#but my ferrets DO

[wilddogdogo]

"Winter is still weeks away but Sammy already has five extra blanket on their bed and her full winter coat in wolf form. Big, shaggy, and great for snuggling."

thanks so much to @barbwritesstuff for the top tier writing commission, had to throw out some fanart for the best throwaway line I've ever read

[avephelis]

mutant cass is the creature that lives in my brain

[zecoritheweirdone]

hey do you guys wanna see a comic for a msa au me and my friend ascel came up with? trick question yes you do. anyway- hehehehehhhoo body swap au <3.

okay quick context for this rq- this is an au where it diverges after freaking out- instead of possessing the truck, lewis ends up chasing the gang for a while, maybe a week or two? arthur and vivi don't know why this random ghost they met ages ago keeps going after them, but one things for sure- he really, really wants arthur's head on a spike.

cut to the present- arthur got separated from vivi and mystery, and lewis ends up chasing him into the woods!

[kelocitta]

In honor of the @rw-ship-showdown I wanted to write about Artihunter as someone who jokingly slapped them together pre-downpour and still thinks they are actually very compelling. Just not in the super soft love wins kinda way (Although I get why people like that more) And the only way I know how to do that is talking too much so heres a far too long slug essay-

Obviously the slugcats don't offer a ton of characterization but theres not nothing to work with. Their stories, whether by their roles in it or the overarching themes do provide a backbone to work with. Even gameplay itself can provide a bit. (for some more than others) Hunter, to me, is ultimately a story about selflessness. The goal is to revive Moon, which is very much an act of kindness from both Hunter and NSH. But the weight of that action is much more significant for Hunter- Hunter is deeply sick. They're on the clock, and for all their skill in combat none of that will ultimately help them to survive longer than their body can hold out. Moon is a close friend of NSH but that means little Hunter- Hunter really gets next to nothing out of helping them, and ultimately pays quiet a bit spending their limited time alive fighting to deliver that neuron so that someone else can live.

To spend ones limited days on helping another, in a game that very much stresses the unwavering cruelty of the world and nature- is pretty notable. (And you could even say that Hunter being the Hardmode of Rain World adds another layer to this)

And then we have Artificer. A storyline that very much stands out to people as more… villainous (so to speak) than the other slugcats. Artificer's story covers a lot of things. Trauma, violence, revenge, etc. Revenge is a bit of a selfish desire- That need to see someone hurt as they have hurt you. A punishment that ultimately does not fix whatever harm was done- but feels good to see because you were hurt and now those responsible share that pain.

Artificer's actions are founded in that need for revenge, their pups killed for overstepping boundaries they didn't know existed. Is it not fair for them to be angry at that, to punish the scavengers for their violence with their own? Why should the scavengers ever be forgiven when they and their pups were not? And that's how you get that loop- Harm for harm over and over.

The original action has been lost in a spiral of violence for violence. And here stands Artificer- their very spirit scarred. Not just because they sought revenge, but because they never ceased trying to scratch that itch for violence as an answer. Artificer only has two paths for their story- killing the scavenger king (Someone who, really, has little to do with the original 'crime' of the scavengers, but represents an important individual to them- as did the slugpups to Artificer), locking themselves as karma one for good and spending the rest of their life chasing creatures that no longer even fight back in a warped sense of closure- or to dissolve themselves in the acids of the void sea because they're too far gone to find any real peace.

They can't meaningfully recover from that state, not alone, twisting in on themselves. Even if they halt their actions, they've been using violence as a feeble defense against their own pain- violence that no longer has any real direction or basis. Artificer gets no real closure from killing the scavenger king. All they can do is continue the cycle, or try to scrub it away. No real peace in a prison of their own making. So you have a creature, who even with a strict timer on their life- a body that will crumble to disease, spends its last bit of time on saving another. And another who was so caught up in the pain of loss that were eaten alive by their own anger, poisoned their own soul on such a deep level even self-proclaimed gods have no solution for them. What peace can they offer each other? For Hunter, its only a fleeting moment of happiness- of selfish love, before their own body fails them. A bit of indulgence in something for themself. For Artificer, its a single, comforting thread to ground them again, something tangible to protect and care about again. But thats a thread that will ultimately be snapped under the cruel indifference of the world. Hunters timer will tick down regardless of if it takes another with it. Its a tragedy- its doomed to end badly. Whatever good it offers to either of them to find each other will only provide the fleeting comfort of a band-aid that will be ripped away too early. But all that can be worth indulging in anyway, if only for the moment. It doesn't change the ending, but the ending was never going to be happy. Its can so yuri

[chiropteracupola]

an assortment of my temeraireverse fic-dragons!

