#because right around when s1-s3 were coming out there was a lot of discussion about Black main characters being made into animals

[raayllum]

I keep seeing people calling Callum Snake boi what does that MEAN

Little slice of fandom history and also because it's my fault (TLDR at the bottom in bold):

Years ago, a few days after S1 came out and when JK Rowling wasn't an outspoken bloody TERF there were discussions of what Harry Potter houses the characters would fit into. The general consensus for Callum seemed to be that he'd be a Ravenclaw because he's clever and artistic, but I argued for Slytherin (whose symbol is a snake) because I saw him more so as ambitious than just curious and more selectively loyal when it comes to his motivations, etc etc.

If you've been following me for any period of time you might know that I tag Very Meticulously, so as a trans person and a trans ally I was like I don't wanna use the TERF's terminology anymore, but having a tag to talk about a specific aspect of Callum's characterization (his wonderfully harsh temper, his intense selective loyalty, his obsessive ambition, etc etc) was still a useful prospect to me. Thus Snake Boi Callum as a tag was born, mostly as a joke? And so I could find metas that talked about his characterization (specifically) as I don't think I had a characterization tag almost at all for a while?

It started to pick up steam in my tags specifically when there was starting to be a little bit of - pushback isn't the right word cause everyone's entitled to their own interpretation and characterization of a character, nor does everyone have to engage with every part of a character's canon personality or actions in their fandom stuff if they don't want to.

But there'd be stuff of people forgetting that he can be pretty mean when he gets angry or not seeing him as selectively loyal to Ezran and Rayla? People would also be surprised but accepting, or resistant, to his growing and consistent parallels in characterization with Viren and Claudia (even if they are all still, ultimately, different from one another).

I saw a fair bit of sentiment during the hiatus of "oh he'd Never ever do dark magic again" (which I never believed even immediately post-s2) or in discussions of how he'd respond to Rayla after she left in Through the Moon graphic novel (set shortly after S3). Some people thought understandably that he'd care a lot about the lie (that he'd get to go with her) and the abandonment, understandably so - they're both shitty things to do, but I also sympathize/cry over why Rayla thought she had to do them, but I never thought he'd think the lie was that important, and focus more on the abandonment aspect as a source of hurt.

Snake Boi Callum as a concept also got some mileage in the development of my Cube Hostage Exchange Theory as well, an ongoing theory since November 2020-ish that Callum will help Aaravos / give him the Key of Aaravos in order to save Rayla's life if she was injured / taken hostage. I don't know if they'll do that scenario now because S5 basically delivered the exact thing, just with Finnegrin instead of Aaravos, but there was some more legitimate pushback to said theory/scenario during the hiatus because people thought Callum would never help a villain like that or take such a big risk for someone he loves. I'm not gonna say that I was wholly right (because I wasn't) and again people can interpret his actions in S5 in whatever way they want, but I will say that all of S5 was one of the most validating experiences of vindication I've ever had in my whole life, so that probably speaks for itself

But yeah, it's a term that's kinda caught on (I would say 60-80% of the fandom sees Callum as someone who would risk the world for Ezran and/or Rayla, with 20-30% - maybe less? - seeing otherwise, hence why I think it's caught on; but again, having an 'unpopular' opinion in fandom doesn't necessarily make it wrong, god knows I've had plenty) and then in the discords I'm in, a few people thought a week based around those traits would be fun and boom. Snake Boi Callum Week was born.

TLDR; Snake Boi Callum is a fanon catch-all / shorthand for the 'darker' / more emotional and torn side of Callum's personality (his ambition, his temper, particularly his fierce protectiveness and selective loyalty) that is being explored by whoever wants to in a fun fandom week. His bio in official series material does read that he values "those close to [him] more than anyone or anything" after all (which again, was very validating after years and seasons of seeing and writing him with that exact sentiment)

The tagging also means that for people who don't agree with this characterization for whatever reason, or whom dislike the emphasis on it, can blacklist it easily (as is the intended purpose with all tags on my blog)

He's a goofy nurturing guy who will Cut You and verbally eviscerate you without question if you hurt his loved ones or piss him off enough, and I love that for him. He's a little snake boi and we think he should have lots of angst (or sometimes not enough when it comes to killing/threatening people) over how far he'll go to protect the people he loves, as a Treat

[valoisfulcanellideux]

Points of interest from today's Pix stream

See behind the cut for some points of interest transcribed from Pix's Empires stream today (fWhip joins in, in chat, too). Included:

endings for the season and fan expectations

fanworks and headcanons, how Pix wanted to structure his S2 to enable fans to run with their own ideas, and how his S1 ending the way it did also enabled that

what Pix would like to do if there's an Empires S3 [speculative only; not concrete plans]

Behind the cut with you!

This led out of a conversation wherein Pix discussed having seen many fans' opinions of S2 ending 'suddenly'/'too soon' and 'unsatisfactorily' and not to their liking, and how the endings could have been better/loose ends tied up more, etc etc (we've probably all seen those opinions and posts repeatedly by now, so I'm not going to belabour them anymore).

First off, Pix very briefly mentions his season end plans:

fWhip (in chat): A lot of people seem to have taken my video as the end.. not realizing everyone will upload their own finale. I didn't do any real lore this season so having a full lore based ending felt wrong

Pix: I've got an ending planned, but it's going to be very much like my ending. And, again, I'm somebody who doesn't have any story to my stuff, really. Like… I became a ghost. Nothing's really happening with that. It's just a fact of my existence now.

fWhip (in chat): I finished building gobland to where I was happy with it, so that was a natural end for me as a creator

Pix: Yeah, like, "Guess what? I'm done building. Series over!" [pause, then mutters] I wish I was done building [laughs]

[discussion continues for a while around fan expectations]

fWhip (in chat): also I think some fans don't realize not all of our audiences love the heavy lore, and if our videos don't get views we can't really keep making videos lol

Pix: Yeah, that's the thing. There's always going to be the most activity around stuff that people really feel like they can get behind as a community. But the communities tend to isolate themselves with other people who enjoy the same stuff they do, right? So, like, folks on Tumblr or Reddit, for example, might get really behind certain creators' approach to lore.

[short discussion about browsing the Empires subreddit and seeing so many posts about Jimmy being a toy, including polls worded in such a way that they're biased from the outset. also how - when fans latch on to certain ideas like that - it can be stifling to a creator, as in 'once you've exhausted that thing but people still want it from you, where do you go from there?']

This next part was what I really loved about this stream discussion: Pix's views on fanworks:

Viewer: Tumblr will come up with lore even if there isn't any tbh

Pix: And that's what I wanted to do with this season. I really wanted to just create whatever I wanted to create, and have it be something that people could speculate about all they wanted to, and any answer would be the right answer. That's one of the things I liked about… [pause] Even though I felt bad having left Empires Season One when I did, and everyone else was very kind in pointing out, like, "You said you were going to leave then anyway, so it's not you kind of left us in the lurch, or whatever"… [pause]

One of the things about the ending of Season One not really being there was that people come up with their own theories about what happens to the Copper King after all of that. And I'm, like, "All of those are correct!" [laughs]. Whatever you think happened, happened. Because that's the fun of using your imagination for stuff like this, right? That's sort of the approach I want to encourage people taking when we do projects like this, is your interpretation is just as valid as ours. And if you want to imagine that stuff, don't always expect us to act on it.

Finally, someone in chat asks what Pix would like to do if Empires S3 takes place. [NOTE: This should not be taken as gospel and what Pix plans to do. He appeared to just be spitballing and chatting casually here, so this isn't a concrete plan, nor is it confirmation that there will be a season 3. I'm just adding this as another point of interest from the stream.]

Viewer: I know you said that you're not sure about Empires season 3 but what would you do if it did happen?

Pix: That's the thing: I really don't know, and that's part of the reason we're not doing a season 3 immediately, if at all. I don't know what ideas would work, I don't know what ideas would be compatible with other people's ideas. Like, I would love to do something that feels a bit more modern, because I don't challenge myself often enough to build in a modern style. I would love to do something that felt a little bit more cyberpunk, in… like a System Shock kind of way. But I don't know for certain if that would be at all compatible with anything else, because Empires in general skews a bit more, like, D&D fantasy, which tends to be more medieval fantasy; European medieval, specifically. And, y'know, there's a few exceptions to that, but I think a lot of the time - because Minecraft itself feels like more of a fantasy world… y'know, there's cobblestone and wood everywhere, and bookshelves, and enchantment setups, and brewing and that kind of thing. It all feels a lot more medieval fantasy than anything else. I just think it's kind of difficult to sell the idea of there being, like, a cyberpunk kind of modern setup in the middle of all these other people who are still playing, like, straight-up D&D. It feels anachronistic, and not in a good way.

[brief discussion about how 'modern empires' could also mean business empires, but that would then mean creators having to build whole cities, which are a pretty hefty undertaking]

[kmze]

Not sure if my ask was sent before so I'm sending it a second time and You don't have to respond to this if you don't want to.I haven't discussed tvd in ages actually but I guess I just needed to let this out.

The manufactured "awkwardness" in the first episode was way too obvious,Kris.If you go back to s6 or even s5 or seasons prior,there was NEVER any awkwardness between them.Like you mentioned in your recap,Paul/Stefan was effortless around Candice/Caroline in s2.I remember Dries kept talking about them being "awkward" at the interviews as if that conniving shrew WANTED that to play out on screen.

I also remember how melodramatic Stefan's scenes were with You-know-who in the Rebecca Sonnenshine episodes and deliberately contrived.She gave them THE COFFEE scenes, Kris!!! Why did they play a wedding First dance song during her goodbye scene?It was the most unfit music moment ever done by Chris Mollore!

Paul's acting was,I don't know,unimpressive that season even though he was one of the very few people on that show who could actually act.!At times it felt like he was overacting around You-Know-Who.I don't remember him acting like that around Katherine or Elena.His chemistry with Katherine was always better than that with Elena though.I always sensed a weird stiffness in Paul when he was around Elena especially in s1 & s2.Not sure if it was because he was expected to play a tortured soul or because, like PW had said ,he took a lot of time getting comfortable in his role.However,something was wrong in  season 7 about his performance and I couldn't quite put a finger on it.Even the "I'll not let anything happen to you" didn't land or have the same impact.Not sure if it was the acting or the direction.In almost all the episodes,SC scenes were either heavily edited or abruptly cut in between.(1/2)

(2/2) Remember the twist in the mythology Dries kept blabbering about the whole time?What was the twist?That there was NO TWIST? Or that Stefan-You Know Who was the new hybrid version of SC-Forewood?

Stefan(6×16): I don't know when it became more than friendship but it did.

Stefan(7×16):Our friendship evolved.

Remind me again what exactly Stefan was running from because the whole Rayna-thing was severely unconvincing.

(A tiny part of me even dreaded a late reveal that they had Caroline and You-Know-Who's souls switched the whole time.)

Anyway,the whole "running away together" was a total ripoff of s3 Forewood which reminds me of something else about Tyler.For someone who claimed to have made the best decision by leaving MF, he sure as hell was interested in MF business for e.g coming back for Caroline's baby shower or protecting Elena's coffin which is why him randomly appearing in flash forwards and telling Stefan he didn't want to be involved in his and Caroline's drama only to change mind and say he would warn Caroline and never appear again??? The flash forwards were the biggest bunch of BS that tvd churned out.

Don't even remind me of Penny's death mystery/revenge.Even if Stefan compelled Matt to forget,how come he or for that matter an entire police department stayed convinced  she died in a car accident when Stefan's blood didn't even work on Penny i.e the bullet wound was still there! What kind of brain-dead morons worked there?Didn't they send the body for autopsy?Also if Stefan had been travelling for 3 years,isn't it too much of a coincidence that he just happened to have been in the US right when Matt released the huntress?How did Matt do it on his own?What were the logistics involved?And of course,Enzo was the root cause of 95% of the problems starting with bringing Rayna into everyone's lives and blackmailing Damon into giving up the sword using a lie and eventually preventing Bonnie,before the time jump, from sharing a key info with Damon that if they killed the everlasting they could stop Rayna.Bonnie was the one who figured it out on her own but post time jump that credit went to Matt so he could play hero!And neither he nor Enzo was held accountable especially Enzo for what he was doing to Bonnie for three years.

Stefan weirdness:

Exhibit 1: He used to binge watch Say Yes to the Dress! (What the hell was the prop department smoking?)

Exhibit 2: Writing "Dear Caroline" in BLOCK Letters with no address? Really?Didn't he maintain journals for over a century?Let's not even go into the whole grammatical error part because that made me wanna bash his head against something like Lexi did.

I think it was Melinda Tsu,Brian Young and Rebecca Sonnenshine whose writing infuriated me the most.And I think s7 caused a lot of discontent amongst the cast and it was sadly noticeable during s8 no matter how much they tried to hide it.They just wanted it to end.

All good anon! Everything came through and yeah it’s kind of nice therapy to let it out about all the things that bothered us in these seasons! Some stuff I can’t quite remembering and I’m trying not to watch future scenes during my rewatch so I might not have answered everything as well as I could have.

Awkwardness: Yep, exactly. It was the kind of awkwardness that wasn’t there before, so it felt super deliberate when I look at the overall season. There was an interview after season 6 ended (and I can’t find it) where Julie said that originally Stefan and Caroline were going to get together in the season 6 finale but Dries (see a pattern) convinced her that no they should wait and give Caroline time to heal. It would have been so much better if they had gotten together in the finale! I know initially I thought “oh well that’s good because then we wouldn’t have seen them getting together and the cuteness” because I was naïve to think this show wouldn’t start with angst the first chance it got. It also would have made narrative-sense since Stefan and Caroline always kept getting drawn back together no matter how much they fought it (like magnets).

SV: That damn coffee scene was really just there to piss us off. The song in their break-up didn’t bother me that much but I do understand why it annoyed people. I took it as that song was Valerie’s POV like that’s for letting me love you now I’m going to go find a life. The song that pisses me off that they used is “Little Do You Know” in 7x16 that was such a Steroline song and I can’t even listen to it anymore remembering how it was used in the show.

Paul’s acting: Oh yes 100% he seemed uninterested because I don’t think he knew where the storyline was going and maybe he doesn’t take good direction from Dries (or she doesn’t give it). There is an awkwardness with him and Elena in S1 that made me not really care for them, he just looks like he stubbed his toe when he kisses her all the time, and I don’t really understand it. They get better in S2 from what I’ve seen so far but I also think he became more comfortable in the role in S2. With Katherine him and Nina play it perfectly as that sort of “fine line between love and hate” ship and I think that ends up being a more interesting dynamic to watch for some. With Candice it’s just so effortless in how he plays Stefan’s comfort with her. For me the biggest problem in some of S7 was they did not let their scenes breathe! Like you mentioned the “I will not let anything happen to you” in S2 they linger on them after he says it and he pulls her into a hug and they didn’t really do that in 7x13 (though I blame the editors more than Paul’s acting I thought overall that was a good episode for him). Even in 2x13 the scenes at Caroline’s door are given so much time to breathe and linger and make an impact! There’s also the fact that Caroline’s porch becomes a big symbolism location for her in all her romances and it’s basically the door is her heart and we see who she lets in. This gifset and my thoughts explain it well. Even the kiss in 7x01 gets cut up weirdly even though the scene overall is great (door symbolism again, Stefan says he’s going to bolt the front door and then Caroline gives in and kisses him). S7 definitely gets better with the pacing and editing for the Steroline scenes after 7x16 though, like Stefan at the door in 7x19, all their scenes in 7x21 and then in 7x22 they are back to being themselves which of course was because Julie came back and Dries was completely gone.

