#but for some reason it actually hit me just now

[livi-in-digital-circus]

10 Bunnydoll story ideas

(free to use because I have a writer block and a hard time at school)

– Jax is a celebrity that everyone loves, except Ragatha, who openly despises him. Secretly, she is actually his crazy obsessed fan who stalks him almost 24/7

– Years ago, Jax and Ragatha had an affair and since then their paths have diverged. Now they meet again and Jax quickly realizes that Ragatha is not the same sweet rag dolly she used to be, especially since she is now a single mother

– Caine organizes a quiz show about Ragatha for her birthday (imagine they celebrate birthdays) and Jax doesn't want to participate. In the end, it turns out that he knows the answer to every single question, at the same time revealing that they are in a relationship

– Jax and Ragatha have been a couple for quite some time. At some point, the rabbit starts to suspect that his girlfriend might be thinking about starting a family, which makes him a little uneasy. One day, everyone except him and Ragatha turns into babies, while Caine magically disappears and they automatically have to take care of their friends

– One day a child arrives at the Digital Circus. Confused and frightened, it gets "adopted" by Ragatha, who takes care of it and treats it as if it were her real child, which also makes Jax jealous. Later it turns out that this is in fact Ragatha's son/daughter that she had before she got trapped in the circus. After finding out, Jax has a hard time accepting it

– Similar to the previous one, there's a new addition to the circus. This time it's Jax's girlfriend from the real world. Slowly they rebuild their relationship, which Ragatha quickly notices and gets sad because she and Jax recently started to get closer. She tries to make friends with his girlfriend but fails as the girl hates people like Ragatha

– Everyone thinks that abstracting is like death. But when Ragatha abstracts, her subconscious comes back to her body in the real world and she wakes up in a hospital. For the first few weeks, she feels alone, although she is reunited with her relatives and former friends. One day she runs into a guy who seems very familiar for some reason. Later, it turns out that Jax also abstracted and got sent back to the real world

– Ragatha is a teacher's pet who is often bullied by the school's most famous troublemaker, Jax. When she meets some guy online, she befriends him and even develops a crush on him. Little does she know that it's actually Jax, who also has no idea that it's Ragatha he's been texting all along

– There is a Valentine's Day event and the circus members are sent on a special adventure where a mischievous cupid is hiding somewhere on the map. Jax tries his best to avoid him, as it turns out that cupid has the ability to make someone deeply in love with the first person they see after being hit by the arrow. Later, Jax notices Ragatha's strange behavior and suspects that she is the one affected, so he tries to ignore her as much as possible. But he also feels different and doesn't know why. In the end, it turns out that it wasn't Ragatha who got hit, but Jax

– A Halloween adventure where Jax and Ragatha are trapped in a haunted house. Unlike the rag doll, the rabbit isn't scared at all, since the monsters there are just some silly looking NPCs. However, the scariest thing happens when they are suddenly separated and the worst events of their lives as humans are presented to them. After they reunite and leave the haunted house, they feel a strong need to comfort each other (and beat the shit out of Caine when it comes to Jax)

Let me know if you like any of these ideas and feel free to use them! <3

[doitforbangchan]

Hey honey bun! I know you’re not taking requests right now but I just can’t get over Seungminnie in ABANB😩 I’ve read fics where he was “mean” but nothing has really giving me what he did in it😅

Could you, when you can give us a little short fic of him & baby? If not that’s fine.

ok ok, i have also been craving abanb minnie! thank you for reading nonnie 😘

ABANB drabble 03

‘ I will love you for all eternity, my beloved gem.’

‘And I, you my lord.’ The maiden breathed harshly as she professed her love to the knight. But alas she knew she could never be with her handsome knight for it was forbid-

Suddenly the book was yanked out of your hands, just as it was getting good too!

“What are you reading, puppy?” Seungmin laughed at your surprised face. You had been so engrossed in your book you didn’t even notice him enter the room. He looked at the cover and raised his brow, “ ‘A Knight to remember’, huh? What kind of sappy shit is this?” The beta began to flip through the pages.

“Minnniieee noooo I don’t have it bookmarked and I don’t know what page I’m on!” You whined, leaping out of your seat on recliner and attempting to grab your book from him.

He only laughed harder and held the book over your head. Seungmin tilted his head up to read some random exert off the pages while you still jumped up trying to reach it.

“ Ooohh I get it, this is a naughty book. ‘The knight crooked his thick, rough appendages inside the slicked cavern of the maiden until he touched her most delicate spot’, I didn’t know you were into this kinda thing puppy.” He snickered.

You gave him a pout, jutting your lip out and crossing your arms, trying to ignore the way your face heated up at his teasing (and at having been caught reading a smutty book).

“It’s just a story..” you mumbled, “doesn’t mean I’m into anything.”

“Don’t pretend with me, little omega. I know just how dirty you can get. Do I need to remind you what you let me do to you last night?” Minnie smirked at how you gulped as you remembered how sore you were this morning.

“No, I remember well enough.” You grabbed the book from out of his hands when he lowered it. “I still can’t walk straight.”

“You’re welcome.” The beta grinned, cackling when you hit him lightly with the book. “Bad dog, that’s not how you treat someone who has a present for you.”

“A present for me?” You asked cautiously.

He nodded, “yeah. What, did you think I came in here just to bother you for no reason?”

“Yes.” You deadpanned.

Seungmin put a hand on his heart in mock hurt, “You wound me baby. No but for real I have something for you.”

He held out a hand for you to take and you did, putting your smaller one in his. The beta led you up to his room and closed the door behind him.

“Ok, close your eyes.” You could hear the smirk on his voice but you did as he asked anyway. There was a slight rustling then you felt something wrap gently around your neck. “There you go, now you look like a real puppy.”

You opened your eyes and reached up to feel that he had placed a choker on your neck. Looking in the mirror it was a thick corded band that was dark pink and it had a little pendant hanging from the front. And it had the name ‘baby’ etched into it.

“you.. you actually got me a collar?”

He shrugged, now feeling slightly nervous that this was a bad idea. That was until you launched yourself at him, wrapping your arms around his neck and burying your face into his skin, inhaling his petrichor scent.

“Do you like it?”

You nodded, trying not to cry. It was a sweet gesture even if it was a little.. possessive. “I do. thank you Mongie!”

He groaned, “ughhh don’t call me that!” But the pink dusting his cheeks told you he secretly liked it.

You giggled and wiped away your tears, “I love it. thank you minnie. And i love you.” You placed a kiss on his lips, squealing when his teeth nipped at yours playfully.

