#but like also nuke itself you know what i mean

[streetslost]

📱- when you’re so desensitized to tumblr fuckery at this point and also there’s a deep part of you that hopes the site nukes itself because that’ll be the only way i’m free

[ilynpilled]

Something so sexy about Jaime’s most heroic act being doomed from the get go in every way. It damns him for one, like there is no action to take in the situation he is in without huge cost. So many vows yadda yadda, you are damned either way. But in general, a nuke being under the city is something you cannot come back from. It is meant to be a death sentence to the place, the culmination of the trajectory the kingdom was on. Aerys doomed the city with that. The logistics of removal is not all that simple. If you tell Ned and he even believes you? Great! Now who else will have to know? Who can be trusted with it? How will you remove it? We do not even know all precise locations, we had to kill all the pyromancers. How do you make sure it is not accidentally set off? On top of that, the city is filled to the brim with corruption. Full of players who would love to use and exploit that kind of power. The information itself is dangerous. The wildfire functions as a great metaphor as a result. It is festering corruption. You cannot erase the caches at this point. The closest you can get to that is bury the knowledge. He is still haunted by an endless stream of burning bodies. An event that never happened: “In his dreams the dead came burning, gowned in swirling green flames. Jaime danced around them with a golden sword, but for every one he struck down two more arose to take his place.” When he hears that Tyrion made use of it, he is immediately reminded of his greatest fear: “Jaime saw green flames reaching up into the sky higher than the tallest towers, as burning men screamed in the streets. I have dreamed this dream before.” His faith in institutions is also below ground by then, like you see it in his weirwood dream, he tells the truth to his heroes and it does nothing. It is not about Ned, he is not the one that comes out, even though he assumed he would be. “It was never him.” They damn him to darkness anyway for his act and prioritize feudalistic moral constructs. All these contradictions are what makes his fire go out in the dream. But the belief that you can bury all this, and therefore prevent the existence of an Aerys 2.0, does nothing but stall the inevitable. KL’s supposed savior, Robert, the man leading the rebellion, who would slay the “evil dragon”, just led to stagnation. He did not wash out the corruption in it, he just sat on top of it and let it fester. He rues Robert, he says so. One bad king to another. The wildfire problem is more complicated than a single mad man. Its tragedy is rooted in enablement and escalation. There is a reason the pyromancers are more emphasized in the confession. I read it as symbolic of the systemic issues permeating the city, because those are what allowed it to get to the point that it did in the first place. Brienne knows about the wildfire now too, but she also does not comprehend what a volatile ticking time-bomb it is. They do not know how it works, and how it becomes more dangerous over time. Jaime might even save that damn city twice with the Cers and valonqar set up, but both times it is gonna be ultimately “pointless”, bc KL cannot be saved. But that does not matter, because the fact that someone acted back then has meaning. Thematically, that action itself is a triumph.

[thepersonperson]

How old do you think lived to be in the Heian era?

Also do you think the marks on his body are like birthmarks or tattoos to mark criminals?

Not a clue about Sukuna’s death age. The Buddha reached enlightenment at age 29. Sukuna is “enlightened” so I’m going to put him at 29+ years old at death.

I’ve been meaning to do a Sukuna Tattoo post so I guess I’ll use this as an excuse. They aren’t birthmarks that’s for sure.

Sukuna's Tattoos

Notes before we start.

1) I will be mainly using the TCB scans for the manga because of their accessibility. 

2) Written as of JJK 267.

(Click images for captions/citations.)

Preface

I'm drawing from a lot of sources here because documentation of Heian Era specific tattooing customs is not something I could find. The reason I’m comfortable using non-Heian sources as a reference is due to Sukuna borrowing both language and arts from other periods.

For example, Sukuna scolds Yorozu for not using a Haiku properly. The form of Haiku that Yorozu uses did not exist until the late 17th century. A good 500+ years after the end of the Heian Era (794 to 1185). The Haiku is actually derived from Waka poetry that became popular during the Heian Era. (Very short summary: Waka (Sedoka specifically) -> Renga -> Haiku)

It should also be noted that Chinese influences greatly shaped the development of arts and social attitudes in early Heian Era Japan. These influences declined over the this era as Japan looked towards itself for cultural development. Since the Heian Era was from 794 to 1185, most of the Chinese influences came from the Tang Dynasty (618 to 907).

For all these reasons, most of this tattoo analysis draws from the Tang Dynasty in China and the Edo Period in Japan. However historical Chinese tattooing in general is referenced more due to its availability.

Anyone with more historical Japanese or Chinese knowledge are free to correct me if I get something wrong.

Facial Tattoos

Let's first compare the facial tattoos on Yujikuna Megkuna and OG Sukuna.

Yujikuna and Megkuna have identical facial tattoos, but OG Sukuna lacks the markings over his nose and forehead. I think this is because those markings have something to do with Kenjaku's vessel creation. When Kenjaku casts Idle Transfiguration to wake up the Incarnated sorcerers for the culling games, they also have markings on their foreheads.

Sukuna's vessel markings might be different because his incarnation occured outside of the culling games. It could also be from his cursed object’s division into multiple pieces instead of just one. Whatever the reason, these forehead and nose tattoos prpbably hold more information about Sukuna’s relationship with Kenjaku than his past in general. All 3 versions of Sukuna share the chinstrap markings, so those tattoos likely have significance outside of Kenjaku.

Now onto what they could mean…

Sukuna has already demonstrated that he knows his Chinese literature and wordplay via Enchain/契闊 (Keikatsu). (The person who brought this to my attention may or may not have their account nuked. A doctored version of the Tweets is screenshottes here). What's important for this analysis is knowing that Keikatsu comes from a Chinese Poem.

The poem referenced belongs to the Shijing or The Book of Odes. This book is a part of the Wujing or Five Classics, a series of documents believed to be compiled by Confucius that has greatly influenced both China and Japan. Amongst the Five Classics is the Shangshu or Book of Documents that cites the use of punitive tattooing. Quoted directly from Wikipedia:

"It lists the "Five Punishments": the five primary penalties employed by ancient Chinese officials on criminals. The first (and least severe) of these punishments was the tattooing of the criminal's face with indelible ink."

In the Edo Period of Japan, the criminal markings on the face seem to only appear on the forehead. These were given to any lawbreaker as a punishment and a warning because they didn't have prisons. (Source)

These sources both suggest the facial markings are for criminals. However, there are alternative meanings that should be considered.

Kenjaku’s vessel markings are on the forehead and many of the culling game players consider themselves to be manipulated by the promises of incarnation. It’s also odd that the strongest sorcerer is unable to incarnate properly due to Yuji acting as a cage. Kenjaku is all but outright confirmed to have done that on purpose.

For these reasons, I think the following historical tattoo practice from the Chinese Song Dynasty (960 to 1279) should be considered. Quoting directly from the source:

“Tattoos for slaves were things like a label of ownership, or a brand on the forehead. There are some examples of slaves, and concubines, receiving tattoos as punishment for things like trying to escape…”

Uro is a former slave, a military slave to be exact. I go more into detail about this in my Initial Sukuna Backstory Theory. There is also the fact that Kenjaku sees the incarnated and has access to their lives/bodies like this...

They're essentially toys with built-in tracking devices for Kenjaku to monitor and tinker with as needed. The forehead and nose tattoos on Yuji/Megkuna can therefore be seen as a mark of ownership by Kenjaku. And maybe this is why Choso has one across his nose too.

There is one more meaning I can propose for the facial tattoos, though it mostly applies to the chinstrap.

Within China there are tribes that used facial tattoos for other purposes. The Dulong women had their faces tattooed to make themselves look undesirable to invaders that would abduct them for slavery and rape. (If you've read that one revised Sukuna backstory of mine, this is significant.) But more commonly, these markings became a tradition for girls coming of age.

The Ainu women in Japan also used facial tattoos for coming of age, beauty, and preparing for death. I bring up the Ainu because they’re mentioned as a non-Japanese group of sorcerers. There's also this Yuji is of Ainu heritage theory to consider. (This could link Sukuna to the Ainu by blood.)

The tribal uses are discussed here because Sukuna’s tattoos are vaguely tribal in appearance. Though tribal tattoos tend to be more detailed, his feel like a simplified version of them. I think that works well with Sukuna being labeled an unwanted child at birth. Japan has wiped out a lot of its indigenous populations and customs (see the Emishi). After all, what minority group practices haven’t been demonized and associated with criminal activity by the majority?

So the facial tattoos for Sukuna may be a marker for his vessel status, a claim of ownership, a punishment for being a criminal, a deterrent for sexual assault, or a signifier of belonging to a tribe. You can come to your own conclusions about this, after all none of this is confirmed.

Chest and Belly Tattoos

Comparing the versions of Sukuna again. (All these sections are going to start like this.)

Yujikuna and Megkuna once again have the same tatts. OG Sukuna has “C” hooked markings over his pecs instead of the “S” hooks of the other two. He also lacks the belly markings entirely. Since his belly mouth seems to be replacing the belly tattos, I think those markings on Yuji/Megkuna are a stand in for that extra mouth. The pec style differences I have no explanation for.

Due to the chest tattoos extending over Sukuna’s shoulders and onto his back, I won’t looking for possible meanings until the back tatts are addressed.

Back Tattoos

The tattoos running down Sukuna’s back appear to be the same for all 3 versions. Differences are slight enough to be considered inconsistency in the art and not deliberate.

The neck tattoos between Yuji/Megkuna and OG Sukuna differ slightly however. The bands of Yuji/Megukuna remain separate while OG Sukuna’s fuse together and extend further down his back. I don’t really have an explanation for this difference, much like the hooks differing on his pecs.

Back and chest tattoos are associated with criminal activities in Japan rather than criminal punishments because they are hidden under clothing. (Well not in Sukuna’s case, but you know…) Most notably the Yakuza have very intricate chest and back tattoos.

But going back to China, tattoos were also used as dog tags for military members and could signify loyalty, mainly during the Song Dynasty (960 to 1279, which is still within the Heian Era). Despite this, cultural opinions at the time seemed to be conflicted due to tattoos sharing an association with criminals. Quoted directly from the source:

“According to Yue Fei’s biography, when the legendary general was slandered and interrogated for treason, he tore the shirt off his body, exposing four characters tattooed on his back: “Exhaust one’s loyalty in service of the state.” This study looks at two components of the Yue Fei story—patriotic tattoos, and tattooed generals—and examines their meaning in the broader stretch of Song dynasty history. Yue Fei was not the Song dynasty’s only tattooed general who came to a tragic end.”