Rayna: Bruh I have no idea what the point of the FF were, there was never any twist I feel like all the did was fill me with dread, and then the payoff episode in 7x16 was just everyone talking on the phone driving around in cars. Why did Stefan burn his car? Why did Stefan drive around the continental US with a blood-stained shirt for days? What did Caroline say in the broadcast? I will say I do understand why Stefan thought he couldn’t be with Caroline because of the twins but I didn’t really understand the being on the run thing since she was locked up. I thought maybe it was supposed to be that he was trying to find an answer on how to fix it (kinda like Caroline being gone in Legacies) but it’s never really explained. Just seemed like manufactured wangst and when JP came back she was like “this is stupid lets move on.”

Tyler nonsense/writers: I feel like the writers had no idea what to do with Tyler once they had decided they were ending Forwood for good (even though LivTyler was very cute they could have just not killed her!). I think it was scienter who had an ask a few weeks ago where someone said if Nina didn’t leave after S6 there was going to be a cliffhanger and someone was going to die and she thought it was Tyler and I agree. They had no idea what to do with him and they couldn’t really do a triangle with Stefan/Caroline/Tyler because it had been pretty established in canon Caroline always chose Stefan over Tyler, like even when Forwood was together (ala 4x09). LOL the Penny thing is so dumb but also shows how stupid Matt is because why when you know about the existence of vervain and vampires would you not STILL BE TAKING IT! I mean he really thought telling them to all leave would work? No back-up plan? The Mystic Falls PD is just as bad as Gotham City PD I’m not sure they’ve ever solved a crime, remember when Liz had all those open cases and Damon was like “oh this is all me” and she laughed. I don’t remember a lot of the Rayna plot device stuff and I actually forgot Enzo was the root cause of most of that, I will never understand why his death was supposed to be a bad thing, most useless character ever. I don’t remember exhibit 1 but exhibit 2 I just chock that up to prop department, at least they put something that made sense and not a scene from a random movie with no relation to the plot. I do agree Young and Sonnennshine were the most influenced by Dries and Sonnennshine particularly seemed to like writing SV. I believe I saw a BTS photo/post that her and Elizabeth (who played Valerie) were friends so she might have been influenced by that. Melinda could still keep SC strong in her episodes like 7x03 and 7x11 plus she wrote the first proposal and 6x19 so I can’t be mad at her. Young though, he was the most influenced by Dries (they are IRL BFFs) like the difference between 7x09 and 7x22 is staggering.

I do agree some of the acting looked like people were ready to leave in season 8 (cough Ian cough) but Paul and Candice were really great that season IMO. Stefan looked at Caroline with so much awe and love between 8x01-8x07 and gave us such amazing moments, probably because the direction of the story was initially pointing in them being happy together in the end but then KW had to ruin everything.

[animecreator3000]

About the Boueibu iceberg

@delphoxqueen asked me to explain about my list for the iceberg so here it is. I might update this from time to time with links and stuff if I stumble across the original posts. This is all from what I know so feel free to add new info. Also, spoiler warning for RobiHachi and the Boueibu manga and novels. (This is like a masterpost it’s very long)

1. There’s a theory in tumblr about which decade the series is set in, using data like the friday the 13th calendar in s2 ep11. In HK we got a second number for when the next monthly Pretty Boy Contest was happening and using the one from Love it was theorized that around a decade had passed since then, which ended up being true.

2. The stage play had a few original songs and characters exclusive to it so unless you watched the full performance, you probably weren’t able to witness all of them. One of the characters is called “Robato Deniro”, as romanized in the stage play booklet I own.

3. The nurse and the cafeteria staff from the s1 mobile game appear in the background in around the first half of s2 ep3.

4. S2 had an unfinished manga that was only available online and was never released on physical format; it was centered around the defense club and sometimes the conquest club and Beppu brothers. All that’s left from what I know are the scans linked on magicalgirlsandcerulean’s blog.

5. This isn’t that obscure because it’s talked about in the anime, but I’m mentioning it because I think many people dropped it before the ova, where right at the beginning it is revealed that the alien that resucitated Mr. Tawarayama twice was, as described by Io, a “mulberry-colored naked mole rat-looking thing”, and was nicknamed “Moley-san” by Yumoto. At least in the anime, we had never heard before of who this was and it never appeared on screen nor was mentioned again.

6. In HK ep8, Karurusu promises the knights to grant a wish if they show him how earthlings spend summer. Kyoutarou reveals at the end of the episode that he wished that summer lasted one more day so he could spend it doing nothing, which prompts Ichiro to theorize that it’s the 32nd of august, and the next day is the second 1st of september.

7. The stage play was was held from march 10th to 13rd, of which the latter is Ryuu’s birthday. There’s an additional recording of a small celebration with cake focused on Ryuu and Io.

8. Atsushi mentions his older sister in the flashback at the beginning of s1 ep4, but she never appears or is mentioned again.

9. There’s a few posts on tumblr theorizing about what happened to the Hakone parents since Yumoto only says in s2 ep3 that according to Gora, “they are busy with their hot springs tour”. En mentions that it’s a bit suspicious, but it’s all the information we have from the anime. Posts talk about the parents perhaps passing away from an accident or an illness, thus the reason why Gora was so worried about Yumoto’s cold in s1 ep10, but from another post I think it’s implied in the second novel that they actually left their home when Yumoto was still a toddler.

10. It’s no secret that the surnames of the characters are all real onsens in Japan that even the seiyuus have visited, but apparently the Arima onsen has two different kinds of water, “kinsen (gold hot spring)” and “ginsen (silver hot spring)”, with different properties each, and the Kusatsu onsen water also has certain properties, both that were used to build the characters. Additionally, Ryuu’s favorite food are Sato Nishiki cherries, which are grown in the same prefecture, Yamagata, as his onsen, Zaou.

11. The press club lose relevance after s1, with only Kinosaki and Tazawa reappearing briefly in s2 ep2 to interview the Beppu twins after they arrive at the school. Tazawa doesn’t even have lines. Hireashi is mentioned by Zundar in ep11.

12. What the heck

13. Exclusively in the manga we see that Arima met Kinshiro and Atsushi when they were little and they were good friends, but when they met again as adults, Kinshiro seemingly didn’t remember Arima. Atsushi, however, stated that Kinshiro’s talent is remembering people’s faces and names, so Arima wonders if he’s just trying to distance himself from him. He also explains to Akoya that he follows Kinshiro and obeys him because as a child, he was fascinated by his radiant smile. This is never talked about in the anime.

14. Like the previous point, the anime never shows Akoya being bullied, at most just a slight dislike of his full name, but the manga shows that he was made fun of for it and how he actually hates his surname, to the point of introducing himself formally to the president and vicepresident of the student council as “Holy Angel Akoya”.

15, 16, 17, 19. Batonama lives were the livestreams done through the franchise by the defense club seiyuus on youtube and niconico. They’re all on youtube, without any kind of translation.

Love-ko is a girl with a shell bikini drawn on a piece of cardboard that was used as a girlfriend in the Batonama Love! lives, acted by the seiyuus themselves.

RobiHachi has one episode full of official Boueibu artwork and a parody of the series too, a Love-ko doll appears, and Wombat appears as well, named “The Don”. It received an english dub, so for a bit, people were excited that Wombat was going to speak in english too. Also, various mechas appear in both Boueibu and RobiHachi.

18. The director of Fairy Ranmaru (Masakazu Hishida if I’m not wrong) revealed in an interview that he was inspired by Boueibu and aimed to make a show like that.

20, 21. The website super-groupies.com has results for defense and conquest club lingerie sets, dc and VEPPer tote bags, the Beppus’ scarf rings, dc bath sets and the pumps magicalgirlsandcerulean mentioned. I’ve found the s1 Loveracelets and Caerula Adamas’ ring on different sites, the True Loveracelets on TheChara’s twitter and the Happybraces (apparently called “Hapibure”) on broccoli.co.jp but I’m not sure where exactly they were all announced and sold, so I’ll just drop that.

22, 33. Boueibu was originally pretty much a copy of Sailor Moon, I think they were all going to be called “Lackluster Moon” and that stuff and be literally Sailor Moon genderbent. They were all different from color palettes to physical features (except Yumoto’s), and Ryuu was a shota, even smaller than Yumoto. Their names were also very reminiscent of the five Sailor Senshis’. Even if they made it more original, the show is still clearly inspired by Sailor Moon (just look at Caerula Adamas lol) and Pretty Cure. It has also referenced, very blatantly, animes like Doraemon, Detective Conan, Aikatsu and even Vocaloid, when Kyoutarou tries to guess what Karurusu is saying with ““Just Google It, Asshole”?” in ep1.

23. Wombat’s real name and the name of his planet sound like gibberish to the earthlings and ends up being named after the Earth animal, but Zundar, Dadacha, Karurusu and Furanui all have original names. And I think Hireashi means “goldfish”?

24. If you google “zundar technology”, it’s actually a company in Shanghai, China. Aren’t Wombat and Zundar always talking about “advanced alien technology”?

25. Zundar and Dadacha are siblings, so are Karurusu and Furanui, and so are their father King Kamopapa and their uncle minister Wao, but neither are the same species and, except the first two, not even the same color. But they are supposedly related because they share birthmarks or something like that...

26. Everyone who’s in this fandom knows about the pixel blur and voice pitch censor from s1, but I’ve added it anyway because it’s so rare for mahou shoujo and shounen animes to explain why the heroes aren’t recognized when transformed.

27. A good while of s2 ep11 is spent discussing Zundar’s ex-wife and his problems to give child support. Naturally, he gets mad at this.

28. “Money doesn’t betray” (s1 ep6) and “The despair hidden behind your smile that comes from not being understood” (s3 ep11) are sentences that came out of nowhere and implied that the people they were said by (Io) or about (Taiju) respectively had some kind of angst going on but were never explained at all. They’re famous for just that.

29. The Beppu twins’ house in Andromeda shown in flashbacks had strange green circles that apparently are from another anime I don’t know but honestly I didn’t get it very well... It was revealed on a tweet from Takamatsu.

30. Alien language mostly appeared in s2 due to the many flashbacks of Aki and Haru in Andromeda, but in Boueibu s1, it appears on the Zundar Needle before it is shot on the human. It appears a lot through RobiHachi as well, due to being a story about travelling through space. There might be an alphabetical chart somewhere, but I can’t assure it exists, I might even have dreamed it.

31. Hikaru Midorikawa as the melon monster, Kousuke Toriumi as the bishounen monster, Yoshitsugu Matsuoka as the kotatsu and panda monsters and Takuya Eguchi as the remote controller monster in s1 and 2, before going on to voice the main cast in HK. Keisuke Koumoto voiced Hatchi Kita in RobiHachi as well as Akihiko in Boueibu, and the characters look similar.

A new addition is that so far Boueibu is the only anime I’ve seen where children weren’t voiced by female seiyuus, but by actual children. Personally, it’s charming and makes it so much more realistic, specifically since no women appear in the franchise at all either (not counting Protag-chan in the game).

32. Speaking of seiyuus, Can I Destroy The Earth? had a dub shown in ep11/12 (?) that made Gora the villain that wanted Earth to stay the same and not progress, against the monsters that supposedly wanted to bring good things to earthlings. Aki and Haru quickly dismissed this dub as fake. (I made a mistake in the title in the previous post btw)

34. As seen in the glossary in the Boueibu Mook (I think, but might not be the mook), Caerula Adamas’ speeches are based on an old japanese detergent commercial that went “Gold, silver, pearl, gift”.

35. In the manga there’s a short parody of the first chapter of Sailor Moon with “Pretty Boy Guardian Gakuran Akoya”. The conquest club manga was released before the anime, so I remember reading somewhere that a fake website appeared for the Gakuran Akoya manga, before turning into the conquest club manga website in the day of its release.

36. Cgi was used a few times in the anime: s2 ep10 for a short sequence of the defense club on a rollercoaster and the carousel monster, ep11 for a cenital shot of the Battle Lovers singing, and HK ep12 for the Honyalaland soldiers and the Wao mecha.

37. The toothbrush incident in s1 ep7. (It’s definitely well-known but it’s so weird lol)

38. “We hope we can see each other again someday!” Something along those lines was the last text to appear in the last episode of HK, implying a s2. We all know how that went.

[beepboop358]

My Byler theories/predictions for S4

Since s4 is already confirmed to not be the last season, I don’t think Byler will officially get together in s4. I do think that we are definitely going to get a large amount of Byler’s development in s4 though, we just aren’t at the finish line yet. Since Byler has been being developed all through each of the seasons, I think the writers are playing the long game with Mike and Will. I really appreciate a queer romance that is so well developped, especially in something so popular! I think the season will end on a note where it’s understood what Mike has been struggling with, It’s made known that Will is gay, and that Mike has feelings for Will, and Will has feelings for Mike.

My predictions/theories for Byler in s4:

Mike might be acting a little off at school and Dustin is going to notice his odd behavior and ask what’s up

I think Mike will be getting in trouble at school and at home (based on whenever he doesn’t have Will/El around he does stupid things - like graffitti the bathroom wall, plagiarize essays, curse at adults, etc.) I don’t know if Mike knows about Eddie dealing drugs, but he might and he might get drugs from Eddie and do them to cope with everything he is struggling with. His parents might ground him for doing drugs, and forbid him from going to visit the Byers, and then we could get our runaway smalltown boy montage! LOL

Lonnie might come to visit the Byers in California for Will’s birthday. He will probably show up because he thinks they have money now, or he wants to sue Starcourt like he wanted to sue the quarry in s1. Mike will also be there visiting for Will’s birthday. Lonnie will mock Will and make fun of him like he always did, but he will also hate Mike. Lonnie will definitely notice Will and Mike’s dynamics and he will definitely comment about it. He might even call them homophobic slurs like we know he used to do with Will when he was younger. Lonnie will probably make Will cry and Mike upset. Lonnie might possibly “out” him and Mike before they are out and confirm it themselves. Some of the movies on the stranger writers twitter for s4 also hint at this, as well as having the baseball references. There are also hints to Will’s birthday throughout the show: The rainbow happy birthday mug seen in the crazy together scene, the “sorry i forgot your birthday card” in Will’s room from Lonnie, and Joyce’s speech in the shed discussing Will’s 8th birthday and his “rainbow ship”. Jonathan also mentions how Lonnie made him kill a rabbit on his 10th birthday and he cried for a week after, just more hints that if Lonnie shows up for Will’s bday, it’s gonna be bad.

Mike might get Will a watch for his birthday. This would reference the clocks being central to the s4 plot, and “not wanting things to change/turning back the clock” in Hopper’s letter

Will is being homophobically bullied at his new school again, possibly references to Will having HIV/AIDS because the height of the epidemic was in the 80’s and it was very stigmatized

Mike will call Will more than he will call El. Will might be slightly surprised by this, El’s frequent calling will annoy Mike and he might turn off his walkie talkie. (basically the reverse of what Mike said would happen in the s3 ending mileven scene)

Mike and Will will be in the same location for most of the season, like s2. They will not leave each other’s sides for the majority of the time they are together.

S4 Group Predictions:

- El, Will, Mike trio together with Jonathan and Argyle. (we will get some obvious tension between El, Will, and Mike, and Mike will hate Argyle at first)

- Robin, Steve, Erica, Max, Dustin, Lucas, Vickie, Eddie, Nancy

- Joyce, Murray, etc?

- Hopper and the other Russians (Dimitri, etc)

The rift between Mike and El will continue to grow.

When Mike comes to visit, she will notice he seems much more interested in Will.

