#but I do still have like 42 episodes to go

[probablygayattorneys]

I would like to wish everyone a happy birthday/Easter/Arbor Day/New Years/Christmas/etc. in advance because unfortunately I am probably going to be thinking about “if you’re not my child, then who are you” and that ALONE for the next year AT LEAST and will miss all important events

[orcelito]

oh i just remembered this will be the first discacc update since the ports released

hm

[whateverisbeautiful]

♥️Reveling in Richonne - TOWL

#42: The Fuel (1.04)

gif cred: @kimwexlersponytail

Even when everything crashes down around them, Richonne's love always prevails. 🥹

And now that they’ve recentered on what truly fuels them, Richonne then gets every type of fuel they need to finally go home. So we gotta close out this masterpiece of an episode with the breakdown of ep 4's final glorious moments. 👌🏽😇

The fact that we were really spoiled from literally minute one to the final seconds of Episode 4 - I have to thank Danai one million times for writing this thoughtful Richonne love letter episode and forever thank Andy & Danai for performing every part impeccably 🙏🏽💐...

After deciding to go home together in such a well-earned way—which, that's another thing - the fact that Danai didn’t even need an extended episode to convincingly craft an arc where Richonne could start off more at odds than they’ve ever been, and then not just beautifully, but also believably and organically, bring them back together by the end, leaving them feeling more bonded than ever before. She’s an illustrious talent. 🤩

So now Richonne is ready to head out because this building is on its last legs. And as they walk, Rick is finally out of the CRM gear and in casual apparel for the first time with Michonne. And I loved seeing that. The hold the CRM had on him is finally removed. 😌

The temp controller announces another malfunction and says the elevator only has ten minutes of reserve power left. Which hearing that...it’s wild Rick and Michonne still used that elevator…even tho I’m glad they did. 😏

As they make their way to the door, they stop for a moment and I love the way it’s filmed with us being able to see them between the panels. Rick gets his blade ready and then he looks at the real source of his strength Michonne.

And then you already know I absolutely adore that Rick leans in for them to share a kiss before they head out of this place. It’s the sweetest thing. 🥰And it immediately lets you know Richonne really is back.

gif cred: @ricksmarlene

That kiss is pure gold and highly ranked for me, y'all. Like as quick as this moment is, it’s still so special and romantic. I appreciate any and every reminder that Rick and Michonne are each other's baby and that kiss was definitely giving that.

Also, I just have to reiterate that Danai wrote such a quality episode of television. I love how at the top of the ep we see Michonne first exit the apartment alone and in pain, and then later Rick exits the apartment alone and panicked, and then at the end they show Richonne leaving the apartment together and healed because they’re finally operating like the honest unit they’re meant to be.

And again, it’s impressive how earned it all feels with Richonne starting the ep more at odds than ever and then truly being on one accord and one being again by the end of the hour.

It's sweet that as they’re about to re-enter the walker-infested world they want this reassuring and comforting moment of connection as this kiss just communicates that they’re in it together no matter what they face outside these walls.

Then he whispers ready and she nods and Rick opens the door for Michonne to go through first. Bye, Apartment 👋🏽, you were very very good to us, chile. But now it’s time for Richonne to go home. Won’t He do it. 🙌🏽

So then once they enter the hall they have one of my favorite action sequences. I love the way it's choreographed for them to be so in sync through this whole thing. This action sequence said let us remind you who are the two baddest to ever do it. 😌

gif cred: @kimwexlersponytail

I love the way it really is like they’re killing these walkers as one in the way they’re tag-teaming. Michonne steps out the hall first but then Rick is ready to get the first one and then they just take them down like only they can and it’s a great sight.

And Rick loves the sight of Richonne in action too the way he takes a moment to look at Michonne as they walk forward. I love that it's always clear Rick is invigorated by the fact that he and Michonne are a power couple. And again, the merging of the red and blue light as it comes together to make purple is great and gives TOWL a fresh different vibe than TWD. Seeing Richonne walk in the purple light just feels like they too have blended back into one again. 😌

gif cred: @nerd4music

And then that elevator...😏

Y’all, let me express some gratitude for this elevator right here. It gave us some absolute gold, honey. 😇

gif cred: @nerd4music

They approach the elevator and work together to get a walker out of the way. And then once they enter, Rick kicks the walker's arm, and Michonne, serving with her stance, realizes hey we have some time while this elevator goes down so naturally she looks over at Rick with that 'my man, my man, my man' look.

Then Michonne grabs the strap of Rick's backpack and pulls her into him and we can see him rushing into her just as the blood-stained elevator doors close. I love it. 😋 Look at frisky Michonne wanting a piece of her man right now lol. 🤭 Who can blame her?

gif cred: @msanonships

And when I first watched I thought that was gonna be it. Like they were just going to imply that they make out in the elevator. But no being a Richonne stan means being hella spoiled and so we actually get to see this all play out. 😊

They cut to Richonne making out inside the elevator and it’s just so good.❤️‍🔥 Also, it's funny how you’d never guess that Michonne was the one who initiated this the way Rick so quickly matches the energy and throws her against that wall. Rick can't quite be outhungered when it comes to Richonne kisses lol.

Like Michonne's always on the same page with that intense immense love but Rick's always going to be the more extra one by a little bit. Here for it. 😋

gif cred: @nerd4music

They were real into it in that elevator and had themselves another moanversation. I love that they are always on the same timing and both crazy enough to be so unconcerned with the fact that this building is about to come toppling down. Like they are just passionately present in this hot moment and it’s great. 👌🏽😋

Richonne are really and truly irresistible to each other and I love how their desire is always on display. And you can just tell Michonne loves Rick’s assertive affection as he practically consumes her and she slides her finger down his face. And as for Rick...he's addicted to his wife in the best way. 😊

gif cred: @kimwexlersponytail

Also, I always like seeing that “Failure is never an option” sign because I be needing that reminder in life and also it just feels like a thesis statement or something as to why Richonne is always able to win. When they refuse to fantasize about failing they always come out on top together. 👌🏽

So they manage to pull themselves off each other enough to run and kill more walkers and make it out of the building as they make a run for the vehicle. I remember in 2023 there were those set pics from this outdoor running moment and it felt so nice to now get to see what that all was from. Little did we know it was filmed for the greatest Richonne episode of all time. 🤩

gif cred: @nerd4music

With Richonne outside we continue to get insight into the destruction going on inside the apartment, including the death of the temp controller I believe. RIP, to the narrator of Richonne's ep 4 journey. 

And then Richonne make it to that yellow truck and let me tell you Richonne + cars is undefeated. 👌🏽 It’s always going to make for a golden moment and this one here of course is no exception. 😏

They run into the car and I adore the detail of Rick holding that book that Michonne said Judith would love. A whole FATHER. 😭🙌🏽 And this just goes to show that everything Michonne said to Rick when he had those walls up at the top of the ep was absolutely resonating with him even if he wasn’t fully letting on at first.

I mean, Rick always hangs on Michonne’s every word so of course everything she said stuck, especially about their children. (Also, it just hit me that that’s likely part of why Rick was thinking about getting a gift for RJ in the next episode since he knew they’re bringing the book as a gift for their daughter. 🥲)

gif cred: @ricksmarlene

So they get in the car but then Rick realizes there’s a slight complication as he tells Michonne it’s a “Stick shift.” I love the way Michonne looks at him and smiles when she realizes that means her little amputee cutie won't be able to drive this particular vehicle.

And y’all, since she has to drive that means Rick and Michonne have to switch seats. 😏 It's great how even a car being a stick shift can lead to Richonne gold, because this next moment is top tier. 🤩 Richonne stans, we ate good with TOWL, honey. 😇 Practically every second in this miniseries is rooted in Richonne’s romance. 🙌🏽

Also, I heard it was the episode's director Michael Slovis who had the idea for this next golden part, and I gotta take a moment to give Slovis his tens too. He did an outstanding job directing this Richonne love letter episode. 👏🏽💐

gif cred: @taiturner

So Rick and Michonne have to switch seats and they’re not gonna just get out of the car and do that - no, instead they attempt to just quickly climb over each other but, I’ve said it once I’ll say it 1000 times…Richonne are magnets. 🧲 So of course they couldn’t be that close to each other and not just start going to town again and making out. I love our hungry little couple that stays starving for each other. 😋

gif cred: @nat111love

When Michonne is on top of him you can see the determination on Rick’s face to turn this into something lol. And of course she’s on the same timing as they start making out. Like this building is really going to fall in mere seconds and they don’t give a damn. 🤭

They’re so happily distracted by their love and I’m here for it. They said that whole ‘love on each other as hard as we can while we can thing’ starts effective immediately. Also, only Richonne could make switching seats hot lol. 🔥

gif cred: @taiturner

Then it’s sweet to see the Roomba still going til it can’t go anymore. It’s resilient like Richonne. 

Also, it was really smart to put a sort of timer in the episode, and a high stakes timer at that, with the fact that the ep took place in a building on the verge of collapse. It's symbolic of how Richonne had to come the closest they’ve ever come to wondering if perhaps their relationship is on the verge of collapse as well. But of course like the Roomba that just won’t quit, they emerge from the building together and stronger. Richonne isn't the building, they’re the Roomba.

gif cred: @worldbeyondz

And then y’all. Y’ALL. You already know what I’m about to address. It is now wonderfully canon to know 🗣 MICHONNE CALLS RICK 'BABY.'

gif cred: @nat111love

I know I was previously in the camp that heard Michonne call Rick 'baby' earlier in the bedroom scene but that one I didn't hear on my first watch. This 'baby' right here in this blessed yellow truck tho - undeniably clear. And so great. 🤩

They cut to the two still making out like it’s the only thing on the agenda, but then Michonne knows that it actually is coming down to the wire with the building about to fall. So she whispers to Rick, “Baby, I gotta drive.” 🫠🤩🫠🤩🫠🤩

From “You want to drive?” to “Baby, I gotta drive.” What a journey. 😭🎁

I didn’t know how much I needed to hear Michonne call Rick 'baby' but when I heard it I was like oh I’ve needed to hear this all my life lol.

So y’all, can I happy dance one time? Because hearing Michonne call Rick 'baby' makes me ridiculously happy. 😋

Now whenever I see any pre-canon TWD moments between Rick and Michonne I just stop and think wow one day she’ll call that man her baby. 😭 Like that’ll just be their norm because the way she says it and the way he responds, it’s clear he’s used to that. It’s so sweet and fitting. 🥰

I know we often like to wonder about Richonne pet names and I think it’s so cute that she calls Rick baby because really that is her baby. When I first heard this, y'all, I rewound it so much to make sure I didn't just imagine it lol. It was perfect. 😇

(Also since this kissing moment wasn't scripted and it was something Slovis suggested they do while filming, I'm assuming that would mean the 'baby, i gotta drive' was improvised as well. If so, I love that these talented creatives know just what to do and say with these characters 🙌🏽😊)

And I love that Michonne has to remind him that she has to drive because if she didn’t Rick would have been down to make RJ #2 up in that car. Like he’s lost in her yet again while their making out and of course, the moaning has returned. The man can’t help it. 😊

This whole lovely kissing moment further proves that for Rick the world can wait when he’s with Michonne. And the way Michonne says the line you can tell that the only reason she’s stopping is cuz they literally need to go. If they didn’t have to book it out of here right now…she’d be down for whatever too. You already know. 😋

gif cred: @worldbeyondz

I love how Richonne’s favorite thing is kissing each other breathlessly and how they prove time and time again that the magnet thing might as well be literal. Also, the fact that they kiss during every phase of this exit - at the apartment door, in the elevator, and in the car. Real lovers are back. 😍

And they are never beating the adrenaline kink allegations, y’all. But I love how they, like us, are very cognizant of the fact that Richonne in fight mode is a sexy thing. 

And then I love that after she tells him 'Baby I gotta drive' they both laugh a little knowing how easily they get caught up. And then Rick is so refreshingly looser and more himself as he says, “Right. They made a stick shift electric car” and then he looks back and sees they left tanks of ethanol in the backseat.

gif cred: @taiturner

Let me repeat - The universe is a Richonner. 😋 The second Richonne got it together the universe was like here we’ll provide the fuel (and the food 🍜😉) and all the logistics.

I love how they both get excited learning the car is a hybrid. It reminds me when they were excited about those MREs in Say Yes. 

So then Michonne notes how they have to thank the innovators for the hybrid and how those people clearly thought they could do anything and Rick says, “Yep but we can. ‘We can make this whole world ours if we want to.’” Do you know how much of a loverboy you have to be to quote your wife’s words from a DREAM? 🫠 Most swoon-worthy thing ever and I’m so here for it. 🙌🏽

gif cred: @machonnes

I love that Rick is back to believing in Richonne. 🥰 Also I always laugh when I think back to when I first watched this because I remember just being like 'Aw he’s quoting her from the proposal dream ☺️' and then I gasped and was like 'oh that is a clear sign that he’s going to give her a ring in TOWL 🫢.' Like Rick quoting Dream Michonne in this car made me know for sure a wedding ring was coming cuz he's thinking about that particular '5 Pizzas & a Wedding Ring' dream. 👌🏽

I love seeing playful Rick again and Michonne brings that out of him so often and so naturally. And Michonne’s reaction is great when she looks at him like 'I agree but also...what??' I love that she affirms it tho saying, “Yes we can. That sounds like something I’d say.”

gif cred: @machonnes

And then Rick all contently says, “It is.” Y'all, i'm crying. 🥹 What a touching, lighthearted, and meaningful way to close out this episode's dialogue. 👏🏽

I love that Michonne knows she’d say that phrase and that Rick knows it full well too. He’s like baby, my dreams of you are extremely accurate, trust me. And the way he studies that woman of course they are. 😊

It’s just so special that those dreams at one point were all Rick really had of her and now here he gets to refer to them with the woman herself after she’s loved him back to life.

gif cred: @taiturner

As they get the car going there’s a little jump scare when a walker hits Rick’s window, and seeing them both jump and then be like okay let’s go - if they got any cuter my heart would not be able to take it lol. And the fact that Andy improvised that jumpscare reaction. Love it.

Rick and Michonne were just so back. Like they’re back to being the Richonne that’s playful, and flirty, and fully connected. A clear weight has been lifted off them and they're so in tune with each other again and it fills my heart with joy. 🥰

They drive and then it feels very poetic to see the building finally fall. I love the way Danai described the building as a cocoon that would determine if Richonne really can come out butterflies. And they soared out beautifully. 😭🦋

It also feels very symbolic of the way the walls Richonne had up around their hearts at the start of the episode have also officially fallen as they're back to being one in every way.

So having served its purpose of helping Richonne reconnect and bloom, the building could now come down. It’s almost like all the hard things they expressed and went through get to tumble down with the building as they head into a brighter horizon.

gif cred: @perryabbott

Having made it out just in time, Michonne watches the building fall from the rearview mirror and just smiles knowing she and Rick are finally back on track and on their way home like she's long been wanting.

gif cred: @machonnes

Then as Michonne smiles she has this loving look over to Rick and of course he’s already looking her way. 🥰 I love how his look over at her was such a loud and clear 'I love you.'

You just know that as he looks at her he knows he’s gonna be getting down on one knee with a ring the second he has a chance.

gif cred: @machonnes

And then the way he looks down with a smile. 😭 At this moment I really think ‘I’m so in love with her’ is the direct quote from his mind. That and “How’d I get so lucky finding you again.” 

gif cred: @machonnes

And Michonne can feel the love as she has her own 'I love you' smile at Rick and looks forward. That's the smile of a woman who knows good things can happen when you and your husband take a plunge out of a helicopter. 👌🏽

That’s also the smile of a writer who just knocked it all the way out of the park writing this brilliant episode. 🔥👏🏽

gif cred: @machonnes

And a surefire way to make me happy is to see Richonne happy, so I absolutely adore that this stunning episode ends with Richonne’s smiles. They’re together. They’re happy. They’re in love. All is well. 😌

As they drive off, I adore the Asibe Happy song they use. I love that it feels like a homage to Danai to have it be music from the motherland. And just the lyrics are so fitting saying We're happy/We're in love/They tried to come between us but they failed. The vibe is so different from TWD in a really cool way and it’s just a great choice. 👌🏽

It’s funny tho because my extra self had this song stuck in my head for a few days after the episode aired and despite it having a positive vibe I could not stop getting choked up when hearing it. 🥲 Like now for me the song represents Richonne overcoming and driving off into the sunset and it’s so beautiful and feels so much like a happily ever after ending that the music was constantly making me want to shed tears. 

gif cred: @coolpartytimefan

But while it could have easily felt like this was the end of the story and Richonne was driving off into the sunset for good as this masterful episode faded to black…we still weren’t done yet. 😌

TOWL still had two more episodes of Richonne gold to give us with some very wonderful developments in their relationship. 👌🏽

But before we head into the final two episodes of TOWL, let me just conclude the 'What We' posts by saying Wow. This is how you do a moving, meaningful, and masterful episode of television.

What Danai so thoughtfully created with this episode exceeded expectations and truly shined the brightest light on why Richonne is so very special. Why it’s my Roman Empire. Why it’s my favorite depiction of love of all time. 😍

Never have I written so much about one TV episode, but I knew I’d have to go all out for Episode 4 because it’s what this important experience deserves. Every emotion, every scene, every choice, was pure excellence. 👏🏽

Andy and Danai have some of their greatest performances ever and I love that this episode was so packed with riveting dialogue and so focused solely on the two fascinating characters of Rick and Michonne and their extremely compelling relationship. It really gave Andy and Danai the space to again solidify why they're the best in the business and why Richonne is the greatest TV couple of all. 👑

I’m so grateful to them for giving their all as the people who bring Richonne to life and to Danai for writing something so inspiring and exceptional. 🔥

I’ll thank her 1000 times for lovingly and diligently crafting a Richonne episode that is food for the soul and delves into love, pain, trauma, and triumph with such honesty, creativity, and care.

This franchise and fandom are so fortunate to have such an astronomically gifted actress and writer share her gifts this way. 💯

Episode 4 was immensely heartfelt, hot, humurous, healing and profoundly human. It'll stick with me forever. It's embedded in my heart and I wouldn’t have it any other way.🥹

It's not every day you get to see your favorite thing reach its peak of perfection but that's what this episode was for me - capturing the mesmerizing depth and beauty of Richonne at its absolute best. So I'll cherish this shining treasure of an episode always.👌🏽😌

[kaiijo]

hiii! if the event event is still open, may i request aomine with prompt 42?

LATE NIGHT TALKING — AOMINE DAIKI

aomine daiki + we’ve been doin’ all this late night talkin’  content: fem! reader, fluff, third-year! aomine, one brief mention of throwing up (not reader or aomine), part of the spotify wrapped event notes: i recently watched the last episode of knb again and it got me emotional! again, i’m sorry this took so long and i hope you like it!

the venue is loud, the bass beat of some remixed pop song making the floor throb. you dance around with momoi and sakurai, who you learned tonight is very outgoing with a little liquid courage. you’re glad the basketball team is celebrating the end of season with the party. it also acts as an early goodbye to all of you third years. 

you glance around and shout over the music to momoi, “have you seen aomine?”

