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#but I can't go too much into detail
dailyloopdeloop · 3 months
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loop and mirabelle. That's it that's the ask
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DAY 84: enrolled in the gossip wars
#codacheetah#isat#loop isat#mirabelle isat#isat spoilers#vaguely. mostly for the tags#i think it'd be sooo funny if like. loop and mirabelle postcanon.#loop has rejoined the party somewhat recently and they are not at all adapting. to be honest. reunion probably happened too soon#bc they are a siffrin which means they are disgustingly sentimental. their ass is not taking the time to discover themself as a new person.#do you really think loop is gonna take their own advice.lol.#lmao even#Ok so anyways i think the party and loop would have a weird thing going on#like theyre all extremely grateful to loop. and they trust loop through the general basis of theyre apparently very dear to siffrin#but fucking nobody knows what to make of this bitch. odile knows they are hiding Something but she has no certain evidence to pin it down.#isabeau can't catch loop alone for more than 5 seconds. has the distinct sense they're avoiding him and he does not know why#bonnie....well tbh i think they'd vibe with loop. bonnie win.#mirabelle. i think she wouldn't really like loop? not at first anyways#do you remember in sasasap mirabelle telling siffrin(loop) that for a long time she thought they were a callous sort of person#bc they never took anything seriously at all. like the whole journey didnt mean anything. until they took an eye for bonnie#i think mirabelle would catch a similar vibe towards loop(lol.) bc like#like loop's main presence in the group is negging siffrin and being weird and dodgy around everyone else#i don't even think they'd be mean to the others but they would do everything in their power to throw the party zero bones#so all mirabelle has to go on for loop is that they're kind of a dickhead to her friend and that they're not receptive to normal group#social activities. i think being on the receiving end of mirabelle's kindness would make loop kind of sad and she'd pick up on it#but like. loop is inexplicably important to siffrin. she doesn't know the details bc neither of them want to talk at all about the loops#and i think siffrin would be especially dodgy abt talking about loop in the interrim between them rejoining and them being Presumed Dead#so mirabelle tries a new strategy to bridge the gap between her and loop. the power of Mutual Haterism#more specifically i think mirabelle would get the impression of loop as being much more of a bitch than they actually are#due to the aforementioned siffrin negging#so like. maybe that's just how they socialize maybe they'd be down to talk about hot takes and gossip a bit
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kittyandco · 7 months
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does anyone else get so upset when you think about all the things that happened to your f/o... all the things they went through? all the things they haven't healed from? the pain that they may still be enduring? how you can do your best to help them but you can't protect them from everything. so you just love them the ways they needed before, how they deserved. and you see them happy because they finally accept, at least in some ways, that they do deserve it. they deserve love like all beings do
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carlyraejepsans · 8 months
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Do you enjoy underfell? I thought you disliked aus /genq
i don't dislike the concept of AUs itself, I'm just not a fan of like... the subculture that spawned around them in the UT fandom specifically and how it eventually took over almost all canon content (especially when it limits itself to the bros)
i like aus visually! i am an artist at heart after all. it's just that, if I'm going to care about them as stories and not just fun design ideas, my bar is uhh almost impossibly high the further you move from canon lolol.
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merp-blerp · 1 month
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Gaylor/Kaylor and Oz: Parallels and Theories 🌼🌈❇️
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CW: Light Spoilers for L. Frank Baum's Oz book series (books 1-15) and major spoilers for Return to Oz (1985). And this post is very late-stage-Kaylor-specific, so if that's not up your alley, that's chill.
Overblown Analysis Under the Cut ↓
As a huge Oz nerd, I and many others have noticed many Oz media parallels in Taylor's music. I wanted to piece together some I've seen mentioned and some I've noticed myself. More things could pop up as time goes on, so I could imagine me editing or making a second part to this post if necessary.
Part 1: Rainbows 🌈
In the 1939 film, Dorothy's home, Kansas, is portrayed as a dreary sepia or greige color, that way the contrast to the gorgeous technicolor of the land of Oz could be even more effective on the audience. Somewhat surprisingly I guess, this sepia color is reflected in the book, with Kansas being described as "the great grey prairie" and even W. W. Denslow's original illustrations of Kansas being colored in greige; the pages don't include more color until Dorothy is swept into the cyclone on her way to Oz.
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So many of Taylor's lyrics describe events turning her world from colorless to colorful or vice versa. "The rest of the world was black and white // But we were in screaming color" from "OOTW", "You showed me colors you know I can't see with anyone else" from "Illicit Affairs", "If all you want is gray for me // Then it's just white noise, and it's my choice" from "BDILH", "Like a rainbow with all of the colors" from "ME!" turning into "I'm just... in shades of greige" from "The Prophecy", etc.