[cygnet and honoré are from fifteenth-century britain and france, aquilillus, flavia magna, and bán are from second-century britain, and cipachcoatzin is from sixteenth-century mesoamerica]

[quillpokebiology]

Millcery and Alcreamie Body Language, Behaviours, and Culture

I love Alcreamie a lot, and I find them very interesting. I genuinely have nothing else to say lol

Body Language & Behaviour

Swaying

I'm sure many Alcreamie trainers have noticed this cute little behavior they do. Alcreamie sway back and fourth for a couple of main reasons: the first one is to better ground themselves if their cream starts slipping, the second is because they are uneasy and checking their surroundingd, the third can actually be a sign that they are content, and the fourth can be a sign that they dont like somethin. It can be difficult to tell the reason why your Alcreamie is swaying, so it's best to look at their expression to check. For example: the yellow Alcreamie is swaying while turning to her side and putting a hand over her mouth, showing that she feels curious about this place and is checking her surroundings.

This Alcreamie is grossed and displeased about something (I showed her broccoli and she no likey 😔)

Spinning

The behaviour that Milcery is most known for. Milcery spin to show that they are very happy and excited. They will often grab something to spin with them, be that a strawberry sweet or a piece of lint they found on the floor. Alcreamie spin too, but Milcery do it a lot more often.

Shaking

A behaviour seen in Milcery, and basically their version of swaying. The shaking is more similar to jiggling, and Milcery do this when their happy or trying to get your attention.

Goop

When Alcreamie feel scared, they will melt into goop. It's not as goopy as you may think, like with ditto, it's more clumping and doesn't go all the way. Think of it like how Dewgong l shrink into themselves. That's the best way I can describe it.

Sweating

Believe it or not, milcer and alcreamie sweat, just like us! Though, it looks a little different. Instead of water, the sweat is the color of their cream and is thicker, which can leave piles of wet cream under them. No, there is a 95% chance your milcery/alcreamie is fine. This is a completely normal behaviour, thought I suggest taking them out of the hot whether or seeing what their stressor is.

Deflating

When sad, bored, or embarrassed, Milcery deflate.

"Jumping"

A hopping motion that Alcreamie do when they want something.

Shaking

Milcery shake when they're happy or trying to tell you something.

Raised Body

Alcreamie raise the cream on their body when they feel surprised or threatened. Think of it like how a meowth arches its back when it's scared.

Courting

Alcreamie prefer to breed asexually, so they don't have many courting behaviours. But when they do find a mate, they'll do things like make them cream, hold their hand (if their partner has a hand), hug them, kiss them, etc. Milcery court similarity, but just don't make their partners cream because they are unable to.

Cream Making

I mentioned that Alcreamie will make cream for their mates, but they also make cream for their groups to reestablish bonds. This extends to their trainers as well. With their trainers, Alcreamie will give them cream they make to get closer to them or to reestablish already made bonds.

Tapping and Slapping

When Milcery/Alcreamie want to be left alone, like when they're being petted when they don't want to, they'll gently tap your hand. If you don't stop petting them, they'll end up giving quick soft slaps to your hand. Pokemon like Meowth and Purloin do this as well.

Zoomies

Milcery get the Zoomies. Alcreamie don't bcuz they're too slow, lol. They get the zoomies when they can't contain the excitement.

Kissing

Milcery/Alcreamie kiss anyone they like to show affection, be that their friends, family, mates, or trainers, most often on the cheek. It feels weird at first (you get frosting in your face), but you get used to it.

Decorating

Alcreamie decorate everything. Decorating id when Alcreamie (specifically Alcreamie, not usually done by Milcery), is when Alcreamie find an object they like, so they make different designs on it using their cream or other items they find. In the wild, they decorate their homes with flowers or their cream (which can bring unwanted bugs), but on the house, this can translate to them decorating their pokeball or their toys. I recommend getting them stickers.

Kneading

You know, like makin biscuits? Alcreamie do s kneading motion on the spot they are trying to get comfortable.

Culture

Groups

In the wild, milcery and alcreamie live in groups with other members of their kind, and this behavoiur extends to captivity as well. If you have a milcery or alcreamie, ir suggest trying to find other trainers with milcery/alcreamie and setting up play dates with them, because they can get lonely without it. Moving on, these groups can range from 10 to 30, with the largest Alcreamie group in recorded history being a group of Alcreamie with 250 members in 1951, Wyndon, Galar. While they prefer Alcreamie, they have been know to except other pokemon into their groups (one time at the center there was a group of 6 Alcreamie who were all in a polygamous relationship, and one male Roselia that decided to join them in their poly. I think about them a lot). A group of Alcreamie can be called a Creamery.

Raising

In milcery/alcreamie groups, they take the "it takes a village to raise a kid" to heart, with the entire group raising them. The mother Alcreamie will provide the young milcery with milk (fun fact: Alcreamie are one of the few non mammalian pokemon that can produce milk), while the other milcery/alcreamie will do the rest; like providing shelter and babysitting.

