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#but i like to think it was intentional esp with the “give up your memories”
megamyceted · 11 months
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BAKER HOUSE / BENEVIENTO HOUSE resident evil 7 : biohazard, 2017 & resident evil village, 2021
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strwberri-milk · 4 days
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Hello! I enjoyed your LaDS Incubus boys short. Please continue when you can. Spice is encouraged!
uhhhhh tbh idk what continue means :/// i could write some smut hcs but tbh w me, due to the fact that theyre incubi im taking some liberty so theres going to be more overlap but if you want smth more specific for any requests in general please elaborate!! im not actually very creative as a person and it takes me months to really gather up enough brainpower to write smth original - esp when its not smth im super invested in - so if this isnt what you wanted feel free to send a more specific request ive just done a general smut/incubi hcs but theyre not very long bc again. i think theres going to be some overlap here and i hate being too repetitive if i can help it!!
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Zayne is methodical in the way he takes you. If you pay attention you can see the way he plans out his every move, primarily deriving his source of power from your pleasure. He takes mental notes of what you seem to like the most, not deviating too much from it because he likes seeing you squirm and writhe against him.
His favourite way to take you is on his tongue. He loves having his face buried between your legs, tongue licking and stroking slowly as he draws out your pleasure. Your nails dig into his scalp, trying desperately for him to make you cum but there's no way he's going to let you take charge. He wants to see you beg and beg, hiding his true intentions behind an indiscernible expression.
He doesn't stick around. He doesn't want either of you to get attached - as far as he's concerned getting attached would hurt the both of you. Once the two of you have gotten your fill he's out in a flash, leaving you waiting until the next time.
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Xavier loves the feeling of you cumming on his cock. He rarely, if ever lets you cum on anything else. The way you feel clenching around him, the look on your face, the way your nails drag down his back or crumple at the sheets - all of it has his mind spinning. Thanks to this, he also tends to be a little greedy with your pleasure, working you into overstimulation over and over again until you're exhausted. That's his preferred way to feed on you.
Sometimes if he's feeling a little tired or you've had a long day he'll be sweet on you. His hands run down your body slowly as he shallowly fucks into you, grinding against your pelvis slowly. His fingers rub against the most sensitive part of your core, relishing in the sounds of your body as you pant and whine softly under his ministrations. He commits every sound to memory, eyes laser focused on every reaction you give him.
You think that he leaves after the two of you are done and for the most part he does. Sometimes though he'll stay secretly, watching over you as you sleep or appearing around you secretly. You don't notice it but he keeps an eye out for you on a decently frequent basis, somehow managing to bump into you by coincidence right when you happen to be thinking of him.
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Rafayel loves making a mess of you. It's like Xavier and Zayne - your pleasure is the best way for him to feed off you and he makes it known. He's the most vocal of the three, telling you that you make such a lovely meal and you're such a sweet little thing that he just has to have you.
He loves watching your bodily fluids make a mess on your skin. He likes making you cum so much that you've got a puddle underneath you, sheets sheer with your pleasure. You're almost humiliated by how you're practically leaking just from the sound of his voice against your ear but he loves it, keeping your legs spread as his hands keep up his constant movements against you.
He'll never stay with you. He knows already that he's too close to getting attached and copes with it by acting extremely cold to you. When the two of you are having sex he acts like he's your lover, whispering sweet nothings into your ear as he makes you cum over and over again but once you're done he simply dresses and leaves without so much as a goodbye.
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sunmoonjune · 1 year
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YOOOOO I THINK I HAVE REVELATIONS OKAY I THINK IM ONTO SOMETHING. ltm literally made me sit my ass down and write hANDWRITTEN NOTES not even the english syllabus during high school made me study a text like this
okay okay first off i think i have a clearer idea of the whole timeline of events. SO FIRST UP - completing ignoring father's backstory and the secrets that led up to all of this - bug's birth mother dies when bug is born -> murdered by her father as it's implied that bug's biological mother is the first of his victims in his attempts to maintain title of chief. plus the attendants helping her die so if that doesn't spell out fishy idk what does
then daia comes to learn of the secret, i'm thinking this is way before she gets killed, because she had wanted bug to enjoy her childhood esp with the 'looming uncertainty' of her father's intentions. which means she had known all along and had attempted to rectify the issue as best as she could by loving bug and giving her the best childhood. i'm not sure what leads daia to confront bug's father that particular night, but that's what leads to bug being forced to kill daia
now THIS IS WHERE I CHANGE MY THEORY. originally i thought that this incident bug's father twists to place the blame on bug, which leads to her punishment. BUT NO a year passes between daia's death and The Incident. something ELSE happens which leads to (as punishment im assuming) bug gaining her eye scar and yun his back scar, because we know that they get those injuries the same day. it's not daia's death that directly resulted in their injuries,,,,,, maybe yes the start of the avalanche, but it took a year
i'm also going to place a bet that bug, at the very least, was punished publicly when the incident occurs because she has memories of being dragged by her hair to the centre of the camp. PLUS in chapter 2 yunho has memories of 'being held back as a body cried in front of him. her cries still rang in his head. her blood still stained his skin'. ngl originally i was like omg is this someone else that's important to yun that we haven't been introduced yet like DID YUN'S MUM ALSO GET MURDERED OR SOMETHING. but now i'm thinking that the 'her' in the memory really is just bug and he's recalling that night he watched bug get punished. which also kind of makes sense when it's linked to him recalling when he truly felt pure terror 'when he'd been unable to protect you as you had him. when he felt fear humming in his chest and pushing him forward to step between you and a knife intended for your skin' bECAUSE at first he is forced to watch but adrenaline and raw need to protect bug enables him to take one of the blows ->>>>>> WHICH LEADS TO THE SCAR ON HIS BACK.
also im going to guess that fire or heat of some kind was involved in the incident, because there are actually so many times in ltm where bug's ptsd trauma relates to a 'searing hot knife pressed against the skin', 'ignore the heat of flame', 'lick of fire against your skin' and also yun not putting more blankets on bug even though it's cold because he knows what kind of memories it will bring up. which also runs along with the lil theme you've got going with fire being in integral scenes of her healing process and as a motif for same
and then this whole incident also plays a part (if not the main reason) for bug training and entering the trials. because FREAKING CHAPTER 1 had hinted at it all along and my brain just filtered it right out of my system. 'after that particular night, you had trained long and hard for this chance'.
now there's still the whole mystery surrounding bug's father's secret, The Incident itself, and what actually happened that led to yun's banishment. I SWEAR THEY'RE ALL CONNECTED BUT I CANNOT WORK OUT HOW. BUT i really do think that it's got a lot to do with bug's gender, maybe even her identity as the first-born child, her father's title as head chief. my brain is shutting down now it's out of fuel from this rapid thinking. YOU CAN EVEN TELL FROM THE LACK OF EMOJIS I PUT INTO THIS ASK HAHAHAHAH THERES NOT A SINGLE ONE. this is how you can tell i mean b u s i n e s s
okay loren signing out for now bc shes tIRED
ok ok I finally have a chance to answer this theory update xD loren and her theories are always SO amazing so I hope you enjoy her big brain :}}
also!! she literally sent me photos of the pages of notes she took and I literally ??? almost cried fr :"DD that was SO cute and made me SO happy you don't even know <3
ok so first,, bug's bio mom and her death is def important so I'm glad you picked up on it ;)
and!! you are definitely on the right track that daia learned of the secret quite a bit before her death,, she did indeed want to protect bug as much as she could by keeping the secret and trying to give bug the best childhood possible :")
next! yes at least a year passes between daia's death and the incident in which bug and yun get their scars,, so there definitely is something else that causes the avalanche to finally collapse ;)
the incident that is referenced in chapter two,,, yes yunho is referring to bug in that moment -- you're definitely on the right track connecting those points ;)
and fire is important! there are so many instances in bug's past that have to do with fire and the way it was used against her :(( so it is a recurring image that is good to keep track of >:D
yes yes!! all these instances are connected!! and they will all be revealed soon!! and the gender part of the theory will also be very important too ;)) your theories come closer and closer every day my dear!!
hehe I love love LOVE reading your theories my love <33 thank you for sending this <3 I hope you're doing well and drinking lots of water!! I can't wait for you to read the next chapters xD
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illumoonated · 2 years
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Thoughts about Wednesday (the show)
I wished i liked the Wednesday show more. Truly. But...
...the writing felt half-assed. The characters felt lazy. The addams family felt not quite weird enough. It seemed to be a very safe (somewhat boring) reboot that ppl are groveling over simply bc they want winclair to be canon (which, fine do your thing -- but you're setting yourselves up for heartbreak bc these writers/showrunners give zero effs about making wednesday canonically queer). The love triangle was actually painful to watch.
There was throw-away "representation" with her being asked if she was into someone a "guy...or you know, a girl?" to get woke points. Someone else pointed it out too, but the black male mayor being told he doesn't "know what it's like to be not heard" was so incredibly tone deaf it threw me off. As well as the only real POCs having a personality being the actual Addams crew.
(The siren queen bee was cool but she like immediately became Wednesday's bestie after 2 minutes of a heart to heart at a dance? Idk she felt wasted/characterized too quickly to feel impactful when she helped in the last episode. There was no emotional "oomph" to her being on Wednesday's team.) ((Also there was the aapi vampire who smiled once and had a single line of dialogue or smth...? wish we got more from her bc that's a cool-ass concept of being stuck in a place like nevermore where ppl know you're an immortal--like I was waiting for a big reveal to be pulled from this vamp being like "hey I knew your parents when they went here, oh, that fancy book you need? I have read all the nevermore books so many times I can just rewrite it for you by memory, where's your typewriter?")) Basically none of the students "banded together" for Wednesday in a believable way. They just...did....?
And if the intent was to simply get a flavor of the month moody white boi as Wednesday's love interest -- fine, but you didn't even make them likeable (not the actors' faults, bc they were clearly given no direction other than "go and be in love w wednesday for no reason bc she's MC"). And Wednesday as a character would avoid the moody bois and possessive "nice guys" like the plague (pun not intended) and would find interest in a strange/true social outcast more. (If she's gotta be with a boy make sure it's like whatshisface in Addams Family Values who is nerdy and nervous and a true social outcast that Wednesday had a real banter/challenge with instead of gross obsession/ownership like fuccboi #1 and #2. Again, not the actors' faults.)
I am so torn as an ace person bc I want her to be aroace so badly (and I believe it would be an appropriate identity for her). I also don't want to be the ace person being like "no winclair shouldn't be canon" bc I want sapphic stories to be represented but I hate how any close platonic relationships are automatically romanticized/ran away with despite how the characters feel about the other person. Again, if this is a friends(roomates) to lovers story fine. But there's zero chance that'll happen with the writing where it's currently at (I mean, they can change this but rn I don't see it happening).
TL;DR 1. wednesday shows how thirsty we all are for true queer rep/romantic or otherwise
2. the love triangle trope (esp the cishet ones) have to be damn good in this day and age to be worthwhile (the triangles in 1899 come to mind as good, current examples involving fleshed out characters with chemistry)
3. the show is trying to earn woke points without committing,
4. the addams family is mischaracterized from the source material,
5. this reboot entry is safe, lazy, and predictable from a plot, character, and worldbuilding standpoint (I was expecting far out weird/spooky shit like the Sabrina netflix series tbh and was really disappointed in how safe this reboot played it)
6. I wish I wanted winclair to be canon but i don't and I wish I did so ppl don't think i'm being "too ace" or "anti-" bc anytime platonic relationships occur between two pretty ppl the internet loses its mind and disregards what the characters actually feel about each other (reinforcing that friendship < romance)
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acasestudyofaria · 11 months
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✅ 32/52 recap + reflect
i don’t have much to say about this week because i spent more time doing than thinking about things and my working memory is a tad bit deficient BUT here’s one thing i took away from week 32:
embrace imperfection and difficulty in doing new things - you finding it difficult is not a sign to back away, it’s proof you’re trying
as a child, things came very easily to me, esp when i was interested in it, so i relied on what i would call beginner’s luck to get me through a lot of things growing up. i feel like i breezed through the majority of my life unaware of how to actually do certain things (like studying, and i can’t tell if that’s a blessing or a curse). now that i’m trying to be more aware and present in what i do, the reality hit me like a sack of bricks. i can find things difficult. my natural response was to resist facing the difficulty and run away from my responsibilities, which set me back a thousand steps.
this week, i pushed myself to do more difficult things (that ideal me would do), esp when i really didn’t feel like doing them.
my findings: difficult things became less difficult the more i attempted to do them, or at least, i was less resistant to doing them.
things that helped me “not think, just do”:
🍄 say bismillah - this is literally a cheat code. you’re unstoppable with the creator of the heavens and the Earth on your side. all He has to do is say be, and it is. ok bismillah, letsgooo!
🍄 set a timer - switching my study goals from content-oriented tasks to time-oriented ones helped me build momentum too. i didn’t always manage to finish studying the content i wanted to, but by the end of the day, i had finished at least half of it instead of only having thought about doing it.
🍄 visualise doing the thing - i screened mini “spoiler alert” reels in my head, showing myself how in 30mins, i would’ve completed a certain task. the resistance to it dramatically decreased because the “future footage” made me see the task for what it actually was: something i could definitely do and NOT a threat to my well-being.
🍄 set intentions and systems around your goals - i started the week off telling myself i would finish one biochem topic a day. it didn’t work and i kept berating myself for it. two days ago, i told myself i would commit to increasing my biochemistry knowledge base a little every day. i switched my goals to timeblocks instead of topics and that system increased my productivity. even when i wasn’t able to complete an entire topic, i had taken steps towards improving my knowledge base, AND achieved my goal of x study timeblocks.
🍄 give yourself a “gold star” once you complete a task - for me, posting my todaystodos updates on my story and seeing the green ticks (or the absence thereof) gave me just enough dopamine to push myself more the next day. but i also rewarded myself w cake, or talking to my brother, or today, watching an episode of Strange Planet. find something that works for you and DO NOT pre-reward (it doesn’t work as effectively).
🍄 be your loudest cheerleader too - we’re usually our worst critics, and that’s okay (as long as we stay constructive) but we have to cheer ourselves on too. how would you talk to a friend or a sibling? my brother rerouted a lot of my negative thoughts this week, and once i started talking to myself the same way, it changed how i approached the things i needed to do - again, it dramatically decreased the resistance.
🍄 treat yourself w compassion even if you fail to meet your own expectations - because we will sometimes. and that’s okay. we do better next time. cultivate a growth mindset. there are no failures in this garden, just unsuccessful experiments that leave more soil for new flowers to be planted. and it shows you what not to do with the next attempt. it’s trial and error until it works out, loves.
happy monday! <><3
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commajade · 2 years
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Hi!
you’re a writer and if I remember correctly, you also wrote poetry? I’ve been trying to pick up the pen for some time and I know there’s many mental barriers that make me quickly drop the attempt. I’ve been reading so much more poetry and trying to learn and learn to let go. Ive realized I lack a certain confidence in myself (and also an apprehension of what might burst out of me if I lower the walls I have up) —-all this aside, I was wondering if you could suggest any resources, works, or miscellaneous things that you feel strengthened not just your technical skills in writing but your mentality about writing as well. I appreciate your time and your response!
yes! i currently write short fiction and poetry and i've written 1 play!
from ur wording i think u know that writing poetry is an emotional discipline as well as a craft, you need to build the muscle memory to keep returning to an empty page over and over again and trying to connect the same ideas and give flesh and breath to the same ideas over and over again to reach the longterm cycles of catharsis and revelation and exploration and understanding that people seek in their relationship to poetry. and at the same time u can totally just vomit words or slap something together and end up with a solid or affecting poem most of the time if u have the sense and lack of shame to keep tinkering with it. reading a ton of poetry is a good thing always, but writing poetry isn't actually difficult or something u need to study for. it is writing a poem that satisfies your specific needs from it that is hard. writing a poem that pleases you and is something u feel is important and beautiful and shareable is hard. esp when u have read a lot of poetry with the intent to learn it. just go for it. and what's the worst thing that can happen to you if the thing bursts? zadie smith said writing is all about control: a poem is yours. your writing is yours to create and play with and destroy and reanimate or confiscate all power from. writing a poem can't actually harm you or do anything to u.
my poetry comes directly from my journalling habit, i've been keeping a journal consistently since 8th grade and it's an important foundation of my writing. try joan didion's "on keeping a journal" for a very specific way of keeping a journal completely opposite to mine, it really showed me how flexible and useful or inconsequential journal entries are as a medium. it's very easy to break journal entries in my phone notes into fragments and piece them together into poetry, i do it all the time. i just bring the pieces together to see how they resonate and where they lead so i can finish the poem. journalling my life events also helps me locate exactly what emotions pull at me the most, which ones are trying to be accessed and expressed.
sometimes it helps to start if there's a poem already brewing in you because then when u have given it images or phrases to grow in it becomes irresistible to pursue, u simply have to begin. i take a lot of notes on things like podcasts or lectures or observations and connections in life or in media and collect phrases or ideas or images i want to explore for later. i always have a lot of material on the back burner and as i accumulate them i put ideas near each other and see if they turn into something else that more strongly channels the emotion or situation i'm itching to talk about. sometimes i have 2 ideas or lines and i have to put them into a relationship to each other and that becomes the poem it was supposed to be. having a habit of notekeeping also made my writing more concise and helped me learn how to use and play with ambiguities.
natalie goldberg's "writing down the bones" was assigned reading in my playwriting class and it was pretty helpful! it's very soothing it might help u relax if anything. try audre lorde's essay "poetry is not a luxury". some poets that make me want to write are audre lorde, joy harjo, june jordan, hanif abdurraqib, franny choi, kim hyesoon, natalie diaz, and mary oliver. best of luck my friend! lmk if u have more specific questions, i wasn't sure what u wanted.
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eldritch-araneae · 4 years
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Windblade, Bumblebee, and Sari from my Sparkpulse AU :3
Below is quick AU explanation ( it’s 13,4k works, I’m sorry I tired to keep it short I SWEAR XD) Also I’m such dumbass, I forgot their Autobot sigils! XDDD
Core ideas of the AU:
It’s basically G1+TFA+Cyberverse mix;
This AU revolves around Bumblebee as the main protagonist;
Autobots crash-landed on Earth in 1985, they landed in Detroit, specifically on Belle Isle; 
Earth became their home and Autobots pretty much-integrated into human society over 33 years. They influenced human society a lot, that helped to avert climate and energy crisis( as not wanting humans going the same road as cybertronians by depriving their planet of resources);
Ark has fusion reactors that are used in Energon production. Autobots encouraged humans to use their own fusion reactors, which allowed human civilization to completely get rid of fossil fuel as the main power source;
Setting: Solarpunk (when the story happens);
Sparks exist and give a lifeforce to all forms of life, not just to cybertronians;
Cybertron is gone, nothing can fix it;
Decepticons only arrive in 2018.
Bumblebee’s Background.
Bumblebee is the youngest among Autobots, who was found on the road unconscious back on Cybertron by Jazz. 
After examining him, Ratchet shares his concerns with Optimus - not only Bumblebee is abnormally small but his plating is soft and flexible, yet fragile, it would be easy to cut and melt through. He also lacks physical strength. 
All of this implies that Cybertron has no more resources to forge any new bots and Bumblebee is the last.
This means there is no way Optimus should send the minibot to fight ( tho Bee has a lot of courage and will pull some crazy stunts here and there), so instead he assigns Bee for scouting and spying missions under Jazz’s supervision ( Special Operations).
Introductions went pretty well, though Optimus admitted that Bumblebee’s face seemed familiar.
Soon, after the first few scouting missions, it’s revealed that Bee has a bit more problems. His spark is strange, it’s producing way too much energy that his small frame can handle, resulting in the erratic sparkpulse that overwhelms his entire system and shut him down for 5 minutes.
Thankfully it was discovered after Bee finished his duty, but still, it raised a lot of concerns. Ratchet tried his best to examine his spark chamber, only to find that the minibot’s spark was sealed shut in some sort of protective shell. This shell cannot be opened. Cutting through it would be bad, so Ratchet opted to work with what he has. 
He first suggests Bee burn down this excessive energy, which works pretty well, as training with Windblade, or doing short races where it’s relatively safe with Hot Rod and such. Still, despite his efforts, the spark eventually will send a huge energy surge that would force-reboot Bumblebee. It didn’t stop Bee from taking on his missions and one of the reboots happened in the middle of the duty. That scared the shit out of everyone as they lost contact with him while he was on Decepticons territory. Thankfully, like clockwork, he was back in 5 minutes. After he completed the mission of securing intel, he had to convince Optimus that he would be okay even if he shut down because Deceptions would never catch him. Bee reveals that he has one interesting ability - he can sense sparks of others( both signature and the pulse). 
For some reason, he thought everyone could do this, that's why he never mentioned it before. 
That allows him to plan ahead, as he pays attention to hiding places and Deception’s nearby and how they move, easily avoiding his enemies. 
Soon he’s pretty much known as the elusive Autobot who will break onto your base, steal all your shit and get away without being caught. Megatron even places a big bounty for catching Bumblebee that is yet to be fulfilled. Then he gets known for being someone who Deceptions, who wants to join Autobots can go to and arrange the meeting with Optimus Prime. Windblade always helps him with this: Bee can sense what is spark feeling, while she can use psychic abilities to catch a sense of their intent. Together they never made a mistake, though there were a couple of close calls.
So this keeps going for a short period of time until Bee catches some terrible wave of spark signatures, emitting from below. Something tells me that they are in grave danger and Autobots must leave Cybertron for good. Such a claim isn’t taken lightly, asking what proof Bee has. 
Sadly, he cannot prove anything aside from “terrible screams of mass death coming from Cybertron's core”. He feels like he knows, but he cannot recall any memories from his data banks. All he knew was that they were screwed and it’s all because of Shockwave ( who Bee hates the most, not even Megatron sparks so much anger within him as seeing Shockwave does.). Windblade also caught this as well with her different sensors so she sided with Bumblebee. Then she decided to look into Bee’s mind and see if she can help Bee to recover those memories. 
It quickly proves that it’s not that simple - all his memories that come before he was found by Jazz are sealed away. And not by some hard-coding shenanigans, but by Vector Sigma - a device that was used to program the AllSpark ( the thing that gives life to cybertronians) so it will create a desired form of life.
 And not just him, but Windblade also discovered this seal, though it only seals specific cluster to memories, which timeframe aligns with Bee’s seal.
So they had a picture: Shockwave did something that messed up Cybertron’s core and, presumably, Bee and Windlade witnessed this( and apparently have met before)? The only way to find out, a break-in to The Spire of Forging ( a place where cybertronians were born), and use Vector Sigma to break the seals. 
That caused a huge fight as the spire was currently controlled by Decepticons, while Megatron suddenly got an idea to use the AllSpark to reprogram Autobots into Decepticons. So it becomes a race. Windbalde, Bumblebee, and Optimus have reached the Chamber of Creation first...only to find out that Vector Sigma is destroyed - the device was cut apart and crucial components were missing. But it wasn’t all - the AllSpark was gone as well!
Understanding that there is nothing they can do, they retreat, followed by angry Megatron’s shooting.
After the battle Optimus informed anyone of their grim situation: AllSpark is missing( they searched for it, this artifact that very strong and unique signature but it’s literally nowhere on Cybertron), Vector Sigma is destroyed and there is still a threat that gets closed to the surface that will destroy them all ( Bee was very insistent of leaving). 
So he makes it a vote between all Autobots: shall they leave or keep fighting. To Bee’s surprise, the majority decided on leaving. Relieved, he begins helping others to prepare Ark ( their spaceship) for a long journey.
When Ark was ready to launch, some complications happened ( as the ship wasn’t in perfect condition for interstellar travels) but they managed to leave Cybertron and begin their journey to their new home.
In general, Bee is in a good relationship with almost every Autobot. Optimus values him as both an amazing scout and a good friend who isn’t afraid to speak his mind and question everything.
Bumblebee befriends Windblade - the cityspeaker from Caminus ( which was of one the first colonies that were destroyed during the war). She absolutely adores Bee’s carefree and optimistic attitude, never being tired of his silly antics ( which he often does on purpose to lighten her mood). 
They become pretty close, and Bee has no problem opening up to her, like sharing his fears ( he is really brave but isn’t fearless).
Some bots like Sunstreaker don't really like Bumblebee much. He thinks that Bee is a defective bot that will doom their entire cause and this animosity intensified when Bee starts bringing in former Decepticons and insisting on leaving their planet behind. (Sunstreaker’s twin, Sideswipe, admits it’s probably because his brother used to be like Bumblebee, kind and hopeful, but the war has changed him and he hates it.) 
Bumblebee tried his best to ignore Sunstreaker, but it is difficult as he compares himself to bigger and stronger bots, feeling like what he’s doing isn’t enough. That being fast, athletic and cunning isn’t enough - he must be more, he must become strong. Which causes him to take some crazy decisions that will put Bee in danger and probably get hurt. 
He desperately craves recognition and respect from others while not realizing that he already has it.
The arrival of Autobots on Earth in 1985.
After one warp jump, they ended up in the Solar System. The Ark wasn’t doing well ( esp engine) and needed repairs if they wanna continue their journey. Teletraan-1 scanned the solar system, informed Autobots about the planet they are currently orbiting (Earth) has a sentient lifeform along with a diverse ecosystem. This surprised everyone because of the odds of them jumping tens thousand light-years away from Cybertron and ending up near other sentient beings.
Optimus didn’t wish to disturb other sentient beings, he decided that they should move to another planet, fix their ship, and move out. 
For that Teletraan-1 suggested staying on the fifth planet’s orbit which is a gas giant (Jupiter). Gas Giants are known for having a lot of hydrogen and helium and additionally, some chemical compounds like ammonia which can be used in producing deuterium and tritium ( isotopes of hydrogen)  which are used as fuel for fusion reactors.
The only issue was how to get there, as their ship is fragile at the moment. Wheeljack suggested using gravity assist still should be okay.
Teletraan-1 calculated the positions of the planets and it’s been decided they were gonna use Earth’s gravity to propel forward, then circle around and do another flyby near Earth - that would give them another speed to reach Jupiter.
Suddenly Teletraan-1 informs the crew about a big asteroid that is headed in their direction and the collision is imminent. It happened fast, before Autobots could maneuver Ark off of the way. After the asteroid successfully vibe checked Autobots, the Ark got seriously damaged and was flung towards the planet. They couldn't break from gravitational pull so Autobots had to prepare for impacts, which would be easier if the ship weren’t breaking apart at that moment, Teletraan-1 did it’s best to stir the ship away from the cities.
Meanwhile, in chaos, Bumblebee fell into a hole in the ship’s walls and he landed in the water of Lake Erie. The impact was terrible as it almost tore his arm from his body. He screamed in pain and was forced into reboot.
Then he woke up next time, he was still in the water, completely disoriented - mostly to the fact he could sense so many sparks around him. He brushed it off as it wasn't important at the moment. 
While still being in pain, he managed to swim up to the surface to look around. Bee saw a big smoke rising in the distance, assuming this is where Ark landed, he tried to make his way there. 
Then Bee sensed something nearby, another spark with clear distress radiating from it. He looked around but saw nothing, then he submerged under the water. He saw a small figure who was struggling to swim. 
Bee dive deeper ( while doing his best to ignore the pain of his damaged arm), gently caught the figure and went back to the surface. The figure took a big inhale and coughed a lot. Bee was concerned, but he could only observe for now. 
He first noticed how this being kinda reminded him of his own kin: they have 4 limbs- 2 legs and 2 arms with 5 fingers, the face structure is similar as well, they also warm and look like they vent as well ( aka breathing. Cybertronian’s breathing is part of the air cooling system.see more in Trivia). While there was a lot of difference as well( being organic lifeform and such), that amazed Bumblebee that he almost forgot about his hand.
