#but boy do i love writing and analysing

[iridescentis]

one of my favourite things about reading any kind of fic is leaving long comments afterwards

maybe it's just the english language nerd in me that loves analysing writing styles and being descriptive, but it so much fun going through what i just read and explaining all the little parts i loved, whether that is specific scenes, the general way something was written, the themes etc. i just adore analysing all the things i love about how a fic is written it makes me so happy

[irisbaggins]

...oh no. Neverafter is, genuinely, a perfect angle for a Master thesis, especially with the two ideas I currently have in mind. I have a deep love for fairy tales, and this campaign is very intriguing to me (just started it, no I'm not procrastinating an exam what-). I'm still going to angle my first idea around Burrow's End (it's quite literally the best thing ever), I'm looking at Neverafter, believe you me.

Anyway. Off I go watching more Neverafter instead of doing my Middle English exam. Oh well.

[benevolentbones]

kids table | spencer reid x gideon!reader part 2

part 1

warnings: none really

word count: 1.4k

summary: spencer finally calls you and asks you out

a/n: the awaited part 2 is finally out, i hope you all enjoy this as much as part 1! if youd like me to write a part 3 let me know!

spencer drummed his fingers against his desk, the rhythmic thudding soothing his nerves.

in his free hand he held his phone, next to it the piece of paper you gave him at dinner from a few nights ago. not that he needed it, he had memorised everything you had scribbled down.

he had punched in all the digits of your phone number, his thumb hovered over the call button.

“what are you waiting for, pretty boy?” morgan questioned, the muscular man rested his hip against spencer’s desk, as he peered over to see what the genius was up to.

“i- i don’t know. i don’t know why i’m so nervous, she said she wants to go out with me but-“

“but you’re scared she will change her mind?” morgan reached over, grabbing the piece of paper from reid’s desk and analysing it.

spencer let out a frustrated groan, dropping his phone against the table and resting his forehead against the cool wood.

“reid, i don’t think she would change her mind man. i was watching you all night, she seemed to really dig you.”

without moving his head, spencer fixed his stare onto derek, side eyeing him.

“you think so?” he mumbled out, barely audible as he face was practically smushed against the desk.

“yeah i know so. so stop being so scared and just call her, invite her out.”

morgan gave the dark haired man a pat on the back before leaving him to do the thing he was dreading.

spencer picked his phone back up, your number still on screen just waiting to be rung. he exhaled, pressing his soft lips into a hard line before his thumb brushed over the call button.

it began to ring and spencer could swear his stomach dropped.

“hello?” your voice cracked through his phone, the familiarity of it relieving some of the pent up anxiety he was feeling.

“hey- y/n? it’s reid- spencer reid.” he mumbled out.

“oh! hey spence” your voice seemed more chipper after you realised who was calling you. “i’ve been waiting for your call.”

spencer was so lucky that you could not see the blush that spread across his face, he lifted a finger up, pulling at the collar of his shirt.

was it warm in here? damn.

“mm i was just calling- i wanted to know if you’d like to see a movie with me?”

spencer had interrogated hotch the other day while working a case, quizzing the older man about the things you enjoyed and what you didn’t like. he wouldn’t have dared go to gideon, so hotch was the next best option.

and through doing so he found out your love for going to the cinema.

“i love the movies!” you exclaimed, maybe a little too enthusiastic but spencer didn’t mind, a smile spread across his face.

you cleared your throat before continuing, “i would love to see a movie with you, spencer.”

“great-how does tomorrow night sound?” spencer chewed at his bottom lip, awaiting your answer.

“mhm that sounds good, how about i meet you outside your office at 7?”

“i-i’ll see you then.”

“see you, bye spencer.” and with that you hung up.

spencer placed the phone down on his desk, swivelling around in his chair. from across the room, derek was stood in conversation with penelope. spencer caught his glance, giving the older male a thumbs up.

“that’s my boy!” morgan yelled, causing a few sets of eyes to glance in his direction from his sudden outburst.

~

you stood outside the bureau, leaning against the cool brick wall. it was 6:58pm, and the sun was just setting.

usually you weren’t too concerned about what you’d wear out, or on a date even. but tonight you were a little nervous, and it took you almost two hours just to pick something.

you had decided on a black mid length pencil skirt, paired with an off the shoulder sweetheart blouse. you had only realised once you had left the house, that it wasn’t exactly the most weather permitting outfit, as it was late autumn, but you’d be indoors soon anyway so it wasn’t too bad.

you stared at the doors to the building, subconsciously playing with the strap on your purse.

seven o’ clock rolled around, and exactly as planned spencer reid strolled out of the building.

the dark eyed male had his signature pair of glasses resting upon his nose, his hair was combed back behind his ears, a few loose strands hung just over his eyes. he immediately spotted you, his stern facial expression softening as he shuffled over to you.

your breath hitched as you took in his appearance. his outfit didn’t much differ from what he wore at the birthday dinner, but seemed more casual. the shirt he wore wasn’t fully buttoned, his tie was hung looser but he still adorned a black suit jacket.

“hi” you mumbled out, feeling a blush creep onto your cheeks. luckily for you, the dimming light managed he conceal it, mostly.

“i hope you haven’t been waiting here long, ready to get going?” he quizzed, coming to a stop before you.

you looked up to the man who towered over you, and nodded. he lead you to his car and you both got in, spencer starting the ignition and driving off to the theatre.

the drive wasn’t too long, you were making small talk with him as he drove, asking about his day and such.

“they’re playing a screening of attack of the clones, i wasn’t sure if you liked star wars but i got us tickets.” he mumbled out, fingers drumming against the steering wheel as he pulled up to the theatre.

your hands rested on your lap as you stared out of the window, glancing over to spencer.

“that sounds great, i like star wars.” you smiled, making his stomach do metaphorical backflips.

you and spencer got out of the car, walking side by side into the cinema.

“i’m going to- to get the tickets. would you like to pick out a snack?”

you nodded walking towards the concession stand. you spent a few minutes scanning the items, a puzzled expression reaching your features. spencer returned to you, the tickets in his hand.

“made a choice?”

“would you share gummy bears with me?”

“would that make you happy?” he mused, watching as a small smile crept onto your face.

you nodded, chewing your bottom lip.

he let out a small chuckle. “then yes, i will.”

spencer walked over to the cashier, and ordered a medium popcorn, two sodas and of course not forgetting the packet of gummy bears.

the two of you walked into the screening room, spencer glanced down at the tickets as you walked up the steps. he lead you to two seats in the back row.

once you sat down to his left, he passed you your soda which you accepted gratefully.

there was only two other couples sat when the commercials starting rolling.

“have you seen this before?” you whispered to spencer.

“mhm, it’s one of my favourites.” he whispered back, leaning closer to you. you tensed up when you felt his hot breath against your neck.

the opening credits started to play and you both settled into your seats, spencer and you both laying your arms on your respective arm rests, he held onto the bucket of popcorn in his free hand.

throughout the film spencer’s gaze would fall on you, as you stared straight ahead at the screen the flickering colours from the film illuminating your, in his opinion, perfect features.

he grew nervous, almost dropping the popcorn, you turned to him and let out a low giggle. “here let me take it.” you mumbled in a hushed tone, reaching for the popcorn which he passed off onto you, your fingers brushing his for a moment.

that small touch was enough to drive him crazy. inhaling sharply, spencer directed his vision onto the screen. he flexed his left hand, before cautiously placing it on top of yours.

you felt your face heat up, you took the opportunity to quickly interlock your fingers with his, giving them a small squeeze.

he turned to you, his face met with your wide eyes, softly staring back at him, a longing expression washing over your features.

spencer felt his heartbeat quicken, he could barely hold it together any longer. he swiftly pressed his lips against yours, kissing you feverishly. you melted into the kiss, letting go of his hand and trailing yours up to cup his cheek.

he deepened the kiss, his palm traveling to your hip as best as he could in the seated position.

when you both pulled away, you gasped for air, your chest rising and falling rapidly. his hair was now slightly disheveled, his glasses steamed up and his lips a few shades pinker.

spencer’s cheeks were stained a crimson, his mind as foggy as his glasses. you pressed another small peck to his lips before resting your head on his shoulder.

“we’re about to miss the best bit.” you mused, your face warm.

“are you sure about that?”

[reysdriver]

A Grandmaster of Sorts | J.P

Your husband James falls victim to Harry's new obsession around the game rock, paper, scissors — dad!james x mom!reader fluff

warnings: none :)

words: 0.9k

a/n: this is based on something that actually happened at a family reunion last week, I just HAD to write about it because it was maybe the cutest thing ever, so enjoy!!

Harry strode into the kitchen with a goal. You weren’t sure what that goal was, but you were excited to find out. He stopped next to the table where you and James were enjoying some tea and he tugged gently on the knee of your husband’s trousers.

“Can we play rock, paper, scissors?” Harry asked his dad. 

That was his new obsession. You taught your son how to play the other day when he told you he was bored when there was nothing to do during a heavy thunderstorm. Ever since, he’s been asking you to play his new favourite game with him.

James put down his teacup and turned to look at his son. 

“Rock, paper, scissors, eh?” James said with cartoonish condescension. “I’m down for a few rounds, but you should be warned, Haz, that I’m the master of that game.” 

James moved around in his chair to face your son, cracking his knuckles obnoxiously to make Harry laugh. 

“You’re on, son.”

They held out their hands, but paused before actually playing. They put on their best game faces and tried analysing each other to guess what their first move would be. 

They both nodded, feeling confident enough to start a game. They lifted their hands and repeated the name of the game, then made their moves. 

A draw. Both hands were positioned with open palms facing the ground. Since paper and paper means a tie, they went again. 

Another draw. Both hands in rock position this time. 

Harry laughed at the situation even though James kept his stoic expression. 

“Where’d you learn all this? The skills must be in the genes, I bet.”

The little boy shook his head happily and pointed at you. “No, Mummy taught me!”

“Well, she must have taught you all my tricks. That’s definitely how you got to my exact skill level.” James proclaimed. “Let’s keep going, I’m gonna win this time.”

Your husband held out his hand, ready to start another match, but your son held out his hands, asking James to pause. 

Harry was doing a poor job at hiding a mischievous grin, so you paid attention to what he had to say. 

“We should try to tie again.” The boy suggested. “We should both do paper.”

James obviously knew what his little boy was plotting, but he didn’t dare show it. He just nodded along as he pretended to mull over the idea. 

“Yeah, we should do that. Then we can match, and you can be just like the great James Potter. I like the sound of that, Haz.”

They agreed on that little plan and then started the next round. Big shocker, Harry betrayed James and threw up scissors, defeating your husband’s move of paper. 

Harry burst out into a fit of adorable giggles as James looked at him with a pretend expression of shock. His jaw practically on the floor and his eyes were full of pain over what just happened. 

“I win, Daddy!” Harry exclaimed after his laughter subsided. 

“Good job, baby!” You congratulated your boy. 

“You tricked me! I demand a rematch.” 

Harry held out his hand for another game, but he wasn’t starting just yet. 

“What if we tied again? We could both do paper.” He suggested, that grin making a reappearance. 

“Are you going to trick me again?” James asked, eyes wide as he looked at Harry. 

“I promise I won’t. I just want it to be another tie.”

James nodded, pretending he trusted his son even after that first double-cross. He agreed to one more round under the pretence that it would be a draw once more. 

But lo and behold, Harry put up another pair of scissors, defeating James. Somehow, James looked even more flummoxed this time, but Harry was just as happy.

“It seems like you aren’t really the king of this game, my love.” You told your husband with a shrug.

James told you that he’d win next time, and the pair resumed their battle. 

You sat and watched Harry pull the same tricks on his father for several more rounds, James keeping up the charade of being shocked at his son’s plays, and Harry finding it absolutely hilarious every single time. 

Eventually, Harry proclaimed that he had simply won too many games to keep going, so he wanted to play by himself in his room. Before he walked off, you kissed him on the forehead and told him you’d bring him a special snack as a prize for winning so much. 

“Harry’s got winning in his blood.” You said to James, standing up from your seat. “Unfortunately, it seems like it comes from my side.”

James stood up right after you. He walked over to the counter where you were preparing the ingredients for Harry’s snack and wrapped his arm around your waist. 

“I know, he’s a champion.” James sighed. “I don’t even think I can break his heart by playing to my full potential.”

There was a quiet moment where the only sound in the room was the small knife slicing through the fruit and against the cutting board. 