“no,” she says. “he’s probably, i don’t know, found a girl or something.”

the thought makes your stomach turn but you tell her, “i’m going to go look for him!” she nods and gives you a thumbs-up, and as you press through throngs of people, you catch one of the other third-years by the arm and ask, “can you keep an eye on those two? just make sure their safe.”

“of course,” he says and you smile gratefully as you make your way out of the main venue. 

“aomine?” you peek around the corner. there are a bunch of people milling about, but you don’t spot aomine’s dark blue hair. you wait outside the bathrooms for a minute or two, offering thin, awkward smiles whenever anyone passes by. 

you wave down one of the bartenders and ask, “have you seen my friend? really tall, really tan, blue hair?”

“yeah,” she says, pointing at a door towards the back. “i think he went up on the roof.”

you thank her and quickly make your way out. when you push open the door, you’re greeted by a warm gust of wind and the man you’ve been looking for. aomine is sprawled on the rooftop, arms folded under his head. his eyes dart up, shoulders bunching before they relax when he sees you. you crouch next to him and says, “hey, superstar.”

he scoffs at the nickname — one you’ve been calling him since you met him — but replies with a flat, “what do you need? is satsuki puking her guts out yet?”

“no, not yet. i asked yamada to keep on eye on her and sakurai so don’t worry,” you say. you poke his forehead and he rolls his eyes. “why’re you up here?”

“needed some fresh air. was getting a little too stuffy.”

“i’m surprised. you’re usually pretty in your element in places like this.”

he shrugs. “just not feeling it tonight.”

“is it because touou came second this tournament?”

“don’t remind me,” he groans. his eyes flicker up to the sky. “i feel old.”

“i would hardly call third year of high school old.”

“you know what i mean.” he leans up on his elbows. “we’re graduating.”

you huff out a quiet laugh. “yeah, it kind of unbelievable.” you move and lay next to him, mimicking his position. the lights of tokyo make it hard to make out any stars.

there’s a long lull in your conversation before aomine asks, “are you still set on going to california?”

you can’t help but let out a sigh, “yeah, i’m set.”

out of the corner of your eye, you see him frown. “is something bothering you?” you ask.

“no,” he says, shrugging again. “it just seems far, that’s all. far from everything here.”

“yeah, i guess it is.”

there’s another moment of silence and then aomine asks, “what’s it going to mean?”

“that i’m in california and not in japan?”

“no, smart ass,” he says, “i mean with, y’know…” he trails off but you know what he’s talking about. you’ve been anticipating and dreading the conversation all at the same time. whenever you think about it, you can hear your older cousins declaring that this conversation is a make-or-break for relationships — or whatever you can call what you have with aomine. 

“… with us,” aomine finally finishes. 

you heart is pounding as you ask quietly, “well, what are we exactly, aomine?”

“you’re my girlfriend.”

you shoot up straight and whir around to stare at him. “what?”

“what do you mean ‘what’?” he says, sitting up with you.

“when did we put an actual label on this?”

“did i not ask you?”

“no!”

aomine tilts his head with a certain nonchalance that you’ve come to known him for. “oh, well, do you want to be my girlfriend?”

you can’t stop the smile that blooms. “yeah, aomine, i do.”

“cool,” he says. “cool, cool, cool.”

“‘cool’?” you laugh, “that’s all you have to say, mr. cool guy?” you reach over and pinch his cheeks, pleasantly surprised by the heat you find under your fingertips. he swats your hand away in favor of catching it in his. 

“call me daiki.”

“okay, daiki, then you have to call me by my first name too.”

“wasn’t i already doing that?”

“yeah, i guess you were.”

there’s another beat of silence and he says, “you’ve didn’t answer my first question. are we going to be okay?”

“i can’t promise anything,” you reply. “but i’m willing to try.”

“me too.”

“it’s going to take a lot of effort on both our parts.”

“i know,” he says, leaning forward to peck your forehead. “but i’m willing to try.”

[mangyraccooon]

Thoughts about Modern day Dragon him being a late diagnosed autistic

Dragon would be one of those people who knew they were different from a young age but never could figure it out because either parents (who didn’t want a ‘different’ child) or becoming so high masking that it was very difficult to tell. (Probably a mix of both)

When Dragon is 40ish he takes luffy to the doctor for a routine checkup.

The doctor tells him his son is most likely autistic.

She also tells him it’s an inherited trait

Dragons reaction is “ah.”

He never thought luffy was different. That wasn’t true he understood luffy was different but it wasn’t a bad thing in his eyes.

Unknowingly at 7 years old dragon put on a mask. It starts to crack 33 years later in a doctor’s office.

The doctor gives him some pamphlets and online resources to go through. He spends the next 24 hours going through it all + several online quizzes.

Only the next morning when he opens his closet fully prepared to go into work: when he sees all his shirts and suit jackets. That he realizes he has no idea who the fuck he is as a person.

Luffy finds him crying in a mess of ripped silks and cotton.

Luffy crawls into his lap and starts telling him about a new beetle species found in South America.

Dragon calls them both in sick and lets his son decide the schedule for the day.

Later that night he goes through old boxes in the attic. Trying to find who the fuck he is- was- could’ve been.

He finds a couple old albums, his guitar, luffys baby blanket and…

Crying is natural and normal, he has to tell himself. You are not weak for crying twice in one day.

The ring is old, it was his mother’s. It had been left with his secretary along with luffy asleep in his bassinet.

“Sometimes I feel like you just put on this face and I don’t even know which one is the real you; or if there is a real you”

He would never know how right he had been.

Dragon quits his job; he can’t stand it anymore. The partners beg him to stay, he���s the best lawyer they have. But the feeling of a suit collar now feels like a noose.

Borsalino is the only one who still contacts him after.

Dragon has money; so much money. Other than luffy and silk shirts that didn’t scrape his skin there was very little dragon spent money on.

So he glides, spends more time with luffy. Falls into a depressive episode so bad he has to stay with his mother. Tsuru purses her lips when he tells her and dragon can’t help but feel a little angry.

“You knew.”

“I suspected.”

“Why didn’t you tell me?”

“You seemed to be fine.”

But dragon hadn’t been fine, he had been miserable. It was only now he could see how miserable he had been.

He cooks with his step mother who teaches him how to make a puff pastry. Luffy meets a boy down the street who also loves bugs. Life goes on.

Luffy gets a assessment and official diagnosis

The adhd part wasn’t that surprising to Dragon or anyone within 5 seconds of meeting luffy. his son is (affectionately) a human bounce ball.

Dragon gets an official diagnosis and sends a photo of him posing with it to borsalino. Borsalino sends a photo of himself and an online quiz. And dragon understands not everyone needs the word of a doctor to know who they are.

Garp barges into his life and demands he “stop being a freeloader and get a job.” Before flopping on the couch and doing just that.

Dragon gets the drag bar gig out of spite. Iva is the best worst thing that has ever happened to him. After finding out he knew guitar the queen needled him until he started practicing again out of spite (once again he had to stop using that as motivation)

The guitar strings cut at his fingertips.

Garp sets him up on a blind date, which ends with both him and rouge laughing themselves silly. Apparently garp had taken dragons “I like dick” comment to mean anyone who was in possession of a penis (even if it was silicone.)

He turns 42 and has to valiantly fend off Luffy, Ace and Rouge from eating his rack of ribs.

Iva gets him up on stage eventually (he was fine behind the bar)

He did like the eyeliner though and how his shoulders looked in the dress (but that was a thought for another day)

The band thing was a joke (or started as one) rouge sang, dragon played bass, iva played electric and kuma drummed his heart out.

Then it became less of a joke.

It was late, the porch was empty and the moon twinkled. Dragon cradled the phone in his hands. They had gotten a record deal.

He punched in the number slowly.

He was 45 now, he could do this.

The phone rang as he held it up to his ear.

His palms were sweaty.

Voicemail

“I uh-“ what was he supposed to say? “Hi, it’s been awhile. A long time actually- fuck I think I could tell you the exact date if I wasn’t drunk. But- you probably dont want to hear that huh?” He laughed, his breath coming out in a small cloud in the autumn air.

“So a lot happened, since you left. And I don’t blame you for leaving- just so we are clear. Yeah uhmm. So the band. I’m part of a band now surprise! We got a record deal and it made me realize I still- well that is, when I was told. I realized, your the only one I wanted to tell”

“And not in a bragging way!” He added hastily

A beeping noise, indicating the end of the message

“Wani I-“

But the message ended

-should I make this into an actual thing? Lemme know

[mirai-e-jump]

Ohsama Sentai King-Ohger Photo Book: ~King of Kings~ Main Cast Member Interviews Support Cast Special Comments (translations below, LONG POST)

(other pages)

Sakai Taisei (Gira Husty)

-The Director's valuable advice on how to play Gira in a natural way-

I think that we were able to complete filming without any issues due to the support of many people over the past year.

As an actor, I was inspired alot by the many career actors in the King-Ohger cast. In particular, Morioka Yutaka-san, who played Douga, and Masato Yano-san, who played Racules, both of whom I had many opportunities to work with, were very important. However, both of them didn't give me any specific advice on the set. They always had the attitude of, "You're free to do whatever you want to do," and I was grateful for that more than anything.

Filming was done in front of a green screen in the studio, which was a special environment, but since I personally didn't have much experience in filming dramas, I had no objections to it at all. Sometimes we filmed on location, so experiencing the "live scenery" and "atmosphere of the site" was nice, but in our situation, we felt uncomfortable unless we were in front of the green screen (laughs). It had become such a normal thing for us.

As for the performance, at first I couldn't understand the Director's intentions and was just figuring it out in my head, but then Director Kamihoriuchi Kazuya told me, "Feel it with your heart," and that's when it became easier to act. After that, I feel like I was able to take on the role of Gira more naturally throughout those days of filming.

Also, I think we showed "Gira two years later" in the new chapter partly through the visuals and direction, such as his costume and hairstyle, but I also wanted to play the role showing a more relaxed side in my own way.

-The wonderful thing about Gira is that he's always there for others-

What I was most mindful of throughout the year was definitely the relationship with Racules. I wasn't told of any future developments, so I was surprised when I read the scripts for episodes 41 and 42. Even though he's his older brother I played the role with a strong sense of, "Overthrow Racules!" I had heard during filming for episode 20 that he was going to reappear later, but I had no idea he was destined to carry such a cruel burden……That's why I was deeply moved by our joint fight scene in episode 42.

After that, in episode 43, I'll never forget the scene where we hold each other's hands. Compared to Yano-san, I think I'm still inexperienced in some aspects of acting, but I did my best in my own way, so I'd be happy if you could grasp the feelings the two of us have.

From episode 48 to the final episode, many of the cast members who've helped us in the past reappeared, and the motivation on set was even higher than usual. The main Director of the last three episodes was Kamihoriuchi-san, and the six of us who play the roles of the kings have absolute trust in the Director, but he's also someone who's uncompromising in his approach to the play, so I worked hard to "hang in there until the very end."

The final day of filming was the scene in the final episode where the six of us are untransformed. I personally didn't intend to be overly emotional just because it was the final take. However, when the Director said "OK!," the cast and crew involved in the production, including Yano-san, who wasn't supposed to be filming that day, gathered around. I thought, "So many people were watching over us" and became overwhelmed with emotion……I think I probably cried more than anyone else (laughs).

Looking back on all the episodes, I think that Gira was always portrayed as a character who stood by someone's side. He always tries to understand people's feelings, regardless of whether they're a king, retainer, or a citizen, and I thought it was wonderful to see that kind of attitude as I played Gira

As time goes on, please don't forget about Gira!

Watanabe Aoto (Yanma Gast)

-Yanma's coolness is the charm that Director Kamioriuchi possesses-

Currently, when I look back at Yanma from a year ago, I feel alittle embarrassed because he seems so childish (laughs). I've jokingly said to the staff on set things like, "I want to reshoot that scene," but on the other hand, I felt that it was a performance that only I, who had just encountered Yanma, could give. That's just how I feel right now.

As for my role, it was largely created together with Director Kamihoriuchi Kazuya. In the beginning, I read stories about real kings and books by various leaders, and I tried to express them through "moving performances." In response, the Director told me to, "Take a more confident stance," and from that point on, I had the image of, "Even if he doesn't say much, his coolness will be shown through his actions." To be more specific, Yanma has something in common with Director Kamihoriuchi himself. I think that the Director's charm as a person is reflected through Yanma.

What I remember well from early filming was the N'kosopa scene in episode 2. We spent the whole day filming in the cold during the middle of winter with the participation of members of the TTFC (Toei Tokusatsu Fan Club), and it truly felt like a king and his people overcoming their difficulties as one. Episode 2 in particular was the one where I read the script repeatedly after my audition, so I'll never forget the excitement I felt when I saw the finished footage.

Every episode is filled with memories, but the developments that take place two years later starting from episode 27 stirred me up. At first, I thought he was going to be alittle more mature and relaxed, but now that his hair was a blonde pompadour, I decided to play a more active role. In episode 35, when they all go to take back the invaded N'kosopa, I felt Yanma's growth compared to episode 2. The actual successful recapture took place in episode 39. During that time, for the main episodes of Hymeno, Kaguragi, and Rita, Yanma had many funny moments, and as I played him I thought that even though things were tough, he doesn't stay down, which is another cool thing about him.

-The fans are part of the production!-

When he was being manipulated by Hilbil in episode 44, the interaction with Gira had many homages to the past. Usually, there are many opportunities for Yanma to say something preachy, but in this episode it's the opposite, and Yanma catching Gira's fist is also a reverse pattern from episode 17.

Also, defeating Hilbil using the 10 combination King-Ohger for the first time in a long time was a hot development, and in the end, we both said the exact same lines as in episode 2, being, "Lowlifes like you…(-Gira), Should know your place…(-Yanma), On your knees! (-both)."

From episode 48 to the final episode, new assets have been created, and I think that the viewers will enjoy the spectacular visuals until the very end.

In the scene where the "King's Proof" is returned, only my mouth is shown, and the Director told me, "The love you've received is too great, so it's okay if you cry." I intended to act dignified, but those words were like magic, and I was immediately overcome with emotion.

Other hot developments include the reappearance of major characters, and the relationship between the kings and the people they're meant to protect is also noteworthy.

Even after all the battles were over, Yanma still had work to do, and I was able to play the role of Yanma, who's always looking forward until the end.

After working on it for a year, first of all, I'm relieved that filming was completed successfully, and I'd like to take this opportunity to express my feelings of "thank you" to the many people who supported us.

Personally, I believe that King-Ohger was created by everyone, and the fans are also a part of the production. I'd be happy if you could think of us six kings from time to time.

Murakami Erica (Hymeno Ran)

-The key to playing Hymeno is "how to deal with life"-

Hymeno has a selfish side, but if she shows it too forcefully, her position as a king will be in danger. Of course, it's not just being selfish, and the reason was depicted in episode 3, but reading the script and actually doing the performance gave off a different impression, so I explored this through the opinions of the people on set and through interactions with the cast. Also, after learning about the setting in which her parents were murdered in episode 7, I thought that Hymeno's key point was "how to deal with life."

I was acting without knowing what was going to happen next, but it was interesting to see things in a different point of view once all the facts were known, such as the foreshadowing of the anesthetic in episode 8 being revealed in episode 42. It was like reading a serialized manga, and there was a competition among the cast to see who would get the new script first (laughs), and the person who got it first would upload a photo of the script to our group chat.

Personally, my favorite episode was episode 28. I had alot of conversations with Kaku So-san about playing Kaguragi, and I was able to see a side of Kaguragi that I had never seen before, and I think we were able to deepen our understanding not only of our characters, but also of the cast. Other than that, I also enjoyed episode 36. The matchmaking competition was hard to endure because everyone was trying their best to make me laugh, like Yanma's weird face when he was being controlled by Jeramie (laughs). Also, Hymeno, who was being impersonated by Kamejim, casually crossed her legs even though she doesn't usually do that. The uglier the fake becomes, the brighter the real one shines, so I was conscious of the gap between the two while concealing her true identity.

When I got involved with Rita in episode 5, Director Kamihoriuchi Kazuya told me, "I want you to perform the role of Hymeno as if she's aware Rita will be hard to deal with." At first I thought, "Hymeno and Rita are incompatible, huh," but as they got closer and closer through Moffun and the "Wrath of God," I feel that they've become a very special person to Hymeno. That's why when Rita came to Ishabana in episode 30, Rita may have just been fulfilling their duties, but I thought it was cute that they misunderstood that Hymeno had gone out of her way to meet them. To be honest, I was pretty excited to film the tea scene (laughs).

-I was lifted up by Hymeno's inner strength-

The existence of Grodie, the enemy of her parents, was revealed in episode 30 and defeated in episode 47, but before that, I personally thought episode 46 was important. Jeramie decides to use his"King's Proof" to give life to the immortal Grodie, and Hymeno accepts his decision. There's a conversation between the two of them where they said, "It's okay to cry" and, "I'll ruin my makeup." The script was based on the answer I gave to screenwriter Takano Minato-san when he asked me, "What do you want to do?" I suggested that if a little girl was crying and Hymeno came to her, she might say something like, "What a waste of a pretty face" or "Your mascara will be ruined" to keep her positive. When I opened the script, I was surprised to find that she wouldn't be crying, but I was happy because I wanted to show Hymeno's strong will!

In the end, it was an "all star" effort, and I was thrilled that she was reunited with her parents in episode 49. Although the scene took place while both of them were concentrating on providing treatment, they were able to communicate without having to talk, and I felt a sense of closure within Hymeno. In the final episode, it was cool to see everyone stand up against Dagded, there were some unexpected surprises, and we were able to reach a truly wonderful ending.

All 50 episodes are filled with the passion of the cast and staff, and I think that no matter which episode you watch, you won't be disappointed. During all this, I myself was lifted up by Hymeno's inner strength, and I'm so glad that I was able to work with all the cast members until the end. I hope to see you again in the future, such as the FLT, so please continue to support us!

Hirakawa Yuzuki (Rita Kaniska)

-Playing the role of Rita by moving their "mind" with their whole body-

The role of Rita is an "immovable" character, so the performance doesn't focus on movement, and their face is visible only through their left eye and you can't see their facial expressions, so it was difficult in the early days of filming. The solo performances were particularly difficult. In episode 12, there's the trial scene where Jeramie is listening to them, but since only my eye was visible, I was concerned that my blinking or the direction of my gaze might convey nuance that I didn't intend. At that time, Director Kamihoriuchi Kazuya gave me advice of, "If you perform by moving your mind with your whole body, it becomes an expression, so you don't have to be caught up in performing with only your left eye." This gave me confidence and made me think, "Maybe there's more I can do."

