#but this little bit stuck for some reason...

[gothgoblinbabe]

Drunken Words, Sober Thoughts (pt.2)

Logan Howlett x afab!/fem reader

divider credit

Warnings: MDNI/18+, mostly porn w little plot, unprotected sex (wrap it up pls), afab!reader, being referred to as a girl, use of pet names, very light choking, filming sex/making a sex tape, swearing, I believe that is it but if i missed any pls lmk <3 I also didn’t proofread this one as much as I usually do so forgive me for any mistakes or inconsistencies!

Summary: [based on this ask] I don’t know what to really say for this one cause I feel like the ask explains it perfectly lol, but part 1 is here if you want to read it but this also works as a stand alone thing. I did tweak a couple of things from the ask but nothing major!

Word count: 5.5K

Since you and Logan had gotten to know each other a little better, you were over his and Wade’s apartment sometimes more than your own. He’d begun to make himself comfortable in yours too, finding himself waking up in your decorative sheets with the morning sun shining onto the pictures taped to your wall. It was a comfortable routine you’d started; waking up in each other's beds, going out to eat at some 24 hour diner when neither of you could sleep, talking with each other till the sun came up. Weekends with Wade even turned to weekends with Wade and Logan, your legs slung over your boyfriend's lap with his arm around your shoulder.

Unfortunately for him, though, you and Wade would not budge on Keeping Up With The Kardashians.

“I still don’t get it,” he grumbled next to you on the couch, quirking an eyebrow at you and his roommate, “what the hell are they famous for, anyway?”

“Well,” you began to explain, raising the remote to mute the TV, “their dad was a really famous lawyer, he defended O-”

“Nope,” Wade piped up from beside you through a mouthful of chips, “you know that’s not the real reason they’re famous, cupcake.”

You turned to narrow your eyes at him, “C’mon, you don’t mean -”

“Mhm,” he hummed, eyes flickering from you to the muted TV so he could read the subtitles without missing a beat.

“What?” Logan finally asked, clearly frustrated that neither of you would clue him in.

You sighed, rolling your eyes and laughing a bit to yourself, “Okay, so, Kim? The main sister?”

He nodded, “the one with the huge -”

“Yes, her.”

“Uh-huh.”

“Okay, she used to date this singer Ray J and in the early two thousands, they made a sex tape. It got leaked somehow and she kinda shot into fame and I guess her family followed,” you explained simply.

“You should show him the tape,” Wade chimed in again, taking the remote from your lap and unmuting the TV.

“Jesus, I’m not gonna do that,” you shook your head, “I don’t think he’d wanna see it.”

“You’d be right,” Logan agreed, cringing a little.

“You two should make your own, then. You can finally be famous for somethin’ else, peanut!” Wade suggested, poking at his roommate's shoulder, “plus, with a pretty girl? Man, that would blow up.”

You rolled your eyes and scoffed. That was seemingly the end of the discussion, except Logan couldn’t get Wade’s words to leave his brain.

You two should make your own, then.

It stuck with him to the point that he was staring at his ceiling that night, listening to your steady breathing as you slept beside him, still unable to think of anything else. It was a bad idea, wasn’t it? He couldn’t ask you to do that with him. Could he?

He couldn’t shake the image of you on the screen of some camera, your back to his chest as he fucked you from behind and you batted your pretty eyes at the lens. He’d never let another soul see it, it would be something just between the two of you - something he’d definitely keep to watch a million times over. He looked around his apartment the next day after you'd gone to work to see if maybe Wade had an old camera somewhere - one he wouldn’t miss if he never saw it again. He dug out a silver camcorder from the junk drawer in the kitchen, turning it over in his hands. It looked like one you’d find on a shelf in a radioshack - when they were still around - something you’d use to film a kid’s high school graduation in the mid two thousands. As long as it worked, it would do. He fumbled the thing open, pressing a couple buttons before the screen finally lit up and gave him the option to look through the album. There were only three things on there - a blurry picture of Wade’s shoes, an even blurrier picture of half of his face and a twelve second video of him trying to film Logan while he swatted the camera out of his hands and onto the floor.

He found a charger and hooked it up to the wall, already thinking over how exactly he was going to approach the subject with you. If he was going to be able to do what he’d been thinking about, that camera had to be charged to last for at least a couple of hours. He’d planned to stay the night at your place and figured he’d try to work up the nerve to ask then.

He found himself on your couch later that night, his thighs spread while you sat in his lap and played with his hair. He was leaving kisses down your throat, his hands on the sides of your thighs.

“Can I ask you somethin’, sweetheart?” he mumbled into your skin. He pulled his face away to look into your eyes.

“Hm?” you raised your eyebrows, waiting for him to continue.

He almost felt dirty for what he was about to ask of you - like he was perverted for even considering it when you looked at him so sweetly.

His eyes moved from your face to his jacket laying beside him and he reached into the pocket, pulling out the small camera.

“I kinda wanted to try somethin’ a little different.”

Your lips parted when you realized what he was holding, eyes flickering from the device to his face. He watched your lips curl up into a smile. You knew instantly what he was about to ask when you remembered your conversation from the night before.

“You wanna film a sex tape?”

He swallowed hard, fearful that you were about to scoff and lift yourself off him. Instead, you rested your hand over his that held the camera, “I wonder where you got that idea.”

You took it from his hand, flipping it open and turning it on. You held it up and hit record, smirking when he rolled his eyes at you.

“I didn’t say I wanted my face all in it,” he scoffed, a smile tugging at his lips.

“What, you think I’m gonna let you only film me?” you pulled the camera from your face, quirking an eyebrow at him, “uh-uh, babe. If this is gonna be our sex tape, I want you in it.”

He huffed, glaring at you through the lens.

“Besides,” you continued, “you’re acting like you're the only one who's gonna like it.”

“So, you’re not upset that I asked?”

You shook your head, “Upset that a hot guy asked to film himself screwing my brains out? Hell no.”

He gnawed at his bottom lip and watched you fiddle with the camera, clicking through settings and trying out filters. Screw your brains out, huh? He could do that. He wouldn't admit it even if you asked, but he was turned on beyond belief from the idea that you’d watch it when he wasn’t with you - he liked the idea of putting on a performance for you, giving you what you want so you’d stuff the little vibrator you kept in the drawer of your nightstand inside your aching pussy when you watched it back, your eyes trained on his face and remembering how good he’d made you feel.

“It’s kind of an older camera,” Logan began, his hands wrapping around the back of your thighs, “maybe we should test it out, see if it works?”

“Oh, should we?”

He stood up in seconds, his strong arms holding you up by your thighs as he carried you to your room. You giggled, your arms wrapped around the back of his neck. You held the camera up to film yourself. Your face was in frame, Logan only visible by the back of his head as you stretched your arm out.

“This is my very sexy boyfriend, taking me to bed,” you narrated, kissing the side of his face.

“Shut up,” he grumbled, burying his face in your neck as he nudged your door open with his foot. He dropped you onto the bed and you kept the camera trained on him as he crawled over you.

“You’re gonna keep that damn thing on my face the whole time?” 

He leaned over you with his hands on either side of your head, his bulging muscles even more prominent from your angle underneath him. His tongue stuck out the corner of his mouth, licking over his lips. You wouldn’t mind if the whole video was just from this angle.

“You look fucking hot.”

He was a little taken back by your compliment. Even after months of sleeping together, he still wasn’t used to the praise, dismissing you with a scoff or simply hiding his red face.

“Look who’s talkin’.”

Logan snatched the camera from your hands in one quick swipe, sitting back on his heels so he could get all of you in frame. You sat up, tugging your shirt over your head and tossing it somewhere off the bed, leaving you in your bra and jeans. You looked angelic underneath him with your hair spread around your head like a halo, your chest heaving in excitement. You bit your lip and grabbed the end of his shirt to pull him closer to you, lidded eyes staring up at him.

“Fuck.”

He groaned, letting you pull him down and slip your tongue into his mouth. He haphazardly placed the camera on your bedside table, glancing at it momentarily to make sure it was on before diving back onto you.

His hands slid up your back and under the band of your bra. He unhooked the clasp and pushed the straps down your shoulders, pulling the garment from your chest and licking his lips in awe. It didn’t matter how often he saw you naked; each time was like the first.

His mouth latched onto your chest almost immediately, swirling his tongue and sucking in a way that elicited a moan from your lips. Your back arched and he hooked his arm around your waist to pull you as close as possible. He was sucking dark marks into your soft skin, leaving each one shiny with his saliva. If there was one thing you were sure of with Logan, it was that he really loved being messy when he toyed with you.

He dragged his lips from your chest down your waistband, leaving tender kisses on your stomach and sides. Over time, he’d slowly gotten more affectionate - more loving and emotional - during sex. He always showed it the best he could, but he was clearly becoming more comfortable being vulnerable with you. He still had his animalistic and rough ways about him, but now it was combined with soft kisses to your nose and forehead, mumbled praises into your mouth and declarations of love while you panted from the pace of his thrusts. 

Logan stopped at the waistband of your jeans, his fingers popping the metal button with little hesitation. You wordlessly lifted your hips for him to drag them down your thighs, leaving you only in your panties. He leaned over to grab the camera from the table, leaning back a bit to get you in frame.

“So fuckin’ pretty,” he huffed, his free hand immediately sliding between your thighs to graze his fingers against the damp fabric, “all for me?”

You nodded, hooded eyes and parted lips posing for the camera, “yours, all yours.”

Logan was chewing on his bottom lip while he admired you from behind the camera. He knew without a doubt that you were the prettiest girl he’d ever been with; none of those dirty magazines or tapes he’d seen over the years could even compare to what was in front of him now. You were positively heavenly, a type of beauty so alluring that it bordered being otherworldly. 

