#blair pollock

[duusheen]

Can we take a moment to appreciate young adult Blair Pollock?

[aurorangen]

It's true there's not much to see in Glimmerbrook, but they enjoyed a long afternoon walk the next day, sharing stories and catching up! That was until Renee came across some mysterious gates in which Bryce did not approve of entering. Curiosity got the better of Renee and she convinced her Dad there was nothing to be afraid of, as Daphne knows the place well!

[dear-indies]

full list of biden letter 2:

Aaron Bay-Schuck Aaron Sorkin Adam & Jackie Sandler Adam Goodman Adam Levine Alan Grubman Alex Aja Alex Edelman Alexandra Shiva Ali Wentworth Alison Statter Allan Loeb Alona Tal Amy Chozick Amy Pascal Amy Schumer Amy Sherman Palladino Andrew Singer Andy Cohen Angela Robinson Anthony Russo Antonio Campos Ari Dayan Ari Greenburg Arik Kneller Aron Coleite Ashley Levinson Asif Satchu Aubrey Plaza Barbara Hershey Barry Diller Barry Levinson Barry Rosenstein Beau Flynn Behati Prinsloo Bella Thorne Ben Stiller Ben Turner Ben Winston Ben Younger Billy Crystal Blair Kohan Bob Odenkirk Bobbi Brown Bobby Kotick Brad Falchuk Brad Slater Bradley Cooper Bradley Fischer Brett Gelman Brian Grazer Bridget Everett Brooke Shields Bruna Papandrea Cameron Curtis Casey Neistat Cazzie David

Charles Roven Chelsea Handler Chloe Fineman Chris Fischer Chris Jericho Chris Rock Christian Carino Cindi Berger Claire Coffee Colleen Camp Constance Wu Courteney Cox Craig Silverstein Dame Maureen Lipman Dan Aloni Dan Rosenweig Dana Goldberg Dana Klein Daniel Palladino Danielle Bernstein Danny Cohen Danny Strong Daphne Kastner David Alan Grier David Baddiel David Bernad David Chang David Ellison David Geffen David Gilmour & David Goodman David Joseph David Kohan David Lowery David Oyelowo David Schwimmer Dawn Porter Dean Cain Deborah Lee Furness Deborah Snyder Debra Messing Diane Von Furstenberg Donny Deutsch Doug Liman Douglas Chabbott Eddy Kitsis Edgar Ramirez Eli Roth Elisabeth Shue Elizabeth Himelstein Embeth Davidtz Emma Seligman Emmanuelle Chriqui Eric Andre Erik Feig Erin Foster Eugene Levy Evan Jonigkeit Evan Winiker Ewan McGregor Francis Benhamou Francis Lawrence Fred Raskin Gabe Turner Gail Berman Gal Gadot Gary Barber Gene Stupinski Genevieve Angelson Gideon Raff Gina Gershon Grant Singer Greg Berlanti Guy Nattiv Guy Oseary Gwyneth Paltrow Hannah Fidell Hannah Graf Harlan Coben Harold Brown Harvey Keitel Henrietta Conrad Henry Winkler Holland Taylor Howard Gordon Iain Morris Imran Ahmed Inbar Lavi Isla Fisher Jack Black Jackie Sandler Jake Graf Jake Kasdan James Brolin James Corden Jamie Ray Newman Jaron Varsano Jason Biggs & Jenny Mollen Biggs Jason Blum Jason Fuchs Jason Reitman Jason Segel Jason Sudeikis JD Lifshitz Jeff Goldblum Jeff Rake Jen Joel Jeremy Piven Jerry Seinfeld Jesse Itzler Jesse Plemons Jesse Sisgold Jessica Biel Jessica Elbaum Jessica Seinfeld Jill Littman Jimmy Carr Jody Gerson

Joe Hipps Joe Quinn Joe Russo Joe Tippett Joel Fields Joey King John Landgraf John Slattery Jon Bernthal Jon Glickman Jon Hamm Jon Liebman Jonathan Baruch Jonathan Groff Jonathan Marc Sherman Jonathan Ross Jonathan Steinberg Jonathan Tisch Jonathan Tropper Jordan Peele Josh Brolin Josh Charles Josh Goldstine Josh Greenstein Josh Grode Judd Apatow Judge Judy Sheindlin Julia Garner Julia Lester Julianna Margulies Julie Greenwald Julie Rudd Juliette Lewis Justin Theroux Justin Timberlake Karen Pollock Karlie Kloss Katy Perry Kelley Lynch Kevin Kane Kevin Zegers Kirsten Dunst Kitao Sakurai KJ Steinberg Kristen Schaal Kristin Chenoweth Lana Del Rey Laura Dern Laura Pradelska Lauren Schuker Blum Laurence Mark Laurie David Lea Michele Lee Eisenberg Leo Pearlman Leslie Siebert Liev Schreiber Limor Gott Lina Esco Liz Garbus Lizanne Rosenstein Lizzie Tisch Lorraine Schwartz Lynn Harris Lyor Cohen Madonna Mandana Dayani Mara Buxbaum Marc Webb Marco Perego Maria Dizzia Mark Feuerstein Mark Foster Mark Scheinberg Mark Shedletsky Martin Short Mary Elizabeth Winstead Mathew Rosengart Matt Lucas Matt Miller Matthew Bronfman Matthew Hiltzik Matthew Weiner Matti Leshem Max Mutchnik Maya Lasry Meaghan Oppenheimer Melissa Zukerman Michael Aloni Michael Ellenberg Michael Green Michael Rapino Michael Rappaport Michael Weber Michelle Williams Mike Medavoy Mila Kunis Mimi Leder Modi Wiczyk Molly Shannon Nancy Josephson Natasha Leggero