For TTPD, from a gaylor perspective, the sepia and greige theme of the album is supposed to reflect that for Taylor the closet is colorless and sad. It also invokes old Hollywood and how closeting is an old-fashioned practice figuratively and literally. Closeting is a practice based on outdated mindsets and fears and it's been a practice since Hollywood as we know it today was beginning to be established. MGM Dorothy actress Judy Garland was in at least one lavender marriage and might've been queer herself, but the latter isn't as confirmed as other victims of closeting of the time like, say, her husband Vincente Minnelli. Taylor often utilizes vintage imagery in her music, romanticizing it, but the song "TTPD" (and other points in the album) calls her out for it with her lover having to remind Taylor that they are living in modern times despite being held down by old-fashioned ideals. The Wizard of Oz (1939) film is arguably the epitome of old Hollywood nostalgia, so it makes sense for Taylor to use it as a way to tell the story she wants to tell, especially if it's a queer one since Oz is very special to a lot of queer people.
For what it's worth, Ashley Park performed the film's song, "Somewhere Over the Rainbow" on The Drew Barrymore Show in what looks to be the Christian Siriano rainbow dress. Fun! Curiously, I can't find a video of this performance, I just happened to stumble upon this GIF on giphy.com and an article talking about the performance.
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As an extra tidbit, in the Oz books, the rainbow is personified in the character Polychrome, the youngest daughter of the rainbow. She happens to be featured in one half of a certain famous quote from The Road to Oz. Polychrome comments, "You have some queer friends, Dorothy," to which Dorothy responds, "The queerness doesn’t matter, so long as they’re friends." This quote is theorized to be the inspiration for the phrase "friend(s) of Dorothy" in queer slang. And it's nice to have a friend like Dorothea, of course. Speaking of which...
Part 2: Dorothy and Ozma 🌪️🌺
Dorothy Gale needs no introduction, but I will give Princess/Queen Ozma one since she's a more niche character. Ozma is the rightful ruler of Oz. The "Wizard", Oscar Diggs, was not meant to rule over Oz. He went to great lengths to usurp the throne from Ozma's father, Pastoria, and hide Ozma away as a baby, dumping her on a witch named Mombi, who enslaves her and disguises her as a boy named Tip so she and others won't know her identity. She learns the truth about who she is and takes back her throne in book 2, The Marvelous Land of Oz (This backstory is why Ozma is a trans icon, along with a sapphic one). Ozma and Dorothy meet each other in book 3, Ozma of Oz, and are inseparable from there on. A common queer interpretation of Oz sees Kansas as like the closet and Oz as being out and free. A part of why the queer interpretations of Oz work particularly well in the books is because in The Emerald City of Oz, Dorothy and her Kansas family move to Oz permanently when Kansas stops being liveable for them. So Dorothy becomes the second ruler of Oz and Ozma's "constant companion" at Ozma's "proposal", as L. Frank Baum describes it. Dorothy is the only person allowed in Ozma's bedroom unannounced, which is cutely domestic. Baum's story and John R. Neil's illustrations of the two often depict them as being very close, holding hands, and kissing. It's not really knowable if Baum intended for it to be seen this way, but many modern Oz book fans see them as a couple.
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Naturally, there's the theory that Taylor's song "Dorothea" is about Karlie, as well as the fact that Karlie dressed up as Dorothy for Halloween 2023 and did a partly-Oz-inspired photoshoot in 2010, among other Oz-themed things. Also, after the first book, Baum had a falling out with Denslow and appointed a new illustrator, John R. Neil; Neil's design of Dorothy sports a blonde bob, which reminds me of the "Karlie Kut" a bit, even if that's coincidental. Since the Karlie as Dorothy theory is pretty well established, I want to forward a theory about Taylor taking on the role of Ozma.
For starters, Taylor wears a gingham green dress in her music video for "Karma (ft. Ice Spice)" as she skips and sweeps down a yellow brick road in red shoes, looped braids, and lemon beret. This outfit is a bit perplexing, as while it seems very Dorothy-inspired, it actively makes itself just different enough from how Dorothy is illustrated in the first Oz book and seen in pop culture. It could be suggested that this is for copyright reasons since 1939 Dorothy is not in the public domain yet and using that likeness would require making a payment. However, thanks to the book specifically describing/illustrating Dorothy as wearing blue and white gingham and pigtail braids, these features can still be used, as all of Baum's Oz novels are in the public domain. Oddly, the only potentially copyright-able aspect of Dorothy's costume is the one that Taylor kept, the ruby slippers exclusive to MGM's '39 film, since in the book Dorothy's shoes are silver. So why were all these unnecessary changes here?
