gunstellations · 9 months ago
Text
Tumblr media
In the world I love
_
In a different world
966 notes · View notes
heynhay · 1 year ago
Text
Tumblr media
let's drive out
1K notes · View notes
stiffyck · 17 days ago
Text
"i dont like animated movies" okay but why. like i genuinely would like to know WHY. and id like to hear literally any other reason besides "animation is for kids" or "its childish"
102 notes · View notes
simptasia · 1 month ago
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
LOST: Season One
#lost#abc lost#lost one cap per ep#this was a project i was gonna do anyways but the timing worked out that i could post the first one on the 20th anniversary!#this is one cap per ep every season. from left to right. and this is important: its not a cap that sums up each ep#its a cap that REPRESENTS each ep. the way i choose them varies every episode#sometimes its an utterly iconic moment. sometimes it reps the theme of the ep. or it hits with a theme of the character themselves#sometimes the cap i use won't even involve the character whose centric episode it is. trust me. this makes sense#anyways i'll give a good example: for outlaws i was so tempted to use a shot of the judgemental soulful gaze of the boar#or perhaps sawyer in the rain after he shot that man#but! i used that shot of sawyer's dads legs as sawyer is hiding under the bed. i feel it worthy because this moment. this scene#is literally a core part of sawyer. it's a defining moment of his backstory. of his character. so yeah. makes sense yeah?#anyways some eps had Too Much going on (lord i could make one of these for exodus part 1 alone) and some not enough#or well they DID but like lacked in caps that Hit in the way im thinking. thank heavens charlie shot ethan cuz i was worried about that ep#i was like ''aw shit what am i gonna use'' and then an iconic lost moment happened kjhfdsjkhfd#anyways. there are 25 eps in season one. so im really glad that the last ep contains one of the moment iconic visuals/moments in all of los#oh i should add that these caps are unedited. i did not fuck with the colours or saturation in any way#i found 'em and i pieced them together. this is harder than it sounds. i browsed through all the screencaps of every ep of season one#and i will do so the remaining five seasons#some of these were super easy like i knew what cap i'd be using before i even started (eg. do no harm. the moth. in translation)#but some took some real Thinking. and some eps even had several caps that would have worked. this has all been quite interesting#also yeah. y'all already know damn well what cap i'm using for the very last episode
65 notes · View notes
puppyeared · 10 months ago
Note
Tell me about a song you like right now, maybe an animation you just watched that made you think thoughts and feel things
Tumblr media
Only Acting by Kero Kero Bonito!! I want to make an animatic for Macaque using this song and some parts of Shadow Play and the s4 special.. although im still mapping it and deciding whether I want to use the radio edit or not lol
157 notes · View notes
sholmeser · 2 months ago
Text
Tumblr media Tumblr media Tumblr media
ary scheffer / justus knetch / snake & ocelot
49 notes · View notes
carlyraejepsans · 9 months ago
Note
Do you enjoy underfell? I thought you disliked aus /genq
i don't dislike the concept of AUs itself, I'm just not a fan of like... the subculture that spawned around them in the UT fandom specifically and how it eventually took over almost all canon content (especially when it limits itself to the bros)
i like aus visually! i am an artist at heart after all. it's just that, if I'm going to care about them as stories and not just fun design ideas, my bar is uhh almost impossibly high the further you move from canon lolol.
107 notes · View notes
ruvviks · 1 month ago
Text
Tumblr media
it's been a hot sec since i've talked about cyberpunk and i was initially working on a fic that would tell the story of this whole thing, but i've abandoned it many months ago and cannot say when i'll be picking it up again SO! i've decided to instead make this timeline. sorry in advance for how much information is in this thing the cyberpunk extended blorboverse essentially refers to the story parallel to the in-game events of cyberpunk 2077 that @mojaves and i came up with. we don't really have a better name for it but at this point the term has been used so many times that i feel like everyone here knows what it is by now, but at the same time we've never really explained the full scope of what the story is by now (it's a lot sorry). so in an attempt to get you guys a little bit more up to date with it all, here's a semi coherent timeline that describes the core events of the story and every branching story that came out of it! for additional background information, you can check out the following posts (timeline 1 / timeline 2 / timeline 3) to catch up with the continuation of the in-game storyline that's referenced in this timeline, but it's mostly irrelevant to everything here save for a couple of referenced events that cross over between the stories. it all ties together very intricately sorry about that. don't worry too much about it i've included my taglist down below to make sure people who are interested won't miss this post, but feel free to skip over this if it's not your thing! won't be doing a lot of this kind of stuff in the future but i'm trying to get back to the cyberpunk roots so this is kind of like, a good starting point and reference point for later posts!
