#because I am always! Late! for things!

[inkskinned]

at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"

like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.

"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."

... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.

and i'd still keep writing.

i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.

i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley

"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"

and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.

it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.

you create because you're greedy.

[trobeds]

i know the hunger games isnt about romance i know it isnt a love story but. theres just something so beautiful in the way peeta is the personification of what it means to heal and he /is/ the dandelion and the bread and the hope that things can be better even if they wont be fixed. even if the nightmares dont stop he will still hold her. wake her up and tell her shes alive. shes safe. and when its over and done and theres no more saving or protecting or trying their absolute hardest to die if it means keeping the other alive, the horrors dont stop. but katniss will still find that comfort in peetas arms.

[wonder-worker]

Wild how we know that Elizabeth Woodville was officially appointed to royal councils in her own right during her husband’s reign and fortified the Tower of London in preparation of a siege while 8-months pregnant and had forces gathering at Westminster “in the queen’s name” in 1483 – only for NONE of these things to be even included, let alone explored, in the vast majority of scholarship and historical novels involving her.

[coolnonsenseworld]

Last piece ❤️💙

There are still leftovers of the Calendar as well as some A5 prints with calendar pieces 💞

linktr.ee/Mezzy (or check my Tumblr for links)

[dragonsbluee]

I see your gay uncles of the straw hats Jimbrook and raise you old, gay, heartbroken, pirate captians who find a loving, romantic relationship in each other as they watch over a group of chaotic youngsters.

Because Brook and Yorki had a heartbreaking goodbye, and Brook spent 50 years mourning, but now he has a second chance. He wasn't expecting anything, but then, lo and behold! A handsome, kind, capable fish man enters stage right, and Brook is smitten. Here is someone who understands the grief of losing a captian and partner, then having to take their place to hold the crew together, but ultimately watching thier crew fall apart or suffer due to factors outside their control.

For Jimbei the last few years have been a whirlwind of chaos. He was looking forward to a new adventure full of chaos of his own making and choices. Now, enter stage left, this fantastic, enigmatic, adorable skeleton (and he's a musician!), who is a wonderful presence on a ship full of younger pirates. Jimbei never really moved on from the loss of the Sun Pirates, and hasn't had time to mourn all the friends he's lost in the past few years. But now he finds companionship and comfort in Brook. Someone who doesn't expect him to move on, let's him reminisce, but keeps him from getting stuck in his mourning. He's never thought of romance seriously before, but now he finds himself wanting.

The two meet in the middle, center stage on a ship of dreams as they forge a new one together. They still keep and work towards their individual dreams but find pieces of each other in them. Brook looks forward to the day he can introduce Laboon to Jimbei, and Jimbei has promised to translate the whale's words for Brook. Jimbei will see freedom for his people and finds motivation in every new song Brook writes and story he tells. Together, they find peace, calm, and rest. They find excitement, companionship, and a harbour in the other after years of storms.

[ros-sauce]

I dream of kissing The Terraria Zoologist under the moonlight

[the---hermit]

Buying evidently queer books with my mom feeling 100% comfortable asking her to hold them for me as i do something else is something i didn't know i needed.

[allthedrugsforcreativity]

💫

✨↓Ref under cut↓✨

[silkjade-archived]

i haven’t been here much recently, and i’m sorry i’ve only been negative on the off chance i’ve been online, but let me just say one last piece before the end of this month, so that maybe the next might be better….

[moregraceful]

max and i are closing in on launching [redacted sports rpf charity fest] and i am once again pondering how do i write "experience with writing form emails and manipulating google forms in ways no one has dreamed of" in a cover letter without saying "i did it for the rpf grind"...like there's no way unless everyone in this microsoft teams meeting gets really cool about a bunch of stuff really quickly. you know

[silusvesuius]

this tree from my new drawing looking goated afffffff 👑👑

[pochapal]

rokkenjima.......i miss her

[nacrelysis]

can't help but think like, bro. if you wanted to attack the archive, good job i guess?

but if you actually wanted to erase the queer + nsfw + queer nsfw content that ao3 houses...good fucking luck, dude (sarcastic).

people are always going to create. people are always going to be exploring the meaning of humanity or morality or any complex emotion through their art.

governments and groups alike have tried to censor literature in history. that sort of sentiment has indeed led to book burnings and regimes and horrible ways of attempting to control the human mind. but do you know what it didn't do? it didn't fucking stop those writers. it didn't stop their responses. it didn't stop efforts to restore and preserve after the worst had passed.

like, if that is your unironic objective for this whole situation. i don't know what to tell you. lol. humans, we are always going to create. queer people, we're always going to have pride in our identity and expression. authors and artists and creators, we are always writing and drawing and creating for ourselves, for our inquiry, and for our communities.

if ao3 really goes down for a prolonged period of time, people will find other ways. if you take away one website, people will move to others. if you take every one of those down (and i hope it drives you bankrupt doing so), then, eventually, people will create their own archives. online. in real life. of course it won't be the same. and it'll be difficult. but, i guess my point is that we won't stop.

like imagine telling a human to stop making art. lol. companies will stop doing something if it doesn't make a profit, but we aren't creating for money. what we're creating for, our causes and motives and passions, are things a cyber attack/acts of hate will always fail to stifle and take away.

