#braman

[taz-clark]

some days you just need to paint a cow

[ix69ibxmgfr]

Gia Derza and Nia Nacci cums loudly as they finger fucks each other Hot Tgirl throats and analed by big cock Japanese schoolgirls teachers buried in the ground and urinated on his face Milf small cock and mom just wants Ryder Skye in Stepmother Sex Lechazo y tragadita escort Mily Love Luna Bright In Brace Yourself For Blowage Sylvie sexy milf essaye ses premiers blacks en gangbang hot milf Alexis Fawx fucks young cock Jony Stepbrother gets Blow Job by Hot Step sister Hana real homemade bronx thot fucked

[casualist-tendency]

[mentaltimetraveller]

Sarah Braman, 2011. 

Camper chunk, steel, plexiglas, and paint at Mitchell-Innes and Nash

[garadinervi]

Elisabeth Kley: ‘Minutes of Sand’, Edited by Sarah Braman, Essay by Amelia Stein, Interview with Rachel Adams and Karen Patterson, Designed by Joe Gilmore, Photography by Joe DeNardo, Carlos Avendaño, and Colin Conces, The Fabric Workshop and Museum, Philadelphia, PA / The Bemis Center for Contemporary Arts, Omaha, NE, 2023 [Exhibitions: The Fabric Workshop and Museum, Philadelphia, PA, March 5, 2021 – August 15, 2021; The Bemis Center for Contemporary Arts, Omaha, NE, December 8, 2022 – April 16, 2023]

[athletic-collection]

Trent Braman

[postcard-from-the-past]

View of Bramans, Maurienne region of south-eastern France

French vintage postcard

[frenchcurious]

Sarah Braman (b. 1970) Indian Summer 8pm 2010. - source Sotheby's.

[thesewildreams]

This graphic is so useful, I just wish it was easier to read

[ramyeonpng]

(via Caution: Art May Cause You to Feel | Magazine | MoMA)

[eggwhiteswithspinach]

My visually formatted SUD scale is a helpful way to communicate internal feelings because it gives both sides a starting point for understanding. Scales like the SUDS help providers and patients speak the same language when they talk about internal experiences. People who are in therapy can use these scales to see how things are going. They can also use them to help them understand and identify their own experiences. Through the use of SUD scales, providers and patients can build a relationship built on trust and clear communication. lindsay braman

[thunderbirds-showdown]

Which Thunderbirds Are Go episode is better?

Vote on which episode you think is better. Episode synopses below the cut.

The Long Reach Part 2: Havoc and Fuse attempt to cause chaos on Tracy Island, leading to Kayo, Grandma Tracy and the Mechanic working together to thwart their schemes. Meanwhile, with Jeff Tracy recovered, the rest of International Rescue find themselves dealing with one more problem - the sudden attempt by the Hood to steal the Zero-XL, having stowed away on it.

SOS Part 2: Gordon travels in Thunderbird 4 to recover Braman but discovers that the Chaos Crew have gotten to the robot first. An underwater battle ensues, resulting in the destruction of Thunderbird 4 and leaving Gordon severely injured. While the rest of the International Rescue team rescue Gordon and get him to a hospital, Kayo manages to recover Braman and get him back to Tracy Island, where Brains makes a startling discovery regarding the mayday signal that Braman was receiving…

[revoltedstates]

William Braman, 4th Michigan Infantry. Source.

[idontknowreallywhy]

Just chucking my rambling about the soundtrack of SOS2 in a separate post rather than buried in the showdown reblogs… mostly because I’m impressed by how many things there are to say even though I don’t feel like I mentioned half of them!!

🎵🎵🎵🎵🎵🎵🎵🎵🎵🎵🎵🎵🎵🎵🎵🎵

Musically (which is my particular obsession, especially as I also listen to the episodes a lot in the car so don’t have the picture to tell the story)… SOS2 though is next level.

It has all the themes, plus the new ones from Calypso/Braman but it shifts and develops them.

We have Four launching to the theme in 5/4! That’s so clever, it really sets me on edge as it makes it clear something is OFF. The scene before when they are discussing Braman adds to this edginess because the quiet tremolo strings in the background just tip it off comfortable.