Tumblr media
The story starts in early 2077 and is centered around Sebastian Vidal, gang leader of the Cobras and previous test subject of Arasaka Special Programs (the linked page is a lot of information but gives the most coherent overview of what the branch actually is). The current director of the SERPENT projects, Andrew Colton, and Dr. Alana Cartier, both want him dead, to tie up their last loose end before the rest of Arasaka can find out and shut down Special Programs once and for all.
Over the past months they’ve been hiring various assassins in secret, to try and get Seb killed; however, these assassins keep failing, and their latest attempt lies in the hands of Cassidy Shaffer, an ex-corpo turned assassin with a strong moral code and plenty of experience to his name. With little to work with, as his mysterious client doesn’t give out much information, Cassidy starts with what he thinks is gonna be a quick and easy job– but he ends up hunting after Seb for essentially a year.
During this year, the two men have a series of wild encounters that get more and more insane the longer it goes on; it includes, but is unfortunately not limited to, Cassidy biting off a chunk of Seb’s ear, the two of them running over the highway, the two of them getting handcuffed together and chased by the NCPD then hit by a car right in front of the hospital, and Seb sensually licking blood off Cassidy’s face after having stabbed him when Cassidy wanted to strike at a concert Seb is visiting.
All of it comes to a sudden stop when Cassidy learns his client has been lying to him the whole time, and since he does not appreciate lying clients he ends up jumping sides and teams up with the Cobras to do some cleanup duty in Arasaka Special Programs. He and Seb work together to go after a list of targets to get the still ongoing projects mostly to a halt, while remaining in the shadows themselves as to not draw too much attention their way; and during this collaboration they meet several people from their past, bringing back both good and bad memories.
One of these people is Hanan Chisaka, the Head of Security at Special Programs. She ends up becoming the next test subject of Project Cobra after the last successful subjects, Xavier and Gabriel Mason, end up escaping in the midst of the chaos of Hanako Arasaka’s capture in mid-2077. Once Seb’s best friend and Cassidy’s mentor, she’s now forced to hunt the both of them down; but in their final confrontation she snaps out of the controlled mode Arasaka keeps her in and runs away with them, effectively leaving Special Programs without any test subjects. Another one of these people is Reid Bennett, Cassidy’s ex and ex-coworker back at MaxTac. He still works for the corporation and has been on an ongoing investigation into Arasaka Special Programs; seeing Cassidy alive and well, working together with Seb no less, piques his interest and he continues to look further into the case, which will cause him to make a very big mistake later on in the timeline.
By September 2078, Seb and Cassidy have successfully taken down all their planned targets and retreat back into the shadows, leaving Special Programs with many losses and no test subjects. With the APEX program discontinued a month earlier (incident discussed in this fic, which is a continuation of the in-game events), and Hanako Arasaka recovered and ready to take the corporation back from the hands of her corrupt brother, Special Programs ends up having to retreat for the time being, and cook up a new plan in the background.
Special Programs by this point is run by Andrew Colton, Alana Cartier, and Kaida Akiyama, three players who have been in the game for a long time already in the SERPENT projects’ runtime. Colton and Cartier are married– Cartier used to be married to Seb and cheated on him for a good amount of time when he was still at Arasaka– but their marriage is starting to fall apart. Akiyama has had to watch over Special Ops agent Ambrose Hawthorne for a while during his chase after the Mason twins, which ended up with the twins dead and Hawthorne going into early retirement (Arasaka doesn’t know the twins faked their death and Ambrose is now dating one of them lol), and xe is now determined to help Colton and Cartier get Seb back into Arasaka so the projects can continue.
Cassidy’s initial plan was to leave as soon as the collaboration would come to an end, but he has found his place with the Cobras and instead ends up officially joining them.The next chapter in the story is a more laid-back and easygoing chapter, in which Cassidy learns to be part of real life again, and in which Seb learns to let people get close to him again after spending years trying to convince himself he doesn’t need any help. Over the course of a little over a year (all the way to November 2079), the two grow even closer than they had already done, going on gigs together and, you guessed it, slowly but surely falling in love until they inevitably end up together at the end of it.