Neil Blair Neil Druckmann Nicola Peltz Nicole Avant Nina Jacobson Noa Kirel Noa Tishby Noah Oppenheim Noah Schnapp Noreena Hertz Odeya Rush Olivia Wilde Oran Zegman Orlando Bloom Pasha Kovalev Pattie LuPone Paul & Julie Rudd Paul Haas Paul Pflug Peter Traugott Polly Sampson Rachel Riley Rafi Marmor Ram Bergman Raphael Margulies Rebecca Angelo Rebecca Mall Regina Spektor Reinaldo Marcus Green Rich Statter Richard Jenkins Richard Kind Rick Hoffman Rick Rosen Rita Ora Rob Rinder Robert Newman Roger Birnbaum Roger Green Rosie O’Donnell Ross Duffer Ryan Feldman Sacha Baron Cohen Sam Levinson Sam Trammell Sara Foster Sarah Baker Sarah Bremner Sarah Cooper Sarah Paulson Sarah Treem Scott Braun Scott Braun Scott Neustadter Scott Tenley Sean Combs Seth Meyers Seth Oster Shannon Watts Shari Redstone Sharon Jackson Sharon Stone Shauna Perlman Shawn Levy Sheila Nevins Shira Haas Simon Sebag Montefiore Simon Tikhman Skylar Astin Stacey Snider Stephen Fry Steve Agee Steve Rifkind Sting & Trudie Styler Susanna Felleman Susie Arons Taika Waititi Thomas Kail Tiffany Haddish Todd Lieberman Todd Moscowitz Todd Waldman Tom Freston Tom Werner Tomer Capone Tracy Ann Oberman Trudie Styler Tyler James Williams Tyler Perry Vanessa Bayer Veronica Grazer Veronica Smiley Whitney Wolfe Herd

Will Ferrell Will Graham Yamanieka Saunders Yariv Milchan Ynon Kreiz Zack Snyder Zoe Saldana Zoey Deutch Zosia Mamet

[are-they-z]

