#bonedaddy

[tittyinfinity]

I stopped tagging my own posts as "me" and started tagging it as "dani" bc it was hard to look up any of my own posts, but I don't like my name being attached to everything so ima be tagging my stuff with bonedaddy from now on

[lheart-sinnerlust]

Smell the Roses~ (didn't know what title I wanted for this design) also please help support my work with Ko-Fi! anything helps! https://ko-fi.com/lheart also check this design out on my Redbubble Merch! https://redbubble.com/i/t-shirt/Smell-the-Roses-by-LHeartsMerch/122403891.1YYVU?asc=u please leave a like and share to also support my work! lastly. Credit My Work. Please and Thank You!

[sheathedormousebae]

When you get mistaken for a couple at Disneyland once so you make it your entire personalities and purposely match 😂🤍🖤💀 📸: @brittanyyezzo #disneyland #bonedaddy (at Disneyland) https://www.instagram.com/p/CidvjvTPTJD/?igshid=NGJjMDIxMWI=

[potsnpens]

ICON KEYCHAINS WAVE 2 + 3 ON SALE

https://www.etsy.com/listing/1225697328/

https://www.etsy.com/listing/1251742879/

[bonesythebonedaddy]

New Bonesy content.

[rhubarbes]

BoneDaddy

More on RHB_RBS

[campwillowpeak]

Is Luna still Bonedaddy, or is she Bonemommy now?

Bone has been turned into bonemeal for now

Luna only 🌙

[kantasea]

I also Cosplayed the funkmaster bonedaddy of all time…

[sacrosanctifiied]

@caerdwyn

Hey bonedaddy.

[dnphobe]

okay i've slept and eaten i'm a person again. thank you obviously to dan howell for an incredible show i am so so proud of you and grateful we could have that one good night together <3 but also thank you to all the wonderful people in this community i got to meet. @danrifics and @ahappyphjl spending the weekend with you was incredible, i love you so much and will cherish every part of this weekend forever. @pseudophan i love you also thanks for getting bonedaddies with us it was nice to have a smoking buddy for once and @energeticwarrior it was so nice to run into you and speak however briefly. @gardener-dyke we aren't mutuals but it was nice to meet you too thank you for supporting my kidnapping of dil. and everyone i spoke to who's online presences i don't know it was also great to meet you. i'm really anxious around people and i don't think i've ever felt more comfortable than in this building full of phannies this community is truly so friendly and kind

[tittyinfinity]

not to spring back a decade in time but I am such a slut for pizza

[bowieisawizard]

"We both know it's out of character that Brenner would eat foreskin."

-@bonedaddy-o

[sheathedormousebae]

When you get mistaken for a couple at Disneyland once so you make it your entire personalities and purposely match 😂🤍🖤💀 📸: @brittanyyezzo #disneyland #bonedaddy (at Disneyland) https://www.instagram.com/p/CidvjvTPTJD/?igshid=NGJjMDIxMWI=

[music-addiction-disorder]

80s Hair Metal meets Gothic Rock in Sonja’s Video for “Nylon Nights”

The new single from Philadelphia gothic hair metal outfit Sonja, “Nylon Nights,” is a revenge tale for the ages.

It all started in 2017, when Texas black metal musician Melissa Moore came out as transgender to her Absu bandmates and was promptly fired via text message. The betrayal, hurt, and subsequent shunning rocked her to the core. Drummer Grzesiek Czapla and bassist Ben Brand joined forces with her to form her new band Sonja.

Sounding like a heady mix of goth rock and 80s hair metal bands, Sonja blasts powerful hooks that would be right at home opening for the likes of NWOBHM stalwarts, Mötley Crüe, The Cult, and Sisters of Mercy alike, culminating in their first full-length (and Cruz Del Sur Music debut), Loud Arriver. Loud Arriver is Moore’s first full-length album in a decade, marking her debut as lead vocalist. (POST-PUNK.COM)

SONJA

Loud Arriver (2022)

Cruz Del Sur Music

Philedelphia / Pennsylvania / U.S.A. 🇺🇲

ALBUM OF THE YEAR... PERIOD!!!

1. When The Candle Burns Low... 05:28

2. Nylon Nights 04:34

3. Pink Fog 04:18

4. Wanting Me Dead 05:59

5. Fuck, Then Die 04:55

6. Daughter Of The Morning Star 04:03

7. Moans From The Chapel 02:57

8. Loud Arriver 05:39

It is a catharsis: much of the music Melissa Moore wrote during the Absu debacle is now lost due to the adversity surrounding her gender; the pandemic further delayed production. But Sonja forged ahead, creating big, anthemic songs.