Naming

Naming is common in pokemon that live in groups. Alcreamie do name themselves and their young, which is just a variable of sounds. It's pretty difficult to know if it means anything since they don't have a written language like Pawniard or Weavile.

Celebrating

Believe it or not, Alcreamie do have gatherings where they celebrate. What they celebrate varies widely. They celebrate for things like food, rain, fertility, or even because it might just be a sunny day. Some researchers believe that Alcreamie could have religious festivals, but there isn't much proof to confirm any of this, let alone if they even know what religion is. They celebrate by singing (it's cute as Hell), dancing, eating, and playing. Usually hold these celebrations in wide open spaces.

Cliques

Yes, Alcreamie groups have cliques, and they work just how you'd expect. Younger Milcery tend to gravitate towards each other, elderly Alcreamie like to have close friends their age, and Alcreamie like to form close friendships with Milcery/Alcreamie with similar interests. It might not seem like much, but this shows that Alcreamie have social learning skills and social cognitive skills as well, which is something to note.

Evolution Parties

This falls into the celebration category, but I'm putting it here because this is going in the order I remember. Unlike a lot of other pokemon who evolve with items (like Raichu or Scizor), Milcery and Alcreamie make finding sweets a big event. When Milcery come of age, a bunch if Alcreamie will gather as many sweets (as in things like strawberry sweets, blueberry streets, clover sweets, etc), take them back to their camp, and lay them out in big organized piles for the Milcery to choose which one they want to evolve with. For Alcreamie, this is seen as a coming of age for growing Milcery who are about to become Alcreamie, a d they celebrate by playing games, eating a lot of food, and friendly battles to test out their newly found strength.

Weddings

You read that right. Alcreamie have weddings. If Alcreamie do matr, many of them are polygamous, so the wedding can be between 2-6 pokemon (sometimes more). Alcreamie's weddings are celebrated when an Alcreamie and its partner (since their partner isn't always an Alcreamie) will celebrate with their friends and decorate different foods they have gathered. It's not as big of a celebration as human weddings, but it's something.

[wyvernity]

wip posting just to get something out there, and it's def a mixed bag!! the only thing more inconsistent than my posting schedule is my art style RIP

[crimson-nail]

(florida man voice) yoink!

[weirdenbyferret]

Hey what if I made a spiderman au

just asking, I totes didnt actually do it...

....I totally did

Sun and Moon are the heroes of the city, and mc/yn is a minor villain! Lore for the boys will be in a seperate post at some point but not rnnnn

And then theres the main villain, The Mantis

Btw, totes unrelated, a baby mantis is called a Nymph :3

[batsplat]

always am obsessed with motorsport champions that decide to run the number 1 plate vs those who’ve stuck with their number. because it reveals so much of each of their inner philosophies, whether they are deeply superstitious, or seek a tangible everyday proof of their victory, or concerned with branding/legacies, or trampling the inner critic that believed deep inside of them that they were cut out to be a champion. just so interesting to parse through possible motivations

you're so right anon!!

of course, a big part of it is historical context... you can't really disentangle the choice of whether to run the number one plate or not from the era within which they made said choice. until fairly recently, it was entirely the norm to pick the number one plate - and beyond that, even those who didn't finish in first tended to just adopt the number that represented the place they had finished in during the previous year's championship. so for instance in 1987, gardner was first, mamola second, lawson third, haslam fourth, macckenzie fifth, and so on. in 1988, gardner ran the number 1 plate... mamola 2, lawson 3, haslam 4, mackenzie 5, etc etc. the only champion who broke with tradition was british racer barry sheene (500cc champion in 1976 and 1977), known for being a rebel - and even the styling of his iconic number 7 was apparently a wee bit controversial:

sheene stuck with the 7 both after his formula 750 title and then after his two 500cc titles:

there's some ways in which sheene is kinda the prototype of the modern rider, and he was the first to reap the benefits of having a distinctive number associated with him

in the eighties and nineties, it was all back to number one plates - but then of course another rider decided to break with tradition

incidentally, the generally purported story for why valentino took the number 46 is that it was his father's number. if his autobiography is to be believed, the truth is a little different:

I am Valentino. Graziano chose that name for me because he wanted to honour the memory of his best friend, who drowned at sea, near Pesaro, at the age of eighteen. The fact that St Valentine's Day is just two days before my birthday was also a reason. Number 46 originated when I raced minibikes. I was on a team with two kids from Gatteo a Mare, Marco and Maurizio Pagano. They are the brothers who lent me the Aprilia 125, which I used for my debut at Misano. All three of us had number 46 because we raced in three different categories. They too loved Japan and Japanese riders. One day we were mesmerised by a wild-card entrant at the Japanese Grand Prix who pulled off the most amazing tricks and seemed to have no fear whatsoever. He was number 46. And from that day on, so were we. For me, that lasted until I moved up to the Italian championship and, later, the European series. But when I finally made it to the world championship, I was asked to choose a number. I discovered that 46 was Graziano’s number when he won his first Grand Prix on a Morbidelli 250cc, back in 1979. Which was the year I was born. That’s why I decided that I, too, would be number 46. For me that number represents my career and, partly, my life. It certainly symbolises my massive, incredible, adventure. 