Not long after the two get together, Reid returns into Cassidy’s life. He wants to try and be friends again and Cassidy gives him a second chance, though this soon enough turns out to have been a mistake, with Reid trying to create distance between Seb and Cassidy and then going as far as trying to sell Cassidy to Kang Tao (one of the few corporations that have been hunting Cassidy down for a while now) in exchange for his own freedom from MaxTac (where he would have otherwise been stuck at for probably the rest of his life). Naturally, Reid can’t watch Cassidy get tortured for long and leaks his location to the Cobras, who find and free Cassidy and take Reid into captivity instead– he does not get killed, but instead has to sit out some time at a safehouse somewhere in solitude, where he gets to decide what kind of person he wants to be in the future.
This brings us to Elysium; a gorgeous spaceship which was supposed to be a relatively cheap escape from reality for everyone who wanted a refreshing break from Earth, but through Arasaka sponsorship has become just another cash-grab project to compete with the Crystal Palace– and considering the megacorporation has its greasy hands all over it, the secret labs in the spaceship are used for a series of very unethical experiments. Naturally so, it would be the perfect place for Colton to continue his SERPENT projects without the risk of Hanako Arasaka finding out and shutting the place down. He sends forces up to Elysium (obviously after his other attempts at relocating the project to space have failed tremendously, having lost contact with every single crew in the smaller Arasaka stations in orbit around the planet), but since he’s not there himself his cousin (one of the CEOs of Elysium), Maxwell Crane, unbeknownst to Colton, takes control of the SERPENT projects in space instead. From the earlier linked Special Programs page: “Project Eryx used the technology of previous projects, but took a completely new approach in the hosts it used; rather than focusing on the human psyche it attempted to create a new type of cyborg which would lack the humanity that caused previous projects to fail. The Cobra chips were no longer used and the software was instead installed directly onto the host’s mainframe. The flexibility of the new hosts– more robot than human, and in some cases the entire human aspect was lacking altogether– allowed for experimentation with highly advanced cybernetic enhancements and military grade tech and upgrades, turning the test subjects– dubbed ‘prototypes’– into dangerous, unstoppable killing machines.”
Things settle down for Seb and Cassidy, but this moment of peace does not last long. In January 2081 the two find themselves traveling to the spaceship Elysium, to investigate a curious situation in the laboratories– they’ve been hired by Arasaka without their knowledge and it’s a setup to get Cassidy killed and Seb back in Cartier’s control.
While in space, they learn that the secret labs have suffered an outbreak of the above mentioned prototypes. They quickly connect the dots and realize Special Programs is back in the game, and they work together with security guards Aubrey Valentine and Leon dello Russo to try and fix the situation before it gets out of hand. Obviously this fails tremendously and Elysium ends up on a complete lockdown after a ship-wide outbreak, which is eventually contained in late March of that year, with CEO Maxwell Crane dead, leaving only his wife Kinsley Osborn behind.
Elysium continues to exist and is rebuilt after the crisis, and Kinsley Osborn can now finally turn it into the retreat it was always meant to be. Previously, most Elysium employees were to be stuck in space for the rest of their lives; however, with Arasaka out of the picture they are free to leave as they please, which results in a gigantic cut in total employee count in the months that follow.
Seb and Cassidy return to Night City and take Aubrey and Leon with them. Aubrey reunites with his sisters; Becca, James, and Rikki, and soon after his return to the city he opens an LGBTQ+ nightclub called Bodytalk with them, found Downtown, City Center, in June 2081. Not only is it a fun place to hang out at, it’s also his main hub as a fixer, and he starts a collaboration with the Cobras to get business going between the gang and the club; and soon enough it grows into a large and powerful network of connections, which is the foundation on which the rest of the stories are built.