The search / chase / trap cues are brilliantly executed… the chaos crew themselves could have been written a lot better, but the theme is a very clever and flexible one (much like the mechanic’s was - the Fosters clearly love a baddie) and it’s well incorporated here, especially in how it is blended with the ‘underwater’ soundscape and then with the tension music as the choir backing happens and the pulse increases… your high panic from the upper voices, strings and solo trumpet… the sense of inevitability and hugeness from the lower end of the orchestra… till it all culminates in what is effectively a musical scream… and then the strings give us quiet pain.

Then the silence.

Oh the silence.

There is no musical background as Fuse approaches. It’s just water and rocket noise. Which in such a musically rich episode is jarring, it makes me hold my breath.

Then when he sees Gordon and we hear the start of the string and horn backing for the elegy… I like to think it’s a turning point for Fuse, him realising this is bad, having regrets at the same time the audience are desperately worried for Gordon. But they are brave - they start the mourning song but they stop it! When it cuts back to the Chaos Cruiser and the Hood deserves no music.

It’s only when Fuse asks whether Gordon will be ok that we get the music back and… oh my.

THAT ELEGY.

Look I know I have raved about this before but holy moley it’s beautiful.

But but - notice - where the hood got only engine noise & no music, once the chaos cruiser is gone and it cuts to Thunderbird 2 we have all music no sound effects. I believe it’s the only time in all 3 seasons where the soundscape is entirely bare but for music. The Fosters talked about what a privilege it was to be given sole charge of what the audience hears at that key emotional moment. Thunderbird 2 silent??? The Tracys silent - they communicate only by looks. The music speaks their agony for them. The rockets on Thunderbird 2 fire but there is no sound from them. Virgil says Thunderbird Two is Go but we don’t hear it fly overhead.

The Thunder is gone.

The theme develops as FAB 1 is in shot and the sound effects coming back is another little shock - like you’re waking from a bad dream to find out it’s real.

The Rescuing Gordon cue gives us part of the elegy theme with Gordon’s launch again, back it’s back in a slow 4/4. Because Two is there and Two is safe and stable. BUT… it’s still not quite right - listen to the strings… not the semiquavers in the bass but the single broken notes over the top - slowly rising and then falling - they aren’t on the beat! Every time the note starts just a little sooner than it feels like it’s supposed to. They have a plan, they know what to do, but agh they are also in a rush and there’s a sense of fumbling desperation. So. Flipping. Clever. I didn’t notice it until maybe the 30th time of listening.

The strings climax at the point the pods lock on and we hold our breath… and as Penny cuts Gordon free so does the music - they really play around with the speed here, the new string tune that comes in… with too many notes to fit into the 4/4 pattern it’s like the beat pauses but the melody continues until with a *gasp* she has him and the pulse restarts.

When they get him into Two’s med bay it seems like the music is gonna stop, like it does on the Chaos Cruiser but no. There is a single, quiet, sustained note… the orchestra doesn’t let Gordon go.

I mean I could go on all day… Shadow V Chaos, wonderfully scored too… the fact the Braman’s Sacrifice theme (from when he steered the Calypso into the sea) soars in and combines with Kayo’s theme as she gives up her advantage over the Chaos Cruiser to turn and save him. Lush. The soft family theme at the hospital… aaah.

But one final thing…

The ending.

Because I have listened to this hundreds of times and STILL the goosebumps.

Brains brings up the data - We have the insistent pulse of the familiar theme but then a slow minor key string version of Braman’s sailing sailing song. Then as they start to realise what’s going on that fades and Jeff’s theme starts! Are we going to get it? It’s not totally clear… as Brains is trying to decrypt the hidden message the notes are held but as we see FAB we get the end of the melody! At last! JEFF TRACY! And it all rises and climaxes into the main theme at the end. PERFECT! BRAVO! *leaps from chair and dances*

[rinconliterario]

Nos iremos, me iré con los que aman, dejaré mis jardines y mi perro aunque parezca dura como el hierro cuando los vientos vagabundos braman. Nos iremos, tu voz, tu amor me llaman: dejaré el son plateado del cencerro aunque llegue a las luces del desierto por ti, porque tus frases me reclaman. Buscaré el mar por ti, por tus hechizos, me echaré bajo el ala de la vela, después que el barro zarpe cuando vuela la sombra del adiós. Como en los fríos lloraré la cabeza entre tu mano lo que me diste y me negaste en vano. Silvina Ocampo.