“This study shows that underneath the nationalist historical narrative of the Song dynasty, of which Yue Fei is a famous example, there lies a different story of social conflict within the Song state. Rather than a story of Chinese fighting non-Chinese and of traitorous and cowardly officials struggling with loyal patriots, this study offers a narrative of a social conflict between high-born clear-skinned officials and low-born tattooed military men.”

Now that sounds a lot like how the higher ups clash with the Jujutsu Sorcerers who do all the actual work. This mentality existed even in the Heian Era, where Uro was exploited as a military slave by the Fujiwaras. And since Uro is a Sukuna parallel, these tattoos could also indicate a similar type of exploitation.

There are still tribal purposes to consider. Drawing more from Chinese sources, the Dai men had body tattoos as a symbol of strength that would accentuate their muscles. Sukuna’s chest and back tatts really draw attention his brawn. The Li women had body tattoos as a right of passage and as identifiers. Sukuna’s neck tattoos in particular are similar to these ones.

So my spattering of explanations this time around for the chest and back tattoos are criminal organization affiliation, military “loyalty” claims (this is a form a slavery), decorative pieces to accentuate the muscles, a right of passage, and an identifier.

Arm Tattoos

Remember how I theorized that the belly markings on Yuji/Megkuna were a stand in for OG Sukuna’s extra mouth? That’s what I think is going on with the arm tattoos as well. The double bands and circles on Yuji/Megukuna represent the extra limbs on OG Sukuna. When this fusion is pulled apart, you get the single bands and dots on the 4 limbs.

As for their meanings? There’s the criminal markings of the Edo Period that indicate where the particular criminal is from. (Courtesy of this Reddit post.)

Since Yuji/Megkuna tattoos are more related to Kenjaku’s vessel creations, this could hint that their deal took place in Nara, Oosaka, Koufu, or Edo. (Nara is most likely because of its significance in the Heian Era.) For OG Sukuna, this is more indicative of where he first got them.

However, the single band is not for a location but rather a status—Hinin. These are the undesirables and social outcasts that were marked for their uncleanness. Sukuna was born a conjoined twin and unwanted. It’s likely these markings directly correspond to that fact.

…

(An unserious suggestion. On queer men in the US, double rings on the arm can represent how far they can fist someone.

I don’t think Gege is referencing this at all. This is just an example of why cultural context is very important to consider.)

...

There are some other meanings to be drawn from armbands specifically, but those are easier to group with legs.

Leg Tattoos

Differing from the other sections, the leg tattoos have only been seen on Megkuna and OG Sukuna. As referenced in the image below, we have the ankle of Megkuna (top left), the upper thigh of Megkuna (right), and ankles of OG Sukuna (bottom left).

Instead of having the double rings, like on his arms, Megkuna only has a single band, which matches OG Sukuna. (It’s reasonable to assume Yujikuna is the same and that OG Sukuna has the upper thigh bands too.) This further supports the idea that the double bands and shoulder rings represent the fusion of the extra limbs. Sukuna never had extra legs so there’s no need represent missing limbs.

For what they mean? I have only the non-Japanese/Chinese sources to go by. Gege may be a fan of non-Japanese cultures, but I'm not sure if that means Sukuna's design elements would borrow from them.

In other cultures, armband tattoos can represent mourning. Which ones exactly I have no idea because all the sites making this claim don’t specify them in detail. (Source 1, Source 2, Source 3) It’s honestly pretty infuriating. If you’re going to “borrow” designs from “cultures” to sell, at least cite your got danged sources.

But if we are to read these as indications of mourning, I don’t believe they’re for a person. Throughout this analysis, tattoos recurrently are associated with some form of oppression—slavery, uncleanliness, social damnation. If Sukuna’s bands are to be read as mourning, I think it’s for the loss of his autonomy and personhood.

What does it all mean?

Sukuna's tattoos are permanent marks that appear to be directly linked to his soul. How he acquired them is currently unknown. Traditional means of application can be quite painful, using metal or bamboo rods to carve skin and fill the abrasions with ink. (Here's a video if you want to watch it be applied.)

If we consider Kenjaku’s use of brands to mark and control vessels, it could be assumed that Sukuna’s tattoos are ones others put on him through binding vows for his control. They could also be symbolic in nature, hinting at his heritage and origins, indicating that he was branded an outcast at birth or even blessed by deities for protection. Perhaps Sukuna wanted the tattoos himself as an act of rebellion against the changing social norms. Whatever the reason, one thing is clear, these tattoos separate him from other humans.

Existing on the Border

I think the ambiguity behind the purpose of these tattoos this fits nicely with Sukuna and other people not knowing how to categorize his personhood. He's so strong and different that he might as well be something other than human. But he's not a curse, he wouldn't be able to used Reversed Curse Technique if that were the case. Is he a monster? A natural disaster? A god? He's kind of all these things at once by way of projection. Other people assign these labels to him and Sukuna doesn't correct them. There's something profoundly gender about it all.

And if you noticed, tattoos in ancient China and Japan have purposes that differ by gender. For women they were used for beauty and protection, while with men they were used to mark ownership and criminality. Sukuna has a melding masculine and feminine elements which is why I consider the tattoo meanings for both with him.

That sounds kind of crazy given that Sukuna very much embodies strength born of toxic masculinity. However, he actively wears women’s clothing and seems to have no qualms with being associated with feminine things. (Godbless marketing team for leaning into that.) He may have a rough and masculine speaking style, but he loves poetry and flowers.

(Sukuna is lying when he tries to deny it. Megumi's hobbies have everything to do with animals, not flowers.)

The earrings he wears, though a direct reference to the Buddha (basically it’s shorthand for how Sukuna isn’t truly enlightened yet), are another symbol of Sukuna's non-conformity. Earrings are something the Japanese government went out of its way to ban for Ainu men during the Meji Restoration after it decided they were only for women.

Even the short hair both he and Uraume wear are quite rebellious for those times, if not an indication of their lower standing. Regardless of gender, long hair was seen as desirable, high-class, and attractive during the Heian Era. (Source for men and source for women.) Most of the Heian characters wear it that way.

Notice how the servant has her hair cut shorter. Sukuna and Uraume's is shorter than that. It would be considered ugly and possibly dehumanizing. And yet when Kashimo sees Sukuna's true form, he calls him beautiful. He uses 美しい (Utsukushii) to do that.

That kind of beauty is a bit deeper than the English language can get across. From the words of someone else, "...utsukushi can express the beauty of something that catches your heart."

Kashimo isn't really wrong, but he's also not entirely right. For every panel of Sukuna looking like an ethereal god, there's another of him being an amorphous creature or a rabid goblin. All of these types of faces for Sukuna occur within JJK 253 alone.

These contradicting elements that somehow fit together are what make Sukuna, Ryomen Sukuna. He both participates in and rejects beauty. He’s crude and classy, violent and merciful, masculine and feminine. That duality, that two-faced nature is Sukuna.

I think his tattoos reflect this. Directly quoted from the source:

“Tattoos have many different symbolic meanings in Japanese culture and can denote where an individual ranked in society or serve as a permanent means of defense against evil forces or perhaps members of the animal kingdom. With the arrival of the seventh-century, the idea of tattooing one’s body in order to make it more beautiful began to lose its appeal due to the strong influence of Chinese customs in Japan—specifically when it came to identifying and tracking criminal activity. Around 720AD during the Nara Period, it appears that tattooing as a form of punishment began to infiltrate Japanese culture. Once the dawn of the Edo Period began the art form was more widely used as a punishment for criminals as at the time there was really no such thing as a prison to send lawbreakers off to.”

The purposes and attitudes towards tattoos in the Heian Era morph in the way Sukuna morphs both physically and in perception. Since Sukuna is the Fallen One, that means he must have been Honored One first. What caused him to fall remains a mystery, much like the meanings behind his tattoos.

One last thing...

A small caveat in relation to everything else, Sukuna referring to himself as The Fallen is the only time he has introduced himself.

He’s not given someone his name nor identified himself as anything other than a former human (which was internal). Combined with the ambiguous nature of his form, tattoos, and origins, I don't think it would be wrong to read him as someone who has transcended gender.

[revacholianpizzaagenda]

Crossposting from an old reddit convo because this beautiful post got me thinking about it again. How can we square the circle of Revachol begging for Harry's help in stopping the nuke VS the fact that not only Elysium's entire narrative structure hinges on the circumstances of that damn nuke falling, but also that Revachol herself is, on other occasions, dead certain that the world will end very soon ("THE AGE OF MAN IS OVER" etc)?

She knows what will happen and says as much in no uncertain terms. That doesn't mean she can't hope. Rodionov also knew what would happen, and Rodionov still hoped, still worked to help his fellow countrymen even in the face of annihilation. What did Revachol say to Dros's comrades, whom he saw speaking to her as they were being gunned down? She must have known that the Revolution would fail just as surely as she now knows about the nuke. I think she still put her faith in them, because what else could she do?

I'm also sure that her appeal to a RCM officer means that there WILL be some strange window of opportunity when this whole thing could theoretically be stopped here, in Revachol, on the ground (certainly not 22 years on, given the specifics of where the nuke comes from. No way to stop THAT, practically and almost ontologically). I just don't think it'll succeed, for a variety of reasons. There's plenty of precedent for characters wanting to accomplish something and failing. In the game itself, the narrative emphasis on the figurine, for one.

But there's also the possibility that she's referring to something stranger than what you or I could possibly imagine. Some weird extraphysical third option. For example the fuck is "I CANNOT PERISH WITH IT", how the hell is she expecting to keep existing past the very end of the world? In this branch of the nuke conversation in particular, it almost seems like she is expecting Harry to perform something that will not change the course of history per se, but rather preserve her essence somehow.

Sigh. I really hope we'll find out some day…

[mdhwrites]

Can you explain to me how the Titan enforces Christian Fundamentalism?

The Titan makes the only crime Belos committed be that he was a false prophet. Luz is beyond reproach though because she is a true prophet and a true believer. She is then sent to murder a men, blessed with holy power and strength in her convictions, by that God... And we are supposed to cheer.

This isn't even much of an exaggeration or dramatization. The Titan's answer to Luz's fears about justifying horrible acts in the name of protecting others is essentially this. That Belos' true crime wasn't in wanting to kill, oppress or lie. It's that he did it for selfish, self aggrandizing reasons. That if he'd simply been honest and earnest, he might feel a little bad for a mistake or two here or there, like the Titan is about the Collector, but he would have been entirely justified in his genocide. Just like they are beyond approach for wanting this man dead.