After this point in time, many many more things happen but it would take me another hour or ten to go into full detail of all of that, so instead here’s a quick rundown of some of the other things that Bodytalk gets involved in:
Reid Bennett is handed over to Aubrey and he starts working at the club, and he becomes a very valued employee as well as a good friend to many now that he’s no longer fucking insane
Kaida Akiyama returns from Elysium and shows up to Hanan’s doorstep, to ask for her help with getting out of Arasaka for good; much later on, xe starts working for Bodytalk as well, in an attempt to put xyr past behind xem and become a better person
Urban Dynamite starts performing at the club regularly, and it becomes their home base
Luna Serratos, Cassidy’s ripperdoc friend from all the way back to killing era, gets involved in the Harbinger case from Maelstrom (one of the gang’s most feared members); turns out the Harbinger is in fact Reuben de la Rosa, a by then 22-year-old kid who has ended up in Luna’s care with his friend Noah Telavera after the two got caught up in an explosion. She requests the Cobras’ help with getting Maelstrom to let Reuben go
Officer Michele Diaz from Militech (who used to be Cassidy’s boss) is demoted following the lawsuits after the Elysium incident, and her investigation into the incident in hopes to get her job back leads her to Bodytalk; she begins threatening them and sends the whole club and their allies into uncertain times
Many people get married. There’s so many fucking guys here we went a little insane with the numbers but there’s several weddings and there’s a whole polycule going on too feel free to send asks about this if you’re interested
Cobra Cybernetics releases a new line of cyberware, which is incredibly buggy and dangerous to the public; it’s brought to the club’s attention and it makes them realize that Luiza Vidal (Seb’s sister), who not that long ago asked them to kill her husband (William Colton (Andrew’s brother), CEO of Cobra Cybernetics), has gone missing; they now need to get involved without getting the news out that they actually didn’t kill William and that he is still alive somewhere, while also balancing out dynamics between Biotechnica (angry at Cobra Cybernetics for stealing their designs) and Arasaka (the actual reason why Cobra Cybernetics’ designs look like Biotechnica’s designs, because William stole designs from Special Programs after halting their partnership after the Elysium incident, but these designs had been stolen by Arthur Jenkins from Biotechnica even BEFORE that to be able to hijack the European Space Council’s cybernetics following the Frankfurt incident. Are you still with me)
Vitali Dobrynin (fixer and main character from the in-game events storyline and the continuation of it; Vincent “V” Mayer’s boyfriend) ends up visiting Bodytalk after meeting Aubrey at a Fixer Council meeting, which happens in late 2083; this essentially ties the two main storylines together, which means that yes, a lot of the characters from the two separate storylines end up meeting :]
Officer Ulysses Dimakos (used to work with Reid at MaxTac) is sent to investigate Bodytalk following the Cobra Cybernetics scandal, and ends up teaming up with the club to get MaxTac on a dead trail in exchange for his freedom of the corporation
On top of the Bodytalk / Cobras centered storyline, there’s a couple of side stories that are still connected to the whole thing but are more of a standalone thing with only a few touching points to the rest of it all:
This obviously takes place a lot earlier because it’s already mentioned above, but Special Ops agent Ambrose Hawthorne is tasked with chasing after the escaped Mason twins; naturally he lets them go and ends up going into retirement, and Xavier Mason later on ends up becoming Bodytalk’s part-time repair guy on account of knowing Kaida
Gabriel Mason ends up in a car crash with retired security specialist Ames Ortega, who was also in Elysium during the incidents there, and the two end up babysitting Ambrose and Xavier’s kids together while those two are helping Hanan with getting Kaida out of Arasaka (Are you still with me. Blink if you can hear me)
Mercenary Frankie Sayyad gets a promotion from his fixer, Vulture (real name Diana Crane, Maxwell Crane’s older sister and cousin of the Coltons), and becomes one of her Bloodhounds; he works together with Evelyn Harris, Nimue Nkuna, and Beckett Rydel, the latter being one of the very first test subjects of Arasaka Special Programs, and the four accidentally get themselves mixed into a mystery concerning their secretive fixer
Caleb Harris, ex-security at Biotechnica, ends up back at Club Bodytalk not long after the conclusion of the Cobra Cybernetics scandal, and starts working for Aubrey; he is partnered up with Ramiel Al-Masri, a mercenary who has been working for Vitali Dobrynin for a while and has recently joined Aubrey’s mercenary roster too, and together they dive into a series of gigs neither of them had expected