“I love you too, baby. so much. Also you were on page 212. Just so you know. ”

You smiled with hearts in your eyes at him, making him want to look away in embarrassment. You looked back in the mirror and looked closer at the ‘collar’. It was cute, and no one would suspect the intention behind it unless you told them. At least that’s that you thought until you looked at the back side of the pendant.

“Seungmin.. Did you seriously put your name and number on the opposite side?!”

[steddieunderdogfics]

This week’s writer spotlight feature is:  dartlekey! @dartlekey has 11 fics in the Stranger Things Fandom and 9 of them are in the Steddie tag!.

Our anonymous nominator recommends the following works by @dartlekey:

If you were church (I'd get on my knees)

RUSH! (T4T REMIX)

At a medium pace

With great power

"I read the "with great power" series not long after I got into the Steddie fandom and was instantly like "I need to raid this author's other fics" and subscribed to them. No regrets for that choice!!" -- Anonymous

Below the cut, @dartlekey answered some questions about their writing process and some of their recommended work!

Why do you write Steddie?

For me, Steddie hits that sweet spot of strong characterization but woefully underexplored details, both for the individual characters but also their dynamic with each other in canon. That makes their relationship the ideal writer's sandbox - since they're both so fluid, you can explore the characters through each other, showcasing many different and even conflicting facets of each other while still retaining their original characters and behaviors. Either of them can be rich or poor, famous or an everyguy, Gay or Bisexual, Dom or Sub, Top or Bottom, Trans in any direction - the details are up to you! 

What’s your favorite trope to READ?

I love a good slowburn friends-to-lovers fic. It needs to be a specific kind for me though - I'm not much one for prolonged pining, but I love it when the friendship is explored in such depth that the next step feels like an inevitability. Watching that deep platonic affection turn not-so-platonic, that's the good shit. 

What’s your favorite trope to WRITE?

My specialty as a writer, I think, is crack treated seriously, or crack with a twist. Usually the first question that sparks one of my fics is “If X happened, would that be hilarious or what?” and then the second is “But if it was because of Y, would that be fucked up or what?” I think you can see it best in If you were church I'd get on my knees (what if Steve was a stripper at Eddie's stag party BUT it was actually a social commentary on queerness and sexuality in the face of religious oppression), but it's in At a medium pace too (what if Eddie couldn't move his arms because of injury so Steve “has” to jerk him off, but it's actually about how growing up queer can warp your perspective on healthy sexuality) , or even in Don't look back (What if Eddie had to dom Steve for plot reasons, but it's all body horror and trauma and spiraling codependency). 

What’s your favorite Steddie fic?

I don’t think I could name one all-time favorite, because what I enjoy most about fanfic is that different writers bring different character interpretations, storytelling styles and plot ideas to the table, which I find incomparable. I have enjoyed many of the well-known classics, of course (pukner I owe you my life--), but let me use this chance to give a shout-out to some less well-known masterpieces! My top three underrated fics are Three Days on the Red Planet by CaptainHoney/@grandmastattoo on tumblr (retro scifi, gritty but humorous hopepunk, every single fic of theirs is a certified banger but I love this one the most for some reason!!), Love dirty men alike by wrenowich (chef au, an ode to kitchen culture in all its griminess, I love a detailed backstory plus Steddie being wonderfully weird about each other), and That’s just wasteland, baby! by fastcardotmp3 (post-s4 apocalypse survival, sweet and aching and tired and yet hopeful, made me cry in the best way). 

Is there a trope you’re excited to explore in a future work but haven’t yet?

One that's pretty unique to the steddie fandom, or perhaps general stranger things fandom, is “if canon event x had happened differently/hadn't happened at all/had happened to a different person, how would the rest of canon change?” I still need to work out a lot of details in my head, so that's all I'll say for now, but it's something I'm very interested in exploring.

What is your writing process like?

Much to the horror of fic writers everywhere, I don't do first drafts, I just write out everything in detail, scene by scene in chronological order. I edit as I go, and consider the many-numbered, often unplanned writing breaks an important part of my process - when I let the written portion sit for a while and the unwritten ideas percolate in my brain for a bit, I often end up with new plot points or solutions for problems I've been having! And when that inspiration strikes, I can write anywhere - on the train, during lunch break at work, in the vegetable aisle of the grocery store… I have gdocs on my phone and I use it liberally; I'd say I write at least 80% of any given fic on my phone. 

Do you have any writing quirks?

Apart from the hot mess I just described, I'd say it's that I never use Beta readers. I'll occasionally ask friends to help with specific details if I need an expert on certain subject matter, but I've found I get very grumpy and fussy if someone pokes at my plot (even if or rather especially if they’re right lol), and I don't want to subject anyone to that. 

Do you prefer posting when you’ve finished writing or on a schedule?

For oneshots or series comprised of single-chapter fics I like posting as soon as I'm done, but for multi-chapter works I've recently found that starting to post only after I've finished most (if not all) chapters beforehand improves the quality of the story! Since I tend to integrate new ideas or shift around plot points a lot while writing, I often end up in completely different places than my original concept, so if an early chapter isn't posted yet I can retroactively edit it to add foreshadowing or tone-match the end of the work, remove loose threads and suchlike. Don't look back is a good example of how this has worked out for me; comparatively It don't bite (Yes it do) - which I wrote and posted chapter by chapter - is tonally all over the place. 

Which fic are you most proud of?

Naturally I love all my babies, but I consider Don't look back my magnum opus - both because it is the longest fic I've ever written (13 chapters and 90.000 words in total, that's practically a novel!) and because it's the most plot-rich, labor-intensive, and overall serious in tone. I even worked in subplots about the rest of the cast, so it almost reads like its own season. I wrote it for last year's Steddie Bigbang, which means there's also a gorgeous accompanying artwork by @the-chilly-kat. 

How did you get the idea for With great power?

At the time I'd seen a few marvel AUs floating past me on the tumblr timeline, usually with Steve as Spiderman and Eddie as the human component of Venom, and having just recently seen the Venom movie depicting the rich relationship between Eddie Brock and the symbiote, it surprised me that most left the symbiote as its own character, and not substituted one of the ST main cast. The symbiotic relationship of Stobin immediately came to mind, though I also still loved the idea of Steve as Spidey - then I remembered that in the Toby McGuire movies, the two are not mutually exclusive, and it all spiraled from there. Eddie as Deadpool just made sense - immortal wild-card with a dubious moral code but a heart of gold? Obviously! Plus Spideypool is, of course, a classic ship. 

When writing With great power, what was something you didn’t expect?