When talking about Rita, their relationship with Hymeno is also important. In addition to being king, Rita has the role of Chief International Justice, so there was a part of them that drew a line between themself and others, but after the interaction with Hymeno was depicted towards the end of episode 16, Rita was able to separate their work and private life, and the areas where they could express themself gradually became clearer. I thought that when they had tea together in episode 30, it was another scene that brought them closer together.

Also, Karras and Shiron are like parents to Rita. In episode 16, we learned some of Rita's past, which I thought could be reflected in future performances. After that, everything came together in episode 30. When I read the script and learned of Shiron's death, I was personally shaken, and during filming, I was able to fully feel Rita's feelings while acting. Also, while they were determined to seal Grodie in this episode, Hymeno stopped them from doing so, and it reminded them once again of how valued they are. Episode 30 is an unforgettable episode, not only because of their relationship with Hymeno, but also in the sense that Rita became stronger after preparing to die.

-It was a year of pursuing the role of Rita that I envisioned-

I was very happy to receive lots of feedback on SNS for the Idol episode.

The stage scene was only about two lines long in the script, but the set they created was so beautiful, so I went into filming thinking, "I hope the viewers will enjoy it."

It was the most difficult time for me, learning dances and recording at the same time as filming, but I have the impression that I did my best as "Hirakawa Yuzuki" in this episode, even though I was playing Rita.

Towards the end of episode 45, it was very exciting to see Kaguragi and Rita, who had never had a chance to really interact before, working together. Since we often filmed separately, when we met, Kaku So-san and I would report to each other with, "How did that scene go?"

I was also impressed by the scene in episode 48 where they launch the evacuation plan "Zero." It was really hard even for me to admit that they couldn't defeat Dagded, but I think that's just how much I got into the role.

At the end of the story that spanned a year, six people with very strong personalities come together, and if just one of them were missing, the story could not be completed, so I think it concluded in a way that was truly typical of "Ohsama Sentai."

Looking back, I had wanted to play the role of Rita since the audition stage, and being able to pursue my own vision of Rita for a year was an invaluable and truly precious experience.

Now that filming's over, I feel sad, but I hope that people will look back on the show after it's finished airing, and I hope that it grows into a show that'll continue to be loved forever.

Kaku So (Kaguragi Dybowski)

-Until I did the difficult role of deceiving and tricking people-

In the beginning I was told that the role of Kaguragi was a character that deceives and tricks people, but at the same time, the Producer said, "Please don't make him someone that people dislike," and I thought, "No, that's going to be difficult" (laughs). In a way, Kaguragi has conflicting aspects, but in episode 4, the resolution within me improved, and I began to enjoy playing the role more.

Also, the "Hweh?" response when he's acting silly in episode 8 wasn't specifically written in the script, and when I first tried to just do the facial expression, Director Yamaguchi Kyohei said, "I want it to have alittle more impact," so I also added the voice. It's thanks to the Director that I was able to emphasize his personality.

Then there's the relationship with his younger sister Suzume. Kamura Mami-san, who plays Suzume, had such a convincing performance from the first day that it made me think, "That's Kaguragi's sister," and through her I was able to bring out the comedic side of my performance alot more.

All the episodes are memorable, but if I had to pick one main episode for Kaguragi, it would be episode 37. While I've always played the role that rides the line between good and evil, that episode gave more weight to the fact that he carries a tragic past, and I myself became more fond of Kaguragi. The honest and pure Kaguragi I played in the flashback scenes are literally just me (laughs), so it was easy to do. His voice is usually deep and threatening, but at that time I tried to show his "difference" by using a tone that was closer to my actual self.

It was also interesting to perform the scene where he and Racules, played by Masato Yano-chan, were trying to expose each other's secrets. However, I wasn't sure about their relationship, and one time when I asked Yano-chan, "Do you know when they'll become friends?," he left me hanging with, "No, I don't know" (laughs). I first found out about their backgrounds when I read the script for episode 42. In retrospect, he was mostly absent in episode 36, was he perhaps discussing things with Racules behind the scenes? The line at the end of episode 37, "Let's take the dirtiest road ahead from now on," was also foreshadowing.

As for Kaguragi, he probably believed in Suzume and followed Racules, and I believe that he carried out his own will even though he was prepared to be deceived.

-Even now, Kaguragi's in my heart!-

Towards the end of episode 45, it became a main episode between him and Rita, someone he had little chance to interact with up until then. It was a new experience for me to work with Yuzuyan, and we enjoyed each other's presence. The scenes where they both communicate their feelings were performed separately because I spoke to their partner Morphonia, but even though they weren't in the same space, it was really cool to depict that they shared the same mindset. Kaguragi may be deceiving on the surface, but deep down, he just wants to make people smile, and I was able to portray that side of him.

The final episode completes the story, but there's also some room that allows you to use your imagination, which is what I like about it. If it ended properly, that'd be sad, wouldn't it? During filming, I worked hard until the end, but I'm personally the type of person who likes to joke around and have fun while doing it. I'm glad that we were able to spend time in a cheerful atmosphere until the very final moment.

Even after all filming finishes, I still have many more opportunities to play Kaguragi, including performances at Theater G Rosso and the FLT, and I still feel as if Kaguragi is in my heart.

Having a stance like Kaguragi's may not be easily rewarded, but I think it's filled with what's important for people to live their lives.

Whenever you feel like giving up or are having a hard time, I'd be happy if you could remember Kaguragi and think, "Let's do our best!"

Ikeda Masashi (Jeramie Brasieri)

-Jeramie, who's been alive for 2,000 years, shows his "composure"-

In my situation as Jeramie, I started out as the narrator, so my job began with voice recording. The other five had already started filming, and looking back, it feels nostalgic, as when I first greeted them, I was overwhelmed by their flashy costumes and everyone's aura. I made my first appearance as Jeramie at the end of episode 11, where I was suddenly performing with a mask on.

My real appearance began in the next one, episode 12, and since his character is set to have lived for 2,000 years, I thought I should have a certain amount of freedom in my performance. At the time, I still wasn't used to being on set, but it's not good to get nervous, so I just gave it my best shot. I was really happy that everyone was willing to talk to me during this time. Thanks to them, I was able to open up right away.

In the beginning, I think Jeramie was a character who he himself was hard to read between the lines (laughs), but as the story progressed, his growth was also depicted, which I personally found very rewarding to perform. In particular, I think that episode 26 was a turning point for Jeramie. Just before Desnarak VIII dies, the scene where they exchange the lines, "You'll become king, and make them see, that the Bugnarak are here" and, "You'll be there too……" is one of my favorites in the entire show. Desnarak VIII is family, as they share the same name "Narak," and the, "You'll be there too" was an expression of his feelings that he didn't want him to die, as Desnarak VIII's existence was a major factor in Jeramie's resolution to become king.

-The final episode had a perfect conclusion and everyone was satisfied-

After entering the new chapter, in episode 29, there was a scene in which I play a major role as the mastermind behind everything. It was difficult to find the right balance, but I acted with so much enthusiasm that I was willing to yell at everyone. As Jeramie, I wish for peace more than anyone else, as I want to protect everyone at the expense of myself, so I faced the situation as best as I could, which was both noble and heartbreaking.

Then, in episode 31, everyone fought to clear my (Jeramie's) name. I feel that Jeramie, who has been lonely for such a long time, had finally made true and kind friends. Also, the line "I love you" that he says to his mother (Nephila) in this episode really moved me. In episode 12, for those words he said, "There's no phrase in this world that's more cliche," but I didn't realize he would capture that foreshadowing so effectively.

There's a scene where he fights together with his mother towards the end of episode 49, and I'd like the parents who watch the show to pay attention to the relationship between us as parent and child.

Also, in episode 47, it was really intense when Grodie was given the "King's Proof." For Jeramie, the "King's Proof" is "eternal life," so he'll no longer be immortal if he uses it……The determination to reach that point was no ordinary feat, and it must've been very worrying. That's why the scene where Jeramie talks with Hymeno in front of the setting sun after making up his mind left such an impression on me. Marie was able to convey her thoughts clearly, so I was able to naturally get into the role, and I think the two of us were able to create a performance that worked well together.

The final episode perfectly portrayed Jeramie's role as the storyteller, which had continued from the first episode, and the story comes to a perfect conclusion based on what had happened so far. I was talking to everyone on set, and deep down, we feel we were able to end the show properly.

More than anything, I'm really satisfied that I was able to spend a year with this group. Throughout the year, I'm sure each of us had our own hard and painful times, but seeing everyone's faces on set made me feel at ease. I'm very grateful to the five of you who played the roles of king.

Ohsama Sentai King-Ohger: The Kings Group Discussion Over the past year of filming, the bonds of the cast have gradually deepened. Looking back on filming, we asked them about their "true opinions" that they can only talk about now.

-Fun memories from the past year-

Kaku: The first topic is "fun memories." Does that mean the casual conversations we all had while filming? (laughs). We all talked in the moment and everyone would laugh and go "wahaha" alot.

Hirakawa: On the other hand, filming alone made me feel really lonely. It was natural for me to be with everyone else.

Murakami: It was part of our daily routine to go out and eat with everyone after we finished filming. It was fun~.

Watanabe: Also, the day before the broadcast was part of the fun!

Sakai: It's really exciting to see your own performance on screen. And then there were the reactions after the broadcast.

Hirakawa: We were popular every week on SNS.

Kaku: Each time, the character with the most active role would be trending.

Ikeda: For me, the recording sessions were also fun.

Murakami: I'd see footage for scenes I wasn't in for the first time during the recording, so that was alot of fun too.

-The many true selves that everyone's seen-

Murakami: After spending time with everyone, the first thing that surprised me was that Taisei actually likes to play pranks.

Sakai: Eh? I've never played one once.

Kaku: That's a lie!

Murakami: You did stuff like add wasabi to our kaisendon (laughs).

Hirakawa: It was really spicy! (laughs).

Murakami: Or before our cue, you'd shout, "Whaa!" from behind us.

Sakai: I never did that~

Ikeda: Yes you did~

Hirakawa: He did that to me too (laughs).

Murakami: It was also abit surprising that Aoto, who I thought was cool at first, would also mess around.

Watanabe: Eh? Really?

Hirakawa: It's also surprising that he pretends not to know. Actually, he's "in charge of being cute" (laughs).

Murakami: Yeah, "the person in charge of being cute."

Watanabe: When I first learned about the cast of the kings, I thought I was going to be the "cute one" (laughs).

Hirakawa: That's what we're saying!

Sakai: For Marie, even when we were filming late at night and everyone was tired, she had a fun aura surrounding her.

Kaku: Her jokes were amazing. We listened to these awkward jokes as we continued to perform at other sites.

Murakami: My nickname became "Mood Breaker."

Watanabe: Eh? This is my first time hearing that!

Murakami: Are you a liar?

Watanabe: That's a really straightforward insult! (laughs).

Murakami: Ahahahaha.

Sakai: The usual pattern is that Marie suddenly says something strange and everyone laughs.

Murakami: At first, I thought, "I have to do this properly," but halfway through I gave up (laughs).

Hirakawa: No, you gave up early on.

Murakami: Ehehe (laughs).

Kaku: For Masashi, he tried his best in the beginning to join in, but soon the two of us started speaking nonsense in our dressing room.

Ikeda: Conversations where you turn off your brain.

Kaku: That's it (laughs).

Watanabe: Definitely, when I passed by Masashi's dressing room, I often heard his voice from inside.

Ikeda: I have a loud voice!

Watanabe: Not a single sound came from the dressing room me and Taisei shared (laughs).

Sakai: You two seemed to be having fun.

Murakami: Yuzuyan is the youngest of the members, but she's like an "older sister" in some ways.

Ikeda: Yeah, she has the image of a caring person.

Kaku: Still, you're the youngest in your family, right?

Hirakawa: Yes!

Watanabe: It's fine now, but when we first met, she wouldn't even look me in the eyes (laughs).

Hirakawa: I'm a shy person, but I usually talk alot to hide my shyness. However, I was really nervous at the beginning of King-Oher (bitter smile).

Watanabe: And now, you're a lively person!

Sakai: I'm also from Kyushu, so I felt a sense of familiarity from the beginning. That's why I don't think you had any major changes from beginning to end, right?

Hirakawa: But, at some point, I started speaking with a dialect.

Sakai: Ah, that's right.

Murakami: Yuzuyan gave her all from the beginning.

Hirakawa: That's because Kaku-san, the oldest of our group, affectionately embraced all of us.

Kaku: Yeah! Say more of that!

Ikeda: Because of that, there was an atmosphere on the set where we could talk about anything.

Sakai: He really brought the five of us together.

Kaku: That makes me happy! Thank you (laughs).

Murakami: How cute~

Kaku: No, this is seriously embarrassing.

Hirakawa: (to Watanabe) Aren't you in charge of being cute?

Watanabe: (laughs).

Kaku: Conversely, I was saved by everyone's good character. That's why I wanted to support everyone. I've always felt that way.

-Feelings I want to share with everyone now-

Kaku: If we were to take this opportunity to say a few words to everyone, I'd first start with Masashi. Thanks for always messing around with me!

Watanabe: I hope Masashi will continue to do well with his friendliness.

Sakai: I want to work together again with you even after this job ends!

Hirakawa: I really appreciate the way you always looked out for everyone during filming.

Murakami: When we all go out together, he takes the initiative to invite us. Thank you for creating so many memories.

Ikeda: Eh! I'm so happy! Marie has always been cheerful, and I hope she continues to do her best with her cheerful and beloved character!

Murakami: Yeah! I'll do my best!

Watanabe: I hope you keep that smile on your face.

Sakai: She has the kind of character that I wish I had as a childhood friend or something. You always had a smile on your face and brightened up the set.

Kaku: For her performance, in the Hymeno episode (episode 36), Hymeno, who was being impersonated by Kamejim, was really interesting. I'd like to see a performance like that in a different production.

Hirakawa: Marie has always supported me with her "harmonizing" spirit. On the other hand, from now on, I hope to be able to help her as much as possible.

Murakami: Yuzuyan is the one who has always been there for me. I think that's her strength, and I hope she continues to be there for many people.

Hirakawa: Of course! Thank you.

Kaku: Despite being the youngest, she was the hardest worker in our group. During the idol episode (episode 38), even though she was having a hard time during filming, she simply said, "I have to practice tomorrow and the day after tomorrow, and then the day after the day after tomorrow I have a costume fitting." That's what gave me courage and energy.

Watanabe: She was more aware of her surroundings than anyone else. You helped me there too.

Sakai: That's right. When I was alittle out of the loop, she'd casually come over to me.

Watanabe: I'd say it's okay to think for yourself from now on.

Ikeda: Right, take care of yourself more.

Watanabe: Be selfish.

Hirakawa: Well then, I guess my goal is to be Hymeno (laughs)

Murakami: For Kaku-san, when the time came, he'd show off his "dependable big brother" nature.

Ikeda: He's got a heart as generous as the universe itself.

Hirakawa: I asked Kaku-san for alot of advice during filming, and he always listened to everything. I'm sure I'll be asking him for advice again in the future.

Kaku: Please do, please do!

Watanabe: When I got heated, he'd calmly give me advice from an adult's point of view. I also got alot of advice from him.

Sakai: I'm not the type of person who can talk to others about things, but there were times when Kaku-san sensed that I was at a loss and approached me. That made me really happy.

Kaku: I was alittle worried that you'd all think, "How annoying" (laughs).

Murakami: Aoto seemed like he was laid back, but even when times were tough or difficult, he always made it a point to help liven up the mood.

Ikeda: Usually, Nabe-chan and I notice the same things. We'd both go, "Hmm?"

Watanabe: That's true! (laughs).

Ikeda: That made me happy.

Kaku: Also, he had a super funny and cute character. He made me laugh so much.

Hirakawa: In the beginning, I wasn't the type to talk much, but I was happy to open up to Aoto!

Sakai, Murakami, Kaku & Ikeda: Right?!

Watanabe: No, I think I opened up first.

Hirakawa: We opened up to each other. At first, I thought we'd never get along (laughs).

Watanabe: Eeeh~?

Hirakawa: I kept watching you from different angles, and then you spoke up unexpectedly. I spoke up too.

Ikeda: Such words! (laughs). (*she used alot of onomatopoeia)

Sakai: Aoto and I are the only ones who are the same age.

Ikeda: That's true

Sakai: Especially in the pilot (episodes 1-5), I still wasn't used to things, but I was really inspired by Aoto's good acting.

Watanabe: No, on the contrary, I was focused on Taisei.

Murakami: Taisei had a huge burden on his shoulders as the main character, and it must've been extremely difficult for him, but I thought it was really amazing that he didn't come off that way at all.

Ikeda: Yeah, I definitely respect that.

Hirakawa: You must've had a much harder year than us. Still, you never said "It's tough" or, "I'm tired" at all.

Sakai: No, there were times when it was tough.

Hirakawa: It's amazing that you never showed it.

Kaku: Taisei had alot of trial and error in the beginning, but halfway through, I learned alot from him, including how to switch between emotions and how to act. What'll happen when you play a different role in the future? Right now, I'm very excited about Taisei, and wonder what kind of actor he'll become in the future.

Murakami: After all, he's the "leader."

Ikeda: Thank you for being the leader of King-Ohger!

Sakai: Same here, thank you everyone!

Murakami: Even after this job ends, I want to see you all again.

Watanabe, Hirakawa, Kaku & Ikeda: We'll definitely get together again!

Retainer Cast Special Comments From the cast members who fulfilled their roles as competent followers, supporting the kings of each country, their comments have arrived.

Morioka Yutaka (Douga) Profile: A strong retainer who served as part of the entourage for Racules. After that, he went job hunting in the other countries but wasn't hired, so he became the retainer for the next king, Gira, and protected the country.

"Please tell us what you respect about Douga."

Morioka: He's someone who values etiquette, does his absolute best in everything he does, and lives his life honestly through his own convictions. He has a strong will that allows him to sincerely offer advice to his king, but I also like the fact that there's a part of him that's somewhat out of the ordinary and we get a glimpse into his cute side.

"What are your impressions of Gira and Racules (including Sakai Taisei and Masato Yano), and were there any memorable moments during filming?"

Morioka: I think that both of them have a perfect link between their own personalities and those of the roles they played. Sakai Husty-sama is kind to everyone, and his natural side that's visible in his hard work is endearing, which makes me smile when I see him on set. Yano Husty-sama built his performance with great delicacy and precision. He truly is Racules. Their appearance have a certain "aura" that allows me to be their retainer without forcing myself to be aware of it.

"Give a message to the character you played!"

Morioka: Douga, you must be exhausted from the many things you had to do to support your country and family…..Sometimes, it's good to spend time relaxing and not think about anything.

"What was your most memorable moment in King-Ohger?"

Morioka: It'd be episode 21, the episode where Douga's job hunting. I have fond memories of the staff working together to support me to the best of their ability, even in the silliest scenes, including the wonderfully strange costumes and props as I traveled around each country. Then, after the short but intense performances with the other retainers of each country, there was the serious last scene with Gira-san. It was great and I'm truly grateful.