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My main theory is that Taylor is subtly invoking Ozma in a way that would still be recognizably Oz-ian, as I don't think most people would catch on to the Oz reference if Taylor dressed as a more accurate-looking Ozma. Hence why the gingham and red shoes are present even though Ozma is never described as wearing anything like that. Ozma is often depicted in long flowing white or green dresses. And while Ozma's hair is usually free in Neil's illustrations, her hair is sometimes tied into a bun, and Taylor's looped braids seem to be in the same family as a bun (I don't know how else to say that, I hope you get what I mean...). The lemon beret is hard to explain. As far as I know/can recall, lemons have never played a major role in any Oz media, so my guess is that the hat is meant to match the yellow brick road or maybe slightly invoke the fighting trees from the film and book. Since Taylor's outfit is similar but not the same as Dorothy's, it could be interpreted as Taylor dressing as someone adjacent to Dorothy, or a friend of Dorothy's, and Ozma would definitely fit that title. Ozma is also a fairy, so this also lines up with my Taylor is the beast to Karlie's beauty theory, since a fairy is a creature. And as the small, coincidental cherry on top, Ozma was originally described as blonde like Taylor in the story's text, despite the fact that Neil always drew her as a brunette. Dorothy's appearance outside of her clothes is rarely if ever given, that way anyone could see themselves in Dorothy, her design not mattering too greatly. The only clue to her physical looks is in the illustrations, but the consistency changes over the Oz series when it comes to Dorothy's design, so again it doesn't matter. Kind of like how, whether a song has male pronouns or not, it’s always describing Karlie, the "design" of the muse not mattering. And it actually does make some sense for Ozma to have the ruby slippers, even though she never had them in the books, but more on that in the next part. If Karlie is Dorothy, Taylor is Ozma.
An alternate, more flimsy idea is that Taylor is dressed as Dorothy in her green dress returning to the Wizard with the wicked witch's broom as proof that she melted her. However, this doesn't quite work for me personally, as in the film, Dorothy never got a green dress from the Emerald City. And while book Dorothy did get a "green" dress, she never had to bring the witch's broom to the Wizard and her dress wasn't actually green but white; it only appeared green in the Emerald City due to the green spectacles everyone was tricked into wearing by the shamming Wizard. And of course, book Dorothy's slippers weren't red like Taylor's, but silver. Maybe I'm being too particular, but to me, the details of the two titular versions of Oz make this idea weak.
Another idea is that Taylor is dressed as an amalgamation of Dorothy and the witch, which is definitely an interesting thought. In the 1st book, both Dorothy and the witch have no magic of their own and need to obtain magical items, like the silver shoes or the golden cap. But the difference is that the witch uses her power to do evil while Dorothy doesn't know the power she has, even by the time the shoes get her to Kansas again, as they presumably could do way more than that. The idea of Taylor combining the two is interesting, but again the red shoes put me off.
I think the Ozma theory works the best (and I think it's the cutest).
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The story of Ozma being unrightfully taken from her throne and hidden away from everyone and herself reminds me of many stories told through Taylor's music. Lyrics like "I (I) don't (don't) like your kingdom keys (keys) // They (they) once belonged to me (me) // You (you) asked me for a place to sleep // Locked me out and threw a feast (what?)" from "LWYMMD" and trapped imagery in MVs like "Willow" feel somewhat reminiscent of that story.
Taylor isn't any kind of genderqueer as far as anyone publicly knows for sure, but Taylor definitely seems to have no problem with aligning herself with masculinity and taking on male roles. Take things like the wonderland photoshoot (Lordy! 🤭), Taylor semi-confirming she's Folklore's JaMEs, "The Man", "Peter", and maybe etc. Ozma being a girl but forced to present as a guy for years could be seen as similar to Taylor having to paint some of her songs about women as being from a male perspective, or some songs never being officially said to be from a male perspective being assumed to be so anyway, like "Question...?"
One more small parallel between Taylor and Ozma: Ozma is often pictured as wearing two poppies, one on each side of her head, seemingly in her hair or connected to her crown. Reminds me of "Say a solemn prayer, place a poppy in my hair" from "The Great War".
Part 3: Return to Oz 👠
Return to Oz (1985) is an unofficial sequel to The Wizard of Oz (1939) made by Disney. It takes the stories of The Marvelous Land of Oz and Ozma of Oz and combines them into an original story. At least in America, this is the only feature-length film to feature Ozma and attempt to vaguely adapt the novels more closely. (Context for RTO photos in the image descriptions, which is the case for every image and GIF on this post because why the hell not)
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Return to Oz adds a setting that wasn't featured in any of the Oz books: a mental hospital. Aunt Em and Uncle Henry, concerned that Dorothy isn't sleeping and won't stop insisting Oz is real, send Dorothy to a mental hospital in an attempt to get her help (not out of malice). As we know, TTPD features the theme of asylums prevalently. The treatment chosen to help Dorothy is electroshock therapy, similar to Taylor receiving electroshock therapy in the MV for "Fortnight". In "Down Bad", Taylor says, "They'll say I'm nuts if I talk about the existence of you", just like how Em and Henry thought Dorothy needed psychiatric help when she talked about Oz being real.
