#but I feel like its being spelled out more here

[warping-realities]

What She Wants

I know I promised the previous one would be the last one for a while but I had a video that I not use in one of the last stories and ended up creating a shorter one just so as not to waste it. I hope you like it.

Cherisse was pissed off. At her old schoolmates and at herself. The five-year reunion was coming up next weekend, and she was gonna have to show up all alone. She never really gave a damn about this kind of stuff, always focused on her career. But then, why the hell did she lie about having a boyfriend? She knew why—those bitches Brenda and Destiny with their pathetic little housewife lives and their useless husbands loved to say that because she was a bodybuilder, no guy would wanna date her. I mean, what kind of dude would go out with a woman bigger than him? That thought made her wanna scream, but those bitches had a point. Even the male bodybuilders ended up choosing curvier, less muscular women, which really pissed her off. The fact that she was so close to becoming a big star in the bodybuilding scene should’ve been enough to ease her doubts, but it wasn’t. In reality, she was so fed up with everything that she dropped her apartment key on the floor of the hallway in the tiny building she lived in, thanks to her job as a Personal Trainer. At least for now, since she had contracts lined up with several big brands by the time she stepped on Olympia stage in a few months, which was what she should’ve been worrying about. Frustrated and angry, she picked up the key from the floor and stood up, only to see David, her neighbor, walking by. The blond thin and extremely cute guy worked at a nearby coffee shop and was always super polite to her, even though any flirting attempts on him had been shot down.

She knew she couldn’t make him like her or… could she? Remembering the times she got shot down by the guy, combined with the frustration about the upcoming event and the possibility of being ridiculed by her old classmates… all of that lit a fire inside her that made her decide to take action. She’d been warned a bunch of times not to mess with her gift, that it could spiral out of control and come with a high price, but she was tired of being the good girl, tired of being humiliated. It was time to think about herself. She will get what she wanted.

….

After a long day at the coffee shop, all David wanted was to flop down on the couch in his tiny one-bedroom apartment and chill, and maybe, just maybe, look for a hookup on Grindr. After throwing on a tank top and some shorts, he was about to head out of his room when he heard a noise—there was someone else in the apartment. Creeping up to the door, he was freaked out and jumped.

“Cherisse, what the hell! What are you doing here? What you want?

“What I want, David? I want my boyfriend!” The muscular black woman replied, grinning like the Cheshire Cat.

“What? What the hell are you talking about?”

“Yeah, I want my boyfriend, David. My boyfriend who loves me and would do anything for me!”

“Cherisse… you’re out of your min…” David started to say, cutting himself off as a weird sensation flooded his body, like he was about to choke, making him gasp for air. Then he was shocked to hear his own voice while his mouth moved on its own.

“But that’s what you already have, babe.”

“Not enough! I want my boyfriend, bigger, more muscular, and stronger than me.”

The choking feeling hit him again, this time harder, along with a dizzy spell that made David wobble for a second. After a few seconds, he seemed to recover. With his giant biceps and powerful pecs on display, he looked a few inches shorter, with shaved hair and a square face, wich smiled to Cherisse.

“Stronger and more muscular for sure, and two inches taller!”

“No, I want more! I want my bodybuilder boyfriend, way bigger than me, my boyfriend with beautiful dark hair and a darker skin.”

In an instant, the bodybuilder David underwent a transformation, turning into a caramel-skinned version with brown eyes and well-kept dark hair and beard, maybe of Latin descent.

“Much better! Take off those shorts and pose for me, David!”

He obeyed, stripping down to just his underwear and flexing his powerful muscles for his girlfriend to see.

“Yummy, but I still want more.” She commented licking her lips without noticing the change in her voice and vocabulary. “I want my boyfriend with delicious choclate skin as dark as mine. My professional bodybuilder boyfriend, Mr. Olympia material boyfriend. My boyfriend who fulfills all my needs and will accompany me to my school reunion, and make all the jealous bitches shut up they skunk mouths. Now come, come to me, my love,” she said, as the uncontrolled power took over completely.

As the muscular giant, who minutes ago had been a gay dude just looking for a casual hookup, walked from the bedroom door towards her, with each step he took, he grew larger while his skin darkened to a chocolate tone. His pecs looked like two slabs of meat, his abs lost some definition, but his arms swelled to the size of tree trunks. As sweat dripped down his body, his black wavy hair transformed into small curls in a stylish cut with shaved sides, while his underwear turned into gym shorts, and the tiny apartment room morphed into a spacious mansion living room.

While all this was happening and the power dominated Cherisse’s mind, she didn’t notice that her short hair, which had fallen out due to steroid use started to grow back in beautifull well manteined curls while her voice gained an airy melodious tone. As the former David grew bigger, she shrank, her powerful muscles becoming smaller but defined, while her glutes became curvier and her breasts softer. Then, as the monstrous off-season bodybuilder stood smiling in front of her, her clothes evaporated, leaving her in a tiny bikini that showcased all her perfect curves. Finnaly the whirlwind of power seemed to reach its peak before fading away forever while the reality reset.

The smile on the behemoth's face quickly vanished when he noticed his girlfriend posing in the middle of their living room.

“Can I ask what the hell you’re doing, Cherisse?”

“Babe… I… I thought you’d be back later.”

“I decided to surprise my girlfriend, and guess who’s getting surprised? Don’t tell me you’re back to that ridiculous idea of competing in Bikini Fitness. I’ve already been clear with you about that. You don’t need to work, especially not by exposing your body; I’m the one who takes care of all my wife’s needs.”

“Wife? What do you mean?”

“Well, that was the surprise I was gonna pull on you, but it looks like…”

“Stop being silly, I was rehearsing, yeah, but it was just for you, my love.”

“Now you’re talking like my future wife,” he replied, with his smile returning.

….

That weekend, Cherisse was bursting with joy. As her boyfriend parked the car, she rushed over to meet her old school friends, Brenda and Destiny, in the garden of the beautiful restaurant they class picked for the high school reunion. After some kisses, hugs, and excited squeals, Brenda looked at her curiously.

“Is that on your finger what I think it is?”

“Yup!!! He proposed to me!!”

“So, we’re finally gonna meet your boyfriend… sorry, your fiancé?”

“Yeah, look over there,” Cherisse said, making her friends look at the handsome specimen of a man strutting confidently towards them—300 pounds of pure muscle covered in a beutifull chocolate skin, wearing a light gray suit with a vest and a shirt whose last buttons could never stay closed, showing off a gorgeous chest. All of this was topped off by a rugged face that could make knees weak.

“Girls, this is Deshaun, my fiancé,” she said, knowing the others would be dying of envy.

Later, as her friends walked in, Deshaun pulled her close.

“Are you happy, my love? I know how important this reunion was for you.”

“Happy? I’m totally fucking ecstatic, babe. I showed those bitches who’s the best. I’ve got the best house, the best body, and the best man. What more could I want?”

[fae-morrigan]

Someone put a post (where they admit they straight up dont know these characters lol, and also spell damian as 'damien' so like. yknow.) in the tags saying that if you're a fan of Jon & Jay, you shouldn't buy super son. Well, as the crowned CEO of Jay & Jon, I'm here to tell you guys that you absolutely should.

Super Son did the amazing thing of hitting several marks that I predicted while still managing to surprise me in how they hit them. Which is high praise for any story: A great narrative should be able to both meet reasonable audience expectations (i.e, staying in character, setup payoff) WHILE STILL throwing in curveballs that tell you something new.

There's a lot I want to analyze and get into, namely how I think the rooftop conversation between Jon & Nia is really brilliantly done in what it says about both characters, but mainly I've been thinking a lot about how great those last few pages were and how I think Sina absolutely nails how Jon & Jay's specific issues interact with each other.

Jay's always been a blunt person. From their first meeting back in SOKE 2, hes said what he thinks, and rarely does he try and soften himself. More than that, his bluntness is often a shield from vulnerability, which Jay struggles with the whole scene. It makes total sense, after what hes experienced (re-traumatization at the hands of a friend) that he's displaying that trait again.

Jon, however, is immediately vulnerable. This is the most poignant confession of the issue: Not even in the amazing sequence of Nia helping him make a place in the darkness (look, its back, thanks isabel!) do we get this admission of fear.

And Jay, like always, embraces him. Sidenote, LOVE how they got in the thing Jon does where he's constantly tucking his face in people's shoulders during hugs.

But the moment ends, and we get here. First of all, cold af. I could feel the aura before I turned the page.

Second of all: Jay is totally valid in feeling this way. And it makes perfect sense that he would.

Sara was his everything. Getting her back was one of his main motivations in SOKE. Because of Nia's actions, she died horribly (do you know what happens to a person when they fall from that sort of height? I do. Its AWFUL.) for an unjust cause. Of course he's glad she can't hurt anyone else!

And that's when we get to my FAVORITE PART! Oh how I love this bit. Because like. You understand why Jon's angry- Its a harsh thing for Jay to say! Nia was the one who kept him sane while he was trapped in his own mind! But Jay, like always, is RIGHT: Jon DOESN'T get it. How could he?

Jon Kent will NEVER, ever, be put in this position. Out of universe, his parents are Clark Kent and Lois Lane. They'll ALWAYS come back. Hell, the fact they'll always come back is something Ma LITERALLY says to Jon in SOKE. He will never, ever have to know this pain.

In universe, Jon's a white american. Despite being queer, despite being an alien, he'll never know what its like to be this kind of collateral, delegated as pawns in a greater war for 'freedom'. That is what killed Sara at the end of the day: imperialism.

This next bit hurts my heart. Great job, guys!

For one: Jon claims he's not excusing the mistakes Nia made, but by downplaying it like this... yes he is. But did you catch that part? Right at the start of that bubble?

"I'm going to fight every day to make up for my own part in this."

That's where it clicked for me. Something I had been hoping for since Nicole first called them twin flames.

He's projecting.

Of COURSE he's defending Nia. Of COURSE he wants Jay to forgive her. It isn't just about the fact that she gave him support, it isn't just the dreams, its the fact that... well. If Jay can't forgive her... how could he EVER forgive HIM?

THIS is where the fact that Jon and Nia are so similar as character SINGS. They become mirrors to each other, evaluating their own self worth through the other, at the unintentional expense of the people they've hurt.

Jay's right, though. Again. Its almost like he's the embodiment of the truth or something. He doesn't HAVE to do anything.

When he starts crying though, I immediately was RUINED. This is the first time we have EVER seen him cry before during his entire existence of a character. And its not really even because his mom is dead (though yes, that) and its not even because of the argument. Its because Jay fundamentally wants to be understood, and he's not getting that.

Which is important for the next bit:

I want to first backtrack a bit to Son of Kal El again, specifically, issue fourteen, right here.

Hello, two-panel sequence that succinctly describes these two as characters. How convenient you are for me, a guy analyzing a work that isn't written prose.

Jon isn't good at letting go, for better or for worse. The things he cares about stay with him, and when something or someone tries to exit his life, he clings to them with all his might.

Jay however, both selflessly and selfishly, is willing to let go first if he thinks its better for the other person. To me this line so effortlessly summarizes who Jay is- he's a person who's accustomed to not having things, and will leave before it hurts and he gets too attached.

And that thought is ALL over this scene. Jay, who begins to let go, Jon, who both literally and physically CLINGS to jay, practically begging him to stay.

(Sidenote. This is like, the third time Jay mentions breaking up when Jon starts acting up. Good for you king, keep that white boy on his toes, let him know he ain't all that.)

Every little detail of this four panel sequence is killing me. "My worst nightmare is not having a home with you in it." His greatest desire. The thing that kept tipping him off in every fake reality Nia constructed for him- Jay's absence. Him wiping the tear of Jay's cheek. Jay walking away from him.

But what really gets me is how on this page, Jon talks about them as 'we', while Jay is firmly stuck in 'I.'

This is what made me LOSE MY MARBLES at three in the morning. Just utterly fucking off my rocker in a straightjacket talking to myself.

Because this is what JON wants. But is it what JAY wants?

Jon never asks.

What about what Jay fears? What about the life that HE wants? What if he doesn't want San Francisco? What if the life he wants is the life he HAD before everything went wrong? Jon outright says he wants a fresh start. But Jay, Jay's someone with such deep connections to what he just lost, what he likely WANTS to get back. His country. His mother. His sense of self. But. He says yes.

(Sidenote. FIRST I LOVE YOU WOOOOOOOOOO) To quote my buddy Dami: Oh, the drama of needing a future with someone who can't get over the past.

It is left unclear, by the end, whether or not Jay is saying yes to this because he genuinely wants to, or if he's only saying yes because he doesn't want to lose Jon, too. Jon doesn't stop to question whether or not Jay's only reaching after him because Jon's walking away. We, the audience, are left to ponder that for ourselves.

How much of Jay saying yes is him just accepting that this is the best he's going to get? That he's never going to be understood because nobody wants to understand?

He's an afterthought to Nia, an obstacle at best, and to Jon he's a particularly handsome prop in this little fantasy he has of running away and starting new. He's either not thought of at all, or when he is thought about, it's in the context of how he can emotionally fulfill the other person And you get why Jon did this. He's desperate, he's hurting, he just got tangible evidence that the time he has with the people he loves isn't ever guaranteed. He's been needing space from Clark and Lois for MONTHS because god knows they haven't been fulfilling his emotional needs. In a very real sense, Jay is who he has.

But wanting someone to stay with you so much that you'll... Not even ignore, but just not ever consider what they may want. The intentional isolation, moving halfway across the country away from all support systems. The need to cling to someone.

It reminds me of... something. Someone.

Don't tell Jon I made this comparison. He'll kill himself. Jon and Ultraman ARE similar. They're both such deeply lonely people who cling very tightly and even though it manifests in different ways and even though they have different core thoughts about it. The effect at the end of the day is the same, isn't it?

Is loving Jay not a brutal act of destruction?

There's so many more details about this story I love. Jon & Nia's conversation being vague enough that you have no idea how Jon meant what he told her but you KNOW how NIA took it (girl you can do better hes literally ugly!). Jon breaking a pillar by bonking his head against it (LMFAO). The pretty lies vs ugly truth dichotomy of Jay vs Nia here.

But this one scene, man. This one fucking scene takes the cake. STELLAR work all around. Every panel counts.

This better lead into a full Superman & Gossamer run or SOMETHING or I'm going to have WORDS with DC's editorial staff.

[youngpettyqueen]

so Boom was absolutely foreshadowing the Master coming back right

[anominous-user]

Double Indemnity, Veritas Ratio and Aventurine

This was originally a part of my compilation post as a short analysis on the Double Indemnity references, linking to this great thread by Manya on Twitter. However, I've recently watched the movie and found that the parallels run much deeper than just the mission name and the light cone itself, plus as the short synopsis I've read online. Since there isn't really an in-depth attempt at an analysis on the film in relation to the way Aventurine and Ratio present themselves throughout Penacony, I thought I'd take a stab at doing just that. I will also be bringing up things from Manya's thread as well as another thread that has some extra points.

Disclaimer that I... don't do analyses very often. Or write, in general — I'm someone who likes to illustrate their thoughts (in the artistic sense) more than write. There's just something about these two that makes me want to rip into them so badly, so here we are. If there's anything you'd like to add or correct me on, feel free to let me know in the replies or reblogs, or asks. This ended up being a rather extensive deep dive into the movie and its influences on the pairing, so please keep that in mind when pressing Read More.

There are two distinct layers on display in Ratio and Aventurine's relationship throughout Penacony, which are references to the two most important relationships in the movie — where they act like they hate/don’t know each other, and where they trust each other.

SPOILER WARNING for the entire movie, by the way. You can watch the film for free here on archive.org, as well as follow along with the screenplay here. I will also be taking dialogue and such from the screenplay, and cite quotes from the original novel in its own dedicated section. SPOILER WARNING for the Cat Among Pigeons Trailblaze mission, as well.

CONTENT WARNING FOR MENTIONS OF SUICIDE. YOU HAVE BEEN WARNED.

To start, Double Indemnity (1944) is a film noir by Billy Wilder (and co-written by Raymond Chandler) based on the novel of the same name by James M. Cain (1927). There are stark differences between the movie adaptation and the original novel which I will get into later on in this post, albeit in a smaller section, as this analysis is mainly focused on the movie adaptation. I will talk about the basics (summaries for the movie and the game, specifically the Penacony mission in tandem with Ratio and Aventurine) before diving into the character and scene parallels, among other things.

—

[THE NAME]

The term "double indemnity" is a clause in which if there’s a case of accidental death of a statistically rare variety, the insurance company has to pay out multiple of the original amount. This excludes deaths by murder, suicide, gross negligence, and natural causes.

The part of the mission in Cat Among Pigeons where Ratio and Aventurine meet with Sunday is named after the movie. And before we get further into things, let's get this part out of the way: The Chinese name used in the mission is the CN title of the movie, so there's no liberties taken with the localization — this makes it clear that it’s a nod to the movie and not localization doing its own thing like with the mission name for Heaven Is A Place On Earth (EN) / This Side of Paradise (人间天堂) (CN).

—

[SUMMARY OF THE 1944 MOVIE]

Here I summarised the important parts that will eventually be relevant in the analysis related to the game.

Insurance salesman Walter Neff, wounded from a gunshot, enters his office and confesses his crime on a dictaphone to his boss Barton Keyes, the claims manager. Much earlier, he had met Phyllis Dietrichson, the wife of Mr. Dietrichson and former nurse. Neff had initially wanted to meet Mr. Dietrichson because of car insurance. Phyllis claims her husband is mean to her and that his life insurance goes to his daughter Lola. With Neff seduced by Phyllis, they eventually brew up a scheme to murder Mr. Dietrichson in such a way that they activate the "double indemnity" clause, and the plan goes off almost perfectly. Initially, the death is labeled a suicide by the president of the company, Norton. 