With his free hand, James nicked a piece and tossed it in his mouth before you could say anything. Then your husband spoke again. 

“I think I’ll have to start teaching him chess and then have Remus avenge me.”

[wallflowerimagines]

Howdy dowdy, Partner. It's me, ya boi, Skinny Penis.

How would the Lords react to a selectively mute S/O? Especially their reaction to them talking to them for the first time.

I have this mental image of Heisenberg's S/O saying something really casually (while they're relaxing or something), and he just whips around to look at them and he just shouts "hoLY FUCK!"

Saw the first line of this ask and then it was followed by a cute prompt????---

Warnings: swearing, my typical brand of silly

Alcina Dimitrescu

She's so used to your quiet demeanor it's to the point where she COMPLETELY forgot that your silence is a choice.

Alcina quite honestly never expected you to speak to her, and she was mentally planning for the rest of your relationship to be this way -- all of the servants are learning to sign, just in case, and she has pens and paper in every room if you prefer to write as your form of communication.

When you do finally speak up, she's frozen. What.

Oh. You can. You...can speak?

It's one of the times you've ever seen Alcina baffled, because honestly? She has no idea what to do.

However, you can bet she IMMEDIATELY analyses the situation in order to make sure she can get you to keep talking to her. Whatever made this happen needs to be repeated as much as possible -- Now that she knows you can be made comfortable enough to speak, she needs to hear you speak again.

(It might not have been your intention, but you hit her right in the superiority complex. Her partner spoke to HER. JUST her. Exclusively. Alcina is going to be riding this high for decades)

The Lady Dimitrescu is a big believer in positive reinforcement with her loved ones, so you better believe that every time you speak she is extra affectionate, because she does like to hear your voice!💞

Essentially, you have prompted constant affection DO NOT RESIST---

Donna Beneviento

I mentioned this in my other Donna x Mute reader post, but Donna is able to relate to a mute s/o a lot.

She's pretty nonverbal herself, so often you two have moments of quiet peace, where the two of you are doing your own thing together in the same room, taking breaks only to hold hands, cuddle, and kiss each other sweetly.

Truly dreamy💕💕💕

The first time you speak to her though, she's sewing a new outfit for one of her dolls, while you're reading in the setee beside her.

You peak over her shoulder, clear your throat and say: "You're really talented, Donna".

She drops a stitch.

Her face is burning underneath her veil. The first thing you say to her is a complement??? About a skill she is actually proud of??? That's already enough to get her heart stuttering, but you said her name.

It feels like such a small thing, but it sends Donna into a tizzy. Your lips formed the syllables of her name, and she can't get over it. You said a compliment and her name in the same sentence.

She's swooning. Smitten. Overcome.

Expect some flustered giggling and a compliment in return.

Salvatore Moreau

Salvatore has no chill whatsoever.

He literally drops everything and scuttles across the room to stand in front of you, flitting his hands around you in excitement, not quite touching you but close.

He's! So! Excited!

He didn't process what you even said-- you SPOKE TO HIM!!!! Fireworks are going off in his brain, Kool and the Gang are celebrating the good times, life is beautiful and love is in the air....

Moreau is delighted by this development. You feel safe enough around him a monster to vocalize your thoughts. You trust him. He already knew you did, but this is confirmation he didn't even know he wanted. Moreau almost starts crying he's so relieved.

Meanwhile you're repeatedly trying to warn him about the disaster occurring on the stove.

"... Salvatore, honey, the pancakes are burning."

Honey???? HONEY??? Are you TRYING to kill him????

Salvatore staggers on his feet, unintentionally the most dramatic you've ever seen him.

Sighing, you hide a smile behind your palm and give him a little smooch on the cheek before you go rescue your breakfast.

Moreau flatlines. Better give him some mouth to mouth 💗.

Karl Heisenberg

Absolutely shocked the first time you speak.

He's working on a soldat, fully used to the silence as he solders body parts together to make a deadly monster worthy of murdering Mother Miranda.

"You missed a spot--"

jESUS FUCK

Very softly, you speak up again. "At the shoulder. It's not... It's not fully connected."

Heisenberg whips around to just...stare??? At you for a bit?? His face is totally expressionless, but make no mistake his brain is reeling.

What is he supposed to do here? You feel comfortable enough to talk with him--this is a big deal, right? Is he supposed to comfort you? Praise you?

Still, it's not in Heisenberg's nature to make a big deal of things, and he doesn't want to spook you.

Eventually he nods, grunts in acknowledgement, and gets back to work.

Still, your words ring in his ears. Your voice fits you so well? He never really thought about what you sounded like before, but honestly now it's all he can think about.

Much later, when you almost forget about the whole thing, he'll offhandedly say he's proud of you for finally speaking up for yourself.

It's kinda condescending? But you know Heisenberg pretty well, and the fact he refuses to meet your eyes let's you know he's just being his normal, socially stunted self.

Thank him for the "compliment" and you'll get a pleased grin back, as well as a teasing hair ruffle. He's...happy you're comfortable with him.

It just makes your relationship feel even more right. ❤️

[russellsppttemplates]

trying to figure out the baby's gender by analysing their symptoms with old wives' tales with lando👀

Cw: reader's pregnant

"This could be fun", your husband smiled, holding his iPad on one hand while keeping you close to him with the other one, "morning sickness all the time means it's a baby girl", he wiggled his eyebrows as you wrote down a point next to the words that read baby girl Norris on your notepad.

"Clumsiness and forgetfulness means it's a baby boy", you read on the screen, writing the point down, "but I've always been a little clumsy to be fair", you shrugged your shoulders.

"Ah! Boobs looking the same, so the areola stays the same colour, and they're fuller, bit not bigger, it's a babygirl!", Lando smirked, "I don't need to check with this one, I know all about it", he snickered like a teenager, earning him a push of his ear, "hey! I'm not lying, am I?".

"Oh, I like this one! Let me have your wedding band, please!", he asked, getting up briefly so he coils grab some thread and loop it through, "one, two, three, four and five", he counted before he let the ring fall suspended on top of your palm and wrist area, the gold band moving up and down, "so, baby boy it is with this one, apparently", he said, getting back to his original position.

"This one breaks the tie, then", you added, trying to read it on the screen as Lando shook his head as if the first time he read it didn't make sense to him.

"This one here says that if you're having a baby girl, it means the mother doesn't have that glow or beauty because the daughter is stealing them from her", Lando frowned, "you look gorgeous as ever, love! Everyday you get more beautiful to me!", he complained.

"Or maybe it means we're having a boy", you said as you added a point to the baby boy line, "no, no need for that. This is all just predictions anyway", he grumbled, "probably not even that truthful, to be honest".

"Are you throwing a tantrum because you think it's a girl and you this is not adding up with what you think?", you teased him, upping his cheeks and kissing his jaw, "pfft, as if!", Lando scoffed, "me and baby girl Norris know, don't we, my love? Yes, we do!", he cooed to your belly as you shook your head as his words. Later, you found out that his intuition was right as little Matilda Norris would join you soon.

(Thank you for your submission ✨️)

[adhdtsukasa]

tsukasa tenma has ADHD!! except it's an actual analysis because 1. look at my url 2. i'm mentally unwell (and i started to love tsukasa mostly because i immediately recognized my ADHD traits in him). which is a thing i should probably leave for ADHD awareness month, HOWEVER!! it was my birthday yesterday and i wanted to spoil myself (i just kinda overlooked how much time writing it from scratch would take me, so i'm a bit late with it). and i reaaally don't wanna wait until november when i finally wrote it down because i'm so HYPED because i was preparing for it like what? two years? somewhere around it. and that's a LONG time.

please keep in mind that i'm no psychologist, psychiatrist nor a neurologist and while i do use some sources (cannot really confirm if they are true, though... because i forgot to write credits down... so i'm really sorry for that), most of this analysis was just based off on my personal experiences with the disorder (and i don't really have the full professional knowledge of what i struggle with i'm just a Boy). i mean, i am analyzing a character from a hatsune miku game. i think i'm already putting way too many effort than i should.

also the examples of tsukasa's behavior here are not all of the things, because i wrote down only the things i remember off from the top of my head. sorry, guys. my hyperactive ass is not sitting thru all the stories again just to get my crumbs, unfortunately.

anyways, with this a little bit unprofessional and messy introduction, let's get it started!

1. THE MAIN PART OF THIS WHOLE THING, AKA HOW THE ADHD SYMPTOMS CORRESPOND TO TSUKASA'S BEHAVIOR

i wanted to write it down in my own words, but i think the screen above has summed it up perfectly; there are some established symptoms of ADHD, but to be an ADHDer you don't have to experience them all. and this is going to explain why i'm gonna show a lot of these symptoms later, yet gonna connect only some of them with tsukasa. it's only these i have evidence for, and yet i think they're good enough to point at tsukasa and already say woah! an ADHDer!!

in short, there are three types of ADHD: hyperactive, inattentive (ADD) and combined. the combined one is the most common iirc, so that's also what i'm going to focus on today. especially since for a rep of the other types, i could say that shizuku's a rather great representation of ADD — but that's not the point of my ted talk today, so i'm not going to go into the detail about it. i'm sure some momojan or shizuku oshi would do better than me in this field, so i'm leaving it to the experts.

these are the symptoms that i managed to gather — the first two screens being about the symptoms viewed in children, the last one being about the symptoms viewed in adults. "in which one of them tsukasa belongs to?" that's a good question, because i actually don't know. calling a high schooler a child doesn't sit quite right with me, yet a freshly turned 17/18-years-old is not exactly an adult, either (although most of the symptoms i'm analyzing come from these that are viewed in adults). and while i do think tsukasa has more of the symptoms viewed in adults, we're gonna analyse them all! because i'm putting my all into this.

FORGETFULNESS

i believe there's not much left to say, as this is the most obvious one and everyone already knows that. even though it's not touched that much anymore for some reason, tsukasa's forgetfulness is his very apparent trait. it varies in severity a lot of times: from him basically forgetting both his childhood and true feelings in the main story to him, for example, forgetting his own phone and lunch (in the same day!!) in hinamatsuri. even saki in the same event, while they were arguing, called him a "big, dumb forgetter" and assumed that he forgot what happened the day he brought her the hinamatsuri dolls to hospital. while forgetting basically half of your life is not exactly normal and can be a sign of something bigger, like dissociative amnesia, his forgetting of just the ordinary things and it happening a lot definitely still fits this trait.

EXCESSIVE TALKING/PHYSICAL MOVEMENT

while this is something that you'd rather connect to emu (and for a good reason), it's not like tsukasa is completely devoid of it either; he talks a lot. he moves a lot. it's not on emu's level of hyperactivity, but it's also not "a lot" that's taken as a social norm, based on how the people around him react. he's putting the 1 in oddball 1 2, after all.

in holy night or some side stories connected to it (it might be meiko's side story? but i'm not exactly sure) it was also said that tsukasa moves in his sleep a lot to this point that his parents have to leave his christmas presents under his door instead of next to his bed.

oh, and he also talks to himself a lot. even in class, which was confirmed in chapter 6 of dazzling (or maybe even earlier, it's just the one moment that i remember). (but i'll get to this moment later on)

he says his long monologues, he strikes his poses at every occasion — and while i don't think that's the first thing you think of when you have "excessive talking/movement" in mind, for me it sure does count as it.

LITTLE OR NO SENSE OF DANGER

this point can seem rather weird, because "isn't tsukasa always riddiculed at rui's weird inventions"? well, yeah, he is, that is not a thing to deny. but he also agrees to try out most of them, if not all, if it's for the sake of the show. he's aware of what can happen, but he also doesn't back away if it means that he'll be one step closer to achieving his dream of stardom.

does it count as "little sense of danger"? well, i'm actually not sure, for me it doesn't, but maybe for someone it does. i'd say that's a rather weak point, but i wanted to include the explanation for the counterpoint of it — that's why i even mentioned it in the first place. i don't have a lot to say about this tbh.

update: oh, actually no, wait, i just remembered. remember how tsukasa in phoenix decided to not eat anything for three days just to be able to resonate with rio, while also having to do straining exercise on top of that? you certainly cannot say that's a safe thing to do, but he still went along with that in order to get the role. it makes me come to a conclusion that tsukasa actually has a sense of danger, but sometimes chooses to willingly ignore it if only it makes him get closer to fulfilling his dream. i think it's coming close enough to the little/no sense of danger to be actually considered an ADHD trait.

