#black london

[crookedcrowclub]

the way adsom begins with “kell wore a very peculiar coat” and acol ends with “kell wore a coat that billowed in the wind” oh i’m gonna need a minute 😭

[letraspal]

And you said I abandoned the ship, but I was going down with it.

[augustswife]

[undr]

Philip Jones Griffiths. A young couple seek a tender moment in a doorway, London. 1960s

[mauhandraws]

morning travels

[k-i-l-l-e-r-b-e-e-6-9]

[vanessa-rafesgirl]

me since april 19th

[redscrawl]

save me allegorical monster… save me…. save me beast that serves as a literary symbol… save me

[disease]

YOKO ONO WITH GLASS HAMMER from HALF-A-WIND SHOW [1967] @ LISSON GALLERY, LONDON PHOTOGRAPHY: CLAY PERRY

[divinesymmetry]

as soon as this mf opened his beautiful Camden mouth, i realized that i would not escape the transmascs-love-spiderman stereotype

[crookedcrowclub]

need a faithful adsom screen adaptation STAT

[semioticapocalypse]

Ralph Morse. ‘Love’ (American soldier and his English girlfriend). Hyde Park, London. May, 1944

I Am Collective Memories   •    Follow me, — says Visual Ratatosk

[augustswife]

insanely beautiful lauren london.

[undr]

Monty Fresco. Street Night. London, 1954

[inthedarktrees]

Cabaret dancer, eighteen year old Ann Sullivan enjoys a smoke on her way to work by underground. For two shows a night and one on Saturdays she is paid £12 a week.

Bert Hardy, “This Is How the Chorus Lives,” Picture Post, 1952

[asleepinawell]

Irem, the Pillared City: Futures