Keyes finds the whole situation suspicious, and starts to suspect Phyllis may have had an accomplice. The label on the death goes from accidental, to suicide, to then murder. When it’s ruled that the husband had no idea of the accidental policy, the company refuses to pay. Neff befriends Phyllis’ stepdaughter Lola, and after finding out Phyllis may have played a part in the death of her father’s previous wife, Neff begins to fear for Lola and himself, as the life insurance would go all towards her, not Phyllis.

After the plan begins to unravel as a witness is found, it comes out that Lola’s boyfriend Nino Zachette has been visiting Phyllis every night after the murder. Neff goes to confront Phyllis, intending to kill her. Phyllis has her own plans, and ends up shooting him, but is unable to fire any more shots once she realises she did love him. Neff kills her in two shots. Soon after telling Zachette not to go inside the house, Neff drives to his office to record the confession. When Keyes arrives, Neff tells him he will go to Mexico, but he collapses before he could get out of the building.

—

[THE PENACONY MISSION TIMELINE]

I won’t be summarising the entirety of Aventurine and Ratio’s endeavours from the beginning of their relationship to their final conversation in Heaven Is A Place On Earth the same way as I summarised the plot of the movie, so I will instead present a timeline. Bolded parts means they are important and have clear parallels, and texts that are in [brackets] and italics stand for the names of either the light cone, or the mission names.

[Final Victor] Their first meeting. Ratio’s ideals are turned on its head as he finally meets his match.

Several missions happen in-between their first encounter and the Penacony project. They come to grow so close and trusting with each other that they can guess, understand each other’s thoughts, way of thinking and minds even in high stakes missions. Enough to pull off the Prisoner’s Dilemma (Aventurine’s E1) and Stag Hunt Game (Aventurine’s E6) and come out on top.

Aventurine turns towards Ratio for assisting him in the Penacony project. Ratio's involvement in the project is implied to be done without the knowledge of Jade, Topaz, and the IPC in general, as he was only sent to Penacony to represent the Intelligentsia Guild, and the two other Stonehearts never mention Ratio.

Aventurine and Ratio cook up the plan to deceive Sunday before ever setting foot on Penacony. Aventurine does not tell Ratio the entirety of his plan.

Aventurine convinces Topaz and Jade to trust him with their Cornerstones. Aventurine also breaks his own Cornerstone and hides it along with the jade within a bag of gift money.

[The Youth Who Chase Dreams] They enter Penacony in the Reverie Hotel. Aventurine is taken to the side by Sunday and has all his valuables taken, which includes the gift money that contains the broken aventurine stone, the jade, and the case containing the topaz.

Aventurine and Ratio speak in a “private” room about how Aventurine messed up the plan. After faking an argument to the all-seeing eyes of Sunday, Ratio leaves in a huff.

Ratio, wearing his alabaster head, is seen around Golden Hour in the (Dusk) Auction House by March 7th.

[Double Indemnity] Ratio meets up with Sunday and “exposes” Aventurine to him. Sunday buys his “betrayal”, and is now in possession of the topaz and jade. Note that this is in truth Ratio betraying Sunday all along.

Ratio meets up with Aventurine again at the bar. Ratio tells Aventurine Sunday wants to see him again.

They go to Dewlight Pavilion and solve a bunch of puzzles to prove their worth to Sunday.

They meet up with Sunday. Sunday forces Aventurine to tell the truth using his Harmony powers. Ratio cannot watch on. It ends with Aventurine taking the gift money with his Cornerstone.

[Heaven Is A Place On Earth] They are in Golden Hour. Ratio tries to pry Aventurine about his plan, but Aventurine reins him in to stop breaking character. Ratio gives him the Mundanite’s Insight before leaving. This is their final conversation before Aventurine’s grandest death.

Now how exactly does the word “double indemnity” relate to their mission in-game? What is their payout? For the IPC, this would be Penacony itself — Aventurine, as the IPC ambassador, handing in the Jade Cornerstone as well as orchestrating a huge show for everybody to witness his death, means the IPC have a reason to reclaim the former prison frontier. As for Ratio, his payout would be information on Penacony’s Stellaron, although whether or not this was actually something he sought out is debatable. And Aventurine? It’s highly implied that he seeks an audience with Diamond, and breaking the Aventurine Cornerstone is a one way trip to getting into hot water with Diamond. With Aventurine’s self-destructive behaviour, however, it would also make sense to say that death would be his potential payout, had he taken that path in the realm of IX.

Compared to the movie, the timeline happens in reverse and opposite in some aspects. I will get into it later. As for the intended parallels, these are pretty clear and cut:

Veritas Ratio - Walter Neff

Aventurine - Phyllis Dietrichson

Sunday - Mr. Dietrichson

There is one other character who I feel also is represented in Ratio, but I won’t bring them up until later down the line.

For the sake of this analysis, I won’t be exploring Sunday’s parallel to Mr. Dietrichson, as there isn’t much on Dietrichson’s character in the first place in both the movie and the novel. He just kind of exists to be a bastard that is killed off at the halfway point. Plus, the analysis is specifically hyper focused on the other two.

—

[SO, WHAT’S THE PLAN?]

To make things less confusing in the long run whenever I mention the words “scheme” and “plan”, I will be going through the details of Phyllis and Neff’s scheme, and Aventurine and Ratio’s plan respectively. Anything that happens after either pair separate from another isn’t going to be included. Written in a way for the plans to have gone perfectly with no outside problems.

Phyllis and Neff —> Mr. Dietrichson

Goal: Activate the double indemnity clause by killing Mr. Dietrichson and making it look like a freak train accident

Payout: Twice or more of the face value of the life insurance ($100,000)

Main Actor: Walter Neff    |    Accomplice: Phyllis Dietrichson

During the entire time until the payout, Phyllis and Neff have to make sure to any outsiders that they look like complete strangers instead of lovers in an affair.

Step-by-step:

Neff convinces Mr. Dietrichson to sign the policy with the clause without him suspecting foul play, preferably with a third party to act as an alibi. This is done discreetly, making Mr. Dietrichson not read the policy closely and being told to just sign.

Neff and Phyllis talk to each other about small details through the phone (specified to be never at Phyllis’ own house and never when Neff was in his office) and in the marketplace only, to make their meetings look accidental. They shouldn’t be seen nor tracked together, after all.

Phyllis asks Mr. Dietrichson to take the train. She will be the one driving him to the train station.

On the night of the murder, after making sure his alibi is airtight, Neff sneaks into their residence and hides in their car in the second row seating, behind the front row passenger seat. He wears the same colour of clothes as Mr. Dietrichson.

Phyllis and Mr. Dietrichson get inside the car — Phyllis in the driver’s seat and Mr. Dietrichson in the passenger seat. Phyllis drives. On the way to the train station, she makes a detour into an alley. She honks the horn three times.

After the third honk, Neff breaks Mr. Dietrichson’s neck. The body is then hidden in the second row seating under a rug.

They drive to the train station. Phyllis helps Neff, now posing as Mr. Dietrichson, onto the train. The train leaves the station.

Neff makes it to the observation platform of the parlour car and drops onto the train tracks when nobody else is there.

Phyllis is at the dump beside the tracks. She makes the car blink twice as a signal.

The two drag Mr. Dietrichson’s corpse onto the tracks.

They leave.

When Phyllis eventually gets questioned by the insurance company, she pretends she has no idea what they are talking about and eventually storms off.

Phyllis and Neff continue to lay low until the insurance company pays out.

Profit!

Actual Result: The actual murder plan goes almost smoothly, with a bonus of Mr. Dietrichson having broken a leg. But with him not filing a claim for the broken leg, a witness at the observation platform, and Zachette visiting Phyllis every night after the murder, Keyes works out the murder scheme on his own, but pins the blame on Phyllis and Zachette, not Neff.

Now for Aventurine and Ratio. You can skip this section if you understand how deep their act goes, but to those who need a refresher, here’s a thorough explanation:

Aventurine and Ratio —> Sunday

Goal: Collect the aventurine stone without Sunday knowing, ruin the dream (and create the grandest death)

Payout: Penacony for the IPC, information on the Stellaron for Ratio, a meeting with Diamond / death for Aventurine

Main Actor: Aventurine    |    Accomplice: Veritas Ratio

From the moment they step onto Penacony, they are under Sunday’s ever present and watchful eyes. “Privacy” is a foreign word to The Family. They have to act like they don’t like each other’s company the entire time and feed Sunday information through indirect means so that the eventual “betrayal” by Ratio seems truthful to Sunday. Despite what it looks like, they are closer than one would ever think, and Ratio would never sell out a person purely for information.

Step-by-step:

After Sunday takes away the bag of gift money and box, Aventurine and Ratio talk in a room in the Reverie Hotel.

Aventurine establishes the Cornerstones’ importance, and how he lost the gift money and the case containing the Cornerstones to Sunday. Ratio turns to leave, saying “some idiot ruined everything”, meaning the Cornerstones were vital to their plan. (Note that Ratio is not wearing his alabaster head while saying it to said “idiot”.)

Aventurine then proceeds to downplay the importance of the Cornerstones, stating they are “nothing more than a few rocks” and “who cares if they are gone”. This lets Sunday know that something suspicious may be going on for him to act like it’s nothing, and the mention of multiple stones, and leaves him to look up what a Cornerstone is to the Ten Stonehearts of the IPC.

Ratio points out his absurd choice of outfit, mentioning the Attini Peacock and their song.

Ratio implies that without the aventurine stone, he is useless to the IPC. He also establishes that Aventurine is from Sigonia(-IV), and points out the mark on his neck. To Sunday, this means that Aventurine is shackled to the IPC, and how Aventurine may possibly go through extreme lengths to get the stone back, because a death sentence always looms above him.

Aventurine claims Ratio had done his homework on his background, which can be taken that this is their very first time working together. (It isn’t, and it only takes one look to know that Aventurine is an Avgin because of his unique eyes, so this comment does not make sense even in a “sincere” way, a running theme for the interaction.)

Ratio mentions how the true goal is to reclaim Penacony for the IPC, establishing their ulterior motive for attending the banquet.

Ratio asks if Aventurine went to pre-school in Sigonia after saying trust was reliant on cooperation. Aventurine mentions how he didn’t go to school and how he doesn’t have any parents. He even brings up how friends are weapons of the Avgins. This tells Sunday that the Avgins supposedly are good at manipulation and potentially sees Ratio possibly betraying Aventurine due to his carelessness with his “friends”. Sunday would also then research about the Avgins in general (and research about Sigonia-IV comes straight from the Intelligentsia Guild.)

Ratio goes to Dewlight Pavilion in Sunday’s Mansion and exposes a part of Aventurine’s “plan”. When being handed the suitcase, Ratio opens it up due to his apparent high status in the IPC. He tells Sunday that the Cornerstone in the suitcase is a topaz, not an aventurine, and that the real aventurine stone is in the bag of gift money. This is a double betrayal — on Aventurine (who knows) and Sunday (who doesn’t). Note that while Ratio is not officially an IPC member in name — the Intelligentsia Guild (which is run by the IPC head of the Technology Department Yabuli) frequently collaborates with the IPC. Either Aventurine had given him access to the box, or Ratio’s status in general is ambiguous enough for Sunday not to question him further. He then explains parts of Aventurine’s gamble to Sunday in order to sell the betrayal. Note that Ratio does not ever mention Aventurine’s race to Sunday.

Ratio brings Aventurine to Sunday. Aventurine offers help in the investigation of Robin's death, requesting the gift money and the box in return.

Sunday objects to the trade offer. Aventurine then asks for just the bag. A classic car insurance sales tactic. Sunday then interrogates Aventurine, and uses everything Ratio and Aventurine brought up in the Reverie Hotel conversation and their interactions in the Mansion, as well as aspects that Ratio had brought up to Sunday himself.

Aventurine feigns defeat and ignorance enough so that Sunday willingly lets him go with the gift bag. After all is said and done, Aventurine leaves with the gift money, where the Aventurine Cornerstone is stored all along.

Ratio and Aventurine continue to pretend they dislike each other until they go their separate ways for their respective goals and plans. Aventurine would go on to orchestrate his own demise at the hands of Acheron, and Ratio… lurks in the shadows like the owl he is.

Profit!

Actual Result: The plan goes perfectly, even with minor hiccups like Ratio coming close to breaking character several times and Aventurine being sentenced to execution by Sunday.

This is how Sunday uses the information he gathered against Aventurine:

• Sunday going on a tirade about the way Aventurine dresses and how he’s not one to take risks — Ratio’s comment about Aventurine’s outfit being peacock-esque and how he’s “short of a feather or two”. • “Do you own a Cornerstone?” — Ratio talked about the aventurine stone. • “Did you hand over the Cornerstone to The Family when you entered Penacony?” — Aventurine mentioned the box containing the Cornerstones. • “Does the Cornerstone you handed over to The Family belong to you?” — Aventurine specifically pluralized the word Cornerstone and “a bunch of rocks” when talking to Ratio. • “Is your Cornerstone in this room right now?” — The box in the room supposedly contained Aventurine’s own cornerstone, when Aventurine mentioned multiple stones. • “Are you an Avgin from Sigonia?” —Aventurine mentioned that he’s an Avgin, and Ratio brought up Sigonia. • “Do the Avgins have any ability to read, control, and manipulate one’s own or another’s minds?” — Aventurine’s comment on how friends are weapons, as well as Sunday’s own research on the Avgins, leading him to find out about the negative stereotypes associated with them. • “Do you love your family more than yourself?” — His lost parents. “All the Avgins were killed in a massacre. Am I right?” — Based on Sunday’s research into his background. • “Are you your clan’s sole survivor?” — Same as the last point. “Do you hate and wish to destroy this world with your own hands?” — Ratio mentioned the IPC’s goal to regain Penacony, and Aventurine’s whole shtick is “all or nothing”. • “Can you swear that at this very moment, the aventurine stone is safe and sound in this box?” — Repeat.

As seen here, both duos have convoluted plans that involve the deception of one or more parties while also pretending that the relationship between each other isn’t as close as in reality. Unless you knew both of them personally and their histories, there was no way you could tell that they have something else going on. 

On to the next point: Comparing Aventurine and Ratio with Phyllis and Neff.

—

[NEFF & PHYLLIS — RATIO & AVENTURINE]

With the short summaries of the movie and the mission out of the way, let’s look at Phyllis and Neff as characters and how Aventurine and Ratio are similar or opposite to them.

Starting off with Aventurine and Phyllis. Here is where they are the most similar:

Phyllis is blonde and described as a provocative woman. Aventurine is also a blond and eyes Ratio provocatively in the Final Victor light cone.

Phyllis was put under surveillance after Keyes starts figuring out that the so-called accidental death/suicide may have been a murder after all. Similarly, Aventurine was watched by Sunday the entire time in Penacony.

Phyllis never tells Neff how she's seeing another man on the side to possibly kill him too (as well as how she was responsible for the death of her husband‘s previous wife). Aventurine also didn't tell Ratio the entirety of his plan of his own death.

Phyllis puts on a somewhat helpless act at first but is incredibly capable of making things go her way, having everything seemingly wrapped around her finger. Aventurine — even when putting on a facade that masks his true motives — always comes out at the top.

Now the differences between Aventurine and Phyllis:

Phyllis does not care about her family and has no issue with killing her husband, his previous wife, and possibly her daughter Lola. Opposite of that, Aventurine is a family man… with no family left, as well as feeling an insane level of survivor’s guilt.

Really, Phyllis just… does not care at all about anyone but herself and the money. Aventurine, while he uses every trick in the book to get out on top, does care about the way Jade and Topaz had entrusted him with their Cornerstones, in spite of the stones being worth their lives. 

Phyllis also uses other people to her advantage to get what she wants, often behind other people's backs, with the way she treats Neff and Zachette. Aventurine does as well (what with him making deals with the Trailblazer while also making a deal with Black Swan that involves the Trailblazer). The difference here is Phyllis uses her allure deliberately to seduce men while Aventurine simply uses others as pawns while also allowing others to do the same to himself.

Phyllis makes no attempt at compromising the policy when questioned by Norton. Aventurine ends up compromising by only taking the gift money (which is exactly what he needs).

The wig that Barbara Stanwyck (the actress of Phyllis) wore was chosen to make her look as “sleazy” as possible, make her look insincere and a fraud, a manipulator. A sort of cheapness. Aventurine’s flashy peacock-esque outfit can be sort of seen as something similar, except the outfit isn’t cheap.

Moving on to Ratio’s similarities to Neff… There isn’t much to extrapolate here as Ratio is more of a side character in the grand scheme of Penacony, however this is what I’ve figured out.

Neff has dark hair. Ratio has dark purple hair.

Neff almost never refers to Phyllis by her name when speaking with her, only as “baby”. The few times he refers to her as Phyllis or Mrs. Dietrichson is during their first conversations and when he has to act like he doesn’t know her. Ratio never calls Aventurine by his name when he’s around him — only as “gambler”, sometimes “damned” or “dear” (EN-only) gambler. Only in the Aventurine's Keeping Up With Star Rail episode does Ratio repeatedly say his name, and yet he still calls him by monikers like “gambler” or, bafflingly, a “system of chaos devoid of logic”.

Both Neff and Ratio committed two betrayals: Neff on Mr. Dietrichson and Keyes, and Ratio on Sunday and Aventurine. With the former cases it was to reach the end of the trolley line, and with the latter it was on a man who had put his trust in him.

As for the differences…

Neff is described as someone who’s not smart by his peers. Ratio is someone who is repeatedly idolised and put on a pedestal by other people.

Neff is excellent at pretending to not know nor care for Phyllis whenever he speaks about her with Keyes or when he and she are in a place that could land them in hot water (the office, the mansion when there are witnesses). His acting is on the same level as Phyllis. With Ratio it’s… complicated. While he does pull off the hater act well, he straight up isn’t great at pretending not to care about Aventurine’s wellbeing.

Instead of getting his gunshot wound treated in the hospital like a normal person, Neff makes the absolutely brilliant decision of driving to his office and talking to a dictaphone for hours. Needless to say, this is something a medical doctor like Ratio would never do.