so valentino was only the second premier class rider who stuck with his number. the norm of just following the previous year's standings to choose your number was kinda starting to die out in the late nineties anyway. by 2002, when valentino was defending his title for the first time, if you look down the list it's basically personal numbers all the way. still, valentino was the one to break tradition for champions - the first to do so in a couple of decades. valentino did also know sheene personally as a result of the link through his father, who was a friend of sheene's and had raced him:

^valentino with sheene, valentino wearing a tribute helmet with the iconic '7' on it after sheene's passing (also with the rainbow helmet colours and the word 'pace' or 'peace' on the back during the 2003 invasion of iraq), and valentino's 2005 championship celebrations for his seventh title, his shirt again featuring sheene's seven

hayden didn't follow valentino's example and instead went for the number one plate in 2007. casey made the same choice for the 2008 season, then jorge in 2011... so for a hot moment it really did look like valentino had been just another blip. if anything, the trend was going the other way, with a couple of high profile instances of riders who hadn't won the title rejecting their established numbers:

this particular trend didn't catch on, and from 2010 onward dani decided to just stick with the 26. because all the non-valentino aliens just couldn't stop faffing about with their numbers, 2010 is the only year in which all four aliens are actually concurrently running the numbers we most commonly associate them with

then, by 2012 apparently people were starting to get a bit superstitious about the number one plate. here, from an interview with casey:

the idea is that you can't defend the title if you're sporting the number one plate. which is true! in the 21st century, three guys chose the number one plate, and they defended their titles a grand total of zero times. one bloke stuck to his number, and he defended his title five out of seven times. so yes, it is technically correct that nobody with the number one plate had defended their title, though it is equally true that nobody not called valentino rossi had defended their title. I suppose we'll never know what the bigger factor was

anyways, if picking the number one plate was already a sure thing before, I reckon this sort of silly talk about 'jinxes' would have made casey even less likely to change his mind for 2012. not only is he stubborn, but he also takes an extremely dim view on superstitions

That race was the twelfth in a row that had been won by a rider not starting from pole, which was a new record. People were making a big deal about it and questioning whether, psychologically speaking, it wasn't a good thing to qualify on pole position at all. Maybe to the superstitious riders out there it had become an issue but I have never allowed myself to be affected by outside influences like that and I put an end to the stat by winning from pole in the next round at Laguna Seca in California. It is amazing how many riders have superstitions, which to me are completely ridiculous. Pretty much every one of them has a little mascot or a lucky pair of undies that they once had a good result in and have been stuck with ever since (so to speak!). Superstition is basically just fear and as an athlete my view is that by allowing it to enter your mind you are effectively handing over control. My approach has always been to deliberately tackle it by doing things differently to the last time, just to make sure I don't get into a restrictive habit. Some riders look at their qualifying position and think, I never go well from fifth position, or arrive at a circuit thinking about past results there and say, 'I've never done well here before, it's not my favourite circuit.' You have to be in the mindset that every day is a new day, a new set of circumstances. Every corner is different, every situation is different, and if you are not prepared to open your mind to that then you will always struggle more than necessary. You might have been through one particular corner a thousand times before but with a slight change in temperature, a new bike, a different tyre or a rider trying to pass you on the inside it becomes a completely different challenge and you have to be ready to deal with that.

given that casey is like, neurotically anti-superstition - well, he was probably always going to do the same thing as he did in 2008, but now he definitely would never just stick with his number. unlike jorge... who did change his mind, having run the number one plate in 2011 - but decided against making the switch in 2013. funnily enough, this did not help him defend the title. the eventual 2013 champion ended up also opting to stick with his number... and, well, marc's title defence went a little bit more smoothly. after jorge's 2015 title, he once again stuck to his 99, while marc has used the number 93 throughout his career. by the time you get to 2020, it's easy to have a warped perception of how common it is to keep your number. if you're born in, say, 1997 or later, you think it's basically the done thing to stick to your number, and it's really only a few outliers who use the number one plate. but even in the 21st century... it's really just valentino and marc who were doing it, plus jorge two out of three times. but between the two of them, they sure were winning enough of the titles to make it feel like the established norm