"A message to all the retainer members of the other countries!"

Morioka: Shiokara, don't address the kings with "you." Sebastian, despite your appearance, I'm in awe of your physical ability. Kuroda, I'd like to learn from you your excellent fighting skills. Morphonia, you should try to be alittle more motivated everyday. (*form of "you" meaning you're inferior to the speaker)

"Please give a message to the fans of King-Ohger."

Morioka: This was my first time participating in the Super Sentai series, and I was surprised and moved by the amount of energy and love shown by all the tokusatsu fans, and I was able to make it through this because of everyone's support. I can only express my gratitude. Your words on SNS and other sites have been well received. Please continue to love King-Ohger!

Chiwata Yuhei (Shiokara) Profile: When they first met, he saw Yanma as a yankii with a bossy attitude, but admired him after learning of his manly spirit. After that, as Yanma became king of N'kosopa, he became his retainer.

"Please tell us what you respect about Shiokara."

Chiwata: There's alot, but the most important would be his charm. You could call it junior colleague energy, but I think he's good at building relationships and closing the distance with people. I was never good at such things, but as I got older, I began to realize the importance of it and started to practice, and little by little, my weakness turned into my strength. However, I'm still not as good as Shiokara-kun, so I'd like to use him as a reference (laughs).

"What are your impressions of Yanma (including Watanabe Aoto), and were there any memorable moments during filming?"

Chiwata: I feel that Yanma is a character whose emotional growth was depicted throughout all the episodes. I think it's cool that he's able to calmly, sometimes violently, confront everything that happens to him, and then use what he learns from it to take the next steps in his life. I think this is also due to Aoto's acting ability, so Yanma and Aoto are one and the same! The most memorable moment was in episode 10. I still vividly remember thinking that the way he created the atmosphere of the scene was wonderful, just like Aoto.

"Give a message to the character you played!"

Chiwata: Thank you so much for your hard work! Keep up with the most coolest Yanma-kun and follow him wherever he goes!

"What was your most memorable moment in King-Ohger?"

Chiwata: It's episode 35. I was very happy that Shiokara's character, which had been built up, was given depth, and that his past of being very different was depicted. It was a really hot development, and as an actor, there were many scenes that required alot of passion, so even preparing for it was fun. Until the actual performance, I would read the script everyday and think, "How would Aoto react if I did this?" Normally, I don't discuss the scripts with Aoto, so imagining it was part of the fun. What's more, we wouldn't know the title of an episode until the week before it aired, so when I saw the title, "Don't Cry Slack Jawed Tanuki," I was moved. The last bit of the episode was a perfect fit. Furthermore, I was overwhelmed with emotion when I heard that it was (screenwriter) Takano Minato-san who came up with the idea. I was also very happy that this episode won a special award at the "Toei Tokusatsu Fan Awards 2023."

"A message to all the retainer members of the other countries!"

Chiwata: Originally, I don't think the Super Sentai series featured so many sub characters. This is because there are already six members making up the main cast. However, I think the reason why the retainers have become so beloved is due to the fact that we all played appealing characters, and continued to support the main cast, who played the kings, in different ways in each country. This resulted in the popularity of "retainers". And for that, I'm grateful. Thank you so much!

"Please give a message to the fans of King-Ohger."

Chiwata: First off, thank you so much for sticking with us for the past year. I still think about how fortunate I am to have been involved in this production in the long history of the Super Sentai series. It was a great experience for me to see everyone's excitement online every week, and to then go to the set feeling like I was carrying everyone's voice with me as I performed. In this show, each character stands out, and I've seen the characters moving freely in everyone's minds through fanart, and I feel that this was a production that has been truly loved by everyone. There were alot of things that made me feel like, "Ah! I see, I definitely think Shiokara would say that! I think I'll do it! I want to play Shiokara like this!," and they were alot of fun to see. I also felt a real love for the people who participated as extras and prepared costumes for the different countries. Thank you so much. The Super Sentai series is revised every year, but I hope that King-Ohger will remain in your hearts forever. And, for those of you who are children now, I'd like you to go back and watch it again when you grow up. I'm sure you'll see it differently. Until then, let's meet again soon!

Yoshimitsu Hiroto (Sebastian) Profile: His real name is Romane Dearborn (aged 25). Under orders from Hymeno, he was given a "butler looking" elderly appearance through special makeup, and changed his name to "Sebastian" when he became Hymeno's retainer.

"Please tell us what you respect about Sebastian."

Yoshimitsu: I think that Sebastian's willingness to fulfill any of Hymeno-sama's selfish requests is worthy of respect. Sebastian's life was saved by Hymeno-sama, so he must be absolutely obedient to her orders. Well~ I think Sebastian understands the kindness and compassion that goes beyond Hymeno-sama's selfishness.

"What are your impressions of Hymeno (including Murakami Erica), and were there any memorable moments during filming?"

Yoshimitsu: I think that Murakami Erica-san is an impeccable young lady. There are no complaints when it comes to her appearance. She's bright and has a great personality! In addition, she's positive. Even when she's depressed because the performance isn't going as well as she'd like, she doesn't let it get her down, saying, "I've gained this experience, so I can use it in the next performance." In the first place, I don't have time to hold back (laughs). She had a hard time sitting down on set. When I asked her to "sit down," she replied, "Because all the extras are standing, I can't sit," which shows just how considerate she is. She's a really good kid!!

"Give a message to the character you played!"

Yoshimitsu: When playing Sebastian, my hair is slicked back, I wear glasses, and I have a mustache. His appearance is balanced by the fact that he wears a tailcoat, but while in casual clothes, with his "slicked back hair, glasses, and mustache," wouldn't he stand out? On the train ride home from the set, there wouldn't be that many people who'd sit next to me, right? (laughs). Well, that's because I did ride the train looking like that.

"What was your most memorable moment in King-Ohger?"

Yoshimitsu: Was it episode 25 with the 20 person combination? If I'm remembering right, I rode in God Scopion. It was a fresh new experience for me, both the cockpit and the controls. Also, episode 36, where Romane Dearborn appears, personally left a deep impression on me. It was Sebastian with his special makeup removed. We find out how the super handsome Romane Dearborn ended up in the special makeup, and why he serves Hymeno-sama as a butler who changed his name to "Sebastian"……It's my favorite episodes because it depicts the bond between Hymeno-sama and Sebastian.

"A message to all the retainer members of the other countries!"

Yoshimitsu: To all the retainers, thank you so much for getting along with me. Douga-san and Boshimar-san are relatively closer in age with me, so when filming ended in the evening, we used to go out and drink alot. Morphonia-chan was my partner who liked to talk with me alot about old man stuff. I also talked to Shiokara-kun and Kuroda-kun about various things. From now on, please continue to support Sebastian!

"Please give a message to the fans of King-Ohger."

Yoshimitsu: Thank you very much for your support of King-Ohger over the past year. No matter how interesting a show is, it's not complete unless everyone watches it. This time, King-Ohger has been seen by so many people, and I think everyone involved in this production feels happy. If it remains in your heart and you remember it someday, King-Ohger will live on forever!! Thank you so much.

Hasegawa Kasumi (Morphonia) Profile: She's Rita's retainer and candidate to ascend to the throne as Gokkan's king. While she has a lazy personality, she's always concerned about Rita and never gives up on her work despite complaining.

"Please tell us what you respect about Morphonia."

Hasegawa: Even though she complained about it, no matter how difficult the environment or situation was, she was able to do her job. And, she never gave up on communicating with Rita. If it were me, I would've given up halfway (laughs). I also respect her quick thinking and ability to look ahead. She's a surprisingly capable kid (laughs).

"What are your impressions of Rita (including Hirakawa Yuzuki), and were there any memorable moments during filming?"

Hasegawa: I think Rita was and still is an interesting person. It's great that we're able to see them in many different situations, with the self they show on the outside and the real them. They're pure in a good way. When I first met Yuzuchin, I thought, "Waaah! It's Rita!! Rita's appeared!!" (laughs). When you talk to her, she's even friendlier, kinder, and more dependable than Rita. My partner. Also, I guess our most memorable moment was……the kabedon. I couldn't stop laughing (laughs).

"Give a message to the character you played!"

Hasegawa: When Chikyu is at peace, please relax and enjoy eating oranges under a kotatsu. Make sure to apply for paid vacations and eat lots of delicious food. Also, please continue to support Rita.

"What was your most memorable moment in King-Ohger?"

Hasegawa: It's episodes 10, 25, 38, and 45. I was impressed by the gradual deepening of her relationship with Rita. While reading the scripts, I felt that the way Rita and Morphonia relationship grew closer was very endearing. I remember that even when I was actually performing, there was a warm feeling within me. And the more we filmed these scenes, the more I came to love Rita.

"A message to all the retainer members of the other countries!"

Hasegawa: Douga-san, We look forward to welcoming your career change at Gokkan any time. Boshimar-san, I've had almost no interactions with the real Boshimar-san, so let's meet in Hakabaka if you get a chance. When the opportunity arises of course. Shiokara, I've been curious about this for awhile now, but what's up with your curly bang? Sebastian, you've been a great help to my Rita. Thanks for your continued support. Kuroda-san, next time, please treat me to some delicious food. Gerojim, you're alittle bigger than the others, so please consider your range when moving. That tail will hit you.

"Please give a message to the fans of King-Ohger."

Hasegawa: Thank you for supporting King-Ohger up to this point! Even though there were many strong "personalities" among the kings, they were able to reach the same goal in the end. Through this production, I also learned the strength of valuing one's own individuality and respecting the individuality of others. I hope that King-Ohger, which was created by many people including myself, will remain in everyone's memories. And with that, see you later!!

Kanzaki Hajime (Kuroda's Actor) Profile: A male kuroko who serves as the retainer to Toufu's king, Kaguragi. Although his face isn't shown, his movements are gorgeous and he's got a very nice voice.

"Please tell us what you respect about Kuroda."

Kanzaki: It's possible that he's known Kaguragi for a long time, but since becoming his retainer, he's kept the "king and retainer" relationship, and has been thinking and acting in accordance to his position as a kuroko. He's sometimes missing, but he has a cute side. And, he has a nice voice (thanks to Toriumi Kosuke-san!).

"What are your impressions of Kaguragi (including Kaku So), and were there any memorable moments during filming?"

Kanzaki: He's big! Of course, he's also tall, but his muscle mass and costume makes him look even bigger. In his spare time, he does muscle training with Masato Yano-san and others, and he'll work on his shoulders using a folding chair, so he's definitely stoic! Other than that, when the Director gave me the "OK" for a take in the film where I use a trampoline as Kuroda, he was happy and said, "You did it!" He's a magnificent man, not only with his body but also with his kind heart, it's as if he's Toufu's mother nature!

"Give a message to the character you played!"

Kanzaki: I read somewhere that originally there was no role for "Kuroda," but I started speaking lines along the way, and I'm grateful for this blessed year. Once the matter with the Uchu King has been settled, please take a good rest.

"What was your most memorable moment in King-Ohger?"

Kanzaki: It's episode 9, where I spoke as Kuroda for the first time. It was also fun to mess around with the other retainers! As for Toufu, it would be episode 37. It was like a Taiga Drama that condensed Kaguragi's past, which had been told little by little in the main story and the film into this one episode, and I was relieved that abit of Kuroda's past was also revealed.

"A message to all the retainer members of the other countries!"

Kanzaki: Boshimar-sama (Fukuzawa Jubun), I have fond memories of being mistaken for (Masato) Tsutamune-san when I first met him (laughs). He has a strong passion for acting, and I learned alot from him. I got goosebumps when I played the role of a soldier against him! Douga-sama (Morioka Yutaka), It was great that you got to play the role of a handsome old man with a family. On the other hand, when you were being interviewed in various countries, you were really funny and your actions were cool! Your style is good! Shiokara-sama (Chiwata Yuhei), He was always thinking stoically and calmly about how to make the viewers happy, which was a great inspiration! His style is good! Sebastian (Yoshimitsu Hiroto): Thank you so much for talking to me in your spare time and for thinking about a bunch of ideas for the flow of the performance on set! It's a pity that you couldn't do a backflip……If the opportunity arises, let's film it! Morphonia-sama (Hasegawa Kasumi), She had a "floaty" vibe, but she knew what was expected of her and was very stoic on the inside. It was wonderful to see her naturally embody what a senior colleague once told me, "Create fans among the staff." It's a pity that she couldn't do a back handspring……please do it if the opportunity arises! Gerojim-sama (Saitou Kenya, Suit Actor), With Gerojim's arrival, the retainer team became even more lively. The delicate acting that linked Seki Tomokazu-san's voice with his large body was wonderful! It's a pity that you couldn't perform a reverse somersault……If the opportunity arises… (laughs).

"Please give a message to the fans of King-Ohger."

Kanzaki: Everyone, thank you so much for supporting King-Ohger. It was a very meaningful year for me, as I was able to see the scenes in a different way than usual in the Action Club, I was able to appear on TikTok while rubbing shoulders with talented performers, and I was able to become part of the merchandise. Thank you so much for your letters and presents as well! I'll study so that I won't have any trouble when Kuroda appears again, thank you for your continued support!

Seki Tomokazu (Gerojim's VA) Profile: He's a Kaijim equipped with mayfly BNA and can mimic the appearance of humans by applying light refraction. He's currently working with Jeramie, who has become the king of the Bugnarak.

"Please tell us what you respect about Gerojim."

Seki: Ultimately, I think it's his unwavering faith. Even when he's lost, troubled, or frustrated, in the end, he tries to follow through with his beliefs. I respect his heart and attitude, which is like a blue flame, quiet but never extinguished.

"What are your impressions of Jeramie, and during recording, were there any episodes with memorable moments?"

Seki: First of all, I'm disappointed that I didn't get to work with Ikeda Masashi-san, who played Jeramie, even once during recording. When I saw Jeramie's performance during the broadcasts, I felt that his soft demeanor, intelligence, and his somewhat lonely appearance were all wonderful. I'd like to directly talk with him in person someday!

"Give a message to the character you played!"

Seki: I'm so glad you found a nice place to belong. I hope you'll feel safe and secure at Jeramie's side for all eternity.

"What was your most memorable moment in King-Ohger?"

Seki: That we were all able to ride the Shugods with the kings! I've ridden in Robo's as an enemy in previous productions, but I think the opportunity to ride a Robo in the Super Sentai series is very valuable! Even though it was just my voice, it was great to feel like I was in the fight with them!

"Please give a message to the fans of King-Ohger."

Seki: This year has flown by! I'm sure that everyone else feels the same way. However, I believe that the story will continue! Please continue to support King-Ohger, and let's see where we end up, together!

[telomeke]

4 MINUTES EPISODE 5 – FLASHBACKS, WATCHALONGS AND AN OMINOUS CULTURAL TOUCHPOINT

They're doing a great job with this show and I'm now a newly-minted fan of Director Ning Bhanbhassa Dhubthien, whose confident hand has been assuredly steering the proceedings in 4 Minutes. 🤩

Ep.5 has irrefutably confirmed that the 4 Minutes of the title really is a reference to the four-minute limbo after the heart stops beating (4 Minutes Sultrier Version Ep.5 timestamp 42:20).

So the layers are now being slowly peeled back and more was revealed to us, shedding flashes of light on the convoluted storyline. All is still not clear yet, but some ideas are starting to take shape.

OK, this is mostly guesswork but anyway–

It's quite firmly implanted in my mind now that we're seeing a lot of Great's four minutes of brain activity post cardiac arrest. But what's been percolating in my mind since the last episode is that that we might also be seeing Tyme's four-minute post-death flashback, especially since we also saw him getting shot in the opening sequence of Episode 1.

And so those scenes and sequences shown from Tyme's point of view may also be him re-living his own past experiences (concurrently with Great's?) even as his own heart has stopped.

This thought was triggered by Ep.4's revelation that people who find themselves in the Four-Minute Zone get to enter some sort of common waiting room, and they get to meet others in there too:

And the vibes I got watching this scene reminded me so much of Great and Tyme's conversation at their lakeside glamping in the trailer, which we got to see fully in Episode 5:

I don't think this is Great and Tyme on a romantic date in the real world. Serene, other-worldly and seemingly divorced from reality – this locale has them talking about how beautiful it all is, and Great even says "I wanna stay here forever" before admitting "But we probably can't."

It really looks like this is Great and Tyme finding each other in the four-minute post-death netherworld, with the art gallery meeting room switched up for a more romantic getaway instead (that Great got to choose). And with the clock ticking ominously down to 11:04...

There's also this little snippet from the trailer:

Tyme is locked out of a room, and he calls out for Great even as his surroundings are all sepia-toned and soft-focused.

I think this is 4 Minutes showing us that Tyme's four minutes will be up before Great's are, and Tyme will swept back to the real world – or away to another world – while Great is left behind. (Or maybe it's the other way around?)

Ominously, we are not shown Great's rapture and release from four-minute limbo – as much as I want a Happily Ever After for the two newest pretty boys who have won my heart, 4 Minutes is making no such promises. So I suppose we should prepare ourselves for the possibility that while Great (or Tyme) may well be waking up from a four-minute hiatus and returning to the world of the living at 11:04 – it's not a guarantee that the other will rejoin him there when his own four minutes tick down. 😬💔😭

‌

Anyway, I've refrained from commenting on the numeral 4 as a symbol of death, because this is more a thing in Chinese culture rather than Thai (and up until Ep.5 Thai-Chinese references were at most only faintly present in 4 Minutes).

Well that certainly changed, at 4 Minutes Sultrier Version Ep.5 timestamp 34:50:

The temple where Ep.1 accident victim Khun Manee goes to hire a hitman is unmistakably Chinese. The mafia don she engages with also speaks in Teochew Chinese (I think) at timestamp 36:25.

And so when her siam si/เซียมซี fortune stick shows up with the numeral 4, the link with death is all but confirmed (the word for death in many Chinese dialects like Hokkien, Teochew, Cantonese and Hakka sounds similar to the word for the numeral 4, although there are tonal differences). No surprises then, that the Chinese don tells Manee "Someone's probably going to die."

This had a Thai parallel in Ep.1, when the clock in Khun Manee's hospital room showed us it was thirteen minutes past 1 o'clock in the afternoon:

As portentous as this might appear to occidental minds, it's not just the Western superstition surrounding the number 13 that's threading darker undertones into the fabric of this scene.

In Thai culture (where belief in the supernatural abounds), the numeral 13 is also sometimes considered ill-omened because it looks rather like the Thai word for ghost – ผี – flipped onto its side, adding to the general sense of foreboding in Ep.1.

And for me, this was not meant to foreshadow all the deaths taking place in subsequent scenes and episodes, although it isn't inappropriate as a device.

We have been seeing ghosts in this series – Great, Lukwa, possibly Tyme, and whoever else who found themselves caught in the spectral dimension that exists between life and death in the universe of 4 Minutes.