I actually got several curious comments about the sex toy Steve uses in Because the night - a grindable or grinder, which is a flat-ish silicone structure, usually ribbed in an interesting way, that one can grind against to get off (as the name suggests). I thought it was pretty common, but apparently it's not very well known!

What inspired  RUSH! (T4T REMIX)?

Oh, it's my time to gush! Because the idea for the first work actually came about from a late night conversation I had with the beautiful, amazing, wonderful @maikaartwork, back when we were, how should I say, in the courting stage? Seeing as we met through the Steddie fandom, I decided to write Baby Said basically to seduce them - and I am happy to say it worked, as we've been dating for over eight months now and are planning to move in together next year! Both works from RUSH! - T4T REMIX (and the secret new WIP, shh) are thus somewhat inspired by our conversations and our t4t relationship, but also by the many interesting and different trans people I've met over the years, and trans solidarity and relationships in general.

What was your favorite part to write from At a medium pace?

The small-talk in between position changes - no, really! I love a mindless marathon-fuck story as much as the next person, but there's something very sweet and intimate about those little breaks in sex, the pass the lube, move your leg a bit, what's for dinner later of it all. That's where you see that emotional connection - there's no admission of crushes or big love confessions in this fic because it's right there in the details.

How do/did you feel writing RUSH! (T4T REMIX)?

Honestly, it's just really really fun and self-indulgent. The Steddie dynamic in it is so bitchy, all the bickering makes me laugh even as I'm writing it. It's also just really fun to write about the trans experience in a way that is curious and loving, and reflects all the very different and yet similar ways people experience living in a body that defies expectation. I've loved all my fellow trans people sounding off in the comments about their own transition experiences, it's wonderful to have such a fantastic community!

What was the most difficult part of writing If you were church (I'd get on my knees)?

Curiously enough, not the many religious trauma bits! Much like Eddie in the fic, I'm only church-freak adjacent - I grew up in a non-religious household but with extended family that were extremely catholic, so the odd juxtaposition of being occasionally close to but definitely not involved in what is pretty much cult behavior inspired much of this fic. The most functionally difficult part to write was actually the wedding - as an aro-spec & trans relationship anarchist, church weddings have never been relevant to me, so I had very little idea what actually goes into one! Very little of the research I conducted on the topic actually made it into the fic, but hey, the more you know. 

Do you have a favorite scene and/or line from any of your fics?

People keep asking me that, and I never know what to answer! If I had to pick one, though, maybe the last few paragraphs of Don't look back - where you can see the tragedy coming, but there's no way of stopping it, because it was always going to end this way. And then Eddie's last words before the end of the fic call back to the title as well as the general theme of the fic - it just all comes together for such a crescendo of an ending. 

Do you have any upcoming projects or fics you’d like to share/promote?

Yes, actually! Coming soon in the SteddieBang'24, me and my lovely artist @hawkinsleather have been working hard on a 20k post-s4 fic called A glimpse of your canvas, which is about closeted transfemme!Eddie, women's solidarity, and Steve's very confusing no-good trip to the gay bar. Both With great power and RUSH! (T4T REMIX) have another WIP pending which I'll eventually finish (I promise, I'm just easily distracted!!), and for those who are still mad about Don't look back’s open ending, I'm almost done with the sequel, which features a lot of bad decisions by all characters involved, the healing power of community, and a bit of accidental child acquisition. 

Outside of these questions, Is there anything YOU would like to add?

Given the chance of this platform, I would like to notify my readers that I'm a terrible procrastinator when it comes to replying to comments, but I read and cherish every one of them - and repeat commenters, I see you, I love you, I am chewing on your arm like a dog with a bone!! I would also like to thank the steddie fandom in general for giving me the hottest partner known to man or God, and for the many friendships I've been so fortunate to build here. Talk about transformative works, am I right? <3 

Thank you to our author, @dartlekey, and our anonymous nominator! See more of dartlekey's works featured on our page throughout the day!

Writer’s Spotlight is every Wednesday! Want to nominate an author? You can nominate them here!

[frogwithgun]

Omg what is happening guys?

Y'all loved part one so much lol

So screw it part two here!

Anyways enjoyyyyy

------------------------

"Dad come on! You've been sitting here forever." Nanako said, attempting to push Geto off the couch. Why was he on the couch anyways?

Great question.

See, Geto had the rare opportunity to meet the CEO of Six Eyes Inc.. Where he failed to recognize that unmistakable face and charm. And then got asked for his number. Which would have been a dream come true for the man.

The girls know from all those hours he'd spend watching interviews about Gojo Satoru that he had a celebrity crush of some sorts. So he should have been elated to give out his number! And he would have as well.

If he hadn't told him that he doesn't give out his number while working. "No. Let me die here." Mimiko came along and together the twins were able to push him off the couch and onto the floor. Still he didn't move.

"Dad come on! You need to go to work." Now they both tried to get him to sit up. And it wasn't easy to move him. So they just gave up. Making Geto hit his head on the hardwood floor. "Ow! Alright fine." He grumbled.

And that is how he found himself standing in front of that corner store wondering if he took a wrong turn. The store had been redesigned entirely. It looked expensive now. Jesus did they all want modern looks?

He brushed it off and walked inside. Stepping behind the register and into the break room. At least that was the same. The air conditioner still screamed in protest. The lights still flickered slightly. And the furniture was still broken.

Geto set his things down on the table carefully. He knew that slamming them down would make the table collapse. Whether that was from experience or not he wouldn't say.

He turned around and jumped. "JESUS CHRIST!" He cried and put a hand over his heart. The man who had snuck up on him looked far to formal to be there.

His hair was a almost perfect blonde. And he wore glasses that suited him well. His eyes were a shade of hazel that looked beautiful. And he wore a suit for some reason. The strangest part was that he had a gray suit, with a blue undershirt, and a yellow speckled tie.

Just what was going on? The man didn't smile. Nor did he laugh. He simple sighed. "Not Jesus. Nanami Kento." Geto nodded. Still slightly jumpy. Now he really was suspicious. "Uh hi? I'm Geto-" "Yes I know your name." Rude much? Geto thought to himself.

Nanami seemed to know what he was thinking. And chose to ignore it. "I am your new manager. Your place of work has been bought by Six Eyes Inc. and I have been chosen to oversee it. You report to me." This had to be some dream.

Or maybe it was a joke? Yeah that was probably it. Geto laughed and shook his head. "Alright, you got me. Hilarious." Geto started to gather his hair into a half bun. "Come on man, let's get to work." Nanami raised an eyebrow.

Then Geto stopped and mimicked him. "Stop that at once. You think I would joke about this?" Geto looked around the break room. Making a vague gesture around. "I mean, yeah." Nanami looked at the break room in disgust.