El will ask why the bullies call Will those things (queer/fairy/gay/homo, probably f slurs too), what it means and if he really is “a queer”.

I don’t know if Will is going to come out to El. They have never interacted before, and I doubt Will trusts her or really likes her much mainly, because of Mike. Unless they get super close during the time not portrayed on screen between s3 and s4, or by being all each other has in California, I don’t know if  he will come out to El. I could see this going either way depending on how their friendship develops. I definitely do not think Will is going to tell El he likes Mike, even if he does confide in her he is gay. I think she will find out eventually but in some other way, probably just from Mike’s behavior towards Will.

El will eventually realize she doesn’t actually love Mike and let go of the ‘romance’ aspect of their bond, but still highly value him as a friend.

Mike might be called homophobic slurs at school as well. Mike will definitely be teased (regardless of his sexuality) because he is in the hellfire club and since satanic panic is sweeping the town, people look at D&D as if it is a satanic game, and he will be teased because of that.

Based on the leaked bts pics, I have a theory a cheerleader, or someone else, might show interest in Mike.  Mike will not reciprocate and she will call him out for it asking why he doesn't like her because “any other guy at this school would” or something like that, maybe even ask “what are you gay or something”. It would certainly be good for Mike’s narrative but idk if it will happen.

Will may confide in Jonathan about his feelings for Mike and the things the bullies say to him at school. Jonathan will be supportive of Will, as will Joyce. I think he will also try to protect Will from Lonnie and they will both defend Will to Lonnie.

I think we need a scene of Mike with his Mom telling him to follow his heart, like who you like, etc. because life is too short to waste it being miserable or something like that. This could be inspired by Mike’s parents seperating, but idk. This could also encourage Mike to initiate more romantic things with Will.

I would love to get a scene of Will confronting Mike for “Joining another party”, after Will said he wouldn’t.

Will and Mike need to discuss what was said in their fight.

I think since Mike's been holding in a lot of turmoil and struggling with his sexuality for so long we might get a small breakdown scene from him, of him telling Will he’s really sorry for how he treated him last summer, and for all the things he said to Will. Mike will profusely apologize and also hint at how he’s confused and been dealing with a lot.

I think Mike will be the first one to break down and confess he has feelings for Will and has been struggling with coming to terms with his sexuality.

Once Will has confirmation Mike is also struggling with his sexuality, Will might come out to him. I would love for him to reference the fight being like “You were right. I don’t like girls.” (from @itsonlystrange ‘s 4x07 byler script it’s so good!) I don't know if Will will confess he likes Mike to his face or not. I don't think it's likely given how shy Will is and how afraid he is of Mike not reciprocating, but who knows.

Mike may initiate a kiss between him and Will - towards the end of the season probably (eyewitness parallel - explained in my byler proof google slides)

I think Mike and Will might write letters to each other, with some love-y connotations. There is a lot of evidence for this in the canon comics of them writing notes to each other, and that cryptic tweet from stranger writers twitter with a blocked out message and the date Will went missing saying it wasn’t about a couple or hopper. Maybe byler related? This tweet may not be a letter but it might be. The most popular theories are that the message is to Will, “love mike”, which I love. https://twitter.com/strangerwriters/status/1184945905973153792?lang=en

Will has a new haircut (bts pics) and Mike will gush over it. Maybe some gay-panicking too hopefully

I think El will be either physically or at least emotionally distant the entire season from the other kids (again following the pattern of even and odd seasons) El needs some personal development this season, since she didn’t get any in s3.

El might confront Mike and ask if he is gay and if he likes Will, which could be El’s motivation to go off on a journey of her own to learn more about her own life. I don’t think it will be a huge fight, but El might make some references to him always lying to her. I think Mike might just kind of try to talk his way out of it at first, but he will eventually break. This might be a two part discussion and Mike doesn’t admit she is right until later. I don’t think it makes sense for El to be heartbroken (explained in my byler proof slides), just slightly annoyed. This is based off of the movie Tootsie which they borrowed the “gift” idea from in s3 already. In the movie, the girlfriend then after receiving the gift asks “Michael” if he is gay.

I really think eventually El will realize it’s okay because she doesn’t love him romantically either, and once she realizes that her own personal development can really begin.

I think we will see a noticeable change in Mike’s demeanor. I think Mike will mainly just be trying to hide that he is gay now. He joined the hellfire club so we know he’s playing d&d again meaning he is reverting back to his true self, not the weird act he put on in s3 trying to be straight and change himself. He is still struggling, but he knows he likes Will. Regardless that doesn’t mean he is going to be super clear about how he feels. He is going to be extremely afraid of opening up and then getting hurt by Will. He will probably do some of his usual ‘lead Will on and then shut it down’ thing. And I really want Will to call him out on this. This could also lead to Mike breaking down in front of Will and confessing. I think we are going to get a lot of 'Mike gay panicking' moments, he's going to be extremely afraid of being found out/suspected.

Byler things I really want to happen that we may get because they would have narrative significance:

I really want flashbacks to those 3 months of summer between the starcourt explosion and the Byers moving, of moments between Mike and Will when they hang out alone together, with some obvious romantic tension. Like where they are super playful and almost kiss, or they are kind of touchy, or something in the realm of that. I think we need a flashback of something that explains Will’s flirty nature at the very end of s3 with Mike, because he doesn't normally act like that. I want noticeable “is something going on with them?” vibes. This could also happen during the thanksgiving/christmas flashbacks.

I hope we get flashbacks of Mike going to the Byers for Thanksgiving, and the Byers coming back to Hawkins for Christmas. Preferably of some Mike and Will moments that hint at Mike’s confusion or how he feels “so alone” without Will, maybe with some “crazy together” references too! I’d also love some tension between the 3 of them, maybe this is when El starts to get suspicious of Mike liking Will.

Hopefully we get some shots of Mike biking past the byers old house and going to look at castle byers and reminiscing.

I’d love to get a flashback of Mike the day the Byers moved away, of him crying or being upset, alone in his room/basement while looking at Will’s drawings or pictures of Will and him together. Mainly to confirm for people that Mike was upset about Will moving, not as much El.

This one does not seem super probable, but it is a very popular theory. Idk if it’s possible because of location logistics, but if they spend enough time together, I’d love for Mike to get to know Robin better, and Will too. Maybe once everyone comes together at the end of the season, she will notice their dynamics and could help guide and inspire them to be themselves. Hey maybe thats for s5 :) But I do think it’s a possibility that Mike may work at the video store with Steve and Robin, and she will pick up on Mike’s behavior and understand, whether she communicates that to him or not.

[bellamygateoldblog]

My opinion is that a good amount of the fandom doesn’t see El as her own person and only sees her as an extension of Mike even when they try to deny it, and that not being together romantically would be a lot healthier for both of their character growth.

oh this. ive found in my short bursts of exploring the stranger things fandom that far too many el stans for my liking erase or twist everything that makes her HER, or seem to get defensive over characteristics that el DOES have and things that el DOES do. not everyone loves characters the same way, sorry that you can't appreciate el's hot-headedness, intellectual struggles and probable post-institutional syndrome, and tendancy to mimic other people around her as she learns the world, but that's a you problem shawty <3

i think a lot of people just don't care to engage with her character on any deeper level other than thinking she's a cute badass who kicks monster ass, and that's okay. i do get the impression with how they talk about el and mileven, and the type of content they make, that a group of fans simply use el as a self-insert because they find finn cute. i tend to think el does have her own distinct personality, but for those who don't necessarily engage with her character, i can see how she'd come across to them as a semi-clean slate they can project onto.

and actually ive decided to go on a tangent because this just reminded me of something lol and im using this anon as an excuse to try to collect and organise my thoughts. in the conflict scene between mike, max and nancy regarding mike's concerns of treating el like a weapon, nancy was literally projecting in that scene...she's personally dealing with sexism in her own plot and thus applies her own feelings about her own situation to el's, growing defensive over mike's genuine worry, batting it away with 'el knows her own limits. el is her own person' and she's misguided because even though el does know a great deal more about her power than anyone else, she's been shown to be extremely brave, protective and sacrificial (which mike helplessly WATCHED the first time) for the people she cares about and would absolutely exhaust herself and push herself past her own capabilities if it meant saving them for a little bit longer. that's ALSO who el is at her core. a girl who loves deeply.

to me it's not that mileven is 'unhealthy' like they're kids tbh, tho mike has been paralleled to hopper in s3 numerous times with his possessiveness, talk of others "corrupting" her, and typical 80s teenage boy behaviour, for me it's that i don't really like where that dynamic puts mike's character and by extention how other characters have to kind of...revolve around mileven when it's romantically A Thing, as they literally did in season 3. mike is a group leader but in season 3 he really wasn't, mike loves his friends so much but in season 3 he was really slacking on the whole 'i would literally DIE for my friend' thing and was so obsessively preoccupied with girlfriends (while the girls, on the other hand, were living their best single lives) that he shoved aside 2 out of 3 friends etc.

el on the other hand isn't that much affected as a character by having a boyfriend/love interest as far as we can tell, which I really love, however I find it...odd...that she's this really traumatised child with actual powers, she's WEIRD she's not normal, she's no particularly well-adjusted, she's still learning language, context and behaviours and such, she doesn't know who she is or what she likes, she's barely seen the world, but right away she's just acting like a normal teenage girl with unconventional speech patterns trying on clothes, eating ice cream, skipping through the mall, oogling boys and dealing with angsty teen drama, which isn't bad, I'm just wondering where the rest went and why they can't co-exist. a quick shot of el feeling watched and uneasy while she's in the mall surrounded by all those people. something. that's not really a gripe i have with mileven, but just how it's been fitted in with the other elements of the show and how it was so in our faces all season 3. with that being said im in agreement with the metas discussing how season 3 is supposed to be superficial and goofy and emphasises how mileven doesn't really work and has been moving quickly, i think we were supposed to be uncomfortable with that makeout scene watching through the crack in the door where hopper is, being told the kissing is constant, having joyce ask hopper to clarify it's ONLY kissing these 14 year olds doing, that awkward one-sided kiss with mike's eyes wide open, everyone teasing them or expressing frustration towards them, etc. i have no hard feelings for mileven, i don't actually mind it (or i didn't until all that i just mentioned in s3 plus some), i think it's very sweet in s1 and s2. really i don't take major issue with the relationship itself when you remove it from everything else and look at it, i simply just prefer byler. LOL.

[michaelburnhamfanclub]

season three is where star trek discovery claims to have found its stride, and i must admit that with the season’s premiere, i was more than inclined to agree. however, now that s3 is complete and we’re able to take a holistic view of all of the resolved and unresolved arcs, i’m still pretty unsatisfied

with the s3 finale, it became clear that the season’s mission in terms of its protagonist was a concise one: to fully prepare michael burnham for the captain’s seat

i was thrilled when michael finally was promoted to captain, but it’s really worth examining the ways that the show went about its final preparations for such a promotion. there were a few major tenants to michael’s character arc across these thirteen episodes, and the following two themes are the ones i think are most worth unpacking in terms of what they do in service of michael’s promotion:

1. michael’s ongoing and complex relationship with isolation

2. michael’s inclination to subvert authority and protocol in service of what is right

i’ll try and unpack these a little bit below the cut

michael and isolation

ever since the very first episode of the very first season, michael burnham has been a character entrenched in her own isolation. in season one, michael found friendship and community on the discovery by forging bonds with sylvia tilly, ash tyler, and paul stamets and by redefining previously broken bonds with saru and the alternate philippa georgiou. one of the main reasons why s1 is kinda still my favorite season is this very aspect of it: michael’s success and the federation’s survival depended on the creation and strength of these bonds

season two continued michael’s experience of isolation by introducing her estranged and tortured relationship with spock. the major theme of michael’s character in this season was her instinct to “reach” for the people who always seemed furthest from her despite everything (i.e., she “reached” for her parents, spock, tilly, etc.). this was the final message she imparted to spock: the act of reaching for others will always be the most worthwhile thing, even if you are unable to ever touch them. michael was finally able to connect with spock only to be launched into the future

season three picks up on this theme in what i think is the most conceivably devastating way possible. michael is isolated for a whole year from the crew of the discovery, and when she returns into the fold, nobody reaches for her.

now, a huge part of why the first and third episodes hit me so hard is because i really thought they were going somewhere meaningful with this. she loses so much, and the gratitude directed towards her in the third episode is directly acknowledged as NOT ENOUGH. michael stands among her found family in the halls of the discovery, a family she has mourned for a year, and tilly says, “you let us go, didn’t you?” and there seems to be purpose to it

the first half of season three sees michael feeling lost, struggling to find a single reason why she should feel like she should belong with these people on this ship anymore. tilly and saru both clearly understand this, and instead of seeing any efforts on their part to welcome her back into their family, they further contribute to her feelings of isolation and make HER apologize for keeping THEM out of the loop (and yeah i understand that these apologies have to do with breaches in starfleet protocol but rn i’m only focusing on the interpersonal implications). the only meaningful connections that michael is able to maintain this season are with book and georgiou. and while i adore them both, georgiou leaves before the season ends and book is from the future and isn’t a discovery crew member, which makes it feel like when michael says she doesn’t think she belongs on the discovery, she’s RIGHT

this first half of development would’ve been all well and good if it had been carried out to its logical conclusion, which would have been the discovery crew fighting to make michael feel like she belongs, but that never happened. instead, we get unification iii, which is a great episode on its own, but it only resolves michael’s internal feelings regarding her place in starfleet, not the interpersonal tension that’s made her feel more isolated than she’s been since, like, maybe even early season one.

this is all to say that i don’t understand how this unfulfilled arc generates michael’s preparedness to stay on the discovery as captain, unless we’re going with the “the captain defines themself as separate from the crew because they’re the captain” narrative that star trek does admittedly love. i would be more into it if i was sure that discovery would actually explore that isolation with the care it deserves

it could be cool to potentially explore a discussion or resolution of this arc next season by bringing commander nhan back as michael’s first officer, another character who felt disconnected enough from the discovery’s crew to actually decide to leave, but idk i guess we’ll see

michael and authority

i’ve talked about how michael’s s1 character arc was a journey to learn how to subvert authority before. she starts the show as “the mutineer,” and this is a signifier we can’t forget

my roommate and i have also talked a lot about how the command structure of the discovery is so fucking weird, and i think a large part of it is because it naturally organizes itself around its heart, which is a position that michael instinctively and effortlessly occupies (though that is not to say that this effortlessness is not without its own suffering---michael being the heart of the discovery is what leads to the reinforcement of her martyr complex, though that’s not the focus of this post so i won’t dwell there)

season three’s essential question that it sets up with michael centers around doing the right thing her way or doing the right thing starfleet’s way. in her year alone, michael is finally able to define herself outside of starfleet, and she likes who she finds. this is one of the main reasons she struggles to reinsert herself into the crew of the discovery, this is the reason she rejects the idea of being the crew’s captain outright, and this is the reason saru gives for demoting her. this is the eventual reason that michael sends paul in an escape pod to the federation hq instead of immediately trying to jump for hugh, saru, and adira. this is the reason that she is eventually promoted to captain

tbh i would have had less issue with this storyline if not for a couple key details: (1) michael was punished for subverting starfleet protocol when other characters (like keyla or tilly) were encouraged or rewarded for it. (2) idk i feel like we’ve exceeded the bounds of the whole “needs of the many/needs of the few” ideological tenant, which was (i think) something that the ni’var president even SAID.

when it comes down to it, i just think that michael’s complicated relationship with subverting authority deserves a much more complicated storyline. i do think that this is something we’ll see more of in s4 because it’s always going to be one of the greatest tenants of her character, but that doesn’t change the fact that it seems to have fallen rather flat in s3 for me. i’d argue that this is because discovery doesn’t seem to want to commit to its serialized style as much anymore, but maybe that’s for another post lmao

i don’t think i’ve quite found a way to properly articulate it yet, but michael taking the captain’s seat was supposed to be the culmination of three seasons of buildup. however, the buildup that the show suggested in the s3 finale seemed to be based on things that michael had already earned by the s3 premiere. her relationship with authority this season felt. idk. maybe it’s because this was kinda the first time the show attempted to show michael as a subordinate on the discovery instead of as the heart of the discovery, but it felt like it just wasn’t the natural place to take that particular element of her characterization. i’m hoping that s4 will deliver on this front, but the main thing is that i don’t think s3 did

tl;dr s3 was not what i was hoping for in terms of furthering michael’s character, and now that she’s captain i would love for these two elements of her characterization to be explored to their full and complicated conclusions

[jonroxton]

can you talk about chlark beyond chloe? personally i think it's weird that the writers kept adding kisses and weird romantic moments without any pay off. i don't know much about the fandom back then but i think the writers were baiting fans since clark/chloe seems to be the second most popular ship after clex. second i personally think chloe would never be happy with clark or anyone tbh and she doesn't seem like the type of person who would have kids so the finale was weird to me.

this got looooong :)

0. it WAS weird, and the choice to never not once go for it with them was to the story's detriment. I'll get into it a little later on in this post.

