#be my ally answers

[be-my-ally]

just wanted to tell you that your writing is amazing!! i’m obsessed! you’re so talented 🖤

AHHHHHH i’m still SO insecure about my writing!!! i always think it’s simultaneously *too much* and clunky so this was LOVELY to discover in my inbox xxxxxxxxxxx

have a glorious gif of elvis walking away as thanks xxx

[voidmarkd]

#voidmarkd; an indie, selective and fandomless portrayal of Atlas Fitzgerald, featuring themes as life in a coven, rebirth through death, marked by the void, necromancy, betrayal and abandonment, the blood and the burden, keeper of forgotten graves, [ . . . ] mutuals only. 21+. low activity. eng/ger. ♱ carrd ♱ memes ♱ open starters

[wet-bed]

tsruel

raramsa

taransw

taran,a

taranza

I wouldn't stop spelling that until I got it correct

raramsa

[aesthetictarlos]

another bucktommy prompt – this one specifically because i looove how big and strong they both are: character a is having both hands full with bags (maybe from a shopping trip?) and character b says "let me hold that", referring to the bags. character a misunderstands, thinking character b wants to hold hands, so they promptly switch all bags to one hand and take hold of character b's hand. you decide who is who is this scenario!

Thank you for this prompt, I loved it! ❤️

Buck greets the young girl behind the counter and follows his boyfriend outside, putting his card back into the wallet. They're hosting a 118 hang out at Tommy's place - their place now, actually, which is why they're the hosts - and they've bought tons of food and beverage.

Tommy's hands are both full with bags and they've parked away from the grocery shop's entrance since the parking lot was packed, but as much as Buck's enjoying the view of his boyfriend's muscles bulging as he effortlessly carries the bags, he wants to help.

"Let me hold that," he says after he's pocketed his wallet and his hands are free.

Tommy glances at him and smoothly shifts the three bags he's carrying on his left hand to his right one, lacing his fingers with Buck, leaving him speechless because damn, his boyfriend is really a beast.

Buck stares in awe as Tommy keeps walking like he's not carrying five heavy bags on one hand, and suddenly his throat goes dry. "I– I meant let me hold some of the bags, you really are something else. Fuck, you're so strong."

Tommy giggles, ducking his head. "Oh, sorry for the misunderstanding, but I really wanted to hold your hand."

Buck swats his bicep, and right after they finish loading their groceries in the car, he pushes his boyfriend against the side door and kisses him stupid, his fingers digging in his ripped arms and squeezing.

(Yeah, he has a thing with Tommy's muscles, sue him.)

[1000sunnygo]

Ok so sometimes I see people claiming Oda originally planned for Law to be evil. Did he actually say that? I can't find much on it

This and "Law is Oda's wife's favorite character" ROFL

Videos like this might've been the culprit behind this rumor. Law being 'named after a brutal pirate and allegedly had terrible rumors about him', doesn't equate to "Law was meant to be evil." No matter how canon-coded it seems, something can't be called a "fact" unless there's a legitimate reference. So far, Oda has made no such statement about Law.

The video used a draft image to back the point that Law was depicted as "scheming and manipulative" during Punk Hazard, taken from OP magazine vol. 8:

Sanji's dialogue, roughly: "Your strategy is to go head on against Doflamingo and Kaido, and to weaken Kaido's military strength, isn't it? And we're *in it together* because we believe the outcome benefits us, as well.

What are you planning?

I don't mind going ahead (to Zou), but I won't leave my friends in danger."

Law: Sharp at bargaining, aren't you...

It's not from Punk Hazard, it was Dressrosa.

Not to mention in both draft and finalized versions, it was Sanji cornering Law, not the other way around. IMHO it didn't add or subtract much from law's character as we already know him.

It's very likely that Law was planned to be (more) morally grey and manipulative. But inflating it as Oda's statement makes it a misinformation. This fandom sadly has a lot of these, thanks to engagement farming content creators.