After being calmed down, the figure finally looked at their savior only to meet face to face with a giant alien robot. He yelled as a surprise, while Bee yelled back because the former's yell startled him pretty much.
After the shock faded and understanding that Bee wasn't doing anything bad ( they were just chilling in the lake) they sighed in relief and smiled, thanked him for saving them. Bee cannot understand what the figure says, but he assumes right he can sense relief emitting from the figure’s spark and replies, which of course the other didn’t understand as well.
The figure then gestures towards the mainland that isn’t far away, while making a paddling motion which Bee understood as “take me to the land”. He nodded ( to his relief on it means the same thing for humans) and he began swimming towards the land. Which pretty much drained him as they both arrived and his hand got worse. 
Bumblebee curled on the ground, trying to endure, but once again his system shut him down. The last thing he hears as the figure calls to him is a worry.
The next time he awoke, he wasn’t by the lake anymore, but inside of some sort of garage. He was lying on the floor and he tried to get up, but again his arm hurt, though he noticed that this time the pain is tolerable somehow.
He looks to the side and sees that his entire arm was wrapped into some weird stuff, kinda looking like duct tape? Sure it was flimsy, it kept his arm from falling apart.
Two figures entered the room: one he’s already familiar with, which is this person he saved from the lake, and others. They look similar to each other, the other person looking older, for some reason they reminded him of Ratchet. Bee tried to sit up again, but the pain wasn't letting him. Two people instantly got worried, saying something to him which he imagined was something like “please don’t move”. The older one went close to examine the arm closely, Bumblebee knew this look: a look of someone who is checking on the work they did...really reminded of Ratchet again. 
Bee sighs and gives a small smile and thanks to them, though he knows they won’t understand the hopes that the tone of his voice suggested the meaning. The older person nods in acknowledgment, then they exchanged a few words with the younger one and left the room.
The younger one sat by Bee. Autobot looked at them, observing them once more, taking more onto more features and he could tell that they did the same with him. Suddenly their expression lighted up as if they had an idea. Bee tilted his head slightly in question.
Making sure that Bee’s attention is on them, the figure points at themself says “I”. At first, Bee was confused, so they repeated it again. The only thing he could think of is to repeat the same. The exclamation followed by a nod means he did it right. Then they pointed at him and said “you”. Bee did the same...and suddenly it’s clicked. The language, they were teaching him their language!  He smiled and they continued.
Somewhere in the middle of this, they finally introduced each other. The person’s name is Spike Witwicky, a 15yo boy who is living with his father and helping him with the car repairs business. When Bumblebee introduced himself, Spike giggled, saying that Bee’s name sounded exactly how they call a specific insect. The Autobot snorts, funding this coincidence amusing. 
What a strange planet, and he began liking it already. 
Spike asks if Bee came from that huge ship that was falling. He nods, explaining ( in his broken English I imagine) that an asteroid took them down, and then he fell through the hole into the water at high speed that almost tore his arm off. Spike winced sympathetically, assuring that now Bee is gonna be alright. Then he thanks the yellow Autobot for saving him, Bee smiled in response, saying he did what he was right. Though he gets curious how Spike ended up in the water in the first place and Spike blushes in embarrassment because he was looking at the descending Ark and he wasn’t paying attention that he was hanging on slippery ground. He fell and since he wasn’t a good swimmer, the current took him away from the land until Bumblebee found him later.
Soon Spike’s father returns with more supplies and he was pleasantly surprised that their guest can communicate with them. Bee thanks him for patching his arm, tho the old guy says he can do some more, while they try to find out where the Ark landed so they can return Bee back to his people.
A bit later in the evening, Spike decided to show Bee various VHS tapes documentaries about Earth( he almost moved tv and VHS player to the garage), he could have a picture of what their planet was like. The Autobot happily agrees, being both curious and see it as an opportunity to learn more English words.
After a few days, Spike’s dad found out where the Ark landed, on Belle Isle. He offered Bumblebee a lift ( he has a truck which also was used to transport the Autobot from the lake’s shore). Bee gladly agrees, being happy they were helping him even though they didn't have to. To which Spike replied that Bee didn't have to save him either, but he did it anyway.
Spike with dad helped him to get onto the thing where to connect the thing ( lol I forgot), they both sat into the car and began their ride.
The trip went okay, Bee even relaxed and looked around the city, being amazed because everything was new, the sensations were new. Though sure he could see people staring at him, understanding that they know about Autobots...after all, there is no way you could miss something like this as their crash landing. There was probably a lot of news going on about this. 
Thankfully, Spike informed him that the ship didn’t kill anyone during the crash, which was a great relief on his spark. 
Soon they arrived at their destination, Bee peeks over the truck to see the damage around ( a lot of broken trees), and the Ark wasn’t looking so good. He hoped at least everyone was okay!
Suddenly Windblade quickly walked out of Art’s entrance, expecting these humans to be more reporters or whatever and before she could draw any conclusions, Bee called her name and waved with his good arm which instantly grabbed her attention. 
She ran over to her best friends, that he’s alive ( she was looking everywhere and was worried sick) and really wanted to bear hug him, but she saw the arm, so she hugged him gently. Then Bee explained to her that those humans helped him ( gesturing to his broken arm). Windblade thanked the theme, as Bee translated to them. 
After that Windblade announced to everyone over comms that Bee is alive and found, but required medical attention. Meanwhile, Spike looked a bit sad and asked if he’ll see Bumblebee again. The bot smiled and told him that he memorized the path from Spike’s home to Ark, so he will find it again. For that Spike jumped into a hug ( Windblade quietly ‘awww’ed at the scene). 
Windblade helped Bee to stand up and get off the truck, both humans wished Bumblebee speedy recovery before they headed home. She was asking Bee about his new friends ( and also commenting how it was only their couple of days on this planet and he already befriended aliens amazing), Bee ofc told her everything.
On Art, the crew was overjoyed with Scout's return, though Ratchet quickly led him into the med bay as it was clear how much damage he sustained. Meanwhile, Bee sends to Teletraan-1 anything he learned in English, to share with other Autobots, which Optimus was delighted with such a turn of events as it meant he can finally properly contact humans.
After Autobots got a bit established ( like making connections with humans and stuff), Bee finally paid a visit to Spike, the boy was so happy to see him again. 
After that Bumblebee and Spike spend a lot of time together and become friends. Spike also befriended Windblade, while we weren’t as close with her as with Bee, they enjoyed each other's company. Spike’s dad also made friends among Autobots. Together they learned more about the world they were stranded in, with all its beauties and problems, discovering new things like sparks actually being in every living being, Bee has to train himself to probably filter signals, he mostly focused on sensing his fellow Autobots and humans.
Bee quickly grew attached to Earth, not really missing Cybertron anymore. Sure there are a lot of processes and it’s different for everyone but Autobots felt that they can actually live again ( or begin living for younger bots who were forged during the war), the future seemed bright.
When Spike got older ( around 18 yo) he informed Bumblebee that he will leave Detroit for a university opportunity. The news saddened the scout, not wanting to part with his human friend, but he understands that he shouldn’t be in the way of Spike’s hopes and dreams. Out of curiosity, he asks Spike what he’s gonna study ( he had multiple guesses because Spike liked a lot of things).To that Spike replied with the biggest smiles that he will become an astrophysicist! Spike never could choose one thing, but that fateful day when Autobots arrived has sealed the deal. He hoped that he would work at NASA one day. They both laugh.
The day when Spike was leaving, along with his father, they said goodbye. Spike promised to stay in contact with Bee, and the bot promised the same. Kilometers apart won’t matter, they will always remain best friends forever.
Bumblebee missed Spike greatly after this and he needed time to accept this, but thankfully they both were true to their promise and stayed in contact for all years to come.
Fast forward to 2018.
This is when the story would begin, as all previous events described in this document to this point would be revealed through flashbacks and such.
Autobots have been living in peace for 33 years now. They helped humans to progress, technologically, and socially ( Solarpunk setting). They are integrated into society and have jobs( Bee for example is a courier, though sometimes he acts as a diplomat at important meetings that he attends with Prime as humans tend to like him), some bots scattered across the globe to do their thing (though they ofc course pay visits to Ark).
The Ark is part of a big overgrown forest on Belle Isle. It is because Wheeljack and Perceptor wanted to fix the damage they did to the environment during their crush. And after some experimentation, trial, and error they made some sort of serum that stimulates trees to grow fast. Too fast even as plants got out of hand at one point, so they had to fix this as well.
Bumblebee took a liking of plants, so he started his own collection. This private chamber was damaged and has a missing wall after the crash, later it was fixed, it expanded a bit and has a lot of light coming in through windows so it’s perfect for plants keeping. 
6 years ago he and Windblade befriended human Sari Sumdac, who is now 30 years old head engineer, working at Sumdac Systems along with her father. She's an absolute gremlin and always up to shenanigans, which awakes the gremlin side of Bee. Windblade tags along as well, maybe to keep an eye on them. All three are close friends :3
Sari builds an exosuit that improves her strength and grats a lot of cool abilities ( aka Iron Man but cooler) in case Decepticons show up.
He’s also in contact (which thanks to the internet became much easier) and friends with Spike, who is 48 years old astrophysicist at NASA, married to Carly, and has adopted son Daniel. Spike with his family visits Detroit each year to hang out with Autobots.
There is a lot of shenanigans happening on Ark, especially in group chat ( aka Discord server? with Sari and Spike invited.) The higher command are mods, but sure, Jazz loves changing channels names into something stupid :D
There are always twins ( Sideswipe and Suntreaker) with pranks, Jazz blasting music, Wheeljack blowing himself up again while Ratchet complains, fixing him again and again. They would do a lot of activities when free, (imagine them playing Among Us, Bumblebee being such a good imposter >:3) adopting human customs, they even get invited sometimes to entertainment shows ( you know, like those with two teams they have to do various impressions, etc).
The Bee loves music and got into drumming ( he had a habit of focusing on someones’ sparkpulse, using it as a base beat and used his hands to drum on various surfaces as entertainment back on Cybertron), he always does collabs with Windblade ( electro guitar), Sari ( keyboard + other electronic stuff, like a theremin) and sometimes Spike ( saxophone) to do video game music covers, they have a channel ( editing video and maintaining are on Jazz).
Fun fact: Bee’s drumkit and Blade’s guitar are one of few things of cultural value that actually survived the war, though they required repairment and some adjustments ( because the kit was too big for Bumblebee), they are in good condition now. There is writing on Cybertronian, showing the name of the company that used to produce instruments all those million years ago. 
Autobots are living their best life, even though they are prepared in case Decepticons will show up at their doorway.
The arrival of Decepticons.
Decepticons left Cybertron soon after Autobot’s, as Megatron believed that Optimus stole the AllSpark and was determined to take it back and use it to fix their broken homeworlds. Unlike Ark, their spaceship, Nemesis, was in [perfect condition. so they traveled from star to star in order to find a signal from AllSpark.
The problem was that no matter how Shockwave updated the scanning system, they just couldn't find any traces. It was frustrating to Megatron, he could feel how much energy this object radiated every time he walked into the Chamber of Creation, but there was literally nothing. It couldn't just vanish into thin air, can it?
So they just kept guessing, checking every nearby star system. It took a lot of time and was fruitless and the Decepticons grew tired. Starscream especially, always dreamed about taking Megatron’s place and rule Decepticons. So one day, after another failure to locate the AllSpark, Megatron and Starscream broke into a fight, resulting in the warlord throwing his second in command at the control panel by accident. 
Starscream face planted random coordinations and the Nemesis warp jumped to the Solar System, placing them on Earth’s orbit. Sunday scanners activated as they found Autobots’ signatures on this planet. Megatron laughs, he finally found Optimus so the AllSpark must be with them.
Soon they landed somewhere outside of Detroit, which didn't go unnoticed. Teletraan-1 alerts Autobots immediately. Bumblebee volunteers to investigate, followed by Windblade as a backup. Optimus approves the mission and the trio goes to Nemesis location.
Bee gets close to Nemesis, while Blade stays in the air just in case her friend needs a quick escape. He knows the plans of the ship well ( he infiltrated it a number of times), so he easily slips through the guards inside, into the vents. Soon he locates Megatron and carefully listens. He finds out about Megatron's intention to seize the AllSpark from Autobots. Looks like it's the only reason why they even came here and he will turn the city apart to get it.
Thankfully Wheeljack made a force field that won't let Decepticons in as a precaution for years ago. Still, that is a grim sign and they have to deal with Deceptions regardless. 
Bumblebee hacks into their system and quickly downloads important intel.
Then he sees Shockwave, it takes a lot of self-control to not hiss, Megatron just gives him simple orders to oversee something. He takes orders and leaves, but Bumblebee notices that he went in a completely different direction ( as Bee knows the ship well) and didn't like it. Bee wants to follow and see what this mad scientist is planning, but he senses Ravage nearby. The cat is also moving quickly through vents, probably because Soundwave ejected him here in case Bumblebee will show up.
The scout quickly gets out beforeRavage discovers him and leaves. On the way back he shares his findings with Windblade, and later back on Ark with the high command of Autobots. They don't have the AllSpark (and even if they had they wouldn't give it to Megatron anyway), and they must drive Decepticons off the planet, or convince Megatron to stop.
So after this, I imagine a few instances when Decepticons tried to attack the city ( but couldn't get it), Autobots would usually lure them away from the city and fight them there. Here examples of shenanigans that happened:
Sudden dance off, the seeker trio( Starscream, Thundercracker, and Skywarp) was really confused about this shit;
Sari ( in her suit) is legit disassembling Decepticons in the mid-fight. Imagine, Starscream wants to shoot, but his null rays fall off, awkward;
She also stole t-cog ( the detail responsible for transformation) from Blitzwing, much later it was returned;
Devastator caught Bumblebee and was going to quash the scout. Bee on the other hand focused on Devastator’s sparks ( he’s a combiner, made out of 6 Decepticons known as Constructicons) by accident and could hear that chaos that is happening in Devastator’s mine ( since all 6 don't merge into one, they still present chatter, telling Devastator what to do which is pure chaos). That overwhelms him and he yells “QUIET”, silencing 6 six constructions which seriously freaks Devastator out and he falls apart. Much later he did the same trick again when tried to throw Devastator at Autobots again;
Optimus is trying to convince Megatron that they don't have the AllSpark which isn't working. Not letting his frustration get ahead of him, Prime starts throwing memes( which he carefully chose for a specific situation) at Megatron. Megatron is not amused ahah).
Megatron wants to move forward and maybe to take on other cities to force Prime to surrender, but Autobots are one step ahead( as they planned), surrounding Nemesis from various positions ( as Optimus called all other Autobots that live in different locations) to harass Deceptions from time to time, trapping their enemies effectively. 
Conspiring with cassettes.
Later Autobots find out that despite the force field being up, and effectively repelling Deceptions, Soundwave’s cassettes are actually able to squeeze through. Wheeljack is hypothesizing it’s probably because of their size ( they are smaller than Bumblebee as intended) and looking for a solution to solve this.
Interestingly enough, cassettes ( 5 of them: Ravage, Laserbeak, Buzzsaw, and twins: Frenzy and Rumble) are not causing chaos while being out in the city. Bumblebee is keeping an eye on them, he can easily track them down, though they move fast which turns into some sort of game. At some point, he actually exchanges words with Ravage. Bee is trying to understand cassette's motives, but Ravage keeps it to himself ( though Bee senses some sort of enjoyment instead of malice).
Later Bumblebee gets a message from Rumble: they have a bomb and will blow up something ( I haven't decided sorry) if Bumblebee won't come to them alone. Knowing this is turned into a fight, he goes anyway without telling anybody as he wants to get to the bottom of this.
This indeed turns into a fight, as cassettes demand Bee to tell them where the AllSpark is. Bee tells them he has no idea like anyone else. Ravage asks why Bumblebee doesn't want to restore Cybertron, to which Bee replies that there is literally nothing left to restore. The AllSpark isn't some sort of magical object that can fix all their problems. Besides, Decepticons had it in control, why didn't they use it then? The situation gets really awkward after this, Frenzy admits that Megatron saw devastation only after Autobots left as his focus shifted to other things after his enemies were gone.
The fight stops, Bumblebee seizes the moment and asks where is the bomb they threatened him with earlier. Laserbeak just casually shows it, and in fact, it wasn't even activated. Rumble tells him when Megatron found out that cassettes and slip through the barrier, he ordered Soundwave to use the bomb to cause chaos. This isn't really what cassettes want to do, because finally in a million years they can actually roam free and explore new locations and things safe from Megaton. 
Cassettes admit that they aren't really loyal to their leader, only participating in war because their caretaker, Soundwave, was loyal to Megaton...though his loyal shifted and now his loyalty revolves around keeping his cassettes safe because Megatron won't be nice if he finds out. So he keeps up his appearances, while he lets his cassettes roam free.
Bumblebee understands that situation is complicated, but he sees this as an opportunity to end this stupid war. After all, Soundwave is highly regarded by Megatron, so maybe he can work with this.
Buzzsaw thought asks what they are gonna do now as they failed the task, which is quickly decided to shift all blame onto Bumblebee, even for future situations like this as Bee revealed that he can sense from far away from anyone. Ravage realized it’s the reason why he and others were never able to catch him! So after this being decided they went back and Bee returned to Ark, sharing this only with Sari, Windblade, and Optimus Prime for security reasons, he doesn't want to blow cassettes cover by accident.
Infiltrating Nemesis again.
Bumblebee isn't having a good time. He gets forced into reboot more frequently than it used to, especially during battles with Decepticons. Autobots had to save him multiple times, which was a blow to his self-esteem. Not to mention Sunstreaker was at him again, insulting the scout. Bumblebee yelled at him in return ( something that never happened before), he gets angrier and more frustrated. His best friends are doing their best to help, but there is little they can do.
Ratchet examined him and scanners show that the spark shell is losing its integrity, as it wears off over time. That explained why so many reboots happened recently. He says that Bumblebee shouldn't go on the missions at all, and Optimus agrees with this. Bee doesn't take it well, believing they think he’s now being useless to them, and storms off.
Then he sneaks out at night, planning to infiltrate the Nemesis again with two purposes: to prove that he is still useful to Autobots and to find out what Shockwave is up to ( it still bothers him a lot).
He sneaks in like usual and at first, it was okay, but then the vent under him broke ( yeah those vents are worn off over so many years too) and he fell right before the Seeker Trio. So the chase begins, Bee still can get away and he knows the ship but suddenly an unfortunate thing happens - his spark malfunction again and sends him into forced reboot.
Next time he awakens, he’s being restrained on some sort of medical table, which Bee quickly recognizes where he is - in Shockwave quarters. That sends terror to his spark, not only he’s been caught and Autobots don't know where he is, but he’s at mercy of the mad scientist. 
He tried to break free, but it’s useless, he never had much strength anyway. He looks around, and among his various projects, he sees something like a spire blueprint projected on the screen. It seems like it’s part of Nemesis. He doesn't like this at all. 
Shockwave enters the rooms, carrying various tools with him. Bee asks what he’s gonna do with him. The scientist doesn't reply first as he runs the scanner over Bee’s entire body ( while he’s changing the project on his scene meanwhile), it detects something in Bee’s spark chamber. 
Bee asks why Shockwaves keeps doing this,( like his sick experiments that even Megatron did not approve of). To this, the scientist replies that this war is going way too long and it will never end. So he decided to have a little fun while he can, he wants to relish in chaos and see the world burn.
He says that Bumblebee is carrying something interesting inside and he wants to find it. Shockwave activates his cutting tool and gets closer, intending to cut Bumblebee open.
Thankfully, salvation comes in an unusual form, Soundwave enters the room and demands to hand Bumblebee to him. Shockwave is not amused and refuses, so both argue until Shockwave gets an order directly from Megatron because the warlord wants Soundwave to dig intel out of elusive Autobot scout. After that, Shockwave can do whatever he wants with the prisoner.
Bee sighs with relief as he is escorted to Soundwave quarters. He doesn't make an attempt to escape, he can't really run away with a stasis cuff one + hr wants to get more insight on the Communication Officer. Maybe Soundwave knows what Shockwave is planning.
When they arrive, Bumblebee gets fully restrained again, and he’s mind gets connected to Soundwave’s systems ( via a cord) to start digging thought Bee’s mind ( if I remember correctly, Soundwave can read minds and emotions bc he can sense electric impulses in the processor or brain, he using cord here bc he wants to do deeper). 
Bee is pretty calm about this, he doesn't carry any useful intel ( he usually drops it at Teletraan-1 when he completes the duty). So Soundwave is stuck with casual memories while looking for any indication of the AllSpark, though he comments on Bee's good drumming skills.
Meanwhile, Ravage self-ejects from Soundwave’s chest and be like “dude seriously how the fuck did you get caught?? what are you doing even?”. Bee asks if they know anything about Shockwave’s plans. Such a question surprises both Decepticons, Bee understands that they don't know anything. Ravage doesn't like the sound of this and asks Bee to elaborate, but before he can answer, the scout looks to the side, sensing Megatron is coming in this direction. 
Ravage quickly transforms and tucks himself back into Soundwave’s cassette deck. In a minute, the warlord himself entered the room. He is pleased to see Soundwave already working on the task, while he turns to Bumblebee to take a good look at him as he never has seen the scout, who ruined a lot of his plans, up close - Bee would always be in the distance or lingering on the corners of Megatron’s optics before vanishing out of sight.
Megatron is acting pretty smug as a big nuisance in his grasp, though he admits he feels like he saw Bee’s face somewhere ( same reaction as Prime). He starts monologuing about how it would be great if Bumblebee would join him, they would win this war quickly. Maybe the little scout would convince Optimus Prime to join them, to which Bee asked if Megatron is still salty about Optimus breaking up with him.
That quickly pisses Megatron off, he grabs scout's neck and pins him heavily on the table, saying that he should watch his mouth. Bee isn't having this, replying ( as much as he can with his throat squeezed) that Megatron is an insolent fool who only focuses to keep Starscream on a leash, while Shockwave is plotting under his nose.
Megatron would probably hurt Bumblebee after this, but Sundewave reminded his leader that he’s still working and needs the scout in pieces. Megatron gives the order to continue, while he leaves. Both Bee and Soundwave sigh in relief, the latter commenting that the scout should keep it down in Megatron’s presence, to which Bee replies that someone had to say this.
Soundwave soon stumbles upon the Vector Sigma seal, locking the rest of Bumblebee’s memories. Soundwave asks Bee about this, to which the scout gives him the honest answer - he doesn't know how it got there and it’s been there already when he “first” woke up. Bumblebee asks if Soundwave can break it. The communication officer makes a few attempts, but it doesn't affect the seal at all. They need Victory Sigma, but it’s gone.
Bee expressed his frustration because he felt like the answer lies beneath it, but he said that he will find a way to stop Megatron. Soundwave replies that it’s impossible, but Bee doesn't buy this, he noticed the other reaction and it was hopeful.  
Bumblebee also notices multiple sparkpulses inside Soundwave, his cassettes, but only 5 of them are active, while there are many more of them, and those cassettes are being stasis. Bee asks Soundwave how long they’ve been asleep. Soundwave pauses, not expecting that question, and they reply that they have been in stasis since the beginning of the war.
Bee now understands, Soundwave has been working hard for Megatron, wanting to end the war as quickly as possible ( that was a motivation for a lot of Decepticons as Bee found out when they reached out for him), while sparing most of his cassette the trauma.
They sat in silence for a minute before Megatron contacted Soundwave, demanding his presence somewhere while ordering to leave a cassette to guard the prisoner. Soundwave sits for another minute, communicating with these cassettes, then ejects Ravage and leaves the room.
Ravage stands still, listening to the environment and making sure the coast is clear, then tells Bumblebee “you broke out using shock bombs, understood?” and releases the scout. Bee quickly gets up, thanking the cat. To that Ravage says “Go left now, I’ll give you ten seconds”. Bee nods and runs out of the room. 
After ten seconds the alarms burst on, informing that the prisoner had escaped. For convenience, Bee uses a few shock bombs he has with him as Decepticons try to stop him. 
He gets out, though he’s also pretty beaten up and it takes hours for him to get back to Ark ( he couldn't transform). He collapses then he crosses the entrance.
When Bee awakens, he’s on a medical table. His body is fixed, though Ratchet gave the minibot an earful of lecture for defying his recommendations and now Bee’s spark shell is even more strained. Prime also talks to Bee, reassuring the scout that no, Optimus and other Autobots don’t see him as burned and he doesn't have to go to such lengths to prove himself ( those conversations happened often back on Cybertron).
Bee doesn't reply, yet the give into he gathered when he was stuck on Nemesis.
Soon after this, Bee actually gets to talk with Sunstreaker to resolve their issue. The taller Autobot admits that he’s been projecting a lot because he used to be like Bumblebee when he was younger. Then he was envious because, despite everything, Bee remains kinds and hopeful. The scout tells him it takes a lot of work to keep being him after all those tragedies he had witnessed. Sunstreaker nods, though he still doesn't understand who Bee can easily move on after leaving Cybertron, it was their home after all. 
Bumblebee simply said that Cyberton didn’t feel like home, but prison.
And then the shit gets real!
Optimus decided to take another chance to negotiate peace with Megatron. They gathered near Nemesis, both Autobots and Decepticons just chilling (some interacting, like cassettes hanging out with Bee-Blade-Sari trio) while their leaders were negotiating. 
At first there heated arguments between the two leaders, Megatron acting like Optimus is the one being unreasonable and trying to blame him, while Optimus being like “listen you started this shit, you have no one to blame but yourself” (more politely of course). Soon, they both calmed down and actually made progress, as Megatron noticed that a lot of Decepticons are being distracted by various Earthian things because it’s all new in a million years.
Before they could proclaim anything, Shockwave appeared. Bee tenses instantly, this can't be good. I haven't decided if Shockwave would monologue or not, but the end is the same - he shoots Bumblebee in the chest.
Before anyone can react, Shockwave snatches the minibot and lifts him to his level, taking a closer look at the wound. The shoot wasn't direct, but tangential - it made a hole in the chest and partly chipped away the protective shell, leaving Bee’s spark partly exposed.
The energy is pulsing through the hole now( while Bee’s pulse gets completely haywire as he tries to free himself), the signature, and the effect is unmistakable - this is the AllSpark.  The amount of shock is impossible to describe, after all, Bee was carrying the AllSpark within himself and no one had an idea. Even Shockwave did not expect THAT!
Megatron is being evil smug again, now the AllSpark within his grasp! Except Shockwave has other plans. Instead, he activates his device, which was built into Nemesis. This spire was designed to fuck over all lifeforms on this planet ( including cybertronians), and with AllSpark his plan to cause massive chaos gets perfect as the AllSpark not only creates but also destroys. 
As he was about to rip the AllSpark out of Bee’s body, this system got overwhelmed, but instead of rebooting, his body discharged the energy, creating a big wave that threw everyone away.
Bumblebee meanwhile is screaming in pain ( the AllSpark is slowly breaking him apart) and a surge of painful memories ( the wave broke the seal). Not to mention he’s surrounded and pretty sure he might die, if he wants to get through this - he must become stronger to protect himself.
That thought activates the interface, the Vector Sigma interface. It already had something set up there. Bee can’t really see what it is, something about protective armor(?), he confirms it, the interface turned into a small cell that absorbed a portion of AllSpark energy. Then, as if he knows what to do, he slams the cell into the ground.
For a moment nothing happened, then suddenly a huge amount of plant-like-black vine material burst from the ground. Everyone instantly got into their sense after that blast, now witnessing those vines connecting to Bee’s chest and the AllSpark, lifting him off the ground and begin forming something BIG.