DIFFICULTY KEEPING QUIET

while i'm not sure if what i'm going to talk about is a difficulty keeping quiet in a traditional sense of way, it definitely counts as it, somehow: tsukasa is loud. like, really loud. and that's another obvious fact both for us and for characters in-universe, especially when thinking of tsukasa shiho's first thought is that he's kinda noisy, which can be seen in the "a friend's brother" 1koma. (and probably a lot of other cases. free shiho.)

tsukasa doesn't seem to realize that he's way louder than he should be and that him being loud is his first impression in most of the cases, though, or at least i don't remember any moment where it happens (and it's a possibility. then that's on me, i guess.). and yeah, i know what's the reason for it, obviously — he's supposed to be a comic relief character. because wansho's stories are mostly supposed to make you smile, as this is what wansho's aspiration is. however, as much as being intended to make the viewer laugh it wouldn't be, it still is a part of tsukasa's character, and a rather important one on top of that. his constant loudness is something that's definitely not considered normal by the society and could very well fit into this symptom.

and since i promised to elaborate on the mentioned before scene from dazzling chapter 6: when tsukasa talks to himself in class, it always ends up to be loud. and it already happened a few times.

(tl by tsukasa's #3 fan on youtube because i don't have proseka on my phone wah)

if it's not a difficulty keeping quiet, then i don't know what is. bro can scream up to 120dB as measured by robonene for god's sake.

IRRITABILITY/QUICK TEMPER

again, this is something that was more apparent with early game tsukasa, maybe he just got medicated. idk man. but even if it happened three, almost four years ago, it still happened, i don't make the rules. back in the early game, tsukasa was really easily losing his temper and getting annoyed, mad even — i mean, that was the whole point of the main story argument: tsukasa's first response to nene accidentally messing up their show, which was not even her fault, was to shout at her. and while this was obviously very important thing to him and being upset at this is a rather understandable reaction, taking this as far as screaming at a poor girl for not being to face the audience because of her anxiety is not something a person who can control their anger would do.

it could be also easily seen by his reaction to emu and rui's antics back in the early game, which were often stained with irritation.

another example is his hinamatsuri argument with saki, where, despite loving her so much, he still got slightly mad at her for not liking the new dolls he bought her. he started to regret his harsh words and actions soon enough, obviously, but it doesn't change the fact that it was rather easy for him to get him across.

INABILITY TO DEAL WITH STRESS

if i'm not mistaken, tsukasa has once said something along the lines of "is it anxiety? there's no way a star like me would feel anxiety" — but i cannot recall for the love of my life in which story it appeared, so i don't want to take it as a face value when i don't have a solid proof for it.

other than this vague mention of "something that's in the story but i don't remember where", i'll admit, i don't really have anything backing me up for this tbf. i mean, i guess maybe tsukasa doing his best to appear strong as a child to not worry his parents could work? because the stress of saki being in the hospital definitely was also present here, although i just see this more as a coping mechanism for his situation than a reaction to stress, so that's not a solid evidence either.

so, yeah. take this one with a grain of salt, actually.

from the symptoms that weren't listed here, i remember reading something about people with ADHD enjoying to show off more, which is certainly what tsukasa does often — and while it actually applies to me too, it wasn't on an english site so i didn't screenshot it and i cannot really find it anywhere in english... so even though i treat it just like my whole argument for the inability to deal with stress, i thought it's just worth mentioning.

however, there is obviously one more thing...

HYPERFIXATION/SPECIAL INTEREST

obviously, i'm talking about acting here: for tsukasa, acting aligns with all these criterias. it is his deep passion; it is something highly engaging for him; it is sometimes all-consuming for him; he tunes out the world around him when he thinks about how can he possibly improve his acting (see: the dazzling moment i showed earlier. yeah, i like to use it as a backing point a lot, as you can see.); and it is something that is his life-long interest.

is it his special interest or his hyperfixation, though? well, it's hard to tell...? because while according to screen two, spinterest revolves around a topic and hyperfixation revolves around an activity, so it would qualify what tsukasa feels towards acting as a hyperfixation, it's still kinda hard for me to call it so because of its length. yes, screen three clearly says that hyperfixation can last years, but they mostly revolve around shorter periods of time, after all (my longest hyperfixation was just a year long, for example). i think it's up to you to determine whether you'd call tsukasa's love for acting a hyperfixation or a special interest, but it's something from these two most certainly.

i'm also a big fan of the headcanon that tsukasa's other spinterest is kaito ww it's in no way a canon evidence (unfortunately!), but kaito's 1* side story, where tsukasa and emu are watching kaito's show and tsukasa is explaining to her why kaito's wearing a scarf somewhat implies that tsukasa knew a thing or two about kaito before the main story. and i'm all for it. colopale let tsukasa be a kaito fanboy pleaseee.

2. I REALLY LIKE ANALYZING SONGS, IF YOU CAN'T TELL

those who have already read a few of my things probably know what i love to do the most — analyzing songs!! so i wouldn't be myself if i just left tsukasa's commisions without analyzing them under the angle of neurodivergence, especially since the sole reason i became obsessed with the thought of ADHD tsukasa was that one sekahaji line (there's too much noise, so much noise and it keeps getting worse you will always be famous).

of course, remember that only the world hasn't even started yet should be taken as a canon value! producers are often given space to do whatever they want in the lyrics of the songs they are commissioned for, so they're not canonical in any way. i think it's still fun to look at their lyrics and ramble about them for a bit, though. i've already got too carried away anyways.

won't be posting photos of the lyrics since i'd hit the images limit, but you can check them yourself — all the translations i'm taking, as always, from the vocaloid lyrics wiki. (since filament fever has two tls on there, i want to clarify that i've only looked at and considered in my analysis the official english one, because it's, well, official.)

THE WORLD HASN'T EVEN STARTED YET

besides the mentioned earlier there's too much noise, so much noise and it keeps getting worse, which i think of as a representation of overstimulation (since i used to see people asking "oh but why tsukasa has something about there being too much noise in a song made out of his feelings when he's such a loud person himself". because he likes the noise he makes, not the overwhelming, overstimulating noise from the outside!!), sekahaji also has a rather good amount of quotes that could be read as something connected to neurodivergence (based on the fact that it's not supposed to be a song about this topic): the main theme of these are procrastination, which can be seen in let's cross the end of all of this, partying forever and the world hasn't even started yet line itself. the thought of the world not even starting implies that there's still a lot of time left to do something, while "partying forever" can refer to deciding to give up on doing the things you should do and going to drown in something that indulges only you and yourself for the rest of eternity. while procrastination is not counted as an official ADHD symptom, it's a trait that people with the disorder very often have (for reasons obvious).

other lines, which i couldn't entirely fit into a box of a certain symptom, are there's too much conflict, so much conflict and it keeps growing (a parallel line to the noise one, so it means something! right) and let's break the plans for a harmonious future. in my personal interpretation, they both can be viewed as your typical neurodivergent struggle in a neurotypical society — "too much conflict" refering to an internal struggle of not being completely normal, while the "harmonious future" that's going to get broken are just the social norms that are going to be broken because of an off-putting, neurodivergent behavior. something that some neurotypical people dooon't really like.

TONDEMO-WONDERZ

since i've just talked about breaking the social norms, "why?!" and "do it like this!!" aren't like you, huh? line from tondemo-wonderz is going to go first, because it revolves around the same topic. it's the same case: it's about (subconscious, not intentional) fighting what's accepted by the society by just being yourself — because you're neurodivergent, you're different.

from the other lines in tondemo-wonderz, i have only one and it's take an eraser to your memories?!, which is pretty much self explanatory. as always, a mention of forgetting something in tsukasa's commision. who would've thought.

88 SHOOTING STARS

another self explanatory line that i have written down as first: it's okay if you only remember a little part of it sometimes. another mention of tsukasa forgor™, and while it corresponds with what happened in dazzling, it's still a line mentioning forgetfulness — so it's worth mentioning.

aren't we just inevitably going around in circles? and it's okay if you take a rest for a little bit sometimes can be interpreted as another mention of procrastination and while it's not that apparent as it was with sekahaji, because going in circles can refer to something else and taking a rest sometimes is not a bad thing at all, i still wanted to mention them here. for the record.

you ought to slip and fall in panic in the final moment is connected to a symptom that i showed, yet didn't elaborate on it (because i didn't have anything to work with) — making careless mistakes. the same case, yet with another symptom goes with is this not enough yet again? is this not how it's supposed to be? couldn't we go even further than this?, which can be seen as a reflection of unability to listen to instructions. a bit of reaching with this one (like this whole part damn), but as i said earlier: for the record, i'm leaving it here. to show that i had some intense thoughts.

tbf, when i think about it now, maybe the mentioned earlier "why?!" and "do it like this!!" aren't like you [...] could very well fit this symptom too.

MR SHOWTIME

mr showtime you will always be famous, because this is a song that gave me a looot of things to work with. i was so flabbergasted when i read these lyrics for the first time. tsukasa tenma why are you like this. /aff

there are a lot of lines hinting being easily distracted, and these are basically the very first ones, too: you know what? i just can't make up my mind, it's so messed up that i can't put my thoughts together and a merry-go-round (my thought process) goes round and round are all about it. like you cannot deny it this time, if it's not about being unable to stay focused then i really don't know what is [insert the tsukasa don't look away stamp here because i love it and it's my biggest motivation to actually focus whenever i do something]. the more i mess around and waste time, the more i become hungry / and i can't handle it can be seen as about procrastination again, and even not "can be seen", it's literally being frustrated at yourself for wasting time, that's the sole outcome of a procrastination!! being bothered by feeling anxious, meanwhile, is resonating with the inability to deal with stress once again.

also jumping the gun. driving in a zigzag manner can actually connected with the little to no sense of danger. because, as far as i'm aware, driving in a zigzag manner is certainly not a safe activity. don't do it at home.

from the symptoms that i haven't yet mentioned to this point, am i taking a long way? am i making a fruitless effort? can be reflecting difficulty organizing tasks — since the poor planning of your activities can make you take a long way and can make you do a fruitless effort. then, where's the fun in taking shortcuts all the time? can be read along the lines of something coming close to extreme impatience and while a person that's extremely impatient would actually enjoy taking the shortcuts to get closer to their goal or destination, said impatience can be also connected with the desire for something interesting to happen. a task can make you impatient not because it's long, but because it's simply boring — avoiding shortcuts can make it less boring, even if it extends its duration. with this explanation, it makes the unexpectedness (unexpected program) is the best part of the show (my life) perfectly fit into this category, even though i wouldn't call this line a sign of impatience on its own.

i have some issues with i'm pathetic. i can't satisfy myself, because... at first i thought of connecting it with either mood swings or inability to deal with stress, however i'm not sure if that's really it. i'm pretty sure it connects to neurodivergence in some way, but i just can't put my finger on it, so... i'm just leaving it here for the record, once again.

oh, and there's also i got lost in the world (stage) and / the end credits rolled (the curtain fell), which also is pretty much summing up the experience of being neurodivergent in the neurotypical society. in the middle of trying to stay true to yourself and having to mask just to be accepted, it's easy to get lost — and once you do so, there's no going back. the curtain falls.

to end this part of the analysis, i'd show the lyrics from filament fever and sekai wo terasu tetrad here. i won't do this, however, and the reason for it is fairly simple — they don't give me much material to work with and i'm not really surprised, because mr showtime has succesfully sucked all of the neurodivergent coded lyrics into itself. there just won't be another song like mr showtime, i fear.

i can just say that in filament fever there is running away from the flow of time — which got me thinking of either procrastination and unability to stick to time-consuming tasks, with the former being more plausible as a potential interpretation... but that would be it.

