the disconnect between the storytelling of the show and of the fandom
lately, I've been thinking about storytelling and storytellers in the context of 911.
like, there's two sides to this storytelling business, right?
there's the small group writers and showcreators who have an idea for the characters and plots and have to come up with a way to share those ideas within the constraints of a network television series
and then there's us, a massive international community with a wide-range of life experiences, who watch their show and then go on to tell our own story about it.
and i wonder if we're always watching the story they're telling.
im not even necessarily talking about the buddie goggles right now.
what got me thinking about this was ana flores.
and the one scene the fandom likes to pretend sealed her fate (when in actuality, let's be quite candid, it was the fact that she was a beautiful woman who dared to date eddie instead of allowing him to remain a viable option for canonical/fanonical offscreen cannoodling with buck)
"there's a lot to be said for getting back on the horse, but there's also some value in learning that you don't like horses."
eddie: "i'm sorry?"
"sometimes, our limitations tell us when to stop. but sometimes, they can show us where to look next." (romantic, feelingsy song starts playing) "today, he falls off the skateboard. but tomorrow, he writes the great american novel."
see, the problem here is that this is CLEARLY meant to be viewed as wise and deep advice. as a moment of connection between ana and eddie... the way the scene is cut, the music that plays in the background, the intense eye-contact between the two characters, the way eddie reacts to her words... we're meant to enjoy the simmering tension and potential between them...
but... it's not great and deep advice, not really. it's been pointed out that it comes off as ableist. and ana is supposed to be a teacher at this excellent inclusive institution; she is meant to have experience with children of different abilities feeling frustrated and wanting to do the same things other children are doing... someone on here pointed out that if they were the teacher, they would seek to understand what need christopher was trying to fullfil by getting on the skateboard and help him achieve it by other means
but what ana comes up with is this awkward horse metaphor that doesn't really make sense for the situation, and a condescending: "awwww, well, im sure he's the next hemingway"
BUT SEE, THAT'S NOT THE STORY THE SHOW IS TELLING US. the show is ostensibly framing this scene as romantic and great and deep. and that is NOT ana's fault. the character of ana didn't travel to our reality, didn't block the scene, didn't cut it and add the soundtrack. that's on the showcreators.
but somehow, it's really difficult for us to see it that way when it comes to ana.
in a way that it's not when it comes to Hen, poor little Mara and the Doberman.
because we know Hen and Karen, and we like them.
so we awkwardly shuffle around, side-eyeing each other, quietly nudging each other and going: "bit of a fail that, huh? kinda a weird thing to do on the part of the show, huh? comparing a little Black girl to a dog...why did they do that???"
or there was an excellent post floating around about whether Buck and Eddie realize they can say no to sex, that their consent matters.
"what if i come home and she wants to haaaaaave..."
"well, you'll get through it somehow," says buck with an amused grin on his face.
see, the problem isn't necessarily whether the characters know that their consent matters, but whether the showcreators do. because this is clearly meant to be viewed as a joke.
eddie is a macho guy, who tends to keep his cool in difficult situations, so it's funny when you see him freaking out over the fact that his girlfriend wants to have sex with him and he doesn't want to have sex with her because her former chosen-profession taps into his well of Messy Catholic Feelings.
isn't it? isn't that just fucking hilarious?
and the answer to that is: no. it's not funny to any part of the audience who's ever felt pressured (by a partner, by society, by their own expectations) to want or to have sex.
but does the show realize that?
i'm sorry but i don't think so. this is the show that framed dr.wells sexually assaulting buck during a therapy session as a joke to casually bring up and needle him over later, that felt the need to reassure us that chimney and maddie can and do have wild, passionate monkey sex (you remember, albert teasing chim, then the hotel with the revolving room, etc), that had karen ask hen what the point of a relationship was if the couple weren't having sex...
now, i genuinely don't think the showcreators mean to be hurtful, or harmful. i don't think they realise how all these things come off. because they're a fairly small group of people from Los Angeles, North America, and are working within the constraints of a network television show
(and the point of the Eddie and Buck scene was Buck coming out to Eddie, so maybe they felt Buck saying: "you know, you can tell her you don't want to have sex, right? that's allowed." would fraction the focus of it? idk)
but what happens is that there's this disconnect between the story they're telling us and the story we continue to tell among ourselves.
when it comes to the characters we like, we tend to ignore the unpleasant meanings and messages in relation to the character, or we retcon it in fanfic, or we Fix-it with some heart-to-hearts and apologies.