‌And this may be just my fevered 4 Minutes obsessed brain overthinking things again, but in this light – the paired thirteen (13:13) is likely a reference to the ghostly half-lives of our protagonist couple Great and Tyme, getting to share a precious (final?) four minutes together in that twilight zone between the world of the living and the great beyond.

But it seems more than likely that they will be yanked apart when their four minutes are up. 😧 So will that separation be forever? I wait on tenterhooks to see.

P.S. Links to my own fan theory as to what it all might possibly mean:

And some more supporting information, embedded in the show:

‌

[nyanbin]

ღ infrunami — p.wb

03. awesome cool bros of apt 7a

꒰ EPISODE LENGTH ꒱ 2.2k words (oops...me when dat exposition pill hit)

꒰ AUTHOR’S NOTE ꒱ texts at the end of the chapter! also i took it upon myself to change the blog names on my taglist based on who i saw replied/asked!! so if you changed your blog name lmk if you want a diff blog to be tagged or if you would like me to remove the one i put :D

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𖦹 APR. 28 (YEAR 1, SPRING) — 6:42 PM

FROM YOUR SPOT BY THE WINDOW, you eye your potential roommates at their table across the café, observing the three of them as they chat and bicker. One of them, a taller boy who looked to be the youngest of the three, was in the middle of swatting another boy’s hand away as he tries to steal a piece from the pastry on his plate.

Was this really going to be your future?

Begrudgingly, you have to admit to yourself: Eunseok was right, after all. This was an almost ideal situation. A nice building you were already familiar with, relatively low rent, and your friends living right down the hall. It’s just… three male roommates? You must be crazy to be even considering it. 

But you’re not really in a position to pick and choose at the moment, because every other place you’ve looked at until now has been… subpar, to say the least. And you didn’t know how much longer you could withstand your current living situation: third-wheeling your roommate and her boyfriend for almost two-thirds of your day, every day, was not exactly a fun time. 

This was the best you were gonna get. How bad could it be, really?

Steeling yourself, you downed the rest of your drink and got up from your chair to make your way over to them, your hands clutching the strap of your bookbag.

A single thought rings through your mind the whole way there: God, I can’t believe I’m doing this.

None of them seem to notice when you approach their table, so you lightly clear your throat to get their attention. The first one you make eye contact with is the one you assume to be Wonbin, the doe-eyed boy who you had singled out to Eunseok earlier as “the one with the cute face.” With him in front of you now, you grimace inwardly. You would’ve never in your life confessed this thought to Eunseok if you had known you would meet him, let alone possibly end up living with him. When Wonbin notices you, he raises his eyebrows, blinking up at you. It’s a subtle gesture, but it has you nervously flitting your eyes to the other two boys’ faces, who are now also looking at you with similarly slightly surprised expressions.

You try a smile and a small wave, eyes scrunching in what you hoped looked like friendliness. “Hi… so—”

“Hey! You’re Eunseok’s friend, right?” One of the other boys speaks up before you can get another word out. “He must’ve told you we were here, too. I’m Sungchan, by the way; nice to meet you!” He has a toothy smile plastered on his face.

Flustered by his eagerness, the script that you had written in your head in preparation for this interaction dissipates into thin air. You blink at Sungchan for a few moments before coming up with a response. “Oh, um, I’m y/n. It’s nice to meet you, too.”

The other two boys introduce themselves to you as well. The one to the left was the one you had correctly assumed to be Wonbin. His introduction is curt, just his name spoken with a single corner of his mouth upturned. In the middle of the three was Anton, who seemed slightly more bashful, but still personable with the way he smiled up at you. Remembering his name from your conversation with Eunseok redirects your mind to the matter at hand, and now you’re trying to find a way to break the news to the three boys.

“I don’t know why Eunseok never introduced us!” Sungchan continues as you deliberate your options. ”I’m glad you did it yourself, I was worried he might never do it. And I don’t know what he’d do if we had approached you ourselves.” He ends his thought with a short, nervous laugh.

Wonbin, who you have been avoiding eye contact with the whole time, seems to realize you’re still standing over them, nervously fiddling with the strap of your bag. “You can sit, you know,” he murmurs, gesturing to the only empty chair left at the table.

You hesitate, but then nod sheepishly before taking a seat. Wonbin looks at you as you do so, as he sips on the straw of his drink, but you can’t tell what he’s thinking. On the other hand, Sungchan and Anton seem eager to get to know you, seemingly having forgotten their current commitment. 

Looking at their enthusiastic expressions, you figure you should tell them now or you might never get to, so you speak up before they can say anything. “Hold on, just—give me a sec,” you take out your phone and show it to them, the screen opened up to your text messages with the unknown number you now know to be Anton. “You guys are here for the apartment, right?”

They all lean in, peering at your phone screen. You watch their eyes flicker down as they read the messages, biting your lip as you await their reaction.

“Huh? So you… you’re the one who texted?” Anton asks first. “Oh my god, I forgot we were even here for that. I figured they just weren’t gonna show up after waiting for so long.” 

“We told you, Anton! You should’ve at least figured out their name first!” Sungchan says, chastising Anton with a light slap to his shoulder. “Now, look what’s happened. Hey, at least this got us to finally meet, huh?” he continues, turning to you, laughter lacing his words. Wonbin seems to find it amusing, too; he has a slight grin on his face as he shakes his head in disbelief.

“Yeah…” You inhale through your nose, exhaling as you say your next few words with uncertainty. “Well, I’m still interested, actually.”

The three of them stare at you, dumbfounded. “You still… want to move in? With us?” Sungchan asks slowly. His mouth is slightly agape, but the corners of his mouth are upturned in bemusement.

“I know, I know. I almost just gave up and left without talking to you guys when Eunseok said it was you three,” you say, hurriedly trying to explain yourself. “But, listen, I’ve been looking for a new place for ages and this is literally the best one I’ve found, and I don’t know when—or if—I’m gonna be able to find one as good as it. And I hate to have to plead my case, but I promise I’m a really good roommate, like the best! If it helps, Eunseok would be living, like, 50 feet away from us and I’m friends with the other guys, too! I just really, really, need this…” 

The three of them blink at you as you add a final, desperate, “Please?” They then turn to each other, and you sense they might have wordlessly agreed to something. Sungchan holds a hand up apologetically as they all stand, saying, “Sorry, give us a minute. Bro huddle.”

“That’s not a thing. We don’t do that,” Anton says, shaking his head, a frown on his face. He’s still waving his hands in denial as he’s pulled into the huddle. “Don’t listen to him.”

With their backs turned to you, Sungchan decides in a hushed voice. “So… she seems cool. I vote yes.”

“Dude, we’ve barely just met her,” Wonbin retorts.

“Well, yeah, says the one hardly even talking to her.” Wonbin opens his mouth in protest, but Sungchan continues without letting him defend himself. “Besides, if she’s friends with the other guys, I’m sure she actually is cool.”

“I don’t know, man. It’s just—she’s a girl, you know?” Wonbin says. When the other two boys squint their eyes at him, he waves his hands, hurriedly saying, “I didn’t mean it like that! I just feel like living with a girl would be completely different. I mean, have any of you guys lived with a girl?”

They all pause to ponder his point, since, after all, he was right: none of the three boys had sisters. Then, Sungchan’s eyes light up and he snaps, remembering something. “Hey, didn’t you live with your ex before, Wonbin?”

“What?” Wonbin raises his eyebrows at him. “Do you mean the trip I went on with her family? All we did was sleep in the same house for like… three days.”

“That’s basically living with a girl!” But Wonbin, obviously, is still not convinced.

“Well, I think she seems nice, too,” Anton interjects. “And I feel like she’d be a better roommate than the both of you combined.” He shrugs as the two older boys shoot him a glare. “I’m just saying; I don’t see how this could be a bad thing. If anything, she’s the one who practically poured out her heart and soul to us. We have no reason to turn her down!”

“Dramatic much?” Wonbin teases, and Anton scrunches his nose at him with a pout.

“In any case, that’s a 2-to-1 vote, Wonbin,” Sungchan declares. “You lose.”

Wonbin sighs, defeated. In truth, he wasn’t exactly sure why he was against you living with them. Like Anton and Sungchan, he found your demeanor to be actually quite charming, and he could easily see himself being friends with you. Yet, there was something about you that made him feel… nervous? Skeptical? Whatever it was, it was evident in the fact that he had spoken very little since you had approached them. But he chalked it up to him just being unfamiliar with you, a friend of a friend who had just offered to be their new roommate, and that whatever he was feeling would fade away soon.

Still seated at the table, you watch them murmuring to each other, nervously drumming your fingers against the tabletop. They break off the “bro huddle”, returning to their seats with serious expressions as if they just came from a very important executive business meeting.

There’s a beat of silence as you await their decision, and then Anton says, “Alright, you’re in.”

“Really?!” you exclaim, thrilled despite your apprehensiveness just a few minutes ago.

“Yeah, just to make sure, though,” he says, eyebrows raised and lips pursed, “you’re certain about this, right?” 

It dawns on you they’re probably looking out for you, since, even though this apartment checks a lot of things off your list, a girl living with three guys was still not the most ideal living situation. But this considerate gesture makes you even more appreciative of your future roommates, so you eagerly assured him, “Yeah! I’m one hundred percent sure!” (Definitely an overestimate, in retrospect.)

“Okay, cool, let’s talk details then!” Anton exclaims, clasping his hands together and setting them on the table. He goes into a spiel about what to expect once you move in, talking about things like the rent, the fussy old landlord, and how the garbage disposal has been broken for weeks now but they’re all too lazy to call a plumber so they resort to shoving a broom handle down there whenever it gets backed up. (A little concerning to you, but, hey, if it works!)

“Oh, and one last thing: you’ll have a room to yourself, obviously, but you’re gonna have to share a bathroom with Wonbin. Is that fine with you?”

You glance at Wonbin, who gives you the faintest of smiles. Ironically, he was the one you felt the least at ease with at this point, given his lack of engagement compared to the other two, but you had zero inclination to complain about such a small thing now. Besides, you were sure that this arrangement would somehow force the two of you to bond, in one way or another. “Yeah, I’m cool with that. My apartment right now only has one bathroom so I’m pretty much used to it.”

“We can show you around the apartment some time this week, if you want! When do you think you can move in?”

“Well, I’m busy with classes at the moment so I don’t think I’ll have enough time until, maybe, around the end of the week?”

“Sounds like a plan!” Anton proclaims, smiling with his eyes. Sungchan excitedly offers you an outstretched hand, ready to seal the deal, and you take it with a smile. You glance at Wonbin expectantly, but he still doesn’t say much, just offering a soft, quiet “congrats”, before leaning back into his chair. He seems content with being mostly an observer as you, Anton, and Sungchan get further acquainted with each other, only chiming in every now and then to make an offhand comment or give a brief response to one of your questions.

Sungchan, at one point, half-jokingly asks, “Okay, real talk though, who do you think’s the most attractive out of the three of us?”, causing Anton to jokingly grab the front of his t-shirt as if to fight him in your defense. To your surprise, Wonbin joins in, playfully wrapping an arm around Sungchan's shoulders in a half-headlock and ruffling his hair with a fist. Sungchan cries out in complaint, eliciting a fit of giggles out of you, your shoulders shaking as you watch the three boys grapple at each other.

It’s not something you would’ve expected from yourself half an hour prior, laughing and getting along with three boys who you had not only just met, but who were also going to be your new roommates within the week. But, hey, you figured that things change, right?

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꒰ AUTHOR’S NOTE ꒱ this took forever me to write for no reason sawryyy 😭 it also turned out WAYY longer than i was expecting but what can i say i am a yapper at heart (p.s. spot the new girl reference? :3)

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[manicpixiedreamedwins]

Alright. I've been talking about writing a meta about Charles and jealousy for a while, so here it is. It's a mess. I tried to make it more concise than it was, if you can believe that.

Be forewarned, below the cut we'll be diving into some canon compliant content like Charles' home life. Please, please, please note that now is the time to leave if you are not in a good space to read about those.

Okay. First I want to establish a few things before I get to analyzing the scenes, because I think it is important that we have empathy for Charles here. This might be a bit of a long preamble, but if you could stay with me I'd appreciate it. I promise I am going somewhere with all of this.

I think a lot of us have been told, perhaps by a parent or a friend, that jealousy is unbecoming or bad. Think about it. I know growing up that is a message I heard frequently even though I saw adults exhibit it. This was actually pretty confusing to try and work out. Anyway, now with this almost puritanical obsession with good pure and healthy relationships in media, it's gotten worse. We're told any human flaw we have is something we have to fix or we are not deserving of love. Yes, including jealousy.

Only if that's the case, Charles is fighting uphill here. Here's why:

For reference 41:30 -42:00 in episode 4 is the flashback that The Night Nurse shows Charles of his home. If we unpack this we can learn a lot of things, but there are two that I would like two draw your attention to today:

Charles' dad clearly isn't someone Charles could form a secure attachment to. He seems to only be acknowledging Charles when he's angry, and only acknowledging him in a very violent manner. He's also not really communicating with him, and expecting Charles to know what he's upset about I guess? Truly, this man is terrifying. He knows his family is afraid of him, and he knows they'll scramble to try and fix whatever his issue is.

Charles' mom doesn't intervene. Now, I do not want to hear any vile junk in my notes. She's a battered woman and has probably been in the same position that Charles has, considering Charles himself is worried about her once he is dead. He's worried enough that he checks in on her every week. It makes it all the more heartbreaking that Charles is the one who has taken it upon himself to try and "make it better" (although this is not uncommon among kids who grow up in abusive households, alarmingly).

It definitely drives home that there is a clear hierarchy in the home (everyone tries to please the most volatile person), and you're at the bottom of the pyramid. Even if it's just because you and everyone else in the household is too terrified to do anything about the most abusive person's behavior, you still feel the weight of never being put first. You will never be put first, because how could you be? "You never made it better than you died" (via The Night Nurse) holds a crushing amount of meaning here.

Alright. Now we have established that Charles had some messed up stuff happen at home. Let's take that a step further. Adverse childhood experiences can lead to a variety of attachment styles that are not secure and... you guessed it, jealousy can get thrown in the mix. (This link leads to an abstract of a very interesting research article. If you request the full test directly from the researcher they will provide it for free, but it takes time. The basic idea here is that if kids aren’t able to form secure attachments to their parents, then they will struggle to feel secure in their relationships as they grow up. Sometimes that can manifest as jealousy).

Still with me after all of that? You are god's strongest soldier, lmao. Now let's get into the good stuff.

Charles dies, but there in the attic he meets Edwin. Charles chooses Edwin over the blue light without a second thought. He comforted him when he was dying, and that tenderness is foreign for Charles. The choice is an easy one.

He enjoyed it, and he enjoys Edwin. Edwin, in turn, turns out to be is someone who unequivocally, continuously, puts Charles first. He also does something really important- Charles seeks reassurance, and Edwin gives it ("You ever think, what if Death did catch us? She'd force us to go to the afterlife and split up" Charles asks. "I will make sure that never happens" Edwin answers, all while they're hanging on the side of their office). This is one of the first things we learn about them in the pilot. Charles knows he can count on Edwin. This wasn't something he had from anyone in life.

So things go fine for Charles for a long while. Edwin hasn't given him any reason to feel insecure in all that time it seems. He’s done a great job making Charles feel safe. Charles even feels secure enough that it is his idea to try and integrate Crystal into the agency, although Edwin clearly hates it. Crystal isn’t a threat to his friendship with Edwin, so it would appear Charles still feels reasonably secure in their relationship at this point.

Charles even explains or excuses a lot of Edwin's reactions to try and smooth things over. He tries to mediate between them during their first plan to rescue Becky from Esther's house the best he can. He allows Edwin to have a leg of the case with just the two of them, but he tries to frame it as protecting Crystal.

But then it's Edwin's turn to shake up the foundation that their relationship is built on.

Edwin had a lot of issues to attend to this season, and he tried to deal with most of them alone. Most of the problems Edwin had to handle put definite distance between him and Charles- how couldn't they? He was being hit on, which was a very new experience for him. He probably didn't even know how to talk about that at first, as evidenced by his description of the CK speaking closely to his ear (oh sweet summer child). He also learned about his feelings for the first time, which Monty had to finish spelling out for him.

This all, however, is where we see a shift in the dynamic. It's significant.

Edwin uses magic on a cat and has to go and meet with the Cat King. Whoops. 🙃 Charles slides easily into his role as a protector, but… Edwin stops him.

Honestly, Edwin had a good reason to do this. He pointed out that cat scratches can cause serious harm to ghosts, and they were surrounded. As endearing as this was, this wouldn’t have been an easy fight. They can just talk this out, right? He gets whisked away for a few minutes to do that (and then winds up opening a bigger can of worms).

From Charles’ perspective though, Edwin doesn’t allow him to help him, and then vanishes for a long period of time. Then he absolutely won’t tell him anything about it when he does come back. Charles knew Edwin was a little mad at him in the pilot, but they were still communicating for the most part. The secrecy is a shift, and it’s not one he’s coping well with. He tries a few different ways to reconnect.

First he tries gentle. He just asks what happened from a place of concern. This might have worked actually, only I’m not even sure Edwin knows how to fully describe what happened during their encounter. He rushes through a description, and Charles still feels like something is missing. He doesn’t like that someone else has a secret with Edwin— for thirty years they’ve been connected. This feels frightening to him, and Edwin doesn’t seem particularly worried that they’re not on the same page.

He tries to pick the conversation back up later when they’re searching for the dandelion shrine, but Edwin doesn’t give any additional information. So he slides back into his role of being a protector again and defends him against the ambient skeletons, because at least he can protect him from that easily. For a moment, things almost seem normal again, but this resurfaces in a later case.

Edwin meets with CK again in episode 4. Charles is still raw after the events of the Devlin House, and now he’s just pissed. He’s hurting, and Edwin is still keeping this weird secret. They end up bickering back and forth. The bickering tells us something interesting about Charles’ concerns.

Charles: What did he want? He didn't whisk you away again? Got that bracelet off?

Edwin: I'd be back at the office right now if the bracelet was off. He wanted to know if I counted the cats, and my guess was unsatisfactory.

Charles: Thinks he can come and go... He can't show up in the middle of cases. Did you tell him that?

Edwin: Matter of fact, I did.

Charles: Can't believe you didn't tell us. I've had enough of secrets about that wankеr.

Edwin: Why are you getting so angry?

What stands out to me here is Charles is upset about a few things: he hates that Edwin is getting taken away from him by a being they can’t control (a logical fear, considering they’re running from death together). He hates that this is happening in the middle of case time that is supposed to be for him and Edwin (and their friends, who Charles trusts). He is still really upset that Edwin has a secret with someone else (I really don’t think he’d be bothered if the secret was with him).

That’s why he’s upset. Charles isn’t feeling secure. He doesn’t feel like their relationship is on good footing right now. Whether or not he knows how to phrase that or ask for support is a different question.

Onto Monty (sorry these are a bit out of order— I put them by character for this part).