Now here's the thing. Though it's very easy to just look at Phyllis and Neff in the movie and go "okay, Aventurine is Phyllis and Ratio is Neff — end of story" and leave it at that, I find that they both take from the two leads in different ways. Let me explain. Beginning with Aventurine and Neff…

Neff is the one who hatches the plan and encourages Phyllis to go through and claim the double indemnity clause in the first place. He is also the key player of his own risky plan, having to fake being the husband to enter the train as well as fake the death. Aventurine puts himself at great risk just by being in Sunday’s presence, and hoping that Sunday wouldn’t figure out that the green stone he had uncovered wasn’t the aventurine stone.

Adding onto the last point, Neff had fantasised about pulling off the perfect murder for a long time — the catalyst was simply him meeting Phyllis. Aventurine presumably sought out Ratio alone for his plan against Sunday.

Neff makes a roulette wheel analogy and talks about a pile of blue and yellow poker chips (the latter in the script only). I don‘t even have to explain why this is relevant here. (Aventurine’s Ultimate features a roulette wheel and the motif is on his belt, thigh strap, and back, too. And of course, Aventurine is all about his chips.)

Neff has certain ways to hide when he’s nervous, which include hiding his hands in his pockets when they were shaking, putting on glasses so people couldn’t see his eyes. Aventurine hides his left hand behind his back when he’s nervous: Future Aventurine says that "they don't know the other hand is below the table, clutching [his] chips for dear life", and in multiple occasions such as the Final Victor LC, his character trailer, and even in his boss form in the overworld you can see that Aventurine hides his left hand behind his back. And he is also seen with his glasses on sometimes.

Neff says a bunch of stuff to make sure that Phyllis acts her part and does not act out of character (i.e. during their interactions at the market), like how Aventurine repeatedly tries to get Ratio back on track from his subpar acting.

Neff is always one step ahead of the game, and the only reason the plan blows up in his face is due to outside forces that he could not have foreseen (a witness, Keyes figuring out the plan, the broken leg). Aventurine meanwhile plays 5D chess and even with the odds against him, he uses everything he can to come out on the top (i. e. getting Acheron to kill him in the dream).

Even after coming home on the night of the murder, Neff still felt that everything could have gone wrong. Aventurine, with his blessed luck, occasionally wavers and fears everything could go wrong whenever he takes a gamble.

Neff was not put under surveillance by Keyes due to him being extensive with his alibi. After witnessing Robin’s death with eyewitnesses at the scene, the Family had accepted Aventurine’s alibi, though he would be under watch from the Bloodhounds according to Ratio.

Neff talks about the entire murder scheme to the dictaphone. Aventurine during Cat Among Pigeons also retells his plan, albeit in a more convoluted manner, what with his future self and all.

Continuing with Ratio and Phyllis, even with their personalities and motivations being quite different, they do have a few commonalities.

Phyllis was a nurse. Ratio is a medical doctor.

Her name is Greek of origin. Veritas Ratio, though his name is Latin, has Greco-Roman influences throughout his entire character.

The very first scene Phyllis appears in has her wearing a bath towel around her torso. Ratio loves to take baths to clear his mind.

Phyllis was instructed by Neff to be at the market every morning at eleven buying things. Ratio is seen in an auction house with his alabaster head on so no one could recognize him.

Phyllis mostly acts as an accomplice to the scheme, being the one to convince her husband to take the train instead. She is also generally seen only when Neff is involved. Ratio plays the same role as well, only really appearing in the story in relation to Aventurine as well as being the accomplice in Aventurine’s own death. Even him standing in the auction house randomly can be explained by the theory that he and Aventurine had attempted to destabilise Penacony’s economy through a pump and dump scheme.

With these pointers out of the way, let’s take a closer look at select scenes from the film and their relation to the mission and the pair. 

—

[THE PHONE CALL — THE REVERIE HOTEL]

Before the murder, there is a scene with a phone call between Phyllis and Neff discussing the plan while Keyes is in the same room as Neff. Neff has to make sure that Keyes doesn’t think of anything of the phone call, so he acts like he’s calling a “Margie”, and says a bunch of stuff that sounds innocent out of context (“Can’t I call you back, ‘Margie’?” “What color did you pick out?” “Navy blue. I like that fine”), but are actually hinting at the real plan all along (the suit that Mr. Dietrichson wears.)

In a roundabout way, the conversation between Ratio and Aventurine in the Reverie Hotel can be seen as the opposite of that scene — with the two talking about their supposed plan out loud on Penacony ground, a place where the Family (and in turn, Sunday) has eyes everywhere. Despite being in a “private” room, they still act like they hate each other while airing out details that really do not make sense to air out if they really did meet the first time in Penacony (which they didn’t — they’ve been on several missions beforehand). It’s almost like they want a secret third person to know what they were doing, instead of trying to be hushed up about it. The TVs in the room that Sunday can look through based on Inherently Unjust Destiny — A Moment Among The Stars, the Bloodhound statue that disappears upon being inspected, the owl clock on the left which side eyes Ratio and Aventurine, all point to that Sunday is watching their every move, listening to every word.

Rewinding back to before the phone call, in one of the encounters at the marketplace where they “accidentally” run into each other, Phyllis talks about how the trip was off. How her husband wouldn’t get on the train, which was vital for their plan, because of a broken leg. All this, while pretending to be strangers by the passersby. You could say that the part where Ratio almost leaves because Aventurine had “ruined the plan” is the opposite of this, as the husband breaking his leg was something they couldn’t account for, while Aventurine “being short of a few feathers” was entirely part of the plan.

—

[QUESTIONING PHYLLIS — THE INTERROGATION]

This section is going to be a little longer as I will cover two scenes in the movie in a more detailed manner — Mr. Dietrichson signing the policy, and Phyllis being questioned — and how they are represented in the Sunday-Aventurine interrogation and the prior conversation between Ratio and Sunday in multitudes of ways.

Going about their plan, Neff has to make sure that Mr. Dietrichson signs the policy with the double indemnity clause without him knowing the details, all the while having Phyllis (and Lola) in the same room. He and Phyllis have to pretend that they don’t know each other, and that this is just the standard accidental insurance process, instead of signing what would be his downfall. To sell it, he gets Mr. Dietrichson to sign two “copies” of the form, except with Mr. Dietrichson’s second signature, he’s duped into signing the accident insurance policy with the respective clause.

You can tie this to how Ratio goes to Sunday in order to “expose” the lie that the suitcase didn’t actually contain the Aventurine Cornerstone, as well as there being more than one Cornerstone involved in the scheme. Ratio must make sure that Sunday truly believes that he dislikes Aventurine’s company, while also making sure that Sunday doesn’t figure out the actual aventurine stone is broken and hidden in the gift bag. The scheme turns out to be successful, as Sunday retrieves the two Cornerstones, but not the aventurine stone, and truly does think that the green stone he has in his possession is the aventurine.

This whole scene with Sunday is also reminiscent of the interrogation scene in the middle of the movie, where Phyllis was questioned by the boss (Norton) who was deducing that Mr. Dietrichson's death was a suicide, not accidental death. Neff, Phyllis, Keyes and Norton were all in the same room, and Neff and Phyllis had to act like they never knew the other. Phyllis acts like she knows nothing about what Norton insinuates about her husband and eventually, Phyllis explodes in anger and storms out the room, even slamming the door. Her act is very believable to any outsider.

Now back to the Ratio and Sunday conversation. One glaring difference between the movie and here is that his acting isn’t great compared to either Phyllis nor Neff. It never was throughout the Penacony mission. He even comes very close to breaking character several times, and is even defending Aventurine in a somewhat aggressive manner during his one-on-one conversation with Sunday, as in he literally tells Sunday to see a shrink. It’s very different from the way he was acting in Herta Space Station — like Ratio cares about Aventurine too much to keep his hands off.

It's also worth pointing out that Neff doesn't speak a word when Phyllis was being interrogated. Similarly, Ratio is silent throughout the entire scene with Sunday and Aventurine, with his only “line” being a “hm”. When Aventurine calls him a wretch to his face, all he does is look to the side. In fact, he can only look at Aventurine when the other isn’t staring back. Almost like him uttering a single word would give them away. Or his acting is terrible when it has to do with Aventurine, as he has no issue doing the same thing in Crown of the Mundane and Divine (Mundane Troubles).

So, Sunday finds out about the Cornerstones and reveals them to Aventurine, and reasons that he cannot give them back to him because Aventurine had lied. Note that in that same scene, Aventurine attempted to use the two murders that had occurred beforehand against Sunday to retrieve his own cornerstone. Similarly, when it was revealed that Mr. Dietrichson did not know about the accident policy and that the so-called “accidental death” was not, in fact, accidental, the insurance company refused to pay out the money.

Unlike the movie, this was all planned, however. The double-crossing by Ratio, the gift money being the only thing required for Aventurine’s real plan. All of it was an act of betrayal against Sunday, in the same manner as the meticulous planning as Mr. Dietrichson’s murder — To sign the policy, get him to take the train, kill him on the way, and to have Neff pose as the husband on the train until the time is right to get off and lay the body on the tracks. A key difference is that they could not have expected their scheme to be busted wide open due to forces outside of their control, while Ratio and Aventurine went straight down the line for the both of them no matter what.

From here on out, we can conclude that the way Ratio and Aventurine present themselves in Penacony to onlookers is in line with Neff and Phyllis.

—

[“GOODBYE, BABY” — FINAL VICTOR]

And now for the (in)famous light cone, Final Victor. The thing that truly kickstarted the Ratio and Aventurine ship in the fanbase, and the partnership between the two in general. It’s a direct reference to the final confrontation between Neff and Phyllis in the movie.

I’ll fire through all the similarities between the two scenes.

During the respective scenes, Aventurine and Phyllis both outsmart their partner one way or the other: Aventurine with his one-sided game of Russian Roulette, and Phyllis hiding her gun underneath the cushions until Neff turned away.

The guns are owned by Phyllis and Aventurine, not Neff and Ratio.

Phyllis couldn’t bring herself to fire any more shots after she realised she truly did love Neff. Ratio could do nothing but watch as Aventurine did what he did — he couldn’t even pull away if the LC animation is anything to go by him struggling as Aventurine firmly keeps the gun to his chest.

Neff says he doesn’t buy (believe) that Phyllis loved him. She then goes “I’m not asking you to buy […]”. The LC description has Aventurine ask Ratio “You don’t believe me?”, while in the LC animation Ratio straight up says “You expect me to believe you?” and Aventurine answering “Why not, doctor/professor?”

The visual composition of the LC and the scene are nearly identical, from the lighting to the posing to the way Aventurine looks at Ratio — Aventurine and Ratio are even wearing different outfits to fit the scene better. The background in the LC is also like the blinders in the movie, just horizontal.

In the shot where Phyllis’ face is more visible, the way she looks at Neff is strikingly like the way provocatively looks at Ratio. Even their eyes have a visible shine — Phyllis’ eyes brightly shining the moment she realised she really fell in love with Neff, and Aventurine having just a little light return to his eyes in that specific moment.

And now the differences!

Neff holds the gun in his right hand. Aventurine makes Ratio hold his gun in his left.

Neff is the one who takes the gun from Phyllis‘ hand. Aventurine is the one who places the gun in Ratio’s hand and fires it.

Three gunshots are fired. In the movie, Phyllis shoots the first shot and Neff the second and third. Aventurine unloads the gun and leaves only one bullet for this game of Russian Roulette. He pulls the trigger three times, but they all turn out to be blanks.

Phyllis does not break her façade of not smiling until the very last moment where she gets shot. Aventurine is smiling the entire time according to the light cone description, whilst in the animation, it’s only when he guides the gun to his chest that he puts it on.

So, you know how Neff meets Phyllis and it all goes off the rails from there. The way Neff goes from a decent guy to willingly involve himself in a murder scheme, having his morals corrupted by Phyllis. His world having been turned upside down the moment he lays eyes on Phyllis in that first meeting. Doesn’t that sound like something that happened with the Final Victor LC? Ratio, a man all about logic and rationality — a scholar with eight PhDs to his name — all of that is flipped on its head the moment Aventurine pulls out his gun in their first meeting and forces Ratio to play a game of Russian roulette with him. Aventurine casually gambles using his own life like it’s nothing and seemingly without fear (barring his hidden left hand). All or nothing — and yet Aventurine comes out alive after three blanks. Poetic, considering there’s a consumable in the game called “All or Nothing” which features a broken chess piece and a poker chip bound together by a tie. The poker chip obviously represents the gambler, but the chess piece specifically stands for Ratio because he plays chess in his character trailer, his Keeping Up With Star Rail episode and his introduction is centred around him playing chess with himself. Plus, the design of the chess piece has golden accents, similar to his own chess set. In the end, Aventurine will always be the final victor.

Furthermore, Neff had deduced that Phyllis wanted to kill her husband and initially wanted no part in it, but in a subsequent visit it was his own idea that they trigger the double indemnity clause for more money. As the movie progresses though, he starts to have his doubts (thanks in part to him befriending Lola) and makes the move to kill Phyllis when everything starts to come to light. It’s strikingly similar to how Ratio initially wanted no part in whatever Aventurine had in mind when they first met, but in the subsequent missions where they were paired up, he willingly goes along with Aventurine's risky plans, and they come to trust each other. Enough so that Aventurine and Ratio can go to Penacony all on their own and put on an act, knowing that nobody in the IPC other than them can enter the Dreamscape. The mutual respect grew over time, instead of burning passionately before quickly fizzling out like in the movie.

Basically, in one scene, three shots (blanks) start a relationship, and in the other, it ends a relationship. In the anan magazine interview with Aventurine, he says himself that “form[ing] an alliance with just one bullet” with Ratio was one of his personal achievements. The moment itself was so impactful for both parties that it was immortalised and turned into a light cone.

—

[THE ENDING — GOLDEN HOUR]

The ending of Double Indemnity that made it into the final cut has Neff continue his confession on the dictaphone until he realised that he wasn’t alone in the room. Keyes had come inside at some point, but none had said a thing, only listening to a dead man speak of his crime. When Neff sees Keyes, they talk for a moment, Neff says he plans on fleeing to Mexico. Keyes does not think he will make it. He tries to leave, only to collapse at the front of the elevator, Keyes following just behind him. Neff attempts to light a cigar but is too weak to do so, so Keyes does it for him.

Parts of the ending can still be attributed to the interrogation scene between Sunday and Aventurine, so I’ll make this quick before moving on to the conversation in Heaven Is A Place On Earth, Ratio and Aventurine’s final conversation together. Once Sunday mentions how quickly Aventurine gave up the suitcase, he inflicts the Harmony’s consecration on him, which forces Aventurine to confess everything that Sunday asks of. In a way, it’s the opposite of what happens in the movie — where Neff willingly tells the truth about the murder to his coworker. Aventurine does not like Sunday, and Neff is close to Keyes. Ratio also does not speak, similarly to how Keyes didn’t speak and stood silently off to the side.

Post-interrogation in Golden Hour, Ratio worriedly prods at Aventurine and asks him about his plan. He then gives him the Mundanite’s Insight with the Doctor’s Advice inside when Aventurine tells him to leave. Throughout Heaven Is A Place On Earth, Aventurine gets weaker and his head starts to buzz, until he falls to the ground before he can hand in the final gems. Similarly, Neff progressively grows weaker as he records his confession. Keyes says he’s going to call a doctor and Neff says he’s planning to go to Mexico. And when Neff collapses near the elevator, they talk one final time and Keyes lights Neff’s cigar as the other was too weak to do so himself.

—

[OPPOSITE TIMELINES AND DEVELOPMENTS]

Remember how I said the way certain events happen in the movie and the game are mostly opposite and reverse of one another? 

The Final Victor LC is the first meeting of Ratio and Aventurine, and Neff killing Phyllis is their final meeting.

Between that first and last meeting between Phyllis and Neff’s whirlwind romance, their relationship becomes strained which ultimately leads to Neff not trusting whatever Phyllis has to say at the end point of the movie. As for Ratio and Aventurine, the exact opposite had happened, to the point where Ratio trusts Aventurine enough to go along with his plans even if they went against his own ideals. The basis of the mission involved Veritas Ratio, whose full name includes the Latin word for “truth”, lying the entire time on Penacony.

Aventurine is sentenced to the gallows by Sunday after his unwilling interrogation. The movie starts and ends with Neff willingly confessing everything to Keyes.

It bears repeating, but I have to make it so clear that the trust between Ratio and Aventurine runs incredibly deep. Being able to predict what your partner says and thinks and plans in a mission as critical as the Penacony project is not something first-time co-workers can pull off flawlessly. All the while having to put on masks that prevent you from speaking sincerely towards one another lest you rat yourselves out. You have no way of contacting outside reinforcements from within Penacony, as the rest of the IPC are barred from entering. To be able to play everybody for fools while said fools believe you yourselves have handed your case on a silver platter requires a lot — trust, knowledge of the other, past experience, and so on. With Phyllis and Neff, the trust they had had been snuffed out when Neff grew closer to Lola and found out what kind of person Phyllis truly was on the inside. Phyllis did not trust nor love Neff enough and was going behind his back to meet with Zachette to possibly take Neff and Lola out. And the whole reason Neff wanted to perpetrate the murder was due to him being initially taken by Phyllis' appearance, which single handedly got the ball rolling on the crime.

Now then, how come trust is one of the defining aspects of Aventurine and Ratio’s relationship, when Phyllis and Neff’s trust eventually lead to both their deaths at the hands of the other? Sure, this can be explained away with the opposite theory, but there’s one other relationship involving Neff which I haven’t brought up in excruciating detail yet. The other side of Ratio and Aventurine’s relationship.

