If I may take some time from your day, there is a very big problem I would Like to address.
Minimalism and Modernism working in tandem.
Because oH my fucking god it's so fucking bland. It's nice every now and then, but oh my god if I see one more goddamn "home makeover" that turns a beautiful rustic building into a Black White Brushed Steel and Dark Gray hellscape I am going to commit a crime.
WHERES THE PERSONALITY!
WHAT HAPPENS WHEN THERE"S CLUTTER? THE KNICK KNACKS?
If you say you are gonna stick them anywhere than the fuckoing shelves/bedside tables or dressers or wardrobes Im kicking your ass.
What about the fucking novelty magnets you get on trips at gas stations and landmarks? Cause I know you aren't gonna ruin the "colors palette" of your kitchen - which by the way will look 1000% worse the second dust settles - by sticking them on your Fridge!
My Dad has a beautiful, powerful, large set of speakers, each one weighs about 200 pounds and are a pain in the ass to move, but they really are beautiful, Clear varnish, dark, wood grain bodies, and they sound incredible.
When (hopefully a long time from now) My dad passes, if whoever gets those speakers decides to sell them for something new I'm, kicking their ass.
My dresser is one I've had since I was literally a couple years old, and it has some stickers on it. Old coffee shop stickers, some stickers from City festivals and the like, and someone suggested I get a new one. I asked them why and they said it was old and kind of cluttered, so obviously i responded with "Well it still works, and I don't mind it" But RIGHT NOW i'm like "Actually it looks great. I like the stickers. Infdact I like the stickers so much I 'm gonna plaster Everything IN stickers! TOO MANY STICKERS IM GONNA MAKE COMBUSTIBLE STICKERS AND BURN YOUR GODDAMN HOUSE DOWN"
FUCK MINIMALISM. REJECT MODERNITY.
I STAND WITH THE GAUCHE AND THE GAUDY. I STAND WITH THE RUSTIC AND OLD FASHIONED.
GIVE LAMPS WITH ETCHING AND WEIRD RIMS ON THE GLASS.
GIVE ME YOUR BRUSHED NICKEL AND THE ANTIQUE BRASS. I'LL TAKE THAT PEPPER MILL WITHTHE BENT HANDLE, IT STILL FUCKING WORKS!
IF THERE ARE A MILLION PEOPLE AGAINST MINIMALISM i AMWITH THEM.
IF THERE ARE A HUNDRED PEOPLE AGAINST MINIMALISM I STAND WITH THEM
IF THERE IS ONE MINIMALISM HATER I AM AGAINST THE WORLD.
IF THERE ARE NO MINIMALISM HATERS LEFT IAM FUCKING DEAD.
I. CANNOT. STAND. THE DIRECTION FUCKING 'INTERIOR DESIGN' IS GOOING.
YEAH, like i'm gonna fucking kill anything that makes my house appealing to look like every other schmuck on the block. how about you find something you enjoy other than conformity or i'm gonna fill your house with salt from my little pinch bowl i got from a friend's mom that was gonna throw it away, because I plan on driving the fucking demons of blandness from your home.
If you present your house like it's a clean dish to serve food you bet your fucking ass i'm gonna salt and season it.
PLease. Just throw some color and personality in some way other than false flowers or fake fruit.
A purple blanket. Photos in a portrait you picked up at a garage sale.
please.
make your house a home by making a mess in it.
but make it your mess. make it your home.
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the thing about art is that it was always supposed to be about us, about the human-ness of us, the impossible and beautiful reality that we (for centuries) have stood still, transfixed by music. that we can close our eyes and cry about the same book passage; the events of which aren't real and never happened. theatre in shakespeare's time was as real as it is now; we all laugh at the same cue (pursued by bear), separated hundreds of years apart.
three years ago my housemates were jamming outdoors, just messing around with their instruments, mostly just making noise. our neighbors - shy, cautious, a little sheepish - sat down and started playing. i don't really know how it happened; i was somehow in charge of dancing, barefoot and laughing - but i looked up, and our yard was full of people. kids stacked on the shoulders of parents. old couples holding hands. someone had brought sidewalk chalk; our front walk became a riot of color. someone ran in with a flute and played the most astounding solo i've ever heard in my life, upright and wiggling, skipping as she did so. she only paused because the violin player was kicking his heels up and she was laughing too hard to continue.