Decepticons are trying to shoot those vines, but hey, they re heat resistant quickly grow back :) Autobots are trying to contact the scout, but his comm is dead, Windblade cannot get into him minds as it’s filled with so many negative emotions like rage, grief, desperation, depression. Said emotions also floored Soundwave, making him unable to move.
Soon Bumblebee ( or more like the huge shell that was growing around him) formed into a big, dragon-like creature, who leats out of deafening roar at AllSpark energy shoots everywhere. An he’s so angry that everyone around him can feel it in their sparks.
This is how he looks, he’s strong enough to throw big cybertronians around like chew toys. Bumblebee’s body is cocooned in the chest area, the light from the AllSpark shines through crevasses.
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Despite being angry, he doesn’t attack first and Optimus could have reasoned with him, but Megatron decided it was a good idea to attack the bigger monster and this is when the shit gets loose. 
Bumblebee trashes around, causing chaos around him, sometimes targeting someone and going after them for a few moments. All this is followed by energy discharges, so he successfully beats the shit out of everyone.
Shockwave is the only one who is pleased with surprise results, as he tried to collect data.
Soon Windblade manages to get a hold of her best friend’s mind and he tries to calm Bee down. He slows down a bit, which opens an opportunity for Sari to get inside thought crevasses and try to locate him.
She follows the opposite direction from energy flow, and soon she finds him. His face is a mix of anger and fear, Sari starts talking, trying to draw his attention to her. Soon enough he notices her ( the beast stops moving).
Bee tells her that he’s scared and he’s in pain. His body cracks more because even this large shall not contain all the power of the AllSpark. She hugs his head, telling that they will figure this out, but first hee need to stop thrashing around, he’s hurting everyone. 
Meanwhile, Windblade does the same, using telepathy to talk to him. It worked and they always convinced him to just fly towards the Ark, but Shockwave wasn’t having that, and started shooting at Bumblebee, trying to provoke him. Bee is sort of back to his senses, seeing Shockwave again, angers him to the point that this anger throws Windblade out of his mind. Sari is alright, but the expressions on Bee’s face terrified her. 
Bees run and pines Shockwave to the ground. Suddenly he speaks ( his voice sounds very distorted when it comes from the beast) telling him in space that Shockwave is the one who destroyed Cybertron and left them homeless. the mad scientist chuckles, commenting that this means his “pet project” had worked and he regrets nothing.  
Bumblebee executes Shockwave without mercy.
After Bumblebee flies up heads towards the Ark, Windblade flies after him, while Optimus uses this moment to gather Autobots and get the hell out of there. Sari tells him over comms that Bee is breaking, so he asks Ratchet to drive ahead and help Bumblebee.
Bee meanwhile is almost there, but his body cannot take this anymore. The chest opens up and Bumblebee with Sari falls out of the monster( then the husk falls down and lands right by the entrance of Ark). They both fall for a few seconds before the AllSpark shatters into small pieces and they fly in different directions. Windblade caught them both, both saw what happened and got really scared that Bee might be dead. 
There is small light coming from his exposed spark chamber, so Blade rushes to the medical bay, while frantically explaining to Ratchet ( who is on the way) what just happened. He instructs them to stabilize Bumblebee, enforcing he gets in and takes over.
Ratchet barely managed to save Bee’s life. After that, it took a lot of time to put the minibot together ( between all other urgent repairs of other Autobots that got fucked up by Bee’s outrage). Now, when the danger has passed, Ratchet can get a better look at scout’s sparks chamber that was hidden under the shell. Said shell was crumbled, he had to remove it. Then tells others what he’s discovered: 
First, his spark still hosts a few AllSpark shards. He tried to remove it but it turned out that Bee’s spark IS merged with the AllSpark. His system even pings errors about missing components. This is ironic because it made sense that the AllSpark was causing erratic sparkpulses, but yet they cant separated it from him;
Second, he discovered that Bee also has Vector Sigma installed in his spark chamber, this is exactly those missing components from the broken device;
Third, now there is a plant ( it looks exactly like that vine from earlier) parasite residing in Bee’s body, it appears to be feeding on AllSpark energy. Ratchet tried to remove it, it slapped him on the face. It resists and refuses to come off.
It raises so many questions, of how and why Bee got both AllSpark AND Vector Sigma. There was a suggestion that Bee could steal, or maybe all of this was some sick experiment that Shockwave did, though now they won’t know with the mad scientist dead. Windblade feels that she was involved in this, but still has no idea how.
She still cannot stop thinking about what she saw in Bee’s mindspace during the rampage. He was overwhelmed by grief, sadness, pain, guilt and all of this he merged into anger. And that he carried this angger for a really long time, longer that any of them can imagine. Ratchet is sure that Bee cannot be older, but who knows. Perhaps Bumblebee had a different body in the past that was destroyed.
After a week Bee wakes up. Of course, he’s being hugged by Blade and Sari, everyone sighed with relief. Optimus asks if Bee remembers anything from the meeting. The scout thinks for a moment. He remembers being shot, he remembers paint and panic and anger, he definitely remembers killing Shockwave. He doesn’t know who to feel about it.
He also informed him about a plant parasite. Bee is surprised, but he feels fine for far.
He’s upset when he learns that he beat everyone up and proceeds to apologize before every Autobot that was involved in this. He also sees his discarded husk outside of the Ark, which is examined by Wheeljack and Perceptor (  and wondering if human culture influenced Bee to make this creature look like one of the monsters from his video games).
He doesn’t have any recollection of making it, though this form seems familiar...probably he saw that dragon in a video game...probably.
Bee walks around the island to clear his head, being joined by Sari and Windblade. He admits that he is partly scared that he killed Shockwave like this...but on hand, he’s relieved that this guy is gone and Earth is safe for now. 
The scout also tells them that he remembered something during that fight that he could remember before. He tried again, but now it feels like his memories are scattered - they are there, but out of reach. 
To see what’s going on, Windblade uses her abilities to get into Bee’s mind. She sees that the Vector Sigma seal is gone ( tho her own is still active), but now all those memories that were locked are either missing or corrupted. Even those that weren’t locked are broken. She hypothesized that the AllSpark shattering damaged his data banks, taking the portion of memories with shards. 
That is just another reason why they must collect the shards.
Good thing that Bee can sense the shards, most of them landed in the city, but some landed outside, even near Nemesis which isn’t good. Later they come back and inform Prime about this and the high command starts formulating the plans of retrieving shards.
Meanwhile Wheeljack, Ratchet, and Sari brainstorm ideas of how to prevent the AllSpark from harming Bumblebee. The plant is absorbing the portion of energy, but it’s clear he still needs a shell. Sari tells them that Sumdac Systems will provide resources for the project.
Collecting the shards.
In general, the collecting of shards will go smoothly for most of the time, since most shards landed in the city. Some they found just laying in the bushes or roofs, some were handled by humans, some were even sent by mail. As new shards rejoin Bumblebee, Windblade helps him to restore his recent memories, while they still need to complete AllSpark to get access to previously locked memories.
Ratchet also keeps in check Bee’s health as new shards are added, and gradually builds a shell around the spark chamber, minding the plant.
So, few thing that happened during this time frame in no particular order:
Starscream got his hands onto one of the shards and caused chaos to both Decepticons and Autobots, he can even use it to get through the force field around the city;
Bumblebee created Grimlock, using an awesome t-rex animatronic as a base;
Thundercracker leaving Decepticons, thought he didn't go to Autobots either. He talks with Windbladem admitting that it was terrifying to see someone like Bumblebee so hurt ( he’s referring to that dragon accident) because of the war;
Discovering that the plant, living inside Bee is actually a symbiont - it protects its host when Bee is in danger, even helping him to lift a weight that Bee couldn't before ( though his body hurts a lot after this). Sari names it Clover ( in fact she did it with all Bee’s plants);
When the last shard is gathered, Ratchet doesnt final touches to the shell. He doesn't completely seal it away, letting it’s potions flow through Bumblebee’s body. This should reduce chances of forced reboot, thought they still might happen.
After this, Bumblebee secludes himself in his room, wanting to sort through all his memories, as those old one now finally accessible. After a few days he asks Windblade to come, He removes her Vector Sigma seal, and they talk through all those events. 
Soon Bumblebee requests Autobots together ( who can come, if someone can't, then they will be sent the recorded version of this) in front of Ark ( where the husk is) because there is something that everyone must know. He also asks Soundwave to send Laserbeak to the meeting, so she can record this conversation and present it to other Decepticons, Megatron included. Soundwave obliges, sending Bee his regards.
The truth behind the AllSpark.
Now with all his memories intact, Bumblebee reveals that he’s not the guardian or an weird experiment involving the AllSpark, but he IS the AllSpark.
That one thing was enough to shock everyone( accepts Windblade). At first they thought that technically yes, bc Bee’s spark fused the AllSpark, but Bee elaborates that he was created by Primus billions years ago. Windblade confirmed it, as she knows the truth already. 
To clear the confusion, Bumblebee starts from the beginning. 
Primus was wandering around the Universe. Like any giant with planet alt-form, he had one desire - to create and host a life. While he could easily transform, create a new life, and then fall into eternal slumber, Primus wanted to leave someone in charge. Thus he created the AllSpark - a powerful transformer who can create, destroy and maintain life on the planet. 
This person is Bumblebee, with a dragon-like altform, that looked almost exactly like that husk that now is resting in front of Ark.
Before Bee proceeded to his duties, he and Primus traveled around the Universe. Primus was teaching Bumblebee about life, about conditions required for life to exist, about material and what kind of life he can make. They visited planets, filled with various life forms: organic, silicone, energoinds and even other mechanical lifeforms.
Bee was observing living beings, learning about how they build, how they function, how they interact.
When the training was finished and Bee was ready, they traveled to a lone orange dwarf star(class K). Primus transformed and placed himself onto orbit. After this Bumblebee created the first cybertronian life. 
In thousands of years he filled the planets with divine ecosystems, with various biomes and huge species diversities and even first sentient beings. For most of the time he left anything for natural selection, while keeping a close eye on it in case something appears that will threaten life on the planet. In this case, by his protocols, he must kill that being in order to preserve balance.
He admits, while he loved his job and enjoyed creating, he was lonely. Primus advised against forming a relationship with his creations because he thought that Bumblebee’s powers could be misused in this case, for example getting involved in conflict where he could be persuaded to insta-kill someone. 
So he stayed out, but it hurt and he longed for companionship more than anything, which led to frustration and even anger at his creator for leaving alone for eternity.
Still, Bumblebee endured this and continued his work.
Peace lasted for a long time  ( if you don't think of the wars that were waged between clans from time to time), until Quintessons began their invasion on Cybertron. At first they couldn't set their tentacles there as Bee was such a fierce protector, but much later they figured out to send drones to fight instead. That posed a problem for Bumblebee because yes, he can easily kill a living being, but cannot kill what isn't alive in the first place. 
Bumblebee held endless hordes of drones for a long time, but eventually he was overwhelmed by numbers ( he was fighting alone, as cybertronians back there were no match to Quinesson’s forces) and killed.
Cybertron fell to Quintessons and everyone was enslaved.
Then Quintessons salvaged his spark( The AllSpark) and few more components to use the power of creation to create even more slaves. At first they couldn't use AllSpark, because it has quantuum properties. It creates endless possibilities, but none of their devices has enough strong sensors to set those possibilities, making them real.
Lucky for them, the components they got from Bumblebee’s dead body were connected to the AllSpark, with them Quintessons created Vector Sigma, a device that allows manipulation of the AllSpark.
They kept creating slayes, while completely ignoring anything else and soon all those diverse ecosystems that Bee made collapsed. The rain turned into acid, rust was crawling everywhere as Quintessons kept draining resources of the planet, while they tried to erase everything about Primus and AllSpark from cybetronian’s culture. While cybertronians still remembered Primus, the AllSpark was forgotten.
Hearing this was disturbing, considering the fact that after cybertronians liberated themselves from Quinesson’s tyranny - they kept using Vector Sigma for forging new bots.
Bumblebee wasn't too angry about this, they simply didn't know. Then he gets asked if he was killed, how Bumblebee is still here?
Short answer is they only destroyed his body. To explain this, Bumblebee reminds everyone how sparks work. Sparks are the lifeforce of every living being, but for sentient beings it also serves like a second brain/processor to process the emotion response.
But in Bumblebee’s case it’s the other way around: his spark is the main processor, while the head processor is for emotional response and processing the info from sensors. Primus made him like this in case Bumblebee's gonna get killed at some point so he could rebuild himself.  
Sadly, because they quickly salvaged him, removing both his spark and components that we connected to it and separating them - that made rebuilding impossible. 
And because of his spark’s quantuum nature, Bumblebee’s consciousness was locked in a quantum state, making him both existing and not existing at the same time.
He could only watch what’s happening. He was grieving over his work being destroyed, his creations being enslaved and potentially being forever stuck in quantuum sea, not able to interact with the real world again. 
The time went by, and eventually, cybertronians livetred themself from Quintessons and it marked the beginning of the Golden Age. Bumblebee was lingering, watching this happen. He was a bit happier after this, despite the fact that society was locked in functionalism( when both's place in society is defined by their alt form. Like a jet could only serve in the army) - a leftover from Quintesson tyraty. Still, it was better than Quintessons!
Bumblebee continues lingering, sometimes he floats in the form of a random bot and asks if they can see him. Usually it never works, but one day, one bot was able to hear him. Bee was ecstatic about this, finally he could talk to someone ( even though his talking was mere whisper as he forgot how his own voice used to sound). He introduced himself as Bumblebee ( it was one of many names that was given to him by his creations during ancient times that he liked a lot).
Bee thought maybe he could tell someone the truth about AllSpark origin and maybe that would help him to get back to the real world, but sadly none of his attempts were successful. Some don't believe him, some did but were punished by strict government. Additionally as Bee realised that only those who can psychic abilities can hear him. And those bots are extremely rare.
Still, Bumblebee wasn't losing hope, and kept trying ( though he was being more thoughtful about getting his friend in trouble). 
At some point, another big event happened - a gladiator named Megatron, with his partner, archivist Orion Pax ( who will later be known as Optimus Prime) created a revolution that liberated cybertronians from cages of functionalism. Now every cybertronian could be whoever they wanted, that pleased Bumblebee so much.
Not to mention now he has more chances to escape his quantuum prison, especially when a group of archaeologists has found a hidden temple that was dedicated to AllSpark - the only one that wasn't destroyed by Quintessons.
Even Megatron with Optimus came to see these fins. The most noticeable thing was the statue which archaeologists believed was the personification of AllSpark, which was an image of Bumblebee. 
(That made Optimus realise why Bumblebee’s face was so familiar when he first met him. Sure the form is different, but the face remains the same( and same goes to Megatron).)
At the same time a group of scientists noticed some quantum fluctuation comic from the AllSpark and they were going to research this. 
During this timeframe, Bee was really close to being found. He was really close to escaping. 
But as if fate decided to fuck everyone over, things changed from best to worst.
It all started when everyone realised that Cybertron will be completely drained of resources in a few millions years. That caused the frantic search of planets where they could get them. One planet that was relatively close was found. It was rich and solved this problem...but it also hosted life.
Heated arguments began, Megatron believed that they can just go and take it, because they really needed it and they are superior to this primitive form of life on that planet. Optimus on other hand refused to harm those lifeforms, even if they are primitive, that they can look elsewhere.
Bumblebee sided with Optimus, he knew the fact that there is another system near that one, that is rich with resources they need AND also unsuitable for life. He knew it in case if he ever needed those resources he could go and get them back in the day when he was in charge here.
Bee frantically searched for someone who could hear him, so he could pass this information...but he had no luck. Soon the civil war began and it was the beginning of the end.
As war was going on, Bumblebee lost all hope. He saw destruction he hadn't seen since Quintessons invasion and Cybertron’s reasons were thinning. Soon there were no resources to make new bots.
Bumblebee tight there is nothing he can do and was saddened about upcoming doom. 
Until and stumbled upon Windblade.
She was able to hear him. So they talked a lot and became close. Bee told her everything about himself, and when Blade was going to tell Optimus about Bee, he stopped her. Bumblebee was scared he's gonna be punished somehow ( it happened before in the past) but instead he has a plan, but he needs her help. She agrees, and waits until Bee is done with preparation.
Soon Bumblebee tells her about it, even a bit more urgently because he just saw Shockwave unleashing something that will kill everything and they need to get off the planet.
But first, Bumblebee needs a body. Now, when the Chamber of Creation isn't occupied anymore, Windblade sneaked inside ( Bee was carefully guiding her) the Spire, then got into the Chamber. 
He instructed her to activate Vector Sigma, then managed to upload a blueprint to her data banks that she was able to upload to Vector Sigma. 
Then he told her to set specific parameters, allowing the systems that were used for assembling bodies to scrap for resources. It was barely enough, still it gathered resources for a small body, compromising something like strength and armor. 
Then he told her to cut open Vector Sigma and get important components - the very same components that belonged to him long ago and install them to the body's spark chamber.
The last step was taking the AllSpark, placing it in a spark chamber and sealing it in a protective shell that will suppress the AllSpark frequency.
When Windblade did all this, she waited. It was silent for a few minutes and she was anxious that the plant might not get worse...before the body powered up and for the first time in seemingly forever, Bumblebee opened his optics.
This was probably the happiest day of his life since he lost his body. He hugged Windblade, thanking her for getting him out. After adjusting and remembering how to walk to transformers, they left the Spire.
But now they had to figure out what to do. When Megatron finds out that AllSpark is gone, hell will break loose and they cannot have the AllSpark being taken again. 
Bee cannot really protect himself. His body is fragile and will fall apart if he to unshesh his powers. And Decepticons like Soundwave can dig into one's mind to find out their secret. So it leads to a drastic solution - to seal any memories of him away. Blade doesn't want this, but understands it’s their only shotm so she agrees.
First they position themself near Autobot base.
Then Bumblebee activates his Vector Sigma interface, programming the seal in a specific way, so while memories are locked away, some feelings will linger. This will allow Bumblebee and Windblade to become friends again, and will also carry on the missing to make cybertronians leave the planet.
First he places the seal into Windblade’s data banks, which will activate in a few minutes and reboot her system. So it gives her time to arrive to base and be safe when memories are going to be locked away. She hugs him again before he leaves sayin “see you on the other side”.
Then he gets close to the road where Jazz soon appears, then he seales all his memories completely. The reboot happens and he falls on the ground, where next moment he’s being found by Jazz. 
The rest of the story everyone knows.
Bumblebee gives free minutes for everyone to process the whole thing. It explained a lot of things: his reboots, his ability to sense sparks, that husk’s creation,  pretty much everything.
So he’s being bombarded with questions, one of them was about what Shockwave did. Interestingly enough Bee never told Blade what exactly the mad scientist did. Bee tried to answer, but turned out he just cannot say this out of loud, that’s how terrible it was. Seeing the pained expression on Bumblebee’s face, everyone quickly moved on to different questions. 
Another question was about Primus, because Bee made it sound like Primus was just one of many beings like him. Bumblebee reveals that in fact, Earth is also giant like Primus, and unlike his creator, she can communicate with Bee during the recharge. 
So she’s asleep, but can talk to Bee when he’s asleep too. In fact he made a lot of attempts to connect, but because the AllSpark was sealed under shell, Bee could not hear her clearly. Until now.
She was asking if he can resurrect her two companions, who turned out to be Venus and Mars -  two other giants that came to this system with her. Something went wrong when both transformed to planets that caused their deaths, rendering planets unsuitable to life. 
Sadly, Bumblebee can only create or kill, he cannot bring the dead back. Once spark crosses the dimension and appears in the Well of All Sparks, it gets cleaned. It's a point of no return and the only direction for spark to go is forward -  to it's new life.
After the meeting is over, Bee turns to Laserbeak, making sure that all this information was received by Soundwave, which she confirms. Now they can only hope for better, that this is gonna be enough to stop Megaton from his fruitless conquest.
Then he goes on another walk around the forest, thinking about his past, present and future. Despite everything, he’s glad he lived to this point. He has what he always wanted( aka companionship) and now there is a chance for everyone to thrive once again, along with humans.
The final stretch.
Of course, nothing can be that easy. 
Soon after the big reveal, the entire Soundwave cassette horde( aka even those who were in stasis since the beginning of the war) arrives at the Ark’s entrance. They look terrified and begging for help. When asked what happened, Ravage told Bee that Megatron didn't take the news well when Soundwave presented that entire conversation to Decepticons.
Soundwave tried to reason with his leader, but Megatron got mad and hurt Soundwave, then he was going to hurt the cassettes as punishment, which resulted in fight and Soundwave ejecting every single one and telling them to run.
So they ran and came here, begging to save Soundwave.
This makes Bumblebee energon boil in his tubes, he’s almost jumped into his husk body to just run and tear Megatron apart, but he managed to calm himself. Optimus decided to go and deal with Megatron himself, and Bee tags along. 
When they meet again with Megatron near Nemesis again, first Optimus demands to release Soundwave. Somehow they convince him to do so, and Autobots take him to Ark for repair and reunite him with cassettes.
Meanwhile Megatron demands Bumblebee to fix Cynertron, which turns into a heated argument, because there is literally nothing to fix. Bee cannot just magically undo all the damage. 
In the end Bumblebee snaps, and just decides to do what he really, really didn't want to do -  he wants to open the space bridge and show Megatron what is happening on Cybertron. If this won't help, he doesn't know what can. 
Bumblebee warns that they might not get out alive, but Megatron agrees anyway, believing that minibot still can fix their home planet. Optimus Prime also joins, refusing to leave Bumblebee alone with Megatron.
They arrive at the Chamber of Creation and look outside ( as they are on top floor). The Spire is the only building that is still sanding, meanwhile anything else lay in ruins. Megatron is confused, he doesn't remember leaving Cynertron in such a terrible state.
Bumblebee asks them if they can see those drones. They cannot, asking what drones. He sighs, understanding they have to go to ground level and that's actually scary.  Still, he activated the elevator and they went down.
At entrance they stop and now they see - countless tiny drones consuming metal, then multiplying. And their hunger knows no bounds. 
Bumblebee reveals that those “Scraplets” were created by Shockwave in order to cause chaos among Autobots. But they didn't work as he intended he just threw them away. They landed near Cyberton’s core, which activated them...and they began to consume everything in sight. When Scaplets got to Cybertron lavras ( it’s like the immune system of the planet) and Bee felt their deaths, he knew the time was up and they needed to run.
Now it made sense why Bumblebee killed this mad scientist in the first place.
Megatron asks if Bumblebee can kill them, but Bee says he can only kill living beings,while those things are just sparkless drones and they will devour him quickly.
After a minute, Megatron sighs in defeat, telling Bumblebee he can take them back to Earth.
He nods and about to open a portal...then suddenly his spark is acting up again, sending a huge power surge around him. Once again he is forced into rebooting before he can open a portal.
This caught the attention of scraplets and they charged at bost. Optimus grabs Bee, and both he and Megatron start running. First they tried to make it to the elevator, but it was already being chewed.
So they were forced to take stairs. So Optimus carrying Bee, and dragging Megatron with him, Megatron is shooting from his fusion cannot, breaking shit to slow down scraplets. 
When they reach the top floor, they have nowhere to run. Megatrons asks how soon Bee will be back online, which according to Optimus’s chronometers is 3 more minutes. Megatron feels that they don't have it and suddenly the entire building is rumbling.
Because it’s being eaten, it starts falling, while scraplets are seeping inside the chamber. Two bots look at each other, and do the leap of faith ( while holding onto each other and Bumblebee of course). Just before they hit infested ground, Bee suddenly wakes up and he opens a portal. All three fall into it and are transported back to Earth.
Panicked they look around for scraplets that could be transported with them, but thankfully there was none. They are safe.
Optimus is surprised that Bee woke up earlier, and the minibot himself is surprised as well. Though he quickly realised it’s because of his plants symbiont + new shell combinations - his system still gets overwhelmed, but not as drastically as before, allowing his system to recover quicker.
After this, Megatron allows Autobots to leave in peace, while he still needs to process everything he saw.
Later ( with Optimus help) he declares that war is over and that Earth is their new home, which was surprisingly received well by other Decepticons ( he told them what he saw).
Finally Bumblebee can sigh in relief, finally they can have a bright future ahead of them and  he’s looking forward to it.
Trivia( aka random stuff I didn't know where to fit).
Cybertronians can breathe and it’s part of their air cooling system, as such a process allows them to quickly inhale cooler air and exhale hot air. When calm they don't actually breathe, but as soon they are scared/excited/in a fight - they start doing this;
They can also cry, and it’s also part of the cooling system. Processors and spark chambers tend to be heated more than anything and require cooling by liquid nitrogen. When strong emotional responses happen, heating goes off the charts, and because optics are so close to the head processor - there is a risk of melting them. So the liquid nitrogen gets pumped to optics as well, and because this liquid has a low boiling point - those tears take a form of gas, seeping through the space between optic and face. Older bots don't cry much because they kinda get used to horrors of the war, while younger like Bee are actually more emotional and showing it often. Even after restoring his memories fully, he’s still emotion as hell;
Bumblebee is sleepwalking sometimes, and if he sees another person he starts whispering “Can you see me?” over and over until he gets the “right” reasons which is “Yes, I can see you, Bumblebee”. After this he falls back to recharge. That scared a lot of Autobots first, they discovered the right answer when Optimus replied, thanks to his tendency to give full and polite answers. This happens because of trauma when Bee lost his body and became “non-existent” to anyone;
He used to terrify Decepticons when he infiltrated their bases  to the point they thought that Bee was some sort of Autobot vengeful spirit that came to hunt them. Bumblebee used his abilities to avoid his enemies, while toying with them, like lingering at the corners of their optics before disappearing and even whispering”Can you see me?” right into their audio sensors.);
When Decepticosn arrived on Earth, Bumblebee was an anxious mess, he was afraid that Earth might die just like Cybertron did. To give himself hope and a way of coping, he remembered the legend that if you fold 1000 origami cranes, your wish will come true. He made the first crane soon after Decepticon’s arrival, and the last right before he received his last AllSpark shard. Now those cranes are everywhere on the Ark;
Spike visits Detroit at some point, but I haven't decided when. Probably when the AllSpark shattered, so he helped to restore it too;
Bumblebee has two strong phobias: 
Athazagoraphobia. The fear of being forgotten, ignored, or abandoned; 
Monophobia. The fear of being alone for a long time;
In future, humans figured out the way to transport their mind into their spark and then transport that spark into techno-organic bodies which ultimately extends their lifespan.
Sari was one of first humans doing this, not wanting to leave Bumblebee and Windblade;
Spike, on the other hand, decided to die of old age because he felt like he did everything he wanted and his journey reached his end. Bee was really upset about this, but let Spike go. Spike spent his last moments with Bee.
Also in the future, Bumblebee’s body gets an upgrade, restoring his original form alt-form (6 legged dragon), though it’s smaller than before, Bee used to be small and finally comfortable with this. He will also be in charge of creating new cybertronians and terraforming new planets;
This is how Bumblebee used to look like;
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Here’s the statue that was discovered, that Optimus and Megatron saw before.
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bubonickitten · 3 years
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Fic summary: Jon goes back to before the world ended and tries to forge a different path.
Previous chapter: AO3 // tumblr
Full chapter text & content warnings below the cut.
Content warnings for Chapter 29: discussion of Jon’s & Daisy’s restrictive diets & associated physical/mental deterioration (and potential parallels with disordered eating etc.); arguing & relationship disputes (that are not immediately resolved in-chapter); self-harm (burning oneself with a lit cigarette); cigarette smoking; discussion of suicidal ideation; panic & anxiety symptoms; discussions of grief & loss; cyclical mental health issues (post-traumatic anniversary reactions; related self-loathing, internalized victim blaming, & survivor’s guilt; generally speaking, Jon’s relapsing into self-isolating, worse-than-usual headspace, esp towards the end of the chapter); depiction of parental neglect/rejection (Martin's mother). SPOILERS through S5.