—

[NEFF & KEYES — AVENTURINE & RATIO]

Here is where it gets more interesting — while Phyllis and Neff are at the centre point of the movie, there is another character to whom Neff has a close relationship with — Keyes. It’s also the only relationship with no pretences, at least, until the whole murder thing happened and Neff had to hide his involvement from Keyes. Watching the movie, I couldn't help but feel there was something more to the two than meets the eye. I knew that queer readings of the film existed, but I didn't think too much of them until now. And though Aventurine and Ratio parallel Phyllis and Neff respectively, the fact that they also have traits of their opposite means that it wouldn’t be completely out of the question if parts of their relationship were also influenced by Keyes and Neff on a deeper and personal level. Let me explain.

Keyes and Neff were intimate friends for eleven years and have shown mutual respect and trust towards one another. They understood each other on a level not seen with Phyllis and Neff. Even after hearing Neff confess his crimes through the dictaphone (and eventually standing in the same room while Neff confessed), he still cared for the other man, and stayed with him when Neff collapsed at the front door. The only reason Keyes hadn’t deduced that it was Neff who was behind the murder was because he had his absolute trust in him. Keyes is also Neff’s boss, and they are always seen exchanging playful banter when they are on screen together. Neff even says the words “I love you, too” twice in the movie — first at the beginning and second at the end, as the final line. There’s also the persistent theme of Neff lighting Keyes’ cigarettes (which happens in every scene where they are face-to-face), except in the end where it’s Keyes who lights Neff’s.

Doesn’t that sound familiar? Mutual respect, caring too much about the other person, the immense amount of trust… Ratio says he’s even the manager of the Penacony project (which may or may not be a lie), and despite their banter being laced with them acting as “enemies”, you can tell that in Dewlight Pavilion pre-Sunday confrontation that Aventurine genuinely likes Ratio’s company and believes him to be a reliable person. From the way he acts carefree in his words to the thoughts in his head, as seen in the mission descriptions for Double Indemnity. Their interactions in that specific mission are possibly the closest thing to their normal way of speaking that we get to see on Penacony.

Not to mention, this is the way Neff describes Keyes. He even says (not in the script) “you never fooled me with your song and dance, not for a second.” Apart from the line about the cigar ashes, doesn’t this ring a bell to a certain doctor? “Jerk” with a heart of gold?

After solving the puzzle with the statues, Ratio jokingly offers Aventurine to join the Genius Society. Aventurine then goes "Really? I thought you’ve given up on that already", and then Ratio says it was, in fact, a joke. Solving the puzzle through brute force has Ratio telling Aventurine that the Council of Mundanites (which Ratio himself is a part of) should consider him a member. In the movie, where the scene with the phone call with Neff and Phyllis reiterating details of their plan happens, Keyes actually offered Neff a better job (specifically a desk job, as Keyes’ assistant). The two pairs saw the other as smart, equals, and were invested in each other’s careers one way or another.

Because of all this, the character parallels for this side of the relationship are as follows:

Aventurine - Walter Neff

Veritas Ratio - Barton Keyes

With the way I’ve talked about how Aventurine and Ratio take from both leads in terms, it does fit to say that Aventurine is Neff, and Ratio is Keyes in this layer of their relationship. Since we’re on the topic of Keyes, let me also go through some similarities with him and Ratio specifically.

Keyes says the words “dimwitted amateurs” in his first on-screen conversation with Neff. You can’t have Dr. Ratio without him talking about idiocy in some way.

Keyes almost only appears in the movie in relation to Neff, and barring a single interaction in Neff’s house, is also only seen in the office. Same with Phyllis, Ratio also only ever appears regarding Aventurine.

Keyes genuinely wanted the best for Neff, even offering to celebrate with him when he thought the case truly had been busted wide open by forces when Zachette entered the picture. You could say the same for Ratio, as he hoped that Aventurine wouldn’t dwell on the past according to his response on Aventurine’s Interview, as well as telling him to “stay alive/live on (CN)” and wishing him the best of luck in his Doctor’s Advice note.

Whether or not you believe that there was more going on with Neff and Keyes is up to you, but what matters is that the two were very close. Just like Ratio and Aventurine.

—

[THE ORIGINAL FILM ENDING]

Something that I hadn’t seen brought up is the original ending of Double Indemnity, where Neff is executed in a gas chamber while Keyes watches on, shocked, and afterwards leaves somberly. The ending was taken out because they were worried about the Hays Code, but I felt it was important to bring it up, because in a way, you can kind of see the Sunday interrogation scene as Sunday sending Aventurine to his death in seventeen system hours. And Ratio doesn’t speak at all in that scene, and Keyes doesn’t either according to the script.

Another thing that’s noteworthy is that Wilder himself said “the story was about the two guys” in Conversations with Wilder. The two guys in question are Keyes and Neff.

—

[THE NOVEL]

With the original film ending covered, now it is time to bring up the novel by James M. Cain. I bought the book just to read about the differences between the adaptation and the original source material, and to list a few more similarities and opposites I could gather. For this section alone, due to the changes in the (last) names of certain characters, I will be referring to Walter Huff (Neff in the movie) as Walter, and Mr. Dietrichson as Nirdlinger. The plot is pretty much the same as the movie’s apart from a couple of changes so there isn’t a need to recount everything.

From my two read-throughs of the novel, these are the following passages that stood out to me the most. Starting with Aventurine:

Walter, as a top businessman of the company, knows how to sway a deal and to get what he truly wants with what the other gives him. Aventurine is the same, reliant on his intuition, experience and whatever information he has on the table to claim the win. Him luring out Sparkle in Heaven Is A Place On Earth and his conversation with Acheron in the Nihility is indicative of that.

• "But you sell as many people as I do, you don't go by what they say. You feel it, how the deal is going. And after a while I knew this woman didn't care anything about the Automobile Club. Maybe the husband did, but she didn't. There was something else, and this was nothing but a stall. I figured it would be some kind of a proposition to split the commission, maybe so she could get a ten-spot out of it without the husband knowing. There's plenty of that going on. And I was just wondering what I would say to her." 

Phyllis, like in the movie, had been hiding her true intentions of talking to Walter in their first conversations, always saying things that she didn’t actually mean. In a similar vein, Aventurine consistently says stuff but almost never truly means any of it, which is all part of his façade.

• "And I could feel it again, that she wasn't saying what she meant. It was the same as it was the first afternoon I met her, that there was something else, besides what she was telling me. And I couldn't shake it off, that I had to call it on her."

When discussing the murder plan with Phyllis, Walter makes this comment, kind of like how Aventurine seems to operate in a way where he has a plan, but is ready to improvise and think fast when needed.

• "And then it's one of those things where you've got to watch for your chance, and you can't plan it in advance, and know where you're going to come out to the last decimal point."

Remember the roulette wheel line from the movie? In the novel, the gambling metaphor that Walter makes about the insurance business goes on for two paragraphs, mentioning a gambling wheel, stack of chips, a place with a big casino and the little ivory ball, even about a bet on the table. Walter also talks about how he thinks of tricks at night after being in the business for so long, and how he could game the system. Needless to say, insanely reminiscent of Aventurine.

• "You think I’m nuts? All right, maybe I am. But you spend fifteen years in the business I’m in, and maybe a little better than that, it’s the friend of the widow, the orphan, and the needy in time of trouble? It’s not. It’s the biggest gambling wheel in the world. It don’t look like it, but it is, from the way they figure the percentage on the oo to the look on their face when they cash your chips. You bet that your house will burn down, they bet it won’t, that’s all. What fools you is that you didn’t want your house to burn down when you made the bet, and so you forget it’s a bet. To them, a bet is a bet, and a hedge bet don’t look any different than any other bet. But there comes a time, maybe, when you do want your house to burn down, when the money is worth more than the house. And right there is where the trouble starts." • "Alright, I’m an agent. I’m a croupier in that game. I know all their tricks, I lie awake thinking up tricks, so I’ll be ready for them when they come at me. And then one night I think up a trick, and get to thinking I could crook the wheel myself if I could only put a plant out there to put down my bet." • "I had seen so many houses burned down, so many cars wrecked, so many corpses with blue holes in their temples, so many awful things that people had pulled to crook the wheel, that that stuff didn’t seem real to me anymore. If you don’t understand that, go to Monte Carlo or some other place where there’s a big casino, sit at a table, and watch the face of the man that spins the little ivory ball. After you’ve watched it a while, ask yourself how much he would care if you went out and plugged yourself in the head. His eyes might drop when he heard the shot, but it wouldn’t be from the worry whether you lived or died. It would be to make sure you didn’t leave a bet on the table, that he would have to cash for your estate. No, he wouldn’t care."

Returning home from the murder, Walter attempted to pray, but was unable to do it. Some time passed and after speaking to Phyllis, he prayed. Aventurine presumably hadn’t done the prayer ever since the day of the massacre, and the first time he does it again, he does it with his child self.

• "I went to the dining room and took a drink. I took another drink. I started mumbling to myself, trying to get so I could talk. I had to have something to mumble. I thought of the Lord's Prayer. I mumbled that, a couple of times. I tried to mumble it another time, and couldn't remember how it went." • "That night I did something I hadn’t done in years. I prayed."

Phyllis in the book is much more inclined towards death than her movie version, even thinking of herself as a personification of death. She’s killed ten other people (including infants) prior to the events of the novel. Something to keep in mind as Aventurine had mentioned several times that he attempted to kill himself in the dream, plus his leadup to his “grandest death”. Just like Phyllis, he’s even killed at least a few people before, though the circumstances of that were less on his own volition and more so for the sake of his survival (i.e. the death game in the maze involving the 34 other slaves where he was the winner and another time where he murdered his own master). Instead of Phyllis playing the active role of Death towards everybody else, Aventurine himself dances with Death with every gamble, every time his luck comes into play. Danse Macabre.

• "But there’s something in me, I don’t know what. Maybe I’m crazy. But there’s something in me that loves Death. I think of myself as Death, sometimes." • "Walter, The time has come. For me to meet my bridegroom [Death]. The only one I ever loved."

Moving on to Ratio:

Walter says several times that it’s hard to get along with Keyes, and how he says nice things after getting you all worked up. A hard-headed man to get along with, but damn good at his job. Sound like someone familiar?

• "That would be like Keyes, that even when he wanted to say something nice to you, he had to make you sore first."  • "It makes your head ache to be around him, but he’s the best claim man on the Coast, and he was the one I was afraid of."

Keyes sees Walter as smarter than half the fools in the company. Ratio can only stand the company of Aventurine in regards to the IPC.

• "Walter, I'm not beefing with you. I know you said he ought to be investigated. I've got your memo right here on my desk. That's what I wanted to tell you. If other departments of this company would show half the sense that you show—" • "Oh, he confessed. He's taking a plea tomorrow morning, and that ends it. But my point is, that if you, just by looking at that man, could have your suspicions, why couldn't they—! Oh well, what's the use? I just wanted you to know it."

After going on a rant about the H.S. Nirdlinger case (Phyllis’ husband) and how Norton is doing a horrible job, he ends it by saying that it’s sheer stupidity. “Supreme idiocy”, anybody?

• "You can’t take many body blows like this and last. Holy smoke. Fifty thousand bucks, and all from dumbness. Just sheer, willful, stupidity!"

Phyllis’ former occupation as a nurse is more elaborated on, including her specialization — pulmonary diseases. One of Ratio’s crowning achievements is curing lithogenesis, the “King of Diseases”.

• "She’s one of the best nurses in the city of Los Angeles. […] She’s a nurse, and she specialized in pulmonary diseases. She would know the time of crisis, almost to a minute, as well as any doctor would."

As for the murder scheme, they talk about it a lot more explicitly in the novel. Specifically, Walter mentions how a single person cannot get away with it and that it requires more people to be involved. How everything is known to the party committing the crime, but not the victim. And most importantly: Audacity.

"Say, this is a beauty, if I do say it myself. I didn't spend all this time in the business for nothing, did I? Listen, he knows all about this policy, and yet he don't know a thing about it. He applies for it, in writing, and yet he don't apply for it. He pays me for it with his own check, and yet he don't pay me. He has an accident happen to him and yet he don't have an accident happen to him. He gets on the train, and yet he don't get on it."

"The first is, help. One person can't get away with it, that is unless they're going to admit it and plead the unwritten law or something. It takes more than one. The second is, the time, the place, the way, all known in advance—to us, but not him. The third is, audacity. That's the one that all amateur murderers forget. They know the first two, sometimes, but that third, only a professional knows. There comes a time in any murder when the only thing that can see you through is audacity, and I can't tell you why."

"And if we want to get away with it, we've got to do it the way they do it, […]" "Be bold?" "Be bold. It's the only way."

"I still don't know—what we're going to do." "You'll know. You'll know in plenty of time."

"We were right up with it, the moment of audacity that has to be be part of any successful murder."

It fits the situation that Aventurine and Ratio find themselves in extremely well: For the first point— Aventurine would not be able to get away with simply airing out details by himself, as that would immediately cast suspicion on him. Having another person accompany him who not only isn’t really a part of the IPC in name (as the IPC and The Family have a strenuous relationship) but would probably be able to get closer to Sunday because of that means they can simply bounce off each other without risking as much suspicion with a one-man army. Which is exactly what Ratio and Aventurine do in the conversations they have on Penacony. Secondly — they knew how Sunday operates: as a control freak, he leaves no stone unturned, which is how he became Head of the Oak Family, so their acting required them to give off the impression that a. they hated each other, b. Ratio would go against Aventurine’s wishes and expose him in return for knowledge, c. there were only the two Cornerstones that were hidden. This would give Sunday the illusion of control, and lead to Sunday to lower his guard long enough for Aventurine to take the gift money in the end. The pair knew this in advance, but not Sunday. And thirdly — the plan hinged on a high-level of risk. From breaking the Aventurine Cornerstone, to hoping that Sunday wouldn’t find it in the gift bag, to not telling Ratio what the true plan is (meaning Ratio had to figure it out on his own later on), to Sunday even buying Ratio’s story, it was practically the only way they could go about it. “Charming audacity”, indeed.

An interesting aspect about the novel is that the ending of the novel is divergent from the movie’s final cut and the original ending: Phyllis and Walter commit suicide during a ferry ride to Mexico. The main reason this was changed for the movie was because of the Hays Code, and they wouldn’t allow a double suicide to be screened without reprecussions for criminals. There’s also a bunch of other aspects that differentiate the novel from the movie (no narration-confession as the confession happens in a hospital, less characterization for Keyes and instead a bigger focus on Lola and her boyfriend, the focus on the murderous aspect of Walter and Phyllis’ relationship instead of actual romance, Walter falling in love with Lola (with an unfortunately large age gap attached), etc.)

As for the ending, this wouldn’t even be the first romance media reference related to Aventurine and Ratio where both the leads die, with the other being The Happy Prince and San Junipero (in relation to the EN-only Heaven Is A Place On Earth reference), which I normally would chalk up as a coincidence, though with the opposite line-of-thought I have going on here (and the fact that it’s three out of four media references where the couple die at the end…), I think it’s reasonable to say that Ratio and Aventurine will get that happy ending. Subverting expectations, hopefully.

—

[THE HAYS CODE — LGBT CENSORSHIP IN CHINA]

I’ve brought up the Hays code twice now in the previous two sections, but I haven’t actually explained what exactly it entails.

The Hays Code (also known as the Motion Picture Production Code) is a set of rules and guidelines imposed on all American films from around 1934 to 1968, intended to make films less scandalous, morally acceptable and more “safe” for the general audiences. Some of the “Don’ts” and “Be Carefuls” include but are not limited to…

(Don’t) Pointed profanity

(Don’t) Inference of sex perversion (which includes homosexuality)

(Don’t) Nudity

(Be Careful) Sympathy for criminals

(Be Careful) Use of firearms

(Be Careful) Man and woman in bed together

What does this have to do with a Chinese gacha game released in 2023? If you know a little bit about miHoYo’s past, you would know that pre-censorship laws being upheld to a much stronger and stricter degree, they had no problem showcasing their gay couples in Guns Girl Z (Honkai Gakuen 2/GGZ) and Honkai Impact 3rd, with the main three being Bronya/Seele, Kiana/Mei (admittedly the latter one is a more recent example, from 2023), and Sakura/Kallen. Ever since the Bronya and Seele kiss, censorship in regards to LGBT content ramped up, causing the kiss to be removed on the CN side, and they had to lay low with the way they present two same-sex characters who are meant to be together. They can’t explicitly say that two female or male characters are romantically involved, but they can lace their dynamics with references for those “in the know” — Subtext. Just enough to imply something more but not too much that they get censored to hell and back.

So what I’m getting at is this: The trouble that Double Indemnity had to go through in order to be made while also keeping the dialogue of Phyllis and Neff as flirtatious as they could under the Hays Code among other things is quite similar to the way Ratio and Aventurine are presented as of now. We never see them interact outside of Penacony (at least up until 2.2, when this post was drafted), so we can only infer those interactions specifically until they actually talk without the fear of being found out by Sunday. But, there’s still some small moments scattered here and there, such as when Aventurine goes near Ratio in the Dewlight Pavilion Sandpit, he exclaims that “the view here is breathtaking” (he can only see Ratio’s chest from that distance) and that Ratio could “easily squash [him] with just a pinch”. Ratio then goes “If that is your wish, I will do so without a moment’s hesitation.” Not to mention the (in)famous “Doctor, you’re huge!” quote.

It’s not a coincidence that Ratio and Aventurine have three explicit references to romance media (Double Indemnity, Spellbound, Oscar Wilde’s The Happy Prince), possibly even four if you take the EN-only Heaven Is A Place On Earth as a reference to Black Mirror’s San Junipero. It’s not a coincidence that the storylines or characters of said references parallel the pairing, from surface-level to deep cuts. It’s not a coincidence that the CN voice actors were asked to “tone it down” by the voice director when it came to their chemistry. It’s not a coincidence that Aventurine has only flirted with (three) men throughout Penacony, even referring to a Bloodhound NPC as a “hunk of a man” inside his thoughts, all the while ignoring Himeko and Robin when it came to their looks — women who are known across the cosmos with a myriad of adoring fans. There are so many other so-called “coincidences” related to the two that you could make an iceberg just based on versions 2.0-2.2 as well as content miHoYo themselves have put out on social media. They absolutely knew what they were doing, and were trying to get their point across through subtle means — the extent they went to with the Double Indemnity reference while also keeping it under wraps from a “surface” level point of view is proof of this — the implications are there if you take the time to look for them, and are simply hard to ignore or deny once you do find them.