Charles wasn’t aware of Monty. This probably already bothered him a little, considering the mystery surrounding the cat king, but he tried to be a good sport. Monty wasn’t outwardly threatening. He came with gifts. He seemed friendly. Charles tried to match that… only to get snubbed. Ouch.

Charles likes to claim he’s aces with other people, but he ultimately died because his friends turned on him and killed him the second he stood up for what was important to him. I think peer relationships are a particularly sticky situation for him. I think he knew how to fit in the same way he knew how not to rock the boat in a volatile home. With Edwin it was different though— Edwin just liked him. Edwin was special.

But of course yet another boy their age doesn’t like him (probably a little upsetting, considering how he died). The only thing that’s confusing to him here is he didn’t really do anything wrong— he was polite. He followed along with all the little niceties people do, even when they don’t want to. Maybe this wouldn’t have bothered him so much in another situation, but now Edwin is wrapped up with him instead of Charles. He's picked him instead (in Charles' mind).

He can’t even shake this when Monty isn’t there.

Charles tries to get Edwin's attention... and fails. so he begins to have a conversation with himself. Perhaps he was trying to make Edwin laugh. Perhaps he was trying something over the top. Still, he fails. Ultimately, he goes the broken record route and asks him the same question a couple of times.

This moment probably really hurt- there's actually no reason for Edwin to be ignoring him, in Charles' mind anyway. They're alone together. Usually they'd be talking or bantering or at least Charles would be able to get Edwin's attention. It's just that he can't, because now Edwin is stuck on that fucking book from that fucking bloke who blew him off earlier.

This was probably a little activating for Charles. Even if he didn't completely put together why it upset him, Edwin putting someone who just treated him poorly right in front of his face first is a dim reflection of what he went through in his home. Now, I am not saying Monty is anywhere near that level of bad- he's a literal cream puff. He could not kill them when his life depended on it.

What I am saying, though, that Charles perceives a subtle threat here. He's also not sure what to do with it, because he never overcame that hurtle in life. No one else ever put him first, and he never figured out how to fix that. Edwin kind of just centered Charles automatically when they met. Now he's not doing that anymore and it’s jarring and uncomfortable for him. He’s feeling this loss of stability, on top of the fact that Edwin still won’t tell him what’s going on with the CK.

"...try not to forget that we're trying to leave" is what Charles comes up with after that exchange. Edwin makes an attempt to console him finally and offers to talk, but Charles shuts it down and tells him it's that he wants to leave town. They start on a case after that.

(Note that I did this a little out of order for organization’s sake— some of their CK arguing happened during the case they went on next).

Charles does finally catch a break here. In spite of all of this, he’s missing something very important: Edwin has feelings for him. That’s probably the most pressing issue that’s gone unspoken between them.

So Edwin dresses nicely, catches Charles attention, and finally tries to initiate a conversation. Charles seems relieved.

He does assume Edwin is just trying to come out by telling him about his time with Monty, before the teethface incident. Charles isn’t bothered, since Monty isn’t really in the picture anymore as far as he’s concerned. Things are fine, it’s just the two of them again and Edwin likes boys. Wait…

... Fuck. Forgot about the Cat King.

He resorts to threatening the CK. I know lots of people have lots of different theories on this, but consider this perspective also: Monty is no longer a threat. He’s abstract. He’s a memory. The Cat King is still very real and is a thing that can come between them, has done so, and has successfully taken Edwin from him. And as accepting as Charles was trying to be in that moment, he just can't handle that (from the perspective of this meta).

Anyway, this is all interrupted by their foray into hell. Charles does rescue Edwin, Edwin confesses, and honestly I feel like that just needs to be a different thing entirely but I did type a little bit about how I think Charles interpreted all of that here.

They return. Charles is processing Edwin's confession on the roof. This whole scene mystifies me a little because yes, he didn't seem to know exactly what to say to Edwin's confession in hell (I think he did not want to ruin it by saying the wrong thing). The more rewatches I go through the more... satisfied he looks to me? He might be processing, but also he might be a little giddy that Edwin has feelings for him specifically. I'm still trying to figure out how to read this one because the lines seemed rushed but the microexpressions say so much.

Then he starts blatantly flirting with Edwin. Honestly Charles, what the fuck?(afffectionate) Truly I’m still trying to work out if he’s just testing out how Edwin reacts or if he is working through his own feelings here, but I really want more of this in S2.

That’s about all the thoughts I think I can organize on this for now without it getting obscenely long (it already is pretty long for a half baked idea that turned into a meta). Thank you for reading 🖤

[nights-at-crystarium]

Fragments - episodes 41-46 author notes

You can find similar breakdown posts on older episodes in my pinned!

Get comfy and reread with me the finale of the Il Mheg arc and the intro of a certain loser.

First off, I wanna emphasize how important this arc’s for Vivi. Had he not liked Il Mheg in general and Feo Ul in particular, the rest of the story would play out very differently, and not in favor of the sundered. His initial positive impression of the First is pretty much the only thing that saves it.

We've reached a high, physically and emotionally. You know what that means, as per the shb rollercoaster rule :>

Pan pride pixie blesses Thancred, ca. 2024, colorized. I accidentally gave them the pan colors but hey it works. ALSO! Stars in his eyes.

Re: distant nightmare, I’ll let you in on a secret, or a third party perspective if you will. Vivi's full of shit, he's too focused on the big picture. He’s narrating this whole story, but his perspective is, well, just that.

Initially this was Vivi's inner monologue, then I thought that I should just let them talk, and it wrote itself.

More under the cut~

Drawing a buncha vivi-lookalikes that act soooooorta but not really like him, just slightly off, was a surprisingly fun exercise.

Luckily for Thancred, though, he sniffs out the pixie magic, and knows better than indulging them.

...Still, what a shitty fucked up day. Sorry, Thancred :’>

This here’s an example of a moment where I’m uncertain if I’m being too subtle and if this flies over some readers’ heads. He refers to Alisaie’s “job” of dragging Vivi back to msq, which she recently started lowkey dreading (episodes 32-33)

...Though she goes back to her “duty” in episode 43.

She's pointedly SILENT throughout the episode, doing her best to hold back.

Thancred's a man who can say no to begging dogs.

Gridania mention! Vivi’s gridanian! He never speaks ill of the elementals, he's wary of them even a world apart.

This pixie's life is something Feo Ul's willing to sacrifice. Episodes 42-43 tell this story in reverse order, yes this’s the pixie that was supposed to agree with Thancred and go with the Scions to the Crystarium.

As to why there’s a dozen of vivis popping up as a backup: they needed just one fake Vivi to go with the Scions, but try organizing the pixies. Their plan’s already failed when this first pixie-Vivi refused to play their part.

“Yeah no, our guy’s special, but not as special as to explode in confetti”

I love his first ingame appearance in that Varis cutscene, this moment has similar energy: barely enters the stage, instantly gets impaled on a long object. This’s not foreshadowing, no, why would you think that-

The “camera” is perfectly still, there’s even some symmetry, demonstrating how calm and prepared Emet is. He didn’t expect much and he’s still disappointed.

This’s a super old comic. I spent the first half of 2022 testing and trying to find a style for Fragments, back then I had no plans, none, zero, absolutely no interest to give Emet a role bigger than a mention. The earliest version of the script had very few Emet scenes, which, looking back on it, was gonna be a disservice to his character. Well, that changed rapidly in late 2023 when I fell for him so hard that I broke my neck, and now I look back on a lot of what I did with Vivi with new eyes. THE EYEROLL. After spending two years developing a guy for a fun wolgraha chemistry (at the same time I was perfectly aware that Exarch and Emet are foils. I made a foil for Exarch, what on earth did I expect-), I’m going through a mindblow after mindblow as I realize HOW GOOD VIVI IS FOR EMET (and vice versa ofc) and how many things they have in common. This wasn’t always the case, Vivi just gradually got more cynical, tired, ✨grey✨ and everything else that makes a guy consider hitting it with The Other Old Man.

They’re off to a great start.

From Emet’s pov, this must really hurt, as in how many other shards of Azem might’ve snarled at him like this. Even though he must be numb to it by now, who says that there isn’t the tiniest flicker of hope when he approaches yet another not-Azem. He may deny and hate and try to snuff out that spark, but the fatal Soulmate Magnet keeps doing its thing.

Parallels to episode 2.

Apparently, Vivi’s first reaction to encountering his to-be-most-prominent boyfriends is to attack them somehow.

This’s really, REALLY dumb of him, and he even comments on it shortly after. But yes, his isekai tale in the First was rather pleasant just until now, and it lulled him into the false sense of security. OF COURSE there are ascians everywhere, not just on the Source. Vivi just forgor.

Emet tests Vivi's reactions to insults/being treated as a lesser, silliness, flirt.

I regret to inform you that both Vivi and Alisaie have been disarmed so easily. The tone quickly shifts, the weapon’s lowered.

Alisaie makes bad puns/jokes in canon, I thought it'd fit if she laughed at that kinda jokes too, and in the least fitting situations, to top it off. Alphinaud’s disappointed, even if he can hardly be called an expert in humor.

“It’s up to you”. Emet stops fooling around, assuming a more serious tone. He may not respect Vivi or his agency here, but he provides him with a choice that's guaranteed to give him some trust points, and uses "we" for an illusion of unity/equality, a not really subtle nudge towards cooperation, it's not me vs you anymore, it's "us".

Whether Vivi picks up on the manipulation or not remains to be seen, but Emet gets his way here.

Forgive me this lil tangent, but I’m so giddy and excited to write Emet. If Exarch’s decently emotionally intelligent but still obtuse at times, Vivi’s a tier or two above him, he’s not a stranger to manipulation, he registers it being used on him, and doesn’t hesitate to use it too when it suits his fancy. He's quite good at people-ing. Emet, though, Emet’s THE emotional intelligence personified. He’s had literal thousands of years to practice, he leaves everyone else in the dust in this regard. It’s daunting but so exciting to write him, I hope to do him justice.

Let’s just talk.

𝓛𝓮𝓽’𝓼 𝓳𝓾𝓼𝓽 𝓽𝓪𝓵𝓴.

Mark this moment, remember this line for meme value. If these last words aren't famous yet, they WILL become that when we see what they talk their way into <w<

Yes I'm going all in on tragic irony of Emet's situation.

Accidental Emet rp, with the hunching over and all. Or maybe Vivi already unwittingly mirrors him. Or maybe he always did- *kicked and dumped in the trash bin*

Man. I'm guilty of enjoying drawing Vivi in genuine distress. He’s so fun when he’s agitated.

Hidden Angst Time! It's all hehe haha until you realize that this might be a product of the hectic wol lifestyle forcing him to speedrun his emotions like this. Either speedrun, or be left with no opportunity to process them at all.

Also, the sandwiches! The framing’s deliberate, they’re on the foreground all the time, and Vivi only notices them in the very last panel.

I! Love! This! Face!!!!!! A rare neutral, relaxed, thoughtful face, he isn't performing for anyone here.

Nevermind Ardbert getting brutally ignored here x’D

The fact that a guy that Vivi had briefly considered as partner material shut himself away in the Crystal Tower for what could be the rest of his life has stuck with Vivi for good. Or should I say for bad. He might not necessarily care about ARRRaha, still it upsets him that he kissed someone who practically killed himself some days later.

I recently talked a lil more about the Bitchless Liar. This’s how Vivi remembers him forever, take it or leave it. But hey, this cool Exarch guy has big balls probably <- in-universe hc \o/

This episode taught me to draw BREAD.

Even though Exarch’s been nothing but sweet so far, one thing’s to acknowledge a fact with your brain, another thing’s to wrestle with your trauma and paranoia that have all rights to exist and fester. Ever since HW Vivi doesn’t accept food and drinks from anyone except the few trusted sources. This isn’t really covered in this episode, but hopefully hinted at just enough.

He takes a leap of faith. Or maybe he’s simply sick and tired of living Like This. Maybe sandwiches kill him, and he doesn’t really mind. And, when they don’t, he goes through a visible shift in attitude towards Exarch, as we’re able to see in the following episodes.

This’s all I’ve got for now, thanks for reading till the end~

[canonicallyobserving911]

Buck & Eddie: 7x4 and 7x5 stills in episode order???

When the two separate synopses were released for 7x4, I wondered how 9-1-1 was going to fit everything into the episode that was released via the BTS stills but then I realized they wouldn't be able to especially since the length of each one (without advertisements) is only 42 to 45 minutes. Also, it appears there will be three main storylines, i.e. Athena and Harry, Hen's life changing news and Buck being bothered and bewildered.

After considering all of the information that's been released, a few days ago, I figured the stills of Buck and Eddie in Buck’s loft, the ones of them talking in the firehouse gym and the one of Eddie and Bobby's conversation wouldn't be included in 7x4. Additionally, I remembered the way 3x5 "Rage" ended with Buck and Eddie still on the outs and they didn't reconcile until the end of 3x6 "Monsters" when Buck made Eddie talk to him. With OS recently commenting on someone's IG post about how the two pictures of Buck and Eddie in the loft are from 7x5, it added confirmation to my analysis.

Since I'm a visual person, I like to see things in their totality instead of in increments the way the BTS pics have been released. Therefore, I've put all the stills together in a way that IMO, could be how they'll play out during each episode and there's one picture of Buck by himself that was released but I believe it deals with something else. I've included it at the end because I'm going to do a separate post on it.

Before I delve into this, here's my UNPOPULAR OPINION. I ship Buddie and only Buddie but I have to admit, I'm not really excited about this storyline because IMO, the audience has seen it before in 3x5 and 3x6 when Eddie was temporarily partnered with Lena (post linked here). Sure, he didn't leave the 118 but Eddie did have a new work partner who Buck was clearly not happy about. Also, even though Eddie didn't tell Buck about her, it was evident by Buck's reaction, he was in fact jealous since he thought he was being replaced and it seemed to be part of the reason why he filed the lawsuit (not the only reason but part of it). Reminder, he was ok with being the Fire Marshall until he heard Lena call Eddie's name in 3x4 then once he saw her, he asked Bobby, "You replaced me?"

At this point, in six years, I hoped Buck and Eddie would be at a place in their partnership where they can actually discuss things like adults instead of Buck lashing out. Please don't misunderstand me because I get it, Buck's worried about being abandoned again so it's understandable and this time he doesn't have anyone to cling to. But if they would let him go back to therapy like he went on his own in season 4, maybe he could spend time working on himself and this storyline could have been avoided. Will I change my mind before Thursday... honestly, I'm not sure.

Back to the regularly schedule program...

7x4 "Buck, Bothered and Bewildered"

Based on the look on Buck's face in the stills from them at Air Rescue, IMO, it's likely this scene could happen first because he seems to be bothered and bewildered by how close Eddie and Tommy are. Hopefully there's a scene before this one that explains how they became fast friends but it's also possible it'll be another scenario where Eddie magically contacts Tommy or vice versa and they start hanging out but the audience won't see it the same way we didn't see how Eddie magically got M's phone number? 🤷🏽‍♀️

Full disclosure: I don't trust Tommy Kinard and I've already posted about my reasoning (linked here) and I may elaborate on it but I really don't want to because I'd rather not focus anymore of my attention on the character.

Buck's face in the stills below while he's at the firehouse, appear to be hopeful like he got his "Eddie" back but when he sees him walk away, he gets that sad look in his eyes like he's being left behind again. That's why IMO, it happens before the basketball court scene but after them being at Air Rescue.

I tried to put the pictures below in order but since there's no context for when some of them happen, I added them where I thought they should go. Also, since Buck's bag is still on his shoulder in the third picture with him holding the basketball, I figured it happens before they start playing. Maybe Chimney hands it to him and he looks at Eddie and Tommy like him and Chimney are going to win the game.

IMO, Buck will have a conversation with Maddie before the end of the episode and that's when JLH's leaked script will come into play. Also, I believe Chimney will be the one to tell Buck he's acting irrationally then he'll ask him if something else might be going on. Reminder, he's going to be on the court with them and he'll witness the event.

It appears 7x4 will end with them still upset with one another just like 3x5 ended with them not talking.

7x5 - "You don't know me"

I've already completed a post on the title of the episode (linked here) but I do believe multiple people will say, "You don't know me" throughout the episode, including Eddie possibly saying it to Tommy.

When the episode begins, Buck and Eddie still won't be communicating just like they weren't in 3x6. Also, since there aren't any stills that show Tommy and Eddie discussing an available job position at Air Rescue, the only information that was made available came from one of the promos that included Bobby telling Eddie, "I can't tell you how to feel about this job, only you can do that" so it appears Eddie's going to be presented with the option to leave the 118 again either at the end of 7x4 or the beginning of 7x5 but I think his conversation with Bobby will happen at the beginning of 7x5.

Now, ever since TM (showrunner) released the two pictures below in advance of season 7, they've always perplexed me and it's mainly due to the looks on their faces, more so Buck's because he doesn't look angry or frustrated, he just looks tired like he's retreating or giving up. Initially, I didn't speculate on the pictures because I had no idea what was going on and I'm still not sure but based on the things that have been released regarding the episodes, IMO, Buck will apologize just like he did in 3x6 followed by him telling Eddie that he'll have his back if he wants to leave the 118 and go to Air Rescue. Reminder, the last time Eddie left in 5x10, he told Buck in front of Hen and Ravi but the audience only caught a glimpse of Buck's reaction.

I believe the stills below will happen towards the end of the episode and it will be similar to their conversation that happened in the firehouse in 3x6 with a little bit of the 3x9 kitchen scene thrown in. My reasoning is because they're at Buck's loft and Buck will be sitting alone probably pondering what he should do next since it'll be a strong possibility (for him at least) that Eddie will leave and he'll have to find a new partner.

I think Eddie will say something similar to the things he said in 3x6, "I forgive you. Just don't let it happen again" but this time it'll be different and more along the lines of how they talked in 3x9 (related post linked here).

This is where their dynamic seems to change because unlike 3x9, Eddie's not leaned against the counter, he's actually touching Buck's shoulder and his waist the same way he did in 3x1 during Buck's surprise welcome back party but they're the only two present 👀.

When I saw the picture above, I had an immediate reaction to it because it reminded me of something the audience has seen before. I'm not going to include my thoughts on it in this post but I will do a separate one about it.

The point of this post is to illustrate with the BTS stills how the scenes in the next two episodes with Buck and Eddie could play out. Will they finally take the leap at the end of 7x5 and become a CANON couple or will the show continue to delay the inevitable? Only the showrunner, writers, producers, actors and actresses know the answer to that question. Hopefully, they will start their romantic relationship because it's been six years and there's no reason to keep delaying it.

[b3achysurfer]

I really wanna talk about this scene where “Logan saves Ashlyn” because I really believe it’s more than just that

I’m gonna be referencing mostly episodes 34, 35, 43, and 44 just in case you want to do your own digging 😋!

for starters I kinda bugs me when people brush this whole scene off as ‘Logan saving ash’ because 3 things:

1.) Logan saving Ashlyn didn’t really feel natural! mans was allllll the way in the graveyard, he was scared, it was dark, and he didn’t have any prior experience with using guns. but he still somehow did it in 1 shot. I honestly feel like that bit was so that he can’t be excluded from the later celebration and so that him being left behind had a purpose.