There’s also a Hunt-themed statement that contains descriptions of indiscriminate violence & unprovoked warfare against a civilian population. Oh, and a cliffhanger.
Let me know if I missed anything!
_________________
“Statements ends,” Jon says, somewhat breathless as he fumbles to stop the recording.
“You alright?” Daisy asks.
“Fine.” The word is punctuated by a click and a whirr as the recorder resumes spooling.
“Are you, though?”
“Yes.” Scowling, Jon jabs his finger at the stop button – only for it to keep recording.
“It’s the Hunt, isn’t it.” Daisy sighs, rubbing the back of her neck. “Sorry it’s been so prominent for the last few. I’m… not quite scraping the bottom of the barrel yet, but–”
“It’s fine, Daisy.”
“Still, I–”
“I said it’s fine–!” Jon winces at his sharp tone. “I’m sorry, that was… I’m just – on edge, I suppose.”
Which is an understatement, really.
Because it’s September. It’s September, and after September is October, and October is–
Well. These days, he can’t even look at a calendar – can’t even look at the time and date on his phone – without icy dread coursing through his veins.
Sporadic flashbacks have become an everyday occurrence, set off by the smallest of stimuli: a dropped glass shattering on the breakroom floor becomes a window bursting inward into shards; a thunderstorm heralds a fissuring sky, marred by hundreds upon thousands of greedy, unblinking voyeurs; his own voice is a doomsday harbinger, a key crammed into a lock he can’t keep from unbolting. The memories are too immediate, too vivid to feel past-tense.
It’s to be expected. Studies, common knowledge, and anecdotal evidence all point to the impact of anniversaries on mental health. He knows what a textbook post-traumatic stress response looks like. Monster or not, in this particular sense he remains overwhelmingly human. No matter how much he rationalizes it, though, intellectually understanding a psychological phenomenon does little to soften the lived experience of it.
And it does nothing to temper the chilling knowledge – bordering on conviction – that it may happen again.
“Would be worrisome if you weren’t stressed out, considering… you know. Everything.” Daisy leans back in her chair, stretches her legs out in front of her, and rolls her shoulders. “Speaking of the Hunt. Any new developments?”
“I mean… nothing since yesterday? Everything I know, Basira knows.”
“Basira… isn’t keeping me updated,” Daisy says, shifting uncomfortably in her seat.
“Ah,” Jon says, with tact to spare. “I’m sorry, I didn’t realize.”
“It’s fine.”
“Is it?”
Daisy sighs. “She thinks that I think she’s wasting her time.”
“And do you?”
Daisy gives a jerky shrug. “Don’t you?”
“Not… necessarily,” Jon hedges. Truthfully, his answer to that question is as mercurial as his moods these days, shifting from hour to hour, sometimes minute to minute. Daisy gives him an unimpressed look. “I won’t lie and say I’m optimistic, but that doesn’t mean it’s not worth trying.”
“You sound like Martin.”
“Well, he spent ample time drilling it into me,” Jon says with a wry smile. “I don’t have the same capacity for hope as he does, but improbable doesn’t mean impossible. If I’d had it my way, I’d have lain down and died ages ago. I’m only here now because of him.”
“Mental health check,” Daisy says automatically.
“Not thinking of hurting myself,” Jon replies, just as rote. “You don’t have to do that, you know. I’ve told you, I’m physically incapable of killing myself even if I wanted to.”
“That doesn’t stop you brooding.”
“Anyway, I wasn’t referring to anything recent.”
“Weren’t you, though?” At his blank look, Daisy gives an impatient sigh. “It hasn’t even been a year since you woke up, Sims. Up until six months ago, you were wandering an apocalyptic wasteland–”
“…I found myself utterly alone. Facing down a room full of nothing eyes, willing myself to take action. I never did, though–”
“–I wanted to act, to help, to do something, but – my mind had all but seized up, and I felt helpless to do anything but watch as events progressed–”
“–there was nothing I could do to save him – he died – so did any hope I had of – doing good in the world–”
“–there’s a sort of numbness that you adopt after months or years of bombing–”
“–I did spend a lot of time just… slumped in despair – had no reason to think it would help, but I could see no choice but waiting for death–”
“–hoping against hope that – it wouldn’t be forever–”
“Hey!” Daisy’s voice finally breaks through the rush of static. Or perhaps it was the pressure: Jon looks down to see her bony fingers caging his own in a bruising grip.
“Sorry,” he says, catching himself as he starts to list woozily.
“Not to say ‘I told you so,’ but…” Daisy gives his hands another light squeeze. “You sort of just proved my point there.”
“I’m well aware that I’m – traumatized, or whatever–”
“Not ‘or whatever’–”
“–but I’m not a danger to myself, so could we please just move on?” Jon mumbles, averting his eyes. “You wanted a Hunt update.”
Daisy scrutinizes him for a long moment before she allows the conversational pivot to stand.
“Basira said you’ve heard back from that Head Librarian,” she says, “but she blew me off when I started prying.”
“Zhang Xiaoling,” Jon says, his shoulders relaxing. “She was able to confirm some of Jonah’s intel. They do have a statement about a book matching that description in their records, and she agreed to forward a copy once it’s been digitized. They’re further along in their digitization process than we are–”
Daisy snorts. “Probably because they’re actually working on it.”
“That, and they have the benefit of a Head Librarian who actually has a background in archival studies,” Jon says drily. “In any case, they have a large archive, so it’s a work in progress. She’s processed our inquiry, though, and she says she has someone on it. We should hear back by tomorrow at the latest.”
“Huh,” Daisy says. “Sounds…”
“Like a functioning archive?”
“I was going to say ‘streamlined,’ but sure.”
“The wonders of a hiring process that prioritizes job qualifications as opposed to a candidate’s apocalyptic potential.”
“What are the chances their institution is also led by a centuries-old corpse with a god complex?”
“Non-zero, I imagine.”
Daisy wrinkles her nose. “Ugh, don’t say that.”
“If it makes you feel any better, I don’t have evidence one way or the other.”
“It doesn’t. Does she know about…” Daisy waves her hand vaguely. “All of this? The Fears, Rituals… Jonah?”
The question gives Jon pause. He thinks back to his meeting with Xiaoling all those years ago – well, last June, from her perspective.
“Some of it, I think,” he says slowly. “She seemed familiar with some of the Archivist’s abilities. There were parts of my visit that struck me as odd at the time. I didn’t realize until later that she had been speaking both Chinese and English at different points in our conversation.”
Daisy frowns. “She didn’t clue you in?”
“She didn’t, no. But…”
Elias made a good choice, the Librarian’s voice echoes in Jon’s mind. I did offer him someone, but he thought the language might be too much for him.
It does tickle me, Jonah’s voice chimes in, that in this world of would-be occult dynasties and ageless monsters, the Chosen One is simply that – someone I chose.
“I don’t know if she’s aware of Elias’ true identity.” Jon swallows with some difficulty, his mouth suddenly dry. “Or his intentions.”
“So is it really smart to trust her?”
“If she’s in communication with him, there’s nothing she can tell him that he doesn’t already know. We’re just following up on information he gave us. And he’s likely spying on our correspondence whether she’s in contact with him or not. Not much we can do about that.”
“She could have her own ulterior motives,” Daisy says.
“True enough, but… I got the sense that her primary interest is curation. Studying phenomena, building a knowledge base–”
“In service to cosmic evil,” Daisy says pointedly.
“W-well, yes, but – I don’t think she has delusions of godhood herself, and I don’t think Jonah has tempted her with the idea.” Jon huffs to himself. “He wouldn’t want to share his throne.”
“Hm.”
“I’m not saying we trust her or the Research Centre as a whole. I had reservations about their motives then and I still do. It’s not unthinkable that they’re a front for something more sinister in the same way that the Institute is. But… I don’t think there’s any especial danger in utilizing their library.”
“Sims,” Daisy sighs, “your danger meter is broken beyond repair.”
“In my defense,” Jon says, bracing one arm on the desk to leverage himself to his feet, “at this point, everything is just differing degrees of dangerous.”
As the two of them leave the tunnels, Jon’s phone buzzes in his pocket. When he glances at the screen, he sees a text notification from Naomi – in addition to two missed calls. He frowns to himself. The two of them text regularly, but she rarely calls.
“What’s up?” Daisy asks, her brow furrowing in concern.
“Naomi,” Jon says distractedly, already returning the call. Naomi picks up on the first ring.
“Jon?” Naomi’s voice sounds thick and tear-clogged.
A cold weight settles in Jon’s stomach. “What’s wrong?”
“I j-just” – Naomi pauses to clear her throat – “just needed to hear a familiar voice.”
“What happened?” Jon asks – and realizes too late that in his urgency to discover the source of her distress, he’s poured too much of himself into the question.
“Nothing.” What starts out as a self-deprecating little laugh quickly deteriorates into a half-sob. “Nothing new, anyway. It’s always like this, this time of year. Evan and I didn’t have an exact date planned, but we’d talked about an autumn wedding. Thought it would be fitting, since we met in September, you know? Tomorrow is our anniversary, actually. Or – or it would’ve been. A-and then by the time I’ve picked myself back up, the holidays will have crept up on me, and that’s always hard, and – and then before I know it, it’s March, a-and that’s its own kind of anniversary, and it’s just… it’s a lot.”
“Oh, I – Naomi, I’m sorry, I didn’t mean to–”
“It’s fine,” she says with a sniff. “Don’t think I would’ve been able to get it all out, otherwise.”
“S-still, I–”
“It’ll be three years this March. And it still feels like it was yesterday. I spend six months out of the year feeling like I’m still stumbling through that cemetery, and I just…”
This time last year, Jon thinks with a lurch, I was still the monster in her nightmares.
And even now, he still pulls her there whenever they’re both asleep.
“When does that stop?” Naomi laughs again, a desperate, pleading thing. “When does the healing come in?”
“I… I don’t know,” Jon says truthfully. “Anniversaries are… they’re hard enough on their own. It doesn’t help that… well, it’s difficult to heal from something when you’re still living it.”
“What do you mean? Evan’s dead,” Naomi says, her voice breaking on the word. “He’s not coming back. It’s… it’s over.”
“There are still the dreams. The narrative might have changed, but the stage dressing is still the same.” Jon draws his shoulders in, one arm pressed tight to his stomach. “Keeping the memory fresh.”
“It’s not so bad.” Naomi sniffles again. “Better than being alone.”
“‘Alone’ or ‘nightmares’ shouldn’t be your only options.”
“I have my own nightmares, you know,” Naomi counters, sounding slightly annoyed. “When I’m asleep and you’re not. And they’re worse, because in them, I actually am alone. Nothing supernatural about it. It’s just… me.” She sighs. “This time last year – and the year before – I didn’t have anyone. And I just… I didn’t – I don’t want to be alone.”
“You’re not,” Jon says. “Not anymore.”
“I – I know, but I…” Naomi takes a breath. “I was… I was thinking – maybe tomorrow I could come by.”
“I’m sorry,” Jon says gently, “truly I am – but it’s not safe. Especially for you, especially right now. Not with Peter here.”
Naomi is already the equivalent of an unfinished meal to the Lonely. That, together with her association with Jon, is more than enough to mark her as a potential target should Peter take notice of her.
“Feels safer than being alone,” Naomi says. “The Duchess helps – a lot – but I…” She lets out a fond but tearful chuckle. “I can’t expect her to grasp the nuances of… grief, or loneliness, or what have you.”
“How about this,” Jon says. “We tell Georgie what’s going on – as much or as little as you’d like, even if it’s as simple as ‘I don’t want to be alone right now.’ I doubt she’d be opposed to having you over.”
“I wouldn’t want to impose. I mean, I – I’ve not spent much time with her outside of just… spamming the group chat with cat photos. I like her, but she’s your friend. I’m just… a friend of a friend.”
Nestled between the words is a familiar sentiment, unarticulated and nonetheless resounding, echoing all of the earnest conviction it had when first she made such a confession: All my friends had been his friends, and once he was gone it didn’t feel right to see them. I know, I’m sure they wouldn’t have minded, they would have said they were my friends too, but I could never bring myself to try. It felt more comfortable, more familiar, to be alone…
“People can have more than one friend,” Jon says. “I can’t speak for Georgie, but she wouldn’t go out of her way to talk to you if she didn’t like you.”
Indeed, that might be the reason Jon was able to open up to Georgie in the first place. He observed early on that she had no qualms disengaging from people whom she had no interest in getting to know. Whatever Jon might have felt about himself on any given day, the simple fact of the matter was that Georgie would never have let him get so close if she hadn’t seen something redeeming in him.
And she likely wouldn’t be letting him stay close now if she didn’t still see something worth salvaging.
“It’s up to you, of course,” he says. “I won’t pressure you. But I think Georgie would be more receptive to friendship than you expect. And I think – I think you’d get along with Melanie, too.” Naomi is silent on the other end of the line. “At the risk of overstepping, I… I know being alone feels like the natural state of things, but it doesn’t have to be. If you want, I can talk to Georgie. Lay the groundwork. I won’t give her any of the details – it’s not my story to tell – I’ll just let her know that you’re feeling alone and could use some companionship.”
“Okay,” Naomi whispers. “Just… let her know she’s not obligated.”
“I will. On the extremely off chance she says no, or if she’s busy tomorrow, I can keep you company remotely. We can spend the whole day holding up the office landline if you want.”
“It’s a Friday.”
“And?”
“It’s a work day?”
“Naomi, my job is wholly comprised of monologuing to any tape recorder that manifests within a six-foot radius and doing my utmost to render my department as counterproductive to both the Institute’s professed and clandestine organizational objectives as humanly or inhumanly possible.” Naomi barks out a startled laugh. “I won’t be fired no matter what I do – which is a shame, seeing as it became my foremost professional development goal somewhere between finding out my boss murdered my predecessor and virtually dying in an explosion at a haunted wax museum. Barring a sudden and unexpected apocalyptic threat – which, admittedly, is unlikely but not unthinkable– I’ve already cleared my non-existent schedule for you.”
“Okay.” Naomi makes a sound somewhere between a sniffle and a chuckle. “Thanks. Really.”
“Any time.”
_________________
The statement is an unnerving, circuitous thing: a firsthand account from an unnamed member of the Drake-Norris expedition in 1589. In many ways, it’s eerily similar to the last statement Jon accessed from Pu Songling’s archives: Second Lieutenant Charles Fleming’s shellshocked, guilt-fueled confession of atrocities committed under orders.
The historical record is rife with accounts of Francis Drake’s cruelty, Jon knows: his role in the transatlantic slave trade, the unprovoked massacres committed in his name, the preemptive strikes that incited further bloodshed. The statement giver speaks in awestruck horror of the bloodlust lurking in the man’s eyes, the vitriolic fervor with which he undertook his campaign to seek out and destroy the remnants of the Spanish fleet – and the depths of his rage when his efforts ended in defeat. Humiliated, he turned his vengeful eye to the Galician estuaries.
The writer tells plainly of his own complicity in the sacking of Vigo, razing the town to the ground and slaughtering its inhabitants with indiscriminate zeal. For four days Drake’s men carried out their rampage, retreating only when reinforcements arrived to stem the tide.
“You may ask yourself,” the Archivist reads on, “how it is that a man born into the reign of Good Queen Bess sits before you today, some four centuries past his due?
“You see, as we left the shores of Galicia that day, I heard from behind us a vicious braying, as if someone had set loose a great host of hounds. They were close – close enough for me to sense their stinking breath hot on the back of my neck. Such a thing was impossible, for we were by that time far from shore, having already rowed half the distance between the beach and the waiting armada. That did not stop me dreading the dogs lunging and tearing into me at any moment.
“I am not ashamed to admit that I let out a whimper.
“As the seconds ticked by and the pack failed to descend upon us, my curiosity grew to outweigh my terror. I turned to look – and was thus ensnared. It was, I realize now, the instant at which I became beholden to the blood. My greatest folly.
“Perhaps I oughtn’t have been so surprised to see no hounds surging toward us atop the waves, but you must understand that the proximity of their snarling was far more convincing than their visual absence. In looking behind us, though, I was able to appreciate the havoc we left in our wake: the great plumes of ash rising from the smoldering rubble, backlit by a flickering orange glow, and wails of despair so profound as to combat the noise of the wind, the waves – even the discordant shrieking of the hounds.
“It was a scene of such devastation as I had never seen before or since. Looking back, I think upon the acrid stench of charred flesh on the breeze with horror and… indescribable remorse. It shames me now to admit that at that time, I had never felt such… rapture.
“That was when a motion caught my eye. Between the distance and the billowing smoke, it should have been impossible to discern such detail, yet there he was: quarry I had left for dead, emerging from the debris and staggering away from the ruins of his… wretched life. As he looked out to behold our retreat, I could see the grief playing on his face, the fury, the fear – but what most set my blood to boiling was the spark of relief I saw in his eyes.
“It awakened something in me – a famished and merciless thing, composed of tooth and claw and a mind beginning and ending and utterly encompassed by the call of the pack. With a roaring in my ears and a single-minded violence supplanting my sensibilities, I deserted the rowboat and swam to shore. A chorus of howls carried me forward, and I let them be my wings, steering me down the swiftest, straightest path to my target.
“I slowed for nothing, and I made certain my prey did not live through the night.
“As you can likely guess, the chase did not end there. Those baying devils who had so called me forth continued to hound my steps, nipping at my heels, spurring me ever onward to the next quarry. Those who once knew me would scarcely have recognized what I became. Whenever I dared look into a mirror, I would see in myself a dogged, seething violence so akin to that which had lived in the eyes of my former commander. A cruelty that once had frightened and repulsed me had become the blood and breath of me.
“For a time I sought to refrain from the chase. The longer I refused the call, the weaker I became. The hounds’ breath on my neck grew hotter; their braying swelled louder. I found myself wasting away: always hungry, never sated. Eventually my faculties began to slip. I would lose myself to such… bestialimpulses, and only the stain of blood on my teeth would return to me my reason. It pains me to confess to you now that it did not take long before I ceased my resistance entirely.
“It was at the turn of the sixteenth century that I happened upon the artefacts now in your possession. Their previous owner was a formidable adversary. I spent nearly a fortnight tracking him before I managed to run him down, and he fought like a tempest before he fell.
“Ordinarily I did not linger after a kill, instinct hastening me ever onward to the next great game. As I turned to leave, though, I was overcome by the sense that the hunt was… unfinished. Troubled, I reached down to check the man’s pulse. I was reassured to find him quite dead, but as I drew back, I noticed the brooch.
“It was a simple thing made of tarnished copper, fashioned into an incomplete ring, the ends of which resembled the heads of dogs. The moment my fingers brushed that ornament, I knew it was meant for me. It went into my pocket with nary a conscious thought.
“The itch of the hunt was still crawling down my spine, though; the frantic snuffling of phantom hounds yet filling the air all around me. I continued to search his person until I found what was calling out to me: a thin volume bound in leather. Curiosity ever my folly, I opened it.
“Up until that point, I had never learned to read nor write Latin with any degree of mastery. Yet I could understand the text within with perfect clarity. The script did not transform to English before my eyes, nor did the book render me proficient in the language. No, I simply… beheld the pages, and the meaning flowed into me.
“The story tells of Herla, legendary king of the Britons, who visits the dwarf king’s realm. Upon leaving, he is gifted a hound and warned not to dismount his horse until the dog leaps down. When Herla and his men return to the human world, they discover that not days but centuries have passed: all those they had known have long since perished, and the Saxons have taken possession of the land. In their distress, some of the men dismount, whereupon they turn to dust. Herla warns the survivors to stay in their saddles, to wait until the dog leaps down.
“‘The dog has not yet alighted,’ the author tells us, ‘and the story says that this King Herla still holds on his mad course with his band in eternal wanderings, without stop or stay.’
“The next several pages are unreadable. The language resembles none I have ever encountered, and I have yet to find a soul who can decipher it. I can however attest its hypnotic qualities. I have spent many hours mired in those words, but I could not for the life of me tell you what I saw there. Others to whom I presented the text found themselves either enthralled or agitated, though none could recall such episodes once lucidity returned to them. I expect you mean to unravel its secrets, but you may do well to let its mystery stand.
“The final passage – a single page, this written in English – tells of Herla’s escape: how, weary and driven to despair, he casts the dog from the saddle and into the River Wye. The instant the hound hits the water, Herla and his band crumble into dust, at last meeting the same fate they spent so many hundreds of years trying to outpace.
“I have had hundreds of years of my own since first reading the tale to digest its message, and that is why I come to you today. Although I have killed several times since these items came into my possession – it should come as no surprise that there are those who covet them – I have not sought out a single hunt since I vanquished the man who yielded me these trinkets. The hounds at my heel have not ceased their clamoring, but so long as the brooch is on my person, they cannot sink their teeth in me. I am always hungry, yes – but I am no longer starving.
“But I am also weary. I have come to understand that even as the hounds can never catch me, they will never leave me. In my four hundred years, I have played the role of both the hunter and the hunted, and have learned that they share the same ultimate plight. Whether I be predator or prey, I am trapped in the throes of an endless pursuit. So long as I should live, my blood shall never quiet.
“And that is the key: so long as I should live. Even now, the fervor in my blood insists that the hunt is eternal, but I know now that one cannot outrun one’s end forever. Much like my constant, howling companions, Death will always be nipping at my heels. In that sense, he is perhaps the ultimate hunter. Just as I have delivered to him so many souls, neither can I escape his judgment. If ever I am to rest, I must bow to his supremacy.
“And so, like Herla, I shall cast the dog away from the saddle. I leave it in your care now, and the book. I should be so lucky to exit this life with the dignity I denied so many others, though I fear I shall be found undeserving of such a swift end. I can only hope that, whatever my comeuppance should be, I shall have the grace to accept it without complaint.”
With a heavy exhale, Jon depresses the stop button on the recorder, then puts his head in his hands, putting pressure on his closed eyes.
“You alright?” Basira asks.
“More than I’d like,” Jon mutters.
“If I thought there was any chance this guy was still alive, I wouldn’t have given you the statement to read.”
“I know. Just…” Jon waves his hand vaguely.
“Unpleasant, yeah.”
And rejuvenating, Jon thinks bitterly. It’s only been a few days since his last statement from Daisy, and already he had begun to feel famished.
“They sent along some supplemental records,” Basira says, rifling through printouts. “The statement is cross-referenced with two objects in their Collections Storage – here.”
The document she slides across the desk contains two catalog listings:
Item No. 9820702-1
Description: Pennanular brooch, copper alloy. Geometric and interlace motifs. Confronted zoomorphic terminals (canine profile). Moderate surface oxidization and patination. Dimensions: 5.5cm x 4.5cm body; 12.5cm pin. Artefact dated ca. 500–700 CE.
Properties: Primary subject (Case No. 9820702) reports mediating effect on the Hunter’s affliction (unverified). Item implicated in subject’s alleged abnormal longevity (unverified). Further study suggests dormancy and/or lack of reactivity to unafflicted subjects (see associated Investigation Log).
Storage: Special Collections – Inorganic Storage, Container Unit No. 982-05. Acid-free board housing, etherfoam packing. Environmental parameters in brief: maintain stable temperature (16-20°C); relative humidity, 32-35%; light levels, <300 lux. Handling protocols as per Acquisitions & Collections Policies and Procedures §3.5.3: Artefact Preservation – Metals – Copper and Copper Alloys.
Access: Upon request. Curator approval required prior to initial visit. Applicants may submit statement of intent to Acquisitions & Collections Department Head Curator for clearance. Terms, procedures, and degree of supervision subject to Curator’s discretion.
Provenance: Surrendered 2nd July, 1982 upon receipt of accompanying statement (Case No. 9820702), subject name unknown. See also Item No. 9820702-2.
Appendices:
· Investigation Log No. 9820702-1;
· Supplemental Documents Nos. 9820702-1.01 through -1.03.
Cross-reference:
· Case No. 9820702;
· Item No. 9820702-2;
· Acquisitions & Collections Catalog §3.6.4: Antiquities – Adornments and Jewelry (Inert).
Item No. 9820702-2
Description: Bound manuscript. Front and back covers unembellished leather (source undetermined) stretched over wood board (source undetermined). Leather cord binding (calf, bovine). Paper and parchment leaves. Ink corrosion and paper degradation present but minimal (fair condition inconsistent with age and media). Dimensions: 8.8cm x 14.0cm x 2.5cm. Artefact dated ca. 1190–1450 CE.
Contents: Eighteen (18) pages total, one-sided.
· Title page (1) iron gall ink on parchment (sheepskin): Gualterius Mappus – De nugis curialium – xi. De Herla rege
· Pages two (2) through four (4) iron gall ink on paper (hemp pulp, linen fiber): Medieval Latin (ca. 12th century) script.
· Pages five (5) through sixteen (16) ink (chemical composition undetermined) on paper (cotton fiber): alphabetic script (unknown roots); refer to Supplemental Document No. 9820702-2.03 for comparative linguistic analysis (inconclusive).
· Page seventeen (17) ink (chemical composition undetermined) on paper (cotton fiber): Middle English (ca. 15th century) script.
· Page eighteen (18) parchment (sheepskin): blank.
Transcripts and translations (where possible) provided in Supplemental Document No. 9820702-2.01*.
Properties: Primary subject (Case No. 9820702) reports total comprehension of Latin portions of the text despite lack of proficiency. Text alleged to diverge from source material (De nugis curialium – Map, Walter, fl. 1200). Both claims verified upon further examination (see associated Investigation Log). Probable association with the Hunter’s affliction.
Storage: Special Collections – Secure Storage. Environmental parameters in brief: maintain temperature at 20-22°C; relative humidity, 32-36%; light levels, ≤50 lux. Housing and handling protocols as per Acquisitions & Collections Policies and Procedures §2.5.5: Document Preservation – Premodern Inks – Iron Gall and §9.2: Special Precautions – Occult and Esoteric Texts.
Access: Restricted.
Provenance: Surrendered 2nd July, 1982 upon receipt of accompanying statement (Case No. 9820702), subject name unknown. See also Item No. 9820702-1.
Appendices:
· Investigation Log No. 9820702-2;
· Supplemental Documents Nos. 9820702-2.01* through -2.07;
· Incident Report No. 9930214.
Cross-reference:
· Case No. 9820702;
· Item No. 9820702-1;
· Acquisitions & Collections Catalog §2.1.1: Archival Media – Occult Books (Active);
· Interdepartmental Bulletin No. 9941002, “The Library of Jurgen Leitner: Lessons Learned.”
*Addendum, 16th February, 1993:Supplemental Document No. 9820702-2.01 reclassified as Restricted Access. Direct all inquiries to Pu Songling Research Library Head Librarian or Acquisitions & Collections Department Head Curator.
“So?” Basira prods. “What do you make of it?”
“Well, assuming the statement is a reliable account, it seems…”
“Promising, right?” Basira says, her eagerness tinted with relief. “If we can–”
She stops abruptly as the tape recorder on the table clicks back on.
“I think that’s our cue to move this conversation elsewhere,” Jon says.
Not that it will stop the tape recorders from listening in, but he has no desire to make Jonah’s surveillance any easier for him.
_________________
It takes some hemming and hawing, but Jon manages to convince Basira that this really ought to be a group discussion. As she recaps the statement and shares her own remarks, Jon keeps a close eye on the other two people in the room. Martin is listening attentively, leaning forward slightly but otherwise at ease. Daisy, though… she’s all corded muscles and jittery legs, taut and precarious on the edge of her seat.