He finally used his free hand to remove your panties when you lifted your hips, set on recording as much as he could from the perspective he had because fuck, it was a good one.

Laying in front of him - completely bare - with the camera focused on you made you feel vulnerable and a little shy and Logan was always able to read you.

He wanted to focus on you even more, but he instead handed the device over to you when he sensed your mild discomfort, the lens facing him.

“Here,” was all he said, letting you bring the camera up to your eye before he tugged his t-shirt over his head. He knew you clearly enjoyed filming him and even if he didn’t love the idea of being the object of attention, he wanted you to be comfortable and he’d sacrifice his own comfort for you any day. So, once he was shirtless, he stood off the bed in front of you to strip himself of his jeans and boxers, letting his hard cock spring up to hit his stomach when he took off the latter.

You had - fortunately for you - figured out the zoom option on the camera and used it to perfectly frame his leaking cock as the only thing in the shot, bobbing when he moved towards you to take the device back. When he did, he set it on the table next to the bed, messing with the same zoom option so that the shot was of you sitting up with your legs spread and your cunt aching to be touched.

Settling himself on his stomach between your legs, he hiked your thighs onto his shoulder, his mouth inches from your heat.

“Do me a favor, sweetheart,” he began and you nodded, ready to agree to anything he asked of you, “be as loud as you can, yeah? Wanna be able to hear ya’ on tape.”

He instantly delved his tongue into you, making you gasp. You tenderly rested your hands on his arms that were hooked around your thighs as if you were encouraging him to stay there.

He ate you every time like he was starving, his cheeks and chin always slick with saliva and sap from between your legs when he finally pulled himself off you.

You did as he instructed - though, you were probably going to do it anyway - moaning openly as he licked stripes up your dripping cunt so he could circle his tongue around your clit. 

“Oh my god,” you whined, your thighs clamping around his head out of instinct. He let you thread your fingers through his hair, tugging at the dark strands to help angle his head and making him growl with his mouth still suctioned to you.

You felt around beside you for the camera, fumbling with it till you had the lens angled at him in between your legs.

“Fuck, L-Logan,” you panted, lovingly caressing his temple with your free hand.

“Mhm,” he hummed into you, the vibration pulling a whimper from your throat, “you like holding that thing, huh?”

Your eyes were glued to his through the small screen.

“You’re so fucking hot, of course I do,” you sighed, your lips parted and chest heaving.

He scoffed in amusement, continuing to slip his tongue between your folds and prod at your entrance. With his face still buried in you and his eyes closed in concentration, he took the camera from you and set it back on the table. He used his arms around your thighs to yank you further down the bed so you were flat on your back. You watched in awe as he spat a mouthful of saliva right onto your already soaked pussy, using his fingers to swipe his spit all over you. Latching his lips back onto your clit, he easily slipped two of his digits into you, feverishly pumping in and out. Your moans grew louder with each thrust of his fingers, echoing off your walls along with the wet noises that came from your soaked cunt. 

“You’re such a good girl for me, lettin’ me eat your pretty pussy,” he rambled, voice muffled by your thighs, “always so fuckin’ good.”

You inhaled sharply when he gently rolled your clit between his teeth, licking after like a balm to soothe the searing sensation. You thought you couldn’t moan any louder until he replaced his fingers inside you with his tongue, angling his mouth in a way that made his nose nudge your bundle of nerves.

“Only good for you,” you managed to choke out, turning your head to the side to bury it in your pillow, “only for you.”

His hand slid up to grope your chest, pinching your nipple between his fingers. He slid it up even further to grab your chin and turn your head so you were forced to look at him. 

“Eyes on me, baby,” he grumbled.

“Ah - uh-huh,” you tried to make some noise of agreement but were overwhelmed with how he was expertly tracing your cunt with his tongue.

Until he detached his mouth from you completely.

You groaned in frustration and knitted your eyebrows, silently asking why he stopped.

“Use your words or I’ll stop. Ya’ got it?”

His stern voice sent shivers down your spine. 

“Yes, baby, please -“

His tongue was already back in between your folds by the time you said yes. He kept his vice like grip around your thighs, deciding he’d be content if he died right there with his head between your legs.

“Love when you - when you - fuck - eat me out,” you panted, “you make me feel so good.”

You knew how much he secretly loved the praise, catching the way he ground his hips into the mattress to find some sort of relief whenever you told him he was doing a good job, that he was so handsome, that you loved what he was doing to you. He was usually the dominant one in the relationship, whispering praises in your ear while you were underneath him, but you knew him well enough by now to have figured out that he loved when you did it back.

“You’re perfect, Logan, I - ah - I love you,” you gasped when his fingers pumped back into you.

It wasn’t all about sex with you two - though it was a wonderful part of your relationship - and yet he’d discovered that he’d never felt more loved than he had when he was with you, declaring your love for him while he completely devoted himself to you with his face in your pussy. 

“I love you, too, pretty girl,” he grunted, “love fuckin’ you with my mouth.”

His filthy words fueled the fire building in your lower stomach and you tugged at his hair in an attempt to warn him.

“ ‘m gonna come,” you slurred, ankles locked on Logan’s back to keep him in place.

“Come for me, beautiful, c’mon,” he coaxed while his fingers abused the spot inside of you that made you whimper to encourage him to keep going, “want it all, want you to come on my face.”

That was definitely what sent you over the edge, mumbling unintelligible praises as he lapped up anything that had spilled out of you and onto his tongue. 

“Tastes so damn good,” he heaved, his fingers still working at a consistent pace, “I think I can pull another one outta you.”

You felt tears beginning to form in your eyes from the overstimulation, crying out when he grazed your swollen clit with his teeth.

“ ‘s too - too much,” you tried to pull his head away by tugging his hair, to no avail. 

He’d let you go, but not without one more taste of you.

It only took a couple more flicks of his tongue to have you arching your back, tears rolling down the sides of your face as you gushed around his fingers for a second time.

When he finally slipped his fingers out of you and he’d left the comfortable spot between your warm thighs, you could see that his entire lower face was almost completely slick with a mix of his spit and your cum. He was licking his lips, trying to savor the taste of you but making no attempt to wipe anything off his chin or cheeks. He was in love with you but he was also in love with the reality that he got to do this to you, that he got to taste every bit, that you wanted him to. You sat up to give him a desperate kiss - a clash of tongues and teeth that tasted entirely of you. You finally pulled away to admire his face.

Seeing him with his hair disheveled from your repeated tugging, his lips near swollen and raw and his cheeks still shining made you crave the idea of returning the favor. 

“Sit on the edge of the bed, baby.”

Though he was usually the one giving orders instead of following them, he obliged anyway. His cock was still leaking in anticipation, hard against his stomach. When you got down on your knees in front of him, he couldn’t hide the excited smile tugging at the corners of his mouth. He never expected you to return the favor when he used his mouth on you - content with that being a reward itself - but when you did? You usually left him shaking.

You took the camera from the table and handed it up to Logan, eager eyes following the lens.

“Can I suck your cock? Please?”

You knew he loved it when you begged and you always used it to get him exactly where you wanted him, especially when you looked up at him with those pleading eyes.

“Go ahead, baby,” he used his free hand to loosely hold your hair back in his fist, “I know you like havin’ it in your mouth, huh?”

You nodded eagerly, your hand wrapping around the base of his shaft. You hovered your mouth over his tip, letting a glob of spit drip from your lips so you could coat his cock in it before you tried to take him in your throat. You’d done it before, but he was huge and every time you tried to prep to make it easier. Your jaw even became sore sometimes from how wide you’d have to keep your mouth open. You never complained, though, because the mere idea of having the weight of Logan’s heavy cock in your mouth was enough to make you drool.

You spread your saliva up and down, leaning forward and dragging his tip across your parted lips while staring up at the lens of the camera.

“Jesus Christ,” he muttered, focused on you through the small screen, “such a fucking tease.”

You grinned, placing a light kiss on his tip before engulfing him into your mouth, tongue sliding along his slit to taste the small amount of precum that’d dripped from him when he first sat up. You suctioned and began to work up a pace, taking him as far as you could into your mouth while your hand stroked the rest of him.

“I love giving you head,” you admitted in the most sultry way possible when you popped your lips off his tip, long lashes batting up at him. It wasn’t a lie, either, and that was clear by how sloppy you loved to be whenever it was your turn to be on your knees. If you had at least one thing in common, it was that you wanted to worship each other as much as possible. You wanted to leave him in a state of euphoria the same way he did you, just as messily dedicated to making sure he came.

“Yeah? I can tell, sweetheart,” he still held the camera but his eyes were trained on your face, “such a good girl, sucking my cock like you were made for it.”

You tried to push him further into your throat, eager to see his thighs shake and hear him groan your name. You gagged on his tip and he inadvertently rolled his hips. You hummed, eyes starting to water every time you choked on his dick. You used your free hand to cup his balls and smeared your saliva down from the base of his cock to coat them. You pulled yourself off his mouth momentarily to spit on him again, licking your lips in excitement.

“Fuck’s sake,” he grunted, camera abandoned on the side of the bed so he could place both his hands on the back of your head, “doin’ so fucking good, princess.”

You continued to stroke him with one hand and massage his balls in the other, your tongue still swirling and sucking around him. You popped off him with a smile, spit covering your lips and chin while your hands continued their motion.

Logan leaned back on his elbows and held the camera up again with one hand. When you wrapped your lips around his cock again, he started to roll his hips at a steady pace so he could fuck your throat, grunting every time you gagged around him. 

You picked up your pace, stroking his base while your head bobbed up and down in synch with your hand.

“Atta girl,” he panted, “jus’ like that.”