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When Dorothy stays over at the hospital for treatment, a character named Nurse Wilson (Kansas doppelganger of Mombi) escorts her to her room; Nurse Wilson wears a black dress very similar in style to Taylor's black dress from "Fortnight".
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When the power goes out and the electroshock therapy isn't given a chance to begin, a fellow patient revealed later to be Ozma helps Dorothy escape the asylum by freeing her from the bed she's strapped to and bolting with her. Ozma and Dorothy slip into a river while running away, in which Ozma finds an abandoned chicken coop for Dorothy to ride through said river to Oz, Dorothy fearing Ozma drowned during the process until the end of the film. This is similar to Taylor and Post Malone's character escaping the asylum after Post cuts the power in "Fortnight". Ozma unstrapping Dorothy from her bed is similar to the nurse who unchains Taylor from the bed in "Fortnight", theorized to be played by Karlie herself. And Ozma finding the coop for Dorothy to ride away on is reminiscent of Taylor clinging to her piano in "Cardigan". Clinging to something when in rough water is common imagery, so it could definitely be coincidental, but I thought I'd mention it.
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In this film, Ozma is trapped in a mirror by the witch Mombi, reminiscent of Taylor depicting herself as trapped behind glass closets in numerous MVs. After Dorothy saves Oz, she is the one to free Ozma from her glass prison by touching her hand and guiding her out of the glass, similar to Post and Taylor in the last scene in the "Fortnight" MV. Ozma in the mirror behaves like Dorothy's reflection, which reminds me of Taylor having Post's tattoos when she wipes her face in the mirror as if to say she's a reflection of his character.
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Dorothy gives Ozma the ruby slippers before leaving Oz (Disney paid for the right to use them). That could help to explain why Taylor wears the ruby slippers that Ozma never had in the books if she's truly dressed as Ozma. And notably, when dressing up as Dorothy for Halloween, Karlie wore a full Dorothy costume, except for the ruby/silver slippers, arguably the most important part. As if Karlie was in "Kansas" and gave Taylor her shoes.
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Dorothy chooses to return home in the end, but Ozma gifts her a way for them to communicate: through her mirror. This way Ozma can watch over her and when Dorothy wants to return to Oz, Ozma will make it happen. I've mentioned the parallels with the glass closets, but this also reminds me of "A tiny screen's the only place I see you now" from "Dorothea". In the book and '39 film, Dorothy uses her shoes to get back to Kansas, but in RTO, they are presumably going to be used to get Dorothy back to Oz when the time is right. So maybe after Taylor potentially comes out she will use Karlie's ruby slippers to sweep into the rescue and save Karlie from Kansas/the closet and back to Oz/freedom with her. Outside of RTO, it could also work the other way, with Taylor using the shoes to go home, especially with all the lyrics Taylor's had about returning home to/with her lover. Kansas doesn't represent anything bad in the original story, so it's possible that Kansas isn't a debilitating cage/closet, just home where you feel safe with the ones you love. Ozma also encourages Dorothy to keep their communication secret. Dorothy wants Aunt Em and Uncle Henry to know of Ozma, as she calls for Em to come and look as soon as she summons Ozma. But Ozma seems to see it as best kept quiet, no exact reason given to the audience from what I can tell, but it's understood by Dorothy and Ozma themselves. Pretty similar to Kar and Tay maintaining their closet for reasons we gaylors don't fully get to know, at least not yet.
(I didn't know where to put this little factoid, but in this film, the only times Ozma really smiles is at Dorothy. It's not important, just a bit cute and sad.)
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And as a bonus for you Spade riddle fans out there, when Dorothy meets Ozma in the hospital, Ozma gifts Dorothy a pumpkin because "it's Halloween soon". The pumpkin is a Kansas doppelganger to an Oz character called Jack Pumpkinhead, who calls both Ozma and Dorothy "Mom" because Dorothy saved him from Mombi and Ozma built him and brought him to life. A bit reminiscent of Karlie and Taylor having Levi and Elijah if you ask me. I'm admittedly not a huge riddles person because it goes a bit over my talents, but I think they're intriguing and I'm curious if the riddles and Oz/RTO together would mean anything.
There's debate on whether Post's character is supposed to represent Taylor working with herself to get free or Karlie. I think it could be either or even both in a convoluted way. I like both theories. If "Fortnight" is based on RTO, the roles of Ozma and Dorthy seem switched, with Dorothy rescuing Ozma from the asylum. However, the tattoo mirror scene suggests that Taylor is mirroring Post's character, or playing him, and if that's Karlie, maybe the MV could be seen as Taylor playing Karlie in a sense since they're "twins" whose pasts are "parallel lines", while Post is either playing Taylor or Karlie; they are one and the same. The MV is really interesting to ponder in general.
