has a little four poster bed that’s so cute

AHDIEJXIEKF BARIUS DID AN “is it real or is it cake” WITH A FUCKING PEARL DECOY IM WHEEZING

Ooh anti spell blankie

“I have my blankie 😎” Callum I would die for you

Soren and zym are going on a quest to find Zubeia and Callum and Rayla are going to see the Celestial Elves but more importantly, each questing squad is taking a baby bait with them!!

If the one going with Soren isn’t Hat I will be very disappointed

Claudia why are you ominously standing over Terry and trauma dumping

Claudia what are you doing with the staff

Claudia no please don’t hurt him if you hurt him it’s transphobic

Oh ok she’s just walking her toxic ass out of the relationship cool

Terry don’t wait for her she doesn’t deserve it