Then Nanami sighed. "You are not what I was expecting." He muttered. Geto nodded. The gauges in his ears were probably strike one. And the fact that he had lip piercings, an eyebrow piercing, and a septum piercing.

Of course that combined with the fact that he had a couple tattoos was probably what Nanami was talking about. "Are you in a gang or something?" Geto laughed and shook his head. "No. Just have a lot of tattoos." Nanami sighed.

This was going to be a headache.

---------------------

Yeah this is definitely a headache.

It had only been an hour into his shift and he's already had three customers complain about the quality of certain products. "Ma'am I just work here. I don't make the products." Despite that, none of them listened.

The only thing going for him was the fact that Nanami actually defended him. Unlike his previous manager. That was something going for him at least.

And Nanami happened to be rather observant as well. He could tell when a customer was about to blow up or when they were about to try and trick Geto. Which he did not stand for at all.

Nanami is terrifying.

---------------------------

"So Six Eyes inc., what's that like?" Geto was trying to make small talk with Nanami. And found it very difficult. "The CEO is a manchild and impulsive. He acts like he's 12 when he's 28. It's like he never grew up." Nanami said exasperated.

Geto nodded. I just wanted to know what it was like, not your whole life story. But ok I guess. "Oh that sounds bad." Nanami nodded. "It is. He's so immature and reckless. Honestly the only reason the company hasn't collapsed yet is because of me." I doubt it.

Geto felt like Nanami might hate Gojo. Just a little bit. "So why do you work there?" Nanami looked at him. Face blank. "Money." Well, at least he's straight forward? Nanami gave a slight huff and leaned his head back.

Still terrifying.

-----------------------

Ijichi jumps as the doors to the office slam open. A disheveled Gojo holding them open with a gleam in his eyes. "Ijichi!~" The man in question gulps. That sing song tone of voice is never a good sign. Not even when it's said in such a cheerful way.

Gojo strides into the room with a slight bounce in his step. "The store is mine now! So that means," he drums his fingers on the desk as he plops down into his plush leather chair, "he's my employee!"

Again, poor Ijichi cannot tell where this conversation is going. "Yes?" Gojo laughs and springs out of his chair. Striding over to Ijichi and tossing his arms around him. "Yes! That means I have an excuse to talk to him!" Because just talking to him like a normal person would be so hard. Ijich thinks to himself.

But he says nothing. To afraid of the white haired man to say anything other then "Yes sir." Which Gojo takes happily. "Now I just have to figure out how to get him in here." Ijichi looks at the still open doors.

So close, yet so far. "Ijichi! Don't run now! We were just getting started!~"Oh God he's trapped.

---------------

Three grueling hours later and Gojo has concocted a 'master plan'. And Ijichi is still staring longly at the now closed doors.

Gojo happily sits at his desk. Eating a lollipop. As he often does. In many interviews he has admitted to freely having a sweet tooth. He's more famous for it because of the amount of candy he eats in interviews.

Seriously it is a major problem. "Alrighty then! All I have to do is call him into my office and bada bing bada boom, we start dating." Of all plans Ijichi has ever heard, that one is probably the worst.

Scratch that, definitely the worst. "Sir do you even know anything about him?" Gojo puts a hand over his heart. "I am wounded! Of course I know about him! He's 6'3, has two daughters, works at the corner store I bought, and is the one."

"How do you know he has two daughters?" Gojo smiles. "He has hair on his work uniform. I imagine they like to hug him a lot. And the hair colors just didn't match his." Now Ijichi is just disturbed. "How long have you spent looking at him?"

Gojo waves his hand and turns away from Ijichi. "Oh just two or three years." He mumbles. And Ijichi just decides he'd rather ignore it then say something. "Sir you need to talk to him." Gojo rolls his eyes. "My good looks will talk for me."

--------------------

His good looks did not in fact talk for him.

He called Nanami and told him to bring Geto to his office. And now they are just staring at each other. Not saying a single word. And it's starting to look like Gojo might actually have to try.

"¥2,000 says Gojo fails and fucks it up." Nanami whispers to Ijichi. Who shakes his head. He's sure Gojo won't fuck it up. After all he's Gojo-

"You stupid prick! How could you?!" And he spoke to soon. Nanami holds his hand out to Ijichi who reluctantly hands over the money. "No I just meant that I could never because they're a waste of time!"

Oh Gojo is really fucking it up.

-----------------------

And here is part two! I'm sorry if this isn't written very well lol. English is very hard and I'm not the best with it. But I do hope you enjoy this shitty part two.

Lots of love tadpoles 💚💚💚

[wedriftlikelonelyplanets]

I love your landoscar so much. Your characterisation of the boys really does just hit the spot. I don’t know if you’re taking prompts but if you are and want to:

Landoscar — aftercare

I just know it would read like a dream <33

FIRST OFF, ANON, I am ALWAYS taking prompts. It just might take me time to get to them sometimes bc I work a job that can be INCREDIBLY exhausting. BUT HONESTLY love a good prompt about aftercare. This might not QUITE be what you expected, it's more discussions of aftercare than ACTUAL aftercare but y'know. There will be more when I finish the fic I'm working on...which I ACTUALLY GET TO USE THIS FOR BECAUSE Y'KNOW I'm just like that.

Once again, MORE WORDS THAN EXPECTED PROBABLY

Landoscar and discussions of aftercare/sub-drop under the cut

“So…what do you need? Like…for aftercare?” The question is halfway tentative, like Lando second-guesses himself before asking it, and Oscar wonders if he’s just not sure how to bring it up, Oscar’s sub-drop from the other day, how to prevent it. And really, at the crux of it, Oscar’s not really sure. He’s never had partners that he’s gotten to explore this part of himself with. His small pool of ex-girlfriends haven’t been interested in the version of him that Lando gets, the version of him that’s stripped bare and revealed. They’ve never taken control away like Lando likes to do, haven’t peeled him away to his barest parts. 

Oscar focuses on the pull of Lando’s fingers through his hair, the place where Lando’s finger brushes along the inside of his wrist, breathes in deep and lets his eyes shutter closed. He doesn’t know what he needs, aside from to feel grounded, to feel valued, to have Lando wrapped around him so he forgets where Lando’s body ends and his body begins. He hasn’t thought about all the ways that he wants someone else to care for him, after he’s been pulled apart and stitched back together. 

“I dunno,” Oscar murmurs the words, easier for him to say now that he can’t see Lando gazing down at him. “Never really thought about it,” he shrugs, and Lando’s fingers tighten in his hair minutely, before softening again, and he makes a noise in the back of his throat, vaguely disapproving. 