Journalist Bodhi Shankar has finally found more evidence and information surrounding the mysterious cult gang Umbra and its so-called Prophet, Thiago Salazar; however, his antics have led to him accidentally becoming part of the gang himself, and he has to figure out a way to get Thiago to stop listening to the supposed deity that the gang worships known as Scintilla, before she makes him do things that will get many people killed
Tumblr media
taglist (opt in/out)
@velocitic, @deadrlngers, @euryalex, @ordinarymaine, @gurathins;
@mojaves, @shellibisshe, @dickytwister, @mnwlk, @rindemption;
@ncytiri, @calenhads, @noirapocalypto, @florbelles, @radioactiveshitstorm;
@strafethesesinners, @fashionablyfyrdraaca, @aemondtargeryen, @radioactive-synth, @katsigian;
@estevnys, @elgaravel, @aezyrraeshh, @carlosoliveiraa
#nuclearwriting#timeline tag#this is really lengthy so again if you don't wanna go through all that i can respect that WBHSNGJFDHGDFJG just wanted to like#show that no i am NOT dead i have in fact been yelling about my ocs basically every single day since the last piece of writing i posted#but it's all in intricate rituals between me and my bf that as you can see results into. so much information. that's only barely coherent#i could go into entirely more detail is the thing. i could very easily go into entirely more detail because you see#we have encounters written out for killing era. all encounters. they're all there#we have separate timelines for the bigger events like the elysium arc and the maelstrom arc and the militech arc#the whole thing with cobra cybernetics is a buildup that dates back all the way to fucking 2072 and then happens in 2083/84#the colton/crane family dynamics are a whole bookwork of information on its own#then there's the whole polycule that's gotten. a little out of hand i'll admit but it's COHERENT i made a VISUAL for it#there's years worth of history between SO many of these characters that can all be analyzed and picked apart personally#there's the whole side stories going on with ambrose and the mason twins and the bloodhounds and umbra#the whole elysium incident on its own is a horror freakshow that would do numbers on here. i'm telling you#BASICALLY WHAT I'M TRYING TO SAY IS. IF YOU HAVE QUESTIONS ABOUT LITERALLY ANYTHING#PLEASE COME INTO MY INBOX OR IN ANDY'S INBOX WE LOVE TALKING ABOUT THIS STUFF#THERE'S SO MUCH TO TALK ABOUT!!!!!!!!!!!!!!!! WE HAVE AN INSANE AMOUNT OF OCS FOR IT AND WE'RE STILL MAKING MORE#ELYSIUM HAS A WHOLE CREW!!!!!!!!!!!!!!!!!!!!!!! WE MADE UP A WHOLE CREW FOR ITTBHGFJNBHGJKSDGDSNGJDSG#I'M NORMAL
25 notes · View notes
poppytuft · 4 months ago
Text
the bear s3 spoilers
below the cut! thinking about claire and stuff we saw this season re: carmy/syd/the restaurant/donna, just finished the season so itll be a mess and also im comin in way too hot on this so my bad
sometimes...... sometimes i believe you guys are all watching different tv. im not sure how this season didnt feel like a direct through line from s2?? and im not sure WHY everyone is SO MAD about claire LITERALLY "haunting" this season. girl. come on. we need to have a sit down talk about how the berzatto generational trauma is the real meat of this show (this will make sense, just trust me). thats the MAIN EMOTIONAL POINT. syd's relationship with her dad, marcus and his mom, richie and evie, even tina and louie are all examples of parental relationships that are tender, sweet, supportive, etc. these are INTENTIONAL!! by creating these relationships we see PLAINLY how fucked donna is and how much she fucked up all of these kids. thats why "ice chips" was such a FANTASTIC episode. there was SO MUCH unpacked, so much revealed, so much worked through with sugar and her but at the end of the day she's still learning how to unlearn all of this horrific narcissistic bullshit. SHES STILL UNLEARNING THOUGH. thats where fucking DONNA of all people sits right now——somehow, she's learning how to heal. EVERYONE IS LEARNING. that's also what is so important about that episode.
now lets look at carmy. in "ice chips" we are LITERALLY told about how each berzatto is born: mikey fighting against the idea of being alive at all, nat into a quiet, soothing room, and CARMY is fucking born into EVERYONE SCREAMING and ARGUING and FIGHTING. we are BLATANTLY told that all carmy has ever known is HELL and all he's ever known how to communicate is through exploding. this is so violently against what we also know about his personality from childhood in "fishes" (anxious growing up, arts-oriented, had a hard time making friends). now, he works a violently stressful job, processing the trauma from both his mother (and chef fields [joel mchale], realistically) through the high-stress environment.
NOW. ENTER CLAIRE.
