@xoxo-lahh
So in this verse, Tsunade never ends up teaching Sakura- as that role is fulfilled by Chiyo. (But she DOES return to Konoha eventually).
And Chiyo's first rule (for everything lol) is: Nothing is Free.
Chiyo always demanded something in return for healing, and unlike Tsunade, she considered medical jutsu a part of her arsenal. If it could kill, then it was always an option.
So Sakura learned from that mindset, trading her services and using her rare skillet as a powerful negotiating tactic, especially during Tea Country's civil war. Her healing effectively kept her, Enji, and Saeko in relative safety and provided her a card to play when she needed.
And, while Sakura is nowhere near as jaded as Chiyo is, and often enough of a bleeding heart to help people for damn near free, (a place to stay, food for the night, a new holster for her kunai), she is also VERY pragmatic about her skillset. The civil war taught her that sometimes, letting someone die is better. This puts her at odds with Tsunade, who has a very different mindset (and was, historically, bitter enemies with Chiyo).
Another issue that arises with Tsunade, is that the Godaime is a doctor- while Chiyo is more of a healer. Their understanding of the human body comes from a different place.
Tsunade can name every bone and muscle and perform open-heart surgeries. Sakura can heal bone and stitch back together muscles and flesh on a very basic level, but she's never going to be able to open up a human body and revolutionize medical history like she does in canon. (In canon, Sakura creates a Jutsu that allows her to do a four-man surgery alone; she can't do that here.)
However, she can do some stuff that Tsunade claims is impossible—like reconstructing/altering someone's chakra network, unblocking tenketsu, sometimes turning off someone's dojutsu from a distance, and lite-healing remotely (Tsunade is very upset about this one specifically). A lot of it comes from her mastery of Genjutsu.
Genjutsu, as I reworked in my comic, requires a complete understanding of someone's chakra network to control ALL their senses. Sakura's understanding and control are so prodigious that she can almost autonomously control people's bodily functions (a skillset that is GREATLY aided by training with Chiyo's puppet mastery).
She uses Genjutsu as a tool to understand the body and employs it as both support (helping an ally maintain a sense of gravity as they're pulled underground or flung in the air, etc) and offense.
And that's it for the wall of text! Once again, thank you SO much for the amazingly kind words and all the interest in this AU! <3
776 notes
·
View notes
[Day 39]
"I keep getting this feather in my face"
For the people that didnt watch the vods/streams: scar kept saying this bc the feather on his hat kept falling over, so i thought itd be fun to link it to a past moment :) (Grian is trying to use the feather to make him sneeze HAHJAKAH) (maybe the reason his feather keep falling over is a curse its grian haunting him its- [car runs over]
1K notes
·
View notes
having thoughts about dnp saying the reason they wanted to write tabinof in the first place was to commemorate the era and give fans something to look back on and remember when they're older & how they consistently talked about the tatinof/tabinof era like it was an ending (or at least the end of their "peak")
the idea that in 2015!! they were preparing for their audience and community and their popularity to go away eventually so they wanted to create a physical reminder that "once upon a time there were these two guys called dan and phil who met each other on the internet who created this entire world"
it's like they were assuming the world of dan and phil and this community would be another trend and that their audience would lose interest in over time, especially after they'd just hit this massive peak. except it wasn't and we didn't
thinking about how that was almost 10 years ago and we're still here
180 notes
·
View notes
Hey there! Are there any other beasts in slug city or is it just the orchid and electric ones?
there are other beasts !!
Smooks has one, it's made of paint! Best seen in this image
Delta and Oster and Co. have them too, Delta's is a round-ish beast with many leg and eyes surrounding its entire body with waterfall-like tears. Oster and Co's is one with multiple heads, each representing one of the "main" alters. I would like to heavily rework these both design-wise and concept-wise. Here's old art of them!
186 notes
·
View notes
gotta say, I think the framing of Imogen's childhood as one lacking in all parental love and care because Liliana wasn't there is something that strikes me as both highly unlikely and as a far less interesting way of reading Imogen's early life with her father. If things were always as chilly and distant between them as they were after Imogen's powers developed, then there isn't much change in their relationship at all. But if we acknowledge that in her childhood she had a largely normal, functional, and loving relationship with her father, their estrangement after her powers becomes all the more heart wrenching. Yes, he's emotionally reserved and "was never the master of parental affection," as Matt said, but he's dependable. He cares for her, with actions over words. He's her dad and he's there for her entire childhood, making dinner for her, working to take care of her, teaching her how to ride, bandaging her up when she gets hurt.
Then the powers come. The night terrors that sound familiar to him, this terrifying pain that she's in, the way he doesn't actually know what's wrong with her because Liliana didn't know and she'd barely told him these powers so much as existed before she left him. Being close to Imogen hurts her and it also means she can root around in his head--so he puts distance between them. And that hurts like hell for a kid, to have their father pull away from them like that even though it's more comfortable, physically, that way. A gulf forms. Trust shatters. Their relationship deteriorates and deteriorates. More time passes--eight years of this--and they're further away from each other than they ever have been. Neither of them go into town or talk to people all that much because Imogen doesn't want to hear what people are thinking or deal with the pain of it and Relvin doesn't want to bring home what other townsfolk have said that she might be able to skim off him.
That's shattering for both of them. And so, so, so much more tragic than if there was never care or love between them to begin with. It hurts so much because it used to be so much better than this. There was a comfortable familial love between them before, and now it just feels like empty air
120 notes
·
View notes