As the show says "He wants to be a hero and have the power," but then Luz comes in, trying to have a badass one liner for her return and even says "Darn it, I still can't think of what to say" which isn't even a reference to an earlier part of the show (I don't think at least). It implies Luz waited to come back when it would be the most dramatic and when she was most ready to look the part of the hero. She even references Azura, the FICTIONAL HERO, in her last speech and goes back to the catchphrase she wanted for a hero just nuking a bitch. She TOOOOTALLY doesn't care about being a hero though and because of that, she's all good to be doing all of this. That's what the Titan claimed at least.

Worse yet is that we only really have the Titan's word for glory and power being all Belos cared about. The fucker spent CENTURIES on the Isles. He deformed his body and probably doesn't believe he'll go to Heaven anymore with how much magic he had to internalize in order to pursue the goal of genocide. Even when alone, with no one to prove anything to, he still talks about saving souls and just needing to survive to do this. He's okay with dying afterwards because he DOESN'T care about the glory. Literally the only time he seems to give a shit about other people's approval and the status this might get him is the Witch Hunter General lines and you know what, I don't think it's entirely unfair for him to hope to get some recognition out of four hundred years of work, even if that work was pure evil. You could maybe say Philip's journal shows a hero complex but A: that still doesn't make his belief in protecting others a lie, just means that he has an ego about it, and B: is from hundreds of years ago and he literally abandoned the journal eventually. Abandoned his own heroic tale. By the finale... His intentions are pure. At bare minimum, that's how they are framed by the show itself with his desperation to do this, even at the cost of ending himself. So why does he deserve to die by the show's logic?

Well... He doesn't. He doesn't even deserve to be stopped because his faith is earnest. Except... It's not the right faith, is it? Belos doesn't believe in magic. Doesn't believe in the Titan. He is a blasphemer and false prophet. But now Luz has actually spoken with the Titan, been friends with his son and spread her ideals across the Isles, ideals which are strictly not the Isle's ways but that do theoretically make the basis of the Titan claiming she's a good witch (which is also referencing Azura potentially). The literal first person we meet on the Isles doesn't give a shit about things like lying, cheating, etc. and the early episodes give the impression that no one here does. That Belos doesn't force conformity on that matter even, making it so that these baseline morals that Luz disagrees with are earnest and honest. And yet, none of them are allowed to stay that way. They all enter her fold and listen to explicitly her morality. A morality that happens to line up with Christian morals and that the Titan seems to approve of.

And again, that's not interpretation. The finale actually straight up confirms this isn't the Isle's morality and REVELS in that fact. Belos begs for his life, saying they are not murderers, scoundrels and killers. That their culture demands better of them because they're human. Luz doesn't disagree... But she also doesn't do the act herself (unless you want to say she brought on the rain, but then you have her boiling a man to death which is just HORRIFYING.) Then, in a moment we're supposed to cheer for, Luz's closest connections with the Isles, and Raine tacked on, show up, proudly say they're not better than murderers, and stomp the fucker out. Not a quick mercy killing like a blast of magic or a magic scream might have done. Not the eviscerating explosion Luz had to do as a part of stopping him. No, instead, they brutally stomp out a defenseless, dying man before Raine literally says, "That was satisfying."

Our. Heroes.

And don't get me wrong: Belos needed to die. Thematically it's correct and narratively it's correct. The problem is how the show frames this final conflict. It literally asks if it's okay to kill him. What is a reasonable justification for murder. For even wanting another person to die. For a lot of kids, this might be the first time they hear ANY nuance on this topic. So what is the lesson imparted? Is it that sometimes force is necessary but we should only do it when we are certain that more lives will be lost otherwise and that there is no other option? That'd be a great way to show the Titan actually learned something from his mistake with the Collector. Is it that we can't show tolerance to the intolerant because they will only ever take and destroy? Refute an argument that modern racists use to allow hate speech and actions against others. Is it the simple fact that because Luz actually fears being monstrous, she won't end up the same way because that fear and hesitation will never let her commit the sort of genocide that Belos desires? Or heck, say they aren't racist without saying the word by going "We judge him for his actions and the cruelties he has committed, not by the cruelties of a people or the circumstances of their birth." All of which would be varying degrees of fine morality wise and are genuinely ways good people cope with having to commit horrific violence.

No. Instead, it's just that one did it while excusing it with lies while Luz will do it with pure faith in her heart. You... You do know that the VAST majority of Christians literally use this as a way to dismiss bad actors in the church itself? "He doesn't represent all Christians! He didn't actually hold the faith!" Do you think every brimstone and fire preacher is just a complete liar and not a SINGLE one of them genuinely believes what they preach? Because I'm sorry to break it to you but even as far back as the fucking Crusades, while sure the leaders were corrupt, secular men, most of the soldiers were genuinely god fearing people, terrified for their souls and seeking this as their only form of penance, especially as they saw it as protecting Christianity. It's one of the reasons they were able to do so much damage because the goal for the common soldier wasn't conquest or national pride. It was to murder the other culture who had taken sacred land. They believed earnestly... So were they justified in the massacres of civilians that they committed?

And this is without getting into how we have literally a Holy Trinity of the father (the Titan's corpse), the son (King, who is exceptionally self sacrificing eventually), and the holy ghost, in a very literal sense. Or how about the glyphs being called the Titan's Language and given to Luz to empower her? How invoking simply his words grants one exceptional power? The Hexside Squad in the finale use glyphs, half of them for the first time, to supplement their powers while dead exhausted and it doesn't seem to just be able to help them, it is still keeping them close to their normal power level and potentially energizing them with how not tired they appear to be while doing this. Almost like they're prayers, pulling on the power of a higher being.

But those elements don't matter. For the sake of the Titan supporting Christian Fundamentalism, all that matters is that he puts faith above what is morally correct. That you can excuse any action so long as you are genuine in the belief that you are doing it for the right reasons. Eda could be making this same argument and it would still be wrong and morally reprehensible.

It's literally "The ends justify the means," and how is that your final lesson, for your main character, in a KID'S SHOW? Let alone when that is EXACTLY the argument Belos, THE VILLAIN, has always made. Not just with wiping out witches but with petrification, lying to Lilith, manipulating Hunter, etc. etc. That it was all justified for his grand, 'good' ends.

I already stated arguments that could have been made, that wouldn't have taken much more time to do (if any), that would fix this so don't you DARE even consider bringing up the shortening with this. It is one scene that does the vast majority of this. Arguably, like five lines tops. Five lines that destroy the morality of your very show and any chance at saying Christian Fundamentalism is wrong.

All because its last message wasn't that prophets should be questioned. Only that there are prophets to listen to explicitly and that you should avoid false prophets... Somehow. Maybe just ask if they like anime I guess?

======+++++======

This was first written before I saw the finale, then I tried to make minor adjustments because of the better absorption of events but ended up rewriting the whole thing because I wanted to better focus on just the hypocrisy and god awful morals than talking about if the Titan counted as God or god.

Also, just for those curious: I was raised on Christian morals and did go to church when I was VERY young. My faith nowadays is that I consider there to be comfort in there being a higher power but that I do not care what form they take, nor do I really like organized religion as while it brings comfort and community to many, it also is all too easy to corrupt with personal greed and anger. I've been told the closest label to this is agnostic.

I have a public Discord for any and all who want to join!

I also have an Amazon page for all of my original works in various forms of character focused romances from cute, teenage romance to erotica series of my past. I have an Ao3 for my fanfiction projects as well if that catches your fancy instead. If you want to hang out with me, I stream from time to time and love to chat with chat.

A Twitter you can follow too

And a Kofi if you like what I do and want to help out with the fact that disability doesn’t pay much.

[ultrashadowkai]

RWBY is the longest running show I’ve ever actively kept up with without ever dropping it and picking it back up later. 

I got into RWBY because in 2012 YouTube recommended me a newly released video of awesome fight choreography set to even more awesome music (the quickest way to get me into any show is to have an amazing soundtrack) with heavy fairy tale influences (I’m a sucker for fairy tale adaptations). 

It’s been just about 11 years since then and 10 since the first episode aired.

Normally I would’ve grown tired of a story dragging on for so long and just resign myself to poking my head in every so often to see what’s been happening in my absence, and yet here I am. 

Part of it is because of how long the show’s been going for. Who knows, maybe I would’ve stuck around for just as long on some other tv shows I like if they didn’t all end in around 3 or 4 seasons.

But I think the other part -- the more important part -- is because the story it’s trying to tell.

The story of RWBY takes place in a crapsack world where negative emotions attract killer monsters that seemingly respawn endlessly. There was a literal global civil war over whether or not people should have their emotions controlled by the government because of this. There’s an angry immortal woman who’s hellbent on destroying humanity to stick it to the world’s jerkass gods who nuked the first go-around of humanity and abandoned this current one. And on top of all that, the world still has a whole slew of prejudice and abuse. 

The show never shies away from these facts. But it never lets itself get consumed by them either, and that’s the important part.

Bad shit happens every second of every day in the real world. RWBY says that the Grimm, the creatures that’ll use your anger and your sorrow and your despair to try and kill you, are endless in the world, but so is beauty, so are friends, so is love, so is hope.

RWBY says that you aren’t a burden because you didn’t do everything perfectly, because you didn’t fix every single problem you come across. 

RWBY says that you always have time to love and be loved.

RWBY says that you are enough. That patience and kindness is enough to help change the world for the better. That you touch every life you come in contact with, for better or for worse.

RWBY says that’s never foolish to hope. The world won’t get better in a single day but that doesn’t mean that it’s not worth it to try.

And that’s why I’ve stayed so long. Some people need those stories where the world’s crap and it’s never gonna get any better. I need a story where the world is crap, where things get worse but they also get better. I need a story that’ll kick my pessimistic ass and remind me over and over again that hope is never pointless. 

So long as RWBY keeps telling that story, I’m never dropping it.

[beevean]

Honestly, as unfamiliar as i am with the broader sonic lore, seeing people say Eggman Nega is the actual evil guy compared to Eggman sounds silly. Iirc, in the Rush games both were cooperating to wreck the dimensions for their megalomaniac dream, and even both chafed w eachother occasionally over their massive egos. There's no particular moment where Nega does something that Eggman wouldn't/hasn't done, nor a moment where Eggman disagrees for non selfish purposes. Tbh it feels like they just saw the designs and decided Nega's outfit was more evil lmao

It's all based on this one scene from Rush Adventure:

Dr. Eggman: Nooo! Curse you, Sonic! Eggman Nega: Haa ha ha ha ha! It's time to die, fools! Dr. Eggman: Nega?! Wait... what are you doing...?! Eggman Nega: HAAA ha ha ha! Dr. Eggman: What? No! You're mad! Don't push that button...! Eggman Nega: Planet-Buster Laser, FIRE!