All the while, Basira appears impervious to the storm brewing in Daisy’s eyes, even as Martin catches on and begins chewing on the inside of his cheek, darting nervous glances between the two of them. By the time Basira finishes her overview, the tension in the air is palpable, nearly electric.
For several seconds, no one speaks.
“So,” Martin says, his voice a bit pitchy. He clears his throat before continuing. “Magical, Fear-resistant brooch, huh?”
“It wouldn’t be unheard of,” Jon says. “Remember what I told you about Mikaele Salesa?”
“The apocalypse-proof bubble? Yeah.”
“That camera of his didn’t just protect him from the Eye, it hid him from the Powers in general.”
“What was the catch?” Daisy asks pointedly. “Got to be a catch.”
“Does there?” Martin asks. His hesitant smile falls at Daisy’s blank stare, and he tilts his head back with a sigh. “Yeah, alright.”
“It’s… not entirely benign, no,” Jon says. “In Salesa’s statement, he called it a ‘battery’–”
“–charging itself on all the quiet worries that come from living in hiding, and then when the sanctuary collapses, all that fear flows out at once. No doubt, if my oasis breaks before I die, the Eye will get quite the feast from me, but in this new world–”
“That’s enough of that, I think,” Martin says, resting a hand on Jon’s arm.
Jon bites his tongue, shuts his eyes, and takes a deep breath in, only daring to speak once the tingling on his lips subsides. “Sorry.”
“Nothing to apologize for.” Martin offers him a reassuring smile. “Just didn’t want you getting bogged down.”
“That’s one term for it,” Jon says, not quite under his breath. It’s true enough, though. Sometimes it feels like the Archive is pressed up against the door, watching for the tiniest crack, waiting for any opportunity to surge through and drag him under. Lately, Martin has grown uncannily adept at sensing when to interrupt these lapses before they spiral out of control – likely because they’ve been growing more frequent.
“That’s what I thought,” Daisy says. Puzzled at the apparent non-sequitur, Jon glances at her, but she isn’t looking at him. All of her attention is focused on Basira. “This thing is probably the same. It’s not some… some harmless miracle solution. If we mess around with it, it’s bound to blow up in our faces sooner or later.”
“I’m… not sure about that, actually,” Jon says. “The brooch didn’t free the Hunter, it just made it so he couldn’t be caught. I think that’s what it was feeding on – the Hunter’s gradual awareness that he was no different from the hunted, that sensation of being perpetually stalked from the shadows by a greater predator. It spent centuries charging itself on that fear, and it culminated in the realization that he would never escape it. He would always be waiting for the axe to fall, and Hunt was happy to keep him as perpetual prey. If he wanted the chase to end, he had to give up the artefact – and once it was no longer keeping him in stasis, he had a choice to make.”
“Go back to hunting, or let it catch him.” Daisy breathes a humorless laugh. “The Hunt, or the End.”
“But it would keep you alive,” Basira says. “It would buy us time to find a way to free you for real.”
“What about the Leitner?” Martin asks. “That’s what Jonah sent us after in the first place.”
“Turns out it’s not actually from Leitner’s library,” Jon says. “No bookplate, and it seems the statement giver had it in his possession since the 1500s. It’s… difficult to tell from the statement whether it had any significant effect on him. He called it ‘hypnotic,’ but he was already a Hunter by the time he found it. I imagine it might have different effects on someone not already under the Hunt’s influence.”
“He sort of alluded to that.” Basira takes a moment to peruse the statement, running her finger along the page until she finds the relevant line. “Here – they ‘found themselves either enthralled or agitated.’ A bit obscure, but… he says it like it’s an afterthought. If it outright turned anyone into a Hunter, he probably would’ve said so.”
“That doesn’t mean it isn’t dangerous,” Daisy says.
“I never said it wasn’t,” Basira replies coolly. “The record references a transcript, so I assume they had someone read it at some point. And it also mentions an incident report.”
“What was the incident?” Martin asks.
“Don’t know,” Basira says. “They didn’t provide any of the supplemental documentation, just the catalogue listing and the statement itself. But they acquired the book in ‘82 and didn’t make the transcript restricted until ‘93, so… either it was dormant when they first studied it and became active later, or they didn’t study it closely enough to activate its effects, or it doesn’t affect everyone the same way, or – or maybe their workplace safety guidelines just changed and they decided not to risk studying it anymore.”
“Jonah did say something about its effects varying depending on how much of it a person reads, right?” Martin asks. “Though who knows where he got that from.”
“There might be some truth to that,” Basira says. “The catalogue entry does describe what’s on the title page, so I’m assuming that part at least is safe. I’m most curious about the untranslated chunk in the middle.”
And I’m a universal translator, Jon thinks, fidgeting with the drawstring of his hoodie. Basira’s eyes flick to him, as if reading his mind.
“I… suppose I could–”
“No,” Martin and Daisy say simultaneously.
Jon scowls. “You didn’t even let me finish the–”
“You threw yourself into the Buried – twice – to save me,” Daisy says severely. “You can’t keep sacrificing yourself at every opportunity.”
“I wouldn’t be–”
“What, re-traumatizing yourself by reading a Leitner?” Jon shuts his mouth, pressing his lips tightly together. “It’s not worth it, Sims.”
“Daisy,” Basira begins, but Daisy cuts her off.
“No. I’m not having him throw himself to the wolves just because you’re curious.”
Basira flinches, hurt momentarily crossing her face before her expression goes stony.
“You really think that’s what this is about?” she says, her voice shaking. “Knowledge for knowledge’s sake? Me being curious?”
“You can’t tell me you’re not,” Daisy says, and then her expression softens. “And I love that about you, I do – you’re brilliant, Basira – and driven, and passionate, and…” She sighs. “But sometimes… sometimes you need to let things go.”
Out of the corner of his eye, Jon notices Martin cross and uncross his legs, his lower lip captured between his teeth. When Jon catches his eye, Martin jerks his chin minutely at Basira and Daisy, a grimace on his face. All Jon can offer is a helpless, equally awkward shrug. Near as he can tell, Basira and Daisy seem to have momentarily forgotten that they have an audience, and judging from their locked eyes and thunderous expressions, he doubts either of them would appreciate a reminder right this second.
“Let you go, you mean,” Basira says tersely. “When you say ‘it’s not worth it,’ what you really mean is that you’re not worth it.”
“Well, I’m not.”
The cavalier tone is the last straw, it seems.
“Why won’t you just let me help you?” Basira slams her hand down on the rickety table, straining its wobbly legs. “You’re just so ready to–” She lets out a frustrated groan. “You never used to give up this easily.”
“Maybe should’ve done,” Daisy says flatly. “Might’ve lowered my body count.”
“Giving up Hunting doesn’t have to mean giving up on living,” Basira says. “I might have finally found an alternative, and you won’t even consider–”
“I’m not doing anything that’s going to hurt someone, and that includes exposing Jon to a fucking Leitner.”
“I’m right here, you know,” Jon mutters testily, the friction finally getting the better of his nerves. “Don’t I get a say?”
“No, you don’t,” Daisy says, rounding on him. Now that all of her brimming agitation is funneled in his direction, he regrets saying anything at all. “Because lately, whenever I ask you if you want to hurt yourself, the best you can give me is ‘it doesn’t matter because I can’t die anyway.’”
“Jon?” Martin says urgently, his eyebrows drawing together.
“Th-that’s not what I–”
“You’re not thinking rationally,” Daisy speaks over Jon’s stammering. “You’re thinking like a condemned man with a rope around his neck and something to prove, and I’m not going to be the noose you use to hang yourself with.”
“Will you listen to yourself?” Basira says heatedly. “You get on my case about double standards–”
“That’s enough!” Martin bursts out. “This isn’t helping. Daisy’s right, Jon. You’re not going anywhere near that book – I don’t want to hear it,” he adds before Jon can retort. “Not now, anyway. We’ll talk later. But Basira’s right, too,” Martin says, turning his attention to Daisy. “You can’t make amends by dying, and you can’t do better going forward if you’re not alive to try.”
“Who says I deserve a chance?” Daisy says.
“Whatever you think you ‘deserve’” – Martin gives Jon a meaningful glance as he says it – “you’ve got a chance, and people who want to help you through it, and you ought to consider that before you assume you’d do more good dead than alive.” He exhales a sharp breath. “Anyway, forget the Leitner, and forget what Jonah said about it. The brooch seems like the more promising option here.”
“I agree,” Jon says, cowed. “Between the book and the brooch, the statement giver credited the latter with keeping the Hunt at bay. And perhaps my bias is showing, but truthfully I – I’m not inclined to see those books as anything but tragedies waiting to happen.”
“What’s the difference?” Daisy says flatly. “It took a decade for something bad enough to happen for them to make the Leitner’s transcript restricted. The brooch could be just as much of a time bomb. Just because it doesn’t have any ‘incidents’ connected with it now doesn’t mean it never will.”
She isn’t wrong. Looking back, Jon had found it infuriating that Leitner would continue meddling with the books even after he witnessed the horror they wrought, all while claiming to have learned from his hubris. Just because this particular artefact isn’t a book doesn’t make it any less ominous.
And yet…
“I think it’s already shown its more sinister side,” Jon says slowly.
“You think,” Daisy scoffs.
“It doesn’t give a Hunter strength, it makes them perpetual prey. It… won’t be pleasant for you, I’m sure,” Jon admits, “but Basira’s right – it could keep you alive while we search for a better solution.”
“There might not be a better solution,” Daisy says stubbornly.
“Which is what I said before you browbeat me into taking statements from you,” Jon counters.
“I didn’t browbeat–” Jon raises his eyebrows. Daisy gives a flustered groan. “It’s just – it’s different, okay?”
Much as Jon wants to disagree, he knows better than to argue. They’d only end up talking in circles.
“I think it’s an avenue worth pursuing,” he says. “Given the alternatives.”
“Please, Daisy,” Basira says. “Just… consider it, at least.”
The for me remains unspoken, but Jon can hear it loud and clear. As can Daisy, it seems – the defiant set to her jaw falters for a moment before she tenses again.
“Fine,” she says grudgingly. “But if it starts to go south–”
“If it manifests any new properties, we’ll prioritize containing it over interacting with it,” Jon says.
“You promise?” Daisy asks, but she looks at Basira when she says it. It takes a moment, but Basira does nod.
“Do you think Pu Songling will let us have it?” Martin asks. “Seems like their protocols are…”
“Rigorous?” Jon supplies.
“You’d almost think they were running an academic institution or something,” Basira says drily.
“Yeah, but treating the artefacts like museum pieces, it’s… it’s weird, isn’t it?” Martin says. “It’s not as if they’re fragile, right? They’re held together by… nightmare alchemy, or whatever.”
“I suppose it’s to be expected,” Jon says. “I know the Librarian has a degree in information science. And I recall her telling me that the Curator is an historian with a background in museology. But you’re right – it would be nice if Leitners were as delicate as the average old manuscript.”
“At least they’re flammable,” Daisy mutters.
“We spoke with the Head Curator,” Basira says. “She’s willing to work out a trade.”
“A trade?” Martin asks.
“Knowledge for knowledge,” Jon says. “An artefact for an artefact. I get the impression that the Librarian and the Curator are both very… collections-oriented. True to their titles, I suppose.”
“Hold up,” Daisy says. “‘The Librarian,’ ‘the Curator’ – are those just job titles, or are they, like… Beholding Avatar titles?” Jon blinks at her, perplexed. “I mean – the way you keep saying them, it’s sort of like…”
“What, ‘Archivist’?” Jon gnaws on his thumbnail as he pauses to consider. “I… don’t know, actually. I wasn’t really doing it consciously? It just…” He shrugs helplessly. “It felt right.”
“Is it coming from the Eye, then?”
“I have no idea, Basira.” Jon leans forward, props his elbows on his knees, and digs the heels of his palms into his eyes. “I wouldn’t be surprised.”
“Hm.”
“In any case…” Jon exhales slowly, forcing himself to sit up straight again. “They seem to take the research and curation aspects of their roles to heart. They aren’t reckless with their pursuits, they take ample precautions, but the scholars at Pu Songling do study the items that come into their possession. And from what I understand, the Curator takes avid interest in adding to their collection. Same as the Archivist’s role is to record stories. To what extent her efforts are driven by her connection to the Eye versus her own innate curiosity, I couldn’t tell you, no more than I can make that distinction in myself.”
“Sort of a chicken-or-egg situation, then,” Daisy says.
“From an evolutionary perspective, the egg came first,” Jon says automatically. “Amniotic eggs have been around for over three hundred million years. Birds originated in the Jurassic, true galliforms didn’t evolve until at least the Late Cretaceous, phasianids don’t appear in the fossil record until about thirty million years ago, and chickens as we know them were only domesticated about eight thousand years ago–”
“Oh my god,” Daisy groans, putting her head in her hands.
“What?” Jon says, heat rising in his cheeks as Martin muffles a snicker beneath his hand. “I’m not wrong.”
“Pu Songling’s Collections Department is larger than our Artefact Storage,” Basira interjects, “but the, uh… Curator has a shortlist of artefacts she’s been on the lookout for. I checked our records and found a match. A ring – probably belongs to the Vast, based on the reports surrounding it. Looks like the Institute purchased it from Salesa in 2014, shortly before his disappearance. The Curator considers it an ‘equitable exchange,’ but she still wants to assess the ring in person before making the trade.”
“And we still have to talk to Sonja,” Jon adds. “On the one hand, she likely wouldn’t object to being rid of an artefact, but on the other hand… I imagine she won’t be keen on letting it out into the world.”
“I think it would be a harder sell if you were just going to swap it out for another artefact – something unfamiliar that they’d have to develop all new protocols for,” Martin says. “But yeah, even if you won’t be making the brooch her problem, she’ll probably still want to know what we want with it. And I can see her pressing the Curator on why she wants the ring when she gets here.”
“The Curator won’t be coming here,” Basira says evenly, casting a surreptitious glance at Daisy to gauge her reaction. “Says she’s too busy to travel.”
“So you have to haul the ring up to her,” Daisy says.
“I mean” – Basira breathes an uneasy laugh – “it’s a ring. Not much hauling involved–”
“Oh, don’t start–”
“–and there are precautions I can take. Looks like Artefact Storage has relatively thorough documentation for this one.”
“‘Relatively’?” Daisy repeats, unimpressed. “You were just complaining about how sparse their records are. ‘Relatively’ isn’t saying much.”
“Well, it’s better than nothing.” Basira rubs at her face. “I have to do this. Just… trust me.”
“You know I do–”
“Then let me have your back,” Basira says, practically pleading. “Let me help you.”
“Fine,” Daisy mutters, her posture going slack. “Do what you want.”
It’s not exactly a resounding endorsement, but it’s as good as they’re likely to get.
_________________
Despite Daisy’s lack of enthusiasm, Basira immediately throws herself into making arrangements. The Curator at Pu Songling is more than accommodating, seemingly as eager as Basira to make the trade. The real challenge is the Head of Artefact Storage.
It takes over a week of cajoling, lengthy justifications, and a concerted, collaborative effort from Basira, Jon, and Martin before Sonja finally, albeit reluctantly, agrees to discuss the matter with the Curator. Over the following days, Basira and Jon facilitate negotiations between the two: mediating a fair amount of (professional, but nevertheless pointed) verbal sparring early on, and later arbitrating the terms and conditions of the trade.
“You’d think that in the course of dealing with literal supernatural evil on a daily basis,” Basira gripes at one point, “bureaucracy wouldn’t be the biggest priority.”
“I’ve found that the bureaucratic process gives me ample time to make assessments,” Sonja says, unruffled. “Red tape has a way of bringing out the worst in people. Sometimes that’s a procrastinating student who woke up this morning, realized their deadline is next week, and ‘needs access to our materials, like, yesterday,’” she says, complete with finger quotes and a mocking tone. “And sometimes it’s some shady rich snob who’s been consistently cagey about his motives, and eventually he starts to go from impatient and entitled to desperate and frustrated, and that’s when the red flags start popping up crimson. After a while, you learn to distinguish the mundane sort of desperation from the more sinister sort.”
“Huh,” Jon says, smiling to himself. He knew Sonja was clever, but he never knew she was so calculating. It seems Jonah made the same mistake with Sonja as he did with Gertrude – overestimating a person’s curiosity and malleability, underestimating their prudence and pragmatism, and then promoting them to a position where they were free to act in a decidedly un-Beholding-like manner.
Once Sonja is sufficiently assured that the Curator has no intentions of utilizing the artefact or allowing it to venture beyond the secure confines of Pu Songling’s Collections Storage, the process starts to go a bit more smoothly. As expected, Sonja is amenable to the prospect of having one less piece of malignant costume jewelry, as she puts it, provided the Archival staff take full responsibility – both for the ring once Basira signs it out and for the artefact they receive in exchange.
“The ring has a compulsion effect,” Sonja tells them. “Makes people want to put it on – and once it’s on your finger, it’s not coming off until you hit the ground. Luckily it’s not a particularly active artefact, at least not compared to some of the other things we have here. I wouldn’t call it safe, obviously, but” – she raps her knuckles on the wooden beads of the bracelet on her opposite wrist – “it’s never breached containment.”
The how and why become abundantly clear upon seeing the closed ring box, so caked in earth and grime that it’s impossible to make out the color or material underneath.
“Buried, I take it,” Basira murmurs, giving Jon a sidelong glance.
“Yeah.” Jon grimaces at the phantom taste of soil on his tongue. “An artefact to contain an artefact.”
“Looks like the Curator is getting a twofer,” Basira says.
“Fine by me,” Sonja says with a nonchalant shrug. “That’s the box it came in, actually. Don’t know why it works, but it does, and that’s all I care about. So long as you keep it closed, the worst you’ll get is vertigo. As far as we’ve observed, anyway. There’s always a chance that an artefact has more secrets than it lets on at first glance. Assuming you know everything there is to know is a good way to end up in a casket.”
“We’re well aware,” Jon says. “Believe me.”
“Seriously, though – if this goes tits up, I don’t want to hear it,” Sonja says sternly, all but wagging a finger. “And if you call up here a few months from now to tell me that you’ve got a rogue artefact wreaking havoc in the Archives, and I’ve got to put my people at risk to contain it, I will unleash unholy hell.”
The funny thing is, Jon believes her.
_________________
Despite the progress they’re making on obtaining the Hunter’s brooch, dissent continues to simmer within the group – particularly where Daisy is concerned. As the escalating tension in the Archives becomes ever more tangible, Martin begins to feel claustrophobic under the weight of all the things left unspoken.
Daisy is consistently ill-tempered: bellicose in one moment and taciturn in the next, frequently seeking out solitude whenever her agitation gets the best of her. Martin suspects that her volatile mood has as much to do with her deteriorating condition as it does to do with her lingering aversion to the rest of the group’s efforts. Although she and Basira haven’t had another row – so far as Martin is aware, anyway – there’s been an undeniable friction between them. On the worst days, Basira keeps to herself, burying her head in her research while Daisy slinks off to some dark corner of the Archives to brood until Jon comes to drag her away from her thoughts.
Not that Jon is much better. He’s been sullen lately, growing more withdrawn, sleeping less and jumping at shadows even more than usual. Martin often catches him in a trance, staring vacantly into space and droning horrors under his breath. More and more he lapses into statement clips mid-sentence, regardless of how recently he’s had a statement. Sometimes, all it takes is a momentary slip for Jon to lose his footing and devolve into a frenzied litany of back-to-back, fragmentary horror stories. On a few recent occasions he’s lost his voice entirely, though luckily it’s only been for an hour or two at a time.
(So far, Jon says morosely after each episode.)
Most unsettling, though, is the chronic faraway look in his eye, like he’s seeing something else. Like he’s somewhere else, lost across an unbridgeable divide.
Martin is well-acquainted with the sensation of feeling alone in the presence of others. That doesn’t make it any less distressing. It’s not that Jon intends to be distant. He might not even be aware of it; would likely be mortified if he knew just how much that detachment stirred Martin’s longstanding fears of isolation and abandonment. Jon’s still affectionate, after all. Although he seems reluctant to actively seek out comfort these days, he’s still prompt to take an outstretched hand, to lean into a kind touch, to accept a proffered embrace. Still makes a concerted effort to muster, however feebly, a soft smile whenever Martin enters a room. Still attempts to be present and attentive and open.
But sometimes it feels like Jon is out of reach, separated from the rest of the world, watching it pass him by through layers of frosted glass. Martin knows the feeling. What he doesn’t know is how to fix it.
Before long, Basira is set to leave for Beijing, an artefact of the Vast nestled away in her luggage amidst assurances to Sonja that, yes, under no circumstances will Basira attempt to take it on a plane or into the open ocean because, no, Basira does not have a death wish, thank you very much.
Martin half-expects another quarrel to break out on the eve of Basira’s departure, but Daisy is oddly subdued. Perhaps she just doesn’t want to part ways with angry words and unresolved arguments, or perhaps she’s simply come to accept the rest of the group’s decision to move forward with the plan. Considering the dark circles under her eyes, though, it’s just as likely that she’s simply too fatigued to start a fight.
A few days later, Martin descends the ladder into the tunnels to find Jon standing at his makeshift desk, staring down at the map unfurled across its surface – the product of the group’s ongoing efforts to survey the sprawling tunnel system of the former Millbank Prison. The blueprint-in-progress is an equally sprawling thing: sheets of mismatched paper layered one atop the next and taped together, its irregular borders comprised of haphazard angles and dog-eared edges.
The hand-drawn map on its surface is chaotic, reflecting the penmanship of four different authors. Jon’s contributions might be the messiest – the burn scar contracture on his dominant hand renders his lines shaky at best, and his handwriting has always been a tad chickenscratch. Daisy’s isn’t much better. Conversely, Basira’s additions are the neatest, her strokes as steady as the persona she tries to project to the world. Martin’s are passable, if only because, unlike Jon or Daisy, he actually has the patience to use rulers and book edges to trace straight paths.
To be fair, it would probably look a mess no matter how painstaking they were in constructing it. The tunnels are as labyrinthine as expected: a vast network of arterial corridors with offshoots along their lengths, branching into three- or four-way forks, most of which lead to dead ends. Occasionally, they find a path that loops back around and connects other parts of the maze, creating a series of meandering, convoluted closed circuits. It’s difficult to tell just by looking, but they are (Martin hopes) making progress. At the rate they’re going, they have to be on track to find the Panopticon before the winter solstice.
In any case, as Martin approaches the desk, he sees that familiar vacant look on Jon’s face, as if he isn’t actually seeing what’s in front of him. The effect is underscored by the cigarette burning away in his hand, hanging limp and forgotten at his side. Martin clears his throat lightly, in deference to Jon’s hair-trigger startle reflex. He doesn’t count the fact that Jon doesn’t jump at all as a success. If anything, it’s cause for concern.
“Jon?” Martin tries. There’s a slight delay before Jon glances over, giving Martin no acknowledgment aside from a sluggish blink before lowering his head again.
“I, uh…” Martin offers a weak smile, attempting to keep his tone light. He gestures at the cigarette. “I thought you quit?”
Jon shrugs, refusing to meet Martin’s eyes. “Not like it’ll kill me.”
“Might catch up with you later, though,” Martin says, scratching at his neck. “You know, once we find a way out of here.”
“There is no ‘out’ for me,” Jon says mulishly.
“You don’t know that. Or Know it.” Jon’s only reaction is to press his lips tightly together, like he’s biting back a retort. “Look, I’m not trying to nag you, I just wor– Jon!” Martin yelps as he watches Jon put his cigarette out on the back of his hand.
Martin lunges forward, grabbing Jon’s hand and yanking it close to inspect the damage. It’s the same hand that Jude shook, already textured and pitted with webs of hypertrophic scarring. Somehow, Jon managed to plant this newest burn on a patch of previously-undamaged skin, sandwiched between two bands of knotted tissue.
The contours of her fingers, Martin recognizes with a queasy lurch – followed by another when he thinks to wonder whether Jon sought out that scrap of healthy skin on purpose just now.
Jon barely reacts, staring into space with wide eyes and dilated pupils. Martin looks down again to see the circular singe mark already knitting itself back together, leaving only a small, shiny patch of discoloration ringed with a dusting of ash. In all likelihood, even that will be gone by morning.
If only all wounds would heal so easily.
“What the hell were you thinking?” Martin hisses, fighting to keep his voice even. He brushes a soothing thumb over the spot, as if to apologize to the abused skin on Jon’s behalf.
Jogged out of his reverie by Martin’s sharp tone, Jon stares daggers at him, his mouth open as if to unleash a scathing reprimand, the set of his jaw so reminiscent of those early days in the Archives. An instant later, though, he withers, cringing away and fixing his eyes on the floor.
“I wasn’t,” he mumbles, at least having the decency to sound contrite. “Wasn’t really paying attention.”
It’s not the first time Martin’s witnessed a self-inflicted injury. When pressed, Jon always claims that it’s not a deliberate, planned form of self-punishment, but rather a reflex reaction that kicks in when he starts feeling adrift in time. Somewhere along the line, it seems, he convinced himself that physical pain is as good a shortcut as any – a sort of panic button to bring him back to the present when he needs grounding.
Whatever his intentions, though, and no matter what rationalizations Jon wants to dole out, it’s not a healthy coping mechanism. And it’s difficult for Martin to believe that self-punishment doesn’t factor at all, considering Jon’s obsessive guilt spirals and his blasé attitude towards being hurt.
“‘S already healed,” Jon says with a spiritless shrug. He drops the snuffed-out remainder of his cigarette on the floor and unnecessarily grinds it under his heel.
“That’s not the point.” Martin doesn’t realize how tightly he’s grasping Jon’s hand until Jon winces. Although Martin relaxes his grip somewhat, he doesn’t let go. “It doesn’t matter how quickly your body heals, or that you’ve had worse, or whatever other justifications you want to make. You’re still getting hurt. That’s not okay, and – and if it were me in your shoes, you’d be telling me the same thing.”
“I’m sorry.” Jon’s hair falls to cover his face as he ducks his head.
It’s fine, Martin almost says – except it’s not, is it?
“Come on,” he says instead, guiding Jon to sit in the nearest chair before taking a seat next to him. Where before Jon was all stiff limbs and rigid spine, now he looks like he’s given up the ghost, drooping like a wilting flower.
Though he allows Martin to keep hold of his hand, Jon doesn’t return the pressure. And Jon’s skin is freezing – no doubt partly due to the damp chill of the tunnels, and partly because he has, by his own admission, always had shit circulation. Combined with his limp fingers and loose grip, though, the overall effect is far too reminiscent of those months spent keeping vigil over Jon’s hospital bed, his hand nothing but cold, dead weight in Martin’s.
It took too long for Martin to admit that he had been foolish to hope that Jon was still in there somewhere, aware of Martin’s presence, fighting to regain consciousness. The whole time, Martin was just keeping his own company. Jon wasn’t just unreachable – he wasn’t there at all.
(Martin had been wrong about that in the end. He doesn’t know that he’ll ever forgive himself for not being there when Jon woke up.)
Martin bites his lip as he formulates a response. He’s learned over the years that when Jon is like this, it’s best to strike a careful balance between docility and defiance. Push too hard too fast, and Jon will dig his heels in; approach him too tentatively, and he’s liable to interpret concern as pity; force him to talk about his feelings, and he’ll bolt; smother him with tenderness, and he’ll balk.
Granted, Jon has become much more receptive to tenderness over the years. Most of the time, anyway. When his skewed self-worth and convictions about what he does and doesn’t deserve don’t get in the way.
“At the risk of being a nag–”
“You’re not a nag,” Jon says softly.
“When’s the last time you had a statement?”
“A few days ago.” The response is too quick, too automatic.