You could tell he was already close because he was sloppily rocking his hips up into your mouth, his thighs beginning to shake every time he hit the back of your throat. He sat up suddenly, grabbing your hair again to slowly pull you off his cock.

“On the bed, hands and knees,” he instructed simply, letting you scramble onto the mattress as he set up the camera on the end of your bed. You understood almost instantly what he wanted, biting back a smile as you laid your chest flat on the mattress, back arched with your ass in the air. 

He climbed behind you and placed his knees on the inside of yours to push your legs apart even further. His large hands gripped your hips and he pulled you against him, his hard cock prodding your entrance. He leaned his body over yours so that your back was flush with his chest.

“I’m gonna fuck this pretty pussy like you deserve,” he muttered into your ear, intoxicating you with the feeling of his hot breath fanning the side of your face, “think you can take it, sweetheart?”

You nodded eagerly and gasped when he dragged the tip of his cock along the folds of your dripping cunt.

“Can take it - I want it so bad, Logan,” you pleaded, pushing back into him. Your eyes bore into the camera, lips parted. It was his idea for a sex tape after all, you might as well be sure to give him a show.

He sheathed himself into you completely in one thrust with an iron grip on your hips, the weight of him pushing into you almost knocking the wind out of your lungs. He began to slowly inch himself out and slam back in again, pulling out a little further each time. He was grunting into the back of your neck while he rocked his hips. 

“Takin’ it so good, baby,” he panted, one of his hands moving to your neck and barely applying pressure while the other held his upper body above yours. His lips came to the side of your face and left a kiss so sweet that it could’ve rotted your teeth.

You whimpered when he worked up to a steady pace and reveled in the sensation of him filling you completely. Your fingers gripped the sheets, desperate for something to hold onto so you could stable yourself when his hard thrusts nearly knocked you over completely.

“S-so fucking - ah - so good,” you slurred your words with your eyes squeezed shut. You were slack jawed, nearly drooling.

“Yeah? Can tell you like it,” he huffed, “you’re so pretty, takin’ all of me like a good girl.”

You nodded frantically, whimpering every time he slammed into you.

“You like bein’ on camera, don’t you?” he continued, “you’re really fucking wet.”

You could only moan in response. You were soaking around him, drenching the base of his cock and the happy trail that went up to his stomach. He leaned back on his knees and his pace never faltered. 

Your hands outstretched in front of you and you grabbed the camera. You angled it over your shoulder and focused the lens on his face, eyebrows furrowed in concentration.

He scoffed when he noticed the camera over your shoulder, keeping his rhythm while his eyes were glued to the lens. If he thought too hard about what you might do with the video later, he wasn’t going to last much longer. 

“Feels good, baby?” you panted, an amused smile creeping onto your face.

He was always the one to talk to you like that - pet names and filthy encouragement - but you wanted to get his face on film when you teased him back - or, at least tried to. 

His expression mirrored yours and he grabbed the camera while his other hand kept an iron grip on your hip.

“I think you like holdin’ that thing a little too much,” he brought it up to his face and squinted at you through the screen.

“Mm,” you hummed, your face flushed and body sticky with sweat, “can’t help it.”

“You look fuckin’ gorgeous like this, you know that? God,” he sighed, “can’t get enough of you.”

You would’ve found his words endearing if you could even process them. The intoxicating feeling every time he pushed back into you was enough to render you speechless.

Logan angled the camera down to film the repeated motion, gaping at the mess you left around the base of him every time he pulled back.

“My dirty girl,” he cooed, “you like makin’ a mess on my cock?”

“F-Fuck - yes, yes,” you sobbed before he even finished his sentence. You could feel the pressure building in your stomach, bringing you closer to finishing.

“C’mon, sweetheart, I can feel you gettin’ tighter. Come for me, baby,” he grunted, his hand sliding from your hip to grip your ass.

It only took a few more strokes for you to do exactly that with your legs shaking underneath you. 

“ ‘Atta girl,” he growled. He watched you gush around him, zooming in on your dripping pussy as he stretched you out over and over again. You were chanting his name, muttering unintelligible praises against your sheets.

It wasn’t long before he followed suit, his pace becoming sloppy as he spilled into you and let it drip down your thighs. He clicked off the camera and tossed it somewhere else onto the bed. 

“C’mere,” he huffed, pulling you up to lean back against him, “love you so much.” He was leaving saccharine kisses from your ear down to your shoulder, still panting.

“I love you, too,” you managed to say with your eyes already half closed. He pulled out and laid you on your side, grabbing some t-shirt that had been next to the bed to clean you up. He wrapped you in his arms from behind and pulled up the comforter to cover you both.

“Can’t wait to watch that back,” he mumbled into your neck.

“Mhm,” you were already drifting off to sleep while he stroked your hair, “me neither.”

Logan fell asleep right after you with his arms still around you and his legs tangled in yours.

—-----------------------------------

Later that same week, you sat on the couch beside Logan in his apartment, flipping through TV channels on a lazy day off. Wade emerged from his bedroom and began frantically tearing apart the kitchen.

“What are you looking for?” you called, turning in your seat.

“My old camera. Have you seen it?”

“No, I don’t think so.”

You thought you hadn’t, at least. You had know idea the camera Logan brought over was Wade’s.

He was pretending to be uninterested in the conversation, hoping his apathy towards the question would absolve him of any suspicion.

You shrugged and returned your attention to the TV. You heard a couple doors open and close before Wade’s voice echoed through the apartment.

“Found it!”

Logan went wide eyed and immediately stood up from the couch. 

You furrowed your eyebrows in confusion and looked between him and Wade when he came back into the living room.

And then you recognized the camera in his hands.

“Don’t open it, I’ll buy you a new one,” Logan insisted simply, holding out his hand.

“Oh, my god,” you muttered.

Wade's eyes flickered between you both.

“There’s something on here I’m not supposed to see, isn’t there?”

Logan immediately lunged for the camera and Wade sprinted into his bedroom, slamming his door shut and locking it. Logan pounded his fist on the door and tugged the doorknob.

“Open the door, you son of a bitch!”

You buried your face into the fabric of the couch cushion, anticipating the embarrassment of Wade seeing what was still on that camera.

He opened the door after a minute, giant smile plastered on his face.

“Here you go,” he said in a sing song voice as he handed it over.

You sighed in relief, assuming he’d decided to actually abide by your requests. He closed his bedroom door, only speaking again after you heard the lock click.

“Hey, by the way - can i get a copy?”

A/N: I struggled a lil bit w this one just bc of writers block but I hope it lived up to expectations <3 pls interact if you enjoyed!

[aliensubstance-011]

Fiddlestan AU!!

AU where Ford gets into West Coast Tech, but Stan manages to (somehow) get into Backupsmore and gets roomed with Fiddleford! 

Stan was kicked out after Ford left (because if his brother was ready to leave home, so was Stan). Stan lived in his car & the public libraries he found (all his fake IDs are just fake Library Cards lmao. nerd). Stan also discovered he was queer (did drag for the prize money, then went OH. All these queens are treating me like this because I'm a baby queer. That makes sense. Guess I’m doing guys now.).

I like to think that Stan spent a year or two studying up after Ford left so when he gets in Fiddleford is in his second or third year! This does result in a “I'm your new roommate. You first year?” and Fiddleford going “What in tarnation... I'm THIRD year? How did we end up in the same dorm????”

At first they HATE each other- Fiddleford thinks Stan is reckless, and doesn’t know what he’s doing there, and that he’s kind of stupid, while Stan thinks Fiddleford is some stuck-up hippie who formed an opinion on Stan too quickly (he did). Once they do start talking they have a very quick ‘oh you’re actually not that bad’ moment. Fiddleford leaves before Stan, obviously, but they keep in close contact even after Fiddleford moves in with Emma-Mae. 

Stan and Ford have a huge argument about Ford not needing Stan anymore. Cue: “Of course I need you, you're my brother” “WELL YOU DON'T ACT LIKE IT”, which is another reason that Stan and Fiddleford leave together. Not long after this, around Stan’s graduation,  Fiddleford has a 'I'm gay and don't love my wife' moment, and Stan casually suggests running away, just driving (maybe something a little nostalgic in it, maybe when Stan looks back at his car he feels like he can hear a distant New Jersey shore). The next day Fiddleford shows up with a duffle bag of things, and Stan realises Fiddleford took him seriously. That he’s willing to run away with him, even if it’s not on a boat, that Fiddleford wants to. Stan gets very, very close to realising he’s in love that day. 

They run away after Stan’s graduation and just drive until they get to Gravity Falls! They set up shop there, with Fiddleford doing auto repairs (and making inventions on the side). Fiddleford confesses to Stan when they’re staying in a motel- he thinks Stan is asleep, so he just says that he thinks he’s in love with him, while Stan is laying wide awake in the bed next to him. Stan spends the next few days Freaking The Fuck Out while Fiddleford doesn’t acknowledge what he said. Stan thinks Fiddleford knew he was awake, so when he confesses back he says something along the lines of “I think I’m in love with you, too” and Fiddleford bluescreens.

Just General HCs:

Stan falls first, but doesn't realise until Fiddleford confesses.

Ford is still self centred but doesn't hate Stan. Stan resents Ford for not doing anything when he was kicked out, and a little bit for leaving him. He understands, though, why stay with your good for nothing brother when you have dreams across the country to fulfil? 

Fiddleford is Repressed Gay until he confesses his Awful Secret to Stan who's just like....”okay?”. He does get to the point of marrying Emma-mae, before he confesses to Stan. 

I don't quite know what Stan will be doing, both in Backupsmore and once they move to Gravity Falls. I like a little bit about him either doing Art or Law, but I feel as though he’s not willing nor smart enough (respectively) for either one.

Stan IS smart, don’t get me wrong, he just needs it to be something ‘physical’ that he can interact with. Fiddleford helps a lot with this (having gotten a lot of hands-on work while he was on the farm). 