An earlier line:

Eggman Nega: Now, the world shall be my plaything! I shall bring about an age of fear and chaos! And it shall be glorious!

And his plans in Sonic Rivals:

Eggman Nega: [Takes out camera] All I have to do is transfer the energy to the camera on my rocket, and I'll turn this whole planet into a card! Silver: What!? That means my future would be destroyed as well! Eggman Nega: [Takes out a card] If I can't change the future, I'll simply destroy it! There's nobody who can stop me now! Farewell.

In short, Eggman Nega is seen as more insane than Eggman because he, like other villains, want to destroy the world and is not above trying a murder-suicide stunt. It's a classic argument, that Eggman is "softer" because he merely wants to conquer the world :^)

Have a TvTropes as a treat:

Foil: To our own Dr. Eggman. While both scientists are incredibly arrogant utter jerkasses, the good doctor we all know and love is frequently shown to have a degree of rationale below his surface of hamminess and immaturity most of the time, aiming to rule the world rather than destroy it. Nega, by contrast, comes off as soft-spoken and relaxed on the surface but thrives on destruction and lacks any sort of restraint. Also, whereas Eggman tends to walk off his various defeats and try again after a brief fit or two, Nega is a Sore Loser unable to handle the humiliation given by failure, and would be willing to blow up the planet if it meant he could get a win.

The Sociopath: Unlike the goofy Eggman, who despite being evil, has shown to have some form of self-restraint, Nega is completely devoid of empathy and his dream is to turn the world into a playground of destruction.

Viler New Villain: Intended to be what Eggman would be like without his more sensible or endearing traits. While Eggman'll pull an Enemy Mineso the world doesn't get destroyed, Eggman Nega is Ax-Crazy and wants mass-destruction in his plots (if destruction isn't his flat-out goal). And in contrast to how Eggman's goofier traits hide a somewhat pragmatic schemer, Nega's seemingly collected persona hides a stark raving lunatic.

"some sort of restraint" which is why he attempted to nuke Station Square in a fit of rage and even went to detonate the missile itself when it failed. or why he fired a warning shot at the moon. or why he split the entire planet into pieces to awaken a world-destroying deity. or why he attempted to tame a time manipulating abomination with the purpose of eliminating Sonic from the timeline. much restraint, very morals.

Look what they focus on. Eggman is goofy, while Nega is more "suave". That alone makes Eggman look less threatening. Once again, it's all about the Vibes. Who cares if Eggman is not above murder and enslavement, if he's funny about it?

[bambeptin]

OK... SO... BODYSWAP THOUGHTS™... that may or may not be coherent

both of them instantly do not enjoy being in each other's bodies. other than the logistical nightmare of what the hell is happening, Rex and White Knight are very physically different! there's the adjustment period where WK suddenly is much smaller and Rex is suddenly much larger. Rex is more built than most teens but like. WK is a slab of a man. bouts of vertigo are common.

that's on top of being an EVO vs. not being an EVO. I've briefly touched upon it in the fic itself but Rex has been in constant communication with nanites and technology for his entire life (that he remembers) and that's 100% normal to him. he knows "people can't communicate with technology" but he doesn't really understand that, you know. suddenly he's in a human body, everything's quiet, and that specific human is likely the most isolated human in the world.

UH. the rest under a readmore.

(White does send his rubber ball through the magnet into his office which Rex initially thinks is a rude sarcastic gesture but he thinks WK might actually be trying to make his own office more? livable??? but then Rex is like oh! he's in a prison as well. just like my room was. on another note White does keep his exosuits in a room attached to the office but that's behind a lock and he refuses to let Rex use them bc it's a major security breach. + the Consortium would know something is up + WK doesn't want to smuggle him out. honestly it wouldn't be too difficult to but it's not like WK ever had a reason to look into how to escape, other than to wrangle Rex)

Rex is going to get stir-crazy in there. he's got nothing to do. there IS nothing to do in there. ends up reading a bunch of the books White has stashed away in there but tbh there aren't many books. at least they somehow have a similar taste in books. ends up logged back into the system somehow if only to requisition more reading material! and anything else entertaining that can survive the magnet! and another blanket! and like, a chair maybe.

he's lucky that 80% of the time I hc that WK has a room attached to the office and I didn't hit upon the 20% of the time I feel like he doesn't and he sleeps on a mattress right next to the desk when writing this fic

and you know... while he's there in Providence with WK's credentials and looks and boss power... may as well snoop around... maybe even try to make things better...

body language-wise Rex is much more open and cheery (sometimes forcing a smile), but also is more unsure of himself at certain points. he wouldn't be able to nuke a city block basically, even when he had to. when Six sees White's body on the screen, smiling and joking around, suddenly he sees pre-bleaching WK.

and NO. he is too stubborn to do things like "TALK TO PEOPLE". Rex in his body creeps him out anyways. he's all... happy. he is not taking this time to reflect on what that means for Rex's life, much less his own. for now at least.

White is in a sensory nightmare where his panic is also telling his nanites to help him and that freaks him out even more. before bleaching he's always been much more social and tbh way more like Rex but now? he's used to being alone. he's fine with being alone, even, he tells himself. in Rex's body, he flinches from human contact, he's nauseous from nanite communications, he can't make any of his builds bc his mental state is a mess, he's overworking himself, and he's losing control. he can barely cure anything since he can feel the nanites being extracted.

Rex communicates with nanites but WK tries to control them.

he COULD likely build exact copies of Rex's builds if Rex jotted down his mental blueprints, or if WK studies his builds through old footage hard enough to get a grasp on how they work. turns out White has a knack for engineering (his exosuit, his mechsuit, King's Road, etc). HOWEVER this is a lil spoiler for the fic 🤫 but since he made his own mech and he knows it like the back of his hand it's actually easier for him to make parts of his mech as builds instead. I'll probably draw this sometime. Rex with WK's mech arm!!! cool!!!

for his body language he's VERY closed-off. and trying to be intimidating in a body very different than what he's used to combined with his general scowly-ness makes him sort of read like... an extremely moody and rebellious teenager to people not in the know. puts up with some of the soldiers treating him like garbage too.

(Rex expects White to be living it up out there, indulging being able to be outside of the office again...! instead he's still isolating himself. Knight's like there's no point. I'm going to be back in the office. I don't want to get used to it.)

OKAY I ALMOST FORGOT TO PUT IN: White is very aware that Rex's body can get amnesia again and he will forget everything about himself. in that case he doesn't want Rex to be trapped in the office so he's ready to have his amnesiac self swapped anyways.

Rex is very aware of that too and is like, it would be unethical to stick a complete amnesiac into WK's position. he's ready to take the hit!!! they butt heads over this.

White Knight being freaked out all the time is not helping re: his nanites going into overdrive. gotta calm down, WK!!!

I do have a scene in mind for Knight at Noah's house (ordered by Rex)(so WK can go outside) and it is so awkward. Noah going on Reddit to ask what the fuck to do if your ex-boss for a shady job that you got fired from but you still kinda hang out with your ex-coworkers is like. at your house scowling while watching cartoons. (but he's still watching???)(intently???????)

might have more thoughts about this later. this is definitely only scratching the surface!!!

[shuttershocky]

If you’ve been keeping up with the new CN ops, any thoughts on Ray’s kit now that she’s out?

I really like Ray's Kit, she's maybe the 6 star I'm most looking forward to between now and CN's server. There's some really cool ideas in there with just enough restrictions on her to keep her interesting.

Ray really feels like HG wanted to play with a second Ebenholz, so they made one that's close to a physical remix of his kit's ideas (though without Ebenholz's focus on Elites).

Where Ebenholz deals Arts damage and stores charges to unload all of them into one target, Ray needs to store charges (Ammo in this case) to even be able to attack regularly though she STARTS with Ammo rather than having to build it up from nothing. Her damage gets higher the more she attacks the same enemy (up to +24%), and even gets another 15% physical damage bonus when attacking an enemy scouted by her Sandbeast summon, giving her really high physical burst that's dependent on her not attacking constantly so she can reload all her ammo.

Even her skills feel like alternate takes on Ebenholz's ideas.

Ebenholz's S1 is the classic Mystic skill that narrows range into a straight line and lowers ATK interval so he can build charges extremely rapidly and burst one enemy with the built up charges (so long as they aren't in the center of his range). Ray's on the other hand, is loading a special bullet that deals a whopping 450% ATK for big burst (and shift Force 2 for some reason), but because of the Hunter subclass' specific range, and the skill not having a range increase, you're shooting down straight from the center (unless you get your Sandbeast to spot an enemy).

Ebenholz's S2 is using his stored up charges to create shifting mines in his attack range, basically attempting to make sure he never stays fully charged for long and thus not "wasting" his charges. The mines act as area denial and somewhat chaotic crowd control (as the shifting effect can send enemies everywhere). Ray's version of this on the other hand, is expanding her range (which also expands where her Sandbeast can be placed) and then having her Sandbeast actually collect the ammo she fires near it, instantly refilling her ammo when the Sandbeast retreats (and the skill reduces the Sandbeast's redeployment time as well). The skill encourages you to move the Sandbeast around Ray's range changing her focus area, and retreating to instantly recover all her spent charges and not waste time reloading, with the sheer strength of Ray's attacks on whoever is near her Sandbeast acting as the area denial itself. This is a really different implementation on the same idea of "Play with your charges efficiently with a skill that seizes map control" which makes it so fucking cool from a design perspective.

You all know what Ebenholz's S3 does by now and don't need an explanation. Ray's version expands her attack range but also makes her stop attacking until she has full ammo, her skill significantly shortening her reload interval (so she gets to full ammo faster). Once she has full ammo though (8 shots), each shot deals a huge 330% ATK nuke and binds the target for 2 seconds. Ray's ATK interval is 1.6 seconds, meaning she can permabind one enemy while she chunks them down with her powerful attacks. While this skill doesn't have targeting rules like Ebenholz's (so she can fire a precious shot at a slug), the bind means that one she picks a target, she locks them down for her barrage until she's all out of ammo and has to reload. She's not instantly killing an enemy from full health since she can't use all her stored ammo at once, but make no mistake this skill does really high DPH, enough to nuke Patriot Phase 1 for 2.7k+ damage through his DEF without any DEF reduction.

Honestly all of her skills look really good to me and scale well with specialization. While she doesn't look like she's broken enough to recommend M9ing her for meta, she absolutely looks like an M9 for fun. Her S1 stores two charges of the 450% ATK bullets btw. Combined with her increasing ATK whenever she hits the same enemy and the Sandbeast boosting her physical damage by 15%, and she's going to punch so hard with spinach in IS.