3. NAKAYAMA IS A METAPHOR FOR NEURODIVERGENT MASKING AND IT'S THE STUPIDEST THING I'VE EVER SAID BUT YOU HAVE TO HEAR ME OUT ON THIS

listen, i know how it sounds.

i'm not actually a fan of trying to fit every thing a character does into a box of a metaphor, symbol or allegory, i really am not. i think some things should just stay as simple as they are, but this thought has been bothering me ever since i've first seen spoilers of what's happening in a story where you're the star for the very first time. i'm in no way saying it has any canonical meaning, but i just thought it would be fun to include. because maaaybe someone sees my vision.

for those who haven't seen tsukasa4 yet or want to have a recap of what has happened in it: the whole event story revolves around tsukasa trying to grasp his role (as always). wxs got recommended to shunmei-za by shousuke and went there to practice their acting skills, immediately getting thrown onto the preparation for their next performance. tsukasa, however, is not a lead this time — he got the role of a supporting character and has got basically three lines to say on stage total. since tsukasa's used to playing lead roles, he obviously has issues with grasping the role — it's hard to use method acting in regards of a character that says three sentences total and nothing more. with help of bakuno reki, one of the actors in shunmei-za, and the rest of wxs, he manages to create a portrayal of nakayama that would make him "come to life" and "be a protagonist of his own story", something that would make it easier for him to get into role, however...

he gets a little bit too carried away with his acting during the actual performance.

and this is not something that would ruin the whole play, obviously, he's just a supporting character, the less invested audience would probably forgot about his impact on the story after five minutes of his last appearance — but he still made a slip-up. he still resonated with his role, but didn't achieve the utmost perfection. he still did well acting, after all, he managed to receive praise from the director in the end... but it's still a very apparent mistake that was made.

(tl, once again, by the awesome tsukasa's #3 fan)

and that's where the nakayama masking metaphor theory (it's not even a theory but it sounds cooler this way) comes in.

nakayama is supposed to be just a man. from what we know about him, he's in his late twenties and works as an editor — and even though tsukasa makes up a whole backstory for him later on, he's still supposed to be ordinary. nothing special. he's coming nowhere near the other roles that tsukasa has played, he's not on the same level as miles, torpe and rio. and while you could possibly consider torpe and rio as rather ordinary, they still had something interesting to happen to them, the main reason why they were lead roles for their respective plays. in the tsukasa4 play, nakayama has nothing like that. he's literally just a guy, he's normal. and "normal" is a keyword here.

tsukasa did everything he could to fit into nakayama's role. he followed the script, he took the advice from a more talented and professional actor that is bakuno, he didn't do any mistakes during his preparations — and yet he still managed to mess up in the end. why?, besides of the fact that he just let himself become one with nakayama during the performance and it resulted in a supporting character outshining the lead?

if we take as a fact that tsukasa is, in fact, neurodivergent, it would make sense that he's having troubles with playing a normal person — because he's not exactly normal either. and this would very well work out as a metaphor of masking; even when you try your best, even when you mask yourself perfectly, you can still make slip-ups. you can still accidentally drop the act in middle of something that absolutely required it, or, similiar to what tsukasa did, can accidentally overdo it and end up perceived as even more weird than you'd be without masking. something something i got lost in the world and the end credits rolled. rings a bell?

and i'm not saying that tsukasa has a problem with masking, because he doesn't. he tries his best to pass as a normal member of society, but he also makes no effort in actively masking his weirdness (or else he wouldn't be a part of oddball one two). however, if you want to neurodivergent code your character, it would make sense to include a possibility of it in some way, right? especially since wxs stories' already had the theme of dealing with being perceived as weird (eg. rui's whole backstory, obviously). even if it's not affecting tsukasa directly, i think it would be cool to include something that indicates this issue's existence in his story and, in a way, his struggles.

however, as i said earlier, this is a very stupid thought and that's why i left it for the very end. i don't actually think that how tsukasa played nakayama was supposed to be a metaphor for masking, it's just a pure coincidence that it could be interpreted like that when you think about it too much.

aaand with this, we've finally come to an end!! (finally. i'm so exhausted.) i don't have anything more to say about this topic. maybe i'll retweet it with some more evidence in the future if we ever get more ADHDkasa content. for now, it would be all!

is tsukasa actually intentionally written as an ADHDer? Who Knows! there's a possibility that he is, but even if he's not, he's still one in my heart. regardless of the status of his possible neurodivergence, analyzing his behavior in this light was still very fun! and maybe i even converted someone into the ADHDkasa hell.

feel free to add something if you want to, and feel free to correct me if i got some things wrong! i still hope that even though of how messy this whole thing is written, i did tsukasa justice and didn't accidentally say too much nonsense lmao

...i hate ending analyses.

[pinksmonkey]

Posting my Ultimate Byler Evidence/Analysis List here directly because it probably makes it more convenient and I should have done this a while ago. XD

There is so much proof for Byler being endgame in S5 of Stranger Things. They are so cute together, and so much in the show has been building up to their relationship. I just wanted to share some of my favourite Byler analyses, because they are so cool, detailed, and in-depth. I love reading about all the hints, symbolism, and subtext for Byler, it's amazing how much thought must have been put into all these things. Why go through all the effort of adding these details if they aren't actually going anywhere with them? Mike is so queercoded, and they are truly in love with each other.

🫥 Just gonna leave some good Byler analyses here 🤐

Most of the links go to written Tumblr posts, and a couple of them are Reddit posts. So it's a lot of reading. If you prefer watching videos over reading, I highlighted my Byler YouTube playlist in green so it's easy to find.

And apologies for any of the links that aren't working, I know some of the posts have been deleted now sadly, but there's no way I'm re-numbering all these so I'm just leaving them in. My fellow Bylers, please stop deleting your amazing posts. ;-;

So anyway, here is the list of some of my favourite Byler evidence/analyses of all time (not in any particular order):

1. Mike's Season 4 Monologue To El

2. Camera Roll Byler Proof Part 3

3. Mike's Monologue and Milkvan

4. Mostly Byler Post Index

5. Dawson's Creek Parallel

6. "My Experience With Stranger Things"

7. What Ollie Learned From Film School

8. Byler Music Analysis

9. Why Don't The Duffers Discuss This?

10. ST Theories Masterpost

11. If Byler Isn't Endgame Then Someone Screwed Up

12. Byler Crumbs From The Cast and Crew

13. Favourite Combination of Endgame Byler Proof

14. I Doubt Byler Then I Remember This

15. The Fact That We Have This Interview

16. You Know Your Ship is Endgame When

17. Mostly Byler Post Index 2

18. Losing Hope Of Byler Endgame?

19. Why I Think Byler is Endgame

20. So Many Thoughts on This

21. Mike's Wall Art

22. Painting Miscommunication Leading to Mike's Monologue Coded

23. Yes, That Scene Did Foreshadow Mike's Monologue as Disingenuous

24. Mike's Monologue Didn't Sit Right With Me

25. Blue And Yellow Pen

26. That Tweet Is So Sweet

27. Heart Eyes, Literally

28. "My Process of Realizing Byler is Real"

29. Looking at Will, Not El

30. High School Musical Parallel

31. Said It Before and I'll Say It Again

32. Delusional Milkdud?

33. ST Writers Twitter Analysis 1

34. ST Writers Twitter Analysis 2

35. For When You Are Doubting Byler

36. Is Mike Bi or Gay?

37. Fully Convinced

38. The Ultimate Byler Playlist (my Byler YouTube playlist)

39. 100% Confident

40. Mike in S4 and S2

41. Mike Is Angry With Himself

42. It's Been A Year, Mike

43. Rink-O-Mania Remodel

44. The Development Of Will And Mike's Relationship

45. Mike's Lies

46. El Was Holding So Much In

47. Flickergate + Lettergate

48. Did Mike Ever Like El Romantically?

49. Mike Is Stupid

50. Byler Won't Write Itself

51. What's The Alternative Explanation?

52. Comparing Mileven and Byler

53. It Was Always About Them

54. Mike Is Not Ok

55. He Has A Love Interest

56. Will's Happy Ending

57. Trying To Be Normal

58. It's Not That Milevens Are Homophobic

59. Byler Is Reality

60. A Proper Look At El's Shrine To Mike

61. Mileven Through The Seasons

62. Suspicious

63. I Can't Doubt Byler

64. D&D Soulmates

65. Let's Talk Phones

66. Not Delusional

67. What Do They Want?

68. The Main Character

69. Mike's Mental Health

70. So Close

71. This Look Confirms Byler Isn't One Sided

72. Mileven Is Bones

73. They Don't Care About Mileven?

74. The Airport Hug Will Always Be Famous

75. The Monologue Mystery, Why Did They Lose?

76. The Cabin Scene

77. Why Couldn't Mike Say It For 2 Seasons?

78. He Was Trying To Find Will

79. Mike The Surfer Boy

80. Mike Definitely Shows Attraction To Girls

81. The Cast Knows

82. Mileven Loses On All Fronts

83. The Bouquet

84. 53 Minutes And 5 Seconds

85. Pink Panther

86. El And Choice

87. Will's Spotify Playlist

88. He'll Come Crawling Back To You, Begging For Forgiveness

89. Mike's Character Arc Prediction

90. It's The Same Look

91. Will's Truly Happy Ending

92. That's The Same Look, Right?

93. You're The Heart

94. Mike And El's Relationship In S4 Was Really Weird

95. Fireworks Parallel

96. Mileven Has Been Built Up For 4 Seasons

97. Not Stupid: The Fate of Mileven and Byler

98. This Suddenly Makes So Much Sense

99. Metaphors In Filmmaking

And unfortunately Tumblr will only let me add 100 links per post, so when I've posted part 2 of this list, I'll link it here: Part 2

[ljubitelj-sonca]

How to find your way around Joblr!

Hello! This is your first time on Joblr and you're wondering how this works? So relatable, been there, this website can be confusing!

But do not fret. We're happy to have you here and want you to have a good time.

So here's a guide on how to exist on Tumblr dot com and how to have a good time being a fan of Joker Out on this website.

Collectively written by the Joblr Discord Server.

Here you'll find:

what you are getting yourself into

a step by step guide on how this website works

spoken and unspoken rules of RPF on tumblr

First of all, what are you getting yourself into?

Pros:

So many talented artists, writers, editors, gif makers, meme makers, it's actually wild! And they all do this for free!!

Long rant posts with detailed analyses on whatever new photos Damon has taken of the guys

Pics, Gifs, vids and clips of gigs, interviews and their social media, also often throwbacks (with sources/credits if the original posters didn't take them themselves)

So many lovely and unhinged thoughts people leave in the tags when reblogging your posts (more on how that works later) so you see direct reactions to what you've made

A very chill environment with virtually no drama or arguments (and we really mean that <3), the only thing we're feral about are the guys

Cons (or something):

The "what is Kris's hair colour?" discourse pops up every couple months

So many polls (but are we really complaining about that?)

You're intrigued! Nice! How does all this work then?

Step 1 - your blog:

Create your blog and customize it.

Unfortunately Tumblr is dealing with a lot of bots that look exactly like new blogs. So if you keep your profile picture and header as the default one, blogs you follow might think you're a bot and block you. TO PREVENT THAT: change your profile pic and header to something you like and maybe add something in your description, even if it's just "Hi, I'm just here to lurk, do not perceive me".

That shows other blogs that you're a real person and they'll enjoy having you as a follower.

Step 2 - general tags:

Take a look at some tags you enjoy.

Tumblr is all about tagging, which is essentially nothing other than a hashtag, but they're only at the very bottom of a post, in a separate little section. (Writing "#joker out" in the middle of your post does absolutely nothing, but if you use the tag "joker out" in the tags section, your post will appear in the "#joker out" tag on tumblr)

For example, we have tags for each of the boys, as well as a general "joker out" of course. But there are also tags for ships (more on ships later!). Find some you're interested in and take a peep inside.

(You can also follow tags to find them easier again later.)

Step 3 - reblogging (and more tags):

See a post you like? Reblog it!

Reblogging is just about the best thing about tumblr, it's truly the easiest and quickest way to connect with other blogs.

A reblog is a little bit like a retweet on Twitter, it is not a repost! You are taking a copy of the post and slapping it onto your blog, kinda like a scrap book. But the fun thing: you can leave your thoughts!

Here's where tags come back into play: they're not only to file your posts and to have them appear in tags, they're the place to leave any little comments you might have.

For example: you see a post with a gif of Kris at a gig, he's wearing an outfit you like and fun sunglasses. So you click on the little reblog button. At the very bottom of the post, you have the gray bubble with the tag "#add tags to help people find your post" (or whatever it corresponds to in your language) (or just "add tags" on mobile). Click it, and write what you think.

#Kris i missed you!! #he looks so good in that jacket #and also thank you to whoever gave him those sunglasses #<3333 #Kris Guštin #joker out

Then when you reblog the post, it will appear on your blog with those tags at the bottom. The tags you leave on a post will only be on your blog. Someone in turn can reblog the post from your blog and leave their own tags.