[setaflow]

A friend is trying very hard to convince me to start donating plasma (he gets a referral bonus if he signs someone up) and ngl the idea of using it to pay for less important things like books and art commissions is appealing if only for the fact that I get to say "Yeah I'm paying for this with blood money"

[wonder-worker]

"Among their complaints [in 1460, the Yorkists] specifically blamed the earls of Wiltshire and Shrewsbury and Viscount Beaumont for ‘stirring’ the king [Henry VI] to hold a parliament at Coventry that would attaint them and for keeping them from the king’s presence and likely mercy, asserting that this was done against [the king's] will. To this they added the charge that these evil counselors were also tyrannizing other true men* without the king’s knowledge. Such claims of malfeasance obliquely raised the question of Henry’s fitness as a king, for how could he be deemed competent if such things happened without his knowledge and against his wishes? They also tied in rumors circulating somewhat earlier in the southern counties and likely to have originated in Calais that Henry was really ‘good and gracious Lord to the [Yorkists] since, it was alleged, he had not known of or assented to their attainders. On 11 June the king was compelled to issue a proclamation stating that they were indeed traitors and that assertions to the contrary were to be ignored." - Helen Maurer, "Margaret of Anjou: "Queenship and Power in Late Medieval England"

Three things that we can surmise from this:

We know where the "Henry was an innocent helpless king being controlled and manipulated by his Evil™ advisors" rhetoric came from**.

The Yorkists were deliberately trying to downplay Henry VI's actual role and involvement in politics and the Wars of the Roses. They cast him as a "statue of a king", blamed all royal policies and decisions on others*** (claiming that Henry wasn't even aware of them), and framed themselves as righteous and misunderstood counselors who remained loyal to the crown. We should keep this in mind when we look at chronicles' comments of Henry's alleged passivity and the so-called "role reversal" between him and Queen Margaret.

Henry VI's actual agency and involvement is nevertheless proven by his own actions. We know what he thought of the Yorkists, and we know he took the effort to publicly counter their claims through a proclamation of his own. That speaks louder than the politically motivated narrative of his enemies, don't you think?

*There was some truth to these criticisms. For example, Wiltshire (ie: one of the men named in the pamphlet) was reportedly involved in a horrible situation in June which included hangings and imprisonments for tax resistance in Newbury. The best propagandists always contain a degree of truth, etc. **I've seen some theories on why Margaret of Anjou wasn't mentioned in these pamphlets alongside the others even though she was clearly being vilified during that time as well, and honestly, I think those speculations are mostly unnecessary. Margaret was absent because it was regarded as very unseemly to target queens in such an officially public manner. We see a similar situation a decade later: Elizabeth Woodville was vilified and her whole family - popularly and administratively known as "the queen's kin" - was disparaged in Warwick and Clarence's pamphlets. This would have inevitably associated her with their official complaints far more than Margaret had been, but she was also not directly mentioned. It was simply not considered appropriate. ***This narrative was begun by the Duke of York & Warwick and was - demonstrably - already widespread by the end of 1460. When Edward IV came to power, there seems to have been a slight shift in how he spoke of Henry (he referred to Henry as their "great enemy and adversary"; his envoys were clearly willing to acknowledge Henry's role in Lancastrian resistance to Yorkist rule; etc), but he nevertheless continued the former narrative for the most part. I think this was because 1) it was already well-established and widespread by his father, and 2) downplaying Henry's authority would have served to emphasize Edward's own kingship, which was probably advantageous for a usurper whose deposed rival was still alive and out of reach. In some sense, the Lancastrians did the same thing with their own propaganda across the 1460s, which was clearly not as effective in terms of garnering support and is too long to get into right now, but was still very relevant when it came to emphasizing their own right to the throne while disparaging the Yorkists' claim.

[polite-pandemonium]

I am just somehow OBSESSED with Takeru DRIVING. Like is he a bad driver? He speeds past the gang waiting outside of Daisuke's restaurant (or the restaurant where Daisuke works, whatever), so maybe? Is that his mom's car? Or is it his car? Why does he NEED a car? What is he doing that requires him to drive? Is it going to be a plot point in the movie? Is Takeru being a BAD DRIVER going to be a plot point? I need to know.

Ken and Miyako are also visibly startled when Takeru speeds past (Miyako JUMPS!!!!), while Iori and Hikari don't even flinch. What does that say about DYNAMIC?! Are Iori and Hikari more used to Takeru's (presumably bad) driving? That would make sense, no, cause they are (canonically???) closer with him? Just such a small interaction and I can interpret so much and draw so many conclusions!!! How fun!!!

There's just something really so fun about watching characters you've loved your whole life continue to grow - to see new details about them spring up, new traits, new things to add to canon. It's the most delightful thing about the Digimon Adventure franchise to me. Sure, the stories they have told over the last decade have mostly been all various shades of mediocre, but the character moments - goodness, the character moments just don't hit the same in any other media for me. It's so special to me.

ETA: WAIT, looking at the screencap, Iori looks slightly concerned. Only Hikari looks calm (though she does turn her whole body to look at the car once it stops). Does this mean HIKARI is the only one comfortable with his driving? Cause Hikari is closest to him? (I don't even think their closeness is something that is debatable - I feel like it is PRETTY CANON that they are closest with each other???????????)

HERE'S HOW TAKARI CAN STILL WIN.