Re: shipping in sv fandom. there was definitely drama (clana was HUGE when the show was airing and every ship was basically derailed by it lol) but I stayed in my clois lane with a small circle of fandom friends much like I do now. a good measure of clois fans were fans of lois and clark from other mediums, come to sv just for lois and clark, myself included. we were pretty insulated as a fandom even back then. I do remember seeing more Chlark after the S5 finale (when Chloe kisses him goodbye), but those dropped off after Jimmy was introduced right away in S6. The most drama I encountered was with Chloisers: Chloe fans who believed wholeheartedly that Chloe was Lois. They hated SV!Lois and were convinced she would die so Chloe could take her name and job and place by Clark's side, thus a Chlark endgame. this was a popular theory amongst that fandom even into s9, when the clois ball started to roll for true.

bait and switch

a lot of Chlark is rooted in this notion that chloe WOULD be the best thing for Clark, the ideal Lois, the true best friend, the human hand guiding him through Earth's troubles. she would be could be the BEST possible lois archetype for Clark. it's not a wrong interpretation. she was specifically written as a lois-and-lana-proxy (teenage lana is a reporter in some AUs and even some as an adult as a tv correspondent) and she's given many lois-ish traits (tenacious, secretly crushing on clark and in denial), but this interpretation is deeply flawed. first, because lois does eventually enter into the picture and she has her own defining traits that, when compared to chloe, make chloe seem much shallower than realized. secondly, within the complete context of the story, her position in the greater narrative is not as ~the one who got away, the way it did very early on in S1-S4, but one who clark tolerates.

they're friends because clark is forgiving and chloe has staying power. their friendship is riddled with insecurities and unknowns the characters create for themselves. their dynamic is defined by conflict, not resolutions. this is not made easy by the fact that chloe is such a strangely written character, but ultimately she is positioned as a counter to clark achieving his happiness. not a thematic narrative foil but an obstacle clark eventually relents to.

2. and it has been so from the get-go

S1 is the best season for them and the single season which actually considers Clark's side in this dynamic. everything about them later on can be explained with how they are in this season. and that's the problem. when they're 14 it's nice teen angst drama and works perfectly to establish the dynamic. when they're 24 it's at best a pattern, at worst regression. we expect certain behaviors, dismiss them too, when it's children, at least I do. clark and chloe never move beyond the dynamic they establish in s1 and early s2. in essence, clark and chloe remain children around each other. they have many discussions in the later seasons that make at least one appear petulant.

so S1 clark has just been told the greatest secret of his existence and he imprints on lana hard that same night (right AFTER jonathan tells him, he meets lana at the graveyard and talks to her for the first time EVER, a lot of childhood imprinting going on in SV). all of s1 follows clark's heartache over lana, watching her from afar and figuring out a way to be near her. this pain is exacerbated by the fact that he believes he caused her her greatest grief: the death of her parents via the meteor shower which he arrived in.

here the first beat of the chlark dynamic is established: chloe's job and passion – the wall of weird and her pursuing the meteor infected oddities of SV - directly affects clark in a negative way (he's suicidal for much of s1-s3). so her crush on him is countered with her unknowingly causing him great grief. om top of that: clark becomes part of this passion of hers and she eventually begins to pursue him as a story to be uncovered, very superman yes. here tho, it causes nothing but strife for them and paints chloe in an awful light (and clark too, highlighting his refusal to open up). I personally enjoy this aspect of them in s1. bc they're so young I give em a free pass and it's a good conflict playing around with old superman tropes, but it makes for a fraught friendship.

3. the second beat

is that neither chloe's crush on clark, nor his asking her to stop pursuing his truth, do anything to stay her. her tenaciousness becomes intrusiveness and inconsideration (many of her accomplishments irt the daily planet are directly bc she betrays clark). she simply will not listen to her friend and does not believe his livelihood and autonomy is worth losing a story over. this is literally the opposite of comics/live action lois lane, who in various versions drops the clark reveal story to protect him. this passion turns vindictive pretty early for chloe, who eventually pursues stories about clark out of jealousy and entitlement (against lana also).

4. the third beat

is that clark doesn't ever see chloe as romantic prospect except this time in s1. the tornado trapping lana pulls him away from any solidifying of the clark/chloe dynamic, and that's that. but we know clark was willing to go for it in early s2 when he apologizes to chloe about running off on her. it's chloe who decides not to go on with the relationship. clark is visibly confused, but also 15 so he can't see that chloe is putting on a brave front to protect herself from clark running off again. I liked this too as it's another play on superman tropes, but my sympathy for them stops here.

5. and stays here

these beats are the entirety of this dynamic. everything about chlark can be distilled down to their childhood. it's why I don't hate them completely, bc I have a lot of love for kids who hurt in such a way and that time is never easy. in s8 (I think its s8) when we get a flashback to when they meet as kids (more imprinting!). little tenacious cute chloe kisses insecure clark bc of the funny awkward tension, acknowledging it, and then immediately takes it back because they're better as friends. (also they’re like 11 lol)

every single romantic moment with them is undercut either by chloe herself, or by the presence of other storylines/romances the writers wanted to pursue. the lack of integrity in chloe and the lack of interest in clark, regardless of how sincere their connection or how messed up, is a central part of their dynamic that needs to be reconciled with their friendship. and its exhausting bc there is never a point they are ever truly comfortable around each other.

6. to a fault

knowing the secret doesn't change chloe's methods. it doesn't make chloe clark's great confidante. if anything, it complicates matters for both because their relationship then becomes about the greater good and clark's great destiny. everything chloe does becomes about that, which in theory sounds awesome, but is executed much the same way as s1!chlark: by reiterating behaviors that highlight the negative aspects of that loyalty and the negative aspects of their characters.

the single time they do actively examine what this loyalty means and how chloe's hero complex complicates things for chlark is with s8 and davis. she protects davis with the skills of subterfuge and secrecy she developed as clark's friend. and it costs her jimmy and a lot of her personal integrity as a character. tho ironically it makes chloe the strongest she's been as a character. this is the first time clark is forced to view chloe as an enemy and he never quite recovers from discovering the dark depths she’s willing to go to. 

it's an arc dealing with the established beats: how far chloe is willing to go for a kryptonian (very far), how much she's willing to do for him (A LOT and all of it illegal), and what it costs her (jimmy). it deals with her jealousy (always second choice) and her motivations (uncovering the truth). this great want that she struggled with for years is turned on its head and examined, revealing just how weird and dark her hero complex is because obviously davis is not clark. davis/chloe served to highlight more than any other arc how it's really too bad that clark never saw her that way, because she has so much love to give and when channeled, it's a great force. only it's a great force for evil. clark has to confront that it’s not just lex but his other closest friend who is willing to go so far. they backtrack hard in s9 and s10 but they keep this underlying wariness in clark towards Chloe throughout. it’s not anything new, but it’s no longer subtext that clark doesn’t fully trust chloe.

7. And that's the rub

in the end. chloe and clark have many storylines they're in together and chloe's important.... to develop clark and as a counter to clark. clark never instigates anything, not once, for 9 years! when the show did give us Moments TM, clark is reacting, not actively making choices to connect to her. if anything, clark is incredibly awkward about chloe when they become intimate. he doesn't seem to know what to do with her crushing on him (the elevator scene is a great one to show just how awkward chloe makes him feel). more than that. clark never tells her his secret. and later on, chloe doesn't tell him half the crazy wild shit she does to protect him bc she knows he would disapprove. I still hold that the only reason they work is bc clark is a forgiving character and would give her chance after chance after chance. that's the watsonian explanation, but the doylist explanation is that the writers just never cared to explore them beyond this point.

8. and what was beyond that point?

they would've been a great counter to lexana in S6 and early clana (clark finally having a gf who knows). it’s playing the clark/Chloe as a straight lois/clark proxy before actually pursuing lois and clark. it could’ve been the precursor to davis and caused an even more personal conflict! the kiss at the end of s5 was their chance. they could've written chlark devolving much the same way lexana did in s6 (or not). but again. the writers never went that far and clearly never wanted to. it kept chlark forever in this stage of childhood friendship always on the brink of collapsing, tittering either way. it's also tough to speculate bc clark's just not into her. in fact he becomes more and more wary of her, to the point where he believes she can do horrible things, and he's right. the stories continually make their methods complete opposite.

they go out of their way to show chloe realizing how happy clark is with lois. and even play a joke on the fandom by literally turning her into lois and seeing the sparks between her friends. it's almost... cruel but it does serve to show how clark is when he's smitten and he's never looked at chloe that way except during the dance when they were kids. other unrequited dynamics have at least some spark from the desired, but nil from clark. clark is into chloe in late s1, but she shuts him down, and when he seems to be into her again (damn that s5 kiss was a good one lol), she shuts him down again. it's just a weird writing choice all around, and that they kept nuggets of it throughout the show is the thing I cringe at most whenever I rewatch.

9. bait and switch 2

with hindsight it is definitely ship baiting and that sucks for that dynamic bc without it their friendship would’ve been the stronger, or at least not full of so much negativity. all it did was remind everyone that chloe’s been duped since she was a kid and that clark is both stupid and strange for never noticing and letting her get away with shit just bc she’s the most loyal. I don’t ship them and even I get frustrated lol

[beetleboo]

long post. one i’ve been trying to make for a while now. hell, i wrote this like... third week of may. didn’t post it until now because i didn’t know if I wanted to.

but something i want to lay out, been wanting to lay out for months. dont want to talk to anyone about it, just want to put the info out there for it to be seen.

if you re/blog this i will block you. i may put this on the relevant sideblog at some point.

because 2020 was the worst year on record for me for a number of reasons, and it’s torn me down to the lowest point i’ve been in a long time, and this is just. everything that’s gone down. not a callout post, no one gets named, but these are all the events

partially in relation to my fandom sideblog, because that’s where i had community, and where it’s all just. gone. doesnt exist anymore.

i started up a server, ages ago now. somewhere i curated to be a positive and safe space for things, and for a while, it was that.

around the end of 2019, spilling over to the start of 2020 when it picked up, i found, both on my blog and in discord spaces, in particular the server i ran, that people no longer talked to me. no one would hold a conversation with me past a few basic responses, no one replied to anything i shared, no one engaged when i tried to start discussions. so i pulled back from the main server - S1. thought it was just a lull in activity. stayed that way for weeks, months, and I just muted the server. no one ever cared about anything i had to say. was lucky if anything i posted got even a token emoji react

was in another, smaller server - S2. people i talked to damn near every day, even in voice. played games together - that became... no fun simply because everyone else was so much better/further ahead in the game. i was completely useless, so didn’t server a function in game and never really felt like anyone actively wanted me around, but i still participated in chat.

but again, no one ever responded to anything I posted beyond maybe a token react

couple people discussing something one day. I contributed with Theory A, and quite immediately got that shut down. few minutes later, they rephrased exactly what I said and happily nattered away. so whatever I said wasn’t worth it when it came out of my mouth but if they talked about it, it was all well and valid. so again, between that specific experience and no one interacting with me, nor anything I post. server muted. treatment taught me no one cared about my presence there.

gave admin rights to S1, my server, to someone I trusted. two requests only: dont delete channels and let me know if you want to invite anyone (since I kept it private)

RYE (i’m just assigning random three letter names to people to keep this straight) posted public invites several times. never asked me. one of the two things i asked. brought it up with them that it bothered me, just got vague noncomittal responses. more public invites. eventually, after having the server muted for months, i handed over full control and left. that was almost a full year ago. none of the people have talked to me in that entire year, through discord or here or anything.

except RYE who sent me a message after a couple months like ‘wow i havent heard from you in a while hope you’re doing ok’. i wasn’t. after a bit but still the same day, i said as much. that i wasn’t doing well. they never responded. and i don’t mean like, they didn’t respond that day. i mean i literally never heard from them until months later when they sent me a meme and also didn’t respond to me commenting on that meme.

and this is one side of things. all of the above was the first half of the year. this next bit happened about. march2020? I was in another server - S3. another place that was a good space at the time. was in voice chat with two other people. started talking about one thing. MIN very suddenly said something along the lines of ‘i don’t care about this i’ll come back when you’re done’

this is one of the very few things that can trigger me - i’ve had a lot of people talk down to me if I dare look excited about anything. when they came back, i asked if they could try to just. depart conversations more softly. MIN always said ‘if i do anything hurtful to you just tell me! i dont want to do that kind of thing!’

this was clearly a lie as they exploded on me, telling me they always have to walk on eggshells around me, that I ask so many things from them. before what I asked them that day, I can only recall one other thing i asked (which was not to talk about a person who was abusive towards me, and they were like ‘yea sure np’ about that, over a year prior’)

the whole thing turned into basically me having to shut down the fact that i was hurt by what they did, had to ignore that now and i had to fawn and placate them and the only thing i got out of that was that my feelings were irrelevant, only theirs.