“A few days ago,” Martin repeats, allowing a bit of disbelief to seep into his voice.
Jon nods stiffly. “Monday, I think.”
“Today is Tuesday.”
“I–” Jon cuts off his own retort, turning to blink owlishly at Martin. “Is it?”
“Yeah,” Martin says, his heart sinking. Jon must be losing time again. “So you had a statement yesterday?”
“No, I – I don’t…” Jon squints up at the ceiling, wracking his brain. “I don’t think so? It’s – I think I would recall if it had been shorter than one day.”
“So, last Monday?”
“I don’t – I don’t know,” Jon says, growing testy. “I suppose. Must’ve been.”
“Are you hungry?”
“I’m always hungry.” The admission is devoid of all the simmering agitation that had been there only moments before. Now, he just sounds tired.
“Well… I think you might be due for one.” Although Martin had been striving for gentle suggestion, there’s a harsh edge to the words. Rather than get Jon’s hackles up again, though, he seems to crumple under what he doubtless reads as an accusation.
“You’re right,” he says hoarsely. “And I’m sorry. I know lately I’ve been…”
“Tetchy,” Martin offers, just as Jon says, “a bit of a prick.”
“Your words, not mine,” Martin says with a tentative grin. Jon returns his own feeble half-smile, but it quickly falters.
“I’ve almost exhausted Daisy’s catalogue,” he confesses. “Only a handful left now. I’ve got to make them last until the solstice.”
An apprehensive chill runs down Martin’s spine at that. “And then what?”
“I haven’t thought that far ahead.”
There’s virtually no chance that Jon, prone to rumination as he is, hasn’t been dwelling on it.
“Basira said she has a few statements, right?” Martin asks. “Which… if you already have a statement about an encounter, can you still get nourishment from other statements about it, so long as it’s coming from someone else’s point of view?”
“Probably.” Jon shrugs one shoulder. “The factual details of the encounter are less important than the subject’s emotional response. Different perspective, different story, different lived experience of fear.”
“Then… you have my statement about the Flesh attack, but there’s still Basira’s. And – and maybe Melanie–”
“I’m not taking another statement from Melanie,” Jon says tersely. “She’s been tethered to me for too long without say, and I’m not dragging her back in.”
“But if it’s consensual–”
“It won’t be, because I don’t consent.”
“If the alternative is literally starving–”
“I’ll find another alternative. Or I won’t. But I’m not asking Melanie for a statement.” Jon keeps his head bowed, but he looks up at Martin through his lashes. “The first time she quit, I was worried that she might show up in my nightmares again, but she didn’t. I don’t know if her severance from the Eye will keepher out of my nightmares if she gives me a new statement, and… I can’t risk it. I can’t do that to her. Even if the nightmares weren’t an issue… I’m not going to ask her to relive yet another traumatic experience for my benefit–”
“–I shall choose to die rather than take part in such an unholy meal–”
Jon claps a hand over his mouth, a panicked look in his eye.
“…nor shall I take my own life, whatever extremity my suffering may reach,” he tacks on, too much of an afterthought for comfort.
“Which means we need to plan for the future,” Martin says, forcing calm into his voice despite the way his heart picks up its pace.
“But it can’t involve Melanie,” Jon says – gentler than before, but still firm.
“No, you’re – you’re right,” Martin relents. “It wouldn’t be fair to her. But we could still ask Basira.”
Jon makes a noncommittal noise, his expression rapidly going pinched and closed off again.
“Lately,” Martin says, licking his lips nervously, “lately it feels like you’ve been shutting everyone out again. It isn’t healthy–”
“Healthy?” Jon’s glare could burn a hole in the floor. “I don’t need to be healthy, I just need to be whatever it wants.”
Once, Martin might have been daunted by Jon’s scathing tone. By now, he knows that Jon is all bluster – and that the brunt of it is turned inward, against his own self.
“Please, Jon. Tell me what’s going on. You’re worrying me.”
Those, apparently, are the magic words, because Jon finally capitulates.
“It’s October,” he tells the floor.
“It… is October, yeah.” Bewildered, Martin waits for elaboration. When a minute passes with no response forthcoming, he prompts, “Is that… bad…?”
“Historically, yes, it has been,” Jon says with a tired, frayed-sounding chuckle.
“I… Jon, I need you to help me out here,” Martin says helplessly. “I can’t read your mind.”
“October is when it happens, Martin.” Jon glances at Martin once, quickly, before returning his gaze to the ground. He’s twisting one hand around the opposite wrist now, fingers curled tightly enough to blanch his knuckles. “The eighteenth. When everything goes wrong.”
“You mean…”
Jon’s sharp inhale becomes a choked exhale, which in turn abruptly cuts off as the Archive takes its cue.
“…what settled over me wasn’t dread; there wasn’t enough uncertainty for that. It was doom. I was certain that some sort of disaster was on the horizon–”
“–something bad. Something unspeakable. And I would have helped make it happen–”
“–the fear never really went away. I’ve heard that being exposed to the source of your terror over and over again can help break its power over you, numb you to it, but in my experience it just teaches you to hide from it. Sometimes that might mean hiding in a quiet corner of your mind, but–”
“–soon enough, I could no longer fool myself–”
“–the calm I had been getting accustomed to had been torn away completely, and where it had been was just this horrible, ice-cold terror–”
“–that – we can’t escape the ruins of our own future–”
“–a future where – humanity was violently and utterly supplanted, and wiped out by a new category of being–”
“–there are terrible things coming – things that, if we knew them, would leave us weak and trembling, with shuddering terror at the knowledge that they are coming for all of us–”
“–I think in my heart, I have been waiting for this moment. For the final axe to fall–”
“–we create the world in a lot of ways. I suppose it shouldn’t be surprising that, when we’re not being careful, we can change it–”
There’s a breathless pause before Jon continues, in a nearly inaudible whisper: “What could I have chosen to change? Would a different path have been possible?”
“It is,” Martin says firmly, “and we’re on it. What happened last time won’t happen again. We won’t let it.”
Jon doesn’t acknowledge the reassurance.
“I should’ve known,” he says with a quiet ferocity, in his own voice this time. “It was too peaceful. I should’ve known it wasn’t going to last. And – and on some level I did know – I knew it wasn’t over – but I just… I didn’t want to be the one to shatter the illusion, I suppose.” His expression goes taut. “Didn’t much matter what I wanted, in the end. But I still should’ve seen it coming. Can’t let my guard down again.”
“How could you have known?” Martin doesn’t intend for it to come out as exasperated. He tries to reel it back, to gentle his tone. “You’ve said yourself that you can’t predict the future–”
“No, but I knew Jonah had plans for me. And I knew nothing good could come of feeding the Eye, but I kept on anyway.”
“It’s not like you were doing it for fun, Jon! You needed it to survive, and Jonah took advantage of that. Or…” No – that makes it sound purely opportunistic, doesn’t it? In reality, it was all part of Jonah’s long game from the start. “He made you dependent on statements specifically becausehe wanted to take advantage of that.”
“I made choices,” Jon says tonelessly. “I can’t absolve myself of responsibility just because Jonah was nudging me in a particular direction.”
“You were manipulated,” Martin insists, “and I’m not having you apologize for surviving it. For not starving to death.”
“You don’t understand,” Jon says, growing more distressed, reaching up with both hands and tangling his fingers in his hair. “When that box of statements finally arrived, I… I couldn’t shoo you away fast enough. I was hungry, yes, but I wasn’t starving yet. I could’ve waited longer, but I just… I wanted one–”
“–should have fought harder against the temptation – but my curiosity was too strong–”
“You shouldn’t have to wait until you’re literally on death’s doorstep before you fulfill a basic need,” Martin interrupts.
“I should when that ‘basic need’ entails serving the Beholding,” Jon says heatedly. “And I – I should’ve known better – should’ve known not to jump headlong into the first statement that caught my eye. I’d known for a while that the Beholding leads me away from statements it doesn’t want me to know. It logically follows that it would lead me towards statements that would strengthen it. If I’d had any sense, I would’ve been suspicious of anything in that box that called out to me. It didn’t… it didn’t feel any different, but I – I suppose that somewhere along the line I just got used to… to wandering down whatever path I was led. I didn’t think, I never stop to think–”
“If anything, Jon, you overthink. You’re overthinking right now.”
Martin has known for a long time now that Jon will latch onto the smallest details, allow his thoughts to branch into an impossible number of routes and tangents, tie together loose threads in countless permutations in the interest of considering all possible conclusions, no matter how outlandish. He will apply Occam's razor in one moment before tossing it into the bin, only to fish it out again: lather, rinse, repeat. His mind is a noisy, cluttered conspiracy corkboard, and he’ll hang himself with red string if given half a chance, just to feel like he’s in control of something.
“It’s easy to look back and criticize your past self,” Martin says, “but he didn’t know what you do. If we knew the outcome to every action, maybe we wouldn’t make mistakes, but we’re only human–”
“Not all of us.”
“–so we just have to do the best with what we have in the moment,” Martin continues, paying no heed to Jon’s grumbled comment. No good will come of guiding him down that rabbit trail right now. Anyway, Martin has a more pressing concern–
“Why didn’t you tell me about any of this sooner?” he blurts out, immediately wincing at his lack of tact. “That came out wrong–”
“Why didn’t I tell you how quick I was to chase you out of the house and sink my teeth into a statement the moment temptation presented itself?” Jon scoffs. “Because I’m ashamed. Why else?”
“No, not–” Martin scrubs a hand over his face. It’s a struggle, sometimes, not to grab Jon by the shoulders and shake him until all of that stubborn self-loathing falls away. “About the fact that you’ve got a – a post-traumatic anniversary event coming up, I mean. You haven’t been well, and I thought I understood why – thought it was just… all of it, in general. But here I come to find you’ve been agonizing over the upcoming date of the single worse day of your life–”
“One of the worst,” Jon says quietly.
“What?”
“I didn’t lose you until much later.”
Martin’s breath catches in his throat at that, a sharp pang shooting through his chest.
“Well… you’ve got me now,” he says meekly. “So – so you don’t have to suffer in silence, is what I’m saying. What happened to you – no, what was done to you – it was horrible, and it wasn’t your fault. I know you don’t believe that, but it’s the truth.”
“Either I’ve always been caught up in someone else’s web, passively having things happen to me with no control over my life–”
“–the Mother got exactly the result she no doubt wanted, one that would lead to a fear – so acute that I could later have that horror focused and refined into a silk-spun apotheosis–”
Jon bites down on one knuckle, eyes shut tight as he waits for the compulsion to subside.
“Or,” he says after a minute, “or I do have control, and I can change the outcome, which makes me culpable. I don’t know which prospect I hate more. Which probably says some unflattering things about me.”
“It’s not that simple–”
“It is,” Jon says viciously. “If there is another path, then I should’ve found it last time!” He closes his eyes, pinches the bridge of his nose, and takes a steadying breath. When he speaks again, he’s no longer bordering on shouting, but there’s a quaver in his voice, a fragility that Martin finds more disconcerting than any flash of anger. “The way I see it, there are two options. One, what happened in my future was inevitable and nothing I could’ve done would’ve changed it – which certainly doesn’t bode well for this timeline. Or, the outcome can be changed, in which case my choices matter, and had I just made better choices, maybe I could have prevented all of this from ever happening in the first place.”
“You’re not being fair,” Martin says, his hands clenching into fists – but Jon isn’t listening.
“Doesn’t make much difference, I suppose. The consequences are the same either way–”
“–billions of – people making their way through life who had no idea what was right above their heads–”
“–would-be occult dynasties and ageless monsters–”
“–minds so strange and colossal that we would never know they were minds at all–”
“–idiots who destroyed themselves chasing a secret that wasn’t worth knowing–”
“–there, caught up in a series of events that I didn’t understand but that terrified me – I did the stupidest thing I’ve ever done–”
“–running was pointless. To try to escape from my task would only serve to fulfill another. I finally understood what I needed to do–”
“–I don’t know if you have ever drowned, but it’s the most painful thing I have ever experienced–”
“–I do not suppose I need to dwell on the pain, but please know that I would sooner die than endure it again–”
“Would you?” Martin says abruptly. Jon won’t look at him. “Jon, I need to know if you’re feeling like hurting yourself.”
“What would it matter if I was?” Jon still won’t look at him. “I’m categorically incapable of hurting myself in any way that matters.”
Martin blinks in disbelief. “Okay, that’s blatantly untrue.”
Jon has been a glaring portrait of self-neglect for as long as Martin has known him. That simple lack of consideration for himself, together with compounding survivor’s guilt, was the perfect stepping stone to active self-endangerment. Now that Jon’s convinced himself he’s invulnerable to a normal human death, he’s all the more careless with himself.
“I don’t want to die,” Jon whispers. “That’s the problem.”
“What—?”
“Before, I was unknowingly putting the entire world at risk by – by waking up after the Unknowing, by crawling out of the Buried, by escaping the Hunters, by continuing to read statements like it was – like it was something routine, as unremarkable as – as taking tea. Now, though – now I know better. I know what Jonah is planning, I saw what I’m capable of, and still I… I don’t want to die.”
“Well… good,” Martin says. “You should want to live–”
“It doesn’t much matter what I want–”
“–I never wanted to weigh up the value of a life, to set it on the scales against my own, but that’s a choice that I am forced into–”
“–doesn’t get to die for that – gets to live, trapped and helpless, and entombed forever – powerless–”
“–a lynchpin for this new ritual – a record of fear–”
Shit, Martin thinks the instant he recognizes the statement. It’s the worst of them all, virtually guaranteed to send Jon spiraling.
“–both in mind as you walk the shuddering record of each statement, and in body as the Powers each leave their mark upon you – a living chronicle of terror – a conduit for the coming of this – nightmare kingdom–”
“Okay, okay, stay with me–”
���–the Chosen one is simply that: someone I chose. It’s not in your blood, or your soul, or your destiny. It’s just in your own, rotten luck–”
“Jon, can you hear me? Jon–”
“–I’ll admit, my options were somewhat limited, but my god, when you came to me already marked by the Web, I knew it had to be you. I even held out some small hope you had been sent by the Spider as some sort of implicit blessing on the whole project, and, do you know what, I think it was–”
Martin reaches over, taking both of Jon’s hands in his own and squeezing tightly. The pressure seems to do the trick: lucidity sparks in Jon’s eyes and he takes a deep, ragged breath, as if coming up for air.
“There you are. Are you okay?” Martin rubs both thumbs over the backs of Jon’s hands in rhythmic, soothing motions. “Hey, it’s–”
“I don’t want your kindness!” Jon snaps, jerking backwards and snatching his hands out from Martin’s grip.
Both of them lapse into a stunned silence. As mortification dawns on Jon’s face, Martin can feel the color rising in his cheeks. It only takes a few seconds for the blood rushing in his ears to be drowned out by another voice.
Martin can remember with cutting clarity the days prior to his mother’s departure to the nursing home. She had been in (somewhat) rare form, her already-short fuse dwindled down to nothing, sniping at him around the clock, full of caustic observations and spiteful accusations.
I don’t want your help, she had sneered as she entered the cab, swatting his hand away.
It was one of the last things she ever said to him.
“Well, tough,” Martin bites out, “because you deserve it, and you never should’ve had to go without it, and you’re not going to change my mind about that, so you may as well stop trying!”
“Martin, I – I – I’m sorry, I didn’t mean–”
He saw, Martin realizes all at once, his skin crawling with humiliation.
“I’m going to go make some tea,” Martin says, rising to his feet.
Jon reaches out a hand. “Martin–”
“I just need a breather, okay?” Martin says, a pleading note to his voice. His lungs are constricting, his chest is tightening, there’s a lump in his throat, and he really doesn’t want to have a panic attack in the tunnels – or in front of Jon. “I’m not – I’m not angry, okay, I just need some air.”
Jon opens his mouth, then immediately closes it, clutches his hands to his chest, and gives a tiny nod that Martin just barely glimpses before turning to flee.
_________________
“Stop crying,” Jon hisses at himself, furiously scrubbing at his face as the tears slide down his cheeks. “Stop it.”
He plasters the heels of his hands over his closed eyelids. It does nothing to stem the flow, only brings to mind images of pressing himself bodily against a door to hold it closed, only for the crack to continue widening, millimeter after millimeter, the flood on the other side trickling through the gap, rivulets swelling into rivers, frigid eddies biting at his ankles, a whitewater undertow threatening to drag him below the waves–
“Enjoying our own company, are we?”
Once, Jon might have been humiliated to be caught mid-breakdown, raw-voiced and puffy-eyed, especially by Peter Lukas of all people. Several lifetimes spent in thrall to cosmic horrors have a way of putting things in perspective.
“What do you want?” Jon says with as much ire as he can muster.
Peter hums to himself, starting a slow, back-and-forth pace in front of Jon. “It occurred to me that I’ve been derelict in my duties as far as the Archives are concerned–”
“That’s just now occurring to you?”
“–and, as such, I thought it was high time that I met the infamous Head Archivist of the Magnus Institute.”
“Well,” Jon scoffs, gesturing at himself, “you’ve met him.”
“I must admit, I was expecting something a bit more… hm.” Peter taps a finger against his lips. “Formidable.”
“Sorry to disappoint.” The scathing sarcasm is rendered pitiful by an ill-timed, involuntary sniffle. Jon can’t bring himself to care.
“The state you’re in, you hardly seem fit to work.” A pause. “Have you ever considered taking some time off?”
“A six-months hospital stay has a way of eating up your PTO, oddly enough. I’m told that payroll already has already had to make special exceptions for my ‘unprecedented’ circumstances.” Jon chuckles to himself. “On multiple occasions. Did you know the Institute considers a kidnapping in the line of duty to be an ‘unexcused absence?’”
“I think you’ll find that Elias and I have different management styles,” Peter says mildly. “I’m open to making allowances – particularly since your department can function so smoothly in your absence. Your assistants have proven themselves to be quite capable of working independently – and seeing as your approach to supervision borders on fraternization, I imagine they would be more productive without excess drama to distract them.”
“I’ll take that into consideration,” Jon says acerbically.
“No need.” Jon squints at him, and Peter stare him down. “It’s not a request, Archivist. It’s an order.”
There was a time, not long ago, that sneaking up on the Archivist would have been difficult. Only Helen had consistently managed to ambush him, and that was because she didn’t waste time sneaking – she manifested and launched the jump scare in the same instant, giving him no chance to See her approach. Readjusting to a binocular point of view had been a process, but rarely does he find himself yearning for the panoramic field of vision that had been foisted upon him during the apocalypse.
Occasionally, though, there are moments when 360° sight would come in handy. Too late, Jon realizes this is one of those moments.
By the time he notices the tendrils of encroaching fog, they’re already curling around from behind him, pooling at his feet, ghosting across the back of his neck, affixing themselves around his wrists.
“It’s alright,” Peter says placidly, almost soothingly. “You can let go now.”
Jon shivers as his heart pumps ice through his veins, fingers and toes going numb as he struggles for breath.
No. No, no, no, no, no–
“I am not Lonely anymore,” Jon gasps out through chattering teeth.
“No,” Peter says with an air of nonchalance. Then he smiles, sharp and cold and cruel and the only detail Jon can still discern through the fog. “But you will be.”
___
End Notes:
Daisy: hey siri, google what to do if i suspect my bff has been possessed by the ghost of a fussy paleornithologist Jon: why are you booing me????? i’m right
Pretty sure this is the longest chapter yet? Probably bc of the statement. I could’ve split it into two, but, uh. I like that cliffhanger where it is. >:3c (Sorry for that, btw.)
Quite a bit of Archive-speak this chapter. Citations as follows: Section 1: 122/124/011/007/047/155. The Xiaoling quote is from MAG 105; the Jonah quote is ofc from 160; the Naomi quote is from 013. Section 3: 181. Section 5: 058 x2; 144/130/086/143/121/149/134/144/143/069; 147; 017; 147; 057/160/106/111/067/121/129/098; 155/128/160; 160 x3. Section 6: 170, of course.
I’m taking wild liberties with Pu Songling Research Centre’s whole deal. I’m conceptualizing their spookier departments as being like… actually academia-oriented, instead of “local Victorian corpse with illusions of godhood throws a bunch of traumatized nerds with no relevant archival experience into a basement, what happens next will shock you”. Xiaoling is out here like “our digitization is still a work in progress, I’m sure you know how it is” and Jon Sims is like “digitization who? i don’t know her”. (Listen, he tried once. Tape recorder was haunted, he got kidnapped a bunch, there were worms and things, he died (he got better), his boss used him as a battering ram to open a door to Fearpocalypse Hell – it was a lot.)
Likewise, we didn’t get much info about Sonja in canon, so I’m having fun envisioning her as a certified Force To Be Reckoned With (and a bit of a Mama Bear wrt her assistants). Most of the Institute is leery of the Archives (& especially Jon) but Sonja’s seen a lot of shit and Jon Sims doesn’t even rank on her list of Top Spooky Scary Things.
re: the statement – it’s not clear in-text, but I want to clarify that I’m not conceptualizing Francis Drake as being influenced by the Hunt. Fictionalizing aspects of history is tricky, and I’d feel personally uncomfortable chalking up Drake’s real life atrocities to supernatural influence, even in fiction. In the case of this particular fictional member of his crew, he was (like Drake’s real-life crew) complicit in following Drake’s orders for entirely mundane reasons and was only marked by the Hunt at the point in his statement where he first recounts hearing the Hunt chasing after him.
At some point in writing this chapter, I had 137 tabs open in my browser for Research Purposes and like 20 of those were bc my dumb ass seriously considered writing that statement in Elizabethan English before going “what are you DOING, actually.” If I’d tried, it would have come off as inauthentic at best, if not ridiculous, bc I’m unfamiliar with English linguistic trends of the 1500s, and I’d basically be badly mimicking Shakespearean English, which isn’t necessarily indicative of how everyone spoke at the time, and I don’t know what colloquial speech would look like for this particular unnamed character I trotted out as exposition fodder, and it was probably unnecessary to formulate a whole-ass personal history for him for the sake of Historical Realism for a single section of a single chapter of a fanfic, and… In the end, I decided that this pseudo-immortal rando can tell his life story in modernized English, as a treat (to me) (and also to those of you who don’t think of slogging through bastardized Elizabethan prose as a fun endeavor).
Speaking of research – shoutout to this dissertation that had an English translation of the Herla story in Walter Map’s De nugis curialium, and if you want to read the whole story, you can find it on pages 16-18 of that paper. I feel it’s important for you all to know that IMMEDIATELY after Map dramatically proclaims, “the dog has not yet alighted, and the story says that this King Herla still holds on his mad course with his band in eternal wanderings, without stop or stay,” he goes on to say in the next breath “buuuut some people say they all jumped into the River Wye and died, so ymmv. ¯\_ (ツ)_/¯ anyways, can I interest you in more Fucked Up If True tales?” (Herla throwing the dog into the river wasn’t in the original story though. I made that part up.)
Thank you so much for reading! <3
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mmmleckerlecker · 3 years
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Character songs for HP big 3:
I was listening to Mother Mother, thought it would fit Felix, and then it spiraled from there. Thanks for coming to my TED Talk.
It’s Alright by Mother Mother and Creep by Radiohead for Felix
THIS MAN NEEDS THERAPY 😭 I feel like it represents his current state of mind. Especially after the last chapter, he thinks of himself as this awful monster that’s just going to spiral into something way way worse
Creep because the lyrics “I don’t care if it hurts, I want to have control” fits Felix SO much and the rest of the song highlights his unhealthy dependence on Benji, how he sees him as this idealized version in his head
Tired by Beabadoobee or Motion Sickness by Phoebe Bridgers for Benji
Tired because I think it depicts Benji’s thoughts last chapter fairly well. The lines “You haven’t felt right for days. Is it the fact you never say what comes in your mind that day.” and “You haven’t been good for long. Is it the sound of your own thoughts that always keeps you up at night? Maybe it’s time to say goodbye? ‘Cause I’m getting pretty f*cking tired.” stand out to me the most and made me change my decision from Me and My Husband (Mitski) to this.
Motion Sickness because the first line “I hate you for what you did and I miss you like a little kid” is so so perfect for Benji’s feelings about Felix.
House of Memories by Panic! At the Disco and Monster by dodie for Camille
I’m annotating these songs now, but the lines “I think of you from time to time, more than I thought I would. You were just to kind, and I was too young to know” fits Camille/Felix so much! Especially with her position in Epomis, Felix at the Facility, how she pretty much grew up around Felix and he was basically another brother to her…until she found out the truth years later.
Monster because her passion for Epomis and making a difference for prey society fits the narrative of this song. I can see her singing the lyrics to Felix, whom she basically is saying that she’s not the person she once was and she’ll do whatever it takes for Epomis
HI IM SORRY THIS TOOK ALMOST TWO WEEKS TO ANSWER. I just wanted to make sure I listened to all the songs a few times to get into them properly!! And also that I took the time to respond to each song in a satisfying way. (Rest of the answer under the cut cause it got long…)
Okay so “It’s Alright.” I know this artist but I didn’t know this song. Tbh I think it’s my favorite of the ones listed. It’s also one of the few you didn’t give a direct quote for but after listening to it…. I understand. You’d probably quote the whole song. You’re so right about it reflecting his state of mind. I imagine he’s like quoting it to himself to get him through the day
And “Creep”! This was like… one of two songs here I already knew lol. I was a little hesitant of this one since i feel like this song is sort of an overused anthem for Misunderstood Sad Boys but then! Your analysis of why it fit made me think about it and yes I can def see it. Especially the quote you gave. And ESP the line after that? “I want a perfect body, I want a perfect soul” like YEAH. I’m sure Felix WOULD appreciate having a body that didn’t crave killing people every day sjskdkdld. also ironic you mentioned this song cause I’ve been listening to the Tom Ellis cover a lot lately cause I’m Lucifer trash
For “Tired” I really liked this one. Slow and soft. I would say the quotes that seemed most relevant to me, but honestly I agree entirely with the ones you sent. And idk in general like I feel like the whole vibe matches Benji. The first time I listened, as soon as she started singing, I was like “yeah this seems about right.” (I also listened to “Me and My Husband” once or twice just to check out that vibe as well and I see it.)
Okay! I also liked the “Motion Sickness” one too! I has the same soft, slow vibe as “Tired” and idk if that was intentional, but I thought it was pretty neat. I deffo agree with your lyric choice! But also consider! “I'm on the outside looking through/ you're throwing rocks around your room/ and while you're bleeding on your back in the glass/ I'll be glad that I made it out and sorry that it all went down like it did” As Benji watching Felix basically make bad choice after bad choice and just digging himself into a deeper hole, and Benji being glad that he got out when he did even tho it wasn’t really a Good Ending the way it happened…. JUST A THOUGHT!!
For “House of Memories”… oho! I honestly never would have thought of this one. This is the only other song i knew beforehand and I love that whole album but I’ve never been particularly attached to this song, so this is a cool choice that made me listen more carefully. Thank you for the annotations because those lyrics match perfectly! I very much agree it fits Camille. (Also funnily enough this isn’t the first time someone has recommended for a playlist a Panic! song that I previously didn’t think much about. The other one was “Casual Affair” which I now also listen to much more closely.)
Okay so “Monster” I think was my second favorite. It has a certain vibe to it that’s like… happy sounding but also in a little Take No Shit type of way? Idk it’s just a Camille Vibe. I feel like I wouldn’t have connected it with her unless you hadn’t said it would be addressed specifically to Felix cause like…. yeah that checks. Now I just associate it with her wholly and my brain keeps imagining that’s how she would sound singing so THANK YOU FOR THIS (but like actually).