HOW is she not fascinating to you all. we don't see her whole story (because the bear, duh) but we are given just enough pieces here to put together that her story runs parallel to carmy's. how are you not getting this. walk with me.
claire. glasses, nerdy, quiet, sweet, girl next door. family friend! cute, but considered mid for a long time by everyone at school, but suddenly the berzatto men all badger carm, "oh she got a glow up, oh shes looking for you, she wants to see you," etc etc etc. what happened in between?
she finds herself. she finds the stressful thing she LOVES, which is the hospital. her job is objectively more stressful than carmy's (illustrated by that scene earlier in the season but i forgot the episode, where claire talks about the girl who got her shit wrecked by the glass table), and while we don't have an exact understanding of what her home life was like, we understand that her and carmy both have a level of internal anxiety that thrives on the stress of their careers. HOWEVER, claire does it because she loves it. carmy just doesn't know how to stop.
this is what makes claire feel like "peace" to carmy——because her high-stress job is a choice, an active choice she is making because it fulfills her. it's not to prove her dead brother wrong, or to honor his own legacy, or to prove that dickbag boss wrong, or to leave a mark on the world, or to make her own life worthwhile, or to prove that she doesn't need anyone else. she genuinely enjoys helping people even when the days are stressful, or scary. he's obsessed with this. he wants to know how she does this. every day she leaves that stress at home——and he wants to learn how to do that too.
claire is VITAL to this season and to understanding carmy's stress——and how far back he is in his healing process. it should only become more and more apparent, as we see characters like tina (the beef/the bear became vital to her success/development as a chef AND person, both for the people AND her love of food), marcus (not hiding his grief, but using it to help rationalize how much his mother loved him and wanted to be surrounded by people that love him), and richie (finding a purpose through service/expo and understanding he can start over again) push through their own traumas and struggles to become better people. if donna can be not only present at sugar's bedside during labor, but WELCOMED at this point in the show, it makes carmy's inability to heal all the more present. claire is an important part of this puzzle: she helps us see a window into a world where carmy is balanced emotionally, but unbalanced professionally, because he has no idea how to make the two coexist.
however, the idea that he can be balanced emotionally at all is so fucking enticing——with the help of someone who experiences stress in the same way as him (and who is familiar with his familial trauma), he has the opportunity to grow up and move on from his family trauma and wounds perpetuated by the industry he works in.
on the flip side of this....... his inability to process any of this is starting to impact syd. and frankly, that's some bullshit. his lack of communication, inability to community build/trust ANYONE, and his violent stubbornness is pushing her into the same space that he was in under chef fields, in a much slower, more subtle manner, and for slightly different reasons. her panic attack at the end of the season could read in two directions to me: her stress over the responsibility of changing so many people's lives has boiled over once she remembered that the beef once was truly great (hey five star review on the fridge!), OR, she realizes how much she isn't in it for the food. fuck a Michelin star: she wants to cook with her family. chef terry says at the end of "forever", in the garage with carmy, that she's so grateful she got to do whatever she wanted, whenever she wanted, where she wanted, with the people she wanted to do it with. sydney is so close to having those things at the bear——but carmy's dysfunction is keeping it just out of arms reach. the two of them are now on opposite sides of the approach from last season: syd dying for a star, and carmy dying to cook for the woman he loved. now, carmy is hungy for recognition again, desperate to prove something, and sydney is remembering (thanks to the conversation with other chefs during the ever funeral service) why she loved cooking in the first place. so this leaves us to wonder: should she stick it out? for the people? or make something of herself? is she carmy, or is she terry? i guess we will just have to see.
all this to say: every character is connected. the bear is a show about family, found and blood, and the choices we make for, with, and because of the people we love, for better or for worse. food is only the center of it, because it's the center of all of our lives. you can't hate claire without understanding where she sits in the web of the berzatto family. and really, you can't hate her if you understand what her presence means for carmy, for syd, and the restaurant as a whole.