I think eventually Ford does end up in Gravity Falls too, but by this point he’s distanced himself from everyone not because of Bill, but because of his own hubris. 

Because of Stan and Fiddleford being queer, I don’t think Dipper and Mabel would be allowed to visit them until their parents have no other choice- though they do hear a lot about their Grunkles and see them from time to time. 

If I did include a Bill/main timeline ish plot it’d be Fiddleford who gets tricked- maybe after Ford gets to Gravity Falls, and Bill offers a way to keep Stan happy/repair his relationship with Ford (maybe Fiddleford thinks Stan is going to run away- just without him this time. He knows Stan would never, but he could.) 

I’d probably include a B-plot where Stan thinks Fiddleford will cheat on him with Ford- they click immediately and so much better, Ford is so much smarter, he’s the better twin, because insecure Stan is my favourite thing ever. Just a small detail, but I think that Fiddleford is a lot more confident and stable with Stan, mainly because Stan has encouraged him to step out of his comfort zone so often, and has proved time and time again that all Fiddleford has to do is ask and Stan is right there to catch him.

I'm still not sure what Stan should do, so if anyone has any suggestions, let me know! That and drawing requests god let me draw them PLEASE.

[violettwrites]

new kid — tp!daryl

a/n: hi besties !!! i hope you enjoy the little backstory on our fave duo 😌 if there’s anything you’d like me to write about these two, just let me know ! i’m also working on some tp!trio stuff including merle bcos those three are just chaotic.

if you enjoyed this, please like, reblog, and/or comment !

you can find my ask box here — which is open for requests !

summary: reader (11) moves into yet another place in another town, and isn’t exactly thrilled about it. that’s until they meet the quiet kid in the park.

warnings: allusions towards/mentions of abuse

word count: 1,166

resources: divider by @adornedwithlight

➸ tp!daryl masterlist

➸ regular masterlist

it was mid june when you first met daryl dixon.

your father had just pulled his old pickup into the trailer park, kicking up a cloud of dust that hung in the air long after the engine had shut off. you stared out the window, eyes scanning the rows of faded, sun-baked trailers, each one looking as old as the next. your dad, already in a foul mood, grumbled something about going inside and “not making a fuss.” you knew better than to argue with him.

you had just moved here. not that it was much different from the last place. same kind of peeling paint, sagging porches, and rusted cars that never seemed to run. but little did you know, this trailer park would have one difference.

you didn’t know him yet, but you saw him the moment you stepped out of the truck. he was sitting on the steps of the trailer not too far away from yours, his small frame slouched like he was trying to disappear into the wood behind him. his hair was dirty blonde, a little too long, falling into his eyes. and his clothes were dirt streaked and a couple sizes too big for him. he looked like he hadn’t had a good meal or heard a kind word in a long time.

your dad noticed him too, but all he did was grunt. “tha’s will’s kid,” he muttered, spitting on the ground and making you grimace at the action. “stay clear of him. ain’t no good come outta that family.” you frowned, because as far as you knew, your father and will were friends. he was the reason your dad knew about this place.

you didn’t say anything, turning on your heel to make your way into the trailer. your new home for however long your dad could keep a job, or not piss off the park owners and get kicked out. it had been like that your entire life. and you were just a burden on his back— someone he had to feed and provide a roof over their head.

it had always just been the two of you. you didn’t know much about your mother— sure you remembered her a little bit. she stuck around until you were about four, but then she had run off with someone else. someone who had more money. someone nicer.

according to your father, she had always been selfish like that.

later that afternoon, while your dad was off drinking with some of the other men that lived in the park, you wandered out. you kicked at a rock as you walked along the dirt road in the park, feeling the dry heat against your skin. the kind of heat that made everything feel like it was moving slower. you saw daryl again, this time sitting by the edge of the lot.

without thinking too much about it, you walked over. he didn’t say anything when you stopped just a few feet from him, he just stared at you through a tangle of hair.

“hey,” you said, trying to sound casual, though your anxiety caught the best of you and your voice wavered.

daryl didn’t say anything, his eyes darting away like he wasn’t sure if he was allowed to look at you.

you kicked the dirt again, feeling a little awkward but not wanting to leave. you looked back up at him, a small frown on your lips. “i’m (y/n),” you said, hoping to get something out of him.

“daryl,” he replied, finally glancing up at you. his blue eyes were sharp, like they saw more than they let on.

you nodded, not sure what else to say. you knew that look. you saw it in the mirror sometimes — the kind of look kids get when they’re used to keeping their heads down, used to trying to stay out the way.

“i think your dad is friends with mine,” you stated, hands shoved into the back pockets of your shorts, rocking on your heels.

daryl flinched— just the slightest twitch of his shoulder, but you saw it. he didn’t say anything, but you didn’t need him to. you could tell what his life was like. his dad, will, and your dad — they were all the same. angry men with heavy fists and loud voices. men you had to learn to survive around.

after a long silence, daryl finally spoke, his voice barely more than a whisper. “yeah. he is.”

you didn’t push. you knew that was enough for now. instead, you sat down on the ground next to him, the dust covering the back of your legs. daryl didn’t move, but you could tell he wasn’t as tense as before. the two of you sat there in silence for what felt like hours, the sun slowly dipping behind the trees, casting long shadows across the trailer park.

as the sky started to turn orange, you finally broke the silence that enveloped the both of you. “you wanna hang out tomorrow?”

daryl glanced at you, his brow furrowed in confusion, wondering why you would want to hang out with him. “why?”

you shrugged, picking at the hem of your shirt. “i dunno. ain’t got nobody else to talk to.” you looked at him, meeting those sharp blue eyes again.

he didn’t answer right away, but eventually, he nodded. “yeah. okay.”

that’s how it started. you and daryl weren’t the kind of kids who needed a lot of words, but it seems like you needed each other. you spent a lot of your days wandering the woods behind the park, throwing rocks at tin cans, and sitting by the creek when you wanted to escape the heat. you talked about your families a lot, but not your fathers. it was obvious what fathers who drank to much did, who hurt too much, who left scars deeper than anyone could see.

he’d talk about his older brother, merle, a lot. and you’d grimace at a lot of the things merle seemed to do. you were yet to meet him, but you weren’t exactly sure if you wanted to.

as the years went by, daryl became more than just a friend. he was your escape, your reason to keep going. you knew he felt the same, even if he didn’t say it out loud for a long time. you had each other’s backs in a world that seemed determined to keep you down, and that was enough.

even on the worst days, when your father’s temper flared and you were too scared to go home, daryl would be there, waiting by the tree line, ready to disappear into the woods with you. and when his old man came around looking for trouble, you’d do the same for him.

and though merle constantly teased the both of you, calling you names like lovebirds, you felt a little sense of security with your newfound family. it wasn’t picture perfect, but it mattered to you.

[sneppu]

The Reasons Why Severus Snape is Secretly a Cat, Actually.

I'm saying he's a neglected and abused stray little black cat and here is why

He's very meow meow. VERY kitten.

Black cats are vilified and assumed by some to be evil. Coincidentally, both of these things happen to Snape as well.

Difficult to befriend. Cats are already picky about who they like, and Cats who have had it rough are even more difficult. One cannot just waltz up to a cat like that expect friendliness, or even indifference for that matter.

Extremely bad, no good, very bad luck with dogs. Seriously, the man MUST have dog trauma by now. Werewolves? Sirius, one of his biggest haters and tormentors, a dog animagus? even Fluffy mauling his leg?? The first two were marauders, yes, but that's not a good thing when it comes to Snape. (not all dogs and cats dont get along, but its certainly interesting. Personally, I headcanon him as a definite cat person who has a bad associations with dogs but thats a whole other post.)

Very hissy and snarly and unpleasant when threatened - and sometimes, even when YOU think there's no apparent threat! This is premium Gato™ Behavior. An abused little shelter cat, horribly unsocialized, becoming hyper defensive anytime anything happens to him, even if the thing that is happening is kind.

it fits with the idea that hes "mean for no reason" because there IS a reason - cats are complicated little guys! Where you see a nonissue, He might see a threat. Where you see kindness, he might see mockery. Where you see playfulness he might see cruelty, and so on. After all, he's been on the receiving end of it all too often.

Cats like this usually end up stuck in shelters - not a home - because no one will take them. They're too offputting, they're too mean, they're too much trouble. One could argue that Hogwarts itself IS that shelter in this scenario; a place to be, but not a home. Not really.

Worth noting: maybe to Harry, Hogwarts can be considered a sort-of Home, but he actually found kindness and friends there. Severus lost his only friend and was tormented there. Better than his incredibly shitty situation with his family? Certainly! but Shelters often are.

SWM fits as well; A moment of extreme distress from being humiliated, afraid, and overwhelmed? all those jeering laughing faces while he is vulnerable and unsafe, defenseless at the hands of people who have continuously hurt him for years?? and to see and know that his friend - his BEST friend - the only friend; the only PERSON, he has, is there holding back a smile as it is happening too? Have you ever met a cat in distress? of course he lashed out. It's honestly astounding that he didnt lash out MORE.

and while on the subject of SWM, him lashing out at Lily applies here too. A cornered, distressed cat (especially one with a history of abuse) sees everything as a threat , even people it is normally friendly to, if it's distressed enough. Have you tried to bathe a cat? or maybe tried to coax one to get into a cat carrier for the vet? these things are very difficult but manageable at the best of times but "vulnerable, afraid, humiliated, and threatened" are NOT the best of times, I fear.

it even works with his occlumency and the way he deals with vulnerability as well. Cats, when in pain, do their best to hide that pain. This is because to be outwardly hurt is to be vulnerable, and that can lead to predation by bigger animals. Severus too, hides his vulnerability. The things that truly matter to him, his worries, his soft and squishy bits, and loyalties all carefully locked away.