—

[CONCLUSION]

This was supposed to be short considering the other analyses I’ve seen were also pretty short in comparison, but I couldn’t get the movie out of my head and ended up getting carried away in the brainrot. I hope you could follow along with my line of thinking, even with the absurd length of this post, and the thirty-image limit. I tried to supplement context with some links to videos and wiki pages among other sources wherever I can to get around it.

I will end it with this though — the love in the movie turned out to be fake and a farce, going off track from what was a passionate romance in the beginning because of the murder scheme. Meanwhile, the whole reason why Ratio and Aventurine can pull off whatever they want is because of their immense trust in one another. What was initially shown to be distrust in the Final Victor LC grew into something more, for Ratio, someone who would have never put faith into mere chance and probability before this, put his trust in Aventurine, of all people.

TL;DR — (I get it, it’s over ten thousand words.)

Not only is the relationship between Neff and Phyllis represented in the deception and acting side of Ratio and Aventurine, but the real and trusting side is shown in Neff and Keyes. They have a fascinating, multi-layered dynamic that is extremely fun to pick apart once you realise what’s going on underneath the bickering and “hatred” they display.

Many thanks to Manya again for making the original thread on the movie. I wouldn’t be here comparing the game and movie myself if it weren’t for that.

By the way, I really do believe that Shaoji totally watched this movie at least once and really wanted that Double Indemnity AU for his OCs. I know exactly how it feels.

—

Other points I'd like to mention that didn't fit anywhere else in the main analysis and/or don’t hold much significance, have nothing to do with the Penacony mission, or may even be considered reaching (...if some of the other points weren’t). Just some potentially interesting side bits.

Phyllis honks three times to signal Neff to go for the kill. That, and the three gunshots in the confrontation. Aventurine is all about the number three.

The height difference Aventurine and Ratio have going on is close to Phyllis and Neff’s.

Phyllis had killed her husband’s previous wife and went on to marry Mr. Dietrichson, pretty much taking the wife’s place. Aventurine killed his previous master, and had taken certain attributes from him like his wristwatch and the rings on his hand and the “all or nothing” mantra.

When calling Ratio a wretch (bastard), Aventurine smiles for a moment. This is exclusive to the EN, KR and JP voiceovers, as in CN, he does not smile at all. (Most definitely a quirk from the AI they use for lip syncing, but the smile is something that’s been pointed out quite a few times so I thought I’d mention it here.)

Sunday specifically says in the CN version that he knew of Aventurine's plans the moment Aventurine left the mansion, meaning that he realized he had been played the fool the moment Ratio and Aventurine talked in Golden Hour

In the description for the "All or Nothing" consumable, teenage Aventurine says this specific line: "Temptation is a virtue for mortals, whereas hesitation proves to be a fatal flaw for gamblers." According to Ratio, this is Aventurine's motto - he says as such in Aventurine's Keeping Up With Star Rail episode. Note that in the anan interview he explicitly says he does not have a motto, and yet Ratio in the video says otherwise. They definitely have to know each other for a while for Ratio to even know this.

A big reason why Neff even pulled off the murder scheme in the first place was because he wanted to see if his good friend Keyes could figure it out, the Mundane Troubles Trailblaze Continuance showcases Ratio attempting to teach the Herta Space Station researches a lesson to not trust the Genius society as much as they did.

In Keyes’ first scene he’s exposing a worker for writing a policy on his truck that he claimed had burnt down on its own, when he was the one who burnt it down. Ratio gets into an Ace Attorney-style argument with the Trailblazer in Mundane Troubles.

Neff talks repeatedly about how it won’t be sloppy. Nothing weak. And how it’ll be perfect to Phyllis, and how she’s going to do it and he’s going to help her. Doing it right — “straight down the line”. Beautifully ironic, considering what happens in the movie, and even more ironic as Ratio and Aventurine’s scheme went exactly the way they wanted to in the end. Straight down the line.

[dxxtruction]

"Louis acting like a pimp to Armand" And what is a pimp exactly? Quickly. And, oh so sexual trauma survivors can't engage in kink now without it being all about that? Pet names? They can't be submissive anymore? Consensually? Sexually healthy? Be serious. I'd hardly say there's much power difference between them during all this anyway, except that Louis is freer than Armand and it's been putting a strain on their relationship. Louis wants more from Armand, and less of this 'being his past' for them both, and so helping Armand with this could fix that. It's healthy to want to help your partners get out of a rough patch?

I mean, the whole exchange was very clearly set up as a "I want to help you" after such a great moment of vulnerability Louis feels just how much Armand is desperate for it. Louis called Armand so they could work out a plan together.

And the bit with the umbrella was Louis' way of asking 'are you willing to listen to me?' and Armand said yes by unfolding it. Louis goes on and explains, Armand is allowed to argue against it, but Louis makes his point. And then he gives Armand a way to make his own choice in it too. Armand's already decided 'I want you, more than anything else in the world', but Louis still asks after if he's sure of his choice, and with a name, Arun, that is the one of his fullest agency, running the point home. Honoring the situation Armand calls Louis Maitre - as a way of being like 'I'll do as you've said then'. To make this work he's going to have to give Louis some of the control, yes. But it's the first time such a role is ever established, and it was his choice to do it. So so what if they do it in a very suggestive way? They can't like doing that? I think it's them having fun.

I struggle to find how Louis is being overly domineering here when really he's giving and offering Armand the most agency he's ever had. Same with finding it manipulative. The manipulation was more earlier in the episode I think, when he was stringing him along, giving mixed signals. He's no longer toying with him like that. Louis might be pushing Armand, leading him on to make a decision, but he doesn't mean bad by it.

But back to this pimp thing. I find it frankly offensive that this is where people are going with this. I get it, but to run with it being the case is, on many levels, wrong.

Louis told us episode 1 this was the only sustainable line of work to support his family and keep their standing, at the time. It was never his choice to be doing this either but his blackness allowed no other options. He did what he did so his family could stay in that house and maintain all their same comforts. It gave him privileges most black men didn't have at the time that he wanted to maintain and even have more of. Anyway, it doesn't and had never defined him the way 'being good at running things' had. And in that case he just likes having that kind of control where he can get it, which makes sense.

The world is what placed that kind of role onto him of what he was allowed to be able to run, not himself. And on that he actually treated the sex workers he employed well and respected them enough to give them more opportunity.** He recognizes they don't have much in the way of options either.

Louis employed sex workers, yes, but he didn't subject them to abuse, (like how Armand was)*. He didn't oversee things in a way that would go against their consent (see; episode 1 again)**. Sometimes a job is just a job. And Sex work is work.

Armand's particular past with sexual abuses may strike a particular cord with Louis, given all that, but the very last thing either is thinking is that Louis' pimping Armand out here. This is merely their decision as companions, and had nothing to do with adding another line in a laundry list of selling Armands body out to people at the command of someone else. Armand rescinds some of his control to Louis' wishes, because he wants him, and he trusts him, that's all.

If you aren't allowing Armand that choice, and are doubtful it's fully his, you're putting him right back in the box of being defined by his abuses. Putting him back into that space where he isn't given any agency over what he does. (Which is exactly opposite of what the intent of this scene is for)*.

*: (edit) added for clarity.

**: (strike through) numerous people are saying I'm misremembering these points so disregard it. (Thought he was siding with Bricks, it was the other way around). (Technically one aspect of those opportunities were for getting around the law). I don't have a perfect memory, it happens. Let's not get mad about it. Doesn't change much of the point which is that Louis, now, Louis then, was always considering more about the running things and for stated purposes. So I guess I'd say he may only have respected the SWers enough sometimes for what allowed him to do that, and there are moments he certainly expressed remorse over the fact, but he has a great deal higher respect for Armand that is genuine. It's incomparable. Please read my added notes in the tags, it should address most other concerns.

[vaugarde]

well i finished renegade. i sure was renegading all over the place

[fingertipsmp3]

Have we learned nothing. Have we truly learned nothing.

[zephyrchama]

[Thoughts about an MC who gets periods]

Getting periods in the Devildom must be pretty rough. Demons probably don’t get them, and the number of humans freely wandering around has to be incredibly low. If MC takes the form of a sheep then they likely don't have to deal with it immediately, but eventually that's going to wear off and they'll revert back to a human. Does the Devildom even have pads and tampons for sale?

MC might have to sheepishly ask Barbatos if he can acquire some in bulk from the human world. Barbatos would remain professional as always when inquiring about the use of these products and their role in daily life. He'd have to report it to the prince. They're both aware of what periods are, but only in a vague "oh yeah, humans do that" kind of way. (Perhaps in the future, Lucifer could use his secret Akuzon account to order more?)

There's surely some plant or potion that prevents them, but they're not meant for long term use. Probably tastes nasty over time and covers human skin in a weird oozing rash if consumed too often.

A month or two into the exchange program, MC might have to call up Solomon for aid.

---

“Can you help me with something?”

Solomon, not too interested in MC yet, agrees just to be amicable with his fellow human exchange student. They must be scared! They must be missing humans! “Is something on your mind?”

“You know how to do magic, right?”

What a silly question. It’s almost refreshing to hear. “I do.”

“Do you know… like, uh, smell…? Reducing magic? Something to cover up smells? Without being obvious, I mean. I feel like I stink and I was really hoping you could help me figure something out.”

How cute, he thinks. He can’t quite remember the time when he smelled fully human anymore, and he can’t really smell the distinct odor on people that demons can, but he knows demons can easily sniff out a human from afar. “Oh, don’t worry about that. It should go away on its own as you spend time here.”

MC isn’t convinced. “I don’t think it will…”

“Trust me. How are you finding Devildom cuisine? I know you’re not used to it, but eating more will help you adjust. I can whip up a few simpler dishes for you to try if you need help.”

MC is silent for a bit. Solomon thinks his job is done until they say quietly, “that’s not the problem.”

“What?”

“I’m pretty sure the brothers I live with can smell, uh, my cycle.” No use being coy about it, better get straight to the point. “They stare at me when I’m on my period. I think - no, I know - they can smell the blood. I’ve seen them sniff the air when I’m around. It's weird. And I can’t exactly stop it from happening every month.”

“Oh.” Now it’s Solomon’s turn to be quiet. He’s embarrassed and surprised, a little humbled, and also really interested in this problem. It’s not something he’s ever thought about before.

MC continues, “I think they can tell when I’m ovulating too, Asmo started lingering around more often, and Lucifer looked scarier than usual, and they all stare more, and-”

“I think I get it.” Solomon can’t stop his face from turning pink. Despite his usual grin, he doesn't think he’s ready to listen to the rest of MC’s sentence.

There should be an easy solution, but it’s something that warrants testing if MC doesn’t want the brothers noticing a sudden spell cast upon them. It could get mistaken for something malicious. Solomon says, “I might be able to help. Can you come over today?”

[yuutryingtowrite]

Yandere!Maid who looks at the castle in front of him, then the flier in his hands, then the castle again. Unless there was a typo in the address, the job interview should be here. He hesitantly uses the bat shaped door knocker and waits...This place looks so creepy and ominous, was this a prank ? Was it to scare him? Seriously? Sigh…He has had enough of being treated like a fool. As he continues his descent into frustration, bitterness and self-pity, he doesn’t hear the door opening. Nor does he see the butler standing at the entrance until he hears a: “Sorry for the wait, my kind sir. Are you here for the housekeeper position?”.

Yandere!Maid who thinks the butler is telling him a load of bullshit. According to him, the owner of this place is a vampire in search of additional staff members. He resists the urge to scoff. Whatever, if the “mistress” wants to take part in some weird role-play, then so be it as long as he would get paid. The same guy tells him to “please take a seat” in the living room and that “mistress will come and attend to you in a moment”. Soon after his departure, the air shifts. Black particles float around until it materializes something, or rather someone. The poor boy shock and confusion quickly turn into enchantment. Fuck, you are totally his type. This is bad, he can feel his face burning. “Shall we go to my office?”, you ask with a smile.

Yandere!Maid who hates you. Who hates the fact that your personality matches your looks. Who hates how much control you have over him. The other day, your...pet sneezed on him, so he needed another uniform. “It seems that I only have a female one left ”, you told him. “There is no way in hell I am wearing that”, he sneered. “But wouldn’t you look cute in it? Besides, it is either that or cleaning with your normal clothes on until your new uniform arrives here-” “Alright, shut up, just give me that”, he abruptly took the offending dress from your hands and went to change. Since that conversation, his work attire has fully transitioned to said maid outfit. Maybe he becomes a bit too proud of himself whenever he catches you staring at him. And maybe, just maybe he wants to give you a nice view by bending down and taking his time “to clean the table” whenever he knows you are behind him. He will never admit that though.

Yandere!Maid who, one day, demands asks you about your eating habits. As soon as you answer, something regarding animal blood, he turns oddly quiet. You are about to ask what is wrong, but then he surprises you by climbing into your lap. You watch him get comfortable and, with trembling hands, undo the first buttons of his dress. The cherry on top is him pulling on its collar a bit to show a silver of his chest. He now avoids eye contact as he waits for you to take the lead…You are still just looking at him, so, with a blush becoming darker, he snaps at you: “A-are you stupid or something ? Do you want me to spell it out-” “I am just enjoying the view”, you respond with a teasing smile. Before he can sputter more insults, you grip his chin and tilt his head to the side, exposing his neck to your hungry gaze. “But if you insist…Thank you for the meal <3”

Yandere!Maid who has his face buried deep in his pillow while he tries to calm his flustered self down. After you finished drinking from him, he hurriedly got up and scurried to his room without so much as a word. The more he recalls the embarrassing noises he made in front of you, the more mortified he becomes. It was not his fault, it just felt really good and you even pulled him closer and tugged on his hair and-He whines and squirms in his bed as he feels his body turning hot again like that time. The action causes him to feel a sharp sting on his neck. He freezes. That is right. You marked him. You marked him. You marked him.

...

Don't drink from anyone else, ok?

[autogyne-redacted]

Let's Talk About Security Culture: Why Keeping Secrets is Cool and Sexy

It's a natural impulse -- if you love crime -- to want to talk about how great it is. And if you hate America, it's only natural to want to share your dreams for its future with the rest of tumblr dot com. It can feel brave and transgressive. And there is a drive to share your soul with the world at the heart of social media. Surely I should be posting the most concrete implications of my politics, right? This is the poster's curse.

Security Culture refers to a set of "best practices" developed over the past several decades, largely (in a US context) coming out of radical environmental groups as they faced intense state repression, infiltration and entrapment. If you're not familiar, there's some fascinating crimethinc write ups to give you a window into that world:

Much of it boils down to: don't talk about crimes, past or forthcoming with people who don't need to know about them, and be mindful of the possibility of surveillance and infiltration. And, we can support each other as a community in minimizing risks, with an eye towards enabling bold action rather than getting bogged down in fears and anxieties. The guidelines that make sense for AG-based trouble-makers are different from the guidelines that make sense for posters, but plenty of common principles apply. To speak briefly to our position here as posters:

First, it bears saying that long term anonymity is extremely nearly impossible to maintain. Unless you've never accessed Tumblr without a vpn, and avoided connections with other ppl who can be associated with you/your location, and never shared pictures without scrubbing metadata, and a bunch of other 100% consistent steps, it's trivial for the state to know who you are.

Second, just because something isn't actively being prosecuted now doesn't mean it can't be prosecuted later. The priorities of the state change and a shift in power towards the right or a growth in radical action from the left can suddenly make it a priority to destroy anarchist networks or just find a few ppl to prosecute as examples (who probably weren't that plugged into larger networks before getting arrested. Advocating for specific anti-government crimes or declarations of intent to commit such crimes are likely prosecutable even if charges don't stick they're an easy vector for legal harassment.

Third, it's worth thinking about heat as separate from prosecutability. There are modes of engagement that may not be directly criminalized but signal that you are someone worth watching. Some people choose to be public in ways that make heat unavoidable. But it's worth noting that heat isn't strictly individualized, that it persists over time but also is going to shrink over time.

It's easy on here, ime, to see yourself as a proud member of the crime fandom but not much of a content creator. And it's easy to feel like you've generated an amount of heat where you're locked into that role. But heat you generated 10 years ago is probably pretty well gone. Heat you generated 5 years ago has faded substantially. It's worth thinking about how the world might shift in the coming years and what doors you want to keep open.

The non-individualized nature of heat also means that leaning into the spiciest of anti-state positions will make it a bad idea for people who are acting out those positions end up tied to you. Loudly talking about how "more people should be doing [X/Y/Z]" unfortunately sets you up to remain distant from people who might be doing or thinking about doing such things.

Which brings me back to: keeping secrets is sexy. Not spelling everything out builds intrigue. You can lay out a theoretical position and leave working out the practical implications of that as an exercise for the reader. There's value in opacity. The poster's curse and the drive to confess are extremely convenient for the state, but we can resist them. We can hold dreams in our hearts that we refuse to offer up to the posting spectacle.

[heizlut]

Little Lamb

ꕀ cw: public (no one is around though), one mention of kidnapping

ꕀ tags: sub fem!reader, dom!scar, creampie, rough sex, oral m!receiving, minor spoilers for rover’s 1st encounter with scar, mostly proofread

ꕀ nsfw under the cut

ꕀ m!list here

Scar stalks circles around you as you stand there in the abandoned village that was decimated by a ritual done by its own people, “Don’t you wonder whatever happened to the little lamb in my fable, love?” Your eyes track him as he moves around you, as if you were the prey to a very dangerous creature, “Maybe you should enlighten me.” He smirks down at you then moves behind you in one smooth motion, “Gladly…”

His hands travel down your body slowly, sending tingles down your spine. His fingers trailing lightly over every curve, pausing only to linger on your breasts. He didn’t squeeze them as you had expected but the lingering touch ignited something inside of you. Scar’s fingers trailed lightly over your pebbled nipples that poked through your top, making you let out the softest, breathy moan.