Supporters of #NoHostageLeftBehind Open Letter to Joe Biden - Part 2/2

Gabe Turner

Gail Berman

Gary Barber

Genevieve Angelson

Gideon Raff

Grant Singer

Greg Berlanti

Guy Nattiv

Hannah Fidell

Hannah Graf

Harlan Coben

Harold Brown

Henrietta Conrad

Howard Gordon

Iain Morris

Imran Ahmed

Inbar Lavi

Jackie Sandler

Jake Graf

Jake Kasdan

Jamie Ray Newman

Jaron Varsano

Jason Fuchs

Jason Biggs & Jenny Mollen Biggs

Jason Segel

JD Lifshitz

Jeff Rake

Jen Joel

Jeremy Piven

Jesse Itzler

Jesse Sisgold

Jill Littman

Jody Gerson

Joe Hipps

Joe Quinn

Joe Russo

Joe Tippett

Joel Fields

John Landgraf

Jon Bernthal

Jon Glickman

Jon Liebman

Jonathan Baruch

Jonathan Groff

Jonathan Tropper

Jonathan Marc Sherman

Jonathan Steinberg

Jonathan Tisch

Josh Goldstine

Josh Greenstein

Josh Grode

Julia Lester

Julie Greenwald

Karen Pollock

Kelley Lynch

Kevin Kane

Kevin Zegers

Kitao Sakurai

KJ Steinberg

Laura Pradelska

Lauren Schuker Blum

Laurence Mark

Laurie David

Lee Eisenberg

Leslie Siebert

Leo Pearlman

Limor Gott

Lina Esco

Liz Garbus

Lizanne Rosenstein

Lizzie Tisch

Lorraine Schwartz

Lynn Harris

Lyor Cohen

Mandana Dayani

Maria Dizzia

Mara Buxbaum

Marc Webb

Marco Perego

Mark Feuerstein

Mark Shedletsky

Mark Scheinberg

Mathew Rosengart

Matt Lucas

Matt Miller

Matthew Bronfman

Matthew Hiltzik

Matti Leshem

Dame Maureen Lipman

Max Mutchnik

Maya Lasry

Meaghan Oppenheimer

Melissa Zukerman

Michael Ellenberg

Michael Aloni

Michael Green

Michael Rapino

Michael Weber

Mike Medavoy

Mimi Leder

Modi Wiczyk

Nancy Josephson

Natasha Leggero

Neil Blair

Neil Druckmann

Nicole Avant

Nina Jacobson

Noa Kirel

Noah Oppenheim

Noreena Hertz

Odeya Rush

Oran Zegman

Pasha Kovalev

Paul Haas

Paul Pflug

Peter Traugott

Rachel Riley

Rafi Marmor

Ram Bergman

Raphael Margulies

Rebecca Angelo

Rebecca Mall

Reinaldo Marcus Green

Rich Statter

Richard Kind

Rick Hoffman

Rick Rosen

Robert Newman

Rob Rinder

Roger Birnbaum

Roger Green

Rosie O'Donnell

Ryan Feldman

Sam Trammell

Sarah Baker

Sarah Bremner

Sarah Treem

Scott Tenley

Seth Oster

Scott Braun

Scott Neustadter

Shannon Watts

Shari Redstone

Sharon Jackson

Shauna Perlman

Shawn Levy

Sheila Nevins

Simon Sebag Montefiore

Simon Tikhman

Skylar Astin

Stacey Snider

Stephen Fry

Steve Agee

Steve Rifkind

Susanna Felleman

Susie Arons

Todd Lieberman

Todd Moscowitz

Todd Waldman

Tom Freston

Tom Werner

Tomer Capone

Tracy Ann Oberman

Trudie Styler

Tyler James Williams

Vanessa Bayer

Veronica Grazer

Veronica Smiley

Whitney Wolfe Herd

Will Graham

Yamanieka Saunders

Yariv Milchan

Ynon Kreiz

[nicklloydnow]

“Anhedönia has been getting more acquainted with Ethel Cain, the character whose story she’s been tracing across multiple projects since 2018, and whose background she plans to explore further on an EP planned for later this year. Listeners first got to know the full, tragic arc she had in mind on her 2022 debut album, Preacher’s Daughter — a stunning release that showed Anhedönia’s atmospheric production and her knack for Southern Gothic imagery and intense themes, like religious indoctrination, sexual violence, isolation, and family trauma.

Ethel Cain is a work of fiction, one that first came to Anhedönia on “A House in Nebraska,” a spine-tingling song she wrote at age 19. Ethel and her creator share a lot in common. Both are women who took off on their own, leaving their oppressive Christian communities: Ethel grew up in Alabama, while Anhedönia herself came from a rural town in Florida called Perry, where she was home-schooled and brought up Baptist. But Anhedönia takes Ethel into much darker terrain from there on Preacher’s Daughter, having the character grapple with abuse at the hands of her father as she treks out west, where she encounters drugs, sex work, and dangerous men — until eventually she’s kidnapped, killed, and cannibalized.

It’s a violent, fatalist plot told over dazed pianos and dramatic blasts of distortion, Anhedönia’s voice often steady and dreamlike even at cruel turns. She’d long looked up to artists like Lana Del Rey, Marina, and Florence + the Machine, and her debut album feels like a twisted collage of those references playing over a feverish Donald Ray Pollock novel — he’s one of her favorite writers, along with others in the Southern Gothic canon. The EP she’s working on now covers Ethel’s high school years. Anhedönia says she envisions it as another chapter to a longer story she’s been telling: “I feel like this is truly laying Ethel Cain to rest.”

(…)

There was one part of secular culture that Anhedönia recalls being allowed to explore: horror movies, which she watched at her grandparents’ house. “I was really anxious and scared of everything. And so my pop, in all his wisdom, decided I should come spend the night and watch every R-rated horror movie that he had.” They’d go to Walmart and buy a Betty Crocker cake with strawberry icing to eat while they watched The Blair Witch Project, The Ring, or the Final Destination series. “He was like, ‘Watch this, you won’t be scared anymore,’ ” Anhedönia says.

But slowly, real-world uncertainties began to set in. Anhedönia says she’d always understood, somewhere deep inside of her, that she felt an attraction to both sexes. “I had crushes on girls, I had crushes on boys,” she says. “And I didn’t even really know what that meant.” Her neighborhood was small and full of old ladies, as she describes it, and she’d noticed that people treated one of her neighbors, a gay man who lived in town, differently. “I started to get this inkling in my head at some point as I was approaching adolescence, like, ‘Is that not allowed?’ ” So when she was about 11 years old, she turned to her parents with an innocent query. “I thought I was just going to be like, ‘Hey … I have a question.’ ” This is often painted as Anhedönia’s coming-out story, but the truth is, she was just a kid asking about something she didn’t fully understand. “I was like, ‘I think I like boys.’ ”

In a community obsessed with upholding puritanical ideals they believed would keep the devil at bay, all hell broke loose, she says. Families from her church would tell her mom that Anhedönia couldn’t play with their kids. Her parents sent her to therapy. Her life grew even lonelier and darker, cascading into several years that she now says she hardly remembers — in between home-school lessons, she spent most of her time in bed with the curtains drawn. “Living in that environment, you just want to get out of it,” she says. “I remember just kind of locking away parts of myself and thinking, ‘You’re going to wake up, you’re going to eat, you’re going to deal with whatever happens today, you’re going to go to sleep, and then you’re going to keep doing that until this is over.’ ”

(…)

At 16, she started taking classes at a community college, then went to school to become a nail technician at 18. By then, she’d flown out the door and started living on her own in Tallahassee, indulging in her new freedom. She experimented with acid, opioids, Xanax, meth once. “When you come from such an oppressive upbringing, you tend to spiral for a moment,” she admits. It was right around then that the idea of Ethel Cain began blossoming in her mind.

She found other answers, too. “It wasn’t until I was nearing adulthood when I discovered what being trans was, through Tumblr of all places,” she recalls. “I didn’t even know you could do that. I didn’t know that was a thing.” Up until then, her church had told her she was gay. The actual identity she came to understand for herself “wasn’t even in the conversation in any way,” she continues. “Wrong letter.”