As Moore notes on the origin of the band:

“We actually started in 2014 and were active under the radar while Absu still existed. When Absu collapsed in 2017, Sonja went into full focus, and I was a shattered person. Its output couldn’t be rushed because the stakes were so high now.”

On songwriting for Sonja’s debut album, she adds:

“Interestingly, the lyrics were written in a time of fear and darkness for me. Right up until the moment I sang them in the studio. I was existing in a numb void. I really had to acknowledge that I was cut off from the light. I can only delve deeper or wait in place for nothing. The performance of these songs demands a power that only came to me recently, and I descend into my surroundings more intentionally now.

The video for the lead single ‘Nylon Nighs”, directed and edited by Geneva Jacuzzi collaborator Zev Deans, depicts a sex worker who seeks revenge on a betrayal from a John. It’s a metaphor for oh, so much – yet the emotionally charged video ultimately shows her getting the upper hand, so to speak.

On working on the video, Zev Deans comments:

“It is not often that I see this deeply eye-to-eye with a collaborator. I’ve done a great deal of surreal and fantastical work with bands that want to keep things on the lighter side of the spectrum. I rarely get to tell a story that is this personal, especially a story that is so grounded in reality in terms of set and setting. Sonja presented a challenge that I was all too excited to meet.”

(POST-PUNK.COM)

Loud Arriver was recorded in 2019 at Creep Recording Studio in Philadelphia with Dan Kishbaugh. Its vocals were tracked with acclaimed producer Arthur Rizk (Cavalera Conspiracy, Enforced, Kreator). (POST-PUNK.COM)

Ben Brand - Bass / Backing Vocals

Melissa Moore - Guitar / Vocals

Grzesiek Czapla - Drums

At the first hint of dusk a primal terror awakens inside me

Ruinous desire swirling in the air

Unpredictable strangers on the hunt to fulfill their darkest fantasies

I know they're all coming for me again tonight

A pack of wolves coming to devour

And they might get me this time...

But I'll take a piece of every one of their souls as payment

@beardedguy1369 @wolfofodin-scotland-edinburgh @boundandbimba @gloria-glitter @x-heesy @goblinkleaver @maidenintexas1 @bonedaddy-13 @moonstar-magic @twinqlinglights ...

[bonesythebonedaddy]

I reworked this old drawing of this lil guy. I ended up deciding to make him a sort of human/humoid version of my other oc bonesy the bonedaddy, he’s a skeleton demon.

This is bonesy the bonedaddy’s demon form.

[randomvarious]

Today's compilation:

All-Ears Review, Vol. 4 1988 Folk / String Band / Americana / Blues / Reggae

Folks, this late 80s CD here may have tried to present itself as something so eclectic that it would naturally be broadly appealing to 'all ears,' but who it really seems to have been geared towards is the type of person who gets a chill up their spine whenever they hear the word 'ethnomusicologist.' Basically, I feel like I've just listened to about an uninterrupted hour's worth of what the non-current affairs portion of NPR sounded like back in 1988—a contemporaneous selection of rootsy and bluesy Americana-type fare, along with some more worldly stuff too. 

And while I'm not sure that this unfortunately extremely bland CD itself was ever entitled to a nanosecond of shelf life in the first place, there's still one track on it that does manage to stand out among the rest: "Zouk Attack," by a Los Angeles band who calls themselves The Bonedaddys. 

Now, a name like The Bonedaddys might have you thinking that what you're about to hear is some of the worst middle-aged white guy blues-rock imaginable, but what they manage to deliver here is actually a pretty enjoyably peppy and upbeat soca-fusion kind of jam that's brimming with a heaping pile of 80s positivity instead. Compositionally, "Zouk Attack" doesn't really sound anything like two-tone ska, but the overall lighthearted attitude that gets put on display, with its blend of squealy steel guitar strands, some horns, and worldbeat kind of drumming, is certainly reminiscent of it. And part of what made some of that two-tone stuff so irresistibly good in the first place was just how cheerfully infectious it all was, which is a quality that this tune definitely seems to have in common with it. Plus, it probably kills whenever it's performed live 😤.

So, overall, this is a pretty awful installment in the All-Ears Review series, but thankfully, it still has one fun tune on it that I think is ultimately worth a listen.

Highlights:

The Bonedaddys - "Zouk Attack"