Oscar can’t help but feel like he’s failed some sort of test, and he opens one eye to meet Lando’s gaze again, raises a brow and Lando just shakes his head. “Look, I’ve never done this before. Your guess is as good as mine,” it’s unintentionally defensive, hackles raised for no reason. It’s just Lando, it’s just them. “Osc,” Lando’s voice is soft, soft, soft, and Oscar just turns his face to nuzzle into Lando’s thigh. “What,” Oscar’s tone is still a little prickly, feels out of his depth, doesn’t know how to talk about it. 

He’s never been good at this, at talking about things. 

“Osc, can you look at me?” Lando asks, and the gentleness in his tone hasn’t changed, but there’s a hint of a command there, enough to make Oscar squirm a little bit, enough to make his cheeks heat up. He can’t truly stop himself from listening, because when Lando asks him like this, he’s drawn to obey. Tilts his head back up to meet Lando’s gaze, wishes that he could shrink away from the intensity he feels directed at him. Twists his wrist to break it free from the shackle of Lando’s fingers, before he grabs Lando’s hand in his own, twines their fingers together, to stop himself from doing something stupid, like picking at the skin of his fingers until they bleed. “I just don’t want something to happen, like the other day,” Lando finally verbalizes the words that they’ve both been thinking, the thing that they’ve both left unsaid. “Clearly, you need something that I wasn’t able to provide you with, last time,” 

And really, there’s a part of Oscar that it’s pretty sure what they’re lacking right now is communication. There’s still this nasty unsteadiness, trying to define what they are through the layers of whatever they’re building between themselves, whatever the nature of their relationship is. He knows there’s more to it than that, but he’s never been good at feeling like he’s off-balance, has never been good at being one step behind. 

“Lando,” he doesn’t mean for his voice to come out hoarse, has to swallow hard before he starts again, “That’s not because you didn’t do enough. It’s just…” he trails off, because he doesn’t know what else to say. 

“It’s because we haven’t talked about it,” Lando says, earnestly. “That’s on me, I know. But that can’t be the only reason,”

[sunshinechay]

Not me realizing that the bl trope of pretending that prep doesn’t exist would be completely valid for a AlanJeff nc scene because Jeff is an omega

[dw-flagler]

In this post, I will attempt to calmly, reasonably, and in-a-good-faith-manner argue all the points raised by tumblr user @library-bat-girl in the following posts. I am starting a new thread so as not to further destroy the original poster, @skitterenjoyer's, tumblr notifications. Worm (+MHA) spoilers ahead. This will be a long post.

Firstly, I would like to apologize on the worm fandom's behalf. We will not engage in ableism of any kind. I sincerely hope that this was a singular incident and @skittersdrippygirlcock will be better about this in the future.

"MHA has better characters,"

My Hero Academia's primary achievement, I think, is managing to make many decently well rounded characters in a fairly short time-span. It certainly has very good visual character design, with easily memorable character designs, like Mina Ashido or Tsuyu Asui. Most of Class 1A is shown to be more than single-note gimmick characters. For a story with such a tight schedule, and only so much page real-estate, that's impressive! For instance, a character decidedly outside of the main cast, Fumikage Tokoyami, is shown to have more to his personality than "is an edgelord," showing a humility and friendliness that is highly against-type. This is very different than a lot of its peers, especially in Shonen manga, where side characters (and sometimes even main characters) are never more than their tropes (see Fairy Tale, One Punch Man*, The Seven Deadly Sins, or Black Clover). My Hero Academia does clear that bar, by making side characters little more than their tropes. This is to say nothing of the primary cast, who, again, is largely defined by tropes and easily slotted into standardized interchangeable Shonen roles. Rival, Love Interest, Rival but Nice About It. Additionally, MHA has an uncomfortably sexualized main cast, for one composed primarily of minors.

This is compared to Worm, in which many characters are fully realized and could have been the protagonist (and often were in older drafts of the story, due to Worm's 10-year development hell). Every character that gets an interlude, and most that don't, all have fully realized interiority, traumas, and wants. In fact, this is one of the major themes of Worm. Every character, from the protagonist Taylor, to characters so minor they're seen only once (see Damsel of Distress, Dauntless), to major antagonists and monsters (see Jack Slash, Bonesaw) all have their own story, even if this is never shown on-screen. There are no "side characters" in the same manner as in My Hero Academia, because every character is a protagonist of their own story, and not in a trite "life is so beautiful" way.

Taylor isn't the center of the universe, there's an entire world outside of her 3-block bubble. The mechanism by which all characters get their superpowers means that the mere fact of having powers implies this about them. Even the seeming exceptions, aren't (see Alexandria, Garotte). Taylor is a good character. I don't even know how to elaborate on that. She just is. Worm does not have the character Minoru Mineta.

"a better plot,"

What... what is the plot of My Hero Academia? For the life of me, I can't seem to recall. I can tell you the general formula of most of the arcs for the first ~2/3rds of the story. Class 1A goes to do a hero high school thing, like do rescue training, or on-the-job training, or on-the-job-training, or on-the-job-training (they do it like 4 times for some reason), the League Of Villains shows up (even when it's seemingly not the league of villains it actually is the league of villains) they fight about it, the class beats all the villains, and Deku beats up strongest bad guy and also breaks his bones. Repeat step 1. But like. What's... the plot? The League of Villains is evil and wants to kill people and do bad stuff. They explicitly do not have greater motivations. There's generally themes of passing-on-to-the-new-generation, so there's Tomura Shigaraki as the arch nemesis to Izuku Midoriya, just as All Might's Nemesis is All For One. Eventually they fight a big fight about it and I stop reading because I find out about Worm. From what I understand (I have not read the conclusion) the series ends without addressing any long-running questions, wrapping up any character arcs, or concluding anything in a narratively satisfying manner. As if severely rushed.

Worm, there are maybe 15 main stories going on simultaneously, which are all tied into the final confrontation with Scion. The most obvious is Taylor's and the Undersiders' story, about taking over Brockton Bay and defeating Coil, which is a smaller part of Coil's story about taking over the bay, until their confrontation with him in arc 17, when it supersedes Coil's story, and then intersects with Cauldron's story, the Traveler's story, the Case 53s' stories, the Wards' story, all of it, in arcs 18-19. This is one example. A great deal of attention is spent making sure the reader knows that Taylor, the Undersiders, Coil, all of them, are bit players in a very large game. Despite this, it's never hard to follow, because Wildbow, while lacking some of the more flowery prose, manages extremely well at making his stories easy to understand.