The original poster (short: op) will see all the tags people leave on their post in their activity and other people can see them when they click on "notes". It's so much fun to click through what people leave in the tags, be it your own post or someone else's.

Of course you don't have to reblog posts, the like button is there too. But reblogs are the only way posts are spread throughout the fandom, as there is no proper algorithm (which we're all very glad about!!!), and they're the way for you to personalise your blog. So reblog liberally! It's how this website thrives!

Step 4 - following blogs:

Follow blogs you enjoy!

In order for posts to appear on your feed (your timeline), you have to follow blogs, that makes sense. So when you find a blog whose posts (or art or writing or whatever they blog about) you like, give them a follow.

Now, on other websites it might be seen as creepy to spamlike someone's account. Here it's like the biggest compliment ever to go through someone's blog and like and reblog a lot of their posts (especially if you leave your thoughts in the tags). It is absolutely flattering!

Step 5 - making posts:

Make posts if you want.

It's totally fine to just exist on this website and to like and reblog stuff, there is absolutely no pressure. But posting is fun!

You made some art? You took a photo or video at a concert? You have a question about something or just a cursed thought? We'd love to see it! Slap it into a post and share it with the Joker Out world.

Add tags about the people involved so others can find it, a little "#my art/video/pic" so we know you made/took it yourself, and even share some behind the scenes thoughts in the tags if you want.

Tags for a drawing can look like this for example:

#this took me so long #but I'm really proud of how it turned out!! #the shading was a struggle but oh welk #*well #tried a new brush #jure maček #my art #joker out

And then others can like and reblog your post with their own thoughts.

Keep in mind: do not (re)post someone else's art/Gifs/writing without their explicit consent! If you do (with their consent), credit them (you can add links to text by highlighting the text and clicking on the little link symbol, then copying the link into the bar. It looks like this.) (Here is a handy guide on how to repost Gifs on Tumblr while giving proper credit at the same time.) Same goes for sharing photos the band, their photographers or their friends have posted on social media: give credit when needed. 

There has been a serious issue with people stealing Gifs off of Tumblr and posting them on Twitter without consent or credit. That is not okay! People spend a lot of time and effort making them, having them get stolen like that is incredibly frustrating!

Step 6 - making friends:

Interact with other people.

Now, we totally get that this is scary. But think about this: everyone else on this website, in this fandom, is just some guy (gender neutral). We're all wimps giggling, kicking our feet at five slovenian men and their music. Honestly, there's nothing scary about us, even if it might feel like it.

But we love making friends! And that doesn't necessarily entail sliding into some DMs to talk to people (but you can do that, most blogs are super okay with that), there are many ways to interact with others on this website.

The tags are one way of course, for your own thoughts or to respond to something OP has mentioned in their post. Making posts and polls and asking people to interact with you is another way, then you can see their thoughts in the tags, how fun is that!

Another way is asks, which is a special bonus feature on Tumblr. When you're on someone's blog, some have a little bubble below their description with "ask me anything" or something along that inside (unless they have turned off the feature). Click that, and you can ask them a question which they can then respond to publicly (or privately) in a post.

People use this feature for writing or art prompts, ask games, birthday wishes, or just to ask random questions or share thoughts. You can even send anonymous asks if you're too shy (some people take advantage of that to send anonymous hate. Do not be one of those people!). But it's always nice to have a face behind the ask.

Keep in mind, not all artists/writers are open for prompts or requests. Some state it somewhere on their blog if they are or aren't, some reblog lists with prompts and explicitly ask for them. If you're unsure, send them an ask or a DM and ask about it.

Then there are also Discord servers of course. There are a couple different ones floating around. If you're interested in the Joblr one for example, feel free to send me a DM! :D

Step 7 - ignoring and blocking:

Saw something you don't like? No stress, just ignore it.

It's as easy as that. The best way to have a good time in fandom, is to focus on what you enjoy. So when someone makes a post you don't like or has a take you disagree with, just scroll past it.

If you feel like the blog and its posts you don't like keep appearing, block them. For real, the block button is your friend. And no one is going to be mad at you, promise.

Arguing on the internet is not fun for anyone involved (you, the person who made the post, everyone who sees your argument), especially when it's about personal opinions (that includes interpretations, ships, even kinks). So it's best to just. not.

There’s also the option to blacklist/filter tags, if you don’t like a specific ship for example, but it’s also really helpful for triggers you’d rather not see! On desktop, you do so by clicking “Settings” and then scrolling down until you see “Content you see”. There under “Filtered Tags” you can add tags you’d rather avoid, and under “Filtered Post Content” you can do the same with, well, post content. On mobile, you go to your blog and click the settings icon, then “Account Settings”, then “Content You See”. There you’ll find “Filtered Tags” and “Filtered Post Content”.

This way, posts that are tagged with the filtered tag or include the filtered word will be blocked with the message “This post contains filtered tags/content”. There’s also a button to view the post anyways, but you do so at your own risk of course! There’s content you’d rather not see behind it!

(Of course, if you see someone being bigoted, being particularly hateful or spreading misinformation, that's a different thing! It's totally fine to defend or correct someone. In most cases, the comment section or even DMs is the best place for that, to keep it about the people involved. Making posts about it, will let it get out of hand and is rarely necessary, unless it's really important.)

Spoken and unspoken rules of RPF (real people fiction) on Tumblr (and by extension: AO3)

(In no particular order)

1. They're real people.

Joker Out's members (and their friends) are real people we know virtually nothing about. We know that we know virtually nothing about them. And we are totally okay with this.

The people we post about, write fics about, draw are fictionalised versions of the real people (maybe with the exception of when we post pics/vids we've taken or share what they've shared on social media). Most of it is made up, because again, we don't know them. And in no way shape or form is anything we write/post/draw speculation about what they might be like in real life. We know this and are okay with this and that's exactly what makes RPF fun.

This way we can just make shit up! Wanna draw them in skirts? Give them random jobs? Trans their genders? Think about different dynamics? All of that is fair game, because it's all made up.

So when we call Kris a princess and Jan a babygirl, we are not reducing them to that or think that they're only like this in real life. In the next sentence, we might call Jan a hunky dude, and both are correct.

Same goes for ships. Ships like Jan x Nace, or Kris x Damon stem from the interactions the real people share with us, but in the end, anything we make of it is entirely made up and doesn't represent the real people at all. Be it an AU or something that could've happened during an event that really happened.

You'll often find disclamers like this (much shorter versions tho) in the beginning notes of fics.

2. Keep fandom in fandom spaces.

Fandom is not a secret, the guys are probably well aware of what's happening on social media in their fandom spaces (though probably no specifics). So far they have not expressed any discomfort with any of it, even encouraged it in some way or another.

If that ever changes, if they ever do say that they are uncomfortable with what is written about them, we will respect that and refrain from doing so. Their comfort comes first.

Still, we don't want them to accidentally stumble across something they haven't been actively searching for, so we keep it on Tumblr and AO3, where it's unlikely they'll just randomly find it.

So please refrain from sharing art/fics on sites like Twitter or Instagram, which we know they frequent, if the artists don't post them there themselves. 

3. Don’t like? Don’t read.

This rule goes for basically everything on the internet and corresponds with Step 7 - Ignoring and blocking, but it’s helpful to repeat it here again.

You might enjoy being in a real people fandom differently than others. Maybe you don’t like reading fics about the people involved, or don’t like some interpretations others have of them. That is totally okay! Everyone enjoys different things.

But if you don’t like something, simply don’t read it - or scroll past it, or block the blog, or filter the tag, you get the gist. Receiving comments like, “this is so weird, why does this exist? Why are people like this?” is incredibly hurtful and will gain the commenter absolutely nothing (apart from others thinking they’re a super shitty person), so don’t leave them. Just go on with your day.

Tldr: Be respectful, be mindful, be creative, be open, and if need be, take a step back. That’s really all it takes.

Alrighty! Now you know a whole lot more about how Tumblr works and how we're existing in the fandom here.

We hope you're staying for longer than just to lurk about what it's like here, and that you're having a good time. We’re looking forward to going feral about Joker Out with you!

If you have any questions, the comment section is a good place to leave them, there others can find them and the answers as well. Or feel free to try out the ask button on my blog <3

[beautifulhigh]

It just occurred to me that the polo scene doesn't get much love as it should. I know it's very short but just the thirst in Alex’s eyes, the way you can see his mouth dry while watching Henry ride that horse and his oh so sexy smile. I feel like that scene required a major dissection, and no one does it better so I came calling.

You know what? I'm doing this one now. I know I said I would do a meta on Henry Fox and I would do a meta on the New Year's Eve party but this is in my inbox now and yeah, let's talk about the polo scene.

(I'm also doing this now so I don't have another thing on my To Do pile, and your kind words made my shitty day a little better so thank you.)

Short scene, not a short meta.

In the book when he and Henry are in his bedroom, Alex has this little moment of clouds parting, sun beaming, angels chorus revelation:

In an instant of sudden, vivid clarity, he can’t believe he ever thought he was straight.

And while movie!Alex doesn't have the same bi awakening that book!Alex does. this is very much his moment of "oh I am very not straight at all" and that is valid of him.

(As this is a Jen meta, we shall also be talking about everything else because you do not analyse a text in isolation.)

This interview talks about the editing of the polo match:

Nick [Moore], my new editor coming in, took a look and he says, “I wanna try something with that polo match.” He spent a weekend of his own time doing something, and then he was ready to show me. He sat me down and said, “I’ve done something crazy.”

And we went from filmed scripted scenes and a lead in, to "bagpipes intensify" and it works SO well for where these boys are in this new stage of their relationship.

Our establishing shots are of the teams, the horses, the uniforms. This is Henry's world and Alex is about to step into it (which is a reversal of Henry at the NYE party - I swear I will write that meta once I have all the gif posts I want to link to) and it's all quick cuts and sharp transitions and moving shots. The pace has been set for Alex to enter.

We pick him out in the crowd but he's lost as quickly as we spot him. He's one of many here and it's all too quick to stay with him.

Firstly, you will never convince me that he didn't pick the tightest trousers he could find. Henry's comment about him being a mouthful is foreshadowed, right there.

ANYWAY

He walks in, he's looking around, he's doing up his jacket as a form of protection. Alex is the proverbial fish out of the proverbial water (and I have a meta about water if you're interested) and we're straight back in with the quick edits. Horses, polo sticks, this is not a game most people know how to play. Alex certainly doesn't. He's doing up his jacket and he is uncomfortable.

He is not a stranger to a suit, and that is certainly not something that is ill fitting. It is circumstance, not clothing.

And then we get our first clear shot of Henry. Only it's not clear, not at first. He literally comes into focus.

Stick aloft, mouth open, like he's a walking riding metaphor.

And Alex's face changes.

Yeah. He is definitely not straight.

From then on we stay with Henry. We, in Alex's viewpoint, have found him. And so we track Henry through the game and it's just generic horse legs if we're looking at anything else. The only player we/Alex see is Henry.

Here, Henry is leading. Going in first, checking it's clear, knowing Alex will follow him. Henry leads, Alex follows. Into the garden, into the bed, into the sexual component of their relationship. Alex admits to Henry right from the start that this is new to him:

“I’ve, uh,” Alex begins. “I’ve never actually done this before.” “Alex,” Henry says, reaching down to stroke at Alex’s hair, “you don’t have to, I’m—” “No, I want to,” Alex says, tugging at Henry’s waistband. “I just need you to tell me if it’s awful.” Henry is speechless again, looking as if he can’t believe his fucking luck. “Okay. Of course.”

When it comes to being with a man? Henry leads, Alex follows.

And then the pacing and editing kicks off. We intercut to the tempo of the bagpipes between the match and the hook up and Henry is leading the charge on both.

He's in charge and Alex is LOVING it:

Turns out being on the receiving end of Henry’s royal authority is an extreme fucking turn-on.

This is risky and the most dangerous thing they have done so far. Amy walking in on them in the Red Room is one thing - book!Alex is VERY thankful for the staff NDAs when it comes to what they know about him and Henry - but neither of them care here. And Alex is very much letting Henry take the lead and set the pace.

Which, given how long Henry has wanted Alex, wanted this, and how he's not able to live and love (at this point) as openly as Alex is, giving Henry this control means that not only can Alex continue his education in this mlm era of his life, but he's giving Henry all of the freedom he can. God Bless America or something.

We intercut the make out scene with shots of things being hit, the hard slamming of one thing against another, of riders in saddles. The hands may be a metaphor for sex in the Paris scene but we have it here as well.