Anhedönia is careful when she talks about being trans, emphasizing that her gender identity is only one fact in a complex personality. “When you are trans, you are living a very specific experience that not many other people in the world have,” she says. “I wanted to not be known as a trans artist, I think, not because I didn’t want people to know I was trans, or because I didn’t want to be proud of that fact, but.… It has shaped the way that I am in certain ways, but it’s not everything.”

(…)

There’s a sense in which it’s hard to imagine Anhedönia being contained by any music-business paperwork, because of just how expansive her imagination is, and just how much she wants to do. Before Ethel Cain came to her, she’d been sketching out three characters: Teddy, an androgynous altar boy with a vigilante streak; Salem, a woodsy witch with long white hair; and Carter, a time-traveler with a portal in his basement. Then Ethel Cain came along. “I knew it was going to be music, but I was like, ‘Can I write a story? Can I make a film? I want to draw this,’ ” she says. “I’m so obsessed with this story. I want to tell it in a million different ways.”

Later this year, she plans to leave Pittsburgh. She’s chasing brutal winters to match the tone of her next full-length album, which she describes as dark and cold. It’ll focus on the story behind Ethel’s mother, and see her grappling with her daughter’s death. The one after that will dive into Ethel’s grandmother.

There are other characters lurking in her head, waiting to come out — but she still thinks she has a lot of time to spend with the Cain women, and a long time before she reaches the end of the story. “This is going to be 15, 20 years from now,” she says. “I work very slow. That’s how I like it.””

[misspeelpants]

Today's Paper

She wears: Vivien Knowland’s paper ‘coolie’ hat, a fan necklace to make as well, and a stripey strapless knitted top by Alice Pollock and Catherine Blair, £20 at 16 Russell Street, London WC2. Paper fan, comes with wooden stand, £5.94 from Ehrman, 123 Fulham Road, London SW3. Light, bright, plain or pleated, it’s the new way to put colour back into your home and fun into…

[a-m-pyra]

I have two (2, II, ✌️) reservations about horrors' soundtracks.

One: Incomplete Sinister soundtrack on Spotify + missing some songs in the movie (HOW YOU COULD NOT USE LEVANTATION, POLLOCK TYPE PAIN AND DON'T WORRY DADDY, I'LL MAKE YOU FAMOUS AGAIN. Experimental music is such an, ugh, amazing thing)

Two: There is still no soundtrack from the Polish Blair Witch on Spotify. Mr. Reikowski, how long can we wait?

(take this with a grain of salt, please)

[average-guy-reviews]

Mean Spirited (2022)

"When two estranged friends reconnect, things buried deep down are bound to surface. Wannabe famous vlogger Andrew Castellano sets off for a weekend at the mountain cottage of his former friend-turned famous actor Bryce. Andy has decided to bury the hatchet, but he isn't quite himself anymore."

Coming from First-Names Films, and director Jeffrey Ryan, this is a brand new found-footage horror film currently doing the rounds of movie festivals. The movie world has a spotty history with found-footage films, from The Blair Witch Project to Cloverfield, and every film in between. Going into this film I had to temper my expectations due to previous disappointments.

I have come out the other side happy to have spent the time watching this rather fun film. Some film makers try to use a low budget camera style to mask a lack of substance in the story. Jeffrey Ryan and his team have brought us a film entirely from the point of view of a vlogger, and the style of the film fits this perfectly. Multiple cameras used by the vloggers highlight different parts of the story really well. The use of a dashcam to show hidden moments we wouldn't normally have seen was a really good move, and provided a couple of my personal favourite moments.

Filming on location in the Poconos, among abandoned hotels, haunted houses and waterfalls, was an inspired choice as it really added to the total atmosphere of the movie. Instead of making me want to avoid the area though this film, as creepy and at times disturbing as it is, has actually made me want to go. I'm not sure what that says about me.....

The cast is great. I felt connected to most of them, maybe because I recognised a part of most of them within myself. I like that in a film. I like being able to understand characters by looking at myself, even if only a small part.

Director Jeffrey Ryan plays Bryce, aka Thunderman, an actor who used to run a video prank channel with Andy, played by Will Madden. Bryce walked away from Andy and the channel with no explanation and the movie is Andy's attempt to find out why, and maybe get a measure of revenge. Ryan plays Bryce as a brash, seemingly ego-driven, minor "celebrity" and he plays it really well. He is utterly believable in the role.

Madden's Andy is a far less famous blogger, and it is clear from the start that he is jealous of Bryce's success. Madden plays the two sides of his character, Andy and the Amazing Andy, superbly. He switches between them with an apparent ease, Amazing in front of the camera and plain old jealous Andy 'off' camera. Watching a character based on the style of similar vloggers I have watched myself, and seeing the dichotomy within that character was very much an intriguing experience. Madden is an interesting performer and I definitely think I'd like to watch him again.

The rest of the main cast, Michelle Veintimilla, Daniel Rashid, Maria Decotis and Charlie Pollock, round out the film really well. Each adding a vital part to the story. Every performance had some awesome moments and the whole cast should be very happy with this film.