[robobarbie]

if the bloomic LIs were in a heist film, who would have what cliche role?

instant flashbacks to writing about spy xyx with destini before 1.0 came out, good times

Leader: Toasty

Muscle: Quest

Gadgets/safecracking + second in command: Xyx 

Lookout/small enough to dodge lasers and go thru vents: Nightowl

[hitwiththetmnt]

Hey Multi Mutant Verse Raph and Mikey, along with their cabin mates wanted to ask you something✨

@tmnt-fandom-family-reunion

Water polo sounds fun! For those that will spend more time above the water then under it

@tmnt-fandom-family-reunion

Cabin #7 (7Wonders of the Turtleverse)

[masterqwertster]

Shaking Bells Hells by the shoulders again: You had a very good recon mission just seeing the other side of the Bloody Bridge and extracting basic info in a small town. Take a moment to report back to people in power all the useful things you already learned. Get more spells/supplies from them. Then continue to the heart of the enemy. Time is short, but probably not so short that you can't take an extra hour or two to do that. Keyleth can tree teleport and she knows where you were. She just couldn't immediately jump to you because she had things to do/settle first. It's a war, powerful people can't come to your aid at the drop of a hat.

[shimidraco]

LET ME KISS PEEPAWWWWWWWW

I don't have the energy to clean this up digitally but I've been sitting on it since early April so LMAOO here's ur AM posting ❤️❤️❤️

[bluecubeblues]

have you ever been convicted of a felony?

★ PREV | FIRST | NEXT ★

[be-my-ally]

hello! i’ve been seeing a reference to a coke bottle in some elvis fics (lol) and i was wondering if you could explain the origin of that please ☺️

hello!!! darling anon!! i feel privileged to be the person you chose to ask!!!

So we’ve gotta go right back in time to explain why the coke bottle references are frequent and (ever present) in fics. So back to ‘55-57 - Elvis was coming under pressure for his ‘obscene’ dancing; The New York Daily News declared that Elvis was ‘suggestive and vulgar, tinged with the kind of animalism that should be confined to dives and bordellos’. Ed Sullivan was refusing to host him on his show until he saw the success after his Milton Berle performance although he was still reluctant after watching his suggestive wiggling (lol). He told reporters Elvis ‘wasn’t fit for family entertainment.’ But nonetheless invited him on for three performances; on his third appearance he was censored from the waist up to prevent such uhhh…. swinging body parts. (below: milton berle show hound dog performance)

Or as Elvis puts it himself much later ‘I was a little, bitty guy with a shaky leg. So, Ed sullivan saw me and said, "Mmm, son of a bitch." Anyway, they put me on TV and filmed me from the waist up.’ (below: ‘waist up’ performance of don’t be cruel on the ed sullivan show jan ‘57)

But where the coke bottle comes into all of this is that Ed Sullivan is quoted as saying;

“He’s got some kind of device hanging down below the crotch of his pants–so when he moves his legs back and forth you can see the outline of his cock. … I think it’s a Coke bottle. … We just can’t have this on a Sunday night. This is a family show!”

Whether he actually said such a statement is a little unclear to me - so whether this is true or simply part of the rumour mill that mirrors the shock at his uhhhh gyrations and ‘revelatory outline’ is uncertain.

Marlo Lewis, Ed Sullivan’s producer, quotes a conversation where a musician came to Ed and said not to put Elvis on the show anymore because he’s a bit too much - when Ed questioned what he meant by this apparently he responded, ‘Well, Elvis does this shaking of the legs and playing his guitar, and he’s now hanging a Coke bottle inside of his pants so that when he wags his legs it looks like part of his organ has grown quite a bit.’

Thus the rumour of Elvis’ swinging coke bottle was born.

(At least….that’s where I believe the references to him being hung like a coke bottle comes from lol - if anyone else has any further knowledge or quotes pls let us know!)

here’s some pics for you to decide for yourself - is it a coke bottle, is it his cock?

[wet-bed]

hello i was just wondering, where did you get that adorable gooey plush? i have an unfathomable desire to obtain like. 12 of them

better not spend all of your money without any brain thought

[aesthetictarlos]

not sure if you’re still open for little prompts but i’ve been thinking about buck and tommy having a little argument about something inconsequential before they go off to work, but then one of them gets (mildly) injured on the job. and when they get home the other helps tend to their (little) cuts and bruises. and idk there’s lots of softness and little i’m sorries and we’ll try not to leave mad again because you never know what can happen in their line of work and now we have something important to come home to, etc. 🥹

Thank you for the prompt, it took me a while but here we go ❤️ I'm not sure about this one because angst is not my thing but they're so cute together so I hope it's good enough!

Buck nearly jumps out of his skin as he hears the key turn into the lock. He's been staring at the ceiling for the past two hours or so, losing track of the time and missing the fact that Tommy's shift ended twenty minutes ago.

