Remember when I said “You meet some fucker named James and then it’s just one guy” and then James did That Thing? Well today we had to get fingerprinted for our new job and on the way there i said “Good luck trying to get all six of my fingers on there!” and then the lady who did our prints WAS MISSING A THUMB. I have seriously got to start choosing my words more carefully 👀
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sits up in bed. so lana and ema definitely thought they were responsible for edgeworth "choosing death", right?
(the rest of this post was supposed to go in the tags, because it's not very well organised or written, but it got too long so. here are the slightly edited tags for your reading pleasure (or otherwise)):
i was going to make this solely about ema because she's the obvious one with her open adoration of edgeworth, but the thing about rfta is that it goes to great lengths to emphasise the connection between lana and edgeworth as well.
the sl-9 incident showed that lana grows attached to people deeply, hence angel starr's comment on how, when neil marshall died, 'she (lana) felt like her own brother had died.' with edgeworth, i think it was similar but worse. because he's not just a coworker or subordinate who's dear to her. he saved her life. and it cost him his own.
at the beginning of the case, edgeworth says he was mistaken for thinking that lana was always looking out for him post sl-9 (a statement interesting on its own because that's when everyone else says she grew distant), and, later on, he brings ema fingerprinting powder because lana asked him to. then, of course, there's the 'lady luck' comment he makes.
similarly, on lana's side, you obviously have the end of the trial when she says he did well, but there's also that additional moment post-trial where she's the only one to notice — in a group comprising her, ema, phoenix and gumshoe — that he's 'hiding', listening to their conversation. point is, there's enough to suggest that she might have been the nearest thing edgeworth had to a mia; his 'chief prosecutor' to phoenix's plain 'chief'. they're as close as two people can be in a relationship where one of them is constantly lying and the other is von karma's star pupil.
rfta is pretty straightforwardly depicted as the case which solidified edgeworth's resolve to do what he did; i don't think i have to prove that. rumours about him have reached new heights, his car and knife were involved in goodman's murder, he makes an unprecedented mistake in court by failing to connect the evidence room and carpark incidents, thus forcing the chief of police to enter the trial to do so himself, and he's publicly revealed to have relied on falsified evidence to secure a conviction in the sl-9 case, all of which only happened because of lana. jake marshall even claims that from the beginning — that if you trace edgeworth's rumours back to their source, you end up meeting one person: lana skye.
and it gets worse because at the end of rfta, she thinks he's fine!! she literally says, 'i was afraid the pressure would break you, but you rose above it,' and reminds him he's nothing like gant because he's not alone. she leaves the case thinking he will be okay. and then, what, like a week passes, and she finds out that he wasn't, and that he's gone, and it's her fault. even after she was freed from gant's control, even after she had finally stopped lying, she couldn't prevent herself from claiming another life. so much for 'lady luck', i suppose.
and the game reiterates this multiple times. gumshoe states at the start that edgeworth's ties to those higher up in the department have made him the subject of constant rumours, and phoenix says (in front of ema) that he shouldn't be held responsible for the forged evidence because that was all lana's doing, which then leads to edgeworth commenting (again in front of ema) that he feels as though 'something inside him has died.' it all goes back to lana. we can argue and say that it was technically gant's doing that caused all of this, but lana still took actions that led to it. even her complicated friendship with edgeworth isn't spared; it's that closeness between them that exacerbated those rumours. how could she not feel responsible in some way?
and with ema, it's rather obvious, isn't it? if she hadn't gone poking her nose into things, none of this would have happened or come to light. and, of course, she'd never choose anyone over her sister, not for anything in the world — it's simply not a question, but that's the problem, isn't it? it's not a question. it's not some hypothetical moral dilemma. it just is. she may not have killed neil marshall, but she still has one king of prosecutor's blood on her hands. and now she has to live with that. she just. has. to live with it. no matter if he chose otherwise.
moving on from that a little, i think it's actually wild how much of ema's journey to becoming a forensics investigator is paved with bad memories. neil marshall's death and her subsequent inability to testify are what drives her to begin pursuing it, her first proper investigation results in her idol's "death" and when she finally graduates, the person who saved her sister has been disbarred, and she can't even help because she isn't allowed to. all that pain and constant pursuit of her goals, and she's still the same ema skye, still that girl shrouded in darkness, always one step behind the truth, one step a little too late. no wonder she was angry in aa:aj. i would be furious.
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When Sanji sacrifices himself he's aware of what he's doing. He knows exactly what is at stake and how much he's given and why his act is bad to others or himself, why it must be done either way. From what I see, it's a reflection of his self-esteem and his desire to put others first, it's guilt and it's self-punishment and he knows, okay?
When Zoro sacrifices himself he's insane, batshit crazy. He doesn't want to die per se, he doesn't hate himself and doesn't do it out of punishment. His dreams are bigger than his life, they are more valuable, so he's never afraid to put his life at risk when it comes to fulfilling what he thinks his duty is. You could say it's his honor or his code of life— Zoro can survive the deadliest wounds, the worst circumstances, 'cause he doesn't seek death, it's just that he won't avoid it either.
I love that contrast and how clear it is during the encounter of Zoro and Mihawk in Baratie.
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Trapper's whole happy-go-lucky himbo thing is a curated personality. He's a very thoughtful person who has some very significant feelings about the war. He's just generally better at managing it than other people (Hawkeye) so what we see is mostly the way he has consciously chosen to behave. But Trapper almost murdered someone, something no other character on the show ever did.
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joyce teaching robin to drive in the rr:stud au OH...
"okay so now just edge forwards"
[car lurches]
".....you have to hold it down, sweetie"
"i'm nervOUS OKAY"
JOYCE AND ROBIN BONDING YESS
robin, in joyce's tiny little green Pinto, white knuckling the wheel because she doesn't want to crash: "i think i miss the Upside Down, actually.
no but for real tho joyce being so gentle with robin learning how to drive and robin isn't used to it AT ALL. she keeps waiting for joyce to yell at her (she's not going to anyway, but) and cringing when joyce gently lets her know not to be so hard on the brakes.
eventually robin gains more confidence in her driving, esp with joyce's instruction....until she backs into a mailbox...
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