this is somewhat of a vent post & something i said i would not do again but has been plaguing me enough that i think getting it out might feel better. so. has anydoggy else been. Baffled and upset by nora sakavic’s refusal to speak on how terribly aftg has treated its characters of color? with the author of the series coming back with a new book and starting up on her online activity again, and questions of what she’d change about aftg bubbling up, it’s particularly glaring to me that we are all playing this very long game of pretend where we ignore how badly the non-white cast has been treated & her lack of thoughts on it
and i understand not wanting to bring up nicky and thea because people pick on her for it. i’m not trying to discredit nora sakavic’s terrible history of getting harrassed online by aftg fans. but i think it is very cynical, and it is very juvenile, and most of all very cruel, that she gets to ignore the very real ways the books have set up these characters to be hated. i think it’s obvious why the characters who get the most hate are the only canonical characters of color, and i think we do not get to treat this like a deliberate decision on the fandom’s part when the books have put these same characters in degrading and embarrassing and terrible positions in the first place. aftg is not a story about nice characters with clean pasts, but there is a very specific nastiness to the only characters of color being a brown man who sexually harasses and later assaults the main character, a black woman whose only scene is her lashing out at her love interest after being ignored for the first two books, and the japanese villain who gets maybe two lines of complexity before he goes back to being a terrible person. the white cast, in comparison, while not at all free from flaws, are never shown to commit mindless evil; all of their actions are ultimately justified. the book goes out of its way to give them concession after concession. we know exactly who to side with, because aftg tells us who these people are. does nicky’s assault ever get addressed in the books? does riko’s reasoning to be the way that he is ever gets more than briefly aluded to? is thea reserved even a shred of humanity or grace in her one scene?
anyway. it’s been years of talking about this and the fandom has been constantly hostile to criticism in this regard, and more recently any criticism at all, and it’s Grating to be on the other side of this discussion. it’s exhausting to know that in ten years we do not get even an acknowledgment besides the author saying she will not answer questions about nicky and thea anymore. it’s upsetting and it’s ugly and i wish no one had to talk about this again, but we do because what i thought was common sense has been washed away by a sudden influx of no-nuance adoration for the trilogy. basically i hope we all explode
two hours later edit: you're allowed to reblog this! sorry about the confusion
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"Hellooooo, sailors! You've travelled long and hard, why not kick your feet up and rest with me? I'll sing us a little song."
meet Echo! my new Eclipse OC! she used to be a performer on a luxury cruise ship (and this was one of her outfits!) but now she works as the front desk/security at an office building. a free-spirited bot with the confidence to boot, she lives life on her own terms—to the fullest.
some other facts about her:
she stands at 8'5" (same height as Clip! i realize this is my default Eclipse height haha)
her voice claim: HWASA
Don't: "I don't care who you are, don't make me cry. I don't care who you are. I don't care who you are, don't make me lie."
however, there are moments when she sings that a second voice seeps in to harmonize: Whee In
Watercolour: "I'm gonna raise me up, I want more colours for me. Now, just pick anything, ah!"
her "hair" is made up of wires that she plugs into the back of her faceplate! she changes them up often.
she hates it when people touch her hair, partly because they get tangled and partly from a bad past experience
she loves eating and can handle a lot of spice
she dates around, she finds humans entertaining, especially when they can pay for her meal
also tagging @starriegalaxy because she wanted to be tagged and i took that as an invitation to share the Echo brainrot with her right before her meeting today (wishing you the best, jestie!)
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i could KILL him for this. motherfucker's every interaction with children has him being, if not nice, then at minimum kind and forgiving and genuinely invested in their wellbeing.
he asks crying kids what's the matter, he's afraid to hold a baby because he's worried he'll drop it, he goes after people who are mean to kids without a second thought. his whole mentorship with timothy hunter is him trying to do right by that kid no matter how he feels about it at the time. man would be the most loving dad in the world but because of his own awful goddamn father and the ways he thinks he takes after thomas, he doesn't think that's true. i hate.
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PLEASE DO NOT TAG AS YOUR OWN OC OR PAIRING.
Nathan and Ruben share a bond more powerful than most; mutual understanding through past experiences no one should ever have to go through, and through past actions so horrible they cannot be spoken of. Their grief and the blood on their hands binds them to the STEM technology they created, which has alienated them from the rest of the world— but they give each other the comfort they have both longed for so desperately for years, and that is all they need.
They are each other's counterpart; you cannot imagine one without the other, like two sides of the same coin. Through their pain, their grief, their desire, and their regret, they have become one.
anna akhmatova, the guest // bones; equinox // 'i won't become' by kim jakobsson // agustín gómez-arcos, the carnivorous lamb // by oxy // achilles come down; gang of youths // czeslaw milosz, from 'new and collected poems: 1931-2001' // 'extended ambience portrait from a resonant biostructure' and 'migraine tenfold times ten' by daniel vega // a little death; the neighbourhood // marina tsvetaeva, from 'poem of the end' // by drummnist // katie maria, winter // 'nocturne in black and gold the falling rocket' by james abbott mcneill whistler // micah nemerever, these violent delights // body language; we are fury // 'the penitent' by emil melmoth // chelsea dingman, from 'of those who can't afford to be gentle'
taglist (opt in/out)
@shellibisshe, @florbelles, @ncytiri, @hibernationsuit, @stars-of-the-heart;
@lestatlioncunt, @katsigian, @radioactiveshitstorm, @estevnys, @adelaidedrubman;
@celticwoman, @rindemption, @carlosoliveiraa, @noirapocalypto, @dickytwister;
@killerspinal, @euryalex, @ri-a-rose, @velocitic, @thedeadthree
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wow the year is almost over scary anyways art summary yippeeeeee
also i have posted all of these before on various platforms (toyhouse, artfight, and here I think) so you might have seen some before
i will be making more art next year maybe i'll do this again idk :P
(full art links and credits below cut)
january and febuarys' arts are hidden for non-authorized oops
march april may june july august
SEPTEMBER WAS NEVER POSTED SHIT its just my yt banner whatever
october november december
the drawing I picked for july was made for artfight here's the character :]
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"...he informs us very delightfully, this fucking evil little twink. fuck you. fuck you. did someone ask? you little- ... sometimes i do become homophobic. there are some moments where i just hear someone say words and like. you- you think you're charlie xcx but you're NOT. ma'am you're NOT fierce"
-carter from seaweed brain podcast, 2021
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