(incidentally, I have had two other people turn on me in similar ways, accusing me of doing shifty/bad/terrible things, and not being willing to tell me what they are when I ask, only saying that ‘i should know what i did’ so that’s also now a Fun New Bit Of Trauma.)

and that entire weeklong event lead me straight to a breakdown. literal genuine breakdown i cannot convey how devastating that entire scenario was without going into far too many details.

so between all of these things happening in less than six months, with three different community spaces folding and collapsing and fading away from me, with many of the friends i thought i had just. moving on to other things and dropping me. people i talked to every day just not bothering with me anymore. they all have gone on to other stuff and no one ever went ‘hey beets wanna see what i’m up to’ or ‘wanna do this thing with me’

a handful of instances of me saying ‘yeah i’m dealing with these fears that have been reinforced lately that people aren’t safe to deal with, even thought part of me knows they’re probably irrational it feels like i have evidence to back it up’ and people immediately take it personally like i’m saying they’re not safe. despite. me outright saying. i know logically it should be irrational. but their reactions just reinforce it so it’s just a loop and tells me, again, never to bring up any of my problems with anyone.

so this all just reinforces that there’s something wrong with me. couple years back i spoke to a friend and how i was frustrated that I seemed to end up in bad spaces and they said ‘well you’re the one thing in common so its probably your fault’ and obviously they’re not my friend anymore but that has affected me so deeply. i can’t do anything without overthinking, whenever anything goes wrong i tear apart everything i’ve done and everything i’ve said or thought and i don’t know why things keep going bad. i try so hard but i’m just. not right.

so it all teaches me that there’s no point in reaching out in trying to talk to people because if i say ‘hey this hurt me’ i get ignored at best or torn down, yelled at, scolded. no point in trying to talk to new people because everyone just walks away at some point. not even a natural drift apart, i can handle that. but just very suddenly, they’re gone, off with better people doing better things.

roundabout, ties back to ‘consumption versus community’ - this is why i’ve been struggling so hard with lack of engagement on my sideblog. lucky to get a dozen notes on anything i make, unless it’s something other people can use (like mods) and even THEN it’s rare to see much activity. and that was FINE because i had people to talk to elsewhere, who would ask questions and we could back and forth and i shared my stuff and they shared those and it didnt matter if my posts only got a dozen notes because i had friends to talk to.

now i get (example) seven notes, six of which are likes and one is a reblog with no commentary. when i have something with a ton of notes, still, minimal commentary, no one talks to me. even on a mod with five hundred notes it just feels like i went ‘hey i made something :)’ and everyone picked it up and walked away with it, no one went ‘hey this is cool i want to talk to the person who made it.’

and it just feels like 95% of the time, i’m just overlooked. 

and it’s worse than it’s ever been in my entire life, and I wonder, what’s the point of any of this anymore.

why bother to make the posts to share when it all just gets passed by. what’s the point in trying to reach out to new people and make friends when i get lashed out at or left behind? the social is gone out of my social media. i had community, and now it’s gone.

so this has all been going on for months and months and months and hey! suffering. and i dont expect it to get any better, don’t expect this post to fix these issues, but i’ve been trying to say something about all of this for fucking months and i think just, laying it all out is all I can do about it. i’m sure i’ve forgotten some things to touch on but as it is, all these events, all of it happening all together. new traumas, old traumas reawoken, reinforced, i’ve been torn to pieces i don’t know how to function, i can’t remember the last time i felt like even half a real person. taught that the safe, positive spaces that meant so much to me don’t actually exist and they’ll all turn on me and be torn away. nowhere is safe anymore, and trying to make it safe is just going to ruin me again.

people aren’t safe, places aren’t safe, been proven to me time and time again so i just. stay away.

no matter how much i try to fight that, it just doesnt work.

anyway tl;dr beets needs therapy probably

[bestworstcase]

replies on this post ( @ngocthach4020​, numbering mine ):

Counterarguments:

1 - While I do agree that Zhan Tiri does a good job making it seem like she does care about Cassandra, the fact that Cassandra trusted a total stranger for over a year in itself makes her intelligence dubious at best. Not to mention Cassandra never asks the total stranger who mysteriously knows this much about her for her NAME during all that time, nor tries to find out anything else about her.

2 - Rapunzel is the heir to the throne. Of course she’s going to get more recognition than Cassandra. Cassandra herself was given multiple guard assignments throughout Season 1, cheered on by the people of Corona even when she came second place to Rapunzel at the Challenge of the Brave, and trusted with leading the assault against Varian in the season finale. This isn’t even getting into how she has plenty of opportunities at Ingvarr or Vardaros.

3 - The people of Vardaros focused on Rapunzel despite preferring Cassandra over her, yes, but that doesn’t change how they treated Rapunzel like dirt and Cassandra seemed to LIKE that.

4 - In the song I’d Give Anything, Rapunzel does acknowledge she wronged Cassandra.

5 - Just because Cassandra has legitimate grievances, it doesn’t excuse her trying to murder people who never did anything bad to her, which she does several times throughout Season 3.

firstly: i mean this in the kindest way possible but none of these are actually counter-arguments to the point i was making, which is that cassandra has very good reasons for her decision to trust zhan tiri and be emotionally vulnerable with her in the house of yesterday’s tomorrow. #2 is the only one relevant to the subject at hand, #1, #4, and #5 all concern things that happen after the incident being discussed and are thus irrelevant, and for #3 it’s unclear to me what point you think you’re countering and also, i have no idea what you’re talking about. 

but as with anything i have plenty of thoughts

#1: i have two thoughts about this one

the first is that this is, first and foremost, a writing issue. for whatever reason, the writing team was not interested in digging into cassandra’s character arc in s3, and they also were not interested in developing zhan tiri as a character, and they really were not interested in elaborating on the cass + zhan tiri friendship whatsoever. the end result of this lack of interest is that all of this character development is gestured at or loosely implied, and the vast majority of their relationship occurs off screen. we are shown their first meeting in relative detail, given a handful of brief glimpses that mostly comprise zhan tiri saying a line or two while cassandra listens and glares, and then given the end result of cass doing whatever zhan tiri tells her to do until a narratively convenient plot device is inserted to make her stop. the character development in this arc is extremely poor. no one is arguing that it isn’t. 

however my second thought is that, as a consequence, “cass travels with this person for almost a year without ever asking her name or trying to find out anything about her” is not, in fact, canon. that’s a matter of interpretation. (eg: i spent the entirety of the first half of the season assuming that of course cassandra knew who zhan tiri was, my reaction to CR in this regard boiled down to “well if cass didn’t already know that was zhan tiri she certainly does NOW,” RTTS did nothing to change my mind, and i was legitimately taken aback when OAH confirmed that cass just didn’t know. all of this was a plausible interpretation because so little of the cass + ziti relationship actually develops on screen. there is SO MUCH information missing.)

the point being: the only canonical information we have regarding zhan tiri’s identity and cassandra’s knowledge thereof is that cassandra doesn’t learn zhan tiri’s true identity until OAH. this does not preclude cassandra pressing the issue and zhan tiri lying to her by telling her a fake name, or feigning ignorance (a la “i’ve been trapped in that house for as long as i can remember and i have no idea where i came from or who i was before then,” which is absolutely a plausible cover story given the kind of things tromus pulled off whilst team corona was trapped in the HOYT and that cass herself has very recent experience with magical memory loss), or masquerading as an aspect of the moonstone itself (which is at least plausible enough that a good chunk of the fandom theorized that that’s who she was in the early half of the season). 

there is, frankly, no evidence to support interpreting cassandra’s “who are you?” as “i’ve literally never asked this question before” instead of “you told me things about yourself that i believed but it’s not adding up anymore so i’m confronting you on your lies” or vice versa, because... we just don’t know. i personally favor the latter interpretation over the former, because it makes more sense to me, but the text is unclear.

all of which is to say: the post was about why cassandra trusts zhan tiri initially, a questions which - as i said in the original post - is answered very clearly on screen. there is not enough canonical information about the development of their relationship afterwards to do anything more than speculative analysis, ie headcanon, regarding how zhan tiri cultivated that trust. for what it’s worth my personal assumption is that zhan tiri continued to act as she does in RR, fostering the emotional connection between herself and cassandra, and that shortly after the stinger in who’s afraid of the big bad wolf (ie their second proper meeting) she gave cass some explanation of who she was and what she wanted. i also make the general assumption that they shared a lot of conversations during the long walk back to corona because it is ludicrous to imagine otherwise. 

#2: cassandra is a commoner who was indoctrinated from birth with the cultural belief that the lives of the royal family are more important and have more inherent worth than her own. this only intensified once rapunzel returned to corona. cassandra exists in a system that chews her up and spits her out without so much as a thank you, and rapunzel is the center around which that system orbits. “rapunzel is the heir to the throne so of course she gets more recognition than cassandra, her servant” isn’t, in fact, a counterargument. that is exactly the problem. the world cass is in is inherently devalues her personhood. even her own father repeatedly prioritizes his duty to the monarchy over the wellbeing of his daughter.

in s1, cass is given guard duties which she is expected to fit around her already extremely busy schedule as a maid and lady-in-waiting to the princess, all without ever being made an actual member of the royal guard. she is given, in other words, all of the work and responsibility without any of the recognition, salary, benefits, or job security afforded to actual guards, and she is expected to do it during her scant time off. and she does it all with the constant unspoken threat of being sent to a convent against her will if she screws up looming over her head. that’s not... privilege or an opportunity, that’s flat out exploitation. 

even in SOTS, she is only put in command of the assault on old corona because most of the higher officers of the guard are out of commission, including the captain. and this happens mere hours after her father forcibly sends her to a convent, which really underscores what little autonomy cassandra has in her life and how capricious and arbitrary any “opportunities” that come her way in corona are. 

yes, she is better accepted in vardaros and the queen of ingvarr did at one point extend an invitation for her to join the battalion in ingvarr, but—again, that’s not really a counterargument. “cassandra would have to leave her home and move to a foreign kingdom in order to be treated with respect and live as her authentic self” is an enormous indictment of corona itself. 

#3: the vardarans are less than receptive to rapunzel attempting to force her sunny demeanor onto them and react with hostile indifference when she persists even after being told—by multiple people including vex, quaid, cassandra, and iirc eugene—that her behavior was not wanted or welcome. they make their opinions known without making any attempt to soften the blow, but—with the one exception of “ya clod” lady—none of them harass or bully her. i’m not sure where you’re getting “they treat her like dirt” from. they treat her like people who are annoyed with having someone else’s culture jammed down their throats by some foreign princess, which,

cass, by the same token, enjoys being surrounded by people she “clicks” with and with whom she can just relax and be herself, and she repeatedly cautions rapunzel against trying to make the vardarans act, think, and feel like coronans... in other words, she advises rapunzel to be culturally sensitive. and she’s right to do so. cass doesn’t start gloating about being better liked until after rapunzel lashes out at her and makes a huge deal out of cass’s events being different / more in tune with vardaran culture than her own. 

#4: things rapunzel does a full year after cass meets zhan tiri in the shell house are not relevant to the question of why cass trusts zhan tiri in the shell house and also lol no... she doesn’t? these are the lyrics of i’d give anything: 

[RAPUNZEL] I know we've grown apart It breaks my heart in two I miss your company The closeness we once knew

I won't pretend to know Just what you're going through But I'd give anything for you Yes, I'd give anything to relive everything with you So if you find that you're in darkness or despair Though you won't turn to me Please know I'll be right there Name any sacrifice I'll pay the price that's due 'Cause I'd give anything for you Yes, I'd give anything to relive everything we knew Yes, I'd give anything For you

i don’t... know how to read an expression of apology or even just acknowledgement of wrongdoing into this song because it... isn’t there. this is the exact same sentiment rapunzel spends the entirety of s3 expressing, which is that she misses her friendship with cass and would do anything to get it back and she doesn’t understand why cassandra is so upset. and frankly it really. does not reflect well on rapunzel as a character because cassandra explains her grievances very clearly at the beginning of the season: “my whole life, i’ve been cast aside for you. no more,” followed by, you know, the entirety of crossing the line.

like even just... compare rapunzel’s lines at the top of crossing the line:

[RAPUNZEL] This has to stop now Whatever it is that you're going through We'll fix it together, me and you Just like we've always done

to her lines in i’d give anything: 

I won't pretend to know Just what you're going through

there has been zero growth. zero recognition of the fact that cassandra has, by the time of i’d give anything, told rapunzel what she’s going through at least three times. (she laid everything out for rapunzel in the dark fortress after taking the moonstone; in gothel’s mirror room in TOTS, cassandra expressed her anguish over gothel’s abandonment and her feelings of inferiority; in OAH, cass used feldspar’s play to fumblingly express her difficulty sharing her feelings with rapunzel; and if you want to count the BVA rock telepathy and cassandra furiously screaming “i don’t follow your orders anymore!” in CR, that brings us to a total of five times that cassandra shares at least part of what she’s “going through” with rapunzel only for it to, apparently, go in one ear and out the other because by plus est raps is still like “what could POSSIBLY be GOING ON with cass.”)

the closest rapunzel ever comes to expressing her own wrongdoing is the mealy-mouthed “we both did things wrong” sentiment in OAH (“maybe you’re right and it is your fault, rapunzel... partially...”), which she then undermines by going essentially “but if you had just told me how you felt then none of this would have happened” (ignoring that cass... did... tell her how she felt... repeatedly... in s2...) and rapunzel acknowledging that it was probably annoying to deal with a sunny “flower child” when she was fresh out of the tower (which is true, but entirely glosses over her treatment of cass in s2). in the former instance it’s unclear what, if anything, rapunzel truly thinks she did wrong (certainly “not listening” isn’t it), and in the latter case she is apologizing for being ~too free-spirited~ in the first couple weeks after the tower which... wasn’t even the problem back then and certainly wasn’t the core problem in s2. and by her own admission in i’d give anything rapunzel still doesn’t even understand why cassandra was upset in the first place, let alone how she may have contributed to it. 

like the utter dearth of development between cass and zhan tiri, this is ultimately a writing problem that reflects poorly on the character, rather than a character problem per se. for whatever reason, the writing team didn’t want to examine the legitimacy of cassandra’s actual grievances—which by extension meant that they couldn’t write rapunzel as having any awareness of those grievances, so the end result is cass obsessing over gothel and rapunzel spending the entire season baffled, just baffled, about what cass is so worked up about, all while sadly pining for the friendship they used to have and vocalizing a desire to get it back but simultaneously ignoring everything cass says about why she’s upset, because rapunzel listening to cass would require rapunzel to genuinely wrestle with her own role in what happened, which isn’t possible because that would loop us back around to all those legitimate grievances that the writers just didn’t want to (or couldn’t) deal with.

but tldr no at no point in the narrative of s3 does rapunzel genuinely acknowledge the actual things she did wrong by cass.

#5: i’m genuinely not sure why you think this is even relevant at all, unless you somehow read “cass did nothing wrong” into the argument of “it is both natural and reasonable for cass to trust the one (1) person who appears to give a damn about how she feels,” which i think says more about you than it does about me. 

[inmyarmswrappedin]

hello you probably already talked about this but why did you drop robbe season?

Hi anon! 🧩 I have mentioned it before, yeah, but I don’t mind talking about it in a bit more depth.

Admittedly Robbe’s season was already a hard sell for me before it even premiered. I have watched every Eva season, and that has always given me an indication of how things are going to go for the Isak season. Like, even though remake teams tend to go all out for their Isak season, and try harder than with their previous seasons (and I don’t think it’s controversial to say remake teams know their Isak season will majorly increase their viewership, even fandom has pointed this out as a reason Skam NL should’ve stuck it out for VDH’s season), you can already get a good idea in s1 about what they want to keep from Skam and where they’re going their own way.

I love Eva and I also tend to like her remakes. Honestly, I find Eva’s story really interesting, Jonas a good character when handled well, and I’ve generally enjoyed getting introduced to yet another iteration of the girl squad. I like the familiarity of the story beats. I also think how Jonas’ ideas are handled is a good indicator of how politically minded the team is, and how they plan on using their platform. 

And the thing is, despite all this, I found Jana’s season a struggle to get through. I had to try twice because I couldn’t get through the first time. At first, I thought it was because the writers had been super lazy with the adaptation. I loathe what they did with Jonas’ character, how little Jens knows about social justice. I was really put off by how, since they couldn’t write Yasmina into parties, they gave the drink throwing moment to Luca instead, but then more or less kept to the original storyline. Even back then, I was really concerned by how aggressive they made Moyo during the cabin trip clips. But then a friend binged the season after me, and brought up how terrible the pacing was (with Friday clips being moved to other days, destroying the momentum Skam builds through the week), how most of the actors sounded like they were literally reading from a script, and the utter spam of meaningless social media pics (with very few texts to go with it). And so I realized that this season I generally enjoy bored me, because Wtfock is generally just slapped together carelessly. 

