#in terms of length

[phonydiaries]

lord almighty this fic is going to be a monster

[pysch0-teddy]

Thanks tumblr

[essektheylyss]

One thing that I feel is really interesting and often forgotten about Essek is that fundamentally, his characterization has been from the start based upon his desperation for external perspectives and connection, which, along with much of his narrative and mechanical positioning, means that he actually has an extraordinary and almost (but not actually, as I'll show) counterintuitive capacity for both growth and trust.

(Buckle in. This is a long one.)

In particular, I would argue, knowing now that many places where the plot touches Ludinus have long been marked for connecting back into the current plot, that he was quite possibly built as a prime candidate for radicalization by the Ruby Vanguard. He felt isolated from his culture, he was desperate for other connection, and he was certainly of the type to believe he was too smart to be drawn into such a thing, given his initial belief that he could control the situation and the fallout. If things had gone any other way, he easily could've been on the other side by now.

As such, he has been hallmarked by being fairly open to suggestion, perhaps for this reason, but the thing about that kind of trait is that it is both how people are radicalized and deradicalized. This is certainly true of Essek, who experienced genuine kindness and quite frankly strangeness from the Nein and was able to move from the isolation the Assembly had engendered to meaningful and genuine connection, largely propelled by his own internal reflection. By the time Nein are aware of his crimes, he's already begun to express regret to an extent and, furthermore, doubt in the Assembly, including explicitly drawing a line against Ludinus, even in a position where he was on his own and probably quite vulnerable.

Similarly, when the Nein reach the Vurmas Outpost some weeks later, he has moved from regret for the position he's ended up carrying a heavy remorse. This makes sense! He's fairly introspective, seems used to spending a lot of time in his own head, and was left with plenty to mull over. It's not some kind of retcon for him to have progressed well past where the Nein left him; it just means he's an active participant in the world who has done his own work in the meantime.

This is another interesting aspect to him. I've talked about this a bit before but I cannot find the post so I'll recap here: antagonists in D&D have significantly more agency than allied NPCs. Antagonists are active forces, against which the party is meant to struggle; allies are meant to support the PCs, which means they tend to be more passive in both their actions and their character growth. Essek was both built as an antagonist, in a position that gives him significant agency, and also was then given significant opportunity to grow specifically to act as a narrative mirror for Caleb's arc. Even when he becomes a more traditional D&D ally, he still retains much of that, though he occupies a supporting role.

I believe that this is especially true because of the nature of Caleb's arc, which I've already written on; the tl;dr of this post is that Caleb is both convinced that he is permanently ruined and also desperate to prove that change is possible. Essek is that proof, because he is simply the character in a position to do so. But this also means that his propensity for introspection and openness is accentuated! He has to do the legwork on his own, for the most part, because that's where he is in the meantime.

But he still ends the campaign necessarily constricted; he is under significant scrutiny, he's at risk from the Assembly, and he goes on the run fairly soon after the story ends. He spends most of the final arc anxious and paranoid, which is valid given the crushing reality of his situation. It would be very easy to extrapolate that seven years into this reality, he would be insular, closed off, and suspicious of strangers, even in spite of the lessons he's learned from the Nein and their long term exposure.

So seeing his openness and lightness now is surprising, but at the same time, given this combination of factors in his position in the narrative over time and his defining traits, it's not by any means unreasonable.

But one thing that I found so delightful is how much trust he exhibits, which is obviously a wild thing to say about Essek in particular, given much of what he learns is both earning and offering trust, which was something he says explicitly in 2x124 that he's never really experienced: "I've never really been trusted and so I did not trust." It makes up much of the progression of his relationship with Caleb, and the trust that he is offered by the Nein in walking off the ship is the impetus he needs to grow.

But I think it's easy to talk about trust when it comes to people who have proven themselves to you or to whom you've ingratiated yourself, and that's really the most we can say about Essek by the time he leaves the Blooming Grove. There is this sense in a lot of discussion of trust (not solely in this fandom) that it is only related to either naivete or love, but there's far more to it. Trust at its best is deliberate—cultivating an openness to the world at large is a great way to combat cynicism and beget connection instead. It allows a person to maintain curiosity and be open to experience, but it can be incredibly difficult to hold onto.

It is clear that the Essek we meet now is a very pointedly and intentionally trusting individual. He trusts Caleb and by extension Caleb's trust in Keyleth, as he shows up and picks up a group of strangers from a foreign military encampment and walks in without issue. He trusts the Hells to follow his lead moving through Zadash and to exhibit enough discretion so as to avoid bringing suspicion upon all of them. He trusts that Astrid will respond well to his entrance, but he also trusts himself and the Hells enough to execute a back-up plan in the case that she doesn't. In the end, he even trusts them enough to give them his name and identity.