#the bear#the bear season 3#the bear fx#the bear hulu#the bear meta#carmy berzatto#sydney adamu#claire the bear#the bear s3#the bear spoilers#the bear s3 spoilers#the bear season 3 spoilers#the bear season 3 meta#the bear analysis#eenposting#sorry.... feeling very passionately about this show#im not sure why this season felt like a stretch from the past two seasons#i didnt feel that way at all.... felt like a natural progression of the thing weve been given. some of them are healing and some of them ar#NOT. some of them very much are not. but all we can do is watch#thats always been the beauty of the bear. all we can fucking do is watch. and theyre all just gonna duke it out cus the family is CRAZY#i need some other friends to finish this shit so i can do real textual analysis because i ahve a lot of feelings about the metaphors and#imagery and symbolism and stuff from this season. this seaon was really really good to me and it felt like one huge movie#SO cinematic and SO good and visually so gorgeous and it sucks that theyre moving in a more cinematic direction and ppl hate it#LAME! LAME BITCH#THIS IS SOOO THE EXACT SAME SHOW AS ITS ALWAYS BEEN. THEY FINALLY JUST HAVE MONEY#i do wish we got more kitchen stuff but i understand we are growing out of the kitchen stuff as carmy gets more and more uncomfortable#in the industry#AND LIKE I SAID#THE KITCHEN AND FOOD WAS ALWAYS JUST THE FUCKING STAGE FOR THIS ABSOLUTELY BATSHIT FAMILY MELODRAMA#LIKE WHAT????? YOU ALL KNEW THAT RIGHT....... THIS SHOW ISNT REALLY ABOUT A KITCHEN OR FOOD OR CULINARY ARTS AT ALL
33 notes · View notes
vyeoh · 1 year ago
Text
Something about ballister (an adult) talking nimona (a trans teen) down from suicide, projected to the kingdom with the text overlay "monster attack"
275 notes · View notes
bidokja · 1 year ago
Note
I was joking a while back that the actor they have playing KDJ for the orv movie was too handsome for him and a friend who's read orv was like "KDJ is actually secretly attractive!!" And I just felt my soul leave my body right then
SIGHS...
Okay. Buckle in. I'm gonna finally actually address and explain and theorize about this whole...thing.
I'm not gonna cite any exact chapters cause it's like 11:30 and I've got an 8 hour drive in the morning but I'll at least make an approximate reference to where certain things are mentioned. Also, this post is just my personal interpretation for a good bit of it, but it's an interpretation I feel very solid about, so do with that what you will. Moving on to the meat of things:
There is one (1) instance in the web novel that I know of which describes specific features of Kim Dokja (especially ones other people notice). This takes place when members of KimCom are trying to make Kim Dokja presentable to give his speech at the Industrial Complex (after it's been plopped down on Earth). This is when they start really paying attention and focusing on Kim Dokja's appearance since they're putting makeup on him; I still don't think they can interpret his whole face, but they can accurately pick out and retain more features than usual. If I remember correctly they reference him having long eyelashes, smooth skin, and soft hair. These features can be viewed as (stereotypically) attractive.
Certain parts of the fandom have taken this scene and run with it at a very surface level, without realizing (or without acknowledging at the very least) that this scene is not about how Kim Dokja looks. This is, in part, due to not realizing or acknowledging why Kim Dokja's face is "censored" in the first place, and what that censoring actually means. I think it's also possible that some people are assuming the censorship works like a physical phenomena rather than an altered perception.
I'll address that last point first. The censorship of Kim Dokja's features is not something as simple as a physical phenomena. It's not a bar or scribble or mosaic over his face. If that were true it'd be very obvious to anyone looking at him that his face is hidden. But his face is not hidden to people. They can look at him and see a face. If they concentrate on his eyes, they can see where he's looking. They know when he's frowning or grinning. They see a face loud and clear. But what face are they seeing? Because it's not really his, whatever they're seeing.
No one quite agrees on what he really looks like. And if they try and think about what he looks like, they can't recall. Or if they do, it's vague, or different each time. We notice these little details throughout the series. Basically, Kim Dokja's face is cognitively obscured. Something - likely the Fourth Wall, though I can't recall if this is ever stated outright - is interfering with everyone's ability to perceive him properly. This culminated in him feeling off to others; and since they don't even realize this is happening, they surmise that he is "ugly."
Moving on to the other point about what the censorship means: To be blunt, the censorship of his face is an allegory for his disconnect from the "story" (aka: real life, and the real people at his side). The lifting - however slight - of this censorship represents him becoming more and more a part of the "story" (aka: less disconnected from the life he is living and the people at his side). The censorship's existence and lifting can represent other things - like dissociation or depersonalization or, if you want to get really meta, the fact that he is all of our faces at once - but that's how I'd sum up the main premise of it. (The Fourth Wall is a larger part of the dissociation allegory, but that's for another post).
So you see, them noticing his individual features isn't about the features. It's not about the features! It doesn't matter at all which features got listed. Because they could describe any features whatsoever and it would not change the entire point of the scene. Because the point isn't what he looks like. The point is that they can truly and clearly see these features. For the first time. They are seeing parts of him for the first time. Re-read that sentence multiple times, literally and metaphorically. What does it mean to see someone as they are?
This is an extremely significant turning point dressed up as a dress-up scene.