[iamfuckingsorry]

Sorry guys, another DE rant incoming. This one's not even on any specific topic, just some feelings about the game that I need to get out.

So, the game absolutely fucking killed me. I intentionally didn't play the entire thing at once to give myself time to process and it still fucking killed me. And by killed I mean I had to take crying breaks at work hiding in the bathroom. Like literally unable to go through a day at work without coming this close to a breakdown. And there's other compounding factors for that, sure, but still.

And it's like... It's a chilling social commentary with too many layers for its own good. The main character is a walking bundle of current and past issues mixed with the consequences of extremely messed-up past actions. The main support character has the best of intentions but is heavily flawed himself. Everyone else in the story is fucked up, really every single fucking thing is fucked up, yet the game itself keeps giving you these little snippets of hope. All the side quests where you can make a difference to someone. Deep conversations. Kim smiling. Realizing the people you originally thought were massive assholes were just hurting. The goddamn stick insect.

You are a violent and irrepressible miracle.

Something beautiful is going to happen.

In the dark times, should the stars also go out?

Streets and sodium lights, the sky, the world. You're still alive.

You still have some years. You still have some hope.

The only way to load the dice is to keep on fighting.

Kim being so hopelessly in love with Revachol even though he's been treated like shit by the city's inhabitants.

Harry being so hopelessly in love with Revachol, too, even though he can't even remember her.

The world is shit, but there's still all these little things that make it worth living.

And I'd... really love for that to be my take away. I would really, really fucking love that. But somehow, I can't.

Because no matter how much good you do preventing an absolute bloodbath in Martinaise, changes are coming, and they aren't good changes. The wheels are already in motion and they cannot be stopped, no matter how vigilant Harry is, no matter how much Revachol loves him.

22 years after Harry wakes up, Revachol's getting nuked to pieces.

Some 5 years after that, the entire world as we know it is getting swallowed by the pale.

Kim Kitsuragi will not live to see 70.

(Honestly, this is the line that kills me the most. He deserves to grow old, to look at his life and be happy with what he's done with it, at peace and fully accepted by everyone including himself for the first time in his life. And instead he's getting killed in a pointless conflict that will usher in the end of the world, or if he won't get killed then, he's getting nuked to death. Kim Kitsuragi will not live to see 70.)

Anyway. I know that that's part of the point. Horrible things are inevitable but that doesn't mean life isn't worth living and good things aren't worth fighting for. You can still fight the inevitable darkness while you're here, you should still fight the inevitable darkness while you're here, you need to fight the inevitable darkness while you're still here because if you don't, then what are you living for? And if not you, then who? If you lose your last sliver of hope, then you lose everything. Yes, life is terrible and terrifying, but life is also so, so, so beautiful.

And even when life is shit, it's all just part of a cycle. Sometimes bad things need to happen in order for the good ones to be able to come back again. One day I'll return to your side. After death, life again. After the pale, the world again. The good connected to the bad, intertwined so tightly they cannot be separated in any meaningful way.

And I think I'm starting to get there, I really do. After the pale, the world again. Even in the darkest of times there is always hope of a brighter future. After the pale, the world again. After death, life again. Un jour je serai de retour près de toi. The only way to load the dice is to keep on fighting. The stars will never go out, not even in the darkest of times.

But instead I just... I close my eyes and I think of Revachol herself begging Harry to save her, and I think of her burning, and I think of Kim not living to see 70.

And I want to cry.

[nientedenada]

Is it fair to say Tiber Septim nuked Alinor? - The nature of Numidium as a weapon

Reposted from r/teslore. Yes. It's completely fair.

Lately, I’ve read and participated in a bunch of arguments over

whether it’s right to compare Numidium to a nuclear weapon,

whether it caused nuclear-weapon level destruction in Tiber Septim’s conquering of Summerset.

I’ve seen the argument that if you go by official Bethesda sources only, there is nothing to support 1 & 2. It’s alleged that only Michael Kirkbride’s unofficial writings support this. Specifically, this post:

Numidium's siege of Alinor: It's not the Brass God that wrecks everything so much as it is all the plane(t)s and timelines that orbit it, singing world-refusals. The Surrender of Alinor happened in one hour, but Numidium's siege lasted from the Mythic Era until long into the Fifth. Some Mirror Logicians of the Altmer fight it still in chrysalis shells that phase in and out of Tamrielic Prime, and their brethren know nothing of their purpose unless they stare too long and break their own possipoints.

That’s a reflection on how the Numidium worked in Alinor by one of the devs who wrote parts of this story about Tiber Septim and Numidium. I think it influences Bethesda official lore (as we’ll see when we get to ESO) and will continue to do so. However, we’re going to put unofficial lore aside for this post, and take a look at what the official lore says about Numidium and whether it supports the nuclear weapon comparison.

Numidium of course doesn't work like a nuclear bomb. That's not what anyone means when they're comparing it to a nuclear bomb. They're comparing it to a similarly feared horrible weapon of mass destruction. For us, the nuclear bomb represents the worst weapon imaginable, for Third Era Tamriel, it’s much the same way.

There are not many sources on Tiber Septim’s invasion of Summerset. The Pocket Guide to the Empire, First Edition, which is one of the main Tiber-era sources, is written before the Armistice with Morrowind and the invasion of Summerset. The anti-Imperialism game Redguard is also pre-Numidium, with Tiber Septim’s deputies searching Dwemer ruins for weapons. We never hear the story of the invasion from a Summerset source. We’re stuck with some very vague references. We know Tiber Septim used Numidium to conquer Summerset, but what happened there?

The Pocket Guide to the Empire, Third Edition says,

Thus, the Dominion thrived until the coming of Tiber Septim. The conquest and assimilation of Summerset into the Empire is remembered by many a living Altmer with horror only partially diminished by time. Certainly, the pride of the people has never recovered.

People argue over whether the “horror only partially diminished by time” refers to the horrific nature of the Conquest or to Altmer horror at humans conquering them. I believe that, from what we know of Numidium, it’s both, but the source here doesn’t say outright.

During the War of the Isle in 3E 110, the Maormer of Pyandonea were very nearly successful in conquering their ancient enemy, and the Altmer had to call upon the aid of the Psijics and the Empire to help defend themselves.

The Dominion’s ability to defend itself was still not restored 110 years after Numidium.

So, given how scant our sources are on the use of Numidium in Summerset, we have to look at the general cultural memory and opinion of Numidium in Tamriel, and at the one time we get a detailed canon look at its use: the Warp in the West.

Sotha Sil, quoted in the Truth in Sequence, calls it “the walking horror.”

But most profane is this: the walking horror that bears the Name, NM. The Brass Tower of Vanity. The mindless guardian of the Nirn-Prior. The Antipodal-God-Thing that reigns on the darkest pole of the sacred Nirn-Sphere. Of all the threats to Tamriel Final, NM is the greatest. Anuvanna'si. The Daedra can be banished in thought, but NM must be sundered on Nirn. It is the welded knot at the center of Anu that must be untied. The God-Puzzle. The Mainspring Ever-Wound remains silent on this point. And where there is silence, there is great wisdom.

In Where You When the Dragon Broke? the tender to the Mane speaks

You did it again with Big Walker, not once, but twice! Once at Rimmen, which we'll never learn to live with.

What happened at Rimmen with Big Walker that the Khajiit can never learn to live with? Well, there's an official Bethesda Q&A promoting Morrowind from 1999 that makes the nuclear comparison clear

Jodenjone! Don' let Marshee lie to you about Big Walker. The Blades took It from here, sure, but they din' take It back to Cyrodiil and rebuild the thing. Talos, he "annexed" a swath of our bounty-land in Ana'quinal and cleared the Khajiiti out by force. There's where he built the Hall of Colossus—a mighty name for a secret testing warehouse—and that's where Big Walker was born. And that's why that part of our Elsweyr is still poisoned glow-rock, where no cats go. Ach, for the lunacy of you Wayward Folk!

"Poisoned glow-rock". It’s not just the fans comparing Numidium to a nuclear weapon It's clear that was the devs' intention here.

The horror of the Numidium is also the foundation of the main quest of Daggerfall. Throughout the Agent’s quest, s/he receives letters from various random people and factions in game detailing the Numidium’s reputation.

The first letter the Agent gets reads

You have probably not heard the fairy tale of Numidium, but you need to. The legend dates back to the earliest parts of the third era [sic]. Numidium was supposed to be a giant so big his hands could knock the moons from the sky. I do not recall from the stories whether Numidium was supposed to be good or bad, but the legends used to scare me as a child.

Followed by another letter:

Numidium was Tiber Septim's secret weapon in his bid for supreme power: a thousand foot tall automaton, a golem or an atronach of sorts powered by a gem called the Mantella. The Mantella was infused with the life orce [sic] of Tiber Septim's Imperial Battlemage, and with it, Septim crushed all who stood in his way. After the complete and total defeat of all his opponents, Septim began using Numidium to crush the neutral royal families of Tamriel so that he could enthrone only persons he knew to be loyal. His Imperial Battlemage was furious at this use of his creation, and fought to reclaim the Mantella.

The letter writers aren’t certain how it worked or what it did exactly - which matches Tiber Septim’s secrecy, Numidium’s immediate destruction after its first big use, and the nature of a time-breaking machine that messes with people’s recollections of how things happened. But they are sure that Numidium was a horror, a weapon of mass destruction unlike anything else.

The people of the Iliac Bay would soon get a front row seat to that horror.

The Warp in the West is the only time in canon that we get extensive details on the aftermath of Numidium’s use. As could be expected from the general fear of the Numidium in the above sources, the picture isn’t pretty. We don’t know exactly how Numidium would have functioned in Summerset, but we do know that Numidium works by breaking time. The clash of many different narratives and timelines in the Iliac Bay brought about massive losses of life and property, and huge environmental damage.

The shorter account of the Warp in the West is in the Pocket Guide to the Empire, Third Edition. Bolding of phrases attesting to the destructive force of the events mine.

In the year 417, however, the province redefined itself in a most mysterious way. They call the event the Miracle of Peace. On the 10th of Frostfall, a strange force exploded over the Iliac Bay, displacing armies and decimating whole territories. Though its nature is still unknown, most Bretons believe it was the ancient Gods who had once made High Rock their home scouring the land, making it whole once again. Though it was a painful process for most - the Miracle is sometimes spoken of as the Warp in the West - the result of it is a province that is more unified than it has ever been in modern history. Where once there were a hundred small squabbling kingdoms, today, just two decades after the Miracle, there are five.

Even the ever-optimistic PGE3 admits it was a catastrophe for those who lived through it, but claims the resulting hegemonies and peace were worth it.