Alex is fully on board by this point and he's not letting Henry set the full agenda. In his White House bedroom we got the scene of Henry going down on Alex (and there is no way that it was a one-way exchange given how long they were there) so now? It's his turn.

My favourite editing choice?

We then cut to Henry's arse bouncing in that saddle. If the Paris scene is making love? This is them fucking. Henry is bouncing away, riding for all he's worth, chasing down his singular aim with precision and determination.

It's innuendo at its finest.

I love this shot. We're looking up at them - we're just like Alex who is now looking up at Henry due to his new vantage point (#NoLongerTaller) - and we see Alex is fully crowding up into Henry's space. And they are right by the door. There is no cover, no escape. Anyone coming in has fully caught them. Please let there be a PPO or a Secret Service be just outside. Please. For their sanity if not mine.

But even if there isn't for some insane reason, they don't care. They are so lost in each other, so caught up in this moment, that they aren't FSOTUS and the Prince Of Wales. They aren't boys with status and expectations. They're just two consenting adults who are testing the boundaries of what public indecency actually means.

They are really going for it now. Henry's arm is tensed with the effort of keeping Alex close, his hand is splayed on Henry's back to give him contact with more of him. They are not letting go. Diving all in like it's a nod to the Olympic event where they met in the book.

And when they come up for air it's because Alex is... well... about to go diving.

Those fingers make VERY quick work of the belt and what he is doing with his hands and those fingers is further evidence in the "this is them fucking" category.

And then the frame which I'm guessing inspired Cordelia's ask to me:

LOOK AT THAT FACE. Look at those fucking eyelashes. But Alex is wanting and he is wanting hard for Henry. Pun intended. He's got a plan for this, he's got a To Do list for those Very Bad Things he promised/threatened Henry with all those weeks ago.

And it will have been weeks. The State Dinner was around February time based on the texts (end of January at the latest) and then Henry says the polo match is "next month" (which would put it end of February, early March because we would not say 'next month' if it were next week, regardless of when the month starts) and so it's been weeks since they hooked up in Alex's room. Weeks of having to just text and email and maybe venture into video calls.

None of that would compare to being together.

This is the first time that Alex has gotten his hands on Henry since his bedroom and he's desperate to get more than his hands on him.

And this shot as Alex pulls Henry's trousers down is fucking pornographic. Matthew López, did you direct Nick to act like this or was it his choice? Go watch his expression as Alex is pulling the offending clothing out of the way and tell me that this isn't pornographic.

And then we cut to the not-at-all subtle shot of Henry well, making the shot. With ease and power and the ball shooting out of frame. Something something orgasm metaphor something release.

There's even a little wisp as he makes the shot. If this post isn't flagged for mature content I'll be surprised.

Next shot?

Congrats on not getting caught, on the sex, on the most smut-filled-while-almost-fully-clothed-sex scene I've ever had the joy of frame-by-framing through.

Alex is doing up his tie again but he's not uncomfortable. And Henry is so fucking happy I could cry. Because he just hooked up with this guy, in semi-public, and got away with it. They are firmly in Henry's world here, a world where he can't be out and proud, and he got to have something he wanted. And, maybe crucially, no one knows about it. His privacy is intact.

But more importantly, this thing he's got with Alex is something. It's not a one night stand. Alex came here specifically for him, because he asked him to. Because Alex wanted to see him, be with him. This wasn't an obligation, this wasn't something set up by anyone for show and to do damage control. This was for them, and them alone.

Look at these smug bastards. Look at them. Gettin' their rocks off and making puns about being hungry and eating like they didn't just devour each other.

BUT

I gotta bring the feels here 'cause it's me.

Henry attended the State dinner because he was expected to, because that was in place before the New Year's kiss. It was an obligation and in both the movie and the book he had been ghosting Alex. And then Alex grabbed him in the Red Room and they hooked up and at the end of that scene Henry nervously asks Alex if he wants to be his guest at the polo event. Alex doesn't actually say yes - he says he doesn't know how to play polo, there's a comment about it being safer if he's on the sidelines - but leaving aside any fear that he would stand Henry up this is the first time they have made plans with the intention of seeing each other, of being together in this way.

This is, for want of a better term, kinda like a date.

Alex turned up, Henry put out, and they're very much committing to seeing where this path will take them. (Forever. It'll take them to forever.)

Alex isn't straight, Henry is very much in love, and they're embracing that giddy phase of a relationship where you just can't keep your hands off each other. And we fade from this to Paris where they're on another kind of date and then there's another kind of sex scene and it's a speedrun of their relationship on screen like they weren't indulging in foreplay with all the text flirting.

Which, by the way, don't think I didn't notice that Henry's jersey number was 4. Four-play indeed.

(Thanks for this, Cordelia, I needed something like this to soothe my brain.)

[anxious-witch]

I wasn't sure if I was gonna make a post because I drifted in and out of fandom in the recent weeks, but considering the amount of edits and meta analysis I did immediately after watching the show, I really wanted to say something.

I don't get into shows often and I don't remember the last time I got into a show that was so new and so active. Partially bc I am aware of cancelations and partially because by the time I find enough will to watch a show, it's definitely not new anymore.

Dead Boy Detectives was different. I think I watched it a week after it came out and it absolutely blew me away, how much effort, detail and care was put into this show. As someone who (ocassionally) writes myself and who spent 4 years in art hs where we had to analyze movies and series from storytelling perspective, this show had one of the best written storylines and characters arcs I have seen in years.

And it didn't stop at that! Color symbolism, little hints and easter eggs, height comparison that changed based on character's mental state, the acting just....everything was so carefully done. I don't remember the last time I picked up on sm things to analyze in a show.

Knowing we'll never get a second season of that breaks my heart. Especially because, as briefly intense as I was in the fandom, I saw so many talented and kind people in it. So many fantastic analyses, gifs, fanart, fics etc. I do hope they keep going, despite the show being canceled.

I know we are all feeling disheartened, and we all wanted a season 2, but the best I can offer is the same thing I used to comfort myself-characters and the story are ours now. And we can tell that story in however many ways we want. If they won't give us the conclusion, fandom can make it, 100 times over.

The fact that the show is so well loved that is at all possible speaks volumes already. That is someghing even Netflix cannot take away

[sxfterhearts]

keeho dating a shy bookworm headcannons, i feel like hed be so sweet <33

⋆ ˚｡⋆୨୧˚ highschool!au - theatre kid!keeho x student librarian!reader ୨୧ ‧₊˚ ⋅

♡ genre/warnings: fluff fluff fluff (i miss writing soft fluff and just writing in general omfg)

♡ word count: 1,171 words

♡ author's note: im crying anon thank you so so much for sending this!! it's my first ever p1h request and it made me so happy :") i'm sorry it took so long (life has been crazy lately) but i really hope this meets your expectations <33333

//

omg this is kinda giving our beloved summer (if you havent watched it, its my fav kdrama ever!!)

ok this might be cliche but i <3 highschool!au so let's roll with it

yoon keeho as a theatre kid (are we surprised) who practices his lines everywhere around school, has friends in every single class and is always being his friendly, extroverted self

y/n as a diligent, reserved student who is also a student librarian - you're usually stacking shelves or scanning books at the library after school on most days

your relationship blossomed through shy glances and soft whispers - keeho used to take note of the days you were on duty and purposely stayed behind to get closer to you

you were in the same english class - and being a theatre nerd, he was quickly intrigued by your ability to not only analyse shakespeare to a tee but also recite the plays word for word, line by line, without missing a single beat

keeho felt his heart speed up whenever he saw you in class, losing yourself in your work. in his eyes, you were always beautiful, but with the sunlight shining through the windows, illuminating your concentrated expression as you muttered to yourself and scribbled in your notebook - he thought that was when you shone the brightest

in the early days of getting to know each other, keeho would disrupt your peaceful reading sessions behind the library reception desk with endless requests of book recommendations earning many shushes from the head librarian

"i really like romance novels... what's your favourite?" hah, very smooth, keeho

you were confused, at first, because why was yoon keeho of all people taking an interest in you?

but then as you got to know him better you realised you shared more in common than you thought. despite your seemingly opposite personality types, the two of you had similar tastes in books, and music, and food, the list goes on

"hey y/n, have you tried the new bakery across the road? they're doing an opening deal - iced americano and a croffle for really cheap. should we try it together tomorrow for breakfast? only if you want to, of course..."

"y/n, have you listened to the new sza album? what's your favourite track? i love all of them, it's so hard to pick..."

"y/n, y/n, do you remember the author i was telling you about last month? they're writing a new book in the series! we should read it together when it's out, i wanna hear your honest review!"

even as a child, you were quiet and mostly preferred to read a book or draw and colour quietly while others played outside. this was both a result of your personality and also a few friendship fallouts that made you more wary (kids can be so mean...)

fast forward to high school, you retreated further into your shell, only keeping a handful of close friends. you preferred to bury your nose in your books and lose yourself in the fictional world of your favourite characters

that is, until keeho came along

the boy was as warm and bright as a summer's day. he had a way about him that just made people feel at ease. perhaps it was because he was so comfortable with being himself, that it helped others open up too

you were no exception. initially you were unsure of what to make of his unexpected friendliness and kindness, but you quickly realised that he was just a genuinely nice person who wanted to get to know you better

and you had to admit - after one too many mornings sitting on the bench overlooking your school field together, munching on your breakfasts and sharing an earbud each, listening to the summer's latest tunes under the gentle morning sun - you wanted to know more about him too

you could feel your cold walls getting dissolved by the warm, toothy smiles he always wore around you, and his melodious laughter

a few weeks into your daily ritual (consisting of breakfast in the morning and doing homework or stacking shelves in the library after school together), keeho finally made the first move

one morning, the two of you were nearly done your with your breakfast croffles when all of a sudden, the cloudy sky turned ominous and lightning flashed before your eyes

before either of you could react, the skies opened up, unleashing heavy raindrops all around you

"quick, y/n!" keeho grabbed your hand and interlaced your fingers with his. the two of you ran to the nearest school building, trudging past wet grass and muddy soil, staining your white school shoes

when you finally made it under the awnings, you both looked down at the state of your uniforms - mildly soaked, and burst out laughing at how ridiculous you looked

naturally, your gaze wandered towards your joined hands, and you slowly looked up, only to find keeho staring at you as if you were the only person in the world

you couldn't read his expression - there was a hidden intensity behind his eyes

he hastily unbuttoned and shrugged off his button-down shirt, leaving him in his white t-shirt, and promptly placed it around your shoulders to keep you warm

"keeho, you'll get cold, i - "

but he cut you off, "i can't help myself anymore, y/n..." it's now or never, he thought to himself

"huh? what do you mean, keeho? i don't - "

"i like you, y/n." he whispered softly, so soft that it nearly blended in with the sound of rain. he stuffed his hands deep into his pockets to stop himself from fidgeting

"what?" you thought you misheard, cos there's no way...

"y/n, i... i like you!" keeho closed his eyes and repeated again, already blushing red, embarrassed

you had an inkling that he was interested in you, but you never allowed yourself to daydream for too long whenever keeho entered your thoughts, for fear that you would only disappoint yourself. but now that you knew his true feelings...

you inched forwards and stood on the balls of your feet. why is he so tall, you thought to yourself as you bravely planted a brief peck against his warm cheeks

keeho's eyes shot open in surprise. it was so quick, his brain failed to process it. "wait, did you just - "

you giggled, eyes crinkling up into the little crescents he adored, and held onto his wrists before leaning in once more

the first meeting of your rain-stained lips was clumsy, as most first kisses are, but the two of you made it up with an eagerness that mirrored your initial desires to learn more about each other

when you both ran out of air, you laughed against each other's lips, basking in the tenderness of a new relationship, blossoming like a flower bud after a bit of sunshine and rain

"so... will you be the juliet to my romeo?"

"they both die, keeho!"

"oh, true... but it's romantic, right?"

[anistarrose]

The thing about the Heart Attack segment in Wonderland is that they put so much aromantic subtext in it. They accidentally put SO much aromantic subtext in it, on behalf of multiple characters, and I'm thinking about it constantly. Let me tell you all about it.