two weeks ago my friend and i met in the basement of her apartment complex so she could work out a piece of choreography. we have a language barrier - i'm not as good at ASL as i'd like to be (i'm still learning!) so we communicate mostly through the notes app and this strange secret language of dancers - we have the same movement vocabulary. the two of us cracking jokes at each other, giggling. there were kids in the basement too, who had been playing soccer until we took up the far corner of the room. one by one they made their slow way over like feral cats - they laid down, belly-flat against the floor, just watching. my friend and i were not in tutus - we were in slouchy shirts and leggings and socks. nothing fancy. but when i asked the kids would you like to dance too? they were immediately on their feet and spinning. i love when people dance with abandon, the wild and leggy fervor of childhood. i think it is gorgeous.
their adults showed up eventually, and a few of them said hey, let's not bother the nice ladies. but they weren't bothering us, they were just having fun - so. a few of the adults started dancing awkwardly along, and then most of the adults. someone brought down a better sound system. someone opened a watermelon and started handing out slices. it was 8 PM on a tuesday and nothing about that day was particularly special; we might as well party.
one time i hosted a free "paint along party" and about 20 adults worked quietly while i taught them how to paint nessie. one time i taught community dance classes and so many people showed up we had to move the whole thing outside. we used chairs and coatracks to balance. one time i showed up to a random band playing in a random location, and the whole thing got packed so quickly we had to open every door and window in the place.
i don't think i can tell you how much people want to be making art and engaging with art. they want to, desperately. so many people would be stunning artists, but they are lied to and told from a very young age that art only matters if it is planned, purposeful, beautiful. that if you have an idea, you need to be able to express it perfectly. this is not true. you don't get only 1 chance to communicate. you can spend a lifetime trying to display exactly 1 thing you can never quite language. you can just express the "!!??!!!"-ing-ness of being alive; that is something none of us really have a full grasp on creating. and even when we can't make what we want - god, it feels fucking good to try. and even just enjoying other artists - art inherently rewards the act of participating.
i wasn't raised wealthy. whenever i make a post about art, someone inevitably says something along the lines of well some of us aren't that lucky. i am not lucky; i am dedicated. i have a chronic condition, my hands are constantly in pain. i am not neurotypical, nor was i raised safe. i worked 5-7 jobs while some of these memories happened. i chose art because it mattered to me more than anything on this fucking planet - i would work 80 hours a week just so i could afford to write in 3 of them.
and i am still telling you - if you are called to make art, you are called to the part of you that is human. you do not have to be good at it. you do not have to have enormous amounts of privilege. you can just... give yourself permission. you can just say i'm going to make something now and then - go out and make it. raquel it won't be good though that is okay, i don't make good things every time either. besides. who decides what good even is?
you weren't called to make something because you wanted it to be good, you were called to make something because it is a basic instinct. you were taught to judge its worth and over-value perfection. you are doing something impossible. a god's ability: from nothing springs creation.
a few months ago i found a piece of sidewalk chalk and started drawing. within an hour i had somehow collected a small classroom of young children. their adults often brought their own chalk. i looked up and about fifteen families had joined me from around the block. we drew scrangly unicorns and messed up flowers and one girl asked me to draw charizard. i am not good at drawing. i basically drew an orb with wings. you would have thought i drew her the mona lisa. she dragged her mother over and pointed and said look! look what she drew for me and, in the moment, i admit i flinched (sorry, i don't -). but the mother just grinned at me. he's beautiful. and then she sat down and started drawing.
someone took a picture of it. it was in the local newspaper. the summary underneath said joyful and spontaneous artwork from local artists springs up in public gallery. in the picture, a little girl covered in chalk dust has her head thrown back, delighted. laughing.
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What kind of clothes would Vasco wear after Machete's death? He tends to wear bright and warm colors, and I was wondering if he would start wearing dark and cool colors to reflect his inner state
I also had thought that he might start to veer towards more somber shades. In reality, late 16th century fashion was dominated by dark colors, if you look at portraits from late renaissance/early baroque eras you quickly notice that pitch black was the most fashionable color (compare that to early and high renaissance fashion from 1400 to 1550 which was visibly more vibrant and colorful). I might be bending the timeline a little bit by having him dress in vivid blues with gold accents, but it's his signature style and I think it mirrors his luminous, free-spirited and approachable personality well. After Machete's death he might've experienced a period where jewel tones had lost their luster to him.
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