Overall this is a film that does exactly what you expect it to do. It's a found footage horror film, but instead of just filmed footage on a phone or camera it has the twist of being filmed specifically for a YouTube style channel. Is it a film that is going to utterly change the found footage genre? No, but it is still significantly better than the vast majority of other found footage films I've seen. I certainty enjoyed it more than I ever enjoyed The Blair Witch Project. It's getting a solidly well deserved 7.5/10, with a recommendation to watch it when it hits V.O.D. on Apple TV, VUDU, Amazon, Comcast OnDemand, and Verizon from Feb 7.

Without specific spoilers, I was very happy with the way it ended. Make sure you watch all the way to the end.

[motownfiction]

stutter

Steph figures out she has a crush on Sam by her stutter.

It’s especially strange considering Steph doesn’t usually have a stutter. She never even had one when she was very little and just learning how to speak. You were always eloquent, her mother says. Your words were as smooth as your brushstrokes. That, of course, was saying a lot: Even Steph’s earliest paintings, which look more like Jackson Pollock than anybody else, were done with a steady, expert hand. She never had a bump in her paint, and she never had a stutter in her sentences.

That was before the end of seventh grade.

And in all honesty and fairness, Steph had always liked Sam. She thought he was a nice guy. Funny. A little weird, but nothing you couldn’t forgive, namely if you’re a little on the weird side yourself. As a twelve-year-old girl with a picture of Andy Warhol in her locker next to a picture of Leif Garrett, Steph knows she’s more than a little on the weird side. It’s just that her blonde hair has managed to fool the popular kids for a long, long time.

But more and more often, she doesn’t care about what the popular kids think. In fact, she kind of wishes they would leave her alone – that they’d stop assuming she’s one of them. Steph has never wanted to be popular. She just wants to be herself, which is more than she can say for most kids in the seventh grade. But then, there’s Sam and his friends. They’re exactly who they need to be, and they’re not sorry for it, either. Sam seems to be the truest individual of them all. Every time Steph sees him, he’s laughing and dancing and singing like an old proverb with incredible lungs. She can’t help but want to join him. She can’t help but want to love him for real, like all of his friends do.

It doesn’t hurt that he has perfect hair and the prettiest brown eyes Steph has ever seen, outside of Kristy McNichol.

But it all comes to a head on field day in the last week of seventh grade. After a few hours of jumping rope, obstacle courses, and relay races, the seventh graders hang out in the school parking lot, cooling down with water balloons and Popsicles. Robby Blair just beamed Kim Campbell in the face with a water balloon, and she squeals and pouts like she didn’t drop hints about wanting him to do it all morning and into the afternoon. Kim begs for Steph to help her get “revenge” on Robby, but Steph doesn’t budge. She just wants to enjoy her Popsicle in her favorite flavor: orange.

Everything starts off just fine. The Popsicle is cool and delicious. But after a minute or two, things get testy. The strange thing about Catholic schools is that on casual days, you almost never get to wear what you want. Rather, you have to subscribe to their strange theme rules. On field day, every class is supposed to wear their class color, which the faculty arbitrarily decides each year without giving any of the students a vote. This year (like so many years before it), the seventh graders are supposed to wear white. No one really knows why, but Lucy Callaghan likes to go around and tell people that it’s to shame students when their bodies are at “their most vulnerable and pubescent.” The teachers get really quiet when she says this, which leads Steph to believe that Lucy must be onto something. All of this, of course, is to say that Steph is wearing a white t-shirt in the parking lot today. And all of that is to say that her orange Popsicle is melting and staining her shirt in the middle of the water balloon fight.

She doesn’t say anything at first. Just moves toward the teacher to ask if she can go to the bathroom. But she never gets that far. Instead, Sam Doyle runs up to her and smashes a water balloon right on top of the orange stain. She looks at him with a knitted brow.

“There!” Sam says, very proud of himself. “I think that’ll get the orange out.”

“W-were you watching me?” Steph asks.

Sam shrugs.

“Would you be mad if I said yes?”

“I d-don’t know. M-maybe not.”

Sam laughs a little, and for a second, Steph isn’t really sure about why. But then she hears herself speak. It’s like she can’t even remember sounds. It’s like she’s too nervous. Too flustered.

She looks Sam in the eye again, and she thinks she understands.

Oh, she thinks. Oh, great.

It’s the beginning of a strange two decades.

[nehistripesseattle]

Thought I’d reshare this image along with the image that Karen Mason Blair shared a few days ago. This first image Nick Pollock shared last year on Layne’s birthday. It’s at the same time as the one Karen shared. Nick said it was taken at the Music Source. There’s a bit of a glare in the first one due to it being in a frame. Both images taken by Karen. When I first saw the pic Nick shared, the first thing I noticed was the KISW 99.9FM tank top Layne was wearing. I think Nick is drink a Black Label brand beer😜 • • • • • • • • —————————————————— #nehistripesseattle #aliceinchains #karenmasonblair #laynestaley #nickpollock #mysistersmachine #the1loveaic #grungeera #1990s #seattlesound #greatestbandintheworld #chainer4life (at Seattle, Washington) https://www.instagram.com/p/CjQvpTsJUur/?igshid=NGJjMDIxMWI=

[sim4universe-blog]

Spice Festival 

San Myshuno; Spice Market

The Kimball’s and The Saavedra’s enjoy the festival together.