2.) ASHLYN WOULDVE SURVIVED WHETHER OR NOT HE MADE THE SHOT!!!!! if anything we’d probably learn a lot more about the phantoms if Logan had never shot his gun.

3.) I feel like Logan making the shot was suppose to distract us from the important lore aspect we see during the scene. we already know red loves throwing in foreshadowing and small hints for us. Especially when these hints get covered by other scenes so that we only notice them after we get the new information and we re-read old chapters. We can see an example of this in the same episode when Taylor offers to go see why Aiden was screaming and Tyler quickly takes action instead and sends her upstairs. it’s obvious that going back outside was the more dangerous option which is why Tyler told her she shouldn’t do it. But at the time many people brushed this off as Tyler caring about his sister as much as any brother would, and a part of his ‘jock/I’m bigger and better than everyone’ attuide seeping through. then later on in chapter 49, we learn about Tyler’s promise to always take care of Taylor and their mom, and we see how their safety is always his priority even if it’s to much for him. Taylor’s frown makes a lot more sense after we get this context.

Anyways what I’m trying to say is that I think Logan saving ash was suppose to draw away our attention to the whole reason he was even able to get the shot in the first place.

Ashlyn is convinced she’s gonna die here and this is her last effort to live. So very strong emotion. But pay attention to her voice box thing. It’s black and has the red streaks around it.

The phantom immediately pauses, as if it understands her. Also, it’s aggression vanished as soon as she spoke. This being LITERALLY TRYING TO KILL HER pauses and starts to question her!! In some twisted way Ashlyn can communicate with phantoms, or at the very least they can tell there is also a connection between her and them. This is literally so important and it’s not talking about enough. Even though no one has ever tried speaking directly to the phantoms before this, I do think this trait only belongs to ashlyn. For starters we already know that she has the strongest connection to the phantom world, and she’s the only one who can actually hear them. Her parents also said that they saw the phantoms after ashlyn was born. This is important for later on.

The only other time we ever see the black text bubble is here when Logan is mad (chapter 42) his shadow has also changed to his phantom world-self. Notice that even though his actions are connected to the phantom there is no red streaks next to his text box?

The fight obviously shows again that they affect the real world because their emotions and phantom and blah blah. This is all stuff we know. But hear me out! View their actions as if they are part phantom.

Ashlyn’s commanding them to do something while feeling strong emotions. Her text box is black with the red streaks again. Just like it was during the scene that ‘Logan saves her’.

And just like the phantom, all of them freeze and their violent behavior disappears. The fact that it’s all in sync and they all stop immediately shows that they didn’t just stop because their friend told them to. They stopped because Ashlyn’s commands have some strength to them. And remember earlier when I said think of them as part phantom? It makes sense why her commands would work, because it’s frozen a phantom before.

AND LOOK!!!! THEY SOUND JUST LIKE THE PHANTOMS! The fact that this guy doesn’t react to that statement means that his organization already knows this. They already know that the kids are partly related to the phantoms. Ashlyn’s especially.

I guess this can split into two ideas:

1.) Ashlyn’s becoming part phantom the fastest. And I don’t mean that she’ll eventually become a full phantom but idk how else to phrase it. Her words can already be understood by phantoms and they have enough impact to confuse and stop phantoms in place. The phantom tilting their head at Ashlyn was kinda like ‘how did you do that?’ .

2.) Ashlyn’s connection gives her semi-control over phantoms. This could be a skill she has to develop over time but the fact that her words were able to break that main cast out of their anger and brought them back into reality shows that they CAN listen to her commands. Either she’s not strong enough yet to control real phantoms or she can only stun them, ash was still able to communicate with the phantom.

That scene is such an important building block that people just brush over. I just don’t see a lot of people talking about the fact that Ashlyn can talk/control phantoms in a way. Or maybe she can’t and all of this means smth else but it’s still so important.

Also before ppl jump on me for saying Ash would’ve lived w/ or w/o logan:

Aiden was literally two seconds away from getting to ash. Plus the phantom was stunned. We don’t know if this hesitation would’ve lasted long or not, but it would’ve been enough time for Aiden to crawl to the top of the roof or for Ashlyn to kick it away. Ashyln was also in shock though so I’m not sure she would’ve been able to do much. But if Aiden saw the phantom on her he would’ve went crazy bro. Do not touch his girl ❌🙅‍♀️❌ All jokes aside though, we definitely would’ve learn more about the connection between Ashlyn and phantoms if Logan didn’t shoot. Not blaming him or anything but I’m just saying.

ANYWAYS THATS ALL THANKS FOR READING!!

[mimicha-arts]

S2 Spoilers, ep7-8, probably ep9

Since I still don't understand the s2e8 intensions, as well as many of the elements regarding who was in Lu Guang's place, I just put together a list of questions that concern me when it comes to whether it was Lu Guang or Cheng Xiaoshi after all. I still have a feeling this is going to be retwisted, but idk.

Following Qiao Ling's speculation, the episode guides us down the path that it was Cheng Xiaoshi, but the plot does not provide direct confirmation. In all other (so far) moments, we were shown, as a result, redrawn frames with a changed eye color, where the character was possessed, in this case this did not happen, the intrigue was deliberately warmed up again. At some point, of course, the visual rules of the setting have been broken, so it's no longer a detail that can be trusted. Like, everyone understands that this way the audience will be more confident that Qiao Ling's words here are the fact (that Lu Guang is possessed by Cheng Xiaoshi), but at the same time there is no 100% confirmation. For what. Okay, well, next I'll split this post into two parts: the actual questions/moments and the motivations of the characters.

Actual questions/moments

1. The call

A very small hidden moment that almost went out of sight. In fact, when Qiao Ling and Xiaoshi looked through Lu Guang's phone, we were shown the contact details of the calls. Qiao Ling called him at 18:42 , but there was no answer (other calls were answered). Since Qiao Ling's call was 50 minutes ago, we understand - Lu Guang's phone viewing time is 19:33.

And then... Pay attention. The previous call received was from Cheng Xiaoshi. The part of the screen where the time is displayed is blocked by the thumb, but it is possible to catch a small frame. 2小時之前 - Two hours ago, so the time was about 17:33 pm (probably after they left the hospital and before they began interrogating Li Tianchen).

THE F actually, cause we weren't shown any calls between Cheng Xiaoshi and Lu Guang, nothing about it were mentioned in any other moment. Another missed scene? I need to know.

2. Password, plan and phone The position of the phone is also different in both chronologies. If this was all Lu Guang's plan, and Lu Guang himself left a phone with a clue for Cheng Xiaoshi, then Lu Guang putted the phone face down in the bathroom. But in the second chronology, when Cheng Xiaoshi definitely dives in the photo, Cheng Xiaoshi himself leaves the phone in a different position, he puts it face up. So, if the position of the phone has changed, Lu Guang himself left the phone for Cheng Xiaoshi in the 1st line, it was not part of the "loop" where Cheng Xiaoshi (technically) leaves the phone in the same place himself.

So, if all this is Lu Guang's plan: Plan or not If so, Lu Guang must have known that Cheng Xiaoshi found out about his password, so generally able to access his phone and photos inside. Technically, if Lu Guang was unaware of Cheng Xiaoshi knowing his password, the photo wasn't left for Cheng Xiaoshi - Lu Guang hadn't planned it at all. But I think, this was planned by him, because otherwise he could have simply delete that single photo (for the safety reasons) from the phone, knowing well what Cheng Xiaoshi would do when he found the photo. Qiao Ling He needed Qiao Ling's participation, which is why he left her the right coordinates. Although I still do not understand why only for her, only because of distrust of the police? In fact, I still don’t understand why it was necessary to put Qiao Ling in such danger, but then again, if it makes sense, then perhaps in the rewritten/alternate events, she should have a bigger role. The reasons The biggest question. Would Lu Guang himself leave the photo as a part of the plan, put Cheng Xiaoshi himself in such danger? Knowing that Cheng Xiaoshi s does not know the real chronology of events, and without a hint with foresight, he can simply change events. Why take such a risk, knowing that Cheng Xiaoshi will not know the correct chronology. Again, if Lu Guang able to see the future, the main point - to save Cheng Xiaoshi and probably get more information about their enemies (if he "followed" the Li Tianchen voluntarily). The only reason (in my mind) he could leave a photo for Cheng Xiaoshi intentionally - because technically Cheng Xiaoshi's already saved, and Lu Guang intentionally need Cheng Xiaoshi to rewrite these events, to jump into photo and radically messed it up due to banal ignorance of the situation in advance. Idk, I think this makes sense, although I don't understand the final point yet. And, if Lu Guang is able to see the future from the present, is he also able to see alternative events?

3. DAMN BOAT

Idk, but the boat thing seems so off. Like, I kinda get why Lu Guang himself is able to drive a boat, but when it comes to Cheng Xiaoshi , I'm just confused. Because, if Lu Guang was possessed here, it means, that Cheng Xiaoshi knows how to drive a boat. And if he is able to jump like this, the boat itself is still next to the shore. So it wasn't that hard just jump on it once again, and if he knows how to drive a boat, he could at least try to keep up with Li Tianchen's boat to save Lu Guang. No?

4. DAMN KETTLE OK. If we assume that it was Cheng Xiaoshi from the future who saved Cheng Xiaoshi from the past, then, in theory, all his actions, although he does not know them for sure without Lu Guang, they should initially lead to success, idk? The only thing he did the same for now - waited for 18:55. But now we have inaccuracies, in particular, a broken window, in the "first" timeline of events, a KETTLE was definitely not used to create such a hole. And Cheng Xiaoshi obviously did not know what exactly he should throw for the same result.

5. "Hide and seek" Okay, it was said that Lu Guang hid in the restroom, waiting for the police to be distracted by the window after kicking the door. Again, these were the words of the characters, not the fact. We see that the restroom's door opens to the inside of the restroom, not to the outside, btw.

Initially, it is said that they did not check the restroom, which means that no one paid attention to it in the first line of events, while the second version of events already leads to the fact that even if Cheng Xiaoshi is not found, the policeman paid his attention.

On camera footage: Lu Guang from the first line of events, does not leave the restroom, just walks down the hallway of the room, the restroom door is closed (but could this be an animation error? idk). Technically, he had to open the door of the restroom on himself, go around it and only after that go out into the corridor of the room, and then go out into the corridor of the hospital. I can't tell if it's a bug, but if not, the details of what Lu Guang did once again are different and doesn't match what Cheng Xiaoshi does.

6. Combat skills. What bothers me the most is his physical condition. Why he was able to jump around so quickly, but then again, we don't know how much time passed between eps, how much his wounds could heal. If we can trust these frames, then his bandages have already been removed (or is he just a wild man and took them off himself ???). I know this is somewhat speculative, again, this is the most confusing part for me. The conclusions about Lu Guang's physical condition and ability to fight are the words of Qiao Ling. But that's also a guess. Since we don't know (almost) anything about Lu Guang, it's hard to guess what skills he has. Because if he saw the future from a photo, then he could simply know and see/remember Li Tianchen's attacks and actions in advance (just like in the special episode form s1) Moreover, all this fight on the shore is an attempt to repel Li Tianchen's punches, not beat him up. In particular, when he tries to grab Cheng Xiaoshi again. Don't give him a chance to touch, take control.

Afterwards, set him aside. Like, the whole fight scene was to protect Cheng Xiaoshi. The man in Lu Guang's place is a person who knew what Li Tianchen was capable of. Technically, Lu Guang may foresaw the future, while if in his place was Cheng Xiaoshi, with full understanding of the situation, the way he puts Lu Guang in danger just destroys the whole point of the story, since Cheng Xiaoshi from the future already wants to avoid Lu Guang's kidnapping.

Despite the fact that Li Tianchen, even if he has good skills, is a-ahem-twink, and even a kick from the foot did not have enough strength to topple him, while Cheng Xiaoshi with just a punch could knock over, and then even lift and throw away a full grown man engaged in martial arts. Literally in episode 2. Idk? Is this really Xiaoshi's physical strength / fighting level in this moment with Li Tianchen?

We all saw Lu Guang's wounds reopen. It was probably because of the fight and such physical activity. Like, the idea that his wounds were opened because of Cheng Xiaoshi's actions... Is somewhat strange? Given that Cheng Xiaoshi from the future is already aware of the danger to Lu Guang. I don't think Cheng Xiaoshi would do something so reckless as to get into a fight, let that happen. Even if the wounds were opened due to the fact that he was no longer possessed by Cheng Xiaoshi… Would Cheng Xiaoshi himself allow this, knowing that this would be the third time Lu Guang had bled to death? 7. Sound There is difference in the same scene from different eps. In ep8, when Li Tianchen is looking at Lu Guang, there is a specific sound similar to sound of ability use, but there is nothing like this in ep7. You can check it yourself: ep8 (04:36) and ep7 (21:13).

We still have speculation that the photo was actually passed on by the brother, given that in the new teaser, it was Li Tianchen who was shown holding the photo. That's why. Is there a possibility that he prepared this trap from the very beginning or also acts as a separate side from Qian Jin, following his own interests. Maybe there is something invisible that connects his plotline with Lu Guang's actions. There are no conclusions. Just suspicious.

Motivation

Probably the most important part. Cheng Xiaoshi and his attitude towards Lu Guang is the main reason why I think that in the first chronology of events it was Lu Guang himself, not Cheng Xiaoshi. If Cheng Xiaoshi really possessed Lu Guang during the first chronology... It just doesn't fit in my head in terms of the character's motivation and personality. Because if its canon: Why on earth Cheng Xiaosh would decide to do it all, while possessing Lu Guang, with whole knowing and awareness that his friend was almost killed, physically suffered, at the same time, knowing that he may bleed again? Like, literally, force him to fight, knowing the wounds might open after it? What, then, is the motivation for while being Lu Guang, not just to put him in danger, but literally risk his life, like, to engage in a FIGHT with the person who almost killed him! And then not only let go of the Li Tianchen, but also rush after him, directly almost voluntarily handing over Lu Guang to the enemy.

It's even has to be *future* Cheng Xiaoshi that way - what is the point for Cheng Xiaoshi, who already has the knowledge of danger, of kidnapping, to do such a thing at all? Again! To save himself? He just handed Lu Guang over to his probable death with his own hands? One of the closest people in his life? This boy, who saw Lu Guang dying?

Who literally thought Lu Guang was dead? Who was willing to rewrite the past for Lu Guang?

The boy who weighed all the blame on his own shoulders? THIS boy?

Sound nothing like Cheng Xiaoshi to me. Not at all, especially when we see throughout all the episodes of his experience, his guilt, his understanding of what Lu Guang is ready to do for him. It just literally killing his entire personality in that way. Like. Am I misunderstanding something? Where is the logic in that case - beyond of my understanding. This, this is the problem I have with "possessing" thing. Because if so, it's either a white hole in the narrative or so out of character that I really hope there is more to unpack. Otherwise, honestly, it's a very bad writing. I hope it's not.

I really don't understand the meaning of some things in the last episode rn, but the current plot likes to play with "misperceptions", so I'm chill enough about them until the last episode of the season comes out.

I don't know, I feel like I spent like 10 or even 12 hours discussing the plot and eps, all this is a collected meta post from discussions with my friend @wrathyforest ， who shares with me both grief and joy, ahaha. Thanks for reading! Feel free to discuss.

[ecargmura]

Wind Breaker Episode 13 Review + Final Thoughts - Second Season Announced For 2025!

With the way this episode ended, there’s definitely no way they wouldn’t announce a season 2 and they did—it’ll come out in 2025! It’s to be expected because this was one of Spring 2024’s biggest hits. I certainly enjoyed this and it’s high up on my midyear anime list that I’ll be posting  next week!

Meeting with the Four Kings of Bofurin is going to help Sakura open up a lot more, even though he’s still taking baby steps. The Four Kings have such cool designs. We all know Hiiragi, but there’s also Tsubakino (he’s male), Mizuki and Momose who are very cool on their own! None of them speak, unfortunately. The purpose of the meeting with the Kings and the Grade Captains to let them know that they will always have people supporting them so it’s fine to let them rely on their senpais. Umemiya always knows how to ease someone’s spirits!

Sakura’s taking baby steps as leader of his class! He actually decides to take on Anzai’s matters into his own hands and the rest of the class tags along too because they’re a team. It’s so nice to see Sakura, who was super distrustful, slowly grow into someone who can be relied on! I really liked the scene with him talking with Anzai’s childhood friend Tsuchiya. He normally doesn’t try to start a conversation towards others, so for him to initiate talk is such a novel but welcome feeling! I even liked how Sakura was thinking about Kotoha’s advice on leaving the matter to him. If you look at Sakura at the beginning to the finale of the first season, there’s some solid growth there.

Anzai may be a bit of an obscure classmate in Sakura’s class, but It’s obvious that, while he’s a nice guy, he’s trying too much to take things by himself. He’s also a bad liar to the point that the gullible Sakura can see right through him.You know you’re a terrible liar when Sakura knows you’re lying. His story with Nagato was really sad. It’d break my heart if I learned my childhood friend was hanging out with the wrong crowd. I hope that things can patch up between him and Nagato once Furin goes to beat Keel’s ass. This might be a bit of rambling, but I just learned that his voice actor is Shogo Sakata, who’s known for voicing Aki Hayakawa from Chainsaw Man. I didn’t know he can produce such a childish voice.

Speaking of Keel, the gang is so creepy. Even when I was reading the manga, they gave me cult-like vibes. The member that Sakura meets on patrol is voiced by Junya Enoki. I’m as shocked as you are! I always familiarize Enoki with heroic roles like Totomaru Isshiki from Ron Kamonohashi: Deranged Detective that it’s sort of hard to imagine him as a villain, but he’s here in Wind Breaker as a villain. This will seriously be a treat to watch because this is probably one of the rare times he’ll voice a villain and I can’t wait to hear it! Rambling aside, Keel is very cult-like because they have such a terrible method of discipling their members. If someone failed to do something, they get hit. It’s seriously awful. I do wonder how Nagato got entangled in all of this.

Even in the finale, the animation still is amazing. The way Anzai was fighting off Keel members and even the part where he was catching the purse thief, who turned out to be Nagato, were so good. My favorite part was when Sakura was chasing after Anzai and the camera pans to him going down the stairs and then jumps down to cut him off. Cloverworks really likes showing off why they’re so good with animation.

I seriously cannot wait for next year. It’s crazy how Wind Breaker is getting a second season already! If you’re curious about what happens next and want to read about, please start from Chapter 42, which is the beginning of Volume 6! Season 1 covered the first 5 volumes! I wonder how many volumes the next season will cover. What are your thoughts on the finale?