by this point, there really was a bit of a superstition about how the number one plate was 'cursed'. obviously, this wasn't actually a 'curse' as much as it was 'the dominant force in the sport in the noughties decided this number one plate thing wasn't for him and the dominant force in the 2010s who also happens to a massive fan of the other guy also decided not to make the switch either so that probably explains it'. it's not 'you won't defend your title if you're sporting the number one plate', it's 'you won't defend your title if your name isn't valentino rossi or marc marquez'. but obviously, sports drives people insane, so it was always going to be something that prompted a lot of speculation until someone finally managed to defend the plate

following his 2020 championship, mir didn't depart from the new tradition, with a suzuki video to announce his decision:

and fabio did likewise after his 2021 title:

obviously, sticking to their numbers didn't actually help joan and fabio defend their titles, and after his 2022 championship it was pecco's turn to make the choice. pecco went about this in the most pecco way imaginable, with just a touch of public hand-wringing about the whole thing:

just as a quick reminder, before pecco there had been 28 premier class champions. five and two thirds decided against the number one plate - sheene, valentino, marc, joan, fabio, and jorge twice. "I have always been fascinated about riders with number one" describes something that until very recently had been completely normal. not even remotely noteworthy. cheers valentino

eventually, presumably after some extremely extensive introspection, pecco decided to go for the number one plate:

and also this:

and also this (look he's got a lot of thoughts on the matter, please allow him):

and talking about defending the number one:

pecco has continued talking about it sporadically since then. he's spoken about it in the context of defending his title, which as he points out he can only remember marc and valentino doing:

and then the pressure inherent to sporting that plate, from after he'd successfully completed his title defence:

hm. right. let's unpack

the thing about this whole 'running the number one plate' business is that in motogp, each rider's individual choice has to be read with that history in mind. for many years, this wasn't even really a question... it's just what you do when you win the title. sheene was the rebel, the one who decided to do things differently, who wanted to be associated with his very own number. and valentino, who himself knew sheene and was already attached to his own number and has always had a good sense for personal branding, decided to stick with 46. of course, valentino being valentino, he's inescapable enough within motogp that ever since he made that choice, every single champion after him has had to actively make a decision one way or another

so you've got jorge, who had used the number one plate in his title defence during his 250cc campaign in 2007 - and also used it in 2011 as motogp defending champion. he ended up changing his mind for his following two campaigns... remember, he only started using the number 99 in 2009 after his fractious split with his manager during 2008 (see more on numbers lore here). here was what he said about his decision in 2011:

versus his decision in 2015:

jorge in particular does of course have a bit of a complicated relationship with the numbers he's used during his career - and unsurprisingly he's clearly put quite a lot of thought into the whole matter. he's determined to still have the number 99 represent him in some way even in 2011, while also thinking about how he can integrate the number one into his initials - and since it's jorge, of course it's particularly important that his fans approve. he "won't forget" his 99, it was still on his leathers because it's still 'in his heart'... but he explains it by saying he has "earned the right", that it's a "unique opportunity". then, a few years later, his main cited reason for sticking with the number 99 is how it 'represents' him

very much a question of identity, then, something about how jorge made the choice to use the 99 and how it was an expression of liberation for him... he was tempted by the number one once and only once - a statement in itself, following on from jorge's title win in 2010 where the oppressively popular defending champion had been taken out of contention through injury. jorge says he's 'earned the right' because he feels like he deserves it and he wants to tell the world as much. did his failure to defend the title play into his decision not to run the plate again or did he just decide it wasn't really for him after all? did he realise he had grown so attached to the number 99, what it symbolised to him, that he didn't want to give it up again? or did he just realise it was better for personal branding?

last year, here's what casey had to say:

it's fun how the perception of it has changed so drastically, hasn't it? now it's kinda the brave decision to take it... and that's mainly the legacy of two blokes who happened to monopolise this century of racing and decided to make their numbers their own (you may have noticed that there's considerably less material out there on why they made the choice they did). it's gone from something that you just sort of did automatically to something that puts a bit of a target on your back. because that's the subtext, right - everyone wants to 'take the number one plate'... which obviously they do anyway, but all this talk of curses and jinxes attempts to give it a bit of extra weight. is it presumptuous to take that number? valentino and marc made the call to stick to their numbers - and years later it's become a statement to deviate from that path. in that fabio quote above, in context he's really just trying to say he feels like he's the number 20 and nothing other than that - but "I feel like I'm not number one" is still a teensy bit loaded. how did marc's injury affect the choice made by those in his absence?