"I feel like even people who like Worm can agree that Worm is not the most consistent piece of fiction ever written. The disjointed way it was written meant that emphasis was primarily put on 'What Wildbow thought was cool in the moment', [sic] and the story RADICALLY shifts gears every time a new arc starts."

What? Huh? Worm is extremely consistent. Like. 1.1 to E.x. It's, like. Not disjointed? Oh my god, are you talking about interludes? Is that what you mean? The interludes shift gears? Because that makes sense. It's one of the hardest things about worm, yeah. It's gripping! The interludes are a great idea to expand the world of worm, but the problem is that taylor's story is so intriguing that stepping away from it to focus on something else is hard, no matter how individually interesting. I want to read about taylor's escalation spiral, not the travelers! (As opposed to My Hero Academia having random escalation and de-escalation between arcs with no real explanation. We're reading about lives-on-the-line battles with child-slavers and then move to playing on a playground with little kids? Best I can think of is that this whiplash is intentional, but this is never communicated to the reader. Worm does not do this. Any de-escalation is met with the explicit understanding that this is merely a period of calm before things get even worse). Taylor's story wraps up in an extremely narratively satisfying fashion, following her story to its logical conclusion. There were so many ways it could have been avoided, but there was really only one way that it could have ended.

"better worldbuilding,"

This actually offends me. MHA could have had great world-building. It doesn't. Every potentially interesting bit of world-building is backpedaled out of or stopped before it could get anywhere. Or it's just never elaborated or expanded upon. Everyone having a superpower could have been cool, but the implications of this are nonexistent. The reasons for this having no real implications, that being the banning of quirks, also has implications that are also immediately backpedaled out of. It's been hundreds of years since our time, yet life is exactly the same. Nothing ever happens. Endeavor is a cool concept. I like Endeavor. his existence implies such interesting things about the world, how important hero ranking is to these people's lives, that he would create this horrific system of domestic abuse to try and get to the #1 spot. What does this say about this system of heroes that operates like a popularity contest? It could have said a lot. It says nothing. What does the League of Villains, a league of people who call themselves out-and-out villains, who base their ideology in opposing this system of heroes, say about society? Nothing. On purpose. Worm does something with this. One Punch Man does something with this. My Hero Academia puts it in the story, and lets it sit, unused, for a decade.

Worm has... unique world-building. Because it's both good and bad at the same time. Worm's #1 feature is its world. It's brilliant, full stop. Triggers, The Birdcage, the PRT, Exclusion Zones! Why does the status quo exist? what does it say about that society? What does it say about our society? Why hasn't society radically changed from how it is in our world? This is explained. This plays into the themes. The story wants to say something about this world, and so it does. There are characters whose stories explicitly delve into these themes that are set up in the worldbuilding, like Armsmaster, or Battery, or Bonesaw, or Coil, or Piggot or Alexandria or Taylor herself or Brian or Lisa or ANY OF THEM THEY ALL DO THIS. Sorry.

Anyway, the bad part is that the actual world is not well built (and is kind of racist). What's going on in Europe? There's a 3 blasphemies! a 3 what? never explained. What's going on in Asia, aside from Japan? China is a monarchy for some reason. Why? It's never elaborated on. India gets a little bit of elaboration, we're told its different but not how it's different. Wildbow uses machine translation wrong and names some guy caliph of dogs. This is like worm's #2 problem honestly (#1 is Amy). Wildbow tries to make the implication of a well thought out globe without actually making a well thought out globe.

"stronger themes,"

It really doesn't. As I said in the worldbuilding section, MHA makes a point out of not saying or doing anything. I don't know if editors made Horikoshi walk back the more ambitious story beats or what, but there are multiple points in the story where the author pretty much looks you directly in the eye and goes "This Story Isn't Saying Anything At All Even Though It Looked Like It Would. Lmao."

Worm has lots of themes. I think Armsmaster/Defiant's story is my favorite. His entire character arc (which is fully realized despite him being a background character for nearly the entire story) has a point to it. It says something. It's misanthropic and uplifting simultaneously, and manages to feel like it earns both. It's a shared theme with Bonesaw/Riley's story, explored in two different ways.

"Meanwhile MHA establishes an actual overall theme/message right from the start that expands and develops throughout the story. The worldbuilding is informed by the message, which informs the characters arcs and the people they become by the end of the story."

I notice that you never actually say what that message is. What is it? Like, for real. I'm not being confrontational or anything, like what is the message? Cuz' I can't think of one. My Hero Academia, at its very core, is a defense of the status quo. Much like its world-building, but much less forgivable, because it does do something new and unique with its world-building. MHA could have done some extremely interesting stuff with its early implicit critique of heroic society as shown with characters like Bakugo, or Shigaraki, or Endeavor, or Overhaul, or Midoriya himself! It just doesn't! It doesn't do stuff that Worm does do!

Worm does have a message. It has a lot of messages, actually, some that the author disagrees with somehow. Prison abolition, for one. We know Wildbow loves prison. Anyway, the big one is in the subtitle: doing the wrong things for the right reasons. Taylor's constant spiral of escalation, her dwindling attachments to her friends and greater focus on treating herself like a soldier is prevalent, and it is to be avoided. Taylor isn't a sin-eater. They don't exist. From what I remember, this is sort of explored in Deku's character arc for a short period of time, but much like everything else in MHA, it is backpedaled out of.

The funniest is "don't text and drive" though.

"Just on a basic level the way that the audience is meant to feel about Taylor oscillates wildly between being directed to think of her as a misunderstood victim of circumstance, or history's greatest monster."

That's kind of the point. Like. the audience isn't meant to look at Taylor the same way throughout the entire story. It's meant to change as she changes. Taylor's opinion of Taylor changes. The mistake here is saying it "oscillates wildly." it doesn't. It's a slow and steady change for the worse, as Taylor gets more violent and starts throwing away greater and greater parts of herself to become more like a robot and less like a person.

"But a bigger issue in general is tone. It's very focused on being dark and gritty and edgy, and it makes the mistake a lot of consciously edgy media does. IE: it thinks that all it has to do to be smart is be bleak and/or graphic. It doesn't really try to say anything, in fact it contradicts itself throughout the book as I mentioned before, it just throws in extremely graphic scenes and content periodically to remind the audience how fucked everything is."

Did you read the boys and think it was worm? What? It's not being smart when it's bleak or graphic? I actually personally like the endbringers or the slaughterhouse 9, and not because I like watching people suffer. These things exist for a reason. It's not being dark for the sake of being dark. The heroes could stop the slaughterhouse 9. We see that, when they almost stop the slaughterhouse 9 (it's explicitly shown that they are stopped from destroying the slaughterhouse 9). The question then becomes why don't they? It's a grim, brutal calculus, and one that wasn't worth it. That's the point. The Endbringers are different. It's not until arc 27 that they're really explained. You could either read them as a criticism of Eidolon or of ableism, honestly. I mean, it wasn't intentional, he didn't create them on purpose, he needed something to fight, because without that he's nothing. His powers are all he has.