Part 4: Miscellaneous Oz Connections ❇️
Lightning round (filled with tons of reaches)! ⚡️
In the "ME!" MV, Taylor and Brandon running up to the green building with a rainbow beam on it whilst in green marching band outfits looks similar to Dorothy and her friends running toward the Emerald City in the '39 film.
The all-pink soldiers in the marching band scene of "ME!" remind me of Glinda's all-female red army in the books.
In "loml", Taylor sings "The coward claimed he was a lion", a reference to the cowardly lion.
The men in the "ME!" MV falling from the sky with umbrellas reminds me of Dorothy and her cousin Zeb falling through the sky with an umbrella down to Oz in Dorothy and the Wizard in Oz.
Taylor might've been in a Wizard of Oz play at her school in 2006. The linked post doesn't give too much evidence admittedly, but I think it's worth saying that the play at least happened at her school.
I wasn't sure where to put this mini-analysis, but I think it's interesting that Taylor associates Dianna Agron with Wonderland and Karlie with Oz and the differences that could suggest. Alice and Dorothy go through similar adventures, but the two go about them very differently. Dorothy adapts to Oz very quickly and loves it there, enough for it to be her second home. Meanwhile, Alice certainly doesn't enjoy Wonderland as much as Dorothy loves Oz, itching to get out and stay out. Dorothy is very active in her role, making friends and changing Oz forever, while Alice passively goes through the motions and lets things happen before escaping to the next thing. It seems like Baum wrote the Oz books to give children lessons on friendship, feminism, and more, while Lewis Carroll wrote the Alice books with the exact purpose of saying nothing and giving birth to the genre of "nonsense writing". And Wonderland is definitely a dream in the original two novels while Oz is a very real place in the books. I know the associations seemingly have to do with the muses’ actual taste in fairytales, but I wonder how the differences speak to the story Taylor’s spun in her music about them. Assuming both Oz and Wonderland are freedom to some degree, does Wonderland being temporary speak to Taylor and Dianna as a couple, while Taylor and Karlie are still ongoing IMO, just like the Oz book series to this day (Canonical Oz books are still being written by different authors. There’s 40+ of them)? Is there something in the fact that Alice’s Adventures in Wonderland is an English fairytale and The Wonderful Wizard of Oz is considered the first American fairytale, and Karlie convinced Taylor to stay in America and live in New York rather than London where Dianna was? Do Alice and Dorothy’s different reactions to their discovered worlds speak to how both Karlie and Dianna feel about closeting vs being out or maybe how they feel toward Taylor in some way? I genuinely have no clue, but it's some interesting food for thought. (This isn't Dianna, Swiftgron, or Alice's Adventures in Wonderland slander btw, I don't know enough about Swiftgron besides the basics to do that.)
In Conclusion 🌼
I have no way of knowing if Taylor has even read the Oz books, seen Return to Oz, and knows all this information, but I think it's fun that these connections are there. If there are more connections you thought of or ones that you think I missed, let me know!
Thanks for reading!
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lukasdoodles · 2 months
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HELLO AGAIN
So life has been kinda hectic! My job is only able to give me hours starting August and my savings r drained on account of me moving soon and having to deal with some personal issues, so until I'm no longer in the red, my commissions will be 20% off! On top of that, the first three commission slots i receive will also get a little doodle of their choice as a thank you!
My commission prices can be found here ! You can also reach out to me via dms, my insta is lukasdoodles24, and my email is [email protected]
Thank you all so much!
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aithusar · 2 years
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MERLIN WEEK 2022
↳ Day 1: Favourite Character + Pendragon colours
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spinjitsuburst · 1 year
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good. morning.
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pgranateseeds · 5 months
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I know a lot of people want it, but I don't think we'll ever get a conversation between Sandra Lynn and any of the bad kids about what Bobby Dawn did to her.