Okay there’s my little analysis of your songs! Thank you for sending them in. I liked them all! 🥰💕
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emersonfreepress · 3 years
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okay so is there content that you had planned for the ROs and story in general but then scrapped cause there wasn’t a good place in the story to stick it in? and if so, can you share what it was? 👀 👀 👀
yes, definitely. *rubs hands together* oh man, you done asked THE question today xD I can't wait to get into this 😁
Academics. I almost decided to have classes and grades be a minor part of gameplay, but the more time I spent designing it the more I realized I wanted nothing to do with it 😂 I haven’t really enjoyed academic gameplay in other interactive fiction because I 1) hate having to choose between studying and interacting with awesome characters, 2) have terrible short term memory, and 3) hate school in general!! So instead I just opted to have the MC be really good at school, point blank period so I could focus on social drama and relationships instead! 😆
Physical skills. I spent literal months crafting the catering scene around setting up stats for stamina/endurance, dexterity, and strength instead of just magnetism, confidence, and persuasion. They had their own backstories with the MC’s parents being overly invested sports parents instead and I think the background choices were like... martial arts, gymnastics, and track? But yeah, I ended up scrapping it all because I was spending hours on research about those individual sports so I could integrate them into the MC’s narrative organically but like... when I tried to think of what use they would be in the actual story, I came up blank. Best decision yet, esp since it means a lot less coding!
Skin tone customization. For one, I noticed that a lot of my favorite IFs don’t offer that customization and it hasn’t impacted my experience at all. For two, I originally realized I might as well not implement it since I am striving real hard not to introduce any customization that won’t actually be mentioned in interesting or meaningful ways in-story. I don’t think it’s really all that common for real life friends (esp in high school?) to comment or compliment each other’s skin and like... when it comes from someone who doesn’t share a similar complexion or ethnic background, that type of commentary gets... d i c e y. So then I wanted to be sensitive to that but what’s the pay-off? An RO mentioning how they love your skin tone once? Awkward sentences with the MC referring to their own skin color? Idk, just wasn’t vibing with it. I’m open to revisiting it in beta or something but for now it’s scrapped.
Singing, Rapping, and Gaming as Hobbies/Talents. I feel bad about scrapping these, honestly 😂 They’re great and I really wanted to incorporate them but it just came down to already having a lot of stuff to code. Plus, I know I can write the Hobbies/Talents I stuck with far better. And for Book 2 purposes, as well!
Leo. as @sourandflightypeaches ​​ asked me about a long while ago, I had to scrap an entire RO 😢 His name is Leo, he was the nephew of wealthy west African diplomats residing in Emerson, and I love him dearly! His backstory was largely based on my mother’s childhood and the circumstances she lived through after immigrating to America. and... ok, i’m about to go on one hell of a tangent so buckle up and bear with me if you can 😅
my intention with this story, aside from writing things that I personally enjoy (graphic violence, spooky woods, social drama, romance, conspiracies 😚), is to explore greed, wealth, and how the ways people and families interact with those two things influence young people and who they grow up to be. here i go sounding pretentious af 😝 and here’s where I apply a cut for those who want to preserve a little mystery to the main characters!
With Gabe, we’ve got someone who grew up with very little stability or financial security but who has found unscrupulous methods to gain status and money, with both noble and selfish motivations.
Kile has some of that childhood experience in common with Gabe, having been in the foster care system since infancy, but they lucked out when they were adopted into massive wealth by a caring, loving couple—a couple that uses their wealth and privilege to be far more lenient and protective of Kile than is actually reasonable or responsible.
Jack comes from a prestigious wealthy family on his dad’s side who he loves dearly but there’s no getting around the fact that they love him back as much as they despise his working class mom.
Jessie is a spoiled sweet heiress (being the baby of her family and the only girl) and while she lives blissfully ignorant of the harmful source and impact of her father's income and career, she bears the weight of the expectation to fulfill very traditional gender roles, including her behavior and appearance, but also extending to her career and life plans.
Rain's wealth led to them growing up sheltered and isolated but also extremely accommodated, giving them maximum freedom and opportunity to discover and develop their personal talents and interests. However, they have almost no positive relationship with their parents who have essentially decided to give up on a kid that couldn't be exactly the accessory they tried to mold them to be—both in terms of their identity and personality.
Rupan/Rohan, at their very core, rejects everything about conformity, self-importance, and excessive luxury—which means they have never, ever truly fit in with their peers. Going full non-conformist, however, has resulted in them becoming alienated from much of their family, as well, despite them all loving each other very much. Their history with false friends and betrayals has led them to over-indulge in their vices and reckless behavior to compensate for that isolation. Sometimes, they just get in over their head and many times, they know better. Every time, it's just that the feeling of finally belonging is utterly intoxicating.
Vivian/Vincent has two extremely successful parents who didn't inherit but instead built up their wealth and they aspire to be just like them, to a degree that is well and truly unhealthy. Their mother specifically is an over-achiever and applies mountainous pressure for them to follow in her footsteps, especially academically. Vi is completely capable of achieving what their mom expects of them, but they were already an extremely sensitive perfectionist so this has made them intensely critical of themself. This is a large part of why they are such a rigid, no-nonsense person and that in turn has made them one of the most disliked people among their peers—which is a huge personal failure to them since their father is a very well-liked and socially successful person in town.
And the Emersons are peak privilege: inherent high social status, brains, looks, charisma, athleticism, and massive wealth. They could never have been anything less than extremely popular, just by virtue of their last name and the nature of the town's social dynamics and politics. And they do enjoy that privilege (esp Curt lol). However, it should go without saying that being so high profile, even (or maybe especially) just in the isolated scope of your hometown, isn't always a boon. Their family's and their own perceived failings are widely discussed and privately mocked and/or celebrated. Real friends are scarce while fake ones and snakes are plentiful. Plus their dad is a gigantic dickhead who sees his kids as extensions of his own status and reputation and not much else. Public shortcomings make for an unbearable time at home and the world outside the estate is at once overly accommodating, full of assumptions, and even subtly hostile at times—all unrelated to their own actions or character.
And with the MC, I think the narrative will make it clear there are several ways that story can go. You start off with irresponsible parents that have lost their wealth due to their own mismanagement and material ambitions—how that affects any individual MC should differ based on choices and consequences!
So why bring any of that up when I was supposed to be talking about my cut OC? 😂😂
Leo was going to be the unwelcome recent addition to his uncle’s household, the son of a brother his aunt hates for (petty af) Reasons, and she took that resentment out on him directly by restricting his access to nearly every aspect of the family's wealth. Especially material goods and living conditions. He was basically treated like the help, tasked with playing nanny for his many younger cousins and burdened with doing the homework and providing academic cover for his dumb as rocks cousin in the same grade as you all. To sum it up, he was basically a victim of trafficking at the hands of his own family with his uncle out of town enough to feign ignorance to how bad his wife was treating his nephew and his aunt going out of her way to keep him busy, at home, and isolated. This is sadly a super common form of trafficking in Francophone African cultures (although I don't think most people view it as trafficking. and I’m sure the same is true of other cultures but I don’t want to speak outside of my purview). And like I mentioned above, it’s how my own mom's (and idek how many cousins') child/teenhood went.
It’s a perspective on modern wealth, privilege and greed that I really, really wanted to tell. I am confident in saying it hasn't been explored in interactive fiction yet (though correct me—and direct me 👀—if I'm wrong) and out of all the wealth/greed explorations I came up with, it's the one I have the closest personal ties to and the strongest feelings about. The characters and plans I had for it were detailed and I'm proud of them but at the end of the day... I just couldn't find a place for Leo in the story at large.
Leo was, in fact, the last main character I came up with, when I had already designed and fleshed out the larger story and started crafting the timeline of major events. I think the worst thing I could have done for a story and perspective that I care about this much is shove it into a plot that didn't have room for it at the very base level, regardless of how well the character or his story is written. Shoe-horned characters always stick out. I didn’t want to disservice Leo by having him be the character that did nothing or could be removed from the main plot without affecting it at all, y’know? That’s so much worse than just forgoing the indulgence, imo :((
ugh.... Leooooo 😭 I'm so sorry bb, I failed youuu 😥
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jetsetlife138 · 4 years
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Imaginary - Chapter 3
Rating: Explicit
Pairing: Alastor x Fem!Reader
Summary: You come across a device that throws you into the animated world of Hazbin Hotel. Once an average human living in a three-dimensional world, you’re now transformed into a two-dimensional human that has been cast into Hell. The inhabitants of Hell are curious and most harbor ill-will towards you. Charlie and the staff of the Happy Hotel take you in and offer you protection while they try and figure out how to return you to your world. That is… until you come across a certain Radio Demon with different intentions. Chapter Warnings: Language, unwanted flirtation, manipulation, asexual elements 
Your head felt heavy as you started to regain consciousness. Waking from a deep sleep, you felt fully rested, as if you had been asleep for days. It was a nice reprieve considering the stress that had consumed your body and mind merely hours before. 
Groaning softly, you lifted your arms and stretched your limbs, releasing a sigh of relief before your eyes began to flutter open. 
Oh. 
It wasn’t a dream. You were still very much in your own animated Hell. Great. 
“Welcome back, my dear!”
Your heart almost leapt out of your chest at the unexpected voice next to you. There, in your bed, was Alastor, casually laying beside you on top of the blankets with his hands folded behind his head, seemingly relaxed and completely at ease. 
Within a split second, you jumped out of the bed, your entire body trembling with panic. “A-Alastor?”
“Good to see you, too!” he winked, the corners of his grin rising at your response.
“Y-you… your face…” You couldn’t get the words out. His horrifying and distorted face was the last thing that you remembered seeing before you blacked out. It would forever be etched in your memory as one of the most terrifying things that you had ever seen and will probably ever see. It was now very apparent why Vaggie had warned you to stay away from him. 
“I regret if my appearance was jarring. I hope it wasn’t too much for you.” The juxtaposition between his apologetic words and his menacing smile only fueled your nervousness and did nothing to put you at ease.
Noticing your uncertainty, he chuckled and rolled off of the bed, dusting off his jacket before giving it a slight tug to straighten out the kinks in the fabric. He then summoned his staff out of thin air, setting it down with a loud thunk. “Darling, I’ve already told you. If I had any ill-will towards you, I would have already acted on it. No, no, no, you have nothing to fear. I’m simply curious about you! You are one of a kind!”
Ignoring his compliments, you could feel the frustration welling up inside of you, threatening to boil over. Between the agitation and the adrenaline that was now coursing through your veins, you snapped. “What the hell did you do to me?!”
“Why, I took it upon myself to see what’s inside your mind! Quite fascinating, indeed. I’ve never seen anything like it! Extraordinary!” 
“What do you mean?” you pressed, your cheeks flushing with embarrassment. “You… what, read my mind?” 
“Not quite,” he countered, clearly enjoying your continued baffled reaction. Sadistic bastard.
Taking a few strides towards you, he attempted to close the gap between the two of you before he spoke again. It was apparent that this guy had little-to-no personal space. “I merely caught a glimpse of your world through your eyes. It’s no wonder you were overwhelmed with hysteria! Your mortal world is quite appealing.”
“Ugh,” you scoffed, wrapping your arms around yourself protectively. “That’s so… violating! What makes you think that you have the right to sift through my head!”
His smile widened as he stepped even closer, now only a few feet away. “If you recall, sweetheart, you offered me your hand. I simply obtained information I thought was pertinent to your cause. No harm, no foul.” “‘No foul’ my ass! I offered you my hand as a gesture of good will! Not as an invitation for you to magically sedate me and rummage through my mind! It’s pointless anyway! Aren’t you a Sinner like the rest of everyone here? You’re from Earth! You know exactly where I come from!” His chin dipped as his gaze pierced right through you, taking a moment for himself as if he was thinking of how to avoid the question while simultaneously answering as vaguely as possible. “Indeed,” he began, leaning on his staff in a much-too-casual position. It irked you that he could be so calm while you were on the brink of insanity. “I am from Earth, but not from your Earth. My life in the world above was similar to this one in terms of appearance. It was also, as you have put it, ‘two-dimensional’. Your world, though similar, is also vastly different. It was quite a treat to see through your eyes.” 
Well, shit. That just confused you even more. Still seething and trying to calm yourself, you asked, “Okay, well… did you at least find anything helpful?”
He hummed sinisterly, creeping you out even more. “I believe that you and I can benefit from one another. I’d like to offer you my services and assist in your escape from this world to return back to your realm. What do you think?”
“I think you’re shady as fuck,” you quipped, unable to stop yourself. Much to your relief, he simply chuckled, amused by your comment. Sighing, releasing some of the tension you had been holding onto, you added, “If you really want to help me get back to my world, I guess… I’d be grateful for the help.” 
Twirling his staff in his hands, he urged, “So, it’s a deal, then?”
As he extended his hand, a gust of wind swirled around the room, nearly knocking you off of your feet. A green glow seemed to emulate from the demon, indicating his ominous, dark intentions. 
Slowly beginning to gather more courage, you shook your head and waved your hands to signal your refusal. He retracted his hand, still smiling at you. Once the green haze and the wind died down, you asked, “How exactly do you think that I can help you in return? I’m not really in the position to be helping anyone right now.” 
“No need to bore ourselves with the details! Why don’t we cross that bridge when we come to it?” There was something about the way he was blatantly avoiding the subject that made you feel uneasy-even more so than you already did. 
“No, Alastor,” you refused, surprised at your own assertiveness. “If I’m being honest, the thought of being indebted to you gives me the heebie jeebies. I want to know exactly what I’m getting myself into if I decide to accept your help. What do you want from me?” 
“What a clever girl,” he purred, sending yet another a shiver down your spine. “Very well then, my dear. In exchange for my assistance in returning you to your world, I would be much obliged if I could tag along for the ride.” 
Quirking your brow, you couldn’t understand what he was getting at. He cackled at your obvious confusion and clarified further. “Darling girl, I want to accompany you to your mortal realm! It seems to be quite a remarkable place, just oozing with potential! I would be remiss if I didn’t get a taste for myself, don’t you think?” 
Oh shit. He wanted to hitch a ride back to your world. To stay. And wreak havoc. And god knows what else. Could a cartoon even do that? Memories of watching Roger Rabbit and Space Jam crept into your mind, making you wince at the thought. 
“Get out,” you demanded.
Caught off guard, the demon tilted his head, all the while maintaining that damned smile. “I beg your pardon?”
“You heard me,” you seethed, still shocked by your boldness. “I’ve seen your real face. I’m aware of your reputation. You really think that I would willingly subject the people in my world to whatever evil plot you have in store just to get me home? No way. Not happening.”
Your response was almost childish. You couldn’t help but cringe at your own words like ‘ evil plot’, but you supposed that it was fitting considering your wacky environment.
The demon stepped closer to you, now less than a foot away from you as he towered over you, his height even more intimidating when he was this close to you, but you held your ground, refusing to appear weak. 
He sneered, closing his mouth for a moment to smirk before once again showing off his pointed teeth in another smile before speaking again. “I’m sure that we can come to an agreement. I can make your stay far more comfortable for you… if you wish.” 
The change was instantaneous His whole demeanor shifted into something else entirely within a fraction of a second. What was once a dark, looming presence was now replaced with what you could only describe as enticement. His voice, previously crackling with static that made your skin crawl was now dripping with alluring sin, making you want to agree with whatever it was that he said. How the fuck did he do that?
Luckily, your sense of reasoning was on high alert, preventing you from falling victim to his game. “What exactly are you getting at?” 
He hummed thoughtfully, eyes raking over your body before extending a finger to twirl a loose strand of hair near the side of your face. “It looks to me like you could loosen up a bit, sweetheart. Let me help you with that.” 
“Wh-what are you doing?” you huffed, side-stepping him and turning around to warn him with a glare. “Are you seriously trying seduction techniques to lure me into cooperating with you? You cannot be serious.”
A part of you wondered if that was even possible. Was that something that cartoons were capable of? You made a mental note to check your own body later to see if your anatomy remained the same, or if you had been recreated without those parts of you, forcing you into celibacy. 
Oh god, your childhood innocence was shattering. Granted, this universe didn’t appear to be a family-friendly animation. You were, after all, in Hell, so it was fitting that everyone here would be fueled by sex, but the thought of it was still nearly unfathomable. 
On top of that, could you even be attracted to an animated being? A cartoon? Was that a thing? Especially one as terrifying as him? He was a charmer, that much was evident, but there were way too many unknown variables here to be making assumptions. 
“Oh dear,” he began, with a wry smile. “How very presumptuous. No, no, no, no, I’m afraid you’ve misinterpreted my intentions. I have no interest in that sort of thing. I only wish to tend to you, sweet girl.” Manipulative asshole. Of course he wouldn’t be upfront about what it was he wanted and would dance around his response.
Cringing, your eyes darted to his groin region. He obviously noticed your lack of subtlety and stood proudly, never altering his proper posture. Swallowing thickly, you murmured, “Please tell me that you’re not expecting anything… like that in return.” 
“Ha!” he cackled, picking up on your innuendos. “Not at all. I’ve never been one to indulge in receiving physical stimulation, but it’s a gracious offer,” he jested, winking at you. 
“I wasn’t offering!” you barked back at him, fuming while your cheeks flushed out of embarrassment. 
“My mistake,” he snickered. “Allow me to elaborate. I am not enthralled by the idea of receiving sensual touch.” He edged closer to you then, his face so close to yours that you could feel the heat radiating from his body. “However… that doesn’t mean that I do not delight in providing it to others.” 
Red alert! Holy shit. This couldn’t actually be happening. A cartoon demon was insinuating that he would basically help get your rocks off in exchange for his help. Did you fall into a pornographic cartoon?! What the actual fuck!
Rage was bubbling up inside of you, threatening to boil over as you bellowed, “Are you fucking kidding me?! What do I look like to you?! A hooker?!”
“You called?”
Turning your attention to the doorway, you saw a tall, rose-colored spider-like demon, grinning salaciously at you and Alastor. “I was on my way out, but I couldn’t help but overhear. Al, baby, was that an open invitation? ‘Cuz, uh, I’ll happily take you up on that,” he finished with a wink. 
Brushing past you, Alastor casually addressed the spider. “Angel Dust, my good fellow! Good of you to drop by! I was just exchanging pleasantries with our new guest.”
Raising an eyebrow, Angel replied, “Hm. Kinky.” 
“If you say so,” Alastor surmised coolly. “My dear, I think this conversation is better left for another time. I do hope that you’ll consider my offer. It wouldn’t hurt to have me as a friend.” 
Crossing your arms defiantly, you refused to acknowledge his comment as he paused, gauging your reaction for a moment before gliding out of the room, his cheery disposition never faltering. 
“He’s a peach, ain’t he?” Angel jeered, flashing his teeth at you, showing off a prominent golden tooth. “His positive attitude is exhausting. I dunno how he keeps that up being sober.” Mortified of what he must think of you, you stammered, “I-it’s not what it sounded like! I’m not… I wasn’t going to-” “Sheesh, get over yourself. Want some free advice, babe? If an Overlord offers to rock your world, you fuckin’ accept. No questions asked.” 
Desperate for a change of subject, you inquired, “So, um, you’re a guest at the Happy Hotel?” 
“Toots, I’m the guest here,” he countered, running a hand through his fluffy hairdo. “And, just ‘cause I’m feelin’ generous, I’ll give you another free lesson. Don’t underestimate the most powerful demon in this place. Got it?” 
With that, the spider flipped his hair casually before strolling out of the room, leaving you in a daze.
Tags: @beetlewise-and-pennyjuice @edgy-drama-queen @chasingfireflies1999 @galaxy-meteor @cecidit-31 
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spiritmaiden23 · 3 years
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 MUN VS. MUSE          ( FIVE SIMILARITIES & FIVE DIFFERENCES. )
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SIMILARITIES:
We both love our friends! While I don’t really see myself as super supportive as Sky Zellie is, I still try my best to be there for friends! It’s nice to put out kindness for everyone into the universe and even more so with friends! I just like making others happy and I’m sure Zel would too, a smile is a good enough reward for the both of us! 
Not at all afraid to speak our minds. Maybe I’m a bit more blunt than Sky over here but for me, I believe it’s better to not dance around the bush and tip toeing with someone rather than telling the truth. What you see is what you get and Zel is very open in revealing her thoughts and I’ve been told the same too, people are always able to tell what goes through my mind when taking one look at my face. Neither of us are good at poker face, sadly. Although, Zelda might be better at it than me when taking on the role of leader if she must, if only to keep composure needed for that position as best as she can. 
W-we both blonde :’))) although my blonde is def more darker than Zel’s pretty golden blonde and the roots... she’s coming in bby I need to dye my hair again. 
We push ourselves to do our best. I don’t think I’d go as far as Zelda would, I do have my limits with certain things because my body is not the best but still I’d like to try the best that I can with everything. We’re also both hard workers too and love to offer help to others! 
HIGH PLACES ARE FUN AS SHIT MAN, namely I like flying in planes, high as shit rollercoasters (in fact i rode king da ka and el torro as much as possible when i lived in jersey ;v;) rock climbing, climbing up trees even as a kid, and doing fun things like zip lining from a high place or doing the line bridge course. Things I did even as a kid and I’d love to do again, it’s fun and I guess you can say I’m an adrenaline junky of sorts haha! NOW WITH ZELDA she has zero fear of heights, growing up in Skyloft tends to do that and as much as she loves having her feet on the earth she also does love flying from time to time. Girl will happily jump from high places and loves to fell the breeze against her face. I bet you one million dollars she’d have fun with something cliff diving. 
DIFFERENCES:
SHE’S SO CUTE AND I AM NOT! I find myself to be annoying, actually and probably yell too much to the point that some would say “ok we get it calm the fuck down”. I wish I could have the same energy as uwu girl but well, I was never cute to begin with I’m pretty dull I find myself, actually due to how quiet I am and shy due to social anxiety. Which brings me to my next point! 
Zel is very, very outgoing! It sort of goes hand in hand with her outspoken personality, fun person, friendly nature, and just makes her intentions overall well-known. However, I am not outgoing. I’m actually an introvert and a hermit, though I do go out I like to spend time by myself. I feel like a lone wolf sort of person which is fine by me! Zelda doesn’t mind having herself as company but she’d much prefer to spend time with Link, friends and family! 
SHE SMART having two brain cells dedicated to Link and pushing people off of places like a cat would. I, however, am dumb having one brain cell dedicated to loving Zelda all Zeldas but sky in particular to be freaking honest. In all honesty, it’s a little hard for me to write any smart characters because Can’t Relate but she does have wisdom within her esp after gaining her memories as Hylia back and while not all-knowing like she was in her goddess form she is pretty insightful thanks to memories and how much of an amazing mentor Impa was during her journey. 
She’s far more responsible and committed than me that’s for shit sure. In fact, Zel is responsible to a fault I’d say putting people’s needs above her own. I’m not sure if people notices this when I write in main verse or really any other verse because it does pop up in all of them, but she’s willing to drop everything to help out that person. I am not, I did say I’m helpful but that’s like to an extent and if I know I can help out. Zel is very competent and for the most part comes up with great solutions to offer a hand. She also never breaks her promises, if they are made you can bet your sweet ass she’ll keep it no matter how long it takes for her to complete that promise. I can... somewhat promise people but for the most part I always say “no promises” because I tend to forget shit haha orz.
 I call friends bastard, binch, ass, and beautiful land mermaid while Zel will sometimes give out cute nicknames if she can annnd the worst she can curse is “Heck, doof, goofball, doughhead probably being the worst insult of hers haha!!” She’s too nice to curse anyone out and honestly could never say a curse word, maybe as Hylia she had the power but as Zel she does not. She’ll probably wash your mouth out with soap if you’re super vulgar lololol. 
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firebirdsdaughter · 3 years
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Yeah…
… This is super frustrating. I’d totally be feeling something from this scene if I felt like their relationship was real and not something Korenosuke/Aruto manufactured exactly to their liking. Also if it was less ��remember your ~dream~’ and more ‘you don’t need to do use another berserk Key.’ Like… I feel like the ‘want HumaGear to smile from the heart’ is a little overdone? Like, in theory it’s valid, but I feel like it gets tossed around w/out much thought to how or why, or recognition of the fact that’s also okay to be upset and angry and that happiness may not look like ‘smiling’ for everyone? I dunno how to explain this, but… There’s just too much of shilling Aruto as this ‘perfect paragon of benevolence’ and Izu as his ‘perfect angel supporter’ for me to have any emotion for this scene? Once again, their relationship feels groomed and manufactured, and not even the collective good acting of Noa and Fumiya can save it? And I think in general the film itself wouldn’t actually really bother me w/out the baggages from the show? I’ve run into the ground how I feel the whole ‘memories’ thing was superfluous, but I just feel like this should be focusing on how Aruto is fully capable of making bad decisions, just like any person, and that the message shouldn’t be that he exclusively ‘needs’ Izu to ‘save’ him from malice, but just that everyone needs someone to call them out when they are being stupid. It shouldn’t be ‘remember how good you are’ but more ‘this is a bad course of action.’ Bc you ultimately can’t ‘save’ someone from ‘darkness’ people will be stupid and make bad choices and everyone needs a network, but that ‘network’ shouldn’t be the android made to cater to your whims who follows you around telling you how great you are twenty-four-seven. Izu disobeying Aruto and confronting him about making a bad decision would have been a really interesting and good subplot for them… If it weren’t for everything else in the show. If her character didn’t feel more like a siri or a tomagachi than a person. If this was treated as her and Aruto learning from their mistakes and failures, esp w/ Horobi, and Izu making a choice about what she thinks is right and Aruto coming down off his high horse. Her confrontation of him being less ‘remember your dream’ and more ‘everyone else is working their butts off to try and stop this and you’re here on your own using a berserk Key again???’
Also if there had been more of him interacting w/ and/or acknowledging the other characters, esp Horobi, whose motivations were very similar to S’. I would absolutely be here for a scene of Aruto being like ‘I’m going to say to you what I should have said to him.’ If Aruto seeing S’ behaviour made him realise that he’s been making similar assumptions about HumaGear/everyone in general, that he somehow knows how to make them happy. If the movie had ended w/ them meeting up w/ the others, and then at some point either he or Izu (or both!) go and quietly apologise to Horobi (what’s it gonna take for me to get an apology for Horobi???), and then maybe to everyone else for taking off like that.
Basically… This film would have benefitted greatly from a more smoothly handled finale. Something where everyone owned up to their parts in what happened, and it turns out that Izu’s data was stored in the 02 Key the whole time, so if Aruto had just paused for a moment instead of going full murder spree, this could have been dealt w/ much sooner. The final fight also features him apologising to Horobi for letting it get this bad and complicated, and reassuring Horobi that the situation is ‘more complicated’ than ‘all his fault.’ Horobi is the one who retrieves Izu’s data from the 02 Key and the one who remakes Jin. Mbjr’s new goal is more to try and fight for HumaGear rights in a new way than just ‘hang out and watch until another ‘Ark’ shows up’ and Aruto and Izu are now more focused on actually changing things so that no HumaGear have to suffer like mbjr and the others did ever again, and there’s talk of trying to give HumaGear more voice in their situations, esp in regards to the new satellite. Something where Aruto/humanity is vowing not to forget the mistakes they also made. The whole ‘memories’ stuff is scrapped bc it’s meaningless, and Izu’s moment in Zea is more about her considering her previous actions (rubbing Horobi’s defeat in baby Jin’s face, stuff like the time Gai tried to mind control Fuwa into shooting her and everything after, her conversations w/ Yua about intentions and the Ansatsu-chan incident, Horobi’s very obvious distress in the warehouse) and taking everything into account about what the right course of action is. Whether she’ll just cause more pain again, or whether she could help. Zea/02 popping in and weighing could still work, and I’d love to see Izu conclude that yes, she does think she can go help, that is the right course of action, and she’s not just doing it to ~support Aruto~ but for everyone else, too, bc everyone else is out there doing all they can, including Shesta, and she wants to do what she can, too. I feel like that all would make me feel much better going into this? Like… That’d make this film mostly work for me. I’d still take issue w/ trying to push Aruto and Izu as romantic bc of the whole he has absolute power over her to the point it comes across as grooming/wife husbandry, but that would require a whole-ass show rewrite.