"Worm spends so much time trying to be edgy that as with a lot of edgy media the edginess loses all impact quite quickly and becomes sort of cringe."

I don't really think so, but like. Okay. I don't think this is a reconcilable viewpoint (none of this is really but this especially), so like we're probably gonna have to agree to disagree. The only thing I can really think of as edgy for the sake of edginess is Amy's arc. But even that's not really true. It's meant to be an utterly avoidable tragedy that could never have been stopped because of the people involved. Much like Taylor, actually. Amy could have stepped back from the brink, but she didn't, because Amy could never have done that, and nobody else was willing/able to help. It's supposed to be a thing where you sit back and think of all the tiny ways this could have easily been avoided, but wasn't.

"When body horror happens it still has impact because it's not happening constantly."

I mean, I guess. But like. I never got desensitized to the body horror in Worm. It hit pretty consistently for me throughout. As opposed to MHA, where it was usually walked back by the end of every arc. I never felt much tension or suspense because it felt as if there weren't actual consequences. In Worm, when Brian was strung up on his nerves, it felt disgusting because I was fully aware Worm would explore the ripple effects of this. It felt entirely possible he would die there, or never recover, because Worm didn't pull its punches. MHA did. This is a matter of opinion. We'll just have to agree to disagree about it.

"But most importantly - you root for the heroes because the world actually seems like it's worth saving."

that's just, um. sorry. I'm really trying here. That's just. Uh. Dumb. Do you root for Batman cause Gotham is a nice city? Everything's worth saving, that's, like, at its most basic what the concept of a superhero is about.

"Not only that but MHA simply does villain protagonists objectively better than Worm."

um. No? There straight up aren't villain protagonists in MHA. The villains are the POV characters for, like, one arc? You know what, here's a good spot for it. It's stated throughout the story that Shigaraki and the League of Villains have a goal, beyond just death and destruction. They're here to stop the corrupt society of heroes (that MHA hints at the existence of before backpedaling away from), and bring about a fairer society. But then, and this part pissed me off, one of the characters, I think Bakugo, says: "you're just using that as cover! you just want to kill people, you have no noble goal!" and shigaraki's like "dang you caught me." and then it happens again with Deku! Because My Hero Academia is allergic to saying something. Nope! They're villains! No moral depth here! They're Villains, We're Heroes, Go Put Them In Jail.

This is opposed to Worm, where- "The characters of the villains and their origins are used to highlight the flaws in the Superhuman society"

"Most of the villains are only villains because society failed them in some way, and the specific ways in which that happened become big plot points that then play into the future arc of our heroic characters."

I had to walk away from my computer for this one. It's hard to be civil. It's really hard. Polite and reasonable.

So Worm is about this. To even say this without a shred of irony makes me thing you've never once read a single word of Worm and are doing this purely as bait. Or you've read all of Worm and are doing this purely as bait.

"They're actually extremely complex in a way that ends up being fundamentally important to the overall story - where in Worm the villains are either based heroes fighting a corrupt system or they're histories [sic] greatest monsters... until they're presented as heroes again."

I think I get it now. I really think I do. You're not supposed to agree with all the characters. Like. Worm is inconsistent, in that it follows the perspectives of inconsistent people. Of course Triumph and Armsmaster don't agree on what is right! They're different people, they have different perspectives!

"See. Worm fans keep saying "This is Bait." It's not Bait, you all are simply ridiculous and obsessed with this series to such a degree that you feel compelled to say "This is Bait" instead of just... ignoring it, because you have no actual counterargument."

Perhaps worm fans are inclined to believe you posted rage bait because you brazenly walked into another fandom's post and wholeheartedly proclaimed that the thing they liked was Stupid Idiot Bullshit For Fucking Morons, and refused to elaborate until prompted, at which point you said several things that are demonstrably false about Worm.

"Your only response to anything I've said is pedantry, bigotry, and deflection. If it was obviously just bait why are you engaging?"

Well, I'm engaging because I've been in a foul mood since I woke up this morning. Also because you, again, said some very rude and patently false statements about a story that I really enjoy and find narratively rich, even in its faults.

"MHA's characters do fall into archetypal shounen character roles - but they are all given a solid amount of focus explaining why they are like that and developing them into something bigger."

Again, as I said, it's a genuinely impressive feat to have an ensemble cast like what My Hero Academia has, and give so many of the characters a degree of depth, with such little manga to work with. I think worm does it better, but worm doesn't have to be economical about it. MHA does. The problem I have with this statement is that it becomes a question of scale. How much bigger? They're no longer defined by their tropes, instead defined by their opposition to their tropes. It's still a one-note character, you've merely changed the note from C to C sharp.

"so almost every member of the cast has an arc that either develops them past the person they initially seemed to be or explains why they're like that."

This is probably my favorite part about MHA. They do have arcs! I love ensemble casts! it does a much better job in this than all of its contemporaries, even One Piece. However, they are comparatively simplistic arcs that all follow a similar formula.

"I've heard people say MHA is neocon or pro-establishment but the story literally concludes by showing that society HAS TO FUNDAMENTALLY CHANGE or the same problems that created the villains in the first place will keep happening. The entire time skip specifically focuses on the fact that for eight years the main characters have been forcing change in the world and addressing the issues the villains brought up."

Now, I'm going to be clear. I stopped reading My Hero Academia around chapter 275. I don't know the exact number, but it was the latest chapter in ~mid 2020. I would occasionally attempt to reread, in an attempt to catch up, but give up around chapter 200 out of boredom. I don't know exactly how the story ends, but I have read ~2/3rds of the story. I feel this gives me a pretty good understanding of the general tone of the story, unless it wildly changes tone at the 3/4ths mark, which you have explicitly said it does not, as it is extremely coherent and consistent. Therefore, I believe I can state with some degree of confidence that MHA does not do that.

I would certainly believe that it tries (and fails) to SFP it, but SFP does not promote a fundamental societal change. That's the problem. Strong Female Protagonist was willing to come up and say that Alison lived in a fundamentally unjust world, even if it was never willing or able to offer real change. And hey. You do what you can. I sincerely doubt My Hero Academia is even willing to call its world fundamentally unjust, from the 200+ chapters that I did read.

"In the case of the actual main characters, they have extremely comprehensive character arcs."