Another issue I had was... Well, I’m not sure this comes across given my rabid love for David, but I actually think Skam s3 is as close to perfect TV as it gets. I don’t think this is a season that needs fixing. And as the Isak seasons succeeded each other, I realized I didn’t care for an Isak season that pretty much just took Isak and Even and put them in another country. I prefer the Isak seasons that did something Skam s3 never did, because they were never going to improve on Skam s3, and to do the same thing would just remind me how much better the acting, the music, the photography, the writing, etc. was in Skam. So I was hoping that maybe Wtfock’s Even would be a moc and they’d touch on racism for a change. However I knew the chances of Wtfock casting a trans man or a moc for their Even were slim to none.

But at the time it was kind of unthinkable that there would be an Isak season dropping, and people would not watch. And I in particular was a bit of a completionist, like I haven’t watched most Noora seasons, but I’ve watched all of the Eva seasons, and all the Isak seasons except for the last few episodes of Lucas L’s. These days I’m comfortable not tuning in (esp after trainwrecks like Arthur’s or Kato’s seasons), but at the time it felt kinda wrong to not give a season a chance, you know. Besides, a lot of people whose opinion I trust said s2 was great! Zoe and Senne one of the best noorhelms, if not the best! They really had fixed everything that was wrong with noorhelm, their social media game was so good, etc... I mean, you were there for s3 I assume, you know how people were hyping Wtfock at the time. And, for instance, Druck majorly improved in s2 after a more or less okay s1, so it’s not like remakes had never fixed their shit before.

So I started watching, but right away, I didn’t like the way they introduced Noor. She almost kinda seemed like the actual love interest in how cool she was, and how happy Robbe was hanging out with her that first night. I posted this, speculating about why Wtfock would introduce her that way. I should note that I posted that link on twitter as well, and Bram Renders liked my tweet... not too long after his tweet complaining about fans who read too much into the show would surface. 😂

Since I enjoyed writing that post, I thought I’d post weekly reaction posts in the style of Nat (@lightsandlostbells) and some others. The problem is that I’m just really good at procrastinating (I’ve been promising reaction posts in the same style for my favorite Skams seasons for... years now lol). And I wanted to keep my reactions fresh, so I stopped watching in real time. My plan was to watch the clips when I had enough time to write. This was like... Middle of week 2, I want to say. At the time, Sander hadn’t even been introduced yet!!

Even though I wasn’t watching, I still followed Wtfock-related accounts, like translators and subbers, so I still kinda knew what was going on. I was actually really let down by the way Wtfock didn’t take advantage of having Robbe and Sander in the same location for an entire week. Like, Sander was sticking a sandwich in Robbe’s mouth in a ~sexy way a few hours after exchanging their names, and yet it all kinda simmered down? No tension over social media really. Idk, I just feel like if Isak and Even, or Cris and Joana, or Matteo or David, had been stuck in the same house for an entire week shortly after meeting, Skam, Druck and eskam wouldn’t have let us forget about it for even a second. 

In the end, I never did write those posts, and I ended up washing my hands off the season because the tone of the discussions around the show was legit starting to get to me in a bad way. Like how LGBTI people were attacked for disliking the gay bashing scene. Or the discussions over whether the shower scene had gone too far or if Julie Andem had exploited Tarjei Sandvik Moe just as much. I disliked Moyo but also disliked the way white fans were writing about him. And the Britt bashing was just so gross. I was getting irl upset about a season I wasn’t even watching or following, so I put it out of my mind. 

[arcadianmoonshadowjedi]

Cass Season 3 Analysis (And Criticism)

I’ve previously done an analysis post on what I thought about Cass’s S1 arc and ideally would’ve done a season 2 analysis post (my personal favorite Cass arc in the whole show) but since my thoughts on S3 are on my mind atm, thought I’d dump them here.

Note: If you would prefer not to see any criticism on season’s 3′s writing, I’d suggest you don’t further read.

DISCLAIMER: This is NOT a hate post as Cass is one of my favorite characters (Discussion is welcome but would really appreciate that my criticism isn’t used as a fuel for hatred against the character). Thanks!

I’ll start with the Gothel reveal. Personally my feelings towards it initially were very mixed, perhaps because I was never to interested in it when it was still a theory and thought it was a coincidence that Cass physically resembled Gothel. A part of me felt that the Gothel twist was too cliche, generic and it failed to wow me. I was basically like “Oh! So... this is the direction they’re going with? Ok... lemme see where this is going...” Then another part of me was like Cass dealt with a lot of issues of feeling like she’s not good enough, not taken seriously, or that she was outshined by Rapunzel since S1, so maybe the Gothel reveal was just the last straw that pushed her into villainy but not necessarily her primary motive (Or at least I wanted to believe that).

Basically we didn’t see too much of Cass in the first half of S3 aka the fillers, except her being pushed more and more into villainy by Zhan Tiri in the last few minutes of the episodes. I personally thought that the manipulative aspect was really cool! (Reminded me a lot of Anakin and Palpatine vibes from Star Wars, which is also a franchise I dearly love).

Then of course we approach the Cassandra’s Revenge, also my personal favorite episode of the season, where now Cass is full-on villain, no question, no doubts. Honestly Eden nailed the VA and Cass was totally owning and rocking her villainy! I loved that continued to rock her villainy into Race to the Spire too!

And now the negativity starts. A Tale of Two Sisters.... In all honesty I was enjoying the episode until I got to the ending, and then I finished off the episode feeling so disgusted. I personally wasn’t fond of the whole Gothel loving Cass or not “mystery” because the answer was pretty obvious. It just felt so weird that Cass knew of Gothel’s abuse towards her and Rapunzel and saw with her own eyes that Gothel deliberately abandoned her as a child, but was still convinced that Gothel “loved” her, like seriously?! And I’m not even gonna go into how much I hated the ending because it’s way too obvious.

Once A Handmaiden, very unfortunately, is my very least episode of the season. Like it had some good moments in it but all in all I hate so many aspects of it. First we start with Cass walking out and smiling and then she finds the missing mirror shard. Mystery solved. Cass now realizes Gothel never loved her and then finds out that her “friend” is Zhan Tiri and she runs off. Now she’s good and needs to “make amends” Rapunzel. My biggest problem with this episode treated the problem as if Cass and Raps got into a small fight and need to make up. But this is waaaaay bigger than that. Cassandra had done awful things including murder attempts, kidnapping, and threatening war against Corona. She needed to do more than seek Rapunzel’s forgiveness, she needed to clean up the mess she’s made, especially ZT getting released and all. She needed to accept accountability for her actions, regardless of what the consequences were. She gets incased in the amber, boom! Now she’s full on villain again because she’s angry about a weapon made for self-defense purposes that she had led to. Of course the number one scene I hated in this episode was the Gothel quote (my least favorite movie reference of all time and my least favorite Cass scene in the entire series). She destroys all of Corona and forces everyone to flee.

Last but not least, her “redemption” in Plus Est En Vous. As someone who completely adores Cass, I wanted to see her being given the best possible redemption that she deserved to have written for her. But unfortunately, in this episode, we see her being full villain and was gladly stripping Rapunzel of the sundrop only for Zhan Tiri to overpower her. As @zhantiri mentioned (And completely read my mind lol), she didn’t redeem herself because she saw the wrong in her actions, but rather because she was overpowered by a bigger villain. Questions I’ve always had since the finale were “What if she got the power of the sundrop too and survived? Would she have been redeemable then? What would she have done with that power?” See the problem is that to me, her redemption didn’t feel sincere or as impactful as it should have been. Like sure I cried when she cried but primarily because Eden nailed the VA, but idk.

So my here are my overall criticisms of her villainy:

1) A lot of things in her villain arc felt so OOC, like the fact that she instantly trusted a random ghost child she met in the House of Yesterday’s and follows her around for months not questioning who she is, even after the midseason when she was in her corporeal form. Like since when was Cass so quick to trust anyone? In the past 2 seasons, we all saw how Cass took time to trust Eugene, Lance, and Adira, and how she was so skeptical of new places. I will just never understand how she instantly trusted a ghost child over her closest friends whom she’s known for about 2 years...

2) Building off of her being OOC, I absolutely despised how she was being turned into Gothel 2.0 rather than being her own character! She was so well set up the last two seasons and now is being forcefully turned into Gothel, because ya know “Like mother like daughter right”? My biggest problem with this is that Cass in the past 2 seasons is hardly anything like Gothel in character. Like sure she does have flaws and certain toxic traits, but she was way too hotheaded and insecure compared to Gothel. And the cloak in To2S, sure it looked cool but was so stupid and unnecessary. And I’m not gonna go into the other details to avoid being further infuriated. I know there’s controversies over the movie reference in Plus Est En Vous but here are my honest thoughts. The problem with Cass’s death scene was not only do we have absolutely no idea why she died but it was for the sake of tossing in a movie reference. It basically took Eugene’s iconic sacrifice scene from the movie and handed it to Cass, which I felt was incredibly unfair to both characters. It was Eugene’s special scene which should’ve been his and his alone. Cass deserved to be given her own special scenes instead of being given Gothel and Eugene’s scenes. I personally felt that she was being robbed and it was as if she couldn’t be great as her own character and needs to be handed other characters’ special scene in order to be so.

3) The motive, regardless of whether the Gothel twist was used or not, there needed to be strong and clear motive as to why she would make the complete change to villainy. And getting revenge against Rapunzel because she victim-blamed her for being left by Gothel is not a motive! There were several other aspects of her character that could’ve been focused on that would’ve worked waaay better and could’ve been more been more legitimate reasons for her to become a villain, otherwise it was just entirely forced.

4) Last but not least... the lack of consistency with her villain arc in the last few episodes was so irritating to watch! I personally think she needed a proper redemption arc during the last few episodes were she was seeing the wrong in her actions and worked to correct her mess rather than waffling back and forth between redemption and villainy only to become more evil than before! Her villain arc became waaaay too sloppy and it overstayed it welcome till the finale to the point where it was no longer enjoyable to watch.

All in all, Cass’s villain arc is not my only problem with season 3 nor is it my biggest one. But still, I really wanted to like it. Sure there were some great aspects about it but unfortunately it was mostly badly written and sloppily handled, showing that there was no solid or proper planning for it. As for the Gothel twist, my feelings about it became more negative because of how it was handled and I really wished they could’ve come up with something else to push her into villainy. For me, this was actually quite painful and sad because Cass grew to be my favorite series exclusive character and my favorite along with Rapunzel and Eugene because I loved how she was written in the first two seasons, but I feel like season 3 did her pretty dirty.

Update!: I added the link to my Cass S1 analysis at the top but didnt't know why it's not showing so Imma attach it here!

[kinetic-elaboration]

September 1: 3x06 Spectre of the Gun

Okay so, it might be a little early to declare myself a S3 apologist, since there are still a lot of eps I’ve never seen, but I feel like I’m pretty close..

This ep was so good!! Honestly I think it’s one of my faves. And perfect to usher in Spooky Season.

Honestly, this show really is my happy place. Just all the characters together on the bridge, on some kinda adventure, looking at weird space buoys and investigating stuff.

Again, this buoy looks like a Windows 98 screensaver.

Kirk keeps referring to Spock as “Science Officer.” Is he mad at him? Full of some particularly intense longing that requires him to put extra distance between them?

Excuse me, you address US as aliens? YOU’RE the aliens.

Hmmm, so it seems they’re not friendly.

It’s addressing them in different languages!!! I love it. Love the reminder that Uhura’s first language is not English,also.

“True telepaths are dangerous.” As opposed to fake telepaths like Vulcans lol?

The Melkotians withdrew immediately. They invented space travel, they saw space, and they said “not for us” and they turned around and left. McCoy would like them; they’d have a lot to gripe about together.

The welcome mat is NOT out.

“Unlike Mr. Scott’s transporter, this unit is not functioning.”

It legit looked like Spock put his hand on Kirk’s back there. Like he clearly raises it, but not far enough to be seen above Kirk, so like.. what was the point? Where did it go?

LEE CRONIN--oh no, flashbacks lol.

“We come in peace”--immediately pulls out gun.

I should have watched this when writing my Western fic.

Just bits and pieces of a Western town... and a completely red sky...

The guns are “crude but dangerous.” If only Sulu were here; he’d love this.

An announcement with a specific time and place on it--that’s a very precise detail to just pull from their minds. Must have come from Kirk’s, that nerd. Maybe Spock. But probably Kirk.

“Because my ancestors pioneered the American frontier.” I mean did they really get to the frontier? Or just... the Midwest?

Maybe it’s actually because he’s a cowboy at heart?

Aliens using his own ancestral sins as the pattern for his own death for breaking their law IS a great (possibly partially unintended) idea. Oh also, if they think that Kirk and co. are here to ‘tame’ or colonize them, then the Western setting makes even more sense--you’re no different from your ancestors, you came somewhere new and brought lawlessness and violence and death, but not this time!

Can you believe Kirk knows all of these details about the OK Corral? NERD.

Spock is so proud of himself for knowing the phrase “had it out.” Look, I used slang correctly!

These are some creative aliens.

“We know death is real here.” Or is it? They’re literally telepaths guys.

Hmmm, this building doesn’t need a roof I think. - The aliens probably

Can’t believe Scotty thinks his usual is his actual usual lol. You’re going to drink bourbon and like it!

Kirk and Spock look so good together.

They’re obviously Chekov’s disapproving parents.

“The day is still young, Ensign.” I don’t remember the exact context of this but Spock is SO judgmental.

What is Kirk doing? This guy is a hallucination; he won’t be convinced by touching some cloth. There’s nothing to convince! He’s only a Concept.

“Have you seen clothes like this?” / “Yes.” / “Where?” / “On the Claytons!” Comedy gold.

Kirk really thinks he can charm his way out of anything. Hmmm, maybe if I just talk nicely to the Earps, they won’t kill us.

“In small amounts, it [bourbon] was considered medicinal.” Lol.

Scotty is becoming a bourbon guy!

“Mr. Chekov is inVOLVed” lol. Is that what the kids are calling it these days?

“A lot of people and things have tried to kill me.” No need to brag.

THAT’S how you make a city limits sign. Put a dead animal skull on top. I live quite close to a city limits sign and I think it could use a cow skull.

Western Cossacks!!

Poisonous snakes and cactus plants. That really distills the Aesthetic down to its core.

This is a good Kirk episode. He’s really being a good Captain: coming up with different ideas, being creative, pushing his crew to brainstorm.

Bones and his tranqs again.

Bones meets his old nemesis: Old Timey Medicine.

Why was Doc Holiday just...chilling in his own dentist chair? (My mom suggested: power nap. Let’s go with that. Power nap + ability for optimally dramatic entrance.)

Also I can’t believe McCoy just goes into this guy’s practice and starts helping himself to all the serious drugs.

Chekov definitely isn’t the marrying kind.

RIP Chekov.

Bones does not sound very sympathetic here. Jim, get over it, he just died, whatever.

And then two seconds later he turns around and tells Spock he’s not sad enough! You can’t win.

“We all knew the risk when we joined the service.”

“My feelings are not a subject for discussion.” !!!!!!! This line!!

“You worked closely with him.” Yes! Chekov is his protege!

“Bones, Scotty, stop bullying Spock.” <-- not an actual quote but it might as well be.

If this were AOS, Spock would already be choking Bones out.

Whoops, no one told Chekov he wasn’t supposed to die!

“Let’s organize! Let’s form an anti-Earp union!”

“I can’t kill them!” he says in a mad rage.

I mean, it is important, though. That’s not what he does.