---
P.S. / Additionally, I'm of the opinion that Kim Dokja is not handsome, and he is not ugly. He is not pretty, and he is not ghastly. Not attractive, nor unattractive. Kim Dokja isn't any of these things. More importantly, Kim Dokja can't be any of these things. The entire point of Kim Dokja is that you cannot pick him out of a crowd; he is the crowd. He's a reader. He's the reader. Why does he need to be handsome? Why must he be pretty? Why is him being attractive necessary or relevant? He doesn't, he doesn't, it's not. He is someone deeply deeply loved and irreplaceable to those around him, and someone who cannot even begin to recognize or accept that unless it's through a love letter masquerading as a story he can read. He is the crowd, a reader, the reader. He's you, he's me. He's every single one of us.
#orv#orv analysis#orv meta#orv spoilers#beso babbles#inbox#there's also the meta that he is described with these (stereotypically) pretty features as they are about to try and 'sell' him to a crowd#which feels to me like a very pointed way to convey how 'beauty' is commodified. how audiences like 'attractive' characters more#note: made some edits to add in a couple of sentences my brain forgot in the moment so make sure u reblogged those if u do#tag edits for further commentary that isnt strictly relevant to the point i was making:#do i think that this face censorship was executed as well as it could have been? nah.#not that it was like. done Badly. it's followed through to a certain point. its established enough for me to make this post at least.#but i do think it is the one thing in the web novel that SS didn't capitalize on.#like. they still stuck the landing but it was not as picture perfect of an execution as the rest of the metaphorical stuff in orv#also. this (not the face censorship specifically but the 'hes just some guy' point of it all) is one of the big reasons i think that-#-visual adaptions of orv can never quite work. they can do the best that they can with that medium but a lot of nuance is lost-#-simply by virtue of it being a visual medium#i personally think the only way a visual medium could work would be one where they commit to the power move of not showing kdj's face#(until a certain point (of view) that is)#his face is always facing away or out of frame or hidden by someone or something else in the way#commit to the fucking allegory or simply perish
348 notes · View notes
deoidesign · 4 months ago
Text
Guys you're not gonna believe this. The books are wrong again
At least this time I didn't even get half of them and half of what I did get was damaged...? So I only have another 70 books to deal with... This time they're soft touch......
Tumblr media Tumblr media Tumblr media Tumblr media
I've got so many of book 2 it's not even funny
53 notes · View notes
luci-z-wont-shut-up · 1 month ago
Text
I'd like yalls help w something, please
Regardless of its intelligence level, how many non-human creatures have Arthur and John had an emotionally positive experience with?bc I am wracking my brain and the only ones I can come up with are the lamp-eft, the buopoth, the cana, and the owl (I have yet to figure out if cana is a species or a job title but yall know who I'm talking about)
If anyone can fact-check/correct/update me on this I'd appreciate it so much 🙏
24 notes · View notes
dpraved · 2 months ago
Text
hey gamers sorry im always dead BUT in a fit of inspiration im working on making a game (????) hopefully ill finish it but whatever if i cant
Tumblr media Tumblr media Tumblr media
and naturally kuyas there too but i havent drawn his clothes yet (and really dont want to)
Tumblr media
here are the sketches. a little sad i cant use them bc im limited by pixels but you all can have it
26 notes · View notes
melon-official · 6 months ago
Text
Tumblr media
She wails as though a part of her has died.
oh man. i picked up the sidestory to @just-a-carrot's five-arc horror epic a couple days ago and i'm so glad i did. i'll probably be talking nonstop and/or drawing about it for days
there's a handful of whiteboard doodles with other characters under the cut, but rly i just wanted to pay a homage to the scene that hit me the hardest... enjoy
Tumblr media Tumblr media Tumblr media Tumblr media
39 notes · View notes
thelemonsnek · 9 months ago
Text
Tumblr media Tumblr media Tumblr media Tumblr media
visuals i made for a real actual paper i wrote for my sociology class that my professor will be reading
[image ids: the first image is a black and white drawing of Ingo and Emmet, from some time after Ingo disappeared. They both look neutrally forwards. Ingo is bedraggled per usual in Hisui, and Emmet looks tired. To either side of them are triangles emphasizing what shape their goatee is.
The second image is a photo of a salt and pepper shaker. The Submas Sideburns are drawn on top of them.
The third image is an edit of Shrek. He gestures at Donkey, saying, "submas fandom is like onions. submas fandom has layers, onions have layers... you get it? we both have layers."
The final image is an edit of the Marge potato meme. She holds Ingo and Emmet up, saying "I just think they're neat!" End id]
69 notes · View notes