Final Thoughts

To be very honest, Wind Breaker was one of those animes that I wanted to watch primarily because of the stellar voice cast and that I had a very sour experience watching Bucchigiri, which was also about gang fighting. However, it slowly became one of the most exciting anime watching experiences I had. It’s because of Wind Breaker that I got a lot more online friends! It’s always nice to meet new people who watch the same things as you! While the anime is fun, I think what I gained these past three months feels as precious. Seriously, it’s such an amazing feeling.

Wind Breaker may be a straightforward story about gang fights and action, but the writing is a lot more heartwarming than you expect. It’s more about seeing the characters, specifically the MC Sakura, learn and grow. We learn why Sakura is the way he is and how being around people is beneficial for him. The concept of him going to a delinquent high school, but it’s also a place where the delinquents also have double duty as police officers of sorts. I also love that the fighting is just pure action and not crazy magic stuff. I love that it’s a little different from the usual delinquent stories in that it focuses more on characters and not fighting all the time.

The characters are the highlight of the show. Each of them have their own unique design and personality. It’s just so nice to see how well they mesh together. Not only does Furin have intricate designs, but Shishitoren does too! My favorite part of the characters is learning that their names have a theme! Bofurin characters’ names all revolve around plants. Shishitoren’s names revolve around animals. I can tell the author took so much time and effort to name these characters. As a writer myself, naming characters is both the funnest and the most tiresome aspect of the writing process.

Cloverworks did an amazing job with the anime adaptation. From the memorable first episode where Sakura goes all out against a gang by himself to animating the Shishitoren fights were so great. Though, my favorite part of the animation was seeing the studio elevate some of the characters’ backstories. I really loved how they animated Togame and Choji’s backstory! Togame got a backstory extension and Choji had such quality detail in his! Let’s just hope they keep that quality next season and not turn it into a mess like The Promised Neverland Season 2. Don’t f*** this up, please. The music was also really nice! The OP and ED songs were catchy and the OST were good! I especially loved the song Stronger! I love how there’s a piano remix of it too whenever something emotional happens.

The voice actors are seriously amazing. They legit casted extremely star-studded voice actors for this anime. We’ve got Yuma Uchida as Sakura, Nobunaga Shimazaki as Suo, Koki Uchiyama as Sugishita, and even Yuichi Nakamura as Umemiya. Look at those names! Shishitoren got some big names too like Yuichiro Umehara as Togame and Chiaki Kobayashi as Sako. If they’re going all out for this season, I can’t wait to see who’d they cast for the Keel characters because having Junya Enoki as one of the members is INSANE!

Like I said before, if you want to start reading the manga, start from Chapter 42 because Episode 13 ends on Chapter 41. I hope that you all had a wonderful experience with this manga! I hope that energy returns next year!

[xerith-42]

Glenda

Remember Glenda? No you don't, only I do because The Tragedy of Cadenza Zvahl haunts me in my every waking moment.

Here's an entire essay about a character who shows up in a grand total of... I think 5 episodes? And yet she has one of the greatest and most forgotten impacts on the narrative.

For those of you who need a quick refresher, Glenda is Hayden's head guard in Meteli, first introduced in episode 26 of the first season, along with all the other Meteli characters. She's initially shown as a pretty strict, no nonsense guard. But in episode 27 we get to see her open up. At the time Cadenza is missing, and Glenda expresses great worry for her safety and says the following line

(sorry for how dark this is I took the screenie on my phone at like midnight)

So uhm. That's a bit of a big deal right off the bat, right? Cadenza is an orphan. Just before this Hayden speaks about how he found Cadenza picking flowers next to a burning village, about how she lost everyone and he took her in. And while Hayden acted as her father, Glenda acted as her mother. Cadenza had a mother.

This is where things get a bit... Mirky. I think a lot of us forget this, but Cadenza and Laurance being siblings isn't something that's revealed until [checks my notes] Episode 54. Which might not seem like a big deal, but Laurance has multiple conversations between episodes 26-40 (he dies in ep 40) about Cadenza, about growing up in Meteli, conversations where he could have said something, anything to indicate that Cadenza is his sister. But he doesn't.

He doesn't refer to Hayden as "our dad", he never refers to Glenda as Mom (which I'll get into later), he doesn't even say the phrase "Cadenza is like a sister to me" until AFTER they've both undergone their transformations. Me personally if I was the head guard of the swamp village, my sister goes missing, and my dad and her not boyfriend start fighting about it, and then some random woman shows up to help, I'd mention to the woman that this missing girl is my sister and this is a family affair. But Laurance... Doesn't.

This makes me think that them being siblings is an idea that came to the writers at some point after Laurance was introduced, but before he came back from the Nether. But this idea was either never incorporated, or they decided to put off incorporating it until after Laurance made his redesigned return.

Who knows. All I know is that Laurance and Cadenza were not intended to be siblings at first, and later retconned into that. And that's fine! They're not related, they're both adopted orphans, it's totally fine to make this retroactive change. But this change is important to remember regarding Glenda.

Yeah that's still who this post is about but there's so little to say that I padded it out with my whole tangent about the Zvahl family retcon. Anyways, Glenda, like everyone in Cadenza's family, is incredibly protective of her daughter, and clearly worried for her safety. This worry doesn't extend to... Doing anything, but that's because Aphmau had to show up and main character her way through things.

But it does lead to criticizing Aphmau when she seemingly fails as a main character. Aphmau does know where Cadenza is and knows that she's safe, but she lies to Hayden and Kenmur about it so they don't hurt Castor, and Glenda is PISSED. Not only because Aphmau promised she'd find Cadenza and failed, but she took one of their swords the last time she was in Meteli too! The disrespect of this woman! And she's the Lord of Phoenix Drop?! How low has this world gotten...?

Anyways the next time we see Glenda she's debating if she'll sign her life away. Now... I could go on about The Oath for... [glances at Oathbreakers word count] a while. But I'll try to keep it brief and focused on Glenda, who it actually has the most direct impact on. In episode 42 Garroth makes all the guards signing an oath swearing that they will take their own lives before they become a Shadow Knight and kill their lord, or to prevent themselves from doing so as a result of Shadow influences.

And while everyone else at the guard meeting is largely down with this, Glenda isn't. She's hesitant. Unsure. We don't get an explanation as to why in the episode, at least not the true one. But there are two things we can get from her. One, her eye color has changed. Which Aphmau doesn't notice at all or even comment on.

Two, she jumps immediately to leaving Hayden's guard, but stops herself because Cadenza is missing. And that's all that she says on it. Because after that, Glenda quits her job. She abandons the guard and we don't even hear about that happening until EPISODE 86. WE GO A FULL 44 EPISODES WITHOUT HER HAVING ANY RELEVANCE TO THE PLOT OR MENTION BY ANY CHARACTERS WHO KNEW HER LIKE I DUNNO

HER DAUGHTER???

And when she comes back in episode 86 we get the big reveal that Glenda was actually a Shadow Knight! And she framed Castor for murder all so she could draw Cadenza out, get her alone, kidnap her, and then sacrifice her to open a Nether portal and presumably return home.

There's a lot of questions this whole series of events raises, but not a single one of them are answered. I'm not even being hyperbolic, once Cadenza wakes up she is (understandably) more focused on the fact that her dad is alive and getting him back to safety. But she doesn't say anything about Glenda, doesn't give any sign of grieving or insight on the matter to Aphmau, she doesn't seem to care because her dad is safe.

The only details we're given are from Laurance, but these also raise questions. He says that Glenda must have become a Shadow Knight "at some point", and quit Hayden's guard because she planned to kill him to gain immortality. But... If that was the case, why fake his death? Why not have him actually be fully murdered with all the other evidence still stacked against Castor? Why not kill him, get immortality, and then kidnap your daughter and try to sacrifice her. Is it because she still cares about Hayden? Is it because she doesn't want to hurt Cadenza? She's about to kill her so I doubt it's that.

So much just doesn't add up with Glenda, so much that I have a never ending series of questions. When did she become a Shadow Knight? Was it in the Nether when they left Sasha behind? Was it before that? Did she go on that mission to save Hayden as a Shadow Knight and somehow not blow her cover? Or was it after that, in the brief window of time between Sasha coming back and Cadenza going missing, that she somehow ended up dead, in the Nether, and then back in the over world without raising an eyebrow? Or was she a Shadow Knight the whole time? Did Cadenza spend her entire childhood being raised by one?? Will I ever get answers as to any details regarding Cadenza's childhood outside of Laurance?! (The answer to that one is no)

But then one question made me really stop and think. One that matters more than any questions if lore, or continuity, or a series of events to follow.

Did the writers remember that they made Glenda Cadenza's mom?

And let's be clear, it's not like, a sin if they forgot. I'm a writer and I forget my own plotlines all the time. I go back through my drafts and other chapters all the time to make sure I'm maintaining at least some semblance of continuity, and I know that in a world as big and full of characters as this one, some details are going to get left behind or forgotten.

But it is mad disappointing because if the writers did remember that Glenda was a maternal figure to Cadenza, then they would also then realize that every member of her family has been either killed by shadow knights, nearly killed by shadow knights, or become shadow knights. Every. Single. One.

If Glenda was able to properly be Cadenza's mother there's a wellspring of character work to go down. It's never directly stated where Cadenza learned to sew from, so what if she learned it from her mother? One of her greatest forms of self expression is seemingly forever tainted with the presence of the monster who took the place of the mother who taught her everything she knows.

And how does Laurance feel about all this? He never refers to Glenda as a mother, even after he starts tossing around the Dad word around Hayden. It gives a sign that maybe Glenda didn't have an interest in raising Laurance, perhaps that while Hayden and Joh may have had some kind of co-parenting or gay marriage set up, Glenda was exclusively focused on being the mother of Cadenza. Or maybe she tried but Laurance pushed her away and she never tried hard enough. Maybe Laurance rejects the idea that he can have a mother. A father can be replaced, but a mother? Nobody can replace the woman who nearly gave her life just to bring him into this world. No one.

As it is in canon, Glenda is a footnote in Cadenza's tragedy. Just another shadow creature that tried to hurt Cadenza, without a proper recognition of just how significant her betrayal is. If Glenda's status as Cadenza's Mother was used to its fullest effect, we could have a family tragedy to surpass the Ro'Meave's, one where a single girl can be at the center of so much shadow and still barely manage to be a beacon of light in the darkness, even if her own family tries to kill her.

I've just. I dunno I've been thinking about Glenda a lot recently

[mirai-e-jump]

Animage February 2024 Issue ft. Masato Yano Interview (translation below)

Publication: January 10, 2024 (between episodes 43-44)

"It's time to save the universe."

Up until now, Dagded Dujardin has been playing a game of destroying the planets and life that exist in outer space, calling it "tidying up," by making different beings hate and fight each other. The war between humans and Bugnarak that took place on Chikyu was also due to Dagded's actions.

The succeeding Shugoddam kings were destined to serve Dagded, and Gira's former king and brother, Racules Husty, was also at the mercy of Dagded. However, Racules was carrying out an ambitious plan behind the scenes to overthrow the invulnerable Dagded and save the universe.

Gira, who had inherited Dagded's power, would be trained to obtain the power to kill immortals…to achieve this goal, Racules tried to be a king of evil and tyranny. Gira once confronted Racules, who had said, "People are tools. I am the country," and declared that he would become an evil king. With the brothers belief in saving their people, and daring to go down a false and evil path, it can be said that they have the same underlying motivation.

Although he was sentenced to death, Racules decides to now live as a tool for the Royal Sentai in order to defeat the resurrected Dagded. At last, the paths of Gira, the other members of the Royal Sentai, and Racules cross. The battle against Dagded advances into its final phase!

-Did you find it surprising? Thoughts on Suzume-

"Racules's true objective has finally been revealed, but Yano-san, how much knowledge did you have about Racules's secret?"

Yano: During costume fitting, aside from the Bugnarak, I had heard that there was another enemy, the Uchu King, and that Racules had to play the role of a bad king under his instructions, and that there was a spy in the castle so that the Uchu King was always watching him.

"After understanding the gist of his secret, you played out that role starting from episode 1."

Yano: Right. I wasn't told all the details, but I was in a position where I knew alot more than everyone else did. Still, I knew of future developments, and in the beginning, I played the role wondering if I was going to become an enemy or an ally to Gira and the others. Now, I'm trying to soften my demeanor alittle, hoping to present a genuine image of Racules. In episode 42, there's a scene where he acts like a big brother towards Gira for the first time, but from this point on, I think we'll see more scenes where we can feel that those two are brothers.

"Yano-san mentioned it in another interview, but in episode 42, Gira and Racules fighting together for a common cause was achieved."

Yano: That's right! At the time, when I gave that answer, I didn't know that we'd be fighting together, so my ambitions were achieved. However, while a joint struggle is a joint struggle, Gira is overwhelmingly more powerful than him. The power balance is like, Racules: 10, Gira: 90 (laughs). While it's a very dramatic scene that I like, if possible, I feel that I'd like us to fight together with equal strength.

"Is there anything you're mindful of when expressing your current relationship with Gira?"

Yano: I haven't changed anything in particular from before, but I feel that the atmosphere between the two of us has softened considerably. As for Racules, he'll no longer have to play the role of a bad king, and he won't have to oppose Gira.

"Then, have your impressions of Sakai Taisei-san, who plays Gira, changed?"

Yano: I worked together with Sakai-kun on another production before we appeared in King-Ohger, and I think that he's become very strong. Around the first episode, it felt like he had alot of work to do, and that he was doing his best to learn. However, by the time I came back from my early exit, the look in his eyes had changed. I could see from his behavior that his position was to lead others, and that he was starting to look more like a leader.

"In the interview from the previous issue, we heard from Kaku So-san that the speech scene in episode 34, in which Racules was revived, was met with applause on the film set."

Yano: Everyone likes to imitate Racules's self introduction. I think that was the first time in a long time that I announced myself, so they were like, "Whoa, it's really him!" (laughs).

"It's like if during an impersonation show, the actual person appeared (laughs). What do you consider to be important in your dialogue with Kaguragi, who's played by Kaku-san?"

Yano: Kakkun (Kaku-san) has appeared in Taiga dramas, has a well built body, and his line delivery is also impressive. I clash with him seriously, and although Kakkun also responds, I try to be considerate about it. At times like those, I sometimes consult with him and ask, "Would you prefer if I did this way?"

"The scenes with Suzume, Kaguragi's sister and Racules's wife, are impressive for showing a different side to him than usual."

Yano: Racules doesn't often get closely involved with female characters. When a partner is as close to me as Suzume is, there's a part of me that feels embarrassed as Masato Yano. I think that Racules probably has something like that too, so I feel like I'm expressing a mixture of my feelings and Racules's feelings (laughs). In Suzume's case, I was impressed by the line he says to her in episode 42, "Meeting you was the greatest luck of my life." Does Racules trust Suzume? Does he have romantic feelings for her? I wasn't sure about either. When I saw that line in the script, I thought that Racules was quite devoted to Suzume, and that there was an element of true love for her.

"Was it unexpected that Racules had those feelings for Suzume?"

Yano: I think so. I thought that even if he had romantic feelings for her, he wouldn't express them in words, so it felt like an unexpected side to him.

-Joining forces with Gira, whose feelings overlap-

"Do you have any memorable interactions with Imai Yasuhiko-san, the Suit Actor in charge of OhkuwagataOhger?"

Yano: I often consult with Imai-san on the spot about the untransformed action scenes. He's very kind and answers everything I ask. In the second trial by combat scene (episode 20), there's an untransformed action scene with Gira. I worked on it while talking with Imai-san, Action Director Watanabe Jun-san, and Shige-san (Ito Shigeki-san), who plays KuwagataOhger. I also have fond memories of Imai-san using an air blower from the action department to blow air onto my back during filming. It was very hot that day, and because Racules's costume was designed to prevent heat from escaping, it was difficult. The makeup artists and production staff also used large fans to blow air, but the blower Imai-san brought with him made me feel much better and was very helpful.

"It's the kind of wisdom only a Suit Actor can offer."

Yano: Yes. It was my first experience putting an air blower inside my costume (laughs).

"Other than Racules, if you had to name your favorite character, who would it be?"

Yano: That's a tough one……This is going to be a pretty bland answer, but it's Reiniol. Reiniol's (costume) decorations are more dignified and flashy than that of Gira, Racules, and Causus, his father, also played by Nakamura Shido-san. In the wedding scene with Suzume (episode 20), I wore the gorgeous cape that Reiniol wore, but I felt that it was still too early for me (bitter smile). When I get alittle older, I'd like to play a role similar to Reiniol.

"Including filming and events such as the first pitch ceremony, please tell us about any memorable memories you had while working on King-Ohger."

Yano: Kakkun may be older than me, but it was great to stay involved with cast members who were younger than me for an entire year. I haven't had much experience with that, and even when I was in my early 20s, I spent my life as an actor with few opportunities to play student roles and such. It was fun for me to work with younger people on the same production. I think the first pitch you mentioned earlier was something I was able to do because I appeared in King-Ohger. It was very emotional for me to stand on the mound of Seibu Dome (currently Belluna Dome), where I used to go and watch baseball games with my father.

"For Yano-san, this production was a valuable experience."

Yano: Yeah. The fact that I was able to transform into a Sentai hero, and a silver one at that, gives it a special feeling. Actually, in my second or third year of elementary school, I appeared in "Kamen Rider" (Agito, episode 4). At that time, my role was that of a child being killed by the enemy, but now, I'm the one who transforms and protects them from enemies, which is pretty amazing.

"I sense a strange connection. From the episodes so far, which scenes have left the strongest impression on you?"

Yano: It's episode 42, where Gira and Racules fight against Dagded together. Even though he's attacked by Dagded and is about to die from being pierced by the sword, he asks Gira one final question. Since his revival, he hasn't had a chance to properly interact with Gira, so I was acting with the feeling of "do your best" not only to Gira, but also to Sakai-kun.

"In a sense, was it a scene where Racules and Yano-san's feelings for Gira and Sakai-san overlapped?"

Yano: Yeah, that might be it.

"Finally, please tell us about some future highlights."

Yano: The climax is approaching, and every episode until the final episode is full of highlights, but there'll be "break" episodes inbetween. There's a mysterious episode that makes me think, "Is it really okay to have such an exciting episode now?" (laughs). While everyone is playing a certain game, Racules becomes the referee. I feel like he looks more like Masato Yano than Racules (laughs). There was a previous episode (episode 11) that depicted Racules in everyone's imagination. I feel like you can watch it with a similar feeling to that one, so I'd like to mention it as a highlight (laughs). _

Question from Kaku So-san! (Kaguragi Dybowski's Actor)

Q: Why do you think Shugo Mask's mask makes noises, and that he has a raspy voice even though his mouth is sticking out?

I was also surprised when I saw the broadcast (laughs). The Director of that story (Kato Hiroyuki-san) likes comedic elements, so I think that's why he intentionally chose that kind of direction. As for my own theory, it's that the mouth of the mask is actually covered with some kind of transparent screen. There's various types of technology in the world of King-Ohger. Since he's actually speaking through a screen, you can hear the sound of his breathing, and his voice is different than usual……so, what do you think? (laughs). (-Yano)