A. It's just unnecessary. We already know the gist, we can already see the ramifications of that action, and a conversation would just be retreading already discovered ground
B. Sandra's relationship with Fig is nearly always in turmoil. Ever since seeing her offer a shoulder to Adaine when she drank heavily when it was her, Fig has been avoiding Sandra when she could. She said in the fight when Baxter arrived, "I'm not trying to see my mom right now," and they didn't talk At All when she took them to the temple ruins. If Sandra Lynn was going to talk to anyone about Bobby, it would be to Fig just bc of closeness, and that's just not happening, at least not for a while. Also i see people define Bobby's short and disastrous relationship with Sandra as sexual grooming, and i find it hard to believe that if she was groomed, she'd tell her daughter, especially not to then say "Fig You Were Groomed Too" or "Fig, Don't Trust Random Men." I think people put way too much emphasis on Fig's bits where she kissed adults in earlier seasons and said "would i know if i had sex? What if I've accidentally had sex?", like those were just jokes, the latter being a joke abt how Fig didnt understand what sex was as a 14 year old, and i don't believe it would be fun for the table if those jokes were treated with the solumn seriousness of fig then being a grooming victim. Also Fig already distrusts men, she was right about Porter and she was stalking Ruben and literally every man outside of her family that she's come in contact with, she's either bullied or investigated, she doesn't need to be told a tale about how men ain't shit
C. Bobby is just much less of an antagonistic player in this conflict than previously expected. Yeah he was involved with The Big Bad, but after the reveal, a majority of the focus shifted onto Porter, Jace, and the Rat Grinders. I don't see the next two episodes having a moment where they sit down and talk about Bobby in depth, beyond "he was/is an asshole"
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danwhobrowses · 4 months
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Okay so I was gonna do a big gush over all the new Bells Hells outfits on the recent cr episode (a surprise since I had expected that they'd show them for the live show), but instead I'm gonna encourage you to check out @agarthanguide who is answering asks about the process of designing them, they're very insightful, and I'm sure they're more than happy to answer more - within reason ofc.
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kenobihater · 4 months
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23 is young and i don't wanna go acting like it isn't but sometimes i see stuff from baby zoomers and i feel fucking ancient. skibidi toilet? i have yet to understand what that's referencing. reality shifting? i was into new agey stuff as a teen and i get the whole law of attraction/manifestation thing, but the rest is all greek to me. a good half of the aesthetics i see talked about online? literally got overwhelmed when i stumbled on the aesthetics wiki last year and i feel like an idiot seeing all these kids list off like 4 different hyperspecific aesthetics to describe themselves 😭 girl what does any of that mean? patiently explain it like i'm 85 when it comes up, or don't expect me to know what the hell you're talking about. i'll just end up smiling and nodding like your out of touch grandpa who loves your energy but is frightened by cellphones and the concept of smartfridges 💀💀💀
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omaano · 2 years
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“Hello then, to an Upright cousin.” The child (...) grabs his jacket boldly, pointing back to the door through which Mird brought it. “Is what you seek through there?” “Eh,” it grunts in frustration, waving even more vigorously through the door.
Mereel & Family Booksellers chapter 2 by @sidhebeingbrand  and @toughbreaks
Just a cleaned up sketch WIP for now, because I don't deal too well with green stuff, and this one would require quite a bit - but I'd been itching to take a crack at this scene for a while now, so here I am! I'm willing to trade this drawing (made for the "fantasy" square of my @bobadinweek AU bingo card, because fae children count there, right?) for the other one made for this very same story on the technicality that Jaster actually very much lives in this one. Technically speaking. I tried my best!
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not-poignant · 4 months
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Hi folks! Just wanted to write a quick post that if you send an ask and I don't respond to it immediately, you don't have to repost it, I'm probably just really, really, really tired. And having asks re-sent doesn't make me feel more likely to reply to them!
Give it about a week, and if I don't reply after that, you're welcome to ping me again. But I am on hiatus right now for a reason <333 So please just be patient, because my priority right now is taking care of myself and resting, and being very careful on where I put my energy, which means not getting to asks straight away even if I'd like to sometimes.
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seaofreverie · 14 days
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Sparkstember Day 10: Whomp That Sucker (Where's My Girl)
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A good time!!! That's the first thing I associate with this album. It's one of the earlier ones I've heard too and I was certainly a big fan of it from the very start. Not only that, but I think it was a bit of a groundbreaking point in my experience as a new Sparks fan, since I was trying to figure out where to go next and this was a good plunge somewhere in the midst of it all that proved that no matter where you go, you're going to get something special! And after a couple more months (I mean, it's been a bit over a year since that first listen already! How time flies) it still holds up in my personal rankings. Soooo well. Definitely very special to me!
I think it's safe to say by now that between the pair of Whomp and Angst I'll always stay partial to Whomp. The latter seems to be much more popular among fans, and I can understand that, but something about Whomp speaks to me much more. Both are fun, energetic new-wavey albums, still in the realm of rock but with some cool use of synths that would soon become even more important and a core element of the music. Still though, I think Whomp is more PURE fun - between many hilarious lyrics and the overall playful and lighthearted nature of it, I don't think it's possible to listen to this one and not feel even a little bit happier afterwards.
I especially love the whole atmosphere of it, what I call the spacey / sparkly synth, that gives it a little bit of an outer space feel, much moreso than the actual album called In Outer Space (but i'd better not get ahead of myself yet when it comes to that one, lol). This album really feels sparkly and even glittery to me in a weird way, and unexplainably, this all reminds me of like, sweets and chocolates like those cosmic brownies or daim candy?? That's what this album would taste like to me! Sweet and a little extra and always a good little treat. Damn, and now I want to try a cosmic brownie.