[duusheen]

As soon as the sun set, the house filled with people. Everyone was taking pictures with the birthday girl and having a good time

[melkweed]

Watching and judging Blair Witch Project without reading about the filming and acting process is like looking at Jackson Pollock’s paintings and going “hm” and moving on

[vintagelasvegas]

Blair House Suites was a 72-unit apt-hotel at 344 E Desert Rd, opened in July 1955. It was adjacent to the larger Bali Hai Motel, separated by what is now called Channel 8 Drive. Blair House and Bali Hai were non-gaming hotels, north side of E Desert Inn Rd facing south towards Desert Inn Country Club, on property of Jimmie Fulcher and Murray Wollman.

Blair House and Bali Hai remained until ‘89 when they were each demolished for the widening of Desert Inn Rd. A new Blair House was built then renamed Rita Suites.

“Blair House offered weekly rates, back in ‘58 a studio single w/kitchenette ran $40/week, double bed $45, 1 bedroom $55 & 2 bedroom for $85”

Undated photos (1950s) and postcards. Black & white photos from Debbie Pollock James. Toyopet Crown Custom in the last photo.

[agentmonet]

Jacqueline “Jack” Devereux (FC: Astrid Berges-Frisbey)

Pronouns: She/Her

Rank: Apollo

Skill Set Strengths: Gymnastics and Acrobatics, Art and General Counterfeiting, Linguistics, Surveillance, Long Cons

Areas of Opportunity: Smuggling, Operational Organization, and History

Weaknesses: Marksmanship, Hand-to-Hand Combat, and Technological Aptitude

Positive Traits: Disciplined, Calculated, Careful, Balanced, and Intelligent

Negative Traits: Cold, Frigid, Impersonal, Disloyal, and Snobbish

Timeline

Born October 22nd, 1988 in Nice, France to well-to-do French/Spanish aristocracy on the verge of financial ruin

Child of mixed trades - a passion for fine arts, but a talent for gymnastics

Begins competing as a gymnast, earnings gold and silver trophies. Nearly qualified for the Olympics, before an injury and growing dependence on pain killers disqualify her from competition (Age 19)

Earns a scholarship at The Royal College of Art in London, England and emerges with a Fine Arts Degree (Age 23)

Employed as a junior, art restorer for the National Gallery when she catches a counterfeit art piece - catching the attention of Pantheon’s ranks

Joins Pantheon and is placed as an Apollo (Age 27)

The Pantheon’s go-to for art counterfeiting and cons requiring steady hands and athletic flexibility

Languages Spoken

French (Native)

Spanish (Native)

English (Fluent)

Portuguese

German 

Mandarin

Italian 

Learning Japanese and Cantonese

Character Parallels

Marcia Roy

Olenna Tyrell

Amy Dunne

Mystique

Black Widow

Blair Waldorf

Full Biography

There was a certain, gilded path for the members of Spanish aristocracy. A life that promised importance, lineage, and relevance - long after one had come and gone from the world. It was an old world ideal, but for Duque Lorenzo Jiménez, it remained the expectation. Never mind that the Jiménez’s finances were built on the dwindling foundation of ancestral wealth. He would argue that nobility is synonymous with grandeur. They simply needed to show it to the world. To dig within, and shine. In the bloom of young love, Marianne Devereux promised just that. A highly accomplished painter from a well-to-do family from the South of France; the artist encapsulated what Lorenzo wanted for himself. A grand existence of popularity and influence, shrouded by the classist structures he enjoyed so well. The promise of a son came soon after their wedding, cleverly picking the name ‘Jackson’ after the Pollock painter. But a misread sonogram brings a surprise, and in his place, is her. It’s Jacqueline, they decide. However, the affectionate nickname ‘Jack’ was solidified throughout Marianne’s pregnancy - and it sticks.

Life is not without its share of disappointments, and Jack is exposed to the tumultuous nature of her parents’ marriage. At a young age, the cracks began to appear over the polished glass of the couple. Her father’s taste for champagne, caviar, and excess slowly but surely diminished their financial status. A man of privilege, who never knew a day’s work in his life, placed the blame on his partner. An art career that once showed promise, proved fruitless in the years to come. Year after year, her popularity dwindled. And with it, the financial prosperity of the young family. In the cold, imposing ancestral home - Jack lived in relative solitude. When the marble halls weren’t shaking with her father’s wrath and her mother’s cool resentment, it rang a hollow silence. Something cold and imposing, in all that surrounded her. A cold state of being, as it turned out, made for survival. Jack managed through the toxicity of her family, by virtue of numbness. The singular source of emotional expression, brought by a paint brush and a canvas.

It was the first of many things that her father would take away from her. In its place, is the rigor of gymnastics. What began as a six-year-old’s hobby, evolved into a vocation. Sure, Jack was a tried and true natural - likely inherited from athletes from her father’s side. Something special in her bones, that made her pliable and agile. And sometimes, it was enjoyable. Nothing to be disliked about being excellent, and earning her hyper-critical father’s approval. Still, she would search for a canvas when the night light turns off. By day, she is her father’s trophy. But at night, she is her mother’s daughter. Hers was a technical talent, lacking in her mother’s artistry - you needed a soul to put humanity on the tip of a paintbrush, and stroke genius. One ought not to be fooled by the liveliness of the Jimenez’s home - there is not a soul to be found. As the years trudged on, the unhappiness and instability of her parents’ marriage clung onto the slimmest of threads - Jack’s athletic success. It’s not long before gold and silver medals line their home. The accolades prove to be a commercial success, drawing benefactors and sponsors alike. A cash cow, a champion, a winner - it’s who Jack Devereux-Jimenez is destined to become.