The Book, The Warp in the West, which is a private Blades’ report on the event is less circumspect about the details.

Speaking of the official “Miracle of Peace”:

The catastrophic destruction of landscape and property and the large loss of life attending upon this miracle is understood to have been 'tragic, and beyond mortal comprehension.'

And

The other remarkable features of these events -- mass disappearances, armies mysteriously transported hundreds of miles or completely annihilated, titanic storms and celestial phenomena, apparent local discontinuities of time -- fit comfortably into the notion that these events are part of a vast, mysterious divine intervention.

Mass disappearances of people, armies annihilated, titanic storms: all these are part of the catastrophe caused by Numidium. The Blades agents on the scene had more details. I’m quoting the bits that specifically attest to the destruction and harm caused by Numidium.

The Blades have on file few reports from agents dating from the "Warp in the West" period. Most of our agents were lost in the initial dislocations, and others were lost in the confusion after the event.

Most Blades agents in the area died or vanished in the Warp. Others fell to the after-effects.

The Report of Hammerfell Agent 'Briarbird' 'I was on assignment in the Alik'r Desert, a few miles south of Bergama on the 9th of Frostfall. I was encamped, as it was still early morning, when I felt the ground shake so violently, I was thrown to the ground. Dazed, I was aware of a great roar of a sandstorm, which alarmed me, as I had been on a high dune and had seen nothing like that on the horizon. It was on me before I was even on my knees, burying me and my camp.

The first detail on the “titanic storms”. Here, the ground shakes violently and sandstorm buries people in its way.

Briarbird continues:

When I crawled my way out of the sand, I realized that I must make haste and get to Bergama as soon as possible, as all my food and water had been swept away. The sun was just rising as I began, like I said. When I reached Bergama, it was nightfall. The town was in chaos, filled with the soldiers of Sentinel. The Lord of Bergama's fortress was in ruins.

Bergama got off better than other places, as we’ll see. The fortress is said to be in ruins the Sentinel armies have defeated its own troops (who can’t recall how or when it happened), but the town is still there.

Much unluckier is the next account:

The Report of High Rock Agent 'Graylady' ’I was, at the time of the Warp, undercover as a witch in the Skeffington Coven of Phyrgias [sic], in central High Rock. In order to give my report, I had volunteered for an expedition to gather supplies, which would allow me the freedom to reach my contact in Camlorn. I was traveling north-east along the foothills of the Wrothgarian Mountains, on the 9th of Frostfall, when I felt a great heat behind me, like a fire. I turned, but I regret to say I cannot tell you what I saw. The healers tell me my eyes were burned out of my sockets.

This bit btw, about the wave of heat, seems to be consciously modeled off accounts of Hiroshima and Nagasaki survivors.

I think I must have fallen into a state of semi-consciousness, for I distinctly remember falling as the ground seemed to give way beneath me. Then there was a series of explosions in the distance, to the south, and I heard high whistling noises that were getting louder, coming closer. I had my shield with me, and fortunately anticipated that volleys of some sort were falling from the sky. Though I could not see them, I could hear them coming from a distance away, and was able to use my shield to block them from striking me. The assault stopped suddenly, and I could smell smoke. I learned later that most of the forest of Ykalon and Phygias [sic] had caught fire, in an inferno that started further south in Daenia and the Ilessan Hills. Fortunately, I kept my bearings, and moved north, finally reaching a temple in the wilderness where my wounds were healed, as well as they could be.

People here experienced the Warp in the West as a fiery inferno and volleys coming from the sky. Even after the Warp itself ended, the forest fires that it began kept burning.

It was there I learned that there had been a three-way clash between Daggerfall, Wayrest, and Orsinium not far from where I had been, and that the land midway between their kingdoms had been decimated.'

‘Graylady’ doesn’t say that the land decimated was all wilderness or countryside, just that it’s the land midway between the kingdoms. In the heavily populated Iliac Bay, it would have included towns and villages and farms.

Lord Strale encountered a tsunami-like wave on the River Bjoulsae.

'We had just passed the delightful riverside village of Candlemass when the captain sounded the alarum. There, in front of us, was a colossal wall of water, at least thirty feet high. It smashed our barge to splinters before any of us had a chance to react. I woke up on the shore, having been rescued by one of my servants who had miraculously not lost consciousness. He and I and one other man were the only survivors.

Strale finds every town along the Bjoulsae on fire in the aftermath, with soldiers fighting along it.

there were seven great battles in the Iliac Bay, and no one could describe them at all, only their bloodsoaked aftermath

And

to summarize: on the 9th of Frostfall, there had been forty-four independent kingdoms, counties, baronies, and dukedoms surrounding the Iliac Bay, if one includes the unconquered territories of the Wrothgarian Mountains, the Dragontail Mountains, the High Rock Sea Coast, the Isle of Balfiera, and the Alik'r Desert. On the 11th of Frostfall, there were but four - Daggerfall, Sentinel, Wayrest, and Orsinium - and all the points where they met lay in ruins, as the armies continued to do battle.

And

The battles continue on, now months later, as I return to the Imperial City to make my report. What more do I have to say? They are bloody, violent clashes, as is always the case with modern warfare, but I have been to the blackened, desolate no-man's land between the four remaining kingdoms. No mortal army caused that devastation. I can say that the force that shook the Iliac Bay on the 10th of Frostfall 3E 417 was infinitesimally [sic] greater than the power these mighty kingdoms are wielding today.

Is the Numidium a nuke? No. Is it a catastrophic weapon of mass destruction, one of the worst weapons the people of Tamriel can imagine? Yes. Did it cause mass destruction in Alinor as well? Almost certainly yes. That’s how it works. It meddles with time, but not bloodlessly: Numidum retcons reality, but in the process it also burns, maims, drowns, and kills people, and destroys regions, as seen in the Warp in the West. It’s the perfect weapon to bring down an island nation that can otherwise defend itself against outside invasion.

That is why we compare it to a nuclear weapon. It's a comparison that I believe the developers intended as well, for what it's worth. And if I'm a bit over-passionate about the point, here's why. The developers went out of their way to show the horror of modern war and weapons of mass destruction. It's a bit of reality they injected into this fantasy world. I think it's worth taking in, rather than arguing that actually, Numidium isn't that bad, and it's an exaggeration to compare it to a nuke.

Even if you don't think you'd personally compare Numidium to a nuclear weapon, it should be clear that it's a quite rational comparison other people can make based on the evidence.

This post sparked some interesting and passionate discussions as well as some very angry politically-charged ones that are now thankfully deleted! You can read the full discussion here, since I don't want to copy large bits of other people's responses on to my tumblr. But I'll append some stuff I wrote in the comments.

We see something very specific with the atomic bombs, and with the TES reports of Numidium's wreckage, which I think are actuallly modeled in part on eyewitness accounts from HIroshima and Nagasaki.

Both are a horror that's incomprehensible. A single moment in which the entire world around the witness goes from normal to apocalypse without any seeming explanation or warning. The laws of reality themselves seem to bend and the earth tears itself to pieces. Nuclear war really was a historical departure from previous experiences in this regard.

If you compare historical atrocities by which was worse, the bombings in Hiroshima and Nagasaki didn't claim many lives compared to other horrifying deaths in WWII. They still haven't been followed up. All the many atrocities of the 20th and now 21st centuries haven't involved the use of nuclear weapons on populations.

But the threat of Nuclear war still stands out as something categorically different and horrible, the potential for the complete destruction of humanity in such a short time. The Numidium was probably only used once or twice in history, but it has the same terrifying potential, and is even more inexplicable to the residents of Tamriel than the nuclear bomb is to us today.

Roak67 made some interesting comments about whether we can trust certain sources, given Bethesda has retconned a lot. I replied:

You have to take any lore with a grain of salt, since it's bound to be contradicted at some point, but you're right that older sources like the Skeleton Man interview are most likely to be contradicted. However, I'd say it's important for a few reasons.

It's official lore, copyright Bethesda, and contradicts the idea that the Nuclear comparison is unofficial lore from Michael Kirkbride's pronouncements post-full-time-employment with Bethesda. Nope, the nuclear comparison was there during Morrowind development as shown by the "glow rocks".

The origin of the Halls of the Colossus has been retconned twice, first by Skeleton Man, then by ESO. However, unless there's something in the future that retcons the information Numidium was rebuilt, tested, and activated there, that lore should still stand. It's a big place with a spot for the Numidium, no matter who first built it. "Where were you when the Dragon broke?" refers back to what happened there, and continues to be in the games.

I think it was turned on in Rimmen and then went to Alinor in one incident. Breaking time is, as far as I can see, a function of the Numidium, how it works. It's possible it can work in other ways, as you've proposed, but it wouldn't be my favoured interpretation.

If Tiber Septim had better control over it - which is likely enough - I'd suggest he was still breaking time, because its advantage is getting to a place and defeating defences while the opposition is unaware, but could better direct it to hit his targets in Alinor.

About Summerset's lowered defence capabilities after Numidium.

I'm not making that assumption. That's simply the only baseline we have for the condition of the Isles post-Numidium. It's 110 years later.

However, we do know that prior to Numidium, Summerset always was able to push back invaders. According to the PGE3 at least they weren't able to after Numidium.

Did Tiber Septim use Numidium anywhere else than in Elsweyr (turning it on) and Summerset?

The legends surrounding Numidium posit that he was in the process of turning it on neutral parties, at and some point the Underking stopped him. According to the Arcturian Heresy, he didn't actually get that far. The Arcturian Heresy is clear that he only used it on Summerset Isle and the Underking destroyed it right after.

Daggerfall lore has him using it to conquer all of Tamriel, but no one after speaks of it, so I would guess that's been retconned? It's certainly been removed from later versions of the in-game book, the Real Barenziah. The Daggerfall version had the Numidium conquer Morrowind, that is gone from later games, and the new Numidium origin story is that the Tribunal gave Tiber Septim the Numidium in return for peace. All of the above leads to the lore post I've never written, but need to some day, which basically would be. "Yeah, Tiber Septim is a bad guy and he was MEANT to be a bad guy. Each TES game is learning more about stuff he did and there's rarely anything good." But it's a delicate subject, particularly since some devs. started going on like he was the best thing since sliced bread because he found CHIM. (Press X to doubt). Anyway, that's another story for another time, but the bottom line is the gods in TES are not necessarily good, they're just powerful. See every other Daedra who might help you out sometimes but has also been involved in some plot against humanity. And the Aedra aren't always nice either. Talos fits into the crowd as one of the better documented and more recent stinkers.