Favourite songs (and other highlights):
I don't even have that many personal favourites from this album even though I really really love it as a whole!! I guess it's a bit of a Propaganda situation, where there isn't that many super big standouts compared to the rest of the tracks, they're all just very cool and I mostly don't have that much to say about them individually, they're all just!! So fun!! (I mean, ok, Suzie Safety might be the only one here that I don't care about all that much. I'm sorry, Suzie.) So this is more of a Moments list than anything
I Married A Martian: mostly I'm just incredibly charmed by the story here
Where's My Girl: AARGHHH!!! WAAUUGHGH!!! I LOVE THIS SONG!!!! SO MUCH!!!! The closest I can come to describing the feeling here is something like... song you heard a couple times when you were very young, enough that you remember how it goes when you hear it again, but can't recall it on the spot otherwise, and you forget about the song's existence until you hear it again after all those years and are hit by the biggest wave of nostalgia and longing for the past that you've ever experienced in your life. All that despite me never hearing this song until last year. Or is there just something I'm not aware of... Anyway, this was one of those rare and treasured moments of THIS IS WHAT I'VE BEEN LOOKING FOR!! *MY* MUSIC!! Needless to say, this song stayed on repeat countless of times and I will never get over how awesome this guitar solo is. And again, the spacey synth!!
Upstairs: upstAAAAAAirs!!! upstAAAAAAirs!!!
Don't Shoot Me: big fan of the whole thing but I'm especially charmed by the little high-pitched "shoot!"s and such in the background, and "WHO'S HEEE???"
The Willys: the song itself isn't even my fav but the PHYSICALLY! MENTALLY! MORALLY! part is always very chuckle-worthy. That's the wondrous humour I'm talking about here
That's Not Nastassia: Sparks songs with uncomfortably long endings my beloved... can also be pretty hilarious under the right circumstances (like listening to the vinyl of this album with my dad and watching his reaction). And can't forget how cool the transition into the last song is
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silvermoon424 · 7 months
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rockturbot · 3 months
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What do you HC Manfred's first time forging evidence was like?
Very casual, not at all noteworthy, with the knowledge and approval of basically everyone involved in the trial except probably the defendant. He started out in an already deeply corrupt environment.
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ghostoftheyear · 1 year
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What is DRAMAtical Murder?
I’m actually a little surprised to be writing this myself, in the year of our lord 2023, but why not? I didn’t know about it myself until recently, and now that it’s available with an official English translation, it’s a lot more accessible.
First of all, DRAMAtical Murder (or DMMd for short) is a visual novel that came out in 2012 in Japan. It was published by Nitro+CHIRAL, features art by Honyarara, and has some amazing music as well (the theme song is by Goatbed, with ending songs by them, Itou Kanako, VERTUEUX, and Seizi Kimura). It is a boys’ love or BL visual novel, probably the softest of the Nitro+CHIRAL titles; since its publication, it has received several additional pieces of media: a fandisk (Re:Connect), a sanitized version for the PSVita (Re:Code), and even an anime which... is certainly one way to get into it.
In 2021, Jast Blue made an official translation which was released both on Steam (censored) and their own website (uncensored). A patch is available on their website to restore the uncensored content for those who purchased it on Steam, which still allows the player to receive all the achievements. There was also a fan translation lovingly created many years ago, and the controversy over which version is better rages on. I won’t comment about it here; just know that whichever version you prefer, that is your right.
But what is DMMd about? Well... this is gonna get long, so let’s buckle in.
DMMd is set in a near-future cyberpunk setting, generally positive and colorful rather than dystopian. The story takes place on an island off the coast of Japan, Midorijima (literally “green island”), where many of the residents have been forced off the island due to the building of a gigantic sort of adult playground, Platinum Jail, where the rich and elite party like there’s no tomorrow. The remaining residents of the island live in what’s left of the city, though the owner of Platinum Jail, Tatsuo Toue, seems to be trying to grasp the remaining land as well for his own purposes.
Some of the residents have taken to forming gangs called Ribstiez, which control different parts of the Residential District. Others play a virtual game called Rhyme that takes place entirely within the players’ minds. This is facilitated through the use of Allmates, small robotic creatures that can look like anything the user desires and have multiple functions -- some manage social media, some help their owners with their daily schedules, etc.
Our protagonist is the young man known as Aoba Seragaki.