Rivalry with Minerva?? that's just good ol' unserious cat drama. Have u ever seen an indoor cat staring down a stray through the window? silly little creatures. They'll grumble about it and act like its on sight (and maybe it is!) but when you're not looking, there'll be sniffing through the glass and pretending they dont care while they nap suspiciously close by.

Starved for affection and touch. An abused stray, past all the hissing and the fear and violence, once they're finally given a chance and finally understand that they are safe, just wants to be loved. They usually end up being the most affectionate and loyal cats of all! only to those they feel safe with, of course.

And speaking of loyalty, that applies here too. He was loyal to Lily, the first and only person to show him kindness (though my feelings for her are very complicated) and he was later loyal to Dumbledore. Unfortunately, neither of these people ever truly took in the stray, not really. And so the Stray was never actually socialized, and never completely safe, and never actually given a home.

and finally.. his death. Cats have a tendency to hide when nearing death, or dying.. and as such, often die in solitude. Severus may not have exactly had a direct hand in this of course, but.. there's something about him dying in this shitty little shack, far away from the action, presumably alone (or so he thought until Harry and his friends materialized out of nowhere under the cloak.). He wasn't actually alone in his actual final moments, but in the time leading up to it? Very lonely.

In a way, one could say that Lily came closest to adopting the stray Sev cat. And maybe she would have! maybe she wanted to take in the stray at one point - had planned to, even! But her friends told her he was dirty and gross, "who knows where that things been! he's probably diseased". and The marauders kept tormenting him, making him increasingly defensive and hissy and violent, as cats often are in that situation and then it was also "look how cruel and mean he is! he'll only hurt you". and maybe when the time finally came and that defensiveness finally WAS aimed at her it only confirmed what she had already begun to believe. And then she decided she wasnt a cat person after all. Who knows? One could make an argument for all of that. Do i see things that way? maybe, maybe not. My feelings toward every character who is not Snape are largely indifferent for the most part.

Verdict: Severus Snape is a Cat. He is a little kitten meow meow. Give this man a little cauldron to curl up in asap

[glass--beach]

hi do you like ok computer (1997)

because i really just don't get it (especially as the second-best album of all time) but i reeeally want to & i respect your opinion on that a lot

yea that album kinda changed the course of my life lol. wall of text incoming

first - don’t let rym or aoty or whatever tell you what’s good and what isn’t, everybody’s got their own taste & criticisms that go against the grain are very important!! i will say anything that’s that consistently highly rated across different websites & publications is probably undeniably significant and worth listening to. whether listening feels like discovering a new favorite or sitting through a history lesson is where taste comes in. it’s important to interrogate the canon too as there is an enormous amount of implicit bias in what even gets in front of critics and in the metrics they grade music by. review aggregate sites have democratized this process a bit & all the good and bad of democracy has come with that lol.

so, the album gets praised for a couple of reasons - its innovative production, its commentary on the historical zeitgeist, and the pop appeal of much of the songwriting.

production - the album makes heavy use of cutting edge effects units, digital editing, computer trackers, sampling, and even features little bits of voice synthesis. most of it is stuff that had existed in music before radiohead, artists like aphex twin (and much of the rest of warp records’ 90s catalog) and bjork were ahead of the curve in a lot of the aesthetic aspects of okc and had influenced radiohead a lot, which is even more evident on their followup kid a. radiohead was not breaking new ground in using these sounds, but they were among the first to put it all in a rock context, taking cues from the weirder cuts on the beatles’ white album, the experimental “krautrock” band can, and miles davis’ classic jazz fusion album bitches brew.

context - radiohead had grown up during the decline of much of the social democratic programs that had helped to facilitate the education and performing careers of much of their early influences such as joy division and the smiths. by the time okc was being written they had lived through the austerity of the thatcher era, the fall of the soviet union, and now were watching the labour party turn increasingly neoliberal under tony blair. there was a general sentiment in the west that the progress of history had slowed or even stopped in favor of the neoliberal order. at the same time, tech was booming and computers were starting to find their way into more aspects of daily life. the album imagines a boring dystopia, where machines are rabidly advancing but humans are stuck in stasis. a major connecting theme is infrastructure - the airbag through which thom yorke is “born again,” the “cracks in the pavement,” the family politics that separate romeo and juliet in exit music, the mechanical voice of fitter happier giving contradictory directions for maintaining the status quo. even the escapist fantasy of no surprises comes in the form of carbon monoxide. and then, the record ends with the “ding” of an appliance that has completed its task.

songwriting - the band’s previous album the bends really is a pop masterpiece. i recommend it to anybody who wants to get into radiohead but doesn’t vibe with their later work. okc expands that compositional style through, for one thing, the more apparent influence of classical music on tracks like paranoid android or the Chopin homage exit music; let down even features polymetric layering characteristic of Steve Reich. it also features some songs that are too good to even need to push the envelope much, like karma police or one of my favorites, no surprises, which seems to reference the beach boys’ wouldn’t it be nice or the velvet underground’s sunday morning.

to be honest, i like okc mostly because it really spoke to me at a formative time in my life, when i was like 15 and felt heavily disconnected from the world around me. the album deals with those feelings in a very different context but it’s a feeling many people can relate to for many different reasons - i was closeted in a conservative culture, not a depressed british rock star lol. it also was an excellent gateway into many of the bands’ influences, who are also favorites of mine now. most people who love the album don’t really go as deep as i like to with understanding it, but maybe what i said here will give you something else to listen for, idk. maybe you just gave me an excuse to infodump about an album i love lol :)

[aritsukemo]

I loved your Kokichi story so much, can I get hcs as him as a partner?

Kokichi Relationship Headcanons | Danganronpa

( @scar8o )

Warnings: None.

A/N: Ahhhhh I love this man!!! 😖 I've been in a little rut for motivation lately ( mostly for Genshin ) so I've been scared to start on request out of fear of getting stuck and never finishing them.. I'm also not good with such broad topics as relationship headcanons so I'm sorry if this isn't satisfactory.. At least I tried, right? 😅

↪ When it comes to Kokichi and the topic of love, he sticks out his tongue and blows raspberries like a little kid because...ewwwww! Love is yucky and gross and full of cooties!

↪ That said, if you actually manage to catch the eyes and heart of this childish liar, you must really be special!

↪ When Kokichi likes someone, it's like being held at gunpoint by a maniac who's gun is made out of cotton candy; harmless, but overwhelming and annoying.

↪ Contrary to popular belief, Kokichi does have a heart. He cares about his friends deeply, and although he doesn't show it, will do the craziest things for them, even if it ends with them despising him for doing so.

↪ That said, I don't imagine him with some mysterious, colder person. I also don't see him with someone who he'd view as a threat to his friends like Maki or someone as cutthroat and self-centered as Byakuya. I imagine him falling for someone more empathetic. Someone who's known him for some time. Who's maybe a bit shy or pours their heart out over the littlest things. Or, maybe someone who's simply kind and honest. Someone predictable, but down-to-earth and friendly, but I digress.

↪ Even with his crush, I don't see him pursuing it whether he was apart of the killing game or not. It's mostly because he fears it as it's a rather foreign topic that requires openness and honesty; two things he isn't comfortable giving to someone—even a close friend.

↪ That doesn't stop his body from reacting the way it does towards you, however! He can't help but yearn for attention at times no matter how much he fights, so I definitely see him in your face and never leaving you be sometimes.

↪ The way he treats you would be as different as two salt grains, but at the same time, as contrasting as his black and white scarf. He'll tease you as he does everyone else, he'll pick on you like he does with the others as well, and he's not above doing things that you may find cruel, but the level at which he takes it would be noticeably ( or possibly unnoticeably ) different from what it is with the others. Not so low that it's obvious and he looks like some simp who can't so much as tell you that you have lettuce in your teeth out of fear that it'll hurt your feelings, but it will never be as high as how he acts towards Maki or Kaito. Well, not unless you like to be talked to like that.

↪ That moves us to my second thing I see him doing which is indulge you. Similar to Miu, who gets off on degradation, he doesn't care for what gets you going really and he doesn't mind doing whatever if it makes you feel good. You like to be praised over the simplest things? He doesn't mind throwing out a cheesy comment randomly to fluster you and then immediately change the topic. You, for some reason, like it when he's a little mean? When he immediately claps back at something you say? He can do that. Anytime. Anywhere. And he will and then quickly follow up with his usual antics as if it never happened.

↪ But I'm getting ahead of myself. Realistically, I don't see him dating someone, but if he does then they'd have to be really, really special to him. Like someone special enough that his love for them outweighs his anxieties and fears of the worst happening. Someone who he's known for so long that his trust issues won't get the better of him when imagining a relationship with them.

↪ A relationship with him, though, wouldn't be as different as a friendship with him which isn't the best in some ways. He's still a teasing little shit who lies about even the littlest things and is constantly flipping between extreme emotions and downplaying them so significantly that you can't take them seriously.

↪ Don't expect to have any kind of heart to heart with this man. You could pour your heart out to him, tell him some deep ( and possibly dark ) secret about yourself or tell him about a thought or insecurity or incident about yourself that you haven't told even your most trusted companion and he will absolutely not return the favor. He's too used to keeping everything bottled up inside and hiding behind this facade of lies and trickery that showing even a little of his true colors makes him very uncomfortable.

↪ He isn't exactly affectionate. Kisses, hugs, holding hands.. Stuff like that usually only occurs when he's teasing you or trying to get a rise out of you. It's never a genuine action that'll stems from his desires and he'll make sure it never does.

