#because. yknow

[funnyjokespuns]

Also: some whiteboard doodles. I tried drawing loop with a tail like all the Cool Kids do. So cute!

And also I am ALWAYS thinking abt isatfrin helping out sasapfrin <3 pay it back

[marc--chilton]

some highlights from my impromptu livetweeting of house

and this being the last one at this time is. really getting to me. if you look at just the thread and the time it has taken for me to post again you'd assume i got done with the episode and overdosed

[saucedippingbitch]

7.5/10 not enough wallace

[trifoliate-undergrowth]

I've been looking through various primary sources about what life was like in the old west and hm this photo from 1890something has an interesting name. There's a canyon in Colorado called Mancos Canyon? Huh!

All of this is fascinating for reasons unrelated to fictional men but I thought the spaghetti mutuals would be interested in this one in particular.

[tearlessrain]

please help me- i used to be pretty smart but i’m having so much trouble grasping the concept of diegetic vs non-diegetic bdsm!

gfkjldghfd okay first of all I'm sorry for the confusion, if you're not finding anything on the phrase it's because I made it up and absolutely nobody but me ever uses it, but I haven't found a better way to express what I'm trying to say so I keep using it. but now you've given me an excuse to ramble on about some shit that is only relevant to me and my deeply inefficient way of talking and by god I'm going to take it.

SO. the way diegetic and non-diegetic are normally used is to talk about music and sound design in movies/tv shows. in case you aren't familiar with that concept, here's a rundown:

diegetic sound is sound that happens within the world of the movie/show and can be acknowledged by the characters, like a song playing on the stereo during a driving scene, or sung on stage in Phantom of the Opera. it's also most other sounds that happen in a movie, like the sounds of traffic in a city scene, or a thunderclap, or a marching band passing by. or one of the three stock horse sounds they use in every movie with a horse in it even though horses don't really vocalize much in real life, but that's beside the point, the horse is supposed to be actually making that noise within the movie's world and the characters can hear it whinnying.

non-diegetic sound is any sound that doesn't exist in the world of the movie/show and can't be perceived by the characters. this includes things like laugh tracks and most soundtrack music. when Duel of Fates plays in Star Wars during the lightsaber fight for dramatic effect, that's non-diegetic. it exists to the audience, but the characters don't know their fight is being backed by sick ass music and, sadly, can't hear it.

the lines can get blurry between the two, you've probably seen the film trope where the clearly non-diegetic music in the title sequence fades out to the same music, now diegetic and playing from the character's car stereo. and then there are things like Phantom of the Opera as mentioned above, where the soundtrack is also part of the plot, but Phantom of the Opera does also have segments of non-diegetic music: the Phantom probably does not have an entire orchestra and some guy with an electric guitar hiding down in his sewer just waiting for someone to break into song, but both of those show up in the songs they sing down there.

now, on to how I apply this to bdsm in fiction.

if I'm referring to diegetic bdsm what I mean is that the bdsm is acknowledged for what it is in-world. the characters themselves are roleplaying whatever scenarios their scenes involve and are operating with knowledge of real life rules/safety practices. if there's cnc depicted, it will be apparent at some point, usually right away, that both characters actually are fully consenting and it's all just a planned scene, and you'll often see on-screen negotiation and aftercare, and elements of the story may involve the kink community wherever the characters are. Love and Leashes is a great example of this, 50 Shades and Bonding are terrible examples of this, but they all feature characters that know they're doing bdsm and are intentional about it.

if I'm talking about non-diegetic bdsm, I'm referring to a story that portrays certain kinks without the direct acknowledgement that the characters are doing bdsm. this would be something like Captive Prince, or Phantom of the Opera again, or the vast majority of bodice ripper type stories where an innocent woman is kidnapped by a pirate king or something and totally doesn't want to be ravished but then it turns out he's so cool and sexy and good at ravishing that she decides she's into it and becomes his pirate consort or whatever it is that happens at the end of those books. the characters don't know they're playing out a cnc or D/s fantasy, and in-universe it's often straight up noncon or dubcon rather than cnc at all. the thing about entirely non-diegetic bdsm is that it's almost always Problematic™ in some way if you're not willing to meet the story where it's at, but as long as you're not judging it by the standards of diegetic bdsm, it's just providing the reader the same thing that a partner in a scene would: the illusion of whatever risk or taboo floats your boat, sometimes to extremes that can't be replicated in real life due to safety, practicality, physics, the law, vampires not being real, etc. it's consensual by default because it's already pretend; the characters are vehicles for the story and not actually people who can be hurt, and the reader chose to pick up the book and is aware that nothing in it is real, so it's all good.