Adding this behind the last point just so that I don't have to reiterate I haven't finished the book. I am, however, very much not inclined to believe the actual main characters had extremely comprehensive character arcs.

Which plays back into the initial theory that ANYONE CAN BE A HERO.

man, spider-man did that better (not a real argument, but like, spider-man totally did that better). Not least because midoriya specifically could not become a hero were it not for all might giving him a power.

No, the Villains don't get happy endings,

Why not? Why do they go to jail, even the ones who changed and wanted to redeem themselves? Endeavor never goes to jail. He did some horrible stuff. He's redeemed himself in the eyes of the story, right? Anyone can be a hero, right? So why not them? Why haven't they redeemed themselves in the eyes of the story?

You may wish to turn this back on me and ask why doesn't Armsmaster go to prison? Because he's similar in some respects. But worm never calls prison justice. (for some reason, even though wildbow totally loves prison). Prison is punitive, a tool for those in charge to control those it manages to capture. Maybe some deserve life in the birdcage. Many don't. It doesn't matter. Because the birdcage isn't a tool of justice. It's not meant to be. it's a box to put the uncontrollable capes in, until they can be used as meat shields. So Armsmaster doesn't go to prison because the story says explicitly there is no point to it. But MHA? MHA says there is a point to it. Endeavor needs to go to prison if he wants to atone. He's escaping justice every second he's outside.

I have actually read Worm, and for the first half to two thirds I loved it.

Weird. That's exactly how long I really enjoyed MHA. Not, like relevant, to anything. Just odd. I mean, I don't actually dislike MHA. I think it's fine, actually. It feels like Indiana Jones and the Last Crusade to me. Funny (when Mineta isn't around), bombastic, and a good time, even if I don't think it's super thematically rich.

I'm not coming at this from the perspective of someone who has never seen any of the merits of Worm, I'm coming at it from the perspective of someone who really liked it, gave it a fair shot, and was eventually disappointed when it ended up not tying together right.

See, this makes me more inclined to think it's bait, actually. since you said "Oh yeah. MHA is published. MHA's been an ongoing publication with a large following for ten years, in a notoriously competitive industry. Now this might seem kind of unimpressive, it's a very low bar to clear I know. But it's one Worm hasn't, so. I dunno, I'd say that's fairly objective. Now you may think "Yeah, but Trash fiction gets published all the time." And that's true but again - Worm hasn't. The worst piece of fiction you can think of got published and Worm didn't. You wanna be an asshole about this? The thing you love is so mid that it was self published in 2013, couldn't get picked up for professional publishing until 2019 and as far as I can see has stayed in development hell since then." in your previous post. Sure, perhaps we can say you were pissed at the time, but "the thing you love is worse than trash fiction, an altogether nothing piece of literature that isn't even worth the paper it would hypothetically be printed on" does not strike me as the words of someone who "really liked it, gave it a fair shot, and was eventually disappointed when it ended up not tying together right." In fact, going back through your other statements on the story, you seem to have genuinely disliked it from the very beginning, on grounds of being too edgy (which I can fully understand the logic of): "IE: it thinks that all it has to do to be smart is be bleak and/or graphic," thematically incoherent: "It doesn't really try to say anything, in fact it contradicts itself throughout the book as I mentioned before, it just throws in extremely graphic scenes and content periodically to remind the audience how fucked everything is," and utterly devoid of purpose or meaning. "When it does introduce new lore that new lore is almost always overly convoluted and acts as a catalyst for things happening, but not really things happening that play into a wider theme or message. It's just "Oh and here's this team of god-level serial killers who are gonna string a dude up by his nervous system." Like yeah, cool visual, but what is any of this actually saying?" This does not sound like a ringing endorsement of the first half of Worm to me. In fact, this sounds like you hated every second of it.

"And frankly given the number of comments that are just people saying "Bait" - I don't think any of y'all have engaged with this in a fair or honest way"

I'm going to reiterate on my previous statement. I like my hero academia. Capeshit is my favorite genre, it probably always will be. They're my favorite genre of story. While I find the themes—or lack thereof—extremely frustrating, I still think of it as fun. I gave it a fair shake. I would probably really enjoy the ending if I didn't have a reading list that was 300 books long.

[silusvesuius]

this tree from my new drawing looking goated afffffff 👑👑

[possiblyfunny]

I forgot how to make posts, but don’t worry guys, I’m still alive-

Ghostly Assistance

Heyyy! I finally drew Leaf! (Plus a slight Aster redesign-) This took way too long, and I apologize for the delay and the overall messiness. She had been sitting in my drawing program as a sketch for two months 😅 but with the Flashbacks up starting in Missing Numbers, I finally got the will to finish it!

Leaf Aoyama belongs to @creatively-cosmic. They have a blog called @themissingnumbers, which you should check out, like—right now.

[Sketch + Extras below the cut!]

Here’s the cover of the book, if you wanted that- (I know it’s crap but I’m tired)

[And for those who are curious, some notes about the art:

-The book is Aster’s. He’s read the book cover to cover well over 25 times. It’s his favorite book on flowers, but he’s more than happy to lend it to someone who wants to learn about flora.

-The content of the art (because there was intended to be a background that got scrapped-) is that Aster was showing Leaf around his secret garden deep in the woods, guiding her so that she wouldn’t get lost and showing her the different flowers and such. (That’s why she has the book-)

-You know how in some video games, you can press a button and whatever special companion you have will show up to give you a hint? (Ex: Navi, Fi, Rotom, Olivia, etc) That’s what Aster is doing right now. Whenever Leaf had a question—he had the answers.

-And if you’re wondering—Yes. Aster did make her a flower crown afterwards. And Yes, he thinks she looks very beautiful with flowers in her hair.]

[tearlessrain]

seriously can catastrophes stop happening for five minutes my brain is already fried from the ones we're already experiencing

[averlym]

"careful, or i'll quote that"

[brown-little-robin]

I emailed one of my professors about the ridiculous amount of work being asked of me for homework in her class. please pray it works out and at least she's not offended

[swinging-stars-from-satellites]

anyone else ever get struck with a sudden feeling of distaste or being tired of someone who you usually really like/are friends with for literally no reason whatsoever? or is that just me

[rainbowwyrm]

Guess what hyper-fixation I gained recently

Reblogs are appreciated!

[teufelme]

You ever just want to talk about Bertl,

[eddith]

I’m SO obsessed with mlm media from asia but i find it hard sometimes to really connect with the western mlm.

And the oposite happens with wlw like i cannot for the love of my life connect with the asian sapphic representation😭 but the western??? i feel deranged about it, i wonder why this is🤔