His smirk widens at your reaction and he bends down slightly to whisper huskily in your ear, “Did you like that, my sweet lamb?” You capture your bottom lip between your teeth, not trusting your voice to answer as you arch your back against his chest. Scar chuckles lowly, “That’s what I thought.”

His hands continue down your body, resting at your hips when he suddenly pulls you flush against him. His hardened cock pushing against your ass as he whispers down in your ear once again, “Such a helpless little thing… Whatever should I do with you?” The feeling of his cock against your ass practically has you reeling, “Please…” Scar raises a brow and chuckles once more, “Please what, little lamb?” You whimper at his response, hoping he would just read your mind and get on with it instead of relentlessly teasing you.

A resounding laugh falls from Scar’s lips and his grip tightens on your hips, “Come on, love, tell me…” He grinds his throbbing, clothed cock against your ass, making you moan and your eyes flutter, “Please… I need to feel you inside of me.” Oh, if you could only see the smirk on his face, you would’ve crumbled within his grasp even more than you had already done, “Anything for you…”

With that, his hands were tugging down your skin-tight pants. Maybe a part of you was silently thanking the fact that no one else was around, but truthfully, your thoughts were a muddled mess. You are held against him, in just the cutest red panties Scar had ever seen. His fingertips trace the edges with a feather-light touch, his hot breath fanning over your ear, “Did you wear these in anticipation of meeting me? How cute~”

You wanted to shake your head and deny his claims, but that would’ve been a lie. You’d heard of him briefly through others from this strange new world, but you would swear it was just your subconscious preparing yourself for an encounter such as this. He laughs again, it’s a husky sound that drives deep within you, “You can’t even deny it~”

You shiver under his touch when he begins to slowly pull those panties down, already dripping in anticipation for his more intimate touch. Scar of course does not give you what you want as you expect it; his fingers slowly moving down and teasing your inner thighs, oh so close to where you were desperate for his touch, “Is there something more you want to ask from me?~” Scar’s voice is low and teasing as he speaks. All you want are his fingers on your clit and inside of you, pressing into your most sensitive spots, “I.. want your touch..”

Scar laughs, his eyes darkening, “Cute… To think such a powerful being would fall so weak to little old me~” If you had been lucid enough to respond properly, you would have rolled your eyes and maybe even walked away, but it was as if you were under a spell… His spell… Maybe you wanted this. Maybe there was something about him that made you utterly weak to him. That had to be it, why else would you be here? As if you’d view him as an actual romantic interest…

The calloused pad of Scar’s middle finger presses against your clit, making you weak at the knees as you suck in a sharp breath. One corner of his lips curve up, “Just trust me… I’ll make you feel pleasure you’ve never experienced before.” Who were you to deny him?

His finger rubs in slow, sweet circles on your clit. Your back arches once more against him, your breathing heavy. Scar uses his other arm to hold your upper body close to his, his free hand gently squeezing your breasts.

He relishes they way your breasts squish and mold into his touch. His tongue darts out and licks the shell of your ear, sending a new round of hair-raising tingles throughout your body, “Your reactions are simply too delicious for me to stop… I should just take you away into one of my domains and lock you up so I can have these reactions all to myself… whenever I please.”

Before you can even try to get your thoughts straight to respond to him, Scar’s finger dips into your dripping entrance, immediately curling against your sweet spot. “S-scar..!”, you whine as your eyes threaten to roll back from pleasure. His breathy, low chuckle fans over your ear as he continues his motion, “Oh how I love when you say my name~”

He removes his finger from your warm walls and forces you to face him. Your eyes take in his scarred face and mismatched eyes, making Scar’s lips turn up in a dangerous smile, “See something you like?” If this had been any other interaction with him, you definitely would’ve scoffed and spat back some witty retort. But this interaction wasn’t normal. And maybe you were completely fine with that.

Rough fingers trace along your jaw, his thumb pausing on your bottom lip then presses down gently on it, “Open up, little lamb. I want a taste…” The way he spoke was so low, twisting with an aura of danger and pleasure. You open your mouth only for him to make another demand, “Tongue out.”

Once you stick your tongue out of your open mouth, Scar leans down and flicks his tongue against yours before sucking on the tip. Once he released your tongue, he straightens back up with a devilish smirk, “Mmm.. so sweet, I could just swallow you whole~”

You stand there almost gawking at him, trying to comprehend what just happened. You had expected a kiss, not the strange sensation of his tongue licking against yours and the feeling of your tongue sucked between his pretty lips. You can definitely understand why people would follow him with his magnetizing aura. It made you tremble in both fear and excitement.

The sight of you pulls a husky laugh from his lips and he tilts his head slightly, his shaggy white and red hair following his motion, "That look in your eyes tells me I've got you right where I want you..." With that, he grabs your thigh and lifts your leg, making you more exposed than you already were. He wraps his other arm around your waist to support your now off-kiltered balance.

Scars lips almost graze yours when he speaks again, "Why don't you be a good girl for me and take out my cock, yes?" You blink, wide-eyed as you process the request, bringing back that devilish grin on his lips, "Go on... Unless you'd like to stay in this position til someone finds us here~"

You gulp at the thought and his voice lowers to a hushed teasing tone, "Unless that's what my little lamb would like?" That snaps you out of it and you make quick work of the zipper of his full-body suit. A stray thought crosses your mind that this would've been so much easier if he had been in a proper outfit with pants you could just tug down, but you would have to make do with this.

You didn't know how much time either of you had before some random adventurer wandered through this village. You fumble slightly as you reach in through the zipper and your fingers make contact with the soft, velvety skin of his cock that was throbbing to be pulled out.

Scar sucks in a sharp breath when your fingers wrap around his length and pull it out, the tip already oozing with pre cum. With your hand wrapped around his cock and the way he inhaled so sharply made you feel like you had some semblance of power over him, if only but for a moment. You rub your thumb across his slit, the pre cum wetting the pad of your finger.

Scar bites his bottom lip at the feeling and his grip on you tightens, "That's enough playing." Not allowing you to linger in your newfound sense of power, he pushes his hips forward, the tip of his cock rubbing against your clit and through your folds, "I"m going to fuck you so hard your pussy will only be able to take my cock, no one else's."

The motion and his words seep into you as you subconsciously let go of his throbbing length that twitches and bobs from its own weight. Scar clicks his tongue and your eyes find his mismatched ones yet again, "Gonna make me do all the work huh? Grab it and position it correctly while I'm still playing nice, yeah?"

You let out a choked whimper and wrap your fingers around his cock once more, lining it up with your dripping entrance. You let go once you feel the mushroom-like tip push into your awaiting gummy walls. With a breathy chuckle, Scar pushes in hard, sheathing his full length inside of you as you quickly wrap your arms around his neck for support, "What a good girl~"

Scar wasted no time as his hips begin to thrust up into you at a rough pace that you could barely handle. It was silly to even think that he would give you a moment to adjust to his thick length. He was a villain after all. You felt stuffed full beyond belief as his cock ruts into the deepest parts of you, hitting in all the right spots.

All you can do is hold onto him and babble his name between the lewdest sounding moans and whimpers. Scar's hair begins to stick to his forehead from sweat, his abs flexing with each thrust as he holds your leg up. The angle made his cock feel even bigger than it truly was and you were not about to complain.

His hot breath fans across your lips. You mouth falling open in a sweet moan. Scar takes this moment to capture your lips in his, his tongue twisting and moving against yours. His thrusts become shallow and remain deep, not due to an impending orgasm, but with the need to be as closely and wholly connected to you as humanly possible.

Your clothed breasts bounce and squish against his broad chest in time with his cock fucking into you. Scar's voice is raspy and breathless as he speaks, "Need to feel your pussy squeeze around my cock. Come on, little lamb, milk me for all I'm worth."

Everything was overwhelming your senses and his words drove you over the edge, "Ngh! Scar!" You cry out his name, letting it echo through the abandoned village as you cum hard on his cock. Your wet, tight walls squeeze impossibly tighter around his length, causing Scar to let out a deep, resounding groan from his throat. He was about to fucking lose it.

Everything about you made him wish he could have you all to himself with 24/7 access. Gods be damned if he couldn’t make that reality. From the moment he saw you in this very clearing, trying to make sense of the tragedy that occurred in this poor village, he knew he would make you his. His cock throbs and pulsates within you, unintentionally pressing up against your sweet spot which made your eyes flutter shut.

Scar clicks his tongue once more, “Eyes on me, sweetheart.” Your eyes gaze deep into his as he gives a particularly harsh thrust up into you. Your pretty eyes on him is his undoing as ropes of cum spill into you as a ragged groan falls from his lips.

The way he’s holding you so tight is sure to leave bruises, to which he hoped you would proudly flaunt. His cock twitches with the residuals of his orgasm, his cum already leaking out past his length that was still resting inside of you.

Gently, he releases your leg, but being back on both legs after such a brutal fuck had you literally weak in the knees. You would have collapsed if it weren't for his strong arms wrapping around your waist as he smirks down at you as if he wasn't just as affected by the occurrence, "See? You need me."

The weak whimper that claws up from your throat just boosts his ego even more. He pulls you against him as he looks down at you, almost nose to nose with you, "Follow me, little lamb, and you'll be granted everything you could ever wish for..."

🂲🃍🂶🂲🃍🂶🂲🃍🂶🂲🃍🂶🂲🃍🂶🂲🃍

a/n: this is what i would like to think would've happened if we had been given a third option in our dialog with him while he tried to get us to look for clues😌 (i chose to fight him after looking at the first two clues, i couldn’t resist lmao)

[crushedbyhyperbole]

Whiskey on the Tongue

Pairing: Dean Winchester x Reader

Summary: You are the forbidden fruit Dean had always wanted to taste, and when you steal his whiskey the way you do, he is powerless to resist.

Words: 2.2k

A/N: This is my first ever Supernatural fic after having started watching the show just before Christmas. I know I'm late to the game but is it ever really too late to start loving a fandom? I've tried to make the reader generic in every way other than being cis-female, and Dean finding her hot.

It's been an absolute age since I wrote anything and probably longer since I posted anything here on Tumblr but I'm getting back into it now. Hopefully this finds its way to people in the Supernatural fandom who love a bit of Dean smut.

I hope you enjoy and, as always, I value your comments and feedback.

Warnings: Smut, explicit smut, alcohol consumption, mentions of people who have passed away, profanity as standard with pretty much everything I write.

*** Minors do not read or interact - 18+ content ***

Dean let his head fall back against the headboard, clenching his fists to try to distract himself from the deep ache in his left leg.  It had been falling asleep for well over an hour now, but he didn’t want to move and disturb you.

The door to his room in the bunker was closed.  Locked, in fact, though he did not remember doing it.  You didn’t comment or so much as move when Sam brayed on the door and tried the handle, calling out for Dean to return his book.  The very book that was in your hands right now.

“I need that book back, Dean.”  Sam grumbled.

“Not now, Sammy!”  Dean called back, hoping his little brother would just go away.

“I’m researching Nephilim to help Cas with the Kelly situation, Dean.  It’s important.”  Sam became more insistent.

“I said NOT NOW, SAM!”  Dean hollered with a kind of finality that even Sam wouldn’t argue with.

Outside the door, Sam huffed and stalked away.  Dean looked down to see you looking up at him from your position, lay on his bed.  Your head was resting on his left calf, his leg bent with his foot tucked under his right knee.  You had your knees up with your foot tapping along to his banging playlist, your jeans tight around your thighs and with your head tilted back he could see all the way down the deep V of your t-shirt.

He was going to hell.  Straight there.  Do not pass go.  Do not collect two hundred dollars.  And he probably deserved it.

He snapped his eyes up towards the ceiling but it was too late, he could feel himself stirring uncomfortably in his jeans.  If Bobby was alive he would have skinned him raw just for having you in his room.  Bobby was always protective of you, his niece.  You were only a couple of years younger than Sam but Bobby had made himself very clear that you were off limits.

“If you touch one single hair on her body, I’ll make you regret the day your balls dropped.  Do you hear me, boy?”

Bobby Singer.  That man did not mince his words.  And to this day, Dean had taken that threat as gospel.  Even now that Bobby was up there with the Angels, that son of a bitch would find a way to keep his word.

You shifted, causing a painful twang to shoot up his leg.  The reflexive grunt he failed to stifle made you look back up at him, giving him that glorious view again.

Dean decided he could die like this.  If having a dead leg was a legitimate threat to his life, he would go out happy with the view of your rack in that lacy black bra he could see within the V-shaped window of that too-tight t-shirt.

He raised his eyes, once again to heaven, asking Bobby to forgive him or give him strength or something because – god help him – he wanted to take you right then and there.

It wasn’t unusual for you to seek him out after a case when you didn’t want to be alone, but you didn’t want to talk.  You would just sit while he drank, reading or working on spells.  You said he quieted the noise in your head.  Hell, he wasn’t going to argue, you were a sight for sore eyes every time he came home.  You were wicked hot and sexy in a non-slutty way.  Not that slutty was bad.  Dean liked slutty.  But that wasn’t you, you were different.

A drink.  That’s what was missing.  Dean needed a damn drink, especially if you were going to torture him by laying on him all evening.

He reached over to his bedside unit, for the bottle he kept in there for special occasions.  A bottle of twenty-five-year-old Speyside single malt that he liberated from the British Men of Letters on his last interaction with Ketch.

The pour made you stir again but it wasn’t until he raised the cut crystal tumbler to his lips did you move.  Your hand came up and claimed the glass from underneath, twisting it as you sat up so as not to spill any.

“Where’s yours?”

The cheeky glint in your eye had him pursing his lips in mild annoyance.

“Don’t pout.”  You lifted the glass, turning it until the mark left by his lips touched yours and you sipped, looking him straight in the eye.

Dean’s jaw went slack.  The glisten of the whiskey on your lips and the satisfied hum you made when you swallowed – he swallowed unconsciously when you did – made his mouth go dry.  He had never seen you like this.

You moved to kneel on the bed and walked your way slowly closer, giving his leg a tap; an instruction to move it aside.  He did, causing pins and needles to infest his nerves like ants swarming on a log to escape a flood.

Knelt between his spread legs, you brought the glass to your lips again, sipping at the amber liquid.  You leaned in.

Dean watched you, breathing shallow, attention rapt.  You hadn’t so much as touched him, yet every nerve in his body felt like it was on fire in the best possible way.  The closer you got the shallower he breathed until he was almost holding his breath, looking down his nose at how close your lips were.  His eyelashes looked to flutter against his cheeks just as yours did when you brushed your whiskey dappled lips against his.

He refused to lick where you had been.  He couldn’t.  As soon as he tasted, he would pounce, and…

“Don’t.”  He croaked out when you moved to lay your lips on him once more.

You looked confused but at least you didn’t look hurt.  He couldn’t bear it if you looked hurt because of him.

“Bobby…”  Was all he could say through his constricting throat.

You smiled then, full of amusement, lips brushing against his, you whispered “he’ll understand.”

Dean tried not to respond to you but you coaxed his lips apart and teased your tongue to meet his, short circuiting his brain.  The taste of the scotch and the sweetness of your mouth made him groan.  He had fantasised about having you for years, but never did he think it would be you seducing him.

His hands on your hips guided you roughly to straddle him, the bulge in his jeans pushing up against you as you settled.  He took the glass from your hands and downed the contents, his eyes on yours as he dropped the glass carelessly on the bedside unit.

Your lips met his again but this time you devoured each other, tongues stroking together, moans stifled by each other’s mouths.  He trailed his hands up your body, dragging your t-shirt along with them.  Finally, he could see what he had been having glimpses of this whole evening.  Plush breasts cupped in scant lace that was completely impractical for a hunt, Dean realised, like you had meant to come here like this.  You had intended this from the beginning.

He tore at the lace, dragging it under your breasts to free them, shoulder straps slipped down.  Pawing at them like he had never touched a tittie before, all he wanted to do was suck and nip and nibble.

Your breathy sigh was divine, and the moan that followed was filthy.  You cupped the back of his head as he took your nipple into his mouth and sucked hard, pressing him further, asking for more.

While he worked on your breasts you undid his belt and fly, reaching into the front of his shorts to release him from the awkward angle at which he was trapped.  You stroked him, firm but slow, feeling him for the first time.  You had always wondered what he had going on down there that every woman he had ever been with would come back for more at the drop of a hat.  You weren’t disappointed.

Dean lifted his hips, you thought to allow you to push his jeans down but instead he flipped you, making you squeal.  Once under him, he ravished your breasts anew, pinching one nipple hard while licking and sucking the other.  Soon you were a mewling mess, hips writhing, begging for something he hadn’t given you yet.  Excited that he had taken control away from you, you watched him sit up and yank your jeans down, lifting your legs until they were bare.  Your knickers followed and he spread your legs without preamble, lowering himself between your thighs until his hair and eyes were all you could see above your mound.

“Jesus Christ of Nazareth!”

You groaned as he suckled against your sensitive spot.  Fuck, he was good with his tongue.  Everything about him was good except his image.  Bad boy Dean Winchester.  He was every woman’s wet dream.  He had been your wet dream since you were seventeen.  But now you were plenty old enough and finally getting what you wanted.

Bobby had told you to stay away from him when you were a kid.  Dean had a reputation as a ladies man even then, but he respected your uncle Bobby enough to keep his distance… until now.

Dean dipped two fingers inside, creating pressure in exactly the right spot.  You gasped and gripped his hair as your pleasure began to crest, tugging on it for dear life.  He looked up at you then, to see your eyes closed against the intensity of it, neck and face flushed red with your oncoming orgasm.  When it came, the pulsing of your core was his sign to slow down.  He left off his suckling and stroked you through the pleasure, watching you all the while.  You were a beautiful mess.

“That’s my girl.”  He praised you in that deep rough tone you adored, helping prolong your climax until you took his hand away yourself.  “Are you ready for me?”