He doesn't scan as someone who has spent half a dozen years living like a prey animal, afraid of any shadow he runs across in an alley, withdrawn into himself and an insular family, which would've been an easy route for him to take. He scans as someone who has learned the kind of trust borne of learned confidence and a trained eye for good will and kindness, which are crucial weapons one would need for staving off cynicism in his circumstances—as if he has survived thanks more to connection and kindness than paranoia and isolation. (If we want to be saccharine about it, he scans quite poignantly as a member of the Mighty Nein.)

So it is easy to imagine this trust and openness as a natural progression of his initial search for perspectives external to his own cultural knowledge. Though he makes those first connections with the Assembly to try to vindicate his personal hypotheses, he finds in them exposure to the deepest corruption among Exandrian mortals, which could've—and did, for a time—turned him further down that same dark path.

But it's also this same openness to exposure from the wider world that allows the Nein to influence him for the better, and in spite of the challenges he's certainly faced simply surviving over the past seven years, he seems to have held onto this openness enough to move through the world with self-assurance and a willingness to extend the kinds of trust and good will that he has been shown.

(I would be remiss not to mention that I was reminded about my thoughts on this by this lovely post from sky-scribbles and their use in the tags of 'light' to describe Essek's demeanor this episode, which is really such an apt word for it.)

[merakiui]

Ur chemic fic healed me from the anthill one🙏🙏 this time I didn't cry over cold noodles either, instead I smiled and giggled. You seriously have a way with my emotions bro😔

AAAA I'm so glad!!!! ⁽⁽ଘ( ˊᵕˋ )ଓ⁾⁾ we can only go up from here! The next Floyd fic will be filled with fluff, so no more angst (as of now >:D). Thank you for smiling and giggling over 'chemic'!!!! <3

[st4rstudent]

people seemed to like the last design so here's another drawing. this time featuring a surprise guest. haha wow whos that guy...

no dialogue ver

[lovestory]

i loved that taylor was very touched by the pictures of marjorie being held up and she was very very cute about it with her little speech but at the end of the day...it could have easily gone the other way? the people who did that just did it hoping they could make viral content out of it, without even stopping to consider why it crossed a boundary...just very weird vibes around it all, people are so desensitized

[blueskittlesart]

Since you're asking for requests... Maybe Ran from Case Closed?

YEAHHHH if no one else got me i know my one follower who likes the same bad japanese detective show as me got me ‼️

[abirddogmoment]

Honestly obsessed with her beautiful extension and smooth gait

[buckevantommy]

seeing a lot of folks describe their 3k+ fics as "drabbles" 🙄🤦....

.... the term you're looking for is: "ficlet" or "oneshot"

[mallevsmaleficarum]

I really don’t think if any of the other try guys cheated on their significant other it would have been as big of an event on social media. I think it’s specifically the hypocrisy of Ned betraying his own image of being the “wife guy” that makes so many people feel the need to comment on it.

[pansyfemme]

i cant get my nails done for sensory and ‘multi-media visual artist’ reasons but i should paint my nails more.. feels a little nicer

[juniperhillpatient]

I’ve always been fascinated by female characters that are defined specifically by what they mean to the (mostly male) characters around them in an objectifying way but I don’t mean misogynistic writing because I fully believe the narrative can be aware of the tragedy of never belonging to yourself or being allowed to have any agency in your own life. The mysterious dead girl who is the object of everyone’s curiosity or grief whose relationship with the men in her life is the focus of the investigation. Like…. The horror of having no agency within your own identity & no power to change that or take control of your own narrative.

[violetlunette]

I'm curious about something; pls reblog what kind of cereal / cereal mascot your Yuu would be.

[tj-crochets]

Hey y'all! Do you have any recommendations for things to do or not do when sewing clothing? Basically, where to start? I've made doll clothes and a few skirts for my nieces, but I don't wear skirts or dresses and I am doing fine on pajama pants, so I think the like easiest thing for me to start with will be shorts? Probably like quilting cotton, elastic waist super simple ones, I just don't know a good pattern to try and don't know enough about clothing patterns to know how to pick a good pattern

[boylikeanangel]

henry telling joel the story of how he informed fedra about the leader of the resistance so he could get the medicine he needed to save sam, and seeing joel's entire face and demeanour change as he starts to understand who henry is and how similar they both are. joel initially not trusting henry because he's a rat, but once the full context is given to him, he tells henry it's not fair on him for so many people to want him dead for what he did. joel not questioning why henry would betray so many people for his brother, because he knows he would do exactly the same thing in his place. henry DIRECTLY making joel ask himself the question "what is more important: the world, or the one person you love? your honour, or your family? when it comes down to it, how many people will you hurt to make sure she's safe?", and you can just see that joel immediately knows the answer.

[rainbow-crane]

the more I write for the Junkonalysis the more I go 'wait I need to talk in depth about this thing too. Wait this part needs to be discussed more. Wait her relationship with her is more significant, better make a subsection for that. Wait I should talk about this-" and then I despair over how long it's taking and Junko herself feeds on my tears