casey is unsurprisingly very firm on the whole thing, "you are world champion and you should be wearing number one". as if doing anything else is shying away from this duty. defending the title is another "challenge" that he says he likes - almost like a way of putting extra pressure on himself. though in a different interview, casey also says this:

just a number after all, then? it's also interesting how they frame it in different ways, isn't it? for casey it's "recognition" of an achievement, for jorge it's something you've "earned"... and for pecco, it's something you "need to respect". it's about something that puts "pressure" on you... perhaps that's partly because so much of the discourse about the number one plate has become about defending the title (or failing to do so), but pecco discusses it more as a responsibility than something he deserves. you can tell that it's clearly preoccupied him for a while - it's something he's "fascinated" by, he's "admired" people who have done it, he's "always loved it". for both casey and pecco, part of it seems to be about respecting the history of all the blokes who have used the number in the past, like it's an act that pays tribute to that heritage. you'd think this shouldn't have been such a tough choice in the first place, wouldn't you? goes to show how much of a break with tradition it's become - tradition, of course, that was really started by pecco's own mentor. would it be that surprising if that's part of the reason for the reticence? and, at the same time, would it be that surprising that his mentor's long shadow might make him feel like he needs that big and bold number one? what does pecco think it's saying that he went a different way? all this public hand-wringing just because he's breaking a trend

for jorge, the number one plate was a public declaration that he'd made it, naysayers be damned. to pecco, "the number one plate means you need to demonstrate you are number one". it's like giving yourself a point to prove... is it mainly a matter of pride or giving yourself something to live up to? both of them go to great pains to stress their continued attachment to their original number, how they're continuing to integrate it into all their cute designs... and that is something that has changed pretty definitively - not entirely as a result of valentino, but around the same time as valentino emerged as the figurehead of the sport, and he's certainly a big part of it. even the riders who go with the number one still want to have their number and to be known by it. the numbers have become such an integral part of branding and rider identity that riders want to make clear how important they are to them, whether they stick with the number as defending champions or not

at the same time, the fact that taking the number one plate has been de-normalised means that this decision places extra focus on the challenge of defending the title. pecco might not frame his choice in opposition to valentino and marc's to keep their numbers, but he does repeatedly link it to how they alone had been able to win successive titles. for him, then, it becomes an indirect way of living up to a legacy - counterintuitively by doing the opposite of what they did. "since I remember, was just marc and vale have repeated the title" “I thought about it many times this season in all the races we were struggling that the only two riders able to win two years in a row were marc and valentino"... that's what he's trying to live up to, this simultaneous source of inspiration and insecurity. are you lacking confidence if you need to see the number one to believe yourself that you are the number one? or is it conversely shying away from something you have rightfully earned if you can't bring yourself to take the plate? is it an expression of ego if you think your personal number is more meaningful than the number one could ever be? personal branding decisions aside, wouldn't manufacturers much rather you display the number one plate proudly on their bikes?

kind of remarkable, isn't it? it should be such a simple choice... and yet. not only is it now a question of branding and identity, but within motogp it's also become one of how you relate to the legacy of two specific riders. maybe it'll gradually become more common again to take the plate - after all, the curse has now been broken. or maybe it will be the source of much hand-wringing forevermore... we shall see. we shall see

[last-flight-of-fancy]

okay no more trying to theme here's a bunch of random cookies i've drawn recently

[bambiraptorx]

[I.D. drawing of Splinter and Leo from ROTTMNT shaking hands. Splinter is drawn as a ferret, and has his hair in a bun held in place with a hairpin. He and Leo both frown slightly, and Leo slouches forward somewhat, but is still a head taller. Above Splinter is written "illegal in New York" and above Leo, "illegal in New Jersey". End I.D.]

like father like son i guess lol

[carnivalcarriondiscarded]

hm ok so for a while i was thinking that Wally, for the most part, only perceives reality as "Home", the neighborhood. that's his entire world, it's all he knows

but then i slapped myself and went wait. the Live Interview. Wally has been outside of Home, and has interacted with humans (presuming that the interview did actually happen, of course). and through Wally's interactions - or rather, attempt at interactions with Us, the QA, and the WHRP, it can be strongly assumed that he knows that there's an Elsewhere. there are places outside of Home. maybe he doesn't quite understand that there's another reality of sorts, but there's no way he's unaware that there's more than just the neighborhood out there

(and then of course there's the fact that Clown has said that humans are deeply involved (not a direct quote, im paraphrasing) in Welcome Home. maybe Wally interacted with them / regularly interacted with them. there could have been an adjustment period after he gained consciousness where humans helped him learn how to walk/talk/fine motor skills - this could be why he has such a seemingly inherent / desperate trust in Us & the WHRP & the QA... humans made him and cared for him. it's possible he could view them as a sort of higher power to trust & have faith in

& maybe he's been off-set or could go off-set. i mean, the houses' rooms were all different sets - the buildings themselves were empty husks, right? who's to say Wally wouldn't physically walk to the individual set pieces whenever he went over to someone's house (but then that leads me into speculation on how the puppets' consciousness works and how multiple copies of them could co-exist and wondering which is the - im getting off track. but there's all of that and then the two part "you're okay!" art pieces of Wally & Eddie, which are technically canon - dont quote me on that - and that's Another ramble/theory post i could go on about & have strong feelings on. Anyway!)