↪ You can never tell what's going through his head even in his most 'vulnerable' moments—if you can even call them that. He's always changing, always saying the most absurd things, always saying the opposite of what he's thinking to ensure that you're thrown completely off his trail and can never read him. To put it simply, he's constantly putting iron barricades between you two.

↪ He can come off as heartless or emotionally tone deaf at times because of this. You could come crying to him or express a deep insecurity of his and it'd seem as though he's not taking you seriously or has completely brushed off your problems which can be seriously depressing and disheartening.

↪ That leads us to arguments, which always feels as if you're screaming at a clown. Kokichi is not one to let his true emotions get the better of him so 99% of your arguments will leave you even more frustrated and upset as when whatever made you argue first surface because it seems like everything you say is being taken as some joke or comedy act.

↪ What a relationship with him needs is time. A lot of it. Kokichi has grown up in an environment that has turned him into someone who physically can't let down his walls, who assumes the worst will happen to him or the people he cares about if he gets too close with someone he can't read like a book at all times ( and even people he can read like that ), someone who can be fighting an unimaginably tough battle—one so intense that it could drive anyone insane—and you'd never be able to tell due to how good he hides it. Time can chip away at all of that, albeit very slowly.

↪ With the right amount of patience, with the right amount of time and the right amount of energy and persistence from his partner, they'll make headway with him eventually. When they do, the change it'll cause will be as big as a baby ant, but it'll be a change nonetheless.

↪ He'll start mixing the tiniest, most insignificant levels of truths into his lies and his partner will have to accept that and let him know that, "Hey! I see that you're trying as hard as you can and I'll wait as long as needed for you to go further!"

↪ Don't try and force progress because it'll leave you being farther away from your goal. When he walks, you walk. When he tethers between taking that next step, you stay put until he decides what he'll do. If he goes backwards, you take a step back as well. That's the only way you're getting anywhere with him.

↪ And with all that effort, you'll get somewhere..eventually. ..Hopefully. I don't really know. When it comes to Kokichi, he could make you believe and feel as though you've made unimaginable progress only to do something completely left field that'll force the enormous gap between you two to become apparent.

↪ Basically what I'm saying is that he's more fragile than you'd imagine so be gentle with him! ..But don't let him catch onto it or else he'll panic and push you away out of fear of breaking what's already cracking apart. You need to be to tend to the glass that is his mind and body, caress it like you would a nasty bruise and don't ever put pressure on it, otherwise he'll shatter and you'll never be able to put him back together again ( nor will he let you try ).

Dividers were made by me, pictures used are from Pinterest, post formatting is inspired by @xxsabitoxx

[dullgecko]

Ok, thinking about Riz developing feelings for Fabian but not understanding them, so one day he pulls Adaine aside and asks her Is it normal to want to bite Fabian and only Fabian? Like, what does that urge mean?

Adaine tents her fingers in front of her mouth and takes a deep breath before putting both her hands on Riz's shoulders. The goblin currently standing on a chair in front of her to put them at eye height. He looked frazzled, which was normal for him, and if he was stuck on something he'd usually come to her first for help but the subject had honestly caught her off guard.

"Riz, I can honestly say i've never had the urge to bite anyone. I might not be the best person to ask." she tipped her head to the side, wincing when Riz's ears drooped slightly and he gave her a pained expression. "BUT, if i had to guess, you could be pissed off at him. That would be a reason to want to bite him..... How HARD do you want to bite?"

"No I'm not mad at him that would be obvious." He flicked his tail, glancing down at the crumpled piece of paper in his hand that he'd ripped out of his notebook. Being angry at Fabian had been the first thing he'd thought of, then crossed out, then wrote down again with a question mark next to it... then scribbled out again.

"And i don't want to bite him hard. Just like, a bit. But ALL the time. I'm so confused."

"Oh... Oooooh." Adaine nodded, giving the goblins shoulders a reassuring squeeze. "Okay. Have you considered, now hear me out on this one, that you might like him?"

"Well yeah of course I like Fabian he's my best friend? What has that got to do with me wanting to bite him?"

"No, Riz, listen. You might like him." She gave the goblin a little shake when he cocked his head to the side in confusion. "Gods. Okay, let's try a little thought exercise. So, that urge to bite you keep getting. Lets maybe pretend the bite is something else. When you think about Fabian could you maybe also see yourself kissing him?"

"What? No? I mean... no? I don't even..." The rogues eyes went wide and glazed over as he started thinking, Adaine could almost see the cogs whirring in his brain as his flit through a thousand different thoughts like he was just given the key to a cypher he'd been stuck on for weeks. "Oh no."

Riz dropped into a crouch, bringing a hand up to chew on the claw of his thumb as he thought some more. Eventually tipping his head back to look up at the amused wizard and flatten his ears back into a distressed position.

"Shit Adaine."

[thelonelyshore-if]

Yasmin nsfw alphabet please?

Okay I have finally finished Yasmin's alphabet I'm so sorry it took so long y'all. It's below the cut <3

A = Aftercare (what they’re like after sex)

Sex hypes Yasmin up, and she’s not really a cuddler. She usually feels very productive afterwards so she might get right back to her day, but she isn’t opposed to cuddling, if that’s what her partner wants. Especially if it’s later at night and they can fall asleep together.

B = Body part (their favorite body part of theirs and also their partner’s)

Yasmin likes her thighs and hips quite a bit. On a partner, she's a sucker for lips.

C = Cum (anything to do with cum, basically)

She has very little opinion on cum on her own, but if it’s something her partner is into she’s perfectly willing to put on a show. Licking someone/a toy clean, tasting her own cum, or her partner’s–while it isn’t a turn on of hers, it can be plenty fun if the audience is into it.

D = Dirty secret (pretty self explanatory, a dirty secret of theirs)

There are a few people in town she occasionally sleeps with. There aren't any feelings involved–it's just some casual fun–but all parties agree it's best to keep this quiet. Once MC is in the picture, though, she doesn't really have a desire to see any of them anymore. 

E = Experience (how experienced are they? do they know what they’re doing?)

Very experienced! Yasmin enjoys sex. She's good at it, and definitely knows what she's doing. 

F = Favorite position (this goes without saying)

If she's bottoming she enjoys riding her partner or otherwise still physically being on top. When she's topping she prefers either missionary or doggystyle, depending on the day. 

G = Goofy (are they more serious in the moment? are they humorous? etc.)

She's very playful and teasing, but typically in a flirty/sexy way. She isn't so much into joking around in bed; but she isn’t deadpan, either. Sex is supposed to be fun!

H = Hair (how well groomed are they? does the carpet match the drapes? etc.)

Depends on the season–if it’s summer she keeps her bikini line very neat and might even style further, if the mood strikes her; if it’s winter, though, she simply keeps things trimmed.

I = Intimacy (how are they during the moment? the romantic aspect)

Yasmin, for all of her ‘I only want to be friends with benefits’, is intense in bed. She can be lighthearted and sexy and teasing, yeah, but she gets into it in a major way. She can be very romantic when lost in the moment, but typically brushes it off afterwards. You were just having fun, yeah? Later in the story, though, if MC pursues a romantic relationship with her, she can be veeeerry romantic in bed. Doting and sweet, when she wants to be.

J = Jack off (masturbation headcanon)

She enjoys it, but not as much as sex. Touching herself is fun, and she does it well, but give her a partner any day. Still, it’s a good way to relieve some stress or have some fun if she’s stuck at home for whatever reason.

K = Kink (one or more of their kinks)

Yas is fairly dominant, and she loves being in charge and taking care of her partner. She’s into leather and some light BDSM and punishment and making her partner beg. She has a strap that she gets as lot of use out of. At the same time, she likes doting on her partner, praising them, etc. She’s flexible <3

L = Location (favorite places to do the do)

At home…………in theory. She’s a private person, since her reputation in town is important to her, so if asked she’d claim that she’s only really into private sex. Now, that being said, sometimes the mood strikes you, and if your car is parked somewhere fairly hidden…well. What happens, happens ;)

M = Motivation (what turns them on, gets them going)

Passion and talent both really turn her on. She likes watching someone do something that they’re skilled at, especially if it’s something like a sport or performance. It’s sexy, when somebody cares about things. Also she’s just a flirty person overall, teasing one another also really gets her going.

N = No (something they wouldn’t do, turn offs)

Roleplay is fun in theory, but she can’t take it seriously in practice. She’s tried it a few times but as soon as either she or her partner started ‘acting’ she would just burst into laughter. It just kills the mood for her.

O = Oral (preference in giving or receiving, skill, etc.)

Big fan lmao. Yasmin’s favorite thing is watching someone suck off her strap, but she enjoys getting eaten out, too. She likes giving, as well, but does prefer to receive, generally speaking.

P = Pace (are they fast and rough? slow and sensual? etc.)

Whatever you want, babe ;)

Q = Quickie (their opinions on quickies, how often, etc.)

Yas loves quickies. Sneaking away for a quick fuck is exciting and hot, and it can be kind of fun to see what you can get away with. 

R = Risk (are they game to experiment? do they take risks? etc.)

She’s down for experimenting and risk-taking! She likes changing things up, and is always interested in trying new things; though she is also comfortable sticking with the usual, for the most part.

S = Stamina (how many rounds can they go for? how long do they last?)

As many as her partner can handle. Yas is a big fan of multiple orgasms–giving, especially, if her partner is someone who can have them. At the same time, she’s a fan of quickies, as mentioned, so she’s perfectly happy with something short and sweet, as well.

T = Toys (do they own toys? do they use them? on a partner or themselves?)

Oh yeah she loves toys. She has a few straps she’s a big fan of, and a collection of other gear she gets a lot of use out of. She enjoys her own toys, of course, but also does really like using them on her partner.