Magnus is dropped into a dating game and literally leads with "I cannot stress enough how uninterested I am in this." Now, it's perfectly valid to read this as due to him waiting for Julia, or just him being plain old uncomfortable with having his love life put in the spotlight. However! I cannot stress enough the exchange that happens just a minute or two after that line:

Magnus (describing his ideal date): ... and we don't see each other again, ‘cause I'm really not interested in dating. Audience: [exaggerated] Oooooh! (cheers) Griffin: The silhouette is like, fanning itself. Lydia: Playing hard to get, huh? It seems like our contestant is into that.

And I just have to say: unfortunately, this is one of the most aromantic fucking experiences I've seen represented in fiction in my life. I mean — saying you're not interested in romance, then having those words twisted on you, like they're some secret coded way of saying that you are interested in romance? Not having a single way to express your disinterest that'll actually be believed? That's some aro shit right there. God. Fuck.

As an aside, it's enough to really tell that Heart Attack is not designed to be a reprieve from the pain, even though it's the "good outcome" of Trust or Forsake. It's designed to be uncomfortable. To funnel suffering to Edward and Lydia, just like all the other games do. (More on that later, in fact.) But in summary:

Magnus is a character who can be read as uncomfortable with romance for either aro-spec reasons or unrelated reasons. But in either case, his discomfort attracts reactions that reek of amatonormativity — and therefore, resonate with aromantic experiences. (Psst, I did recently write a gray-aro Magnus fic!)

Two more analyses below the cut (and only one of them is for another Horny Boy):

Obviously the next character I need to talk about is Merle. I've found aroallo readings of his character to be compelling for a long time (having sex with plants so you don't have to worry about romantic commitment, am I right?), but the way he describes his "ideal date" is another factor:

Merle: I volunteer to drive her vehicle, and tell her it's filthy, and so we go through the uh- drive through vehicle wash and she pays for that too. Um, and then I take her to have dinner with my family, and- Magnus: Wait, like your wife and stuff? Merle: She meets my ex-wife.

Merle's probably exaggerating as a joke, continuing on about both him and his partner being miserable, but I think the fact that Merle's mind goes here is genuinely drawing from a lot of poor romantic experiences in the past. He didn't get a choice about being on Heart Attack, and his marriage with Hecuba was similarly "arranged".

It's also worth noting that at this point in time, Merle is putting in the work to be part of Mavis and Mookie's lives again, but is not interested in doing the same for Hecuba — he instead just asks Mavis how Hecuba's doing. That said, given that Magnus is the one to put the focus on Merle's ex-wife, I think it's fair to read the "family" comment as Merle actually expressing that he'd rather spend time with his kids than give any special romantic attention to his date. Moving on to the rest of the "joke":

Merle: She's having a miserable time and she's really mad, she can't wait to get outta there. I take her back to her house, and so I lean up against the door jam and say, 'Sure you don't want me to come in for a few minutes?' and she slams the door in my face.

It's possible Merle just has a more roundabout, self-deprecating way of expressing a similar thing to what Magnus did: Merle just isn't interested in dating. To me, the last line implies he might not say no to sex, if offered — but overall, it reads as if Merle is putting minimal effort in because he's looking for an excuse to get out of this relationship anyway.

It's also possible that Merle's "rejection" of a suitor being so disguised as humor could point to him still coming to terms with his disinterest in dating. Particularly, in comparison to Magnus, who is so vocal and unashamed about it, while Merle might still be figuring this all out.

(Honestly, the self-deprecation Merle turns to here is actually kind of sad, when viewed in that light — he already lets himself be the butt of jokes so often, and now he feels like the way romance doesn't click for him has to be a joke, too? Oof. Someone give him a hug and tell him he's not broken this instant!) But regardless:

Merle views dates, and perhaps romance in general, as things that will inevitably turn disastrous for him and any party involved with him, and he would rather spend time with his children than repairing a relationship with an ex, or cultivating a relationship with a new partner. This is not an experience exclusive to the aro-spec umbrella, but you can't say that an aromantic reading of his character doesn't fit him like a gardening glove...

...which he wears while fucking his plants. Because plants don't demand emotional intimacy, nor take too much time away from the platonic relationships that matter more to him. And you know what? He's fucking valid for that! Fly your flag, nasty grandpa!

But moving on: I promised you aromantic analysis of characters outside of our protagonists, and henceforth, that analysis I will provide. And not just because I admittedly see Taako as the token alloromantic (though clearly an aro ally; if he hadn't chosen Forsake we wouldn't have gotten all this incredible characterization!)

I digress. So let's go on to addressing the lich twins in the room: Edward and Lydia.

Remember my argument earlier that Heart Attack serves the purpose of collecting suffering just like the rest of Wonderland does? How it's just a subtler way of making Wonderland's victims fundamentally uncomfortable?

...Using, of all things, romance?

How the vogue twins, for whatever reason, felt inspired to make people uncomfortable with matchmaking and adoration? How, some way or another, they noticed how much potential romance had to induce suffering? Being pressured into a relationship, being told that no matter how firmly you say you're uninterested, you're not really uninterested?

...Relatedly, I have always gotten the sense that Edward and Lydia projected relentlessly onto their victims.

Edward: This resolve, this desire to do whatever it takes no matter the cost to save yourselves — do you know who you three remind me of? Magnus: No? Merle: Who? Edward: Us!

I'm even going to go a step further and say that on top of projection, they want their victims to go through things they went through. Swallowing the guilt of having fucked someone else over to survive, of course — that's basically self-admitted. But possibly also... the feeling of not being able to get back what you lost (Keats). The feeling of not being able to heal (Keats).

So, where does that leave Heart Attack?

Lydia: It was the three of us, surviving against all odds. The world against us.

Their family of three was (is) indescribably important to them. I'm not necessarily saying that societal expectations of romance, especially of romance as a priority above that of family, left a bad taste in their mouths — if not downright contributing to their trauma — but, okay, I wrote the rest of this post and now that I'm back, I can no longer deny it. I'm definitely, absolutely saying that.

At the time of the podcast, we know Edward and Lydia's own relationship is heavily strained. Until the end, they are lying to themselves and to each other about the fact that they continue to be emotionally and magically reliant on each other. After all, Lydia wouldn't say "I guess we really needed each other after all" in her dying moments with such surprise otherwise.

This is the second reason that I... well, I wouldn't quite call it a "theory," but I find it most impactful to read Edward and Lydia as characters for whom the concept of Love has baggage. And always has, from their origins as youth in a tough spot in an already amatonormative world.

Maybe the constant societal devaluing of platonic, familial bonds left them with serious emotional scars. Maybe the constant conflation of Love and morality just weighed on them and weighed on them and weighed on them until they decided: well, we don't love the way people expect us to, so we might as well give up on being the good people they expect us to be. We might as well embrace this new fuel of suffering.

...And you know, I hope this gets across what I mean when I always say I headcanon villains as aromantic to make them more sympathetic.

Edward and Lydia, textually, are already tragic villains. As twins and liches, they're also textually foil characters to several of the Seven Birds. But I also like to think that they have a lot in common with Magnus and Merle, and the possibility that tugs at my heartstrings the most is the possibility of them all falling under the aromantic umbrella.

[strawb3rrystar]

Imagine if you did hc for the bay boys with a partner who is just “one sheep, two sheep, cow, duck, pig, old McDonald had a farm, HEY MACARENA” in a bottle, like the human spirit of adhd

Ive been missing your tmnt writing 🥲

ADHD in a bottle.

Pairing: Bayverse! Turtles x GN! Reader

Warnings: None, not proofread

Word count: 444

✰Masterlist

Leonardo

✰ Leo has been micro managing his brother his entire life, so he's kinda used to it by now

✰ Especially since you started dating

✰ He is a hundred percent used to your antics

✰ In the back of his head he's always remembering where and when you put stuff down

✰ Will listen to you ramble while you guys cuddle

✰ Always has an eye on you even he has his shell to you

✰ Making sure you drink lots of water and tries to take you outside to get some sun as often as he can

✰ Yall are reading comic books a 2am and giggling

✰ Makes to do lists and leaves them on the nightstand for you

✰ Tons of sticky notes with random messages are on his walls

Raphael

✰ Big tough guy meets ADHD partner

✰ Convinces himself that you act like Mikey (but less annoying)

✰ Will pull you into his lap if he senses you're overstimulated

✰ Yall will lose things together because you forgot where you put it and he forgot to write it down

✰ Doesn't want you wandering around in the sewers alone

✰ Makes you watch him train and sometimes uses you in the workouts

✰ Picks you up and carries you around without you asking

✰ Absolutly loves giving you shell rides even if he acts like he hates it

✰ Gets into your interests so he can better understand it

✰ Builds pillow forts with you!

Donatello

✰ Autism x ADHD

✰ Yall are rambunctious together

✰ You under analyse while Donnie over analyses everything

✰ Doesn't exactly trust you with the tools, but he'll let you help around in his lab

✰ Will bounce ideas off you

✰ Every surface is covered in sticky notes

✰ Both of you forget to sleep

✰ Has a calendar on the wall, but believes that technology is more helpful

✰ Yall will have full on debates over your shared special interest

✰ But they always end in cuddles

Michelangelo

✰ Uh oh... ADHD x2

✰ The rest of the household already believed that Mikey was annoying

✰ But now there's two of you (it's just double the fun!)

✰ Random stuff is being left around the sewers everywhere

✰ Stacks of pizza boxes because both of you refuse to clean

✰ Playing video games on old ass consoles

✰ Reading comic books and telling jokes until you pass out in each others arms

✰ Trying to train but getting so absorbed into a conversation you simply don't

✰ Exploring the sewers for fun

✰ Best chemistry you could ask for

Star's notes -> I've been on such a writing high recently and I don't want to come down

(Thank you @footninja for requesting!) (Requests are open!)

Taglist -> @raphaelsqueen @mamaemoemu @sleebykei @thejudiciousneurotic @looking4userthatworks

@toast-on-dandelioms @alexandria-fandom @ghostdoodlen @roboticsuccubus83 @sweetadonisbutbetter

@little-miss-chaoss @sunr1s3-strab3rr1 @theweepingvulcan91 @boogeysmoth @kipxer

@spongejuice @blood-heart22 @myamythos @ghoul-with-a-gun  @facelessfionna

@skankyynerd | Join the taglist

[tobiasdrake]

Hi! Absolutely adore your DBZ analyses, thank you so much - just spent a delightful time reading them all. I was wondering, since you've commented on Chi-Chi and Goku's marriage, what do you have to say about Vegeta and Bulma's relationship? (I've always been entranced by it - mostly because as with all his romances, Toriyama had the wisdom not to show any of it onscreen. But I'd love to know your thoughts about it.)

Bulma and Vegeta are a match made in Hell, and they deserve each other. (Which is to say yes, I love this ship.)

Hooking Bulma up with Vegeta was a hell of a narrative swerve. Generally speaking, stories rarely do this; They rarely let characters break up once they're already invested in a romance, unless it's supposed to be like a love triangle thing.

And Bulma? Bulma was invested. At least, to a degree.

This was the birth of the original Bulma romance that ran through about half of the manga. Two teens interesting in the opposite sex suddenly realize the availability of the other and a relationship is born.

Toriyama says he's bad at writing romance but to be honest, this has always hit me as more believable than your typical drawn-out five-seasons-of-pining Will They/Won't They affair. I'm a girl. You're a boy. Wanna go out and see what clicks?

And these two... these two do not click. We only really see their relationship from Bulma's perspective but it's clear that these two are miserable together.

The manga sorta takes Bulma's side, in that we never really get to hear Yamcha's opinion about their relationship one way or another. When he's around, all he wants to do is talk shop about martial arts. Since Toriyama doesn't like to write romance, we simply don't see much of it from them. What little we do hear about it comes from Bulma complaining about how miserable she is.

Bulma is pretty much always pissed off whenever the relationship is in focus at all.

Anime filler tends to take Yamcha's side instead, portraying him as a put-upon victim of Bulma's jealousy and abuse. A nice guy who doesn't deserve the way she treats him.

It's not hard to buy into this interpretation of their relationship since, as noted, we rarely get anything from Yamcha with regard to his relationship to women or Bulma specifically but we know Bulma's a lot. It's easy to accept Bulma as the "bad guy" of this relationship because. Like. Remember that time she enslaved a sentient being? Good times.

Though one particular moment from Yamcha later on kinda stands out as a bit of a retroactive Yikes.

Yeah. Uh. Threatening violence against a woman for rejecting his bro is a bit of a Yikes. Is this who we were supposed to see Yamcha as all this time? Because, if so, it might have helped to let him opine about the relationship more. Just saiyan.