His stomach churns at the unfamiliarity of all this; he'd normally stand up real quick to go greet his boyfriend with a hug and a soft kiss, but today he remains on the couch, silent and tense. Waiting.

"Evan?" Tommy calls from the hallway, and Buck can picture him toeing off his shoes and throwing the keys in the bowl on the small cabinet near the door. There's a bit of uncertainty laced to his voice, and Buck hates it.

"I'm on the couch!" He says, clearing his throat, and braces himself for– he doesn't even know what.

"Hey," Tommy murmurs, padding into the living room. "Wait, why are you home already?"

Home. They've been living together for a month now, but he's still not used to hearing Tommy say it.

Buck cautiously lifts his head up to meet Tommy's eyes and something breaks in his chest as he notices how Tommy's face crumples in worry as soon as he spots the purplish bruise adorning his cheekbone and the nasty scrapes along his arm.

"What the hell happened? Fuck, Evan, are you okay?" He asks, and instantly sits next to him on the couch, reaching out to grab his chin and angle his face towards him. "And why didn't you call me?"

Tears prickle Buck's eyes as he stares at him, mouth suddenly dry. "I– I tackled a man on the asphalt. I'm fine, just a bruise and some scratches, nothing broken even if my ribs hurt a bit. That's why Bobby sent me home."

Tommy caresses his cheekbone and his gentle touch feels so good that Buck might cry. "You don't look fine. Your face is swelling, and– Why didn't you call me?"

Buck ducks his gaze and shrugs. "I didn't– I didn't know if I could call you. We– We argued this morning and we haven't spoken all day long and–"

"Oh, Evan," Tommy sighs, shaking his head. "Of course you could've called. You should have," he cuts him off softly, cupping the side of his face that's not bruised. "I don't even remember why we argued but having an argument doesn't mean that I don't care about you. Evan, I wasn't avoiding you, I had a gruelling shift and I thought you wanted some space. You– You told me–"

"That I was glad we were both on shift so we wouldn't see each other for a while," Buck supplies, feeling guilty. "I'm sorry, I– I was mad. I didn't mean it. I missed you."

"Me too," Tommy whispers, bringing their foreheads together. "I'm sorry, baby. I'm so sorry."

Buck collapses against him, curling his arms around his neck to pull him close. "I love you. And I'm sorry," he repeats, voice raspy.

"We can't let this happen again," Tommy says, brushing a hand up and down his back.

Buck pulls back to glance at him. "We can't," he agrees. "What about we promise each other to never leave mad again? We don't argue that much, but we both know it will happen again and–"

"And when it happens, we will find a way to clear the air before one of us has to leave for work. And I also don't want us to go to bed angry with each other," Tommy says, reaching for his hand and squeezing.

"Neither do I," Buck admits, and smiles as he holds out his pinky. "Pinky promise?"

Tommy chuckles, hooking his finger to Buck's. "Pinky promise."

[gingermintpepper]

hi I love your tags so so much! they were so sweet and so interesting and creative and the whole Aphrodite type of beauty thing sounds really interesting do you have any articles and recommendations to read further into it??

-hogoflight

Hello my fine feathered (I am assuming possession of feathers if you are, indeed, capable of flight) @hogoflight! I'm always always happy to hear that people appreciate my frenzied rambling in the tags :D! I have a lot of articles and recommendations :D!! Ancient Greek notions of beauty and representations of it in their art and sculptures is a pretty well studied topic! There isn't any way for us now to know definitively what the beauty standard was (it varied widely from region to region and culture to culture after all) but here are a couple of my favourite reads about Aphrodite and what her representations tell us about idealised beauty!

Probably the most empirically extensive one I can list is Krönström's thesis which compares statues of Aphrodite and literary text referring to both the goddess and mortal women to determine physical ideals for women in five specific eras of Grecian antiquity. Including measurements of the statues there are many descriptions of Aphrodite as 'curvy' with a 'voluptuous figure' and with 'ample buttocks and bosom'.

"When the beauty traits are described in the texts, they are never extreme or anything that could not be found in normal people just that they are more beautiful in every aspect. Furthermore, the sculptures’ physical forms look healthy, they are tall and have distinct curves. Great examples of this are the Knida sculpture and de Milo (the Melian) sculpture."