U = Unfair (how much they like to tease)

Depends on how into it her partner is. Yasmin enjoys teasing, but if the person she’s with isn’t super enthused by the idea, she’d rather just get down to it. And she doesn’t enjoy being teased at all.

V = Volume (how loud they are, what sounds they make, etc.)

Oh Yas is super loud in bed lol. Like, she can be quiet and subtle–especially if she’s being a little irresponsible and isn’t at home–but she likes being able to talk and moan as she pleases.

W = Wild card (a random headcanon for the character)

Yasmin is a huge fan of marking and being marked, but only where nobody can see. It turns her on to know that either she’s been marked, or that she’s marked her partner, and they’re the only people who know. Like a secret little show of ownership. She thinks it’s hot (and also cute, in a way).

X = X-ray (let’s see what’s going on under those clothes)

Yasmin loves her body and isn’t shy about showing it off, especially to somebody she’s sleeping with. She’s curvy, with stretch marks on her hips, stomach, and ass. She has a few moles scattered across her body, and shaves off most of her body hair (unless it’s winter).

Y = Yearning (how high is their sex drive?)

Very. She likes sex, it makes her feel good, and she enjoys doing it as frequently as she can.

Z = Zzz (how quickly they fall asleep afterwards)

Yas basically can’t sleep afterwards. Instead she’s often energized. This can cause issues if she’s had sex right before bed, but she’s a big fan of taking a shower with her partner to wind down and then falling asleep together <3

[iamsurvivor666]

"You were fangirling over someone else."

| LOVELY RUNNER (2024 - EP1)

[icewindandboringhorror]

What would you choose? :0c

(note: original image is from HERE (link) - but I edited it to add a wider variety of options.. also added $3 extra to the total, even though I know that makes it more uneven lol, I thought if you're adding 10 whole extra items, the money to spend should at least be increased slightly, if that makes sense..)

[batsplat]

always am obsessed with motorsport champions that decide to run the number 1 plate vs those who’ve stuck with their number. because it reveals so much of each of their inner philosophies, whether they are deeply superstitious, or seek a tangible everyday proof of their victory, or concerned with branding/legacies, or trampling the inner critic that believed deep inside of them that they were cut out to be a champion. just so interesting to parse through possible motivations

you're so right anon!!

of course, a big part of it is historical context... you can't really disentangle the choice of whether to run the number one plate or not from the era within which they made said choice. until fairly recently, it was entirely the norm to pick the number one plate - and beyond that, even those who didn't finish in first tended to just adopt the number that represented the place they had finished in during the previous year's championship. so for instance in 1987, gardner was first, mamola second, lawson third, haslam fourth, macckenzie fifth, and so on. in 1988, gardner ran the number 1 plate... mamola 2, lawson 3, haslam 4, mackenzie 5, etc etc. the only champion who broke with tradition was british racer barry sheene (500cc champion in 1976 and 1977), known for being a rebel - and even the styling of his iconic number 7 was apparently a wee bit controversial:

sheene stuck with the 7 both after his formula 750 title and then after his two 500cc titles:

there's some ways in which sheene is kinda the prototype of the modern rider, and he was the first to reap the benefits of having a distinctive number associated with him

in the eighties and nineties, it was all back to number one plates - but then of course another rider decided to break with tradition

incidentally, the generally purported story for why valentino took the number 46 is that it was his father's number. if his autobiography is to be believed, the truth is a little different:

I am Valentino. Graziano chose that name for me because he wanted to honour the memory of his best friend, who drowned at sea, near Pesaro, at the age of eighteen. The fact that St Valentine's Day is just two days before my birthday was also a reason. Number 46 originated when I raced minibikes. I was on a team with two kids from Gatteo a Mare, Marco and Maurizio Pagano. They are the brothers who lent me the Aprilia 125, which I used for my debut at Misano. All three of us had number 46 because we raced in three different categories. They too loved Japan and Japanese riders. One day we were mesmerised by a wild-card entrant at the Japanese Grand Prix who pulled off the most amazing tricks and seemed to have no fear whatsoever. He was number 46. And from that day on, so were we. For me, that lasted until I moved up to the Italian championship and, later, the European series. But when I finally made it to the world championship, I was asked to choose a number. I discovered that 46 was Graziano’s number when he won his first Grand Prix on a Morbidelli 250cc, back in 1979. Which was the year I was born. That’s why I decided that I, too, would be number 46. For me that number represents my career and, partly, my life. It certainly symbolises my massive, incredible, adventure. 

so valentino was only the second premier class rider who stuck with his number. the norm of just following the previous year's standings to choose your number was kinda starting to die out in the late nineties anyway. by 2002, when valentino was defending his title for the first time, if you look down the list it's basically personal numbers all the way. still, valentino was the one to break tradition for champions - the first to do so in a couple of decades. valentino did also know sheene personally as a result of the link through his father, who was a friend of sheene's and had raced him:

^valentino with sheene, valentino wearing a tribute helmet with the iconic '7' on it after sheene's passing (also with the rainbow helmet colours and the word 'pace' or 'peace' on the back during the 2003 invasion of iraq), and valentino's 2005 championship celebrations for his seventh title, his shirt again featuring sheene's seven

hayden didn't follow valentino's example and instead went for the number one plate in 2007. casey made the same choice for the 2008 season, then jorge in 2011... so for a hot moment it really did look like valentino had been just another blip. if anything, the trend was going the other way, with a couple of high profile instances of riders who hadn't won the title rejecting their established numbers:

this particular trend didn't catch on, and from 2010 onward dani decided to just stick with the 26. because all the non-valentino aliens just couldn't stop faffing about with their numbers, 2010 is the only year in which all four aliens are actually concurrently running the numbers we most commonly associate them with

then, by 2012 apparently people were starting to get a bit superstitious about the number one plate. here, from an interview with casey:

the idea is that you can't defend the title if you're sporting the number one plate. which is true! in the 21st century, three guys chose the number one plate, and they defended their titles a grand total of zero times. one bloke stuck to his number, and he defended his title five out of seven times. so yes, it is technically correct that nobody with the number one plate had defended their title, though it is equally true that nobody not called valentino rossi had defended their title. I suppose we'll never know what the bigger factor was

anyways, if picking the number one plate was already a sure thing before, I reckon this sort of silly talk about 'jinxes' would have made casey even less likely to change his mind for 2012. not only is he stubborn, but he also takes an extremely dim view on superstitions

That race was the twelfth in a row that had been won by a rider not starting from pole, which was a new record. People were making a big deal about it and questioning whether, psychologically speaking, it wasn't a good thing to qualify on pole position at all. Maybe to the superstitious riders out there it had become an issue but I have never allowed myself to be affected by outside influences like that and I put an end to the stat by winning from pole in the next round at Laguna Seca in California. It is amazing how many riders have superstitions, which to me are completely ridiculous. Pretty much every one of them has a little mascot or a lucky pair of undies that they once had a good result in and have been stuck with ever since (so to speak!). Superstition is basically just fear and as an athlete my view is that by allowing it to enter your mind you are effectively handing over control. My approach has always been to deliberately tackle it by doing things differently to the last time, just to make sure I don't get into a restrictive habit. Some riders look at their qualifying position and think, I never go well from fifth position, or arrive at a circuit thinking about past results there and say, 'I've never done well here before, it's not my favourite circuit.' You have to be in the mindset that every day is a new day, a new set of circumstances. Every corner is different, every situation is different, and if you are not prepared to open your mind to that then you will always struggle more than necessary. You might have been through one particular corner a thousand times before but with a slight change in temperature, a new bike, a different tyre or a rider trying to pass you on the inside it becomes a completely different challenge and you have to be ready to deal with that.

given that casey is like, neurotically anti-superstition - well, he was probably always going to do the same thing as he did in 2008, but now he definitely would never just stick with his number. unlike jorge... who did change his mind, having run the number one plate in 2011 - but decided against making the switch in 2013. funnily enough, this did not help him defend the title. the eventual 2013 champion ended up also opting to stick with his number... and, well, marc's title defence went a little bit more smoothly. after jorge's 2015 title, he once again stuck to his 99, while marc has used the number 93 throughout his career. by the time you get to 2020, it's easy to have a warped perception of how common it is to keep your number. if you're born in, say, 1997 or later, you think it's basically the done thing to stick to your number, and it's really only a few outliers who use the number one plate. but even in the 21st century... it's really just valentino and marc who were doing it, plus jorge two out of three times. but between the two of them, they sure were winning enough of the titles to make it feel like the established norm

by this point, there really was a bit of a superstition about how the number one plate was 'cursed'. obviously, this wasn't actually a 'curse' as much as it was 'the dominant force in the sport in the noughties decided this number one plate thing wasn't for him and the dominant force in the 2010s who also happens to a massive fan of the other guy also decided not to make the switch either so that probably explains it'. it's not 'you won't defend your title if you're sporting the number one plate', it's 'you won't defend your title if your name isn't valentino rossi or marc marquez'. but obviously, sports drives people insane, so it was always going to be something that prompted a lot of speculation until someone finally managed to defend the plate

following his 2020 championship, mir didn't depart from the new tradition, with a suzuki video to announce his decision:

and fabio did likewise after his 2021 title:

obviously, sticking to their numbers didn't actually help joan and fabio defend their titles, and after his 2022 championship it was pecco's turn to make the choice. pecco went about this in the most pecco way imaginable, with just a touch of public hand-wringing about the whole thing:

just as a quick reminder, before pecco there had been 28 premier class champions. five and two thirds decided against the number one plate - sheene, valentino, marc, joan, fabio, and jorge twice. "I have always been fascinated about riders with number one" describes something that until very recently had been completely normal. not even remotely noteworthy. cheers valentino

eventually, presumably after some extremely extensive introspection, pecco decided to go for the number one plate:

and also this:

and also this (look he's got a lot of thoughts on the matter, please allow him):

and talking about defending the number one:

pecco has continued talking about it sporadically since then. he's spoken about it in the context of defending his title, which as he points out he can only remember marc and valentino doing:

and then the pressure inherent to sporting that plate, from after he'd successfully completed his title defence:

hm. right. let's unpack

the thing about this whole 'running the number one plate' business is that in motogp, each rider's individual choice has to be read with that history in mind. for many years, this wasn't even really a question... it's just what you do when you win the title. sheene was the rebel, the one who decided to do things differently, who wanted to be associated with his very own number. and valentino, who himself knew sheene and was already attached to his own number and has always had a good sense for personal branding, decided to stick with 46. of course, valentino being valentino, he's inescapable enough within motogp that ever since he made that choice, every single champion after him has had to actively make a decision one way or another

so you've got jorge, who had used the number one plate in his title defence during his 250cc campaign in 2007 - and also used it in 2011 as motogp defending champion. he ended up changing his mind for his following two campaigns... remember, he only started using the number 99 in 2009 after his fractious split with his manager during 2008 (see more on numbers lore here). here was what he said about his decision in 2011:

versus his decision in 2015:

jorge in particular does of course have a bit of a complicated relationship with the numbers he's used during his career - and unsurprisingly he's clearly put quite a lot of thought into the whole matter. he's determined to still have the number 99 represent him in some way even in 2011, while also thinking about how he can integrate the number one into his initials - and since it's jorge, of course it's particularly important that his fans approve. he "won't forget" his 99, it was still on his leathers because it's still 'in his heart'... but he explains it by saying he has "earned the right", that it's a "unique opportunity". then, a few years later, his main cited reason for sticking with the number 99 is how it 'represents' him

very much a question of identity, then, something about how jorge made the choice to use the 99 and how it was an expression of liberation for him... he was tempted by the number one once and only once - a statement in itself, following on from jorge's title win in 2010 where the oppressively popular defending champion had been taken out of contention through injury. jorge says he's 'earned the right' because he feels like he deserves it and he wants to tell the world as much. did his failure to defend the title play into his decision not to run the plate again or did he just decide it wasn't really for him after all? did he realise he had grown so attached to the number 99, what it symbolised to him, that he didn't want to give it up again? or did he just realise it was better for personal branding?

last year, here's what casey had to say:

it's fun how the perception of it has changed so drastically, hasn't it? now it's kinda the brave decision to take it... and that's mainly the legacy of two blokes who happened to monopolise this century of racing and decided to make their numbers their own (you may have noticed that there's considerably less material out there on why they made the choice they did). it's gone from something that you just sort of did automatically to something that puts a bit of a target on your back. because that's the subtext, right - everyone wants to 'take the number one plate'... which obviously they do anyway, but all this talk of curses and jinxes attempts to give it a bit of extra weight. is it presumptuous to take that number? valentino and marc made the call to stick to their numbers - and years later it's become a statement to deviate from that path. in that fabio quote above, in context he's really just trying to say he feels like he's the number 20 and nothing other than that - but "I feel like I'm not number one" is still a teensy bit loaded. how did marc's injury affect the choice made by those in his absence?

casey is unsurprisingly very firm on the whole thing, "you are world champion and you should be wearing number one". as if doing anything else is shying away from this duty. defending the title is another "challenge" that he says he likes - almost like a way of putting extra pressure on himself. though in a different interview, casey also says this:

just a number after all, then? it's also interesting how they frame it in different ways, isn't it? for casey it's "recognition" of an achievement, for jorge it's something you've "earned"... and for pecco, it's something you "need to respect". it's about something that puts "pressure" on you... perhaps that's partly because so much of the discourse about the number one plate has become about defending the title (or failing to do so), but pecco discusses it more as a responsibility than something he deserves. you can tell that it's clearly preoccupied him for a while - it's something he's "fascinated" by, he's "admired" people who have done it, he's "always loved it". for both casey and pecco, part of it seems to be about respecting the history of all the blokes who have used the number in the past, like it's an act that pays tribute to that heritage. you'd think this shouldn't have been such a tough choice in the first place, wouldn't you? goes to show how much of a break with tradition it's become - tradition, of course, that was really started by pecco's own mentor. would it be that surprising if that's part of the reason for the reticence? and, at the same time, would it be that surprising that his mentor's long shadow might make him feel like he needs that big and bold number one? what does pecco think it's saying that he went a different way? all this public hand-wringing just because he's breaking a trend

for jorge, the number one plate was a public declaration that he'd made it, naysayers be damned. to pecco, "the number one plate means you need to demonstrate you are number one". it's like giving yourself a point to prove... is it mainly a matter of pride or giving yourself something to live up to? both of them go to great pains to stress their continued attachment to their original number, how they're continuing to integrate it into all their cute designs... and that is something that has changed pretty definitively - not entirely as a result of valentino, but around the same time as valentino emerged as the figurehead of the sport, and he's certainly a big part of it. even the riders who go with the number one still want to have their number and to be known by it. the numbers have become such an integral part of branding and rider identity that riders want to make clear how important they are to them, whether they stick with the number as defending champions or not

at the same time, the fact that taking the number one plate has been de-normalised means that this decision places extra focus on the challenge of defending the title. pecco might not frame his choice in opposition to valentino and marc's to keep their numbers, but he does repeatedly link it to how they alone had been able to win successive titles. for him, then, it becomes an indirect way of living up to a legacy - counterintuitively by doing the opposite of what they did. "since I remember, was just marc and vale have repeated the title" “I thought about it many times this season in all the races we were struggling that the only two riders able to win two years in a row were marc and valentino"... that's what he's trying to live up to, this simultaneous source of inspiration and insecurity. are you lacking confidence if you need to see the number one to believe yourself that you are the number one? or is it conversely shying away from something you have rightfully earned if you can't bring yourself to take the plate? is it an expression of ego if you think your personal number is more meaningful than the number one could ever be? personal branding decisions aside, wouldn't manufacturers much rather you display the number one plate proudly on their bikes?

kind of remarkable, isn't it? it should be such a simple choice... and yet. not only is it now a question of branding and identity, but within motogp it's also become one of how you relate to the legacy of two specific riders. maybe it'll gradually become more common again to take the plate - after all, the curse has now been broken. or maybe it will be the source of much hand-wringing forevermore... we shall see. we shall see

[twentyfivemiceinatrenchcoat]

i am struggling soooo much with this reader’s personality someone save me from this hell….

[ehh-is-the-name]

It's past 11 on a school night and I'm fucking crying over robot sentience.

I could never understand what it would feel like to be created with the intent to kill and maim. Maybe, the intent to work and be worked, but not kill and maim.

I will never understand what it's like to be created with the intention of being a product for the masses, either. I think, I hope, I beg, no one does.

I will never ever be able to fully comprehend why hours of people's work, time, and money would be put into formulating my sentience only for me to be seen as disposable. Even if I could be improved, even if I were "defective", there is no reasonable justification for giving me emotions only to dismiss them by pushing me as a product for a year before starting anew.

It's... It's cruel, to the machines. Sentient or not, it's cruel. Though, I guess we are cruel.

[quietwingsinthesky]

sometimes i think about my spn oc and how i rewrote everything about amara to interact with the story i was trying to tell about her. there were some really neat ideas in that i need to recycle for something one day. like, in the show proper, they just let amara take over a human baby and that’s fine, but amara’s not Meant To Be Here. this entire universe is one constructed in her absence. saying she can possess a human body should be like saying if you took a person and sent them to a universe where 1+1=3, they could just figure out how to function within that.

which in story took the form of Amara being something that could not be Understood, only Rationalized. a force locked outside the narrative who could only get inside and destroy things if given a role within it. by the Winchesters as A Monster To Face. by Chuck as Wayward, Unreachable Sister. and by miss oc as. simultaneously a projected creature to be saved, an amalgamation of injustices done to herself (and others) that would never be righted but could be made up for by being a part of this. and as something impossibly powerful that could be both protection and purpose.

and the Darkness wasn’t any of those things, really, but to have agency in her own story required new shackles, but ones she was always straining against. she wouldn’t fit inside the confines of a human mind, let alone a body, at least not well enough to leave it Intact. like lucifer burning through nick, but Worse. because the burns were an expected outcome of skin not strong enough to hold him. humans were built for angels, some were built better and some worse, but they’re meant to work. putting amara in human skin should disconnect the skin and mind and soul from the reality her brother built itself, i think. slowly. bit by bit.

and at the same time, i’d gone and written the kind of wild scenario you really can only write for your thirteen year old mary sue, given that spn oc the part of herald/high priestess/failed vessel. which she pursued with wild abandon like that would fix anything wrong with her <3

in the end, running alongside the borrowed family theming of the original show was my own theme of “how much self-annihilation will you accept to make your point. are you accepting it, really. or are you seeking it.” not just physically, in letting something unmake the base components of what you are as it tries to fit inside you or in it constricting and suffocating itself beyond self-recognition to get inside in the first place, but, obviously, it’s supernatural, how much selfhood do you cede to your family. is it worth it.

it was interesting, if nothing else. let thirteen year old me cook. she had ideas.

[aroaessidhe]

2023 reads

Saint Juniper’s Folly

YA paranormal mystery

follows a foster kid returning to the small town he grew up in, who runs from the judgemental townspeople and ends up magically trapped in a mysterious house in the woods

a boy who lives a boring life in the town until he finds him, and wants to figure out how to save him

and the young witch from the town over who’s heard the woods calling since her mother died, and wants to help

m/m, friendship & investigating a mystery

[seventh-district]

several days and 15 thousand words later, i am relieved to report that the suffocating urge to Write Something has been sated and no longer has me in a chokehold