As it is… I’m just caught in limbo w/ how this could have all been real good, actually, and how good Noa and Fumiya are and how they genuinely do have very good chemistry, but the shilling of Aruto and Izu’s lack of development and any other relationships and the fact that his absolute power and humanity’s absolute power over HumaGear is never addressed, the way the protests were treated as Horobi spreading ‘malice’ rather than a valid complaint on the part of HumaGear that they feel like they have no rights (bc they don’t, and Aruto never seems bothered by this)… I feel like they were perpetuating that there was ‘nothing wrong w/ the system’ despite repeatedly depicting how there is stuff wrong w/ the system… Like. It shouldn’t have taken them until the mbjr v-cinext to be okay w/ showing that sometimes people are just. Actively bad people. Doesn’t mean all of humanity is evil or anything, but at the same time, we’re also not all ‘good.’ There are bad people who will do bad things, and when humans screw up and hurt others, they should be called on it. Horobi wasn’t wrong in that humans can be a danger to HumaGear and that the system was rigged, but he was too extreme in his way of dealing w/ it and was also having a mental breakdown at the same time. Yes, he needed to be shown that humans were not all evil/that destroying them all wasn’t the answer, but not in the vein of ‘you’re wrong humans are what’s best for us’ but more the Wonder Woman view of ‘you’re right but they can be more than that and they can change’ and then humans had to follow through. And… I’m going off topic again.
Anyway. RxT frustrating af.
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t100ficrecsblog · 4 years
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an interview with @queenemori (she/hers)
what are you working on right now? I recently started posting We Don’t Need To Say It, which is a multi-chap Memori actor AU. It’s a slow burn, don’t ask me how I looked at Murphy and Emori and decided to write a slow burn, but it’s what’s happening. I really do mean slow, the chapter I just finished writing is only the beginning of the angst, you’ve been warned. My beta tells me she hates me at least once a chapter if you want an idea of how angsty this is gonna get. I started out writing for Bellarke in this fandom, and I’ll be going back to that later this summer. Anyone who follows me knows I’m obsessed with Emma, and I have an Emma Bellarke AU that’s in the outlining stages currently. I’m hoping to work on it more once I get further into this Memori fic.
what’s something you’d like to write one day? The fic I’m working on now is actually the thing that I was like, “I want to write that one day”. I love actor AUs and I wanted to write one for some fandom at some point, and in January I got this idea, but I was working on other stuff, so I was like, well maybe I’ll write it this summer. And now I am! Though I would like to write something featuring dad!Murphy in the near future.
what is the fanwork you’re most proud of? It’s actually one I haven’t published yet! I participated in Bellarke Big Bang this year, and I wrote a soulmates rom-com fic. I’m excited to share it soon once we get the go-ahead, and the artist I got to work with @clarkeindra has made some amazing art to go with it! For ones that you can actually go physically read, I will say You’re Already Breaking My Heart. It was my first fic I wrote for t100 fandom, and also the first thing I wrote after a really long time of just not writing anything, so I’m proud of it for getting me back into something I love and I’m glad that other people seemed to enjoy it. It’s what got me more into this fandom in the first place and how I made some of my first friends.
why did you first start writing fic? I got more into writing around the time I started college, though I always used to write little stories. There were a few times I almost wrote fanfic before then, like the time I almost wrote a Glee fic in ninth grade, or the time my junior year of high school where I almost wrote a Downton Abbey fic where Sybil and Branson were pen pals while Sybil was on her nurses course in season 2. But the summer before college, I wanted to write, and didn’t have any ideas for characters, but I had just read a really amazing next-gen Harry Potter fic called “Potters, Weasleys, and Misguided Snogging” which made me ship Scorpius Malfoy and Lily Luna Potter, or Scorily. So I started writing a couple stories specifically for that ship, back when I still used FF.net. It was just a one-shot and a multi-chap I never finished, but it was fun to interact with people and get to hear what they liked about the story and that they hoped I continued it, so I guess I caught the fic writing bug then.
what frustrates you most about fic writing? I wish people would leave more kudos. I’ve had this discussion with some friends before where they’re like, “What makes you leave kudos on a fic?” and I leave kudos on most fics I read, so it’s very interesting to hear people say they don’t do that as liberally as I do. If I made it to the end of the story, I’m probably going to leave kudos. The writer kept me engaged long enough to get to the end, which I think is worthy of showing some sort of support, even if I don’t leave a comment. Though I am trying to get better about leaving comments more often. Kudos are a very low stakes way to show you like a story that someone put out. Afraid to comment, but want to show the author you enjoyed reading? Leave kudos. A couple of stories I have out have gotten a fair amount of hits, but the amount of kudos in comparison to the amount of people who have probably opened it is a little disheartening. I’ve also heard people say they don’t want to leave kudos on stories that have been out for a while, but I love to get kudos on my old work! It’s fun to see that people are still reading things I put out in like 2017 or even just last year. Kudos brighten my day just as much as comments do sometimes, especially when I know not everyone feels comfortable leaving a comment!
what are your top five songs right now? The answer to this is 98% always related to what I’m listening to when I’m working on a certain writing project lol.
Sweet by Cigarettes After Sex Heartbreak Weather by Niall Horan I Will Follow You into the Dark by Death Cab for Cutie Bye-Bye Darling by Borns Fire for You by Cannons
what are your inspirations? Red, White & Royal Blue, since I read that recently. It honestly just made me want to write a movie, and I kind of hope that whatever TV or movie adaptation it ends up getting in the future I’m able to work on. I want to be a screenwriter, so I tend to get inspired by TV a lot. The Mindy Project, Insecure, and even Never Have I Ever are big inspirations for me. Or more like, anything that Issa Rae or Mindy Kaling are involved in, to be honest. I write a lot of modern AUs, so just anything that shows good relationship progression or has fun with mundane, everyday situations.
what first attracted you to Memori? what attracts you now? So fun fact, I stopped watching the show for a bit. I binged basically two seasons in a weekend while visiting a friend in like 2017, and I enjoyed it, but I wasn’t obsessed? Then I started s3 and a bunch of characters were getting on my nerves so I put it down for a while. Then I was on Tumblr at the beginning of 2019 and saw a gifset from 3x05 of Murphy and Emori kissing and I was kind of like, “That guy’s still alive? And he has a girlfriend?” So I started watching again, legit only because I was shook Murphy had survived lol. So the thing that first attracted me to them was just the fact that they were a couple at all, I guess. I’d say now that I’ve rewatched the show and seen their relationship develop, I love that these are two people who have always had to fend for themselves and kind of had that “me against the world” mentality. And then they find this other person that cares about them and wants to take care of them, and life becomes a lot less lonely. Also now we get to see their relationship after years together, so they’re very domestic, which adds this lovely sense of normalcy on this post-apocalyptic sci-fi show that I absolutely adore. Their interactions especially in s7 just read as a married couple who are very comfortable with each other, but still incredibly devoted to one another and in love.
Besides Memori, what character or pairing do you like best on t100? For ships, I also really like Bellarke. When I was more casually watching the first time around, I didn’t have much of an opinion on them/didn’t really ship it until season 4, but ever since then I’ve been on board. It’s very clear I’m a huge Memori person, but I do ship Murven, though mainly in AU settings. And Memoraven are my OT3!! My other fave character is Bellamy. And I feel like Gabriel has also quickly become a favorite for me. It’s definitely a mixture of his confused, but obsessed with science vibe on the show and the fact that he has been very fun to write in my actor AU when he makes appearances every so often.
why did you decide to start writing for bellarkefic-for-blm? Ever since I’ve been home due to the pandemic, writing has kind of been my escape. Weirdly enough, I’ve written so much (both fic and some real life stuff), even though I’m still working and everything like that. And when the BLM movement was getting a lot of traction specifically in our fandom spaces, I was immediately skeptical of people’s intentions because as a Black person in America specifically I’ve seen this happen before where all the attention is on this issue for a couple weeks and then everyone goes back to posting what they normally post about. And I guess this time things are a bit different, but the thing that began to frustrate me was seeing people shame others for saying they were going to watch the next episode of the show or for working on their fanfic. Fandom spaces have been my biggest escape from the news since March and while I was glad people were focusing on this sort of thing, I kind of hated the way people were making it out to be like this was a new issue when in reality it’s just my life. When I close my laptop and go out into the world, I’m still Black. I had considered opening my ask box up for prompts in exchange for someone donating to a bail fund or something like that, especially since I had just reached a follower milestone, but when I saw that Sam was organizing this and it was going to be an ongoing thing rather than just for a certain period of time, it was heartening to see someone realizing that this isn’t something we can just stop talking about even when the media moves on. The structure of these prompts makes it so that a person has to do a bit of research on BLM and educate themselves or confront the issue in a way they might not have had to before. And it gives me a chance to write things like my fluffy Memori wedding fic ! It’s a way to have my little fandom escape and also stay aware of what’s going on in the real world.
what’s your writing process like (esp for prompts, chopped!, etc)? I LOVE outlines! The Virgo in me loves to talk about my fic outlining process lol. With some short one-shots, I tend to just go in with a sentence or concept that I write at the top of the document and just write and see where that takes me. I also put at the top of the document all the things I want to tag it as when I go to post to AO3, so I don’t have to spend too much time thinking of those when it’s time to post. With multi-chap fics, I first make an ideas dump document which is just me typing out a bunch of thoughts, things like who’s in it, the premise, stuff like that. My actor AU has three preliminary documents: My ideas dump, the actual outline, and then the outline for what happens on each season of the TV show the characters are all on, since I reference those plot points a lot. For things like Chopped or prompts I receive, I do a mixture of the outline/ideas dump in one document. I put at the top all the information I received (so with prompts I tend to just copy/paste the ask from my inbox, and for Chopped the different tropes and theme), then think about what characters I want to use if it wasn’t specified, then kind of do bullet points on what happens in the story. These have all been really helpful in terms of keeping me on track, but I make sure to remind myself that things can change as I write and take a different direction than I expected. So my outlines are constantly changing, but the general idea is already written somewhere so I don’t get too stuck.
what are your thoughts on dad!murphy? The concept of dad!Murphy has really been living rent-free in my brain since before the beginning of season 7. I just kind of love the idea of Murphy (who is a character at first glance I feel like people don’t picture as much of a father figure) kind of falling into being a dad in an unexpected way, and then realizing how much he loves it. It’s just such a sweet thought, and I talked about it so much with some of my friends, that we started a Dad!Murphy Enthusiast Club server on discord (we’re always accepting members so DM me if you’d like to join us!). We just kind of talk about our dad!Murphy headcanons, share fics featuring dad!Murphy, and then get excited when people make new dad!Murphy content. It’s a fun time and though I am a very large Memori, I’m a multi-shipper at heart, and Murphy is one of those characters that I find easy to ship with a lot of people, so we love dad!Murphy in all forms!
what are some things you’d like to recommend?  This is a mix of Bellarke and Memori stuff, since that’s what I mainly read.
Literally everything @mobi-on-a-mission writes, but if I must get specific, then Revive and The Cockroach. 
Almost Paradise (We’re Knocking On Heaven’s Door)  by @nakey-cats-take-bathsss , 13 hours by Kats_watermelon, feat. by Debate, and of course, my comfort fic so i sing a song of love  by twilightstargazer.
The best place to find @queenemori is here on Tumblr. You can find her ao3 here. Request a fic written by her via @bellarkefic-for-blm.
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savrenim · 4 years
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Hey man, I am just wandering if I should go for another reread of ifmlam, but I wanna tell you that your writing blows my mind every single time, that your story telling keeps me captivted, that the relationship and dynamics created make me cry cause I know it won't last and that the skill with which you play with the what ifs and the world you created makes me smile. Thank you for the effort you put into you work, and please let me know if there is anything else you've done that I can read.
<3 <3 <3 <3 oh my gods this is. aaaah. thank you so much??? I am Crying.
so I still definitely am writing ifmlam -- the Hamilton film reminded me of some of the reasons that I originally fell in love with Hamilton, and even though my feelings about the setting remain Complicated, and ooof I have so many other projects that updates might be Slow, that is a thing that has definitely been spurred and is still happening. 
as for other things I’ve written/am writing which oh my gods oh my gods I cannot believe aaaah I’m so??? glad that you like stuff enough to want to read my other stuff?
--- we raise it up is my current fic that is updating most regularly, it is for The Magnus Archives and it also involves future foreknowledge as a super major plot point, bc oops “give characters knowledge of canon and see what they do with it” is apparently my favorite trope. I am usually very not into podcasts because I don’t process purely auditory things very well? (music is fine, which was why Hamilton worked, but also, I could read the lyrics.) but, uh, I read The Magnus Archives bc all of the transcripts exist online and that’s actually a pretty fun collection of interlacing short stories and worldbuilding and plot and gay! and fandom to get into and I think works just as well in a written medium as it does in an auditory one. the fic is major spoilers through season 4 and also kind of.... does assume background knowledge of seasons 1-4 to make sense, but I’m really really pleased with what I’ve written so far and what I’m planning to write I think the world background lore is maybe the hottest take I’ve ever had and I’m very much looking forward to the second half of the fic, that is kind of all about its reveal
-- the wind, the wind, the wind also known as lesbian Hadestown in space fanfic is something that I’ve been working on for oops a year and it’s finally gotten to the point where I’ve been dragged into an obsessive wanting to work on it and only it, which means that it’ll probably??? be ready for posting??? by the end of the week??? maybe two at most??? I’ll defs post a link on tumblr, but it’ll also go up on my ao3 page, which means if you temporarily subscribe to me as an author there you will not miss it. or just, like, check my ao3 page in a week or two.
-- gay murder elf bachelorette is a solo DnD campaign that a friend has been running for me as an experiment to kind of... flesh out I think a period of history in the world that they run a lot of their main campaigns in? anyways it’s been the experience of living in a novel and less like playing DnD, so I, uh, novelized three of the six arcs I’ve been in so far. they are:      -- Book 2: Of Wolves And Ravens: As Told By Three Letters Sent From Cloudfall Fort      -- Book 3: Tests of Faith (includes only one in-universe letter the rest of it is mostly dramatic storytelling, I might fix it one day but oooof so many writing projects so little time)       -- Book 4:To Stare Into Darkness: The Infestation Incident Of Black Lotus Labs, As Told By Four Letters Unsent, Three Letters Sent, And The Official Report Drafted By Acolyte Consecrate Iria Strell there are also canonical in-universe correspondences that can be found here and here that take place in between Books 3 and 4. I...may or may not write Book 5, which if I do will be Book 5: The Knives Behind Their Teeth: As Told By Consecrated Priest Iria Strell's Personal Notes On The Civilized Corpse Investigation that from the title alone you can tell was a banger (it is even MORE of a banger than the title implies. there was necromancy. there was the gay mess of THREE girlfriends all in the same town. there was Everyone Expects the Caedic Inquisition. there was dramatic truth reveals about my sketchy mentor. there was everything) but that is a balance of amount of time it takes to write these things vs Everything Else I Need To Do and I have recordings of the sessions so it’s not like I need them for memory means...??? we’ll see. the books are.... I really like them? I’m proud of my experimentation with the epistolary writing style. I think Book 4 is definitely better than Book 2 because I learned that I didn’t need to include every detail, and it’s definitely understandable to read without Book 2 if you’re willing to accept things in media res, so if you only read one I recommend that one. but they’re all pretty fun.
-- I’m also defs writing some original novels, that are eventually going to be posted for free online and I’ll probably start a tumblr that is just them but they’ll also be announced and linked to here? there’s The Numanok Files which are “bounty hunter punches ghosts in space” and will probably be coming out first, just bc it’s a series of novellas and it’s easier and less complicated to plot, and then trash novel (actually called “Opus” which has some cool in-universe meanings and is not just because this thing is my Magnum Opus, but trash novel in my heart) that is just. entirely self-indulgent written with zero intention of being good and only to be fun for me but in doing so is idk totally trashy but in some sense maybe the best thing I’ve ever written just in terms of it’s unapologetic and it does what it wants, which is what I like most in a story? but that is defs going to be several years because I want it all written before I start posting it and have I written a full conlang grammar structure and now need to write the language for my favorite fictional society in that universe? it’s more likely than you think. Numanok Files I wouldn’t be surprised if the first book is out within a year; it’s been fully outlined and partially drafted and the full drafting and editing process esp for something under 50k doesn’t really take me too long. I’m kind of transitioning from fanfic to original work just because I’m really excited about my ideas, so at this point I think ifmlam, wriu, and twtwtw are going to be the last fanfic I end up writing? but who knows.
this.... got very long but those are all of the things I’ve worked on and am working on in the immediate future, enjoy??? also gods no pressure to look into or enjoy any of them, I’m just so honored that you’ve enjoyed ifmlam to even consider checking anything else I write out
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nad-zeta · 4 years
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Match up! (◠‿◠✿)
hiya!! can i pls get a matchup for ikesen, if its ok? 💞
bi girl i prefer guys! ambiverted intp, gryffindor, n true neutral. i have an older twin sis n i love/hate her sm lmao!!
i have medium-length straight-ish black hair (w/ a side bang to the right) & dark brown eyes!! im 5'5-ish, fun fact: im a filipina!
sooo im a complex daydreamer!! i NEED attention/affirmation or ill feel unwanted/sad. emotional scorpio, im quite sensitive. anxiety, i overthink too much! quiet w/ people im not close w/. easily annoyed but guilty after ‘cause im soft-hearted. im like half funny/playful/kind & half deep/mature/awkward- hopeless romantic! i have a way w/ words, sorta poetic? i wanna be the best! sorta socially anxious, i have a fear of judgement. im not innocent but ppl think i am at first. i look fine but deep down im a big mess. rlly smart & knowledgable. vv passionate, big nerd actually! im like a kid w/ my twin but w/ others im more mature. im the type to do fun stuff and loosen up but would also just cuddle and have long convos. im vv good w/ technology! very imaginative, i come up with stories a lot- around others im very quiet because i literally have no idea what to say. actually a big history fanatic, hehe. i act confident but im not rlly, actually vv insecure and i regret a lot of things.
a habit of mine is that i tend to drift away and just… think? i also tend to care a lot abt my appearance! i get competative but there are also times when im just chill. i get vv embarrassed when i lose control tho n i regret it sm :(( i have loads of trouble asking for help even if i like to help others a lot! i like being organised but i tend to be… chaotic.
hsjsh- fun fact: there are times where im just,, super hyper n say the weirdest things? im good in school but,, im lazy yknow- i love math (surprisingly, i got a natural talent?), science (esp abt stars n space), history, and english (actually my 2nd languange but im very fluent) the most. bilingual but im also learnin french! wanna learn latin too tho but id break down- i have the fear of the unknown, failure, n loneliness! im scared of the future cause its beyond human ability to know,, the only guys ive rlly talked to r family members so my awkwardness goes 100x hsjsjs
oh, i rlly love affection, but i need a lot of space too, tho! girls gotta have privacy- games r a hUge part of my life, so is technology and the modern era! i actually like sports too- not very good at em tho :((
some likes: gaming, jokes (esp corny/stupid/puns), space, stars, weapons (esp swords/guns), philosophy, psychology, testing myself, affection, animals, doing exhilirating things, music, movies, books, writing, astrology, astronomy, learning new things, & mythology.
some dislikes: too much heat, school presentations, creepy dolls, being under pressure, dirty things, blind faith, & annoying people.
tysm! omg i hope this isnt too long- i think this is too long?? yIkes i hope that this is ok!! love ur writing btw! stay safe 💞
Hi hi love! thank you so much for the request! You sound like a wonderful person and omw it soooo cool that you have a twin! I actually think she sent in a request right after you did lol! Anyways sorry for making you wait sooooo long and i hope you enjoy it! @x-joie-x
 So i match you with...................... Mitsuhide
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The first time you meet this sneki boy, you were quiet and reserved. War council had just ended and you were named as a princess of the Oda forces. You were super socially awkward, and anxiety was slowly starting to creep in, as the curious warlords started to surround you. It wasn’t until Mitsuhide had pulled you away in a teasing manner to save you from the crowd that you finally started to calm down. He had noticed this new little mouse had been on edge since arriving. However, he didn’t suspect you of being an assassin or spy as, during the whole council, your hands shook, and you could barely speak up against Nobunaga’s demanding and commanding tones. 
Mitsuhide had found you incredibly amusing from the first moment you walked in, you caught this foxes eye. He didn’t know if it was the innocence or naïve purity that just seemed to radiate from you, but for some reason when he was looking at you, he found that he simply couldn’t look away.
It took all of one day for all the warlords to officially drop all suspicions of you. You were just such a sweetheart how could they not instantly love you and feel the need to protect you. You had started helping a few of the maids that first morning after you were named princess. You didn’t want to be a freeloader, so you worked hard to earn your keep and soon, the maids were fighting over who would get to work with you cause all of then just loved and adored you so much. 
You got annoyed with Hideyoshi when he first found you helping the maids, as he was 100% started micromanaging you. You lost you cool and raised your voice at him, TBH Hideyoshi didn’t think anything of it, but it wasn’t until you had pitched up at his manor an hour later to apologize for being so rude to him that he realized what a sweet and sensitive person you truly were. Of course from that moment onward you had gained yourself a big doting brother.
All the Oda forces agreed that you were too sweet and naïve for your own good, so Mitsuhude was assigned to give you princess lesson to prepare you for your new life as Oda princess. You were super excited when Mitsuhide had told you that he was going to teach you a variety topics such as economics, politics, history and self-defence. You even managed to impress the sneki boy, by getting all the questions correct on the first test he had handed you. You had found that first test incredibly easy as you were a bit of a history buff, and all the questions had been based on Nobunaga’s history. This low key shook the sliver kitsune a little bit, as this proved that not only were you pure and naive but you were also super smart. You kind of reminded him a little bit of Mitsunari, a cleaver professor with their head in the clouds. 
Mitushide praised you for your ability to pick up on concepts quickly and work diligently as a student, “I dare say little one, you are the best student a teacher could ask for.” You spend masses amount of time with sneki boi, and through that time you realized just how sweet Mitsuhide truly was, although he was a massive tease leaving you a blushy mess almost every day after lessons with his teasing comments. And naturally, the more time Mitsuhide had spent with you, the more in love he fell. It was also noted by the fellow warlords that, Mitsuhide always wore a soft gentle expression when it came to you, and in your experience he had been a kind gentle patient teacher. SO naturally you found yourself more and more drawn to this mysterious man.
Through all the time spent with the kitsune, you found yourself opening up more and more. He was one of the few people that got to see your playful side. You now would make the puniest, corniest jokes he has ever heard, leaving this kitsune in a fit of laughter mid-way through a lecture. Not only that, but he loved loved loved your competitiveness side. 
This side of you slowly started to surface after the 3rd or 4th self-defence lesson when you started challenging the kitsune to rematches whenever he would pin you down, ultimately beating you in your little makeshift sword fight. Boy oh boy, don’t even get me started on the shooting lessons, once you were able to fire the rifle, you were straight-up challenging this boy, the best marksmen around to a shoot-off. “Come on Mitsuhide, the first one to get 100 bulls-eyes in a row wins, and the loser has to buy tea.” Needless to say, you always lost and even though every day you would make that exact bet, Mitsuhide would always insist on sticking you for tea and lunch as reward for being such a good student. 
He really enjoyed spending time with you and would absolutely insist on holding your hands whenever the two of you were on your way to the tea house together after your lessons. “I can’t have my clumsy little mouse tripping and falling now can I.” Every day without fail, he would say that to you as he wraps his big hand around your small one, while leading you to your favourite tea house.
The two of you would talk about everything and anything over tea, these topics ranged from you making stupid jokes, to talking about random topics such as philosophy and psychology. Either way, Mitsuhide loved to spend time with you. He would always listen to and hang on to every word you said, storing every word in his memory. 
You were his precious little mouse, and he knew you were an extremely sensitive creature. If anyone dared say a single bad word to you or make you sad, they would face the wrath of this very protective kitsune. Like one time, one of the visiting daimyos had talked down to you for accidentally bumped into him. You were busy cleaning the windows when you accidentally lost your balance and bumped into him. He was so disgusted that a mere maid had touched him. He started yelling at you and insulting you, this escalated to such a point that he even had his hand raised ready to hit you for getting dirty window water on his shoes. That’s when sneki boi decided to intervene. Mitsuhide legit stood protectively in front of you with his rifle pointed at the man’s heart, with the full intention to shoot. “Golly me it appears like you are quite the troublesome little mouse, my dear.” He then turned his sharp gaze towards the daimyo “I do suggest you apologize to the Oda princess, lest you want to answer for your crimes directly to Nobunaga.” The man simply scoffed and walked away. Mitsuhide then turned to you and enveloped you in a warm hug while kissing the top of your head, “Are you alright, my dear little mouse?” Mitsuhide looked into your beautiful eyes and gently took your hands in his, “Come little one, I have something I wish to show you.”
The two of you walked hand in hand to Mitsuhide’s manor, Mitsuhide led you out into his garden, where you saw something so beautiful you could cry. The garden was filled with flowers and candles and in the centre was a table set up, with a feast laid out op top of it. 
Mitsihide had told you that night that he was hopelessly in love with you. He was overjoyed when he had discovered that you like him, was also a hopeless romantic and that you had an incredibly poetic, romantic way with words. You handed him a letter in which you had expressed your feelings for him in the form of a beautifully written poem. You were actually intending to leave the poem on his desk as a way of confessing your feelings. This instantly melted sneki bois heart into a giant puddle and he couldn’t help but pull you in for a sweet kiss. 
After diner Mitsuhide had led you deeper into the garden where a fluffy blankie was sprawled out on the grass, he guided you to sit down and the motioned for you to lookup. Above you, a thousand stares were shooting across the sky in a big meteor shower. Mitsuhide pulled you into his arms and kissed your cheeks as the two of you watched the sky. He always remembered every detail you had told him about yourself, so when you revealed that you loved the sky and the stars, he knew he had to incorporate this rare meteor shower in your date somehow. 
This had sparked a new tradition between the two of you, to stargaze and spend the whole night in deep conversation. These nights were full of love and affection as Mitsuhide would pull you into his lap and just hold you there for hours and hours as the two of you talked and watched the sky
Of course sneki boi also had a bit of a spontaneous side, and would take you on exhilarating trips around Nobunaga’s territories. They were mostly missions but after you had nagged Nobunaga to give you permission to go along on the missions, you and Mitsuhide would finish the official work asap so that the two of you cuties had plenty of time to enjoy yourself in the new environment.
Mitsuhide loves everything about you from your slight messiness, to your love of learning new things. He also knows that his sweet little mouse sometimes needs some space and alone time and will be sure to give you as much alone time as you need to recharge. He knows that you will seek him out when you have had enough of your own company. He will always welcome you back with outstretched arms when you have had enough alone time, and shower you with endless amounts of affection.
Whenever you are feeling insecure or worrying about the future Mitsuhide is right there by your side, whispering words of affection and reassurance in your ears. He makes sure to remind you every day just how perfect you are and just how much he loves you. 
Often you can be found in sneki boys lap with your head resting comfortably in the crook of his neck as he soothingly strokes your hair. Don’t be surprised if this sneaky kitsune drops a few kissed on your nose, cheeks or lips during these quiet and peaceful moments, just as a way to convey how much he loves and adores you.
Other potential matches……………..Masamune 
I hope you enjoyed it dear and i hope you have the best day! 
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