You nodded, allowing him to lift your knees up and stroke the weeping tip of his cock over your swollen clit.

From the front pocket of the jeans he still wore, he pulled a foil packet with Trojan embossed on it.  He was swift with its application, aiming his tip just so.

When he slid home, your eyes rolled back and you reached to grip his forearms.  It was something Dean would never get tired of seeing but it felt that much different with you.  You were the forbidden thing he had always wanted but could never have.  Even now he didn’t know whether he would come to regret this.  God, he hoped not.

Balls deep in you, he leaned forward to kiss you, wrapping your legs around his hips.  His instinct was to fold you in half and pound the living shit out of you, but you were already overwhelmed and he wanted to make this soft for you.

“Tell me what you need.”  He spoke softly as he nuzzled your neck.

“Just you, like this.”  You sighed.  Who knew Dean Winchester was a considerate lover.

His slow, measured thrusts brought you closer to the edge, your core fluttering each time, he could feel it.  It surprised him how quickly is climax built at this pace, but the added connection you both shared seemed to turn him on.  He would never give up Busty Asian Babe porn but he could get used to this with you.

You didn’t close your eyes against the pleasure this time, you watched him come undone above you, gasping as his orgasm made his legs and arms shake, muscles clenched tight to keep his weight from collapsing on you.  When he swelled you dug your fingers into his hips to pull him deeper with each stroke, and when he spilled you also came, eyes fluttering shut finally.

Dean knelt up, slipping the rubber off as soon as he was clear of you and, tying a knot in the end, tossed it in the direction of the trash can.

“Shot.”  You said with a smile as the sticky bundle went straight in the can.

He quirked and eyebrow and give you a slightly smug lopsided smirk that said:  What can I say?  I don’t miss.

When you moved to sit, he stopped you.

“Here, lemme get that.”

“Thanks.”

He stripped his t-shirt off and used it to clean up the wetness between your legs.  Though none of it was his, it would still dribble when you moved.  Afterwards he tucked it under your ass and flopped down on the bed at your side, moving his arm behind your head so you could rest it on his chest.  You were both content.  Both had goofy grins on your faces.  Both disbelieving that you had finally gotten what you wanted.

A loud knock at the door started you.

“Are you done?”  Sam said.  “I need that book.”

“NO!”  You and Dean shouted back in unison, laughing afterwards.

“Bobby’s gonna kill you.”  Sam called back through the door.

“I KNOW!”  Dean yelled gruffly, pulling you closer.

There might be a time in the future where the ghost of Bobby Singer came to make him regret the day his balls dropped and, if it happened, Dean would be happy to see him again.  In the meantime, you and he could work on a whole bunch of reasons to make the cranky old bastard come down from up high for a visit.

Dean pulled the sheets over both of your heads, nibbling at your neck until you moaned his name.  Aside from the roar of Baby’s engine, he had found his new favourite sound.

[libertyybellls]

KISS IT OFF ME !

pairing; finnick odair x f!dist4!reader

summary; finnick can’t take his eyes off of you in any crowd- but he can take care of you, what’s new?

contains; FLUFF, established relationship, finnick is still pining for reader, alcohol consumption- but positively i guess, reader is anxious in the beginning, objectification by the capitol as per usual.

a/n: i hope im not misunderstood but when i put specific photos or outfits/hairs in the headers of my works that is not directly what i am picturing the reader as! its more-so the hairstyle, or the outfit- or simply the aesthetic of the picture. not the race, hair nor body type. ur all cutie pies. ok anyways onto the fic kiss kiss.

☾⋆｡𖦹 °✩

“well would you look at that!” your stylist squeals in your ear, “from the moment you won your last games i have just been dying to design for you again and… here we are!” she ushers you to spin around.

she’d always been kind to you, perhaps less kind to your dignity- always wanting to flaunt you like a show pony- but nonetheless her support had always been there.

“it’s beautiful, thank you.” you smile small at her. so bittersweet, she was oh-so ecstatic to dress you up once more but to you- this meant less serenity to you. more agitation, more distress, more death.

it felt like a paradox, to be adorned in this sweet, innocent, baby pink before you’re sent away to a grim world once again- you’d already gone off on a tangent to finnick. you’d both sobbed solemnly about the cruelty of it all, how you would never be able to live in peace.

but finnick just wanted you both to have this one night, to indulge in the capitol before you were sent of to your deaths, obviously he would see the brighter side of thing- blabbering about plutarchs plan and how he only needs to protect you, katniss, and peeta until he can get you out of there.

sounds so very simple doesn’t it?

once you’d finished your interview you attended a party, a celebration for the third quarter quell. how ironic, what was there to celebrate?

you’d seen the food platters, the spiked drinks, and indulge you did.

your brain had been fuzzy by the time you’d escape the overbearing class of the capitol citizens, who wanted to know every detail of your life.

it was then- finnick had spotted you- so inebriated you’d genuinely laugh at something the woman next to you said.

feasibly being that she’d said something so pretentious you couldn’t help but tilt your head back in laughter. but nonetheless he admired.

he admired your dress, your smile, the way your eyes slightly disappeared when you laughed, the way your hair was laying down your back. he was simply under the spell of you.

it was then your eyes met his smitten ones, so love drunk- or possibly just drunk- that you’d excused yourself and made a beeline straight for him.

he’d encaptured you with warm arms, a leather corset-like article of clothing consumed his waist- followed by his white buttoned down that seemed to be unbuttoned.

you noticed the way his eyes consumed you- not like the others did. not like you were a piece of cake, not like you were something they had to have for the night, but someone who lit his chest alight.

“you look beautiful.” he murmurs into your hair, his hands around your waist.

“i hardly feel that way- im scared, i think.”

he shook his head, pulling you from his warm embrace much to your dismay. “don’t be. you’re with me right now.” finnicks plush lips lay atop your forehead now.

you laugh as he continues to peck your face, giggles leaving your lips.”so beautiful.”

it was only when you nearly toppled over your unnecessarily long pumps that he took not of your consumption.

“so head over heels it seems you’ve had a little to much to drink. what do you say i get you back to your room now? hm?” he straightens you back up. “run you a bath?”

you let out a muffled mm into his chest, your other hand placed on the side of his chest holding you steady. “love you s’much finn.”

it was his turn to laugh now, there was no mockery, no heinous act behind it, just you and finnick. “i know baby.”

-

[syddsatyrn]

⛧Devotion is Love with Wings⛧ Chapter Two: Emotions Unveiled

Ch1 / Ch2 / Ch3 / Ch4

⛧Pairing: - Lucifer Morningstar x Reader

⛧Warnings: Alcohol, fluff, angst, hurt/comfort, king x servant, panic attack, heartbreak, happy ending.

⛧Words: 2.5K

⛧Summary: Feelings surface and the line between duty and desire begins to blur. Admitting your feelings to the King of Hell could be the best or worst thing that's ever happened to you. Lucifer battles with his own internal struggles in silence.

⛧Notes: Ask and you shall receive, my dears! You all asked me for a part two so here we go! Keep an eye out for my next fic because its time for some Alastor content! My beta reader is @hellfiremunsonn and she deserve all the rainbows and cupcakes.

⛧Tag list: @loslox @tiedyedghoulette @naiadic

------------------

As the soft rays of the morning sun seeped through the velvet curtains, you slowly opened your eyes, blinking a few times, adjusting to the gentle light. Despite the room still cloaked in soothing darkness, you knew you were in Lucifer's room. It takes you a moment to recall last night's events. You feel his breath on the back of your neck and his arm around your midsection. You can feel your face get hotter with every detail you take in. He is comfortably curled up behind you sound asleep. He needs rest, you’re afraid to move a muscle and wake him. You look over at the clock on the wall, you both are extremely late for breakfast.

“...Shit.” You say under your breath. Lucifer begins to move slightly, he lets out a soft hum and holds you just a bit closer. You can’t tell if he’s awake or not, even though you truly did not want to get out of bed, it had to be done. You slowly sit up and turn around, you almost place your hand on his shoulder but you take a moment to admire his sweet sleeping face. Instead, you gently place your hand on his cheek. Lucifer’s eyes flutter open, he meets your gaze and gives you a sleepy smile.

“Good morning…” He says softly while holding your wrist, keeping your hand on his cheek. You wanted to pull away, but his eyes made you want to just crawl back into his arms and go back to sleep.

“G-Good Morning, sir.” You stutter a little, Lucifer’s smile turns into a small smirk, he is amused by how flustered you are. He finally lets go and you try to compose yourself, but it's hard to do so when he looks so cute.

“I’ll go get some coffee, it looks like we slept in.” You finally break the spell he had on you and crawl out of his bed. When you leave, Lucifer immediately misses your presence close to him, having you next to him made a significant difference in his mood and sleep. It was the first time he’d felt the warmth of another person in a long time, and now that he’s had a taste, he wants more.

You head down the hall to your room, when you enter you quickly shut the door, thankful no one saw you. You get dressed in your uniform and head downstairs to the kitchen. While you made coffee, the staff were surprised to see you so late into the morning. You make up a quick excuse, stating you were not feeling well but you’re doing much better now so it's nothing to worry about.

You take two cups of coffee upstairs on a silver tray, and you do your best to mentally shift into work mode, but you can't stop thinking about last night. You return to his room, the king is still in bed, sporting a satisfied look on his face. You hand him his coffee and place the tray on the bedside table. 

“Thank you, my dear.” He says and gestures for you to sit on the bed, so you take your cup from the tray and have a seat.

“I want to apologize.” You start, and he looks at you with a raised brow. “I shouldn't have fallen asleep in your quarters. That was inappropriate of me.”

“I’m gonna stop you there, you do exactly what is asked of you. Everything you do is for my benefit. I could never be upset with you for something like that.” He says with a gentle voice. His gold eyes soften as he realizes you’re being serious.

“Thank you…” You reply, just barely above a whisper. His words made you feel a little better, you only want to do what's best for your king…but sometimes you can get carried away. You would do anything for him, that includes bending the rules.

“Now stop sulking.” He says and crawls over to you, sitting beside you on the bed. He is seated rather close, you look away trying to hide your red face. He turns your face back towards him using his index finger and thumb. “You’re too pretty to be so sad.”

“Y-You forget yourself, sir.” You stutter, barely keeping it together. You finish your coffee and return the cup to the tray. When you stand up and walk towards the wardrobe, Lucifer chuckles at your attempt to remain dignified. He is knocking down walls with the way he speaks to you. Breaking down each professional boundary one at a time. His touch was setting you on fire and you were running out of ways to extinguish it.

You sort through his clothes and pull out a black suit with red and white embellishments. You set it on the corner of the bed like you always do. “I’ll make sure I have your lunch ready for you in your study, sir” You say quickly, with a red blush spread across your face, you take the tray and quickly excuse yourself.

You rush down the hall and back to your room. Your chest heaves and you're out of breath. What in the devil's name happened there?! He looked like he was going to kiss you, his face was so close and he called you pretty! What is this idiot doing? You cover your face with your sleeves and pace back and forth in your room.

You always prided yourself on your composure. You navigate life’s twists and turns with a steady hand and a level head. At first, you brushed off these fluttering feelings as a mere passing fancy. You find yourself in front of a mental crossroads, on one hand, there is the exhilarating rush of new emotions. On the other was fear of rejection, an unconventional relationship, and possible heartbreak. If you ruin what you have with Lucifer, you will end up with nothing. All your years climbing the hierarchy would be null and void.

But what if it was possible? No, it couldn't be, there was just no way. As far as you are aware, you’ve never heard of such a situation that ended well. This can’t possibly be happening, you need some time to sort yourself out. But at some point, you are going to see him again today and you’re not sure how you’ll handle it. You always buried your feelings deep within your heart, locking them away like a precious treasure hidden from prying eyes. You’d like to think you're capable of continuing this facade, but this time you are not so sure.

-----------------

Lucifer sighs as you leave the room, your reactions are rather fascinating though. He gets up and takes his clothes to the bathroom to dress himself. Lucifer is well aware of the power dynamic here, and he has a habit of pushing things as far as he can. It comes with the territory of normally having anything he wants. He buttons his vest and looks at himself in the mirror. So what if he had a thing for his advisor? He wonders if he’s just lonely and that’s why he’s acting this way…even if that was true, it wouldn’t explain the relief he feels every time you enter a room. He puts on his coat, straightens his hat, and leaves his room to spend time in his study. 

He opens the door and notices his lunch is sitting on his desk along with some invoices to sign and an overview of yesterday's meeting. This is unusual, you normally bring him his meal and check in on his daily progress at this time. This is cause for concern, indeed. Was Y/N avoiding him? Surely that can't be true, they would never just ignore him like that. He slumps into his chair, wondering if he messed up somehow. 

Did he ruin the years of trust they had built? He still wants her around, he would hate the idea of anyone else taking your place. The more he thought about it the more the pit in his stomach grew. He attempts to eat but can’t put down much food, his nerves are making it difficult to eat. He needs to find you and apologize, he has to make this right somehow. 

-----------------

Hours go by and you’ve done your best to avoid Lucifer at all costs, but you can't keep this up forever. You are standing on a large balcony in the dining room wearing your pajamas. The sun has set and the stars are visible in the sky, there is a chill in the air. You let out a defeated sigh, you’re going to have to tell him or forget about your feelings completely. You fear that if you confessed your love, the delicate threads that bind you both together would fray and snap. If you forget and try to move on, how bad is it going to hurt when he finds a new love? It would ache so bad you might have to leave his manor entirely, you knew that if that were to happen, it would shatter Lucifer's heart.

You feel a few drops of rain fall on your skin, and as each minute passes the rain becomes heavier and heavier. You look out into the courtyard, it’s getting late and you should be heading inside but you stand there, tears in your eyes. How could you be so foolish and self-centered? You knew the rules and you chose to defy them, it's your own fault you feel so awful.

Suddenly the rain is no longer hitting you, you don't feel the cold drops on your face anymore. You turn around and Lucifer is standing in the doorway, his large wing covers you, shielding you from the rain.

“Hey…Can we talk?” He says with a soft look of concern on his face. You nod while wiping your face with your sleeves, he motions for you to come back inside. He walks slightly ahead of you, leading you upstairs to his bedroom. He opens the door for you and gives you a small half-smile. Lucifer walks over to his desk and pours you both a glass of bourbon. He hands you a glass and you take a seat at the small table next to the window. He sits across from you, you can tell he's a bit anxious because he keeps looking away. You take a sip from your drink, hoping the alcohol will settle your nerves. 

The ambiance of the dimly lit room, the soft glow of candlelight danced upon his face. With a hesitant breath, Lucifer cleared his throat. 

“I need to apologize to you,” Lucifer says with a despairing look on his face. “I’m sure you’ve felt confused and in distress all day.” He takes a sip of his drink while trying to find the right words. “Before I begin, let me just say that I think so highly of you. Y/N, you’ve been there for me during every awful situation I’ve faced and I am so grateful for you.”

He grabs your hand and his expression changes to a more serious one. “I don't want you to leave my side. I couldn’t bear it if I did something to make you leave.”

“Sir, I–” You try to speak but Lucifer interrupts you.

“Y/N. I need you to drop the formalities for ten minutes, please.” He cuts you off and rubs the bridge of his nose. “Is there something going on between us or am I just a lonely, divorced, delusional, man making it all up in my head so I don't feel so shitty about my life?”

You are shocked by his words, you had no idea he felt that way about himself. 

“You’re not delusional, Lucifer.” You answer, it takes you a moment to gather your thoughts and put them in order. “It's all my fault, really. I guess after all this time I’ve developed some feelings.”

Lucifer’s eyes widen, his face softens and he squeezes your hand and you look back into his eyes with a small smile. “I think I just got carried away, I know nothing can happen between us. It would be unacceptable and irredeemable. I’m the delusional one, to think you could ever love someone like me.” You reply while looking down at your drink, your finger toying with the rim of the glass.

Without a word, without warning, Lucifer leaned over the table and grabbed ahold of your shirt. He pulls you close so that you are face to face, leaning over the table. You could feel his breath on your lips as he said, “Love doesn't adhere to rules or expectations, darling. I will choose to defy every convention, every decree if it means I get to spend the rest of my life devoted to someone I love.”

Tears started to well up in your eyes, he slowly closed the gap between you both. His lips softly pressed against yours. Time stopped in that moment, amidst the chaos of entangled emotions. The taste was bittersweet, you’ve only ever dreamed of this. His hand lets go of your shirt and caresses your face. You kiss him back with fervor, a silent confession that speaks volumes. Both of you daring to defy the boundaries of monarchy and courtier.

You lace your fingers with his, he stands up and pulls you out of your seat. You practically fell into his arms, Lucifer held the back of your head, the other arm wrapped around your waist.

Your tears flowed freely as you hid your face in his chest. He holds you tight, offering you silent comfort as you let out quiet sobs. Lucifer strokes your hair and kisses the top of your head.

“I’m sorry it took so long for me to realize…” He says, barely above a whisper. “Just let me take care of you for once, my love.” Before you can protest, Lucifer scoops you up and gently places you on his bed. He climbs in and pulls the covers over you both. He wipes your tear-stained cheeks with his sleeve and smiles at you while you take the time you need to calm down. 

“C’mon, babe say something…You’re killing me.” He says, waiting for you to speak with bated breath.

“I love you…” You say between staggered breaths. Your eyes are locked on his, somehow Lucifer blows through the many walls you’ve put up to prevent this and you are left bare and vulnerable. It is terrifying, being this helplessly in love. Bearing the fragments of your heart to the person who held it entirely.

“I love you too, dummy.” His smile is sweet like saccharine, his voice is smooth like silk. Your lips met his once more while your fingers card through his hair. He kept you as close as possible, and in the hush of the night amidst the whispered confessions, you and your king curled up together and fell asleep once again in each other's arms. No sovereign, demon or angel could pull you two apart even if they tried. 