According to Toriyama in interview, Yamcha and Bulma ultimately broke up because she caught Yamcha cheating on her. I guess that's what him being "popular with girls" was supposed to mean: Once he got over his gynophobia and found confidence with the opposite sex, Yamcha became a player.

But that doesn't necessarily come across from the statement, "Bulma can't stand that Yamcha's popular with girls." A lot of fans took that to mean girls just like him for no reason, and Bulma's unreasonably jealous about it. The anime took that position too.

Note that the "Yamcha is popular with girls" thing isn't helped by the fact that we never see it on-panel because he's only ever talking shop when he's around. But we do see a wandering eye from Bulma often enough.

There's nothing wrong with enjoying the aesthetic appeal of another party even when you're in a monogamous relationship, but it doesn't really present the "Other party is a womanizer and cheater" case when you're the only one ever seen doing this.

So it feels like there's a lot about Yamcha and Bulma's relationship that never made it to print yet influenced later decisions. Those decisions ended up being controversial because the foundation for those decisions was never laid. Here, Toriyama's disdain for writing romance worked against him.

But ultimately, regardless of whose side you take, it doesn't really matter. It doesn't matter who the "bad guy" is. A healthy relationship does not have a "bad guy" in it.

Whether or not Yamcha cheated, whether or not Bulma's just an unreasonably jealous hell-beast, it doesn't actually matter. What matters is that once you reach the point where you're taking sides over which party is the most obnoxious asshole and I hate you and I wish we never met... this relationship is not working for anybody.

It doesn't matter who the bad guy is. It doesn't matter who deserves the blame for this relationship being a toxic shithole. That there is blame to throw around in the first place is the problem. Every relationship has its ups and downs but if one party is constantly miserable for years and has possibly been looking for an escape hatch since year 1, that's not a little tiff.

What matters is that these two are not working out. Any time we see their relationship in focus, they are miserable together. The anime tried to do some patchwork on that with audience reception by giving them some cute moments as well, but because those moments aren't canon the pair remained miserable.

And then this happened.

Despite everything, I think we all assumed that Bulma and Yamcha were going to work it out. Fictional relationships are often portrayed as tumultuous. To a writer, nothing says true love like being constantly miserable and despising every waking moment you spend with your awful, nagging ball-and-chain of a spouse. That's just. Like. What the straights think romance is. It's weird.

I think we all thought that was going to be the deal here too. And then Trunks came along and said, "Nope, actually, they finally severed the cord."

Again, Toriyama says he's bad at writing romance but holy shit, the toxic and miserable relationship actually ended. The two characters involved who only got together out of loneliness and desperation later found they were incompatible with each other. That's so real. Much moreso than a lot of fictional romances.

Instead, we got the absolute crack ship that is Vegeta and Bulma. What a wild-ass revelation for Trunks to drop.

Like. Until the end of the Namek arc, this was the only time these two characters even met.

She also saw Vegeta for like two seconds here.

That was it. That was their entire history together until Goku defeated Frieza while Kaio sent everyone to Earth. But that's when everything changed for Vegeta.

Stranded on Earth with no ship, no affiliations, no ability to leave the planet and nowhere to go or be and no obligations to anyone but himself, Vegeta's circumstances were wildly different than they'd ever been before. He had become one of the Namekian refugees.

And Bulma was offering refuge.

Hard to resist, indeed. That moment is absolutely hilarious in retrospect. Bulma rolled a Nat 20 on that charisma check. It's pretty clear who the instigator of this relationship was.

Like. It needs to be stated that at this point, the only thing Bulma knew about Vegeta was that he tried to kill them all multiple times, and also he's kinda hot. But. Like.

It's Bulma. Anyone who doesn't expect this from her by now either hasn't been paying attention or started watching the English dub of the anime when they did Z first.

So, naturally, Vegeta is a kind and loving man and became a phenomenal husband and fa--

Wait. No. I got my notes mixed up. It says here Vegeta's a rotten dirty bastard. Like. Chronically. He has Supreme Dickshit Syndrome. It's genetic.

Most of Bulma and Vegeta's developing relationship happens offscreen. From what snippets we get, Vegeta has a tendency to vanish during the day, but he still lives at Capsule Corp so Bulma sees him around.

By the end of the three-year timeskip, it's official. Or semi-official. Yamcha and Bulma broke up at some point during that timeskip and Bulma's given birth to Trunks.

As for Vegeta, he's evidently moved out of Capsule Corp and into his own place.

I guess he's still keeping contact with Bulma since she knows what his intentions are. Not to mention he found his tranquility during these three years, though it's somewhat ambiguous as to what exactly brought that peace to his heart.

But the relationship is off to a rocky start nonetheless. Clearly something went down between Vegeta and Bulma that drove Vegeta out of Capsule Corp. To. Uh. Somewhere.

I like to imagine Vegeta living in some shitty West City apartment he rents off a stipend Bulma's sending him that he refuses to openly acknowledge. Like, room 101 is a down-on-his-luck tax accountant, room 102 is a couple with a kid trying to make ends meet off two retail workers' salaries, and then room 103 is Vegeta, Prince of All Saiyans. Sometimes he goes to community events and pretends he isn't having fun.

No lie, I would absolutely watch that as a sitcom.

As for Vegeta himself, he's still a rotten dirty bastard.

Worth noting that Vegeta's saying this as a Super Saiyan which means he's drunk on the form's enhanced aggression. But. Still. Vegeta is an absolute monster being dragged kicking and screaming into a pleasant life that he'll one day resent himself for enjoying. This is his arc moving forward.

It's not so much a redemption arc as it is a domestication arc. The uniquely evil even by Saiyan standards Vegeta is gradually being changed by his new terrestrial life. He doesn't want to own up to how much he enjoys it here. Seven years later, he's still desperate to avoid owning up to it.

He doesn't want to be happy here. He doesn't want a loving wife and a son who looks up to him and the most lavish home wealth can afford him and easy, comfortable days spent with friends and loved ones by his side. He doesn't want a happy ending.

But it's like Bulma warned him: Dragon Ball's queen bee is hard to resist.

Welcome back to Capsule Corp, Vegeta. We hardly even noticed you were gone. Honestly, Future Trunks deserves a lot of the credit for this; Watching him die at the Cell Games was what flipped the switch in Vegeta's head that he wants the family he and Bulma have spawned together.

Sure is a good thing we have Dragon Balls because this is a hell of a time to suddenly decide you love your son. But we see the consequences of that seven years later, since Vegeta moved back into Capsule Corp from... I don't know, wherever he went. They're gonna miss him at the next community poolside summer BBQ event for all tenants.

Part of what makes Vegeta and Bulma work, I think, is that they're on the same page about one crucial point. For Bulma, there is one person who will always take precedent in her life above all others. Romance comes and romance goes, but this is the relationship that matters most to her.

Especially when it comes to martial arts and fighting. Bulma doesn't know a lot about the subject, but she knows that Son Goku is her #1. She has no reservations about saying that to her lover's face either.

When fists start flying, Bulma knows who she's rooting for. If Goku's involved, then it's not her guy. That's. Just. Something that anyone who wants to be with her has to be willing to understand. The single most important relationship in Bulma's life will always be her friendship with Goku.

And the thing about Vegeta is... He kind of agrees? Like. See above, re: I wanted Babidi to destroy my feelings for Bulma so that I could become the warrior that can fight with you, Kakarot.

As much as Goku will always be Bulma's #1, he'll also always be Vegeta's #1. He even gets included into Vegeta's fond farewell to the family he loves.

Goku is basically the platonic third in a two-person polycule. This is the second marriage that this poor ace plays a vital role in despite having no real interest in romance whatsoever.

Bulma is selfish, spiteful, petty, and vain. At one point, DBS: Broly directly compares her to Frieza; A comparison that manages to be unbelievably unflattering to both participants.

They're the same picture. A revelation that would probably be horrifying to both.

And Vegeta. Especially Vegeta. But. Like. She warned you she was irresistible. You didn't take her seriously and now look where you are. Married to the She-Frieza. Maybe you should think about your life choices.

This is just. So much fun. As I said at the outset, Bulma and Vegeta are a match made in Hell who make it work because they're both similar brands of awful.

As for Yamcha, it's a little known fact but Yamcha rebounded and moved on with his life. He stops having much story relevancy after he leaves Capsule Corporation so we see very little of his private life from there. After retiring from martial arts and splitting up with Bulma, Yamcha's left without any story hooks to keep him involved.

But there was this interesting moment, when he realized they had a Shenron wish to spare.

After Krillin comes up with something better to use the wish on, he takes it back and claims it was a joke.

This is, surprisingly, a point of contention in the fandom as some of Yamcha's fans prefer the idea that he died miserable and alone after Bulma ruined his life by leaving him. This takeback gets pointed to as proof that he made up his girlfriend entirely. However, in context, it's clear that a) he's trying to brush off his earlier attempt at making a petty wish and b) the thing he's transparently pretending was a joke is the necklace wish, not the existence of his new girlfriend.

Like Bulma, Yamcha moved on with his life after the break up of their miserable relationship. And that was the final word that was ever uttered on Yamcha's romantic prospects, because this was the last time he was ever meaningfully involved with anything at all.

[dazealigner]

hi hi hi

i have a request! could you write julien x reader where julien is obsessed (in a good way) where she only talks about reader in interviews and stuff

pls pls pls

and thank u

hiii anon !!! i’ve actually thought about this thoroughly in the past so i have a couple of hcs stirred up for you ! but i also wanted to say that @itsrorysstuff has also wrote for this same idea awhile ago and did an amazing job at executing it (:

jb talking about her gf in interviews hcs!

(i’ll preface by saying that jb’s girlfriend is a famous singer-songwriter in this scenario, just because interviewers would then ask about their relationship more frequently and i don’t get why julien would talk about her girlfriend excessively if she wasn’t exposed to the public eye like julien is. also to give some background, i’ll say that they discovered each other’s music prior to their romance and met through a mutual friend, lucy or phoebe perhaps)

because you two both listened to each other’s work way before you guys even started talking, julien definitely brought one of your albums up in the Records In My Life interview and even spends some time analyzing it as well before she’s subtly cut off given the time limit and their remaining questions

there’s occasional mentions of you here and there, to which you reciprocate until finally lucy/phoebe unites you two

and man oh man are lucy and phoebe third and fourth-wheeling because the entire night you two are trading ALL of the compliments and the analyses you’ve been itching to share since the moment you both discovered the other’s work

fast forward to julien and singer-songwriter!gf NOT beating the u-haul lesbian allegations, this is where julien really begins to excessively talk about you

philosophical question? she’ll mention your input on the matter. question about a lyric on the record that you helped with? oh boy that interviewer is in for a ride.

and there’s nothing more phoebe and lucy enjoy than teasing julien about you two’s relationship

“After the show in Dallas, me and Lucy went to grab something to eat, and—” “Wait, where was Julien again?” “You know where she was.”

and julien FLUSHES pink not just because the entirety of the camera crew were exchanging confused glances but because she herself knows where she was and more importantly who she was with

anyways you being known for having schemes up your sleeves when it comes to your albums, julien’s now getting asked about your music as well, and she LOVES it because she knows everything about your upcoming albums in secret and she’s now become apart of the scheming and teasing

if you announce a single release and you wanna hint at its title, let’s say you use the single title in your instagram caption, and then julien somehow finds a way to insert it smoothly into something she’s saying in an interview and lucy and phoebe are like “😏😏” cause they’re in the loop too

and then in the nardwuar interview as he’s handing out the most thoughtful gifts, in the back of julien’s mind, all she’s thinking about is how much you’d love those gifts

“Oh my god, me and my girlfriend were just talking about Trio. .” and phoebe and lucy are snickering from beside her as she goes on a rant about what specifically you two were talking about.

when the boys are on the red carpet for GQ Men of the Year and they’re already all rocking hickies and then they get into the conversation of dates when amelia interviews them…..

“What about you? Have you ever been on a date?” “A date? I’ve been on one.” “Recently, too.”

and on top of her remark, lucy’s eyes trail down to julien’s hickey. not that it’s noticeable in that exact moment, but fans inevitably notice

and finally when you do release any projects you’ve been working on, julien is so incredibly vocal on how well-deserved the recognition you receive is and how proud she is of you. she acknowledges every single hour you spent in the studio and its merit outcome.

and, of course, the level of affection julien shows is obviously reciprocated by singer-songwriter!gf