"but wait," i hear someone protest, "what about Barnaby? he was in the Live Interview too"

but was he? was he really? was that Barnaby, or was that a person in a suit playing the character Barnaby B. Beagle? i mean, if it was Barnaby, there had to be some memory fuckery going on that prevented him from either fully comprehending/realizing the situation, or just made him forget as soon as it was over.

and actually wait, Wally has to be aware of the reality discrepancy. because it was certainly him in the Interview as himself. He had to have understood on some level that either that wasn't really Barnaby, or that Barnaby wouldn't remember the interview.

(there's a connection in my head between all of this & how he would view an apple pie. "it isn't the same anymore. something's different". but i can't pin it down for the life of me.)

and with the Talking Telephone calls, Wally explicitly tells Us that he's not going to tell anyone who was behind the calls. i remember listening to the "original" prank call audio tests, which while were very similar to the canon in-website ones, have a few changes. one of which was Wally - in the tests - saying that the others weren't ready to meet Us yet. now in canon that tidbit has been swapped out for "You have to go too. You have work to do" but i think it's still implied through Wally's purposeful withholding-of-information that he doesn't think the others are ready to know. or he straight up doesn't want them to know

i mean, one little theory i previously had is that Wally wants them all to catch on to the nature of their reality and situation, but he doesn't want to - or Can't - tell them outright. they have to figure it out. and that can't was either something keeping him quiet, or because if they learned too soon / inorganically, their little puppet heads would pop into confetti like Red Guy's in dhmis 4

However my views have Changed and i'm pretty sure Wally is purposefully not telling anyone to maintain the illusion that everything is fine and can continue on as it always has. maybe it comes from a place of protectiveness, of love? whatever the motive i think he wants them all to keep being unaware and dare i say, Complacent while he "fixes" their situation.

which is delusional, but we all know Wally is digging his metaphorical claws into a desperate bid to keep everything the same / return it to its original state, leaving bloody scratches in something already rotted. or something like that!

all this to say i think it's interesting how it seems that he's the only one aware of humans / an outside/other world, yet he's so determined to stay in his lane. he wants connection & communication yet he doesn't want to leave or change. he wants help in keeping things the same (some could say in keeping Our reality & his separated) but in the process he's dooming everyone/everything and tearing down those walls himself

(Wally: i'm going to stay where i am, and you're gonna stay where you are, and we're gonna help each other keep me and my friends where we're meant to be. anyway i wonder what this sledgehammer does)

[thecolourpurple123]

Fourier Lugunica ramble (with excerpts from Ex 1)

Fourier is, much like all the members of the Lugunican royal family, somewhat airheaded but charming in nature. The Lugunican royals are all genuine and good people, but not particularly skilled stewards―which is pretty much the exact description the LN uses across all the side content I've read recently including Ex 1, 2, and 3.

In his normal state, he's prone to being incredibly impulsive and needy. He rolls up to the Karsten estate at random to bother them with whatever he's fixated on at any given moment and is very good-natured about the teasing he is subject to―not being particularly aware of the depths of Ferris's wit, but always rolling with whatever punches he does see. Fourier's obviously a bit pampered considering how he whines about the cold to the degree that he never goes anywhere without his fancy red coat, but he's not totally adverse to hardship or pain seeing how readily and regularly he challenges Crusch to duels for years of their youth despite never really standing a chance.

Generally, he does not concern himself with his own status, and readily waves it off in pursuit of whatever he's fixated on because he's just that kinda silly goofy guy. At the same time though, he's keenly aware of his status as the fourth prince, and while he does know the kind of effect he can have on people―as seen in how he stalls for time when Crusch is fighting the rabbits by distracting the people at her party with improvised songs and sword demonstrations―Fourier is not one to care for the fact that he's royalty in any ambitious or grand sense. However, as seen in Ferris's unusual appointment as a royal knight, he does know when it can be used to get what he wants/thinks is right and necessary.

Further, Fourier is very much one for bravado and putting on a brave face. He wants to be strong and look cool, especially for Crusch, and in all matters Fourier is one to throw himself headfirst into situations with a high degree of overconfidence. It's actually noted as being part of his charm, the fact that he so readily pretends that he's better than he is and is princely, while also not really caring for being seen as princely and competent, which ends up making those times where he's princely and competent all the more impactful to the people he interacts with.

