Scholars have usually treated Katherine [Parr] sympathetically, partly because of Foxe’s revelations about her problems with Henry, but often they have ignored her political ambitions. In early 1543, shortly after the death of her husband, John Neville, Lord Latimer, Katherine was considering marriage to the two single men who were the closest relatives to [Prince] Edward, the king’s heir: Henry [VIII], himself, and [Thomas] Seymour. When Henry died, she quickly wed Seymour and supported his intrigues against his brother.
Wicked Women of Tudor England: Queens, Aristocrats, Commoners, by Retha M Warnicke
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it’s kind of crazy that both fallout new Vegas and fallout 4 have the same driving force for the first half of the narrative (find the guy who wronged you and make him pay) but Benny is so much more memorable and narratively interesting than Kellogg.
It’s a matter of a strong character foil versus a weak one, in my opinion.
Benny and the courier are very much alike. They are both ambitious people who are willing to do anything possible to stack the odds in their favour. Honestly, Benny and the courier are the same card, reversed.
The Sole Survivor and Kellogg are also intended to be character foils. The game tries to convince us of this with the scenes in Kellogg’s mind, where we see that he ‘isn’t so different’ from our protagonist after all. But we don’t know anything about Kellogg other than his backstory. How can he parallel the protagonist if we don’t know which traits he has? Which traits the two of them share?
(As a side note, I wish Fallout 4 had touched way more on the ‘Man/Woman Out of Time’ thing. The protagonist being frozen in the past + Kellogg being functionally immortal would’ve been really cool to explore! Especially in the context of grief!)
In the end, I think the reason Benny is a more powerful character foil is that he doesn’t disappear from the world when you kill him. The chairmen can mourn him, House will comment on it, and even NPCs across the Mojave will talk about Benny’s death!
In Kellogg’s case, the protagonist is basically the only person who knows he even existed! Once he’s dead HE’s DEAD! He disappears completely from the narrative! As soon as you leave fort Hagen, the game doesn’t bother looking back.
that’s why Benny is a more haunting force for new Vegas; particularly an independent courier. You are Benny’s legacy because you are what he leaves behind whether he likes it or not. People remember him as the couriers victim. Meanwhile, nobody remembers Kellogg at all. The memory of who Kellogg was dies with you, and you can choose to forget him.
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I’d like to think Jay and Nya are very funny because they are both mechanics, but in entirely opposite ways:
Nya has all her tools in proper order. In her workshop, there is never any scrap part going unused. Any notes and blueprints since the ripe age of 12 have been carefully stored and saved, no matter how much she cringes when looking back on them. The Samurai X designs and revisions have their own file cabinet as well as digital backups. Her measurements are double and triple checked, even though she probably had it right the first time. Every choice she makes is calculated and buffed out, from the interlocking gears to the paint job. She prides on her work on being practical and aesthetic, thank you very much.
Jay, meanwhile, is the definition of fuck around and find out. Blueprints? Who needs em, anyways? The only thing vaguely resembling “notes” in his work area are scrap pieces of paper with the most round-about mathematics ever (complete with indecipherable short-hand and a stick figure drawing of Jay holding a blowtorch, naturally.) He will change up plans on the fly and casually stick his hands in very sharp moving parts like there is no tomorrow. Safety equipment? He grew up in a junkyard. He had a wrench in his hand before he could walk. Yeah, no, he’s pretty sure he’s fine, thanks.
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Mxtx, creating a beautiful and well-rounded female character that appears only briefly: Hey, isn’t it fucked up that this character who is so important in the world of this story and to the people that knew her can only be known to you, reader, through flashback memories because the people in power were willing and able to sacrifice her in their never-ending quest for ultimate dominance? Do you feel the constant grief over what could have been had her potential not been killed in its infancy? Do you understand that you as a reader are mourning in the same way that her loved ones she’s left behind are, knowing that the world has been changed for the worse by her premature death? Doesn’t it suck?
(English-speaking) Mdzs fandom the bane of her existence (probably): Killing women in stories can have no other meaning than that you hate women, so this was a misogynistic choice, actually.
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I find it so painfully heartbreaking that Solomon just...laughs off all the derision, the name-calling, and possibly even did "evil" things on purpose because it's expected of him at this point. (He had not always been like this as Thirteen pointed out before). There was a time when he was "innocent". When his soul sparkled. When it resembled the kind of soul everyone in these god forsaken (pun intended with spite) three realms seemed to associate with the ever loved MC. He's just...worryingly carefree. And because he's like that, he feels even more of a tragic character to me.
Sometimes it even seems that he himself would seemingly make up excuses on why he's hated. Oh, it's because I'm a sorcerer this. I might have won a war against Devildom single-handedly this. I have forgotten. But maybe, I did something bad, that. Hon, you were doing that to SURVIVE. You don't have to be a faultless person to deserve compassion. You don't have to be MC to deserve to be loved.
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Annatar during chapter 39 of The Harrowing by Chthonion~
And then doodles with some of my favourite bits from the afore mentioned chapter -
I've been meaning to do stuff from this chapter since it came out cause it is amazing- (in a 'wanting to suffocate Annatar with hugs and cups of tea, and the collateral sufferers too- like getting Maedhros back to Fingon for recuperation' kind of a way) - at revealing just how messed up Annatar's mindset is. I definitely recommend the Maedhros pov as well- the amount of '... I don't think I even want to unpack that statement' and 'seriously. We have gone over this. At least three times. In the last twenty minutes. Why do you not get it??' that goes through his head during that conversation is just- Amazin~
:D
This fic is really cool and I highly recommend it to anyone even vaguely into lotr or the Silmarillion.
:D
@chthonion
>:D
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Like. Idk how to articulate it but it’s so insane to me that people will with their full chest say “I’m a tsukasa fan I #gethim” and not gaf about saki or ever talk about her or read any of her events or even her card stories with tsukasa. Everything in Tsukasa’s life has been touched by saki. You could, if necessary, take tsukasa out of saki’s story (it would make it worse! But you could). But you cannot take Saki out of Tsukasa’s story. He lives and breathes love for his sister there is no one on earth he values or loves more she is the catalyst for his dreams and his motivation. Before he was anything at all he was a big brother. even in the present he defines his ultimate goal of stardom & how to act like a star by the bench marks of being a good big brother. Don’t even get me started on seeing ppl make tsukasa say an ill word abt saki… they fought in dollfes and he wanted to be taken out back and shot like a lame horse. he 100% was like “well I remember what you’re talking about but you’re upset so clearly I’m wrong” he loves! His sister!! So much!!!! If you like tsukasa you have to love saki those are the rules. His starter vocaloid is the Ideal Big Brother his sister’s favorite stuffed animal is a constant figure in his sekai. His fragment sekai is about being a good big brother.
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