[quaithe-seastar]

His Queen

Aegon II Targaryen x Fem!Reader

Summary: You and Aegon are trapped in an arranged marriage, but you've both done your best to deal with it. Aegon admits to you that he has his doubts about being king. You do your best to offer him comfort despite having your reservations.

Warnings: Smut, Oral (fem receiving), Slight angst, mentions of arranged marriage, mentions of infidelity

A/n: No beta, so I apologize for any grammar and spelling mistakes.

You groan, fluffing your pillow as you turn onto your side. Your eyes beg you to go back to sleep, but your mind seems intent on keeping you awake. You slide a hand over to the left side of the bed. The sheets where Aegon rested had grown cold. You frowned, longing for his warmth. He had been here when you went to sleep, just as he has been every night for the past week.

Since becoming king, Aegon has been different. He is taking a more active and involved role, not just as king but also as a husband and father. 

A great wave of weariness washes over you, taking your energy along with it. It leaves nothing but a sting of melancholy and humiliation in its wake. Perhaps you were a fool to think Aegon had changed. Had he slipped back into his old ways so soon? Where was he now, you wondered. In some brothel on the street of silk or in some filthy flea-bottom rat pit? You shake your head, trying to stop being so pessimistic.

Slowly, you got out of bed and pulled your robe over your nightgown. You pull your hair to the side as you slide on a pair of slippers. The castle was quiet and dark, though that was no surprise considering how late it was. You wrapped your arms around yourself, trying to fight off the chill in the air. Maester Orwyle believed the summer was finally coming to an end.

Your eyes wander around, lazily observing the same walls you have seen a thousand times before. Your mind turns back to your husband. The marriage had been arranged by your father and the late King Viserys. Your mother had wished you to marry the Lord of Seagard, Lord Jorah Mallister, but your father refused. What is a lord compared to a prince, he said.

Neither you nor Aegon had been happy about it. But somehow, you managed to coexist; you had little choice otherwise. Over the years, you had found yourself growing quite fond of him. He was charismatic and very easy on the eyes without even trying. Though you were unsure if he shared your feelings, it was so hard to tell. He was always off doing whatever he did with his spare time.

The sound of clinking metal echoed in the air. Your eyes land upon an alert Ser Arryk. Though the tense knight relaxed when he realized it was you. He removed his hand from the hilt of his sword and bowed his head.

“Your grace.”

“Ser Arryk,” you greet him courteously.

 “Is he alone?” You asked, gesturing towards the giant closed doors that concealed the throne room. 

You could see how the king guard tensed up again; a look of pity flickered in his eyes. It was a look you had grown accustomed to over the years. Your husband's indiscretions were well known throughout the city.

Ser Arryk nodded, “Yes, your grace.”

You take a step forward, and the knight quickly takes the hint. He pushed open one of the doors just enough for you to slip past it before pulling it closed again. The room was so quiet. Even the soft thuds your feet made against the stone floor echoed. The walk to the throne felt like it stretched on for hours. 

You could see Aegon in the distance. His silver-gold hair contrasted beautifully against the grim, gray walls of the throne room. The man stands at the foot of the steps, dressed down in his nightwear.

The iron throne was said to be made of the thousand swords of the conqueror’s enemies. Regardless of whether that was true, the throne was certainly a ghastly thing to look at.

The iron throne casts a large shadow that stops at the bottom of the steps, right at Aegon’s feet, threatening to engulf him.

“You disappeared. I was worried something had happened,” you said, breaking the silence in the room.

Aegon turned his head to look at you. He had a startled look on his face. Had he not heard you coming?

”I apologize, my queen. I did not wish to disturb you with my restlessness.” 

You fiddle with the sleeves of your robe. The title of queen was something you hadn’t entirely warmed up to yet. In truth, you weren’t sure what you thought of all of this. 

“I wouldn’t have minded. It’s better than waking up alone.”

A look of hurt and guilt washed over his face. You quickly came to regret your words.

“I'm sorry. Just forget I said anything,” you added nervously. “I shall leave you be.”

You quickly turn to leave, but before you can take a step, a voice calls out, “Don’t go!”

The urgency and desperation in his tone make you freeze. You crane your neck to look back at him. His dark eyes are wide and glossy.

“I mean,” he cleared his throat. “I would enjoy your company.”

You remain frozen, at a loss for words. He had never actively sought your company before. Aegon’s cheeks grow red, and he quickly adds, “Though you’re free to go if you wish.”

He quickly turns back around, facing the throne. You stare at the back of his head, your eyes following the waves of his hair. It had grown out quite a bit. That was also something you were not used to. He usually preferred to keep it short.

The soft thuds of your slippers hitting the ground echo in the air once more. You slowly move to stand by his side.

“Do you think I can do it?” He asked suddenly.

Aegon’s voice wavers as the question leaves his lips. You turn your head to look at him. His body is tense, and he keeps his eyes forward, not looking at you.

In a way, he reminds you of a child, your child, your sweet little Jaehaerys. He is your husband's heir now. One day, he will stand in this very spot. You wonder if he will have the same doubts.

Your eyes follow his gaze to the throne. You had wondered the same thing many times before. A deep, weary sigh escaped from your lips.

“I don’t know,” you answer honestly.

From the corner of your eyes, you can see him wince at your words. 

“I do not wish to lie to you, husband. I cannot say for certain if you will be a good king. But I do believe,” you take his hand into yours. “that you have a kind heart. And if you try, really try , you may surprise us all.”

He offers your hand a little squeeze. “I want to try. I just- I don’t know how. My father never prepared me for this.”

“No one prepared him either, yet he found his path. In time, you will too.”

An uneasy smile stretched across his lips. He shook his head slightly before lowering it. His eyes trained on the ground. “I don’t even know where to start.”

“Hey,” you coax as you move to stand before him. 

Your free hand gently cups his face, urging him to look up at you. His eyes are vast and glossier than you’ve ever seen them. You can see the slight tremble in his bottom lip. He leans into the warmth of your palm. You run your thumb up and down his cheekbone. 

“You are not alone in this, Aegon. You have your small council and your grandfather, who has advised two kings bef-”

“And you?” He queried.

Aegon’s violet eyes shift back and forth between your eyes as if he were searching for something. 

“Yes,” you nodded. “You have me.”

His hands rest on your hips, pulling you closer. Soon, your chest is pressed against his. You can feel his warm breath on your face. You catch a whiff of the sweet arbor red that lingers on his tongue. Aegon lowers his head, nudging his nose against yours. Your lips just barely graze each other. 

A heat climbed up your face, making it feel like your skin was on fire. Unable to handle the growing need in your stomach, you lift yourself onto your toes, pressing your lips to his. Aegon responds immediately, moving his soft lips against yours.

This kiss was different. Different from the chaste kiss you shared on your wedding day or the sloppy drunk kisses you shared during the few times he joined you in your marital bed. 

Aegon kissed you with a desperation and hunger that you had never experienced before. Your arms wound around his neck, needing him even closer to you if possible. You let him lead you through the kiss, primarily due to your lack of experience but also because you find yourself becoming lightheaded. 

You feel dizzy like the world is spinning. You're running out of breath, lungs burning from the lack of air, but no part of you wants to stop this.

Aegon takes the initiative to pull away first. A pathetic whine passes through your lips. You lean forward, eager to feel his lips on yours again, but he doesn’t let you. He grabs your arms, pulling them away from his neck.

“Come with me,” he said, taking one of your hands into his.

You struggled to keep up with him as he pulled you behind him. Your feet sluggishly climbed up the stairs to the iron throne.

“What are you doing?” You asked as you reached the top.

“Take a seat,” he replied, not answering your question.

You eyed him suspiciously, unsure of what he was planning to do. Your eyes scanned the empty throne room, ensuring no one was watching you. A devilish smile rested on his lips as he gestured towards the throne. You hold onto his hand as you lower yourself onto the throne made of swords. 

Your body is tense, and you struggle not to let the fear of being pricked overwhelm you.

“How does it feel?”

You struggle to come up with an answer. You were frightened, but you could not deny the sense of power and strength that filled your chest. Suddenly, you could understand why so many people lusted after the throne.

“It’s ... nice.”

Aegon lets out a hearty laugh, and you turn your head away, mortified.

“My sweet little wife,” he mused, leaning down to kiss your head.

You stay silent, reeling with embarrassment. You close your eyes, wishing this was all a dream and that you would soon be back in the comfort of your own bed.

Warm hands slipping under your nightgown make you gasp. Your head snaps forward to find your husband kneeling before you. Aegon’s warm hands rest on your calves. You squeeze your legs together as tightly as you can.

“What are you doing?!” You whispered harshly, taken aback by his audaciousness.

His eyes flickered up towards yours, staring at you. “I want to try something.”

The gleam in his eyes sends a shiver down your spine.

“What?” You asked, though you believe you have some understanding of what he means.

Some of the more... bolder ladies at court loved to gossip and share stories of their late-night trysts with their husbands and paramours. You have heard a few stories about men who enjoy... feasting on their lovers. It was something you had never heard of before, let alone experienced. A part of you wondered if it was even true.

You had thought of asking Aegon about it, as he was quite... familiar with the ways of lovemaking, but you could not bring yourself to repeat what you had heard.

“Trust me,” he said, a grin reaching his lips. “I believe you will enjoy it.”

You stare at him, taking a deep breath before nodding. His warm hands slid up high, caressing your knees as he pushed them apart. You gasped, knees immediately trying to clamp shut to preserve some of your dignity. But Aegon doesn’t let you. 

He keeps a firm grip on your knees, keeping you spread open for him. Your nightgown is hitched up above your knees. The cold night air makes your skin prickle with goosebumps. The heat that was climbing up your face earlier spreads throughout your entire body. You want to close your eyes and turn away, but you cannot bring yourself to look away from him.

His eyes no longer stare into yours. Instead, his violet eyes remained focused between your legs. He glides his hands up your thighs, inching your dress higher until, finally, your cunt is exposed. But he doesn’t touch it. Instead, he moves his palms down, rubbing circles on your outer thighs.

The way Aegon touches you now differs from his usual impatient and rough approach. His hands seem almost reverent as they fondle your soft, plush thighs.

“Aegon,” you gasped as he lowered his head, pressing his lips to your right inner thigh. 

His hair fell forward, covering his face, but you believed you could feel him smirking against your skin. Suddenly, you felt him nip at the sensitive skin of your thigh. A sharp cry leaves your lips.

“‘m sorry,” he murmured against your skin as he kissed the bite.

His lips move up higher to the crook of your thigh. Your mouth hung slightly open, and a shaky breath passed through your lips. Being naked and exposed to him was nothing new, but having him so close like this was. Having his eyes and lips so close to your most intimate area was very new.

“Can you open them a bit more?” He asked, looking up at you.

You swiped your tongue across your lips before nodding. You were finally able to shut your eyes as you spread your legs wider, hoping it was enough.

“You’re perfect,” he said in awe.

A hot wetness glides over your aching cunt, making your entire body jolt. You let out a noise that is somewhere between a gasp and a cry as you try to draw your legs closed, but you're unable to, not with Aegon nestled between your thighs. His shoulders keep you spread open for his view and pleasure.

Aegon’s tongue was delivering the most exquisite pleasure you had ever experienced. He lapped up and down your folds, savoring your taste, before caressing your clit, alternating movements from up and down and side to side.

You look down, finding him peering up at you. His violet eyes locked onto you, watching your every expression, listening to every sound as he unraveled you beneath him. Your whole body felt like it was on fire, from the top of your head all the way down to your toes. All the air that fills your lungs is gone in an instant.

“Aegon- mmm,” his name leaves you like a meager whine.

His tongue works ardently between your splayed thighs, feasting upon you like a man starved. You find yourself enamored by the soft, tantalizing, wet sound his mouth is producing. One of your hands reached down, entangling itself in his messy silver waves. He moans against you, and the feeling has you arching your back. 

Your eyes rolled back as the pleasure quickly began to overwhelm you. Your chest rose and fell repeatedly, your hard nipples rubbing against the fabric of your nightgown. You did not know how much more you would be able to take.

Sinful cries and whimpers echoed throughout the throne room, but you could not bring yourself to care. How could you possibly think of anything else when your husband was sending wave after wave of pleasure through your body? 

Then, he slips a finger inside of you. 

“Aegon!” You cried out, so close to reaching your peak, yet not wanting this to end.

He easily adds another. His fingers move at a torturous, methodical pace. The pads of his fingers rub against your spongy walls, favoring that spot that makes you gasp and squeal. He catches your clit between his lips, suckling on it as if it were a treat. You gripped his head, rocking into his mouth.

You could feel a familiar heat building up in your lower stomach. The tension was almost unbearable. The world around you seemed to blur; all your senses honed in on Aegon and the pleasure only he could give you. 

You panted out curses and his name, shuddering at the warm pleasure that filled your entire body.

A groan erupts from the back of his throat, so guttural, it makes you weak. You glanced down and found him still watching you. His dark eyes entranced you, not allowing you to look away. 

Your legs and back stiffened, your stomach tightened, and your breath halted. You clamped your eyes shut and moaned out his name as you finally reached your peak. 

You remove your hand from his hair and tap his shoulder. Thankfully he pulled away with little protest, allowing your senses to calm down as your peak reached its end. Your back is aching from sitting upright for so long. You lean back a little, hoping to find relief, but the iron throne offers none. 

You're unsure how much time passes before you can properly catch your breath again. Soft fingers interlace with yours, bringing you back to the present. You blink, trying to fight off the drowsiness that is steadily creeping up on you. Aegon is still kneeling before you, with a self-satisfying look on his face.

“I told you you’d like it.”

You let out a breathy laugh and tried to push him away. However, you lacked the strength to do so.

“Just... give me a moment. Then I shall help you.”

“Mmh,” he hummed. “That won’t be necessary, my queen.”

You frowned. “What do you mean?”

He smirked and glanced down at his lap before looking back at you. You sat up and looked down to find a dark wet spot that covered the front of his trousers. Your face heated up again, and a coy smile made its way onto your lips.

“That’s too bad,” you sigh. “I was hoping we could play some more.”

Aegon’s smirk is gone, replaced with a more serious look. “I just need a moment. Then I’ll take you right here.”

You laugh at his enthusiasm. “I’m more than willing to go again, but not here. I prefer the comfort of our bed.”

Aegon nods and quickly stands to his feet. He helps you stand and holds you close to his side as the two of you leave the throne room. 

“Your grace,” Ser Arryk bows as the two of you make it out of the room.

You gulped, mortified, realizing what the poor white cloak had just endured. 

“Ser Arryk,” Aegon smiled. “The Queen and I shall be returning to our bedchamber now.”

The knight’s eyes flickered toward you before quickly averting his gaze. It was not hard to tell that the man was flustered. You shot him an apologetic smile even though he would not look at you.

“Yes, your grace.” He replied, dutifully following behind the two of you as you returned to your bedchamber. You’ll have to convince Aegon to find some way to make it up to him.

[muwapsturniolo]

Peppermint Swirl ֍ Matt Sturniolo

"Reds your color sweetheart"

✘ period sex, blood, blood fetish, mentions of knife play.

Matt knew it was wrong - how could he be so happy you were menstruating when you were in pain? He couldn't help it, the thought of blood, your blood, excited him. He brought up knife play a few times, the idea being intriguing but too scary for you to actually proceed with. So, he found a way around your fear that would work for both of you.

Period sex.

It was the perfect solution- he finally gets to see you bleed, while your cramps are relieved. It was a win-win situation in his eyes, however , you begged to differ. The thought of Matt seeing you in such a messy position didn't settle well with you. You listed so many cons, the mess, the smell, the fact that you felt disgusting and didn't want your boyfriend touching you...But he didn't care. He loved the thought of the mess, the idea of seeing the vibrant red blood coating his dick basically had him creaming his boxers. It only took an awful day of cramps for you to finally agree, so here you were.

The bed rocks at a fast pace, the squelching of your - multiple - juices, filling the room. Matt had a deranged look in his eyes, the bright blue orbs focused on the mess you're creating - it was better than he could imagine. The red liquid coated his dick beautifully, a stark contrast to the color of his shaft. It coated the inside of your thighs, some of it on his abdomen as well as the bed - he refused to lay a towel down, wanting to see the crimson liquid mesh with the white sheets. "F-fuck baby, look 'atcha m-making such a pretty mess on m'cock." You moan loudly, your hands flying to his broad shoulders as everything becomes too much.

The pain you were feeling from your cycle had come to a halt, the only thing being felt was intense pleasure. Your sensitive breasts added to that feeling - bouncing back and forth as Matt thrust harshly, his mouth finding the perky nipples every now and again.

He pulls away from your breasts, his eyes falling on where your bodies meet. His right hand seems to have a mind of its own, trailing down your body until it reaches your bloody cunt - dipping into the blood and swirling it around. It was fascinating to him, how red the liquid could be, how thick it is - he didn't know why he was so entranced by it. He trails his bloody fingers right back to your chest, the warm liquid being smeared against your skin - he's spelling something. You didn't know what he was spelling, your head too fuzzy to comprehend - you only knew that it unlocked something in him, something primal. Your body jerks wildly as silent screams fall from your mouth, his thrusts growing more animalistic. The headboard was slamming against the wall at this point, surely leaving dents in the plaster.

It didn't take long for both of you to tip over the edge, his hips stalling deep inside - your red walls being painted with his hot white seed. He heaves as he pulls out, his dick falling limp against the bloody sheets. He's hypnotized by the sight in front of him, the mixture of your blood and his cum seeping out of you, looking just like his favorite candy,

A peppermint.

His chest feels warm - admiration and lust evident in his body. His eyes land on your blissed-out face, his lips curling into a smirk, "are your cramps gone?" You hum your response, your eyes fluttering open as you gaze at him. His hand brushes over your chest, a low and barely audible moan falling from his throat. You look down to see what he managed to write with blood - your eyes wide in shock as you see the upside-down version of his name.

"Reds your color sweetheart, you should wear it more."

idk how i feel about this, but i hope you freaks enjoy it!