[pixeljade]

I do keep seeing posts that say "whys Joe even funding Israel except that he loves Genocide" or "Why is there discussion of leaving NATO in the senate survey" and like. Here. Let me explain this to you. (DISCLAIMER: I hate Joe Biden I'm just doing this because understanding your opponents motivations makes it so you can more effectively fight them)

When you're President, issues are not just single simple issues. Theres a shitton of moving parts, and he cant be obvious about his awareness of all these parts for transparency's sake because that also gives his enemies (which would include those of us who want Both Parties Gone) an upper hand. Joe Biden views Israel as a necessary US base of operation in the middle east to defend the USA in case of an attack by China and (more pressing lately) Russia.

See, with Russia attacking Ukraine, Ukraine is thinking of joining NATO as a means of better defending itself. They've been talking about it for ages but really started getting the ball rolling when Putin attacked. NATO is a treaty organization which, if Ukraine does join, all the other members of NATO would be forced to come to its aid (i.e., literally all of them would be considered At War With Russia). On top of this, Russia has strong allies with a lot of anti-USA powers, including China. I wouldnt even be surprised if North Korea shows up. If this is starting to ring bells relating to the world wars in history class, good, because thats exactly what this scenario would entail. Another, open world war. Yes people scream 'world war 3' over the tiniest provocation but its just as foolish to claim its impossible. Add in that Putin has said he will gladly use nukes if he has to, and...well. you can put two and two together. It wont be a pretty picture.

Anyways, the middle east is, and has been, a central point in our proxy wars against Russia for ages. This is both because of the resources (oil) there, as well as its potential as a strong base of defense for the west against the east. Israel in particular is USA's biggest military defense resource, as they have a shit-ton of anti-ICBM (intercontinental ballistic missile) capabilities. Simply put, they serve as a bulwark against the forces of the east. They're also one of the biggest deterrants against all-out world war; because if anyone DOES try to send a nuke out west, we'll just blow it up before it hits us and then have Israel nuke them back, with far less time to defend.

So lets put ourselves in Joe's shoes knowing all of this. It starts to feel a bit like he HAS to keep giving Israel what they want in order to prevent world war 3 and/or nuclear holocaust, huh? This should also clarify why he said "If there were not an Israel in the middle east we would have to make one", and why he reportedly is very upset with all the Palestinean death yet still gives Israel weapons. Its a shitty appeasement tactic with an eye on global politics. (Side note: astute readers may also note that the actions regarding China are part of this, including the tik tok ban. They are correct.)

But does this make his actions correct? Fuck no. As many have noted Israel wouldnt even be able to continue existing without assistance from America, and Israel would likely be the first place to be destroyed by Russia if they seek to win, if it were weakened sufficiently. Meaning Joe could EASILY turn the tables on Israel and threaten to (or actually) cut them off and say "Fine, if you want to go that way then enjoy the hellfire that comes for us all, chuck." He could also decide to start rebuilding relations with China despite our differences, and therefore deprive Russia of allies in the world war 3 scenario. He could also build up these same defense systems in another middle eastern allied country (which I'd be against because colonialism is part of the problem). And that's simply taking it from the perspective of Joe, I, personally, do not think that America should remain in its current form. It has far more blood on its hands than just the Palestinean blood, and its destruction (preferably without nukes) could allow better things to take root.

Anyways, like I said, this is so that we might better defeat our enemies, so if you're wondering what the implications here are, I'd say start getting involved in politics at a local level. Not just protests, go to city council meetings! Its mostly boring stuff but once you get a hold on what it all means (and you will!) You'll start to see ways to shift the American culture away from this war-dependent fascistic society which has been surging so terrifyingly. You will start to see the glimmers of hope which shine through the sludge that it is American Politics.

Anyways if someone says this is a pro-Biden post im going to stab you with a million knives.

[thewertsearch]

AA: y0u really d0nt understand anything yet d0 y0u AA: and yet y0u bug and fuss and meddle AA: with things m0re danger0us than y0u can imagine

An accurate assessment. Rose is acting on information from the Gods, and it's glaringly obvious that she hasn't been given the full picture. As a result, her plans are flawed and dangerous.

Now, if Aradia would enlighten us as to why Rose's plans are so dangerous, we might actually get somewhere. She seems uncharacteristically chatty at the moment, so my hopes are high.

AA: what d0 y0u want with the s0urce 0f the first guardians AA: what g00d d0 y0u really think c0uld c0me 0f it TT: Do you know about it? TT: The sun?

So First Guardians are created by the Green Sun.

Wait - actually, I think they're created from the Green Sun.

While Bec was being cloned, the screen which originally displayed Nanna and Grandpa changed to a field of flickering green lightning.

It almost looks like the appearifier was pointed inside the Sun itself, which leads me to wonder what would happen if you tried to summon the thing. Maybe some of the Sun's material was teleported into Bec's body, to serve as the fuel for his abilities.

That would certainly explain his astronomical internal temperature - but Bec is basically a god, so he could also just be doing this with his powers.

AA: y0u cant p0ssibly wield its energy 0r put it t0 c0nstructive use

I'm sure it could defeat Jack - although the word 'defeat' falls a bit flat when you're reducing someone to elementary particles.

Using the Sun against him feels like bringing a nuke to a knife fight - it's ridiculous overkill, and will get literally everyone killed.

TT: That isn't exactly my plan.

Well, now I'm stumped. All my theories about how Rose would use the Sun were predicated on the assumption that she wanted to access the First Guardians' powers - or, at least, the enormous energy they wield.

But it doesn't sound like she's trying to empower herself, or convert the Sun into a weapon. What can you do with the Sun that doesn't qualify as 'constructive use', but does contribute to killing Jack?

Well, I suppose she could corrupt it. Maybe the gods want her to transmute it into the Black Sun, and create some eldritch First Guardians to fight Noir.

That said, they'd be hard-pressed to create a Guardian who's more corrupt than Doc Scratch.

AA: y0u w0nt find it either AA: its imp0ssible

The Sun is implicitly connected to every First Guardian, so it's unlikely to be in any specific session. I don't think there are multiple instances of it, like Skaia, because it's not supposed to be an official part of a session in the first place; Rose had to essentially datamine Sburb to learn about it.

I assume, then, that the Sun is somewhere more fundamental than any specific Medium instance. It's probably in intersession space - perhaps even beyond the Furthest Ring.

AA: im thr0ugh with c0nsci0usly c0ntributing t0 inevitable 0utc0mes TT: Well, TT: Aren't you doing that regardless? Right now? AA: 0bvi0usly AA: but im just talking [...] AA: maybe if i behave in a manner s0 rand0m AA: parad0x space w0nt kn0w h0w t0 handle it! AA: blah BL00P blee BLUH!@#$%^&()_+ AA: didnt see that 0ne c0ming did y0u pspace??? + ?rand(413^612)

Well, I don't think you can break predestination with a run-of-the-mill pseudorandom number generator - but I do like where your head's at. Probability might just be the key to fighting fate.

I mean, Vriska is apparently able to alter probability - despite the fact that all Alpha Timeline outcomes should be set in stone.

What's up with that?

[thepersonperson]

just to clarify the reading of 「凡夫」

while common translation for 夫 by itself can be ‘husband’ (read as おっと / otto), the 夫 in 「凡夫」 is read as そ, giving the meaning of ‘that person.’

「凡夫」 meaning ‘that ordinary person.’

apologies if my English is not correct. I want to help with translation Japanese. :)

Yes, you are 100% correct. No one would ever think to read Bonpu as “mediocre husband” and that’s my point. Sukuna’s wordplay banks on you breaking the rules a little to see the hidden secondary meaning.

Take for example Sukuna's Shrine or 御厨子 (mizushi).

When analyzing the kanji, the person in this post says this:

"A “厨子/zushi”, ignoring the “mi”, is a small Buddhist shrine used for storage." 

"Also - the “厨/zu” kanji is most directly translated as “kitchen” iirc."

By isolating the kanji, the poster was able to explain why the Mizushi was translated as Kitchen or Shrine. They also concluded that both meanings were probably to be taken at the same time. That makes sense—it is quite literally a shrine in his Domain, but because we know Sukuna loves food and the rest of his Curse Technique (CT) is cooking prep themed, the kitchen reading is just as valid.

I linked another example in the Bonpu post...but the account that explained Enchain=Megumi Activities got nuked (screw you fElon Musk). I did take screenshots though!

So we have the translation of Enchain from 契闊 (keikatsu) which might be better localized as Separation.

契(kei)闊(katsu) can be written as 恵(kei)活(katsu). 恵 can be read as kei or...Megumi. (It's the literal kanji used for his name.) 活 is where you get "activities" from, which leads us to Enchain=Megumi Activities.

Sukuna is also referencing a poem about lovers. (Here's a link to the full poem and context of it.)

In summary, it’s about a soldier who is on the brink of death, having lost nearly everything after being abandoned by those in power, lamenting the happiest days of his life with his love are ones he can never get back. (Hey that sounds just like what Sukuna did to Yuji!)

Sukuna here is not only straight up telling Yuji he's going to steal Megumi's body, he's also mocking how the two will be separated by the act. (And he appears to be acknowledging the love between them is more like a couple's than it is friendship.)

But as you can see, the reading of “Megumi Activities” is not something the character hearing this or person reading the kanji would think of first. In hindsight we recognize that Sukuna was most certainly using that hidden secondary meaning.

With all this in mind, let's go back to Bonpu.

There are other kanji you can use for ordinary and unenlightened. There's also the fight being framed as a date and Gojo showing up to it dressed as a groom. That's why the kanji 夫 for husband is so sus. Perhaps Sukuna really did mean it that way too. (It doesn’t help that Sukuna hesitates slightly before he says Bonpu in an isolated bubble. This framing draws attention to it in a way I can’t ignore.)

Hopefully this explanation makes sense?

Completely unrelated...

I'm choosing to ignore that 契 (kei) in Keikatsu/Enchain is also the kanji used for sexual intercourse, especially between husband and wife, since it might mean there's a 3rd layer to Sukuna's Keikatsu wordplay of 契(chigi, spousal sex)活(katsu, activities). Hang on maybe I need to update Sukuna's Negative Rizz again.

[littleeyesofpallas]

I have always loved this final(ish) boss design in Wild Arms 2nd Ignition so I'm just gonna babble for a bit here, apropos of nothing. So, spoilers I guess(?) for a quarter of a century year old game --I think it's still available on the PlaystationStore, but obviously emus are always an option. Large flightless Australian birds are crafty like that.

Even though, design-wise, a good chunk of it falls in line with pretty standard JRPG angelic monster/grotesque angel/now-your-teen-hero-fights-god motifs, it was just so out there in terms of lore.

The game starts with you gathering a band of heroes --A fresh faced army recruit, a grizzled war hero, a magical girl, a sacrificial martyr, a brooding anti-hero, and an optional vampire-- to fight an evil organization out to take over the world.

The evil organization, Odessa, declares that the world is changing, monsters are popping everywhere, and the kingdoms of the world do nothing about it, and so they threaten that if kings and queens and politicians cannot or will not do anything about it, then Odessa will conquer their kingdoms, seize their resources and manpower, and they will fix the problem thru unilateral authority.

But while there is a certain righteous anger behind their manifesto, they of course end up attacking innocent civilians, staffing themselves with war criminals and homicidal lunatics, sacrificing people to summon demons, using the monsters they claim to want gone as weapons, and ultimately trying to threaten the world's governments into submission with a nuke that is also a dragon...

So you smack their four generals around, corner their boss in his giant flying fortress, and then when he knows he's done for he tries to launch himself and the heroes into space to kill them all. It mostly fails, in so much as your party escapes the fortress, but the protagonist stays behind like the big damn hero that he is and consequently dies in space... He gets better tho, don't worry.

But then comes the sort of inverted 3rd act twist --instead of all hope being lost and then a reveal saves the day, everything seems like we should be done with the world ending threats and the world should be safe, until it's revealed that it is very much not-- an alternate universe is colliding with this one, and has been the whole time...

What that really means and how that works and how to envision that is left meaningfully abstract. Metaphorically the other world threatens to "devour" theirs, but it's not clear what that consumption even means... The slowly merging realities are actually why those monsters Odessa swore to eradicate had been appearing at all, and as the two alternate realities collide, the shape of the extra dimensional invasion isn't just a flood of monsters, but that the very nature of reality in this other world will come to replace this one.

Also in a cool throw back to the original Wild Arms, in which the extraterrestrial demon invasion the kicks off the game's plot is heralded by the sky cracking and chipping away, when the protag recovers from his whole died-in-space situation, he awakens to a literally unfamiliar, alien sky... a shifting, sloshing, iridescent acid trip looming over a doomed planet.

In fact the terrorist threat that had consumed so much of the heroes efforts until now was part of an elaborate long con by a certain wealthy would-be-hero out to save the world from the existential threat of total annihilation... The same man who recruited your heroes to fight terrorist in the first place.

Convinced that the world governments would be too fickle and petty to set aside their differences and personal interests to combat something as incomprehensible as (another)reality itself, he actually funded the terrorist organization in order to scare the world into cooperation against something much more concrete and straight forward --or, if international cooperation really did prove impossible, then as an owner of the new dictatorial world government, he'd simply make Odessa to save the world for him.

(A Note: The whole thing has strong american cape comic energy running thru it, specifically Watchmen and DC's Crisis on Infinite Earths.)

But then even his Xanatos gambit falls just short of saving the world in the final stages, and he's pushed into a corner. It turns out that even after tricking the nations of the world into allowing him access to harnessing the raw life force of the planet itself, the life force of a planet with a dying ecosystem just isn't enough to contain this hungry eldritch reality. So, in a last ditch effort he turns to the raw energy of creation, the miracle of life itself, to contain the menace and shackle it to a tangible reality in which it can be fought and killed... and so in a prison of otherworldly flesh contained in the belly of the earth itself, you confront the alternate universe in the form of an unborn child, and with his mind speaking thru it he tells you to kill him.

Anyway, yeah, that's you end up in a big red meat room fighting a vaguely angelic baby in an orb.

Immediately the thing that jumps out is, "Hey, that's the Starchild from 2001: A Space Odyssey!" Which is of course, very cool because everyone loves an unnerving weird fetus. But when it comes to JRPGS and weird fetuses, and incomprehensible reality destroying menaces, of course, the first thing to come to mind is Gigyas in Earthbound.

But more over, I really love that --where as, by point of comparison, there have been questionable theories about the layout of the Devil's Machine dungeon map looking like a womb, piggybacking off Giygas's ultrasound looking fetus shadow pattern-- the rest of the boss form surrounding the little Starchild core actually do appear to be modeled off a reproductive system, complete with ovaries and fallopian tubes, even going so far as to include the fimbriae as stylized angelic wings.

And I like the odd little detail that, because most babies develop upside down, the design with the fetus upright seems to have taken that into account by also rotating the reproductive anatomy accordingly? The baby is upright, so the organs are upside down.

Plus, even though it's not how fallopian tubes look in a real body, most anatomical diagram will show them as having this kind of flared arc over and around the ovaries beneath them, but the wings of the Kupier core arc under the two green orbs approximating ovaries. All that just to say that the big metal golden halo structure hanging under the core is technically oriented toward the "top" of the implied anatomy.

Also the game has a whole big subplot about a Christlike martyr --as an extension of the broader themes of heroism, and what it really means to be a hero-- and there is even a moment just before this final dungeon where Irving refers to his sister, the mother carrying this alternate reality made flesh, as "The Madonna of Destruction"... That all being context to support that, although it can be hard to notice or discern meaningful details on, that weird little fetus is definitely wearing what I can only assume is a crown of thorns.(I mean, that or it could be a pair of little devil horns? but I find that a less interesting alternative) Because he was, after all, conceived(although not so immaculately...) so that he could die to save the world.

Also not at all related to any fun themes or anything but I like how there's this big mouth it's seated in, that I only just realized has a "bottom" jaw to it. The top teeth are most noticeable and go around the front and sides, and I always kinda assumed they were a nod to the whole vagina dentata myth, but on a scale and at an angle that would've been imperceptible thru the blur of a CRT, there's definitely 4 little teeth normally hidden by the glare of the little uterus bubble

Oh and I didn't even get into the name itself being named after the Kuiper Belt, the asteroid belt around our real world solarsystem, as a play into some other astronomical terminology the story borrows from; namely the event horizon of a blackhole being referred to as the thing sealing away the mythic evil demon that started the whole world decay thing that makes the setting a desert wasteland in the first place, and became the wrench in the aforementioned plan to harness the planet's life force as a weapon against the parallel universe.(that ancient evil demon is the actual/surprise final boss of the game after this fight, btw...) There's so much more going on just in general, but that doesn't really play into the way this boss mosnters looks or why.

[thedawningofthehour]

Ok, I just swallowed like, 5 hours of video explaining the whole fallout story and now that I know more or less what's going on, I can say that I really want a Fallout Rottmnt.

The Idea of Donnie creating his own brotherhood of steel is so cool, he would probably name it something like, the order of atomic lass or something, and all the armors would have phosphorescent lights and speakers included,

I just pictured Donnie downloading Shelldom into the enclave computer and pretending to be the president.

If Leo joins a cult it will only be to get high on dangerous substances and participate in orgies, if he realizes that the children of the atom don't do that he will skidaddle.

Mikey is dedicated to domesticate wild mutant beasts in order to create delicious dishes.

And Raph, he's just chilling out helping local farmers, occasionally wrestling supermutants.

While Draxum is out there in his mutant faction negotiating a truce with the NCR that he will definitely break later until one day he just:

Draxum: I haven't seen the guys in a while, where are they?

Splinter: oh, they left to explore the wasteland about... Three months ago?

Draxum: THEY WHAT!!!

Geeze, you have a better attention span than me. I'm guessing a lot of that was a rundown on the events leading up to the Great War, and then obviously the events of each game and the different factions at play. That's a lot of summarizing you sat through.

A quick note for other people on the Brotherhood of Steel: their entire thing is preserving and controlling advanced technology, with some factions evolving to start developing it on their own. Their core dogma is that humanity can't be trusted with the means to destroy itself. Which...considering this is a universe where humanity literally did nuke itself to the brink of extinction, you can't really say they're wrong. They are also very cultish. Which Donnie would probably consider more of a bonus, honestly. Donnie can't join them unfortunately because they are racists. Their relationship with mutants and ghouls differ based on the chapter-the Mojave chapter is neutral towards the mostly peaceful Black Mountain super mutants until Tabitha takes over, and the East Coast chapters recruit from 'impure' wastelanders who all have minor mutations-but overall, they are very fucking racist and blood purity is a huge tenet of their beliefs. (I know there are mutant and ghoul members in Fallout: Brotherhood of Steel, but that's...we don't talk about that game. It's not canon and we generally pretend it didn't happen) The East Coast chapters probably wouldn't shoot Donnie on sight, but they would never accept his help nor acknowledge his brilliance, no matter how hard it smacks them in the face.

But oh my god, Donnie would pimp out power armor like a crazy man. He'd have such a fucking blast too, like it stops being about armor at some point and just starts being Pimp My Ride: Tin Can Edition. I could see him joining up with the Atom Cats to bitch about what pricks the Brotherhood are and doing the funkiest paint jobs.

They'd 100% accept Donnie immediately and invite him to their poetry night.

Also, lol Donnie getting access to the ZAX computer at Raven Rock and only using it to insert Shelldon into the mainframe.

I imagine he doesn't even delete Eden, he just lets him go on as normal and just occasionally interspersing his radio broadcasts with twenty-second clips of Shelldon doing a really derogatory impersonation. And occasionally subbing in heavy metal music.

I mean, maybe the Children of Atom do that? Not the original sect, they're pretty benign, but the guys running around shooting gamma guns at people and praying over nuclear dumping grounds? They imprisoned a Glowing One in a lighthouse and started worshipping it, those guys must be on some stuff. Or the guys living in the Crater, they could totally be having orgies where you don't see them. Then again, they do all have radiation poisoning. I feel like your skin sloughing off kills the mood.

I could see Leo joining to cross 'join a cult' off his bucket list, thinking it's just some kooky outfits and maybe he'll get to speak in tongues or whatever and it'll be a fun story to lord over Donnie later. The Children would probably think he's divine or something since he's immune to radiation and has such a powerful mutation. Which would stroke his ego so much.

But then people are drinking ghoul piss and irradiating themselves to the point of shitting out their bowels and he decides to nope out. Shit's too weird even for him. The question is whether the Children would let him leave.

Mikey is doing the same thing he is in Todd's mutant town, just playing Fallout 4 Settlement Builder and making the cutest little homesteads.

Raph would be mistaken for a super mutant a lot. And it would drive him crazy because under normal circumstances he would really like to be friends with some super mutants, but they're all so mean! Why are they all cannibals?! Yes, he likes to smash, but not so lethally!!

They do like dogs though, which Raph appreciates. He would absolutely adopt a mutant hound. (not a centaur though; those freak him out) And they're communists, though I feel like Raph is more of a capitalist-apologist. He's got the spirit, he's just ill-informed.