(for example, i haven't seen many fics that show athena being a Cop as not-a-great-thing. but are we really ok with her saying "i wasn't on their side, but i understood their side." when her son expresses some reasonable dissatisfaction with her reaction to a cop pointing a gun at him and michael? or are we just ignoring it because we love angela bassett?)
when it comes to characters we are predisposed to dislike, this disconnect makes us dislike them even more. which leads to the writing of bashing fics, and in some cases harassing the performers online jfc do not do that people that's never ok
(of course, some characters are hated justifiedly imao, like the buckley parents and chimney's father...)
maybe this is the frustration that makes for such a prolific and active fandom?
I don't know.
but I think it's something to keep in mind when watching the show. because that disconnect is always going to be there and I know that for my own personal mental health, it's easier and nicer to believe that a group of RL people might sometimes be just a bit ignorant at times and write in weird shit unintentionally, than that my favourite characters are massive assholes unpredictably and randomly
21 notes
·
View notes
I've got one: an Adam that can SEE soulmates. He grins nastily as he takes a GOOD LONG look at Alastor and SMIRKS "Vox, huh? You love him, hmm? I can see it written right on your disgusting soul Al-ass-tor. Annnnd even better he's your soulmate. I kill him, I cause you unimaginable pain and suffering for eternity without touching you." And then he takes off, leaving Lute and his army to take care of the hotel--who HEARD HIM to search for Vox.
The Vees are in full out panic mode, of course. They have no idea what to do. Vox say he can carry both Val and Vel through the electricity but they need a location to go too--abd the vacation home is too far, he doesn't have the juice.
Valentino is pissed at Vox for being Alastor's soulmate, and panicking about the certain death heading their way.
Velvette doesn't care: "Take us as far as you can to the vacation home and we can steal a car!"
Alastor is RAGING. How DARE that pompous f-wit threaten what is HIS?!? (Although he is pleased Adam did announce Vox was his too all of Hell. Now no one would dare try to date Vox after he killed the moth.)
(Feel free to use :3)
Thank you anon because I definitely WILL be taking this.
No really this is good, honestly you anons are helping write the best voxal fanfic with me as well speak. I think after I finish my current writing coms today then I'll start on this story. It honestly sounds really fun and I'm a bit of a slow burn kinda gal with a passion for angst so this is definitely up my alley.
The idea of Adam coming in? Mwah!
Like imagine the way Alastor freezes the moment Adam says that stuff about going after Vox and especially before Vox finds himself having to defend the vees. Bro doesn't even know what's going on at first and that he's basically one of the reasons it's happening. Imagine his shock if Alastor does hunt him down before the angels get there, both confusion AND relief showing on his face just to see Alastor. Though there's also annoyance.
"ugh! I could have handle a few angels Alastor!" He growls after Alastor grabs them after fighting and imagine something like after Alastor saves them he and Vox are having this argument just for Vox to stop when it seems Alastor did in fact take some damage.
"a few isn't tons Vox." Alastor would most like his back while cradling a wound and Vox might as well be the one to help him clean it up, matter of fact he has too because everyone is rather fearful of the pair. Alastor doesn't want anyone to deal with the wound like a stubborn dog unless it's Vox and this could leave them a lot of time just to sit with each other. It's silent as Vox carefully cleans his wounds, gentle and careful not to do anything that would hurt even more and then as he's looking over Alastor's body he'll glare at nothing halfheartedly, brows burrowed in confusion and annoyance.
"why'd you do something so stupid?" He'll ask and I can see Alastor's ear twitching. Vox basically asks him what's his problem. Why'd he go out there to fight so many angels and over HIM of all people? He's both flattered and a bit unnerved.
If Alastor really did all that to help him then maybe he SHOULD go back to the hotel just to keep an eye on Alastor's healing though maybe it's just a way to get closer because though Vox being Alastor's soul mate is life changing on his own, knowing and seeing Alastor after such a fight and touching his wounds really manages to draw Vox in. Like he wants to be with Alastor in the same bed and everything as he heals.
I wanna say Alastor will heal with no issue but imagine a case where he doesn't. Where the angel blades hold off his healing for just long enough to where Vox is actually worried over the other man.