Kirk is /disgusted/ by lawlessness and frontier justice. What a Rebel TM.

I feel like Bones was waiting for the gotcha moment when Spock compliments him. “Saying nice things about me? That’s not how this relationship works!”

“Nothing can go wrong.” / “Up to now, everything has gone wrong.” He has a point.

That pause before Spock admitted it hasn’t been tested lol--they don’t want to admit it.

“[The bourbon’s] for the pain.” / “But this is painless.” / “You should have told me that before.” The unexpected comedy stylings of Scotty and Spock.

It doesn’t work--guess Spock’s got to take back that compliment now.

“Captain, you don’t understand--they’ve been telepaths the whole time which we already knew!”

“We’re not going to move from the spot.” * is immediately in a different spot * Well I mean at least he’s trying. He’s doing his best!

Love the OK Corral sign also. Weirdly creepy. With its accompanying horse.

Spock doesn’t have any hips for the holster to rest on.

“What did Chekov die of?” / “A piece of lead in his body.” That would do it.

If the tranquilizer should have been effective, does that mean Scotty is actually passed out right now?

Honestly, this is all so spooky. TRUE Western Horror Ghost Vibes.

Also very trippy. If you don’t believe it... it’s not real... some kinda weird chicken and the egg argument regarding our belief in the truth of physical laws idk but it sounds good. Spock brings it home.

Even with the wind whipping around him, Kirk is SO in love. His absolutely adoring expression... So soft...

“Very well, Sir, I’ll meld with you again. Not that I particularly want to. It will be a sacrifice. But I’ll manage. Even though you’re such a dynamic individual haha ha I’m fine I’m cool.”

I feel like Scotty is NOT into the mind meld. He looks terrified. Maybe he should have saved the bourbon for this occasion.

I know the mind meld is supposed to be a replacement for on screen hypnotism...but is this not hypnotism? Like even more than past uses? In this case, Spock is leaving them with suggestions that he wants to continue AFTER the meld, as opposed to, like, efficiently sharing information or giving immediate suggestions. And the scenes themselves are very creepy and...hypnotic.

Kirk’s patented move: WHOLE BODY ATTACK.

Well, we wrapped that up right quick.

Did they... never actually leave the bridge? Or even navigate past the buoy? This actually brings up a lot of questions as to when the aliens started the hallucinations, what their bodies looked like to the rest of the crew, and how they woke up--since there’s obviously been a bit of a time skip, as Bones is already examining Chekov.

Lol at Chekov, saved by horniness. “Nothing but the girl was real to him.”

“A vast alliance of fellow creatures who all believe in the same thing...”

Kirk’s vision of the utopian future is so powerful, he’s effectively gotten the welcome mat put back out.

A personal question? Kirk is intrigued.

Ah, but it’s just another excuse for Spock to be a hypocrite--how did humans survive? How did VULCANS survive? And for the show to remind us of its utopian vision of the future... we will move past violence, we will prove ourselves attractive to and worth of new alien friends.

Then McCoy walks out so Kirk and Spock can have their Moment. He undoubtedly knows what’s up.

So this ep was shown one day before the anniversary of the shootout at the OK Corral AND on Halloween week. It is very much a spooky season episode. So surreal and strange. Ghostly.

I know using sets rather than on location shoots, and not even building whole sets, was a budgetary issue but tbqh I think it worked in the ep’s favor. It added to the alien feeling of it and was an accidentally creative way of showing that these images were pulled from Kirk’s mind.

This felt like a very Classic S1-ish ep to me. I think it’s because Kirk was foregrounded as the Captain/hero and we get to see not just his intelligence and creativity and leadership but also his compassion and his moral core. He IS the values of the series, personified, and that was clear here.

But we also got to see lots of him and Spock, casually working as a pair, and the use of the rest of the landing party crew was very deft also. I loved that there was time to mock Chekov’s horniness, to talk about Spock and Chekov’s professional relationship, to joke around with Scotty, to show more of the Spock and Bones dynamic.

Again, great sci fi concept. I think this would have been another possible inspo for my Pirate AU if I’d seen it in time (although I think I picked a good mission-concept ultimately). I’m fascinated by the Melkotians: who are they? What do they really look like? Do they communicate any other way but telepathically? Are they corporeal? What is their planet like? And most importantly, what experience lead them to be so isolationist? They specifically refer to the aliens as “disease” coming into their home. And it’s when Kirk shows himself to be fundamentally nonviolent even in the face of his own death, they let the Enterprise through.

Basically, I always enjoy hints of alien societies that bring up more questions for me than answers. I love speculating about it.

The next two eps I’ve seen and remember well and I know they’re classics. I’m really looking forward to them!

[hopetofantasy]

Culture, parallels & meta - S2 E10

Zaterdag 09:56

Perfect parallel: 

Zoë laughing off Senne’s supposed ‘flirt attempt by telling her his childhood sob story’ at their first date, Zoë actually hearing his and Viktor’s childhood sob story from Gill in this episode.

Viktor’s manipulative “He would have these crazy temper tantrums” about Senne in E6, Gill stating the true “Viktor used to throw these crazy temper tantrums” in this one.

Oopsie: Before the “Viktor and I woke up naked together in a bed”, Gill’s hair is in front of her face. After that, her hair is tucked behind her ears.

Blink-and-y’ll-miss-it: Gill mentioned that Viktor was 14 when the accident happened, making Senne 11/12 years old at that time. 

°

Maandag 11:45

C is for culture: 

“That’s a rental book, you realize that right?” - In a lot of secondary schools, course books can be rented instead of bought. The content doesn’t change that often anyways, so it’s cheaper to offer them for a certain fee to the students. Though, at the end of the school year, they have to be returned in the exact condition. Paper workbooks or prints, however, have to be bought. 

“Come on, warm waffles!” - There are actually two types of Belgian waffles: the Brussels and the Liege. The girls bought warm Liege waffles, which are thicker, chewier and with uneven edges. The Brussels one is more a rectangular shape, with a lighter and crispier texture.

Funny coincidence: Luca’s “Free at last” sounds like the quote in Martin Luther King’s speech ‘I have a dream’.

Nod to the OG: The song ‘Paradise’ by Coldplay.

Perfect parallel: Amber’s tired “Why are you always so loud?” directed towards Luca in S2, Noor’s hungover “Do you have to be so loud?” to Amber in S3.

Lost in translation: Amber saying "We gaan een terrasje doen" (literally: ‘we’re going to do a terrace’), it’s an expression indicating that you’re going to drink something on the outside (summer) terrace of a bar. 

Oopsie: The girls pass along a college campus, after they step off the tram, and cross the street for the ‘Groenplaats’. But then it cuts back to the girls passing the college campus again, right before crossing. 

Hello from the outside: The girls pass along a parade of mustached men, with Jana mimicking the facial hair with her napkin. This parade was actually part of the ‘2019 World Beard & Moustache Championships’, which was held in Antwerp on Sunday the 19th of May. 

Blink-and-y’ll-miss-it: The girls picking up the papers Luca tossed in the air. Them all walking along the crossing in Beatles’ formation (like the Abbey Road album). Luca is eating two waffles at once.

°

Maandag 12:58

C is for culture:

“Robbe. Robbedoes!” - Luca calls Robbe the nickname ‘Robbedoes’, a reference to the Belgian comic ‘Robbedoes & Kwabbernoot’ (English version: ’Spirou & Fantasio’). Its two main characters are spontaneous journalists who run into fantastic adventures, aided by the pet squirrel ‘Spip’ and their inventor friend ‘the Count of Champignac’.

“Are you going to Rock Werchter next week?” - Rock Werchter is a large, annual pop/rock music festival in Werchter (near Leuven). The four-day event is organized every first weekend of summer vacation. The number of attendees can rise up to 149,500 people for the whole festival, with a noteworthy influx of international festival goers in recent years (British, French, Dutch, Australian, South African, ...). It has three spin-offs: ‘TW Classic’, ‘Werchter Boutique’ and the French ‘Main Square Festival’ in Arras.

Perfect parallel:

Jana buying her summer outfits at C&A in S2, her shopping at the same clothing chain - with Noor helping her - in S3.

Yasmina again hinting at a (former) crush on a boy, just like the earlier conversation with Zoë in S2 and doing the same in a conversation during wtFOCKDOWN.

Lost in translation: Luca's "Eentje is geentje" (= literally: ‘One is none’), stating that it’s better to drink/eat/do at least one or more than having missed one (thing). 

Blink-and-y’ll-miss-it: Robbe's eyes dart upwards for a millisecond, after Jana asks "For Blonde Ambition?", confirming that he indeed voted for them.

°

Dinsdag 08:42

C is for culture: What’s with the last week of school? Well, after the December/April/June exams, the school can fill the days before the break with what they want. Most schools give their students a couple of free days, others might organize fun excursions or festivities. On the last Friday, however, they’ll hand out report cards and discuss them with students/parents.

Perfect parallel:

Zoë quickly darting away to avoid Senne in E7, Senne doing the same to her in this one.

Her making up lame excuses not to contact Senne in previous episodes, Senne’s “My phone was turned off. I didn’t want to be distracted while I was studying. Sounds familiar?” here.

In the first episodes, Zoë keeps saying that she won’t fall for what Senne says - his flirt attempts or lying stories, in this episode she states “I’m not falling for your bullshit” - his statement about wanting to leave. 

Zoë saying “Isn’t it time to get over it?” to Senne in S1, her “You should stop feeling so sorry about yourself" in S2.

Zoënne letting go of each other’s hands after a painful conversation in S2, Sobbe doing something similar after their make-up kiss in S3.

An upset Senne left behind in a high school hallway in S2, a sad Robbe ignored in a college hallway in S3.

Blink-and-y’ll-miss-it: Senne’s slight nod at Zoë’s “Away from me?”. 

°

Woensdag 11:44

Perfect parallel:

Zoë acting cold, because she doesn’t trust Senne, in the earlier episodes. Senne looking for reasons to be cold, because he’s scared of people being too close to him in this one. 

Senne’s “I don’t believe that” at Zoë’s statement that her parents don’t love her in E4, Zoë saying “I don’t believe that” at him denying his love for her in this one.

Zoë always running towards Senne - to chase him, to apologize, to talk - in previous episodes, him running towards her - to make-up - in this one.

The song ‘Nightcall’ by London Grammar played during their first kiss in E3, the same one plays during their reunion in this scene.

Their kiss can be compared with their first kiss, only quicker and more frantic: her rubbing his cheek, pausing to smile in relief, wrapping her arms around his neck, putting the palm of her hand under his ear, Senne messing up her hair, her squishing his head between her hands.

The movements of the sex scene in S2 are similar to the ones from S1 and S3. Foreheads leaning on each other before a kiss, a cut to pushing themselves through a open door, a hand caressing along the side, a neck kiss, kissing down a stomach, fingers gripping a back, a hand through the hair, a cut to both of them having naked chests with one on top. 

Nod to the OG: 

Blink-and-y’ll-miss-it: Zoë never ends the call with Jana. (Awkward!)

°

Donderdag 09:32

Perfect parallel:

The entire cuddle scene in S2 can be mirrored with the Sobbe hotel clips in S3: the way they’re positioned (big spoon-little spoon, face towards each other), movements (caressing cheeks, going through each other’s hair), the kisses (forehead kisses, cheek kisses, full-on making-out) and the looks they give each other (Zoë looking up at Senne).

Senne saying “He can’t get away with this” in this clip, repeating it in the next.

Zoë inviting Senne to come live with her in S2, her offering a room to Robbe in S3.

Blink-and-y’ll-miss-it: Zoë is still wearing her white and black hair tie on her right wrist, like she consistently does throughout the season.

°

Vrijdag 15:43

Perfect parallel: 

The theme of their FreeFest team was ‘80s flashback’ in S1, Luca wears an 80s-inspired-outfit in S2.

The season opening with a (washing machine) door to Zoë’s POV, ending with an aerial shot away from her in S2. The third season opening with a door that Robbe opens up to a party, ending with an aerial shot - through the roof - away from him. 

Zoënne kissing at a party while their friends cheer in the background, before the camera pans away at the end of S2, Sobbe experiencing the same in S3. 

Oop, there it is, the homophobia / heteronormativity: Robbe pushing Milan away from him, saying “Get off me, faggot”. Moyo can see what’s happening and laughs at his embarrassment.

Hello from the outside:

Somewhere during the exam period (I can’t find whén anymore), Luca and Amber made tiny exam motivational quotes, which were spread out all over Antwerp. Fans of them found them and made pics.

At the party were a ton of Belgian influencers, who made multiple insta stories of being there at the same time that the clip dropped.

Where’s Wally? Hey, look, Keisha dancing with Jens and Moyo, Britt in the crowd with Gill, Max' making some dance moves towards Luca and Lisa is vibing with Milan. 

Blink-and-y’ll-miss-it: Jana mouthing ‘hoi’ (= hey) to Luka. The tiny nod Jens gives Robbe, so that they go upstairs. The millisecond of hurt on Luka’s face when he noticed Jana greeting Jens and her lingering look on him afterwards. 

[youwerenevermeanttofeelalone]

Belated Celebration

I reached the astounding milestone of 1.1k followers back in October which also marked a year from when I started this blog and put a celebration to the side in order to do kinktober because I had plans to do this in November. Health issues got in the way so this will be a belated celebration.

Again, thank you so, sooooo much for putting up with me. The fact that you lovely people want to read what I have to offer and are willing to share pieces of yourselves with me through your requests and comments means a lot to me.

I’ll accept as many entries as I get from today (December 6th) until December 13th at 11:59 pm CST. All of them will be filled throughout January and —if necessary— February.

FAQ | fandom/character list

Rules:

Send me one or two AUs/situations, up to five prompts, and a character (you can send more than one character if you want me to write a poly relationship or a threesome/orgy and in that case, you can send up to eight prompts.)

If you’re not interested in any of the AUs or situations, you can tell me to pick those myself or send me a song and I’ll write a fic based on that song with the prompts you’ve chosen.

Please specify gender. If you don’t, I’ll write the fic with a gender-neutral reader by default.

When it comes to smut, I always write the reader as a person with a vagina. If you want me to write the reader as an intersex person or a person with a penis, please specify.

You can send in as many requests as you want, but please do it in separate asks.

prompts and AUs/situations under the cut

AUs & situations

AUS

✳︎ soulmate AU ✳︎ roommate AU ✳︎ neighbor AU ✳︎ modern AU ✳︎ fake dating AU ✳︎ college AU ✳︎ baker AU ✳︎ artist AU ✳︎ fairy tale AU (specify which one) ✳︎ library AU ✳︎ bookshop AU ✳︎ CEO AU ✳︎ Hogwarts AU ✳︎ arranged marriage AU ✳︎ royal AU ✳︎ bodyguard AU ✳︎ teacher AU ✳︎ bartender AU ✳︎ rich person AU ✳︎ actor AU ✳︎ model AU ✳︎ photographer AU ✳︎ movie AU (specify which movie) ✳︎ omegaverse ✳︎ canon universe

Situations

✳︎ there’s only one bed ✳︎ dating app ✳︎ secret admirer ✳︎ at a wedding ✳︎ accidental marriage ✳︎ wedding date hire ✳︎ locked in a room/closet together ✳︎ love triangle ✳︎ game night (truth or dare, love dice, never have I ever, etc.) ✳︎ secret relationship ✳︎ oblivious sexual tension ✳︎ break up/makeup ✳︎ age gap ✳︎ frenemies with benefits ✳︎ friends with benefits ✳︎ frenemies to lovers ✳︎ friends to lovers ✳︎ childhood friends to lovers ✳︎ enemies to lovers ✳︎ friends to enemies to lovers ✳︎ enemies to friends to lovers ✳︎ finally home after a hard day ✳︎ stuck in a place together for a long period of time ✳︎ seeing each other for the first time in a while ✳︎ meeting for the first time

Prompts

Angst & hurt/comfort

A1 - “My heart hurts when I look at you.”