Of course, these images are still idealised, and there was still a concept such as 'too fat' or 'too skinny' found in written records (and this thesis even includes analysis of pornographic writings and descriptions of the fashion and stylings of pubic hair of women from different regions!!) but from an interpretational standpoint? There is absolutely no reason why these can't refer to a fuller figure. Height was also a very important factor after all and over the course of many eras, it seems like being well proportioned in addition to the length and appearance of one's hair were the most important factors (and, like Apollo, greater beauty was given to those with curlier hair)

Mireille M. Lee's 'Other Ways of Seeing' essay which talks about the forgotten female viewers of Knidian Aphrodite which is also extremely illuminating on how Aphroditic sexuality and sensuality was perceived totally differently from the well documented male voyeuristic gaze (which was overly preoccupied with the statue's nakedness and therefore over-sensationalised the statue's physical appearance) vs women's perspective on the statue which is more centered on the beauty of simplicity in Aphrodite's garment and decoration and in her power and ability to captivate both in her finery and without it. I think it's especially useful in exploring the importance of finery, jewellry and adornment in representations of Aphroditic beauty.

"Some of the small-scale copies are heavily jeweled, especially those from the eastern Mediterranean, for example the Hellenistic gilded terracotta statuette in the Çanakkale Museum (Fig. 5) in which the goddess wears, in addition to the armband on her (right) arm, the following: a necklace with multiple pendants; cross-bands extending over both shoulders and hips, with a cascading pendant in the center; a coiled snake armband on the left arm and another snake on her left thigh, and a twisted anklet on her right leg. (The left leg has been restored, and might also have featured an anklet.)"

"Jewelry is especially associated with Aphrodite in Greek literature. As seen above, in the Homeric Hymn to Aphrodite, the goddess adorns herself with gold jewelry, dress-pins, and earrings in the shape of flowers (162–3)..."

Finally, and to me, the most important one in the argument for an interpretation of Hyacinthus as fat, beautiful and fundamentally Aphroditic comes from Brilmayer's brilliant brilliant thesis done on Aphrodite's work and influence in Archaic Greek Poetry which does away with all of that masculine preoccupation with physical proportion, measurement and bodily ideals for a focus on a Sapphic Aphroditic ideal centered in clothing, ornamentation and, most importantly cunning as symbols of Aphrodite and ultimately a feminine idealised form of beauty. This paper also discusses Pandora and Helen in these terms and it is just kind of a wonderful read tbh.

"Combining Homeric and Hesiodic elements with her own ideas, she [Sappho] alters the way female beauty is viewed. For example, the Homeric war chariot – a symbol of male, military prowess - comes to symbolise the totality of Aphrodite’s power uniting in itself male and female qualities. Having addressed the concept of beauty directly, Sappho then concludes that beauty lies in the eye of the beholder. With the help of Helen of Troy and her beloved Anaktoria, Sappho sets out to reinvent the concept of female beauty as a godlike, subjective quality that may be expressed in many ways, yet remains inspired by Aphrodite."

The conclusion to all of this of course is that Aphroditic ideal beauty is much more fluid compared to its stricter Apolline masculine standard. The nuances and understandings of both are of course, constantly being studied, analysed and scrutinised but really, if Dionysus who was both bearded and clean shorn, effeminate, birthed and rebirthed (and twice gestated!) and strongly associated with vegetation can be popularly portrayed as fat and handsome, why can't Hyacinthus?!

[morsking]

[caeslxys]

What didn't gel for you with the ritual? Was it how Delilah is still... kinda around? Or how the characters reacted?

The Delilah thing has me concerned but I felt it was an overall positive for Laudna, and I'm just curious of your thoughts!

oh I'm actually elated delilah is still around, if she were perma-gone I would've honestly had more problems with it 💀

not because it isn't a wonderful thing for laudna! it is! I'm so happy she has more control over her life and choices!! she deserves it so much!!

but. as someone deeply invested in that narrative. that its been built up for about 100 episodes (I believe it was 4, when delilah was first officially revealed?) and was (semi-)concluded in a ritual that took less than an hour to complete, that they discovered less than a full game ago, and that they proceeded to then not talk about at all in any significant way was deeply disappointing. a culmination that should have been this massive emotional upheaval fell overall flat to me bc of how rushed it felt.

But that's just me! and some of it was my own expectations and my own distaste for the pinion as a solution since well before they realized that's what it could be. but at least she's still there! so it's not truly over yet!