This could be an interesting part to rebuild their connection. Seeing Alastor almost die while showing Hell that Vox BELONGS TO HIM really makes the TV demon flustered and more than he's ever been before. (Vox likes knowing Alastor is possessive enough to literally have a battle of his own with heaven. It makes him feel special and more than he ever has before)
I'd like to say this situation really convinces Vox but with their history he's worried about getting too close even though he wants to.
He's scared of falling in love with Alastor because what it its 'not the right time' again?
Vox is definitely an over thinker in this case, will sit through the healing process for Alastor but maybe he finds Alastor's words to be a fluke? Did he really mean it? Yeah he almost DIED but he couldn't possibly- he definitely means it.
They've had their history but Vox is a runner now and Alastor wants to chase him. After all, who could know him better than his old friend and whether Vox likes it or not no one would DARE (especially after the shocking announcement that they are soulmates) take Alastor's destined spot in his life.
I honestly love these ideas and I have many myself, keep em coming y'all!
- A
20 notes
·
View notes
hi i wanted to know if u have any good book recommendations? they can be about anything rlly i just want to become smarter
hi anonymous;
you:re as smart as you need to be, and really: you should read books out of passion (and fun) in lieu of pure raw erudition--mostly cause i think that is a fast way to burn yourself out by forcing yourself to read through dry garbage you don:t really want to read (this sounds loaded, but countering what i:m saying: if you are suddenly passionate about pursuing Pure Mathematics and want to just dive into math textbooks: then pursue that passion :-)) );
i do have recommendations, though! but i don:t think they:ll make you smarter; my favorite book as a kid was Howl's Moving Castle (hated the movie, garbage), it:s just a very fun fantasy book and it rekindled my love for reading after a long stint of trying-to-be-smarter by pursuing philosophical trash;
i really really really loved Squee! and Johnny the Homicidal Maniac as a kid, too; my dad sent them to me as a gift when i was really young & probably one of the only things he sent me that i deeply loved; i wish i still had those books, i:ve really been wanting to re-read them;
read Crying of Lot 49 this year and it moved me a lot--made me really interested in Pynchon as a whole; I'd rope a handful of American authors into this actually: Shirley Jackson's We Have Always Lived in the Castle, Flannery O'Connor's A Good Man is Hard To Find, Cormac McCarthy's Outer Darkness were all amazing surprises to me that just made me really appreciate American authors (sort-of doofy but I really did just appreciate this southern tradition of writers in an inspiring sort-of geographical way, like: I know these lands! I am soaked in this dust! I have this same odd bigotry in me!) -- but I think all of those works/authors are great and you probably can't go wrong with anything any of them have wrote;
I'm currently reading My Brilliant Friend by Elena Ferrante and really enjoying it; the cover/name makes you think of some harlequin romance novel but it's basically a femcel manifesto on hating someone so obsessively that it is indistinguishable from love; I'm currently listening to Stephen King's Duma Key and enjoying it--I'm listening through a lot of King books, just finished From a Buick 8 (loved it) (I'd rope King into the 'loving American authors' thing, cause he was a part of my culture growing up, you know? as doofy as it is, I'm kinda happy to have grown up alongside his career and output and it's been fun to finally delve into his stories);
also finished Nabokov's Pale Fire recent-ish -- if you like stuff like House of Leaves you might like it (it sounds sinful to compare that book to Nabokov but it's pretty apt, too); it's one of the few books I've read that actually made me laugh, and Nabokov is a beautiful writer, and Pale Fire is a book with enough depth that I think a reader could go through it several times and pluck out something completely new each time.
I don't think any of these would make you smarter; funny as it is: I think the KJV Bible is a beautiful read but I don't think I'd suggest it outside of attending church wholly because part of the poetry of the Bible comes from studying the context of a passage and all the lenses that come with it (I'd actually consider studying the 'academic biblical' analysis of the Bible as a church itself, not in contrast with church apologia); you can find a lot of odd inspiration in the works of prophets ala Mary Baker, Ellen White, various Catholic saints, Joseph Smith, Hubbard (wink, but sincere, I like Hubbard), etcetera--but I feel like inspiration or passion leads you to those works rather than some dull desire to soak up another persons passions in hopes that'll saturate you with something you've been missing. Ex: if you want to be a Christian Scientist: read Mary Baker; but likely if you wanted to, you'd already be reading--as circling as that sounds.
Take care, anonymous.
16 notes
·
View notes