A2 - “Don’t blame it on the alcohol, you tasted like you wanted me.”

A3 - “If anything ever happens to me, remember that I’ll always love you.”

A4 - “Darling, your heart is too pure for me.”

A5 - “Don’t pretend that you don’t feel the same way.”

A6 - “Don’t leave me like that again, you scared me.”

A7 - “I can’t be without you.”

A8 - “Don’t tell me you love me unless you mean it.”

A9 - “They told me that you’d break my heart, but, holy shit, they never said it would hurt like this.”

A10 - “We need to talk.”

A11 - “Surprise! I have feelings and you just hurt them.”

A12 - “The worst thing is, that even after all of that, I’m still in love with you.”

A13 - “You look beautiful in your wedding dress/attire, I’m happy for you.”

A14 - “Choose me or lose me. I’m not a backup plan, and I’m definitely not a second choice.”

A15 - “Did it ever occur to you that you’re hurting me too?”

A16 - “You’re right, I did love you, I just don’t know if I can say the same now.”

A17 - “I wasn’t the one who walked away from us. You were.”

A18 - “I fell for you without even knowing it and, Jesus, does it hurt that you can’t see it.”

A19 - “Please don’t love me the way you loved your exes.”

A20 - “I know you think we’re not right for each other, but we’ve run into each other too many times for you to tell me this isn’t fate.“

A21 - “There’s always a place in my bed for you, I will wait no matter what.”

A22 - “Do you even still love me?”

A23 - “I told you not to fall in love with me.”

A24 - “Don’t leave me.”

A25 - “I can’t pretend anymore.”

A26 - “Tell me I’m wrong.”

A27 - “Don’t you dare walk out that door.”

A28 - “There was never an ‘us’.”

A29 - “Do you really think I’m happy?”

A30 - “I don’t want your apology.”

A31 - “Stop pretending like everything is fine.”

A32 - “What the hell were you thinking?”

A33 - “I didn’t believe you cared.”

A34 - “You’re jealous.”

A35 - “You may be attractive, but I’m not sleeping with you.”

A36 - “The bed is cold without you.”

A37 - “When did you stop loving me?”

A38 - “How do I make you love me again?”

A39 - “Shouldn’t you be with him/her/them?”

A40 - “I wasn’t lying when I said I loved you.”

A41 - “They don’t deserve you.”

A42 - “I never meant to fall in love with you. I just did.”

A43 - “Please tell me this isn’t what it looks like.”

A44 - “Shit, is that blood?”

A45 - “I think we need a break.”

A46 - “Are you even listening?”

A47 - “Just leave me alone.”

A48 - “What’s wrong with me?”

A49 - “We don’t/wouldn’t work.”

A50 - “You had me! And you ruined it on your own.”

Fluff

F1 - “You look beautiful in anything.”

F2 - “I can’t believe I got the first date, let alone a year.”

F3 - “I have so much love for you. I actually never thought I could feel like this, but you proved me wrong.”

F4 - “I don’t care where I’m sleeping as long as it’s with you.”

F5 - “God, I’m never leaving your side again.”

F6 - “Every inch of you is breathtaking.”

F7 - “Why do you have to look at me like that? It’s making me weak, please stop.”

F8 - “Is this the moment that we kiss?”

F9 - “The more I look at you, the more I think we need to leave.”

F10 - “Look at me. I love you.”

F11 - “I—I think we should go for dinner first.”

F12 - “I love you more than coffee.” distant gasps

F13 - “I’m asking because I’ve seen the way you look at me.”

F14 - “I’m tired and my bed feels so empty without you here.”

F15 “Are you going to kiss me or will you just keep staring?”

F16 “I think you need to tell me the truth about how you feel towards me.”

F17 - “You keep saying we’re friends, but you look at me for a moment too long for that to be true.”

F18 - “Not only am I deeply in love with you, you’re my best friend.”

F19 - “I know you haven’t done anything, but can you please stop looking so goddamn kissable? My parents are here.”

F20 - “The things I would do just to see your face right now.”

F21 - “You’re the only person I’ve ever actually wanted to spend the rest of my life with.”

F22 - “Please come home, this doesn’t feel right.”

F23 - “You look like you could use a hug.”

F24 “Why do I feel like I’m home whenever you’re near me?”

F25 - “Oh my God... you’re in love with him/her/them!”

F26 - “Do you want to make out as badly as I want right now?”

F27 - “Are you flirting with me?” / “You finally noticed?”

F28 - “I just wanted to let you know that I think you’re beautiful.”

F29 - “I don’t think I’ve ever loved someone this much before.”

F30 - “Take my bed tonight, I’ll sleep on the couch.”

F31 - “I could kiss you right now!”

F32 - “You’re cute when you’re half asleep.”

F33 - “You should sleep in my bed more often.”

F34 - “Have you always been this beautiful?”

F35 - “Apparently all our friends have a bet going that we end up together.”

F36 - “I know I’ve kissed you like, ten times, but can I kiss you just like another ten, please?”

F37 - “Oh, wow, holy crap, wow... you’re so pretty.”

F38 - “Can you please... uh... I don’t know, put a shirt on?”

F39 - “I’m so madly and deeply in love with you, please meet me so we can discuss this.”

F40 - “I would’ve waited an eternity if I knew you were what I’d get at the end of it.”

F41 - “Thank you for loving me, I couldn’t have been luckier.”

F42 - “Every morning you kiss my forehead before I leave for work, why was it my lips today?”

F43 - “You keep that photo of us in your wallet?”

F44 - “I’ve fallen for you and it’s becoming difficult for me to get anything done.”

F45 - “All I can think of is your lips on mine.”

F46 - “I fought so hard to get you and thank God I can finally rest.”

F47 - “I never thought we’d end up together, but here you are confessing everything to me.”

F48 - “You were never the person I wanted, but you were the only one I ever needed.”

F49 - “That night you kissed me and I thought I might melt.”

F50 - “From the moment I saw you, I knew I was in love.”

Smut

S1 - “Do you like it when I touch you like that?”

S2 - “Want to head back to my place?”

S3 - “What a pretty sight.”

S4 - “You have no idea what you do to me.”

S5 - “I’ve wanted this for so long.”

S6 - “You look so good with my hand wrapped around your throat.”

S7 - “I don’t care how good it feels, you better not come until I tell you to.”

S8 - “Look, I’m not into choking but I wouldn’t mind if you grabbed me by the neck every once in a while.”

S9 - “You better be quiet or everyone’s going to know what a naughty little slut you are.”

S10 - “Maybe If I punish you it’ll help you remember who you belong to next time.”

S11 - “If you keep making those sounds I’m not going to be able to stop myself.”

S12 - “Such a needy little thing, aren’t you?”

S13 - “Pushing back against my fingers already? How pathetic.”

S14 - “When we get home I’m cuffing you to the bed and I’m going down on you all night until my jaw is sore.”

S15 - “Did you touch yourself while I was gone?”

S16 - “These walls are pretty thick, you can be as loud as you want.”

S17 - “Come sit on my face, let me show you how much I missed you.”

S18 - “I wonder what your girlfriend/boyfriend/partner would do if they knew what you’re doing right now.” (the story would contain cheating if you pick this one.)

S19 - “I bet all our neighbors can hear what a dirty little slut you are.”

S20 - “Come here, baby, let mommy/daddy take care of you.”

S21 - “Scream my name, I want everyone nearby to know who’s making you feel this good.”

S22 - “You look real pretty when you cry out.”

S23 - “Tell me what you like.”

S24 - “Shhh, don’t worry. I’ll take good care of you.”

S25 - “Think you can handle that much?”

S26 - “Call me selfish, but I don’t want anyone else to touch you.”

S27 - “I’m gonna fuck you so hard that you forget you ever even met that asshole.”

S28 - “Are you trying to turn me on right now or are you really just that oblivious?”

S29 - “Baby, I know you’re not trying out the new shower head without me.”

S30 - “I think that’s the first time I’ve ever heard you moan... it was like a fucking melody.”

S31 - “I know for a fact that you can be a hell of a lot louder than that.”

S32 - “God damnit, now all I can think about right now is you licking my cock like it’s that ice cream cone.”

S33 - “Just let me finish this level and I swear I’ll go down on you until you come at least three times.”

S34 - “You’re virgin? How?!”

S35 - “Are you going to eye fuck me all night or are you going to do something about it?”

S36 - “If you don’t stop looking at my lips without doing anything about it, I will take you right here on this counter.”

S37 - “Shall we— shall we go back t—to my place?

S38 - “You don’t know half the things you do to me.”

S39 - “I’m aggressively thinking about having sex with you and trying to keep a straight face at the same time. Do you know how hard that is?”

S40 - “You’ve been giving me bedroom eyes for the past half an hour — time to show me what, exactly, was on your mind.”

S41 - “Bite your lip one more time, I dare you.”

S42 - “God, I love your hands.” / “Let’s put them to good use, then.”

S43 - “I don’t care what you do as long as you also do me.”

S44 - “I’ve never wanted to fuck somebody so badly.

S45 - “Just shut up and fuck me.”

S46 - “I might have seen this very moment in a wet dream once.”

S47 - “I know we’re just friends, but you’re sitting on my lap so I’m sorry if I get hard.”

S48 - “You know, there wasn’t a single thing to eat in the kitchen until you walked in.”

S49 - “I didn’t wanna say anything because we’re such good friends, but I would totally fuck you if you asked.”

S50 - “What are you doing?” / “Hopefully you.”

Miscellaneous

M1 - “I desperately want to take you out for dinner and slow dance with you until the sun comes up, but I also want to grip your hair as I watch you writhing underneath me.”

M2 - “You’re very attractive. Therefore I will stare at you.”

M3 - “Somebody’s cranky.” / “Somebody needs to shut the fuck up.”

M4 - “You’re not short. You wouldn’t understand.”

M5 - “(Character/Your Name) NO.” / “(Character/Your Name) YES.”

M6 - “You’re cute when you’re angry.” / “Yeah, well, I’m about to get really fucking adorable.”

M7 - “I’m not arguing, I’m simply explaining why I’m right.”

M8 - “Do I look like I give a fuck?”

M9 - “What are you doing?” / “Hiding.” / “Hiding from what?” / “Everything.”

M10 - “You’re really cute and it’s ruining my life because I think about kissing you all the time.”

M11 - “Not to dictate your life, but dump your asshole boyfriend/girlfriend/partner and drop your shitty friends.”

M12 - “If anyone can do it, then someone who isn’t me can do it.”

M13 - “Man, how many eye contact until we date?”

M14 - “God has a favorite TV series and it’s called my life.”

M15 - “It’s a beautiful day to stop wasting my time, honey.”

M16 - “Women aren’t complicated. You’re just dumb.”

M17 - “I’m actually pretty cool if you give me five tries to get it right.”

M18 - “Well, this social situation isn’t going the way I acted it out in the shower.”

M19 - “Do the dark circles under my eyes and my unwashed hair turn you on?”

M20 - “My opinion is no.”

M21 - “Are we gonna hold hands or what?”

M22 - “True love is having a crush even when they get a bad haircut.”

M23 - “Be prepared to add a cute emoji next to my name in your contact list because you’re gonna love me.”

M24 - “Was that just awkward eye contact or were we checking each other out?”

M25 - “His/her/their use of common sense is so fucking hot.”

[theheightofdishonor]

Teen Wolf 6b Review

Honestly, I rewrote this post 10+ times because it took me a while to figure out how I feel about this season, but as of right now, I’m going to settle with disappointed. 

The season wasn’t bad by most means but considering it’s the last season of the show; it left me wanting. 

The rest of this is going to be under a read more because it’s really fucking long

      To start off with, there were good things about this season. They worked around the Stiles-shaped gap remarkably well (shoehorning Scalia in helped with that regard). In fact, I think Stiles’s absence actually enhanced the feeling of helplessness once everyone turned on the supernatural. 

I also liked how they showed the school slowly turning against Liam and the initial recruiting of Hunters. Theo’s arc was pretty decent and his dynamic with Liam was adorable, And I’m a sucker for a good “getting the gang back together” plotline so naturally, I loved that part of the last episode. 

There are probably more minor aspects I liked, but let’s move on to the things I didn’t. 

   My biggest gripe about this season was its use of characters. They’d pick and drop arcs like a toddler who couldn’t decide what toy to play with. Corey and Deaton both vanished after the first couple episodes, and Deaton doesn’t actually make a reappearance. Corey, especially, was very under-used this season. Most of the Hunters bar the high schoolers don’t seem to know he can turn invisible, and there were many instances where he would’ve made the situation so much easier but wasn’t there for unexplained reasons. Theo gets completely dropped for a couple episodes in the middle and picked back up. They spend half the season trying to get Peter to fight alongside the Pack but he ends up doing nothing. This was a brilliant opportunity to showcase characters like Deaton, Danny, Coach Finstock, even Natalie Martin, who are human but know about the supernatural. Natalie even has a whole discussion with Lydia about handling supernatural students, but disappears for the rest of the show. Coach made two brilliant appearances, but they only made his absence that much more apparent. Danny never showed up. It was disappointing.

Now for the actual plot. I absolutely adore the concept of the townspeople turning on the supernatural, and the hunters egging on a war on the supernatural. However, after the slowly growing hostility at the high school, everyone else seemed to turn on them surprisingly fast. It was a bit rushed and I wish we got to see more of regular people ie Nolan who didn’t completely buy into the whole thing. It would’ve made the whole “everyone willingly surrenders after the Anuk-Ite is over” thing easier to swallow. Fucking hated that they faced no consequences for murdering innocents, lynching teenagers and attempting/aiding a genocide though. They just go back to normal. 

         Gerard egging this whole thing on made sense thematically and was a good way to bring it back full circle to the Hunters vs Supernatural conflict we get introduced to in S1. I get why they did it. However, by this point in the series, I was sick of Gerard. He was the main villain in S2 and made appearances both in S3&5, and comes back to be one of the main villains in 6b. That’s way too much of this guy. And if we’re talking themes, I would’ve loved a more direct parallel with Deucalion and Gerard actively being on opposite sides again instead of Deucalion reluctantly helping Scott for .2 seconds and immediately dying. If you’re determined to bring back these old white men for the millionth time in a row, atleast have them murder each other to death. I did like that Kate mauled Gerard to pieces, though. 

        And since we’re on the topic, Deucalion. Sure, everyone can redeem themselves and choose to become a better person, but Deucalion literally convinced a teenager to murder his own pack last season. And I’m not interested in him becoming a good guy either. If the show wants to bring him back, have him and Gerard murder each other. Also, his role ended up being so underwhelming that it was pretty much unnecessary. 

           As far as the Anuk-Ite’s concerned, it’s very classic Teen Wolf in that it’s built up all season only to disappoint. I was expecting the Anuk-Ite to be insanely powerful once both halves converge. I mean, even with the halves separated, it can cause the type of deadly fear that leads to people killing each other. Just imagine what this thing can do when it has both halves. But when it finally converges, the worst that this, this freaking personification of fear, does is turn some people into stone like a discount Medusa. And to add insult to injury, it’s destroyed in the most anti-climatic way possible via a previously unmentioned property of mountain ash. 

Overall, I liked a lot of the concepts but hated the execution.