At only twelve-years-old, she began her career as a professional athlete. By nineteen-years-old, it comes to a screeching end. All before ever making it onto the Olympic arena, no less. The mounting pressure, combined with a slow-recovering injury push Jack to performance enhancing drugs. Orange pill bottles smuggled in her leather satchel, pried open after each intensive session. A minor crutch, she argues, that would dissipate when the true competition began. Jack is a winner, but even winners need a push up the hilt. But when it comes to light, she is disbarred from competition. A name that verged on grandeur, blacklisted and forgotten. The sponsors and accolades follow, and so too does her loveless father. Her parents’ marriage is undone, and Marianne and Jack are thrust onto the world on their own. A great many disappointments come from the unraveling, but in some ways, Jack feels relief. She is free - from her father, the Jimenez name, and the volatility of their home. An estate that is sold to settle the family’s debts.

In the aftermath, the mother-and-daughter find their way to Paris, where Marianne’s expertise earns her a coveted spot as a curator for the Louvre. In the simplicity of their two bedroom apartment, Jack heals in the arms of her lost love - putting paint to canvas. A therapeutic act that allows her crutches to become awash. But Jack is not one for keeping still, for just getting by. She is flexible, malleable - and her thirst for excellence can be foregone, for more subdued passions. She builds a portfolio, leveraging her familiar name and inherent talent to earn her place in London’s coveted Royal College of Art. A welcome reprieve, too. The space between Jack and her mother felt smaller and smaller, as resentment simmers just below the velveteen words. Jack leaves for London, and four years later, accomplishes a Fine Arts Degree. The name, Jacqueline Devereux, embossed on the degree. It is a new moniker, for a new Jack.

At first, The National Gallery is the perfect fit. As an art restorer, she is surrounded by fantastical works that spoke to her cold heart. But Jack was never made for ordinary life, or the straight-and-narrow. She is made to win, to see the world, and to bring her own grandeur to life. When a ‘Woman With a Parasol; by Monet is brought to her for restoration, it takes all of five minutes for her studied eye to catch the misnomers. The subtle changes in stroke, the off hue in red, and the tightness in the lines. It was a counterfeit. An impressive one, but a counterfeit nonetheless. But it passes through chains of authentication, caught only by a junior art restorer in the basement of The National Gallery. When the falsity of the piece is brought to the committee’s attention, an investigation takes shape. Never mind the loss of history, the millions in loss it represented caught headlines. And Jack, centered at the eye of the storm. As she makes her leave from the studio in the late hour, footsteps follow her through London’s sleepy streets. They chased her down, nipping at her heels. She believed them to be the perpetrators, offended by Jack’s ability to catch them in the middle of their con. Instead, the mysterious and hooded figures claim their loyalties to Pantheon. Their arrival is not judgement, but the promise of heaven itself - a place where her staunch eye, careful hands, and athleticism could find value.

The swift but calculated decision comes easily, almost too easily. Her workplace comrades, apartment leases, and social media presence is abandoned within the month. She vanishes from her life, but she is not missed. And it’s that ingenuity, that malleability that prompts the committee to decide instinctively. Apollo, a “Jack” of All Trades. A perfect fit for a woman that simultaneously blends in and stands out. She is young, willing, and bountiful with potential. So, they build her up by breaking her down. They dismantle her skills to their bare bones; from starting off on a beam, to drawing shapes instead of restoring images. She is patient through the process, trusting in this new mold. Keen and willing, as her abilities evolve throughout the years. But it’s always been in her, deep as poison. It only needs to be drawn out.

In Jack, there is a light touch and a cold-cut sensibility. She lacks harsh lines or impassioned stances. Her motives for joining Pantheon are simple - Jack is a winner. At what, and against whom? Those were all just details. Nowhere else could pull together her expertise, and draw out the sleeping champion. Nowhere else would value the cold, vacant stare or the way attachment is rootless. She sees that - and she commits. Her specialized skill set, acting as transferable and valuable to each crew. In the years that follow, Jack evolves each of her skills. Her gymnastics turned invaluable in espionage and stealth - lithe form allowing her to blend seamlessly and without notice. No area too guarded, that her physicality cannot navigate through. Jack’s ability with a paintbrush and canvas make her a skilled counterfeiter, forging dummies for the Pantheon’s missions. And even her background of aristocracy proved beneficial. A number of learned languages, combined with her ability to mislead quickly cement her as the quintessential Apollo. She grows, until she is the grand beast that her father could only dream of. In seven years, her reputation within Pantheon’s ranks is one of cold disposition, married with a competitive venom. It’s perhaps the only time that those around her could scratch the surface - when one proved to gnaw at the insecure young girl behind the skilled woman. Despite her divisive attitude, she is adaptable and flexible to the nth degree. Poetically called Agent Monet, she is old world whimsy in a seemingly forgettable scene. A known pragmatist that leaves things as she finds it, as if she was never there at all.