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Aoba, 23 years old and single at the start of the game, works at Heibon Junk Shop. He is demonstrated to have an unusually persuasive voice when he chooses to, but -- aside from that, and his hair having sensation in it -- he seems to be an ordinary young man just trying to live a simple life. He lives with his grandmother, Tae, as his parents left Midorijima when he was young, and he has an Allmate: a small, fluffy, blue dog resembling a Japanese Spitz, named Ren.
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Aoba has four potential love interests (plus a secret one whose route is unlocked as you play through the others’ routes).
First up is Koujaku.
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Koujaku is an old childhood friend of Aoba’s. He had to leave the island when they were young, but came back around three years prior to the start of the story. He leads the Ribstiez gang known as Beni-Shigure and has a red sparrow Allmate named Beni. To supplement his income, he works as a wandering hairdresser and sets up on the street to cut hair. He and Aoba have a comfortable friendship that gets tested in his route.
Next, we have Clear.
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Clear is a mysterious stranger who literally falls out of the sky the first time he and Aoba meet. He refers to Aoba as “Master” and refuses to take his gas mask off under any circumstances. To say any more about him would spoil literally his entire route.
Next up is Noiz:
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Noiz appears first when he challenges Aoba to a match in Rhyme, insisting that Aoba is an old player of the game despite the fact that Aoba doesn’t remember ever having played Rhyme in the past. Noiz is part of a Rhyme gang known as the Ruff Rabbitz, and his Allmate is a small black-and-green cube called Usagimodoki. It’s entirely possible he has several of them, since they can be seen hanging in chains from his belt. Noiz works as an information broker to earn an income on Midorijima, but he’s not originally from there, as we learn on his route.
Finally, we have Mink.
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Mink is a complicated character, as he doesn’t speak too much and when he does, it tends to be in riddles. He’s also not originally from Midorijima; while it’s not specified, his aesthetic is very much Native American. He has a pink cockatoo Allmate who is not named during the main game. Mink runs a Rib gang called Scratch made up of escaped convicts. His reasons for wanting Aoba on his side are his own, only revealed far into his route. His is the darkest of the routes, and I would say a trigger warning is in order for this one.
As for the final love interest, I won’t talk about it here. More fun to find out for yourself, right? Just remember: there’s some weird shit in this game.
Lest I forget, I must mention some other important characters. First up, Aoba’s friend Mizuki.
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Mizuki runs the largest Ribstiez gang on Midorijima, Dry Juice. He’s a tattoo artist and owns a combination tattoo parlor and bar, the Black Needle.
There’s also Virus and Trip.
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Virus and Trip (who are emphatically not twins) are a pair of yakuza who seem to show up a lot around Aoba. They claim to be his biggest fans.
Of course, there’s also Tae, as well as Aoba’s boss Haga (who has a robotic Allmate named Junker), Yoshie (who runs a courier service and owns a sleek dog Allmate, Clara), and a trio of young siblings who torment Aoba at his work - Mio, Nao, and Kio. In addition, one of the most corrupt cops on the island, Akushima, regularly pops up to bother the characters.
As the common route progresses, Aoba learns more about himself and his past -- and realizes he has to stop what’s happening before it’s too late. He eventually heads into Platinum Jail no matter which love interest’s route is chosen; the events that unfold change depending on which route you’re on, but playing through all of them and unlocking the secret route will finally reveal the truth of it all.
Re:Connect, as befits a fandisk, explores more with each of the love interest routes after their good endings (and also a bit more of the bad endings). It also has a route specifically to fill in Aoba’s backstory and youth. Re:Code is basically the same game, but sanitized -- all of the sex scenes were removed and given “cleaner” CGs. It did add a route for Mizuki, which involved more of Aoba’s backstory. Finally, the anime was passable, though it compressed all the love interests’ stories into an episode each and went with the secret route for the ending. It is absolutely unwatchable in dub, except for laughs and memes. Re:Connect can be found and played with the fan translation online, and is absolutely worth locating. Re:Code, unfortunately, is still only available to play on the PSVita and has not been translated at all.
Oh, and there was also a stage play! Remarkably, they produced a butai in 2019, well after the games had come out, with the different love interest routes portrayed on alternate days. I would be happy to make a post babbling about that if there’s interest. Apparently the original run did well enough that a new production was announced earlier this year, which will be happening at the end of April. A new route was added for Virus and Trip, and the whole thing is supposed to be a “supercharged” version, not just a retread of the original.
OH I FORGOT there are also drama CDs that continued all of the love interests’ stories and had even more new music, as well as some other fun things like a special drama CD for the anime release, an April Fool’s game that basically parodied Mother (Earthbound), and manga. And there’s a webtoon now. And lots of merch. And figures. Basically there’s just a lot of fun stuff to find.
And that’s DMMd! I obviously love it quite a bit, but I certainly acknowledge that it has its flaws and difficult scenes. I’d still recommend it, though. I think the writing is very well handled and the sex scenes are hot as fuck.
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