this difference is where people tend to get hung up in the discourse, from what I've observed. which is why I started using this phrasing, because I think it's very crucial to be able to differentiate which one you're talking about if you try to have a conversation with someone about the portrayal of bdsm in media. it would also, frankly, be useful for tagging, because sometimes when you're in the mood for non-diegetic bodice ripper shit you'd call the police over in real life, it can get really annoying to read paragraphs of negotiation and check-ins that break the illusion of the scene and so on, and the opposite can be jarring too.

it's very possible to blur these together the same way Phantom of the Opera blurs its diegetic and non-diegetic music as well. this leaves you even more open to being misunderstood by people reading in bad faith, but it can also be really fun to play with. @not-poignant writes fantastic fanfic, novels, and original serials on ao3 that pull this off really well, if you're okay with some dark shit in your fiction I would highly recommend their work. some of it does get really fucking dark in places though, just like. be advised. read the tags and all that.

but yeah, spontaneous writer plug aside, that's what I mean.

[breezy-cheezy]

"Still too light..."

Whumpril day 1: Hug (clammy)

(Yes I know it's May but I am just happy to finish this thing I started drawing like a year ago lmaooo)

I love Zeff and Sanji's father son relationship so so much. Zeff's poor Eggplant has gotten sick. Steamed himself instead of the actual food...

[kensatou]

“if you could pick up another language, what would it be?”

“i’d go russian. i’d love to know what geno says or has said over the years… i’d love to know 🥰 i just want to know (giggles) 🥰”

[buggachat]

something so fucked up about Chat Noir’s whole deal is that he is in a lot of ways Adrien playing a character. Like Adrien picked up his miraculous and was told he’d be a superhero so he was like “ok, time to act like a superhero!” and he lets himself have fun w it and play up the role and let loose and kind of just allow himself to be silly and goofy and have fun and for once in his life not care about performing Perfection™.

But. But none of the other characters KNOW THAT. So everyone just sees Chat Noir and is like “look at this guy’s ego. He’s so full of himself. Surely it’d be fair to knock him down a few pegs” without being aware of how few pegs he actually HAS. He’s like the “insecure character who overcompensates in ego” trope except he’s really not doing it unironically, he’s just having a fun LARP pretending to have self worth in his off-hours but nobody else is on the same page about it being a game and he refuses to tell them. He just dramatically pouts about it and lets them laugh and pretends like he’s not internalizing it and it is almost 3 am and my brain forced me to write this instead of sleeping I’m gonna take a melatonin

[mumblesplash]

i say if you’re gonna have the mysterious entities speak in rhyme you might as well commit (EDIT: part 2!)

(posting an unprecedented Part 1 of At Least 3 bc i actually have the entire script and most of the storyboarding for this done already)

[heraldofbooks]

I pray the book will be published. I pray the rock will be rolled away. I pray the book that hasn’t been written will be written in perpetual splendour. I pray it lives. I pray it’s good…I pray for the needs of tamysn and all those suffering from Alecto pause

[raticalshoez]

They're like a packet of fruit snack gummies

[linterteatime]

Bonus last bugs! Remakes of unfortunate ones that were made at the very beginning and some i don't like how they originally came out

All HK Gijinkas here!

[lucabyte]

even dogs pass the mirror test

[wolfythewitch]

Odysseus, Iliad f1 au

[storytellering]

That's the way it is.

[scho17]

DC YJ verse but its just

Clockwork, calling Danny: There's someone stuck in the Speed Force go get them out please (Wally) 

Danny, who has been retired since he moved away for college: What.