[augment-techs]

My Personal Top 250 Movies

Watership Down

Princess Mononoke

Shinbone Alley

The Thief and the Cobbler (Miramax & Recobbled Cut 4)

Tokyo Godfathers

The Last Unicorn

The Hours

Artemisia

Phantom of the Opera (1987)

Smart People

Snow White: a Tale of Terror

Spirited Away

Mary Reilly

The Piano

Speak

Millennium Actress

American Pop

Seraphine

Harry Potter and the Chamber of Secrets

Harry Potter and the Philosopher’s Stone

Babe

Zootopia

Charlotte’s Web

Inside Out

Wall-E

Mulan

City of Lost Children

Amelie

Happily Ever After

How to Train Your Dragon

Megamind

Snow White and the Huntsman

Babe: Pig in the City

Ferngully

The Good Son

Nell

FeardotCom

Se7en

The Dark Knight

Iron Man

The Illusionist (2010)

Flawless

Sorority Boys

Wolf Children Ame and Yuki

A Silent Voice

Scooby-Doo on Zombie Island

Monsters University

Faust

Rent

The Ballad of Little Jo

Casablanca

Whatever Happened to Baby Jane?

Sunset Boulevard

Titan AE

The Swan Princess

Ed, Edd n Eddy’s Big Picture Show

Batman Beyond: Return of the Joker

Little Nemo: Adventures in Slumberland

Felidae

In Her Shoes

I am the Pretty Thing That Lives in the House

Agnes of God

Mrs. Parker and the Vicious Circle

The Tower

Whale Rider

Homeward Bound 2

Girl, Interrupted

Tangled

Frozen

Sing!

The Princess and the Goblin

Lady and the Tramp

Jungle 2 Jungle

Anastasia

Malice in Wonderland

The Secret Garden (1993)

Juno

Gargoyles the Movie: Heroes Awaken

Repo! The Genetic Opera

Care Bears Movie II

Adam Sandler’s Eight Crazy Nights

The Squid and the Whale

A Goofy Movie

Treasure Planet

Muppet Treasure Island

Balto

Lolita

Cats (Andrew Lloyd Webber)

Quest for Camelot

The Fall

Matilda

Cats Don’t Dance

The Witch

Romance & Cigarettes

The Little Mermaid (Sanrio)

Leafie: A Hen into the Wild

Sleepy Hollow (Burton)

Coraline

Searching for Bobby Fischer

The Return to Oz

The Others

The Rocky Horror Picture Show

Rover Dangerfield

Uptown Girls

The Cat Returns

The River King

28 Days Later

Home Alone

Legend of the Guardians

The Indian in the Cupboard

Rushmore

Dogma

Planet of the Apes (Burton)

Shakespeare’s Romeo+Juliet

Moulin Rouge

Amadeus

Beetlejuice

The Mask

Party Girl

Daytrippers

Harriet the Spy

3 Men and a Baby

Baby’s Day Out

The Lion King

The Emperor’s New Groove

The Secret of NIMH

Tarzan

The Halloween Tree

Pollock

A Beautiful Mind

The Aviator

The Moth Diaries

The Blair Witch

House of Wax (2005)

Gothika

Darkness Falls

Jeepers Creepers

Casper

Ghostbusters 2

The Hunchback of Notre Dame

Hanging Up

Away We Go

Mind Hunters

Labyrinth

The Dark Crystal

Into the Woods

Wakko’s Wish

Speed

Heathers

Stage Beauty

Kiss the Girls

The Big Lebowski

The Countess

Song of the Sea

The Jeffrey Dahmer Files

Lassie

Steel Magnolias

As Good as it Gets

Black Panther

Uncle Buck

The Breakfast Club

Ferris Bueller’s Day Off

Thumbelina

Batman: Mask of the Phantasm

Forrest Gump

Interview with a Vampire

Bring it On!

The DUFF

Some Like it Hot

Rear Window

The Birds

The Shining

It (2017+19--it’s a two-parter, shut up)

The Fugitive

Clerks

Zombieland

Fritz the Cat

Nine

Chicago

A Muppet Christmas Carol

My Sister’s Keeper

New York, I Love You

Sunshine Cleaning

Little Miss Sunshine

Mermaids

The Nightmare Before Christmas

Fargo

Anna and the King

Les Miserables (2012)

The Secret of Kells

Jumanji

The Silence of the Lambs

Red Dragon

Sliding Doors

Black Swan

Circle of Friends

Feast of Love

The Wind Rises

The 4th Floor

Clue

Fire & Ice

We’re Back! A Dinosaur Story

The Goonies

Stand By Me

Now and Then

Gay Purr-ee

The Land Before Time

North Country

Mona Lisa Smile

Robin Hood: Prince of Thieves

Aladdin and the King of Thieves

Don’t Say a Word

The Weatherman

Transamerica

Under the Red Hood

Ace Ventura

The Story of 15 Boys

The Gift

A Journey Through Fairyland

Copycat

A Few Good Men

Con Air

All Dogs Go to Heaven

Calendar Girls

Fried Green Tomatoes

Fantasia

101 Dalmatians

Fox and the Hound

Coffee and Cigarettes

Eavesdrop

Brief Interviews with Hideous Men

Ghost World

Hercules

Eye of the Killer

Haunted

The Beautician and the Beast

The Accused

The Darjeeling Limited

Center Stage

The Red Eye

I Am Sam

Philadelphia

The Sixth Sense

Lady in the Water

Alice in Wonderland (1999)

Osmosis Jones

Ratatouille

Lars and the Real Girl

Batman Begins

Newsies