(here we see Fourier and Ferris discussing after the duel with Crusch to make her wear a dress, for a more relaxed example of Fourier being both overconfident and not caring for how he appears which Ferris takes advantage of to tease him)

(this one is of Crusch talking to Fourier about Ferris's family history that he pretends to already know about and lies to Crusch about blatantly to save face, only to prove himself unknowingly in her eyes in the next breath)

(and this one is Julius talking to him later in Ex 1 for a more serious example of how Fourier views other's views of him)

Ultimately, Fourier is a bit of a walking contradiction. He's oh! so jolly yet still respectable and competent when the need arises. He doesn't care for status yet walks around with overconfidence. He's keenly aware of social dynamics at times when it counts, yet often blunders his way through conversations in a way that's disarmingly absent-minded.

It's a contradiction explained by the fact that Fourier is one of a rare few of his family to be a "master of the blood" as Miklotov puts it, or the Lion King's Blessing as the fandom has come to call it. He's able to just… intuit things, a lot of the time. He knows what moves to play to win at games, knows answers to obscure questions his tutor asks without knowing why, is able to only ever show up to the Karsten estate when Crusch and Ferris aren't too busy to see and hang out with him, and of course is able to coordinate several royal knights to rescue Crusch from Ferris's dad while also setting Reinhard as insurance for stopping Miles (a spy he doesn't know exists, just has a hunch exists based on pretty much no evidence at all) from escaping back to Vollachia all without ever knowing the full scope of his own machinations.

I think the most iconic moment of Fourier is this:

In one move, Fourier pushes Crusch to accept her dual roles of being a Lady and being the martial heir to house Karsten, thrusts Ferris into knightship in a way that doesn't leave him insecure or gives him any room for doubt, and saves Crusch's dad's life from the rabbits―only to after Crusch and Ferris leave, tell a servant Crusch tied up that he has no idea what's going on and that they should probably figure that out.

Fourier is effortlessly foundational to Crusch and Ferris's entire worldviews, and he doesn't even know how or why he just follows his instincts and garners their total respect and admiration. He's humble in an unspoken way that leaves his dramatic overconfidence as endearing instead of irritating. He's a royal with once in a generation blood, yet all he cares for is to see the buds in the garden that are those he holds dear in his life bloom into their own.

The only time he ever really cares for his station, is because Crusch is a little obsessed with the legacy of the Lion King, and Fourier wants that attention on himself (all the while not knowing that he already has it). He makes giving his everything feel like nothing yet still everything―which is all the more tragic, all the more foundational for Crusch going forward, because that very essence of Fourier is exemplified in his death where his very memory is but a footnote in a wider chapter of the nation's history. Everything to Crusch and Ferris, but nothing to a nation in mourning.

This is why, after finishing Ex 1, I have gained an appreciation for Crusch who I'd thought as a very boring character having only experienced her presence in the main series. For years now, I've always looked down upon that short-sighted selfish goal of hers to break the covenant with the dragon, just because she can't get over Fourier's death. But it's deeply understandable if you come to know Fourier, and see it from Crusch's perspective.

Crusch started with this chip on her shoulder regarding needing to be worthy of inheriting this mantle of the lion, and then by the end of the novel she inherits this impossible dream of Fourier's too―where he pictures this future together with Ferris and Crusch as he dies in her arms, not even able to finish telling her that he loves her before he goes.

Fourier was her Lion King, he always was, and in his absence, given this singular opportunity through her candidacy and in the context of the seemingly callous attitude of the Sage Council and the gathered nobles… to me, it just feels so earned that she would despise the Dragon, whose mere promise of protection overshadows the deaths of so many royals who were amazing in their own rights. Ultimately, Crusch's ire does come from misplaced grief, but it's one I can't help but respect now. The path Ferris and Crusch walk is not one that is kind to either of them, but it is one that is quite fitting. One that is lonely by necessity, because even though Fourier told Ferris to rely on his friend Julius, he was unable to finish telling Crusch his full feelings for her, leaving Crusch with an impossible dream and shoes she can't fill even with Ferris at her side.

So basically, all of this is to say that my favorite ferret man Ferrier Lugunica haunts the narrative and after reading Ex 1 he lives in my head as rent free as he does in Crusch and Ferris's.

[shiocreator]

saw a screenshot and knew it was these two immediately

Amneisiac Self Aware Asshole Conman who hates everyone and has nearly died once to become a ferret

and the one human he tolerates and enjoys the company of who's genuinely bubbly and friendly, but also oddly tolerating and giggles at some of his comments

Image from @draw-the-squad-like-this

[amber-tortoiseshell]

Phylogenetic weasel tournament

Family: Mustelidae

Subfamily: Mustelinae

Genus: Mustela

Compared to the european polecat, the steppe polecat is larger in size and has a more powerfully built skull. Its body can seem somewhat more elongated, more gracile, but that's an optical illusion: it has shorter guard hairs.

Steppe polecat:

The size, built and color difference between these polecats can be explained by either the season or the harshness of the environment. (The second photo was taken in the Eastern Mongolian Steppe; I couldn't find location for the first one.)

European polecat:

pictures: 1, 2, 3, 4, 5, 6