directors using colorful or "impossible" lighting to convey mood and meaning and beauty my beloved. directors making night scenes impossible to see for the sake of realism my beloathed.
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realized that both the beginning and the end of the happy paris stage of Loumand's relationship has this same contrasting orange to blue/green color scheme. and like. the visual metaphor of Armand literally leaving his cold, lifeless world behind him and choosing the bright, golden warmth of life with Louis instead of killing him like he was supposed to in that tunnel. but as soon as he chooses the coven over Louis, he separates from the warmth like oil in water that was never supposed to be there. and now he's back out in the cold. I'm normal about this, btw.
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[ID: A colored, simple, three panel comic of teen Gojo Satoru and Megumi Fushiguro.
Panel one: Megumi sits on a stool, feet hanging barely half way down, as Gojo kneels in front of them bandaging their arm and holding their hand. Megumi has Gojo's sunglasses and is labeled "gojo put the sunglasses on them to keep Megumi's hair out of wounds." Gojo says "You got pretty close this time, Gumi! Want my help taming Nue next time?"
Second panel: Megumi from the waist up, looking at her bandaged arm and saying "No. I'm alright Dad." A small cartoon Megumi realizes what they said and goes "wait..."
Third panel: Gojo has a closed eyes smile and says "Okay, Gumi" but is labeled "Trying very very very very hard to play it cool." Multiple loud and ugly crying cartoon Gojo's reflect his real feelings in the background. /End ID]
They proceed to never talk about it again
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smth about edwin escaping a red hot hell and meeting a boy blue to the nose with hypothermia.
smth about them clawing their way up the staircases to earth and the attic, dripping with gory blood and ice cold water.
smth about